#i wonder if they ever interacted one-on-one between s2 and s3. we were robbed of their friendship (fingers crossed for s5)
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smalltownduck · 8 days ago
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pls share why in the tags!
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yjwhatif · 3 years ago
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With the semi/cryptic confirmation of Ed and Barts relationship in the series I have a question:
Do you think everyone knows about them (in world) or do you think they’re keeping it secret from some?
It’s just a thought that’s been in my head recently. It is most likely fuelled by the whole drama of G&B not being able to depict a “specific character” (it’s definitely Bart) as gay. They’ve had to hide the relationship from their audience - because of ridiculous reasons - but there are still moments that bring up the question - Are they? Before the reveals from AskGreg, I kinda thought- well they are clearly not together yet, but perhaps they both have feelings for one another and are just waiting for the other to make the next move because they’re nervous idiots who don’t want to have read the situation wrong — all while their friends are like - seriously guys? just get together already. Kinda like they did in s1 with Wally and Artemis - and I guess early Supermartian as well - which I would have been okay with... though with the likelihood of there being at least another two year time skip you’d probably have missed the getting together moment - which would kinda suck. Anyway. With the information about the chances being they were supposed to clearly be in a relationship throughout S3 — which makes the whole structuring of ILLUSIONS just make sense — it’s got me viewing their moments with a whole new energy. Also, I saw this post by Greg —
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And let me just clarify, I have no idea if this is actually referencing the Ed and Bart stuff, it might not be (probably isn't). This is purely me speculating.
My reading of this is they got told they couldn’t depict Bart as gay pretty late on and that specifically affected ILLUSIONS where they likely intended to confirm the relationship with that first shot - the kiss on the cheek moment. Even now that moment is just odd - because it’s there but it’s not - because technically there is no actual kiss… which I think is absolutely the point. It plants the seed without actually breaking any rules - all by keeping the momentum but removing the specific kiss frame. It’s the only moment that I feel is explicit in saying they are in a relationship - everything else you can just read into and imply there’s something - but they technically don’t confirm anything.
The whole thing is actually quite interesting - despite the reasoning for it being totally ridiculous. By keeping/showing what they did... People notice it. People talk about it. People reflect on it. More people talk about it. People writing. Make. Create. Discuss it. An entire audience is formed who want and support it. It’s a whole thing now because people noticed it and generated a positive response to it - and that was before all the AskGreg information. The whole reason YJ got a season 3 is because the fans fought to get it back. Enough people talked about it - and kept talking about it - to convince TPTB that the show should come back. Greg and Brandon know this. They know the power the fans have and maybe they hoped that power would help them again in freeing Bart from these ridiculous restrictions. #letbartoutofthecloset
Obviously, we can't know until S4 is released whether G&B got the permission to confirm Bart's sexuality the way they envisioned - but maybe the responses that came during the release of 3b were enough to convince TPTB that they were fighting a losing battle. But who knows, people in power can be very stubborn at times, so we will just have to see what we get. Fingers crossed they eased up though - and not just because of the Ed/Bart relationship (which I am obviously a fan of -- it's fine if not everyone is) - but because these restrictions on LGBTQ+ content shouldn't be a thing and need to stop -- there is just no validity in them.
Anyhow. despite their not being allowed to officially confirm the relationship, Greg's comment about Ed's having a boyfriend they can't name basically confirms the fact without technically breaking any rules again. Masterfully done Wiesman. With this, it implies the pair are in fact dating during S3 which brings us back to the original question... but who knows??
With the comments of Virgil during ILLUSIONS, it's easy to assume their friends do in fact know. They also seem to have no problem being close and interacting with one another whilst in the presence of others -- that is, except for one moment...
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Ever since the first time I saw this episode (ELDER WISDOM) I have always found this moment strange - because Ed seems to get kinda awkward when Barry comes to check on Bart. (Or that's how I see it at least.) He realises Flash is standing there and immediately pulls his head down averting his gaze -- almost like he doesn't want to be seen by the elder. But why? Does Barry not know about the pair -- or maybe he doesn't know about Bart and Ed thinks their current closeness is too revealing -- who's to say Bart's even fully out to the world yet -- who's to say either of them are? We certainly don't since we weren't allowed to be shown. We can't know until we know - so until then we can play the speculation game while we wait.
