#i wish they were in better quality but that means i'll just have to be patient

[lady-murderess]

My Guardians of the Galaxy...

[yanderecandystore]

I love the yandere monster story, can I make a wish for some yandere monster boy naga who is looking for a mate to carry his eggs and live the rest of his life together forever?

I don't condone yandere shit irl, but if you bang a naga man someday I'll give you a pass and a cookie, you mad lad. Not proofread enough lmao, also sorry but I really don't know how to type s e x.

Tw/Tags: straight up NSFW/+18 scene (written by someone who struggles to imagine sex- So we don't guarantee quality) // not very descriptive genitals, if at all // the usual yandereness + breeding kink; possessive behavior; manipulation; suffocation; implied oviposition but not really cause I'm dumb // you're a literal desert mailman💀 I'm sorry // brief mentions of troubled family life/past trauma // language barrier // self-conscious reader // willing yet slightly scared reader.

🍭꒰⑅ᵕ༚ᵕ꒱˖♡🍮꒰⑅ᵕ༚ᵕ꒱˖♡🍰꒰⑅ᵕ༚ᵕ꒱˖♡🍮꒰⑅ᵕ༚ᵕ꒱˖🍭

Writing in the sand [Yandere!Male!Naga x AFAB!Messenger!Reader - One shot]

Being a messenger was actually a lot more dangerous than it seemed at first, how many times have you and your camel met with bandits, scammers, difficult terrain, awful weather, people who would tell you the wrong direction for shits and giggles?? MANY times, but did you ever consider quitting and going back to the tea shop of your very judgmental parents or worse- To accept the offer of personal servant to that weird queen from the faraway lands who wouldn't shut up about how much better her kingdom was?? NO!

I mean a little bit. Just a little bit. Occasionally, I mean her kingdom was really pretty, though constant snow sounds like a pain in the ass, and giving up the freedom you currently have for either a strict monarch or your family was NOT something you were planning to do, ever!

The first time you got off the borders to send messages for far away people was the day you truly felt alive for once! The desert itself was your greatest rival and yet you faced it head down after that day- Sure, you were unprepared at first and there's still plenty to learn out there but it was EXCITING!!

You fought (ran away as quickly as you could) many groups trying to get a coin out of your body, or your life! Or your camel!! King Mustard wasn't the same after the "giant scorpion with that group of thieves" incident that happened, the worst part is that it happened twice though the people were different at least. Your personal theory is that the scorpion WAS the same from before, and that it has been following you through your journeys and it probably was looking for revenge!!

You told that story to so many people that now it's hard to go someplace without repeating yourself, it's weird how even though you're never at one place for too long, most people know you! You're, humbly speaking, sort of a big deal in the great drylands- Not known for your bravery but mostly for your constant running mouth and your adapted technique in how to extract cactus juice safely from a cactus with 70% success of no cactus drunkenness! (100% Needle-safe not included).

Stopping in a town was obviously the safest place for you and your camel, but was also probably one of the most rewarding parts of your trips, of course because you always need to have plenty of resources out there in the sand but also because… Well, as much as you loved every second of exploration and travel, you were admittedly a very lonely person.

It's not something you like to tell others, as you have already experienced people doubting your capability of being a messenger if you get so "emotional" over being far away from people ("I told you so!" Yeah, thanks mum.). It was a time you could feel at least safe and… Sometimes welcomed.

But it wasn't always a lonely trip, after all, King Mustard was here! Him with his big personality was always the heart of the party! Everyday was fun with him, even if he couldn't speak to you… However, that doesn't mean you haven't found great comfort in your travels, you probably haven't noticed this yourself yet, but [y/n]...

You are a very dear person.

Every person you've helped along the way in your trips, just by coincidence finding them, and landing them a hand in the hot and harsh reality of the desert thinks of you dearly. You have friends! It's just that you don't see them very often… If at all. The desert has a funny way of getting people closer, people who struggle to survive in its environment, and yet it also drifts them away- The wind blows in every direction separating every small particle of sand, and maybe one day they'll meet again, or maybe not. Cruel was it, with its breathtaking beauty and extremely cold personality for someone so hot and merciless.

You often associate the desert with its forgotten god. You tend to talk about it as a person rather than just an environment of harsh conditions, you always remember to talk to it, hoping it would listen in a way. You were pretty much by yourself out there, but thinking that someone was listening to your travels made you feel safer, perhaps not as tormented as the blazing Sun would leave you to believe. You were being watched, and protected, you just knew it!

The proof of it came from one of the greatest encounters you ever had during your travels.

It was really hot that day, King Mustard seemed really tired and you were melting under the blazing heat- You two needed shelter and fast! And suddenly, as if the gods listened to your prayers!-(But quickly threw you two middle fingers)- An immense sandstorm was approaching!! For someone as cautious as you, you couldn't understand where the hell it came from!! It was so sudden and just- There was no indication of it!! At all!!

You got knocked out, and when you woke up- You were… Somewhere strange, like an underground oasis of sorts, hidden in the desert there was a cave of luscious greenery and drinkable water, it was magical how big the place was!! You thought you had died and went straight to Paradise!!

At least, you thought so when you saw a very large and handsome man staring back at you, smiling gently. He had tanned skin and a REALLY long, almost platinum hair! He looked so gorgeous with his green cat eyes that you almost forgot to breathe!

You asked the man if he was an angel, and he responded to you in a language you didn't understand. You were 100% certain that the man was really an angel and yet when he revealed the lower part of his body your face dropped immediately, terror slightly setting in. He was half snake, half a giant snake at that! His tail seemed endless, those dark scales were so pretty yet so terrifying! The gold markings seemed very regal and holy in nature but the endless darkness almost seemed to eat it all up! Like a demon!

You freaked out at first, but when you looked at his eyes, his gentle face- His expression of concern, those big bright eyes, you noticed he really didn't seem to have any ill intent towards you, perhaps you were misjudging him for something he was not. After breathing in and out, you calmed down, never taking your eyes from him, you felt comforted as you realized this creature was the one who saved you out there! And who saved your camel!! He was still really scared of your snake buddy, but you made sure to soothe him.

Long story short, you became friends with a human-snake guy who seemed genuinely very cool! It's a shame you didn't understand a word he said… You suspect that maybe he speaks in a very ancient language and perhaps this means he was REALLY old!! And yet, he seemed just about your age, and you got to hangout with him during your free time.

Poor thing, he seemed trapped down here (though to be fair, it is a fabulous prison to be in-) and he really wanted to catch up with times! So you made it your duty to help him understand the new world, you have no idea why he is here and how long did he live here separated from the rest of the world, but now that you knew how to get there and how to get out- You made it your mission to teach him everything you knew about the modern world.

And although the language barrier was massive, you two somehow got to learn something very special about each other- He shared with you his name, "Rakaski", and you got to teach him yours.

~"[y/n]"~ His accent was heavy, and yet you felt something flutter inside you whenever you heard him call your name. You remember him repeating your name over and over again as if he wanted to memorize how to say it.

After hearing his name, you made sure to research it, trying to find something that could lead you to know what language he was talking in- But no books nor people seemed to know how to speak it, except for one book you found, a fairytale book that was so old that it was a nightmare trying to understand the vernacular! But it didn't seem like a very "old" old kind of book, it was probably made after the language had changed, there were a lot of words that you didn't recognize.

The book never explained the name's meaning really, but it was always used as a common word- And given the context of the story you read, it seemed to mean either "falling" or "god"? Well, you're not very sure, since the book was confusing as hell, and your interpretation of the story was very mixed- Was it about a desert deity or a man that kept tripping over in the sand?! Seriously, why did it have to be so confusing!?

In the end, you still didn't understand the book and neither did you find out anything about Rakaski's name. At least you know it was older than your home kingdom, which was pretty cool.

Either way, the lack of communication never stopped you from coming down that hidden paradise to talk to your best friend every opportunity you could! King Mustard can be very squeamish whenever you guys try to get down there, he really disliked going there and you assumed it was because he was claustrophobic, which you already knew he was. So, today you'll leave him in the shade and get down by yourself, you don't want to stress the poor thing.

"M-Mustard! King Mustard Junior The Third, stop pushing me around!! You know you're a lot heavier than me! Seriously, this isn't funny!!" Ah, King Mustard, for a camel you're really just a scaredy cat! You push him away gently as you can, he keeps positioning himself in front of the hole you want to jump in.

"Hey stop!! If you don't want to come then fine, but let me get in! Please! I'll be back soon!" The massive animal was starting to get a little too agitated, and you knew better than to try to force your way.

"Mustard, seriously you're starting to scare me, you know I'll be back soon, please let me get down." You don't know if it was the deep magical connection of friendship that made him understand you and realize that he scared you, or if he suddenly felt disinterested in playing with you right now.

Taking by how the camel sassily walked away you're starting to think it was the second option- Of was he genuinely insulted by your stubbornness? Who knows.

"Sigh… You always get like this when we pass by." Though you can't really blame him, you know he still distrusts Rakaski, but come on it's been a year! And Rakaski has never hurt any of you two! Sure, he was a bit intimidating at first but he had a good heart, you just knew that.

Compared to the men back in your hometown? Rakaski was a saint, you were sure of it.

You had slid through the sandy hole and into the luscious underground with ease, you started to call for him, but before you could even yell out "Ra" you saw him not so far away, seemingly very occupied.

"Awn, guess you're decorating! Have I come at a bad time?" You walked to him and joked despite being aware he wouldn't understand you.

The way his face lit up and turned to face you was just so precious, he seemed very excited!

~"[y/n]!! [y/n]!! It's really good to see you again!! I was already worried you would never come."~ He talked just like you, committing the same mistake of talking as if the other would understand- You had no clue what he said, but as he coiled around you and his arms squeezed you oh so dearly you understood exactly what he meant.

"Yeah, yeah- Missed you too-" You never knew how to deal with anything social, period, and being flustered at someone who wasn't even human was not a first but it never got easier. But with him, at least, you feel like you don't need to pretend that you don't feel slightly flustered by his attention. Gods know you're a very easy target for large and very well built men.

After he let you go, you realized he was just building a new nest for him, so you decided to help him as well. It was already pretty much done when you got in, but you felt like he deserved a "fancy" bed so you helped him decorate with flowers and some of the trinkets you bought for him, he just loved human trinkets!

And by the gods, you knew you were currently in Spring, but these flowers?! They were just so damn pretty, it's a real shame that your traveling is mostly done in sand, occasionally though you have to go to the East to deliver important letters and gifts and you just kinda love that place! Every time you go, they're experiencing a different season, and it all changes so much, it's beautiful!!

"Oooh!! Maybe I should bring you flowers from one of the neighboring kingdoms, it'll be a way to show you the world since you can't leave…" You think out loud, and of course, he looks at you a little confused- And yet he repeats the word you said.

"Flowers?" He repeats it as if he didn't understand what you said, yet liked how you said it.

"Yes! Flowers!-" You say pointing to the flowers in his nest and surrounding you two, he quickly understands it, it seems.

~"Oh! Flowers! Oh, that's what it's called to you? Great heaven's, humans are always changing, aren't they?"~ He starts to laugh, you… Sort of don't understand the joke, but perhaps "flowers" just sounds funny to him.

He patted your head as he laughed, as if trying to congratulate you on making him laugh (I mean, getting this man to laugh was a challenge, you bet even without the language barrier).....

Although, it felt more like a "reward" sort of situation… As if he was rewarding you for… Being so entertaining, you suppose! Still, that's probably just all in your head, besides you know well when someone is being condescending to you, you're sure of it! Years inside your family's house has made you a pro in spotting bad apples from far away. I mean, you like to think you do, to be fair Rakaski was a little difficult to read, and sometimes he did things that you probably weren't sure of what they meant.

But then again, he was a very old half snake dude trapped inside a cave somewhere along the rock formations spread all over an unforgiving desert, his social life was probably a lot worse than yours, and who's to say that his antics aren't based on his own culture? Perhaps snake people like to coil around each other to show affection, even if it's really hard to breathe like this.