Bart is certainly a bit of a secret keeper when it comes to being himself. I'm still convinced the Bart we see onscreen is merely his interpretation of what he thinks people expect from a speedster in this time. We saw 'real' Bart, he was snarky and cynical and nothing like the Bart we've had for the past two seasons. He said it himself - he's playing a character - and I don't think he knows how to break out of it - not while the possibility exists that it might hurt those he's grown to care about. Bart wants to be seen a certain way to avoid acknowledging the truth of the past - if people see him as happy and smiley, then no one will question him on things he doesn't want to talk about. The problem with that is you can't hide yourself forever - cracks begin to form and eventually, the truth comes out whether you want it to or not. So who knows how comfortable Bart is revealing any of his true self to those he cares about. Maybe his relationship with Ed will be the thing that finally helps him find comfort in being himself, whilst also trusting others to still accept him as himself... and maybe getting him that bit of therapy he really needs.
This brings us to Eduardo… First, can I just say it made me so happy to see Greg’s confirmation of Ed being gay - though it is slightly annoying that he was robbed of his explicit onscreen reveal in S3 thanks to the drama with Bart. His whole relationship to his powers in S2 to S3 fits the representation of coming to terms with your sexuality/identity from a very negative point of view. Feeling like it’s something that needs fixing or needs to be “cured” - to then finding the light and freedom in accepting yourself for you. His growth between seasons is brilliant. He understands the hate and insecurity the teens are feeling because he felt it himself. He does all he can to help them because he never felt he got that help when he needed it - and no one deserves to feel worse for being who they are. Obviously, the things he talks about are framed in the context of dealing with/accepting the meta-gene - yet there are certain moments where it seems he’s saying more than that…
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All of which got me wondering - why did Ed originally runaway? It certainly wasn’t because of the meta-abilities he did not yet have. All he’s ever said on the subject was he thought he wanted to be with his father - the man it seems he barely had a relationship with. No, I think Ed has been running from himself for a long time and his dad just happened to be an actual direction for him to aim for. The way he speaks about his wanting to be “cured” and “praying to get rid of his powers” suggests an upbringing around religion and traditional ideas of there being a ‘normal/proper’ way to be — while anything that doesn’t fit that way is treated as other or something that needs to be changed or 'fixed'. Maybe he ran to avoid being found out and run the risk of being ostracised by those he loved. Or maybe he was found out and leaving wasn’t entirely his choice*. If this was the case, I can certainly imagine him not wanting to come out to his dad for fear of his reaction and completely losing all chance of that father-son relationship they’re both trying so hard to keep. It can seem easier to live in secret than risk the reality of loss. So while the meta-gene likely wasn’t the main thing he was angry about in S2, it was able to become a physical thing he could blame and focus his anger on - without having to think about where his issues truly lied… Though with a bit of time it also became the thing he was comfortable conveying his feelings through...
“I’ve learned to accept, even love my meta-abilities”
I love this line so much and it’s all because of the delivery by Freddy Rodrigues. There is the slightest hint of a pause before he says “meta-abilities”, which gives the impression he was about to say something else before then remembering himself and who he was talking to. Then there’s the small inflecion he put on “love”, which makes it sound like it’s the first time he’s heard himself say the words out loud. I don’t hear him talking about the gene - I hear him talking about finally accepting himself - all of himself - for the first time in maybe ever and finally feeling happy because of it. I hear growth... From being the angry 14-year-old skater who just wanted to run away and escape any way he could. To the 16-year-old councillor/Outsider jumping straight into the danger to protect and inspire those who need it. Both he and Bart are such strong characters with so much more to be seen - especially when it comes to the insecurities which lie behind their masks. They both compliment each other pretty perfectly - both powers-wise and personality-wise - meaning while they try to hide themself from others, I don't think it'll take long for them to realise they can't hide from each other.