Things weren't so complicated between you two, however, as you guys have invented a form of simple and more direct communication through pointing to objects and scribbling on paper. You had thought about using sign language, so you learned a couple of words and tried to use with him-

"So- This means that- Hm..?"

But before you could teach him he already was talking to you through hand signs you didn't understand, he was very well adapted and you only knew a few like "hello", "you", "me" and "see you soon"- Which would be the most used one for you two.

"Huh, you always impress me, maybe you should be the one teaching me-" You bowed down, genuinely impressed with what you saw, and he seemed very content with himself as he smugly pretended to wave and throw kisses to a nonexistent audience. His ego was always a bit inflated, wasn't it?

You decided to cut your visit short and return back to King Mustard as you didn't want to leave him waiting for too long. It's funny how neither him nor Rakaski liked each other despite sharing a diva personality. As you waved your goodbye, Rakaski decided to give you one last big hug.

A hug that didn't seem to end at all. His body wrapping around you and leaving you to feel surrounded by darkness. This usually happened so it didn't come as any surprise. You tried to tickle him as that usually worked.

"Come on now, you know I'll be back soon!" You laughed as you tried to provoke him, his belly was so sensitive that you could see him contracting and trying to avoid giggling.

But he didn't let you go. Your attempt only made him restrict you further, the snake body trapping your hands with its weight.

You were well aware of Rakaski's animalistic tendencies, for example he was cold blooded and constantly held you to try to gain some height, like he is doing now.

You know that when he yawns his jaw unhinges and opens so inhumanly wide that you have to close your eyes so you won't have any more nightmares about it.

You know he is nocturnal so he is constantly feeling a little too sleepy whenever you two hangout, as you often come to see him during the day (which was something you did for safety, though you sometimes worry he is having trouble sleeping because of you-).

And you also know that snakes tend to suffocate their prey with their body before eating them whole.

While trying not to judge him as a human eating monster you still feel very, very terrified of the slight chance he might be hungry and has forgotten you're not food. The more you struggle the tighter it gets, and it doesn't help that his skin is so cold, it makes your nerves flare up as you can hear him growling with what you hope is not hunger.

"RAKASKI-!!" You yell, you couldn't help it, you were starting to feel dazed. While closing your eyes you felt his lower body shift and relax, you felt arms hugging you a lot more gently than the suffocating sensation from before. If it wasn't for his lazy eyes and the internal chuckling you can feel in his chest you would say he was actually hungry for you. He was just trying to scare you.

"Sigh, you'll be the death of me- Seriously you scared me to death!" You tried to push him off you, but he basically threw his entire body weight on you as you fell to the ground with your back on the soft yet not very ideally comfortable grass.

"Shhhh~!" He nuzzles on you while hugging your stomach. Normally he would have let you go now after petting your head or pretending to bite your neck just for funsies- But today he is very much not letting you go, at all.

Okay, you really didn't want to address the situation, you weren't planning on ever talking about it of course but- By the gods, you knew better than to assume his playful smile was just his usual silly self.

Oh, who were you kidding, you knew it from the moment you came in and saw the nest he was making, it's not like you haven't noticed his chest rising and falling as if he was struggling to breathe just by talking with you. You wanted to leave because you noticed that perhaps you took the wrong month to visit him.

It was mating season, wasn't it? Why now? Why today?! And why WERE YOU ACTUALLY CONSIDERING IT?!!!

"Okay I think I need to think about this a little more- I mean you're clearly not thinking straight right, I'm not even a snake lady, man!" You try to push him off you as you avoid eye contact, the worst part is that he was fairly attractive for someone's who's lower body was just one huge snake tail.

He wouldn't budge, he only shifted his head to look at your face, even if you were avoiding him you could feel his smirk creeping around the corner of your vision, you wouldn't be surprised if he knew what you also knew.

I mean, it wasn't a secret you liked him was it? You thought you didn't mind him noticing this but this sudden desire just feels like it's happening all too fast and you're worried it might be just a one time thing, that he is acting like this out of instinct not out of actual desire towards you. And well you never really did this before, I mean not with someone like him, at all! But you had experiences with people before.

Bad experiences. The ones that would leave someone worried for years that they're not good enough to anyone. Were you being cautious or were you just being self-conscious? Were you scared of him not liking you when this high of his diminished? Maybe you just weren't sure if this was a good idea.

"I don't know if I'm really ready for this." You confess, looking back at him- Hoping to find your answer.

And he looked back at you with a sad expression, did he understand what you said? Did he understand what you meant at least? He looked so concerned and genuinely "awake" despite his current very urgent instincts. He held your hand and kissed it for reassurance, you didn't notice you were crying until your vision was blurry and your chest was aching.

"Sorry.." You tried to wipe them yourself, you don't know why you're apologizing. Rakaski didn't seem to take it well, he was about to say something before shaking his head vigorously and wiping your tears himself. He came closer to look you in the eyes, stop staring elsewhere, you won't find comfort anywhere else but those eyes.

He decides to come off of you and give you some space despite his initial reluctance, the gentle and almost warm presence of reassurance leaving with him- And before he could give you space you decided to make the first move yourself.

You kissed him, hoping perhaps he would understand the gesture, and he did! He hugged you and kissed you back returning your neediness… Though coming in with a lot more desperation than you thought. Not seconds after forcing his tongue in despite your unisseanes.

I mean, it 's good! He isn't being horrific at it is just that you have underestimated how badly he seemed to want this. And although you're just as interested in this as he is, you're worried you may not hold to the same durability as he has.

Today was the day. Today had to be day, and he wouldn't have it any other way. To wait longer would be torture and you best believe this man was patient. He wasn't expecting you to almost reject him at first of course, oh you almost gave the immortal a heart attack!

He shouldn't have been so pushy, he knows that, but having your soft lips on his was so worth it that he couldn't help himself as he pinned you down again, ah… It's a shame the nest is so far away, this is not a very classy way to do things.

Then again, ripping off your clothes with no regards was probably not very refined either, humans needed a lot more courting than he was aware of- But it was fine! You were doing just great, you were being so good to him, he wishes he could praise you in your own language so you could understand him.

~"You're so lovely for something so fragile, thank you for accepting me- You have no idea how long I've spent being trapped here knowing damn well there's not a single other like me out there."~ He would praise you in his own tongue in frantic breaths while kissing your neck and nibbling in your ear, while his lower body made sure to lock you in place, you were a little scared, weren't you?

~"I'm genuinely sorry for having to put you in this position but I can't take it anymore- But I know you want this as well, I know you do!"~ He usually was very talkative, but there was something in his voice that sounded shaky, desperate, and his hands were too confused on where and what to grab that you noticed he seemed just as inexperienced as you were.

Well, at least you thought so before he spread your legs and started to rock back and forth in your lower region- It's not exactly that he is inexperienced, but he is very much off his mind right now- His movements aren't uncertain, they're just frantic for any release. Not that he won't tend to you as well, he just really needs this right now. But you'll understand, you always do. You always treat him so well, despite the monster he has become.

~"It'll hurt, and I'm not sure if it's only a little. I promise to make it worth it later to you."~

You were struggling to keep up with his weird and off putting rhythm- He was just so ready for this, it's been on his mind ever since he found you unconscious inside his natural prison, but he knew better than to be selfish to someone he'll have to share a nest with.

~"It'll be great don't worry, I'll make sure you'll be well taken care of. It'll be incredible, my treasure."~

You shivered when he went from humping your lower region to undressing kissing it almost as passionately as he did your mouth- He should probably move a little slower considering he changes activities way too quickly but hey it felt better than the awkward dry humping.

It wasn't bad, but it lacked a bit of finesse- Not like his careful and calculated attention to your privates right now-

"Humans need a lot more work than I remember, but does that mean we can make it last longer? Would you want that, treasure? [y/n]?" Rakaski was playing with it almost as if he never looked at something like a naked human before, but it was a lie- He was absolutely just trying to tease you with every poke and flick.

He ran his finger down slowly before reaching an opening and pulling it inside, at least one to feel you inside. It's lovely that you arch your back to the littlest of things, and although he doesn't understand your words, moans are hardly hard to misinterpret.

"Slower then? I guess I was being too unprepared, I'll be honest that it's more fun than I expected. If this is the work I have to do every time then I'll gladly accept." Human courting was fascinating to him, though now he understands why, he can't just expect you to take it all in with a little help- And helping someone never tasted so sweet.

You were feeling embarrassed by his stare as he licked you out and further tried to spread you- Trying to ease the inevitable soreness that would come but damn, did he have to look at you like that?! It made you feel a little dirty, a little too embarrassed to entertain his idea, for someone who seemed so eager to shove it in without any foreplay he was really taking his time now!

You grabbed his hair carefully, you didn't really notice what you were doing and to be honest you weren't sure how to continue with this but Rakaski looked at you in awe… His smugness was replaced with a look of pure adoration- His pupils wide and round as he expects you to guide him.

It gave you a bit more confidence knowing he trusted you to hold his head and sort of help him find the right pacing.

You don't remember for how long it went, you just remember that it ended with you on top of him, going at your own pace. He held your hips not stopping you to go as fast or as slow as you wanted but rather because he felt very uncomfortable NOT holding every centimeter of you. He needed to grab into something and your sweet flesh was exactly that.

You woke up in his nest, feeling a little disoriented, memories of what happened a little foggy, but you were sure it wasn't a dream considering the soreness in your thighs- It was hard moving.

You sighed, feeling weirdly satisfied- Well, that's not the right word, more like… Well, genuinely happy.

You tried around, and you saw Rakaski curled up into a ball, sleeping so peacefully and yet with that little mischievous smirk in his face you just knew he was dreaming about it.

You turned your body to face him, deciding to close your eyes and sleep a little more.

Until you remembered you left your camel outside.

"HOLY GODS, KING MUSTARD!!" You jumped up, trying to run as quickly as you could towards the entrance- But you couldn't even leave the nest when Rakaski wrapped his tail on you and pulled you closer.

"WAIT! It 's my camel!! I forgot I left him-"

"Stay." He said in a very half awake voice.

"You can talk…?"

"Stay." Rakaski wrapped himself around you, as he buried his face in your neck. You weren't sure if he was understanding what you said, or if he only understood the meaning of that one word.

"Rakaski, I'm just going to check on him, I'll be back soon, I promise-" You pushed his chest away. You shouldn't have done that.

Rakaski tightened his grip around your body.

"Stay. [y/n]. You're not supposed to walk so soon. Stay still, no mother should walk so early after mating…" He still sounds so sleepy, so innocent, but his half opened gaze was not… friendly.

"Rak- AH!-" Tighter, and tighter, and more tighter. He knows damn well that whenever you get to that camel you're leaving him for gods know how long, but as he stated before, soon to be mothers shouldn't walk around in the dead of night especially since he knows humans don't deal well with the coldness of the desert during this hour.

It's better to stay here and let him take care of you while you're now waiting for his kids, even if you aren't aware of it. He isn't sure how long hybrids take to be born, but he wasn't to be there for you every step of the way.

"Shhhh…. Go back to sleep, stop struggling, it is not good for you…" He kissed you goodnight as he suffocated you back to sleep.

🍭꒰⑅ᵕ༚ᵕ꒱˖♡🍮꒰⑅ᵕ༚ᵕ꒱˖♡🍰꒰⑅ᵕ༚ᵕ꒱˖♡🍮꒰⑅ᵕ༚ᵕ꒱˖🍭

[hydrobunny]

breakup songs

tags: fluff! (I promise), established relationship, taylor swift songs

"cause i was there when you said forever and always...you didn't mean it baby," you sang passionately with the car's radio. "i don't think-"

the music stopped suddenly. "i don't like this song," sae itoshi grumbled. "pick something else."

you frowned, turning in your seat to face your long term boyfriend. like a good driver, he kept his eyes on the road, expression passive.

"but i like it," you huffed. "and you said i get aux privileges for the next week."

bright teal eyes flicked over you for a moment. "no."

your jaw dropped. "sae! at least tell me why."

"just pick a new song, y/n." his fingers tapped a steady rhythm on the steering wheel. "or i'll do it for you."

pouting, you opened your spotify. "stupid football players and their stupid egos. so used to getting everything they want," you mumbled.

sae ignored your complaints.