Anywho, that’s all the speculatary nonsense I’ve got for today. This turned into such a patchwork of vaguely linkable thoughts I’ve had which barely relate to the one I started with - but that is usually how it goes. Take it as you will…
Also, completely unrelated to YJ, but Bi Tim Drake now exists in dc canon which is really cool - seeing all of the joy it’s sparked has really given me something to smile about this week… There is hope after all. 🌈
— LB ⚡️☀️
* OK so here’s a little random snapshot into the chaos of my mind— as I was writing the Ed stuff I had a scene pop into my head of Ed finally -for whatever reason- having to tell his dad that he didn’t leave his abuelo’s home - he got kicked out. His dads confused about this and asks Why? What did you do? And Ed’s like Nothing… I didn’t do anything wrong… he just… found out something. So Seniors like Found out what Eduardo? And Ed’s getting really nervous now because he doesn’t want to say it - That I, um… I’m… Senior step a fraction closer as he picks up on Ed’s anxiety but remains an appropriate distance - Son? Then after a tensening silence he finally says it - sounding the most vulnerable he has ever been - I’m gay… The silence is there again, heavy and unnerving, neither saying a word. Ed can’t move as he’s lock in his elders unreadable glare. Expecting the worse his head drops to take in the floor - anything that isn’t the disappointment ahead - he feels the urge to disappear burning up inside him - consuming him. Then just as he’s about to escape he’s suddenly grounded by a steadying hand rooting itself on his shoulder. Tentatively he lifts his gaze to witness his father, there, with nothing but love and support in his eyes - Mijo. The clamping in his chest dissipates as all the tension escapes at once, along with the breath he hadn’t realised he was holding. Ed embraces his dad and the elder embraces his son. Together. A family.
Anyway. That’s probably a load of rubbish but hey my minds full of it… but basically I really want to see a tender moment between Ed and his dad. For whatever reason. Something where Ed’s in a vulnerable state and in need of some emotional support from his father - and without hesitation his father steps up - because that’s what we haven’t seen from them yet. It would perfectly portray the strength of their relationship as father and son - despite their previous struggles - and prove that Senior is willing to support his son no matter the situation as the father - not just the scientist. Its the final step in their healing journey and I wanna see it so bad!!
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kinetic-elaboration · 7 years ago
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April 19: Thoughts on 1x11 We Are Grounders Pt 1
It’s late, I’m all upside down, and I just reread some of my old meta so I’m thinking about how Smart I am and also how bitter I am about this show. So here’s more of my rewatch!
Today’s episode, We Are Grounders Part One
I wonder if Jaha was so quick to throw up his hands and walk away from the DNR group in S4 because, especially prior to what was basically a religious conversion, he has a similarly strong death instinct himself. I’m not saying he didn’t do everything he could in favor of survival many times, but honestly how many other times has he been like ‘well, okay, tried everything, time to die’? Like compared to other characters? I’m not saying he actively wants to die so much as that he is more comforted than the average bear by the possibility of a ‘good death.’ (Also I think this has a lot to do with having lost his son tbqh.)
Note to self: someone I’m assuming is a station rep referred to her constituents.
An incredibly bleak but fitting ending for this show would have been to kill the Ark in S1 and then to have the delinquents and grounders kill each other in an escalating S2 war. It would have fulfilled certain foreshadowings/themes of the first season (all the war escalation stuff, the nuclear-age throwbacks) and it also would have been an appropriate ending for all these truly terrible, morally rotten people.
Literally Jaha v. Kane is Jasper v. everyone else (or at least, like, Clarke and Monty) in S4. Truly this show ran out of original ideas after 2 seasons, see again my previous point lol.
Speaking of Jasper there is my angular boy.
There is nothing about the delinquent camp I don’t like. Raven in like a council-level position, ish, Bellamy’s speeches and blatant emotion, everyone’s outfits.
I completely forgot Tristan existed.
I also forgot how many fake out main character deaths this show used to do. Abby, Finn. Can’t get away with that 4 seasons in. The audience knows anyone important is getting a real death scene.