"you better like this one."

for the nth time that day, taylor swift's oh so familiar voices leaked through from the high quality speakers all around the car:

"once upon a time, a few mistakes ago-"

sae's hand jumped up to hit the power button. "we're going in silence."

you sputtered nonsensically. "it's another hour until our destination! what's wrong with my music?"

he opened his mouth and closed it. as you fired at him, sae itoshi shrugged silently.

you leaned back into the leather seats, crossing your arms. you couldn't understand why sae was being so shifty. it's not like he had ever minded your music choices before.

in fact, the pro football player had always let you belt out any song you wished, even joining in with enough pleading. it was only in the past week or so that he'd been more annoyed.

frowning, you chewed on your lip nervously. this wasn't a good sign, was it? maybe sae had finally gotten sick of you- found someone better.

you saw him glance at you again. avoiding any eye contact, you turned your gaze toward your hands.

god, when was the last time you had gotten your nails done? your previous polish - a reddish color that matched sae's hair - was chipping from all sides already. you almost frantically picked at the peeling paint.

"y/n," sae's voice was steady. "leave your nails alone."

you jumped, head snapping towards him. "huh?"

he raised one eyebrow, pointedly staring at your hands.

you reddened. "it's not a big deal- keep your eyes on the road. pretend i'm not here or something."

with a narrowing of his eyes, sae turned back to the road.

it was another three miles before you heard him sigh.

"they're breakup songs," sae muttered quietly.

"what?"

the light in front of them flashed red. with another sigh, sae turned his upper body toward you.

"your music. they're always breakup songs now. that's why i don't like them."

you gaped at him, feeling way too much like a goldfish. "what?"

he stared at you. anyone would have assumed he was as indifferent as ever, but you could see that hint of red climbing up his neck.

sae itoshi was embarrassed.

"you're kidding!" you blurted, grinning like a maniac.

he immediately turned his attention back towards the road, but even he couldn't hide the twitch of his lips.

"you're sad because i sing breakup songs?" you managed out past your laughs. "sae, that's so cute!"

"and now i take it all back," he mumbled.

you leaned towards him suddenly, landing a kiss right onto his cheek. sae cursed, car swerving slightly.

"y/n, what-"

"i love you," you said breathlessly, effectively shutting him up. "and i would never break up with you, no matter what taylor swift says."

he snorted. when he replied, his voice was soft all the same. "i love you too."

"...can i have my music back now?"

sae groaned, but there were no complaints as you eagerly tapped through your phone once again.

"we can leave the christmas lights up till january..."

reblogs & feedback appreciated!!

[pretty-lovely-mar]

"Charles, please. Stop running away from me. You know that you can always tell me anything," Edwin says, getting up from his place at his desk.

Charles, who had already started to grab his overcoat and walk out the door, paused for a moment. He whirred around, "No, Edwin. You don't get it, do you? I yelled at you! Just now, after this case because I was annoyed and I got all caught up in it. I yelled at you... I don't do that, 'Win"

He seemed to sag under the weight of his words, momentarily losing his resolve to leave.

"It's okay." Edwin walked over to take his coat and hang it back up. He then walked back and put his hand in Charles' "I don't mind. I know you, Charles, and I know that you didn't mean it." He paused for a moment. He seemed to mull over what he was going to say next. Since his confession on the staircase in Hell, Edwin had begun to choose to be honest more and more often.

"In the spirit of honesty, I must say that I'd let you yell at me or more if it meant we were still together here in our afterlives."

Immediately, Edwin could see it was the wrong thing to have said. He still had some trouble reading Charles, especially when he was in a state of being greatly affected by his own trauma from his life. Crystal had always been better at comforting him and being there for him in that regard, but she wasn't here right now. There was no one for Charles to go to when Edwin inevitable seemed to mess it up.

Charles let go of Edwin's hand and clenched his fists at his sides. "Edwin, no. You can't... If I do something to you..." He trailed off, seemingly unable to finish his thought. Thoughts of his father ran through his head, and his mother's face featured right after.

His mother had stayed with his father for so many years, he had endured his father's actions until he died. He wouldn't wish that upon anyone, especially not Edwin. Never Edwin. And as much as he wished he were sure about the opposite, or that he was certain they weren't qualities that he could inherit, Charles always had that itching thought in the back of his head that he'd turn out just like father, even in his death.

Even though he had seemed like he couldn't quite get the words out, Edwin waited patiently for him to flesh out his thoughts. He took a step closer, to remind Charles that he was there for him.

Finally, he said, "If I ever hurt you, even once, never speak to me again. Tell the Night Nurse to let Death take me, start your own agency, do whatever it takes to get away from me. No matter how sorry I say I am, no matter how many promises I make." Then, quietly, almost like he didn't want him to hear, he added, "I never want you to suffer from me like my mum suffered from my dad."

Silence made the air around them feel heavy and still. Charles took an unnecessary shaky breath and looked away from Edwin. In times where he was vulnerable, Charles hated to look Edwin in the eyes.

"Charles. You will never hurt me. You can't! You don't have a single violent bone in your body. I've said it before, and I'll say it again. You are the best person I know, Charles Rowland, and nothing will ever change that." Edwin enveloped Charles into a hug, slowly so that Charles could move away if he wanted.

Instead, he burrowed into Edwin's neck, lips against a non-existent pulse. He stood there, being held in the agency's doorway for what seemed like forever, and he could've stayed there for another eternity.

Eventually, Edwin released him and held him by the shoulders, as Charles often did for him when he felt overwhelmed. "You're too good to be like your dad, Charles, and I will remind you every day if I have to."

And still, Charles seemed to be too overwhelmed to form words, but he nodded his, closing his eyes, and just allowed himself to lean against Edwin for a while.

Because even though Charles may never fully recover, and he'll never forget that fear, Edwin is there to remind him to not be afraid. After all, he's the best person Edwin knows, so he must be pretty great.

@aspiring-wildfire i saw your post abt edwin and charles' worst fears and something abt it just clicked so thanks for the inspiration :)

[poohsources]

🐝  *  ―  𝑻𝑯𝑬 𝑳𝑬𝑮𝑬𝑵𝑫 𝑶𝑭 𝑲𝑶𝑹𝑹𝑨 𝑺𝑬𝑵𝑻𝑬𝑵𝑪𝑬 𝑺𝑻𝑨𝑹𝑻𝑬𝑹𝑺.

❛  so, i sort of started a civil war ...  ❜ ❛  i am so sorry for turning my back on you as my mentor.  ❜ ❛  i needed to understand what real suffering was, so i could become more compassionate to others.  ❜ ❛  what's the big idea with making me train this early in the morning? the morning is evil.  ❜ ❛  oh, i'm sorry. did i put you in a difficult position by fighting the giant force of pure evil that was going to destroy the whole world? maybe your administration could have handled that.  ❜ ❛  fighting is something the old me would do. that always made things worse.  ❜ ❛  let's go on a vacation, just the two of us. anywhere you want.  ❜ ❛  it's all right. people usually assume that i'm daddy's helpless little girl, but i can handle myself.  ❜ ❛  the world is in trouble ... i have to go help.  ❜ ❛  i'm impressed. no one has ever gotten the better of me like that.  ❜ ❛  i assure you, i have a plan. and i'm saving you for last; then you'll get your duel, and i will destroy you.  ❜ ❛  when we hit our lowest point, we are open to the greatest change.  ❜ ❛  i did what i had to do to survive and protect my little brother.  ❜ ❛  and ... what am i going to find if ... i get through this?  ❜ ❛  we should always learn from those who came before us, but we must also forge our own path.  ❜ ❛  why don't you come and find out?  ❜ ❛  if you look for the light, you can often find it. but if you look for the dark, that is all you will ever see.  ❜ ❛  you need to make decisions based on what you want. don't make the same mistakes i did.  ❜ ❛  i don't know what i'm supposed to be doing half the time.  ❜ ❛  right, friends. no, no, i didn't mean to imply.  ❜ ❛  i do like the idea of putting you on a train and sending you far, far away.  ❜ ❛  you need me, but i don't need you.  ❜ ❛  you swore your loyalty to me and i gave you a chance at greatness. this is how you repay me?  ❜ ❛  i told you dating a teammate would be a bad idea.  ❜ ❛  stick around five minutes and you'll find out who's bluffing.  ❜ ❛  wait! we can't fight them all. we need to be smart about this.  ❜ ❛  you know, it's okay to be scared. the important thing is to talk about our fears, because if we don't, they throw us out of balance. i'm always here for you, if you want to talk.  ❜ ❛  what i'm trying to say is, as much as you drive me crazy ... i also think you're pretty amazing.  ❜ ❛  see, that's what i admire about you, [ name ]: your willingness to go to extremes in order to get what you want. it is a quality we both share.  ❜ ❛  ending a relationship is kind of like pulling off a bloodsucking leech. you just gotta rip it off and get it over with. you'll feel a lot better afterwards. trust me.  ❜ ❛  don't tell me you are still mad about everything that happened?! i did some good things, too!  ❜ ❛  all right, hold on. will you quit ignoring me and tell me what's going on?  ❜ ❛  how about, for now, i just promise not to show up at your house and attack you again?  ❜ ❛  what would you do, if you were in charge? help me be more like you.  ❜ ❛  i wish you were putting up more of a fight, but it was still fun.  ❜ ❛  please, just let me say one thing, then i'll never contact you again.  ❜ ❛  i'm not sure i'll ever be able to forgive you. but that doesn't mean i shouldn't try.  ❜ ❛  i came here to look you in the eye and tell you that you have no power over me. i will no longer be scared of you.  ❜ ❛  but if you had any other options, you wouldn't be here now, would you? we may have been enemies once, but for now, our interests align.  ❜ ❛  you don't have to apologize for anything. i'm just so happy you're here now.  ❜

[kozachenko]

(Click the image for better quality)

Yipeeee that Keiki and Mayumi fanart I posted the WIP of is finally done woooo- This piece was a very experimental one that I'm kind of OK on. Maybe because I've just gone insane looking at it for so long and I'm my own worst critic lol.

Artist's Notes;

So I've once again been playing around with my rendering style, mainly because I have been wanting to improve my lighting for a while now and as I was just scrolling through Tumblr, I saw some of the official art for that one webcomic-turned-animated-TV-Show Lackadaisy and was immediately inspired. I also have seen a technique a few times in the past where the lineart and shading are merged together, so I've been meaning to try that for a little while.

I did some experimentation on this one sketch of Keiki I posted in my sketch dump and I really liked the results of it, so I carried those over to this piece.

I ended up scaling up Keiki and Mayumi from the original WIP because I felt like they were both getting lost in the composition, and I'm glad for that because I think it works a lot better. I'm not a fan of how Mayumi's sword turned out at all, but it's not really meant to be the focus of the piece so eh. Overall, I think I could do better with my colours, probably because with Keiki and Mayumi's colours, I did them flat in greyscale and then used a brush on the overlay blend mode to colour all of them over, after which I changed the base layer for their colours from white to yellow and then lowered the opacity so it all went together better. I also decided to use gradient maps for a lot of the background elements, mainly to experiment with getting in my values first to make them pop out more. I ended up finding a really nice sky gradient on Clip Studio Paint that I really liked, and that kinda helped to establish the colour scheme of the background a lot. I think the whole "start in greyscale then colour" thing really works better with painterly styles rather than more illustrative ones, and while it is good at making sure your values are more readable, I honestly don't think I have the skill level to pull that off yet. Honestly, I think I've been looking at this drawing too long or maybe I added too much to it, but I wish I could've made the colours less monochromatic, but I'll just save that for the next piece I do.

I do love how the flame (...well it's more of a weird space rift than anything in this piece) and the lighting turned out, those were fun to do. I was initially struggling with the flame and how Mayumi is positioned in front of it before realizing "Oh wait! This is a weird abstraction of a weird creature! I don't have to follow the laws of anatomy!" and just dislocated it's flamey bottom jaw from the main body. I also changed the colours of it since I was really not liking how incredibly bright it was when it had lighter colours. Again, the gradient maps served the more painterly style of the flames well.