Omg Bellamy has a whole like war plan with little figures and stuff.
Bellamy has this reputation for being all emotion and I think that’s him at heart but ignoring Clarke, Monty, and Finn’s disappearance is a logic-based decision. A sort of...overcompensatory logic-based decision. Also not in line with the show’s morality, like, at all. Hence why he drops it later.
Yet again impressed by how Jasper managed to change more than any other character over 4 seasons while still remaining IC. Even young and comparatively innocent he could be snarky and sarcastic and he also was honest and straightforward in his confrontation with Bellamy, and he kept on being all of those things later, but with bitterness and bite.
Murphy (having just obviously suffocated a boy): He stopped breathing. I was trying to help him. Jasper (nodding slowly): Yep, sounds about right, totally legit, lots of evidence that that is what went down. Yep.
Also I’m like 99% this ep is basically their last canon interaction so btw this was the end of what is absolutely, canonically (see the pilot and the Pike-class flashback) a same-station-forged friendship. And probably also explains why Murphy’s reaction to Jasper’s death was like ‘Jasper who???’ though that doesn’t make it any less an unforgivable sin.
There’s nothing not perfect about this scene overall, but the most perfect thing is “Tell Bellamy what?” coming from Jasper’s pocket. I love both that he tried to be sneaky and the comedic value of it.
TWO HEADED HORSE TWO HEADED HORSE TWO HEADED HORSE.
Lincoln was criminally underused. He not only saved Finn and Clarke, he “killed one of his own people to do it.” This isn’t about Octavia. He’s just been looking for an excuse to rebel his whole life.
Jackson’s being so lovely and supportive and Abby’s still calling him by his last name. Knowing this show they probably forgot it was his last name.
Today’s reminder that Octavia likes literally 4 people in the universe lol. And one of them was Jasper. Until the show forgot about that too but whatever not bitter.
RE: Raven getting in under the floor. I’m thinking about my fic and my work around for opening the dropship from the outside and okay on the one hand if such a device existed, Raven would probably know about it as much as Monty but on the other hand, there has to be a way to close the dropship from the outside, because it’s closed in S3 and there’s no one in it. So logically it should open from the outside too, without recourse to loose panels and stuff. So maybe I was a little, like, short-cut-y in my solution but the show is not consistent so we’re even. (We’re not even but I’m self-conscious now.)
Bellamy talking on the walkie with Murphy might honestly be the most beautiful he’s ever been.
Legit question: who do the Grounders battle? They have this coalition, with like Ambassadors and shit. Which doesn’t mean they can’t battle each other but there’s also some diplomacy going on, like, clearly. Which should make battling less necessary, one would think. And even if they do battle each other, over fucking what??? Land? Literally never seen solid evidence that land boundaries matter to them. Shits and giggles? Bragging rights? They have an enemy in Mount Weather but Lincoln sure as shit wasn’t fighting battles against them.
T100 drinking game: take a shot any time says ‘cauterize the wound. Take two if they actually cauterize a wound.
“We lost Clarke, we can’t lose Bellamy too” is probably the first indication literally anywhere in the show that anyone acknowledges Clarke as an delinquent leader.
I miss the Raven + Jasper dream team. Tbh Raven has so few people who can appreciate her professionally. It’s literally Monty, Wick for a hot second, and Jasper (even though his skills aren’t the same as hers, they fit with hers nicely).
I miss my alternate universe where Jasper lives but becomes pacifistic in nature, where he abandons this ‘give me something to shoot through’ attitude and eschews the use of weaponry entirely.
I don’t think this show is 40% as badass or sick as it makes itself out to be but every now and then it lives up to that ideal. I mean this extended psychological torture sequence in which Murphy makes Bellamy hang himself is super fucked up.
The young Jaha and Griffin families were adorable.
“If you were never [in the tunnels] how did you map [them]?” / “Spoils of war.” I realize this is probably just quick plot-hole filling but nevertheless I sense a story here.