I also love how Mayumi turned out. I could do her sleeves better but that's more of just me needing to study how those types of sleeves fold in that position more. I'm also very happy with the posing, the technique I used for that was taking photos of myself in the positions I wanted, blocking in the silhouette and then modifying that by adjusting it to my lines of action that I drew on top of the original photos, and then sketching over the silhouettes and drawing in the shapes of the hands overtop of the photo if I needed to get the fine details right. As for what I do to take the pictures myself, I use a tall chair I have, prop up my phone with a phone stand, put on a ten second timer and scramble to get in position. Yes, I did have to use a bunch of thin markers I had to try and get the hand positioning on Keiki's pose right, yes I do have a fake sword that I used to get the positioning of Mayumi's arms and hand right, the sword was for an old Halloween costume from several years ago. I really like how both Keiki and Mayumi turned out in this drawing, I'll have to play around with these designs for them more in future drawings.

Also, if you wanna know why I draw buildings like that, when I watched Fantasia 2000 as a kid (One of the Disney movies where they make really beautiful animations to classical music) the way they drew the buildings in the first few sections Rhapsody in Blue segment (the jazz one with the cities) changed my brain chemistry and now whenever I need to draw buildings really quickly, I refer back to that. Since the buildings aren't really the main subject, I didn't put much thought into them.

As you can tell I am very tired of this piece, mainly because I made things harder for myself by overcomplicating the process compared to what I usually do, mainly with the whole "starting in grayscale then adding colour." I'd honestly just prefer having a black layer set to colour that I can just toggle on and off when I need to see the values, but it was good to experiment. And that was mainly the point of this whole drawing, to experiment. I'm definitely going to have to play around with this new style I'm going for, mainly because I liked how it turned out a lot in the augmented Keiki sketch, and also because I want to find ways of making it suit my style more. I also really want to keep experimenting with my lighting like this, it's very fun. Last but not least I am never starting in greyscale again because dear god I do not like the workflow it forced me into. I don't have a problem with the method itself it's mainly just a skill issue lol.

If you wanna read my headcanons for these two, I put them in my WIP post, so you can read them there if you want to. The more I look at this the more I prefer the simplicity of my WIP. I might go back to this and just take away the fancy colours and effects to see what it looks like without all of that stuff and reblog this post with that drawing, but for now, I don't think I can look at this drawing again for a while.

[a-star-that-burns-brightly]

It's kind of disheartening to me how the common fanon portrayal of Xander and David's dynamic is usually boiled down to Xander being a 'simp' (for lack of a better word) with a one-sided adoration and idolization of David. Especially after the latter's heel turn in CH2-11. And I say that because one of the most important facets of their dynamic to me is the fact that David also very much idolizes Xander just as much, if not more then Xander idolizes him. David believes the world cannot change, we know this. But I think an aspect of his philosophy that I think goes severely overlooked is just how badly he wants to not believe that. He wants to believe that the world can change, and more specifically, that people can change. This aspect of himself can be seen in many parts of his character. I'll most likely touch on this in a later post, but it's most likely part of why he devised his plan to share the secrets. It's very likely the reason he became a motivational speaker, and it plays a massive part in his two closest relationships during the killing game, Arei and Xander. But today, we're talking about Xander. David looks up to Xander. Incredibly so. Xander is everything that he wants to be.

David: You wanted to make Nico feel comfortable, even though you wouldn't necessarily get anything out of it.

Someone who is unconditionally kind to others with no ulterior deceitful motive, just for the sake of being kind to others.

David: You're always full of energy and bravery to achieve your goals, no matter what they are. Yet at the same time, you're a compassionate person who takes the time to help others.

Someone who strives for hope and change, and will never back down until he has it.

David: I have trouble believing that Xander would be the kind of person to commit murder.

An unquestionable Good Person.

That is why he pushes back so hard when Teruko accuses Xander of attempting to kill her. He refused to acknowledge the possibility that Xander, for all of his good qualities, might've been a much more deceitful person than he was letting on.

Because quite frankly, even though the two of them agreed to treat each other to treat each other less as role models and more as friends, if you ask me: I don't think David ever stopped seeing Xander as his role model. I mean, why would he? Like I said before, Xander is everything David wants to be, everything David so badly wishes he could be but has it etched into his brain that he is incapable of such. Xander is a light in his dark chasm of cynicism, a glimmer of hope. That maybe, just maybe...

Xander: Enough with these idols or role models, okay? Let's just be friends. David: I... David: I'd love that. Thank you.

Things could change.

Teruko: Earlier at lunch, Xander had asked for me to meet him in the computer lab, claiming that he wanted to tell me about some plan he had to confront the mastermind. Teruko: We both met up there after dinner, where he tried to murder me instead by stabbing me with the kitchen knife. David: Xander tried to kill you? I find that hard to believe.

And then the light starts flickering. I've mentioned it before in this post, but one of David's biggest flaws in his mindset is that it causes him to view people, including himself, in a nuance-less binary lens of black and white.

David: People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

You are either a good person, or a lazy, useless, stupid piece of shit. In simpler terms, you are either born a good person or you are born a bad person, and whichever you are born with will become your identity until the day you are in a casket. That is what David believes. Up until now, Xander was strictly placed into the slot of "good person". Not just that, but practically the opposite of what David deems as a "lazy, useless, and stupid" person. He himself has described Xander as someone who is full of energy and will do anything to achieve his goals, someone who takes the time to help others, and a compassionate and generally emotionally intelligent person. That is who Xander Matthews is to David. But now that he is being given evidence of a more potentially malicious side to Xander, the pitfalls of a firm black-and-white mindset rear their head and repeatedly bludgeon David in his own.

David: It's possible that those bloodstains are Xander's, not yours.

(he's reaching so fucking hard here and he fucking knows it, god I hate him. /pos)

David: Are you saying that Xander is a killer? I find that difficult to believe.

Teruko: -But I believe that the origin of the DVD is not from the culprit, but rather, from that person (SELECT: Xander) Teruko: It was most likely Xander. David: Xander... He planned something that manipulative?