The Reapers were also a sick and twisted invention of this show. I feel like in S2 it was pretty clear that the Reapers were given dead bodies to feed on, so either I’m wrong/the Mount Weatherians were more efficient in their use of their limited resource of Sky People bodies versus Grounder bodies/the show has bad continuity/that living dude in the cart is an outlier/some combo of the above.
“The Eastern Sea” lol. The Chesapeake probably.
I never cared for Luna but she could have been cool and also she and Lincoln are ex’s pry this headcanon from my cold, dead hands.
I’m pretty sure Finn pounding in the Reaper’s head was his first kill. Would his S2 story be possible without that moment?
“They look up to you. Almost as much as they look up to Clarke.” Okay I’m sorry, this is just textually, canonically wrong. This is the show retconning Clarke’s position as a leader. And it’s so unnecessary! Her story line works better if she isn’t positioned as the main delinquent leader, imo. Like, lines like that are outliers that don’t make sense within the universe; they’re obviously outwardly pointed: here audience, Clarke is protag 1 and Bellamy is protag 2 and she’s the REAL leader, don’t forget that order! If you do, you might occasionally question her leadership credentials later, when we lazily write everyone just following her regardless of their actual interactions with her or the most recent developments of her storyline! (Not that I think they were already setting up the laziness of S4 this early, but I do think they were tipping the hand of their own biases and their inability to tell the difference between what’s going on in-universe and what the audience sees and understands.)
On the other hand “Well I think the princess is dead, but I know the king’s about to die, so who’s really going to lead these people, huh?” is a good line and I do like positioning Bellamy as king (of these people specifically) versus Clarke as a princess (of the Ark--an old position based on a class background that is irrelevant to their current society).
Lol @ Murphy’s plans being delinquent-domination though. Like that was going to happen.
Actually I think Finn’s S2 story line is created in the moment when he washes the blood off his hands: he’s killed, which changed him, and Clarke comforts him in that critical moment, and he comes to associate her with that event and its aftermath. He also says “I should have fought for you,” which I see as this...hard to describe but like...the creation of a devotion beyond what he’s so far felt. Not that he loves her more but that he’s convinced himself he loves her more, that she can save him in some way, that she is necessary to him. He has a lot of idealistic notions and I think this narrative gets created within him with Clarke at its center and everything else gets blurred out. Or something.
This Jasper and Bellamy scene is the best because it combines two things I love: Jasper’s hero-worship crush on Bellamy, and Jasper’s intense devotion to Monty. I’m a little sorry that Clarke and Finn’s return/these loser Grounders robbed us of a Bellamy and Jasper rescue mission though.
I guess it’s possible Bellamy said “Whatever the hell we want” all the time but really I think it was just the one time and the writers have already forgotten that Jasper never heard him say it omg sometimes I just want to knock their heads together their memories are such shit. (Yes I’m also bitter about Jasper’s pilot outfit returning out of nowhere in S4 and Clarke wearing his intact goggles in S5 even though he already smashed the plastic out of the lenses sometime in S3.)
Poor Jasper. He thinks Monty’s come back with them. He barely even has time to process that disappointment before they start debating whether or not they should leave.
Basically I have a lot of Jasper feelings.
Bellamy’s speech is better than Clarke’s. Come on Griffin, never start with ‘my opponent is right’ that’s a bad rhetorical move. I also find it intensely unrealistic that they’re all like ‘yes, Clarke, we will do what you say!’ when, I cannot emphasize this enough, she has literally never led them before. All of her leader decisions have been strictly BTS. Her only real advantage here is that they know they have no gunpowder and few other resources, so it’s probably just a straight up fear-flight.
“Crowds make bad decisions. Leaders do what they think is right.” I mean basically the theme of the show there lol.
I’m going to rant about this next time I watch but just gonna say here that Clarke is definitely, unequivocally, ultimately wrong in this and Bellamy was right. They should have stayed. People literally died because Clarke tried to take them out when she shouldn’t have.
The camp doesn’t look like I expect or picture in my head...where are their tents? How much land did they claim?
I remember watching this the first time and thinking Jaha’s plan to get them to the ground on the Ark itself was the outright coolest thing I’d ever see and you know what? It holds up. I stand by it.
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