David's monochrome mentality (Riproducer reference completely intended) makes it so that he cannot even fathom the idea that Xander, someone he previously marked off as not just a good person but the good person, is even capable of hurting someone, of being cruel enough to intentionally trigger someone just for his murder plan, to murder someone in general. If his feelings towards Min are anything to go by...

David: Something as horrible as this murder, as horrible as this class trial-- David: How dare you! You killed Xander, and you were perfectly willing to kill everyone else here to escape!

David: At that time, watching Min, I kept thinking... David: ... David: How utterly pathetic she was!

That would certainly bring Xander to the category of lazy, useless, stupid bastards. But David has already put Xander into the category of a "good person". So what else is he meant to do other than defend and deflect anything suggesting otherwise? David doesn't want to believe that that glimmer of hope that Xander gave him was just a lie, that hope that things could change, that he could change. So he defends it. He clings to it. He doesn't want to let go. But here's the funny thing about David. Despite his black-and-white mindset, despite the fact that he does believe good people exist, he will always be, first and foremost: A cynical bitch. Point being: I think David, deep down, knew full well that Teruko was most likely telling the truth. Like, I joked about it earlier, but do you really think he believed the lack-luster argument that completely ignored evidence that he could gleam by just looking at the crime scene? I think he was just reaching for anything at that point to try and prove himself wrong. But it's no use, the light continues to flicker. David's denial of Xander's cruelty is quiet to none, but it's clear he is still clinging desperately onto the positive image of Xander he used to have, seeing as he does not show nearly as much animosity (verbally anyway) towards Xander then he does towards Min, despite the fact that Xander also seemed more than willing to kill the rest of the class to escape. It's breaking. But after Min's execution, it's clear that it all hits him at once.

David: I... I've seen enough. There's no point in keeping my hopes up anymore. David: We are all certainly going to die here.

David Chiem left the courtroom that day with his hopes snuffed out, nothing left within him other than the cruel reminder of something he already knew:

If something is important, then

It'll break and disappear.

[junktastic]

Hi everynyan,

Some of you will remember that I was taking names/addresses to send out free stickers in September. I am almost done sending them out now, so here's a quick update on that.

The Good!

I like this a lot! It's fun to do. For reference, I'm printing, laminating, and cutting these myself at home, so I'm learning a lot about my machine. I like being in charge of the quality control, I like doing the logistic work. Idk. It's fulfilling to me.

It's also really delightful to see names on the list who I've known of for a long time. Old and new faces, people all over the world, I love seeing people adopt a catgirl. :3 And for free! I'm by no means making a lot, but being able to provide something fun and physical to the people who enjoy my art for free is just! Wow!

The Bad!

Everything that could have gone wrong during this process did, which is why they're going out so late. The at-home manufacturing process was relatively simple but the materials kept being funky, or I'd do something wrong, so I'd have to toss something that I'd completely fucked up, OR I'd just miscount how much stuff material I had left. It's been a pain in the butt, so I'm glad it's done and that I've learned so much from it. I ALMOST FORGOT, I DESTROYED ONE CUTTING MAT MAKING THAT ROGER STANDEE FOR MY WEDDING LOL SO I HAD TO SPEND TIME CONDITIONING THE NEW CUTTING MAT! UGH!

There's also: the money. I know it's gauche to talk about it, but doing this was pretty expensive. I live in Canada now, and most of the letters were going out of Canada, so that postage added up. Materials cost, time, it's a pretty good chunk of change, but I didn't go broke so I want to do it again.

The Other?

I definitely want (and plan) to do this again very soon. I'm talking within this month. I'm making Christmas cards! I've already set money aside for this so it's all good, and it involves less at-home manufacturing since I can just reach out to a local print shop.

I know some people were wary of the google form, but I can't really find a better alternative at this time. MailChimp has had at least one major information leak in 2024 alone, so I am not sure where else to turn for collecting addresses at this time. I had a few people who did not give me towns/zip codes, and the street address would have three or four towns in that state alone with that address. Since I didn't collect e-mail addresses, I didn't have any way to reach out to entrants about this. If you don't see your sticker in the next few weeks, this might be why! I also plan on adding a checkbox just to confirm that the person requesting the sticker is over 18, NOT because I plan on sending anything saucy, but I know what it's like to be a teen with parents who open you mail, an I don't want to cause problems for anyone because Mom and Dad think fairies are satanic or something.

Most people I've talked to about all of this have really emphasized that I need to reopen my Patreon. I'm not saying anybody is wrong on this, but it just makes me feel so uncomfortable. I think anyone who's followed me for a while has seen me try and fail to do art full time or, hell, even have a schedule for something, and I've failed every time. I'm so scared of failing people again. How can I ensure that I'm producing things on time, to a standard I am happy with, that anyone willing to support me (in this economy?) would also be happy with? It will probably happen, but I'm just so... Plus, with all honesty, I have a commission backlog that I need to finish first! I'm bad at the business part of this whole thing, I think. I'm a blue-collar labourer in my heart.

That's my update! I wish you all well, please stay safe and take care of yourself and those around you. I'll post again when I'm collecting addresses for the Christmas cards.

[utilitycaster]

In what way did having Laura and Marisha on 4SD damage your view of their relationship? 100% agreed on needing Laura on 4SD without Marisha asap. Slightly off-topic, but Laura is also the only cast member who's never been on two consecutive 4SD episodes. It's frankly impressive she's been able to give any in-depth answers about Imogen with how repetitive questions for her are. It's really indicative of the questions' quality that she provides answers to them before even pulling them out.

re: damaging my view of the relationship (which to be clear - I mean im*dna, not Marisha and Laura themselves), one of my issues has always been that Imogen and Laudna have for lack of a better way to put it, acted (and been treated as) as a glued-together unit but without any glue. It's recently gotten interesting and I hope this conflict that we have continues! But until recently, they've had in my opinion a dampening effect on each others' stories; they're infinitely more interesting to me as individuals than as a couple. Therefore, the way that Laura hasn't been on 4SD without Marisha since "That's Just Right" in December 2022 (and, of her 9 appearances, has been paired with Marisha in 7), and the fact that so many 4SD questions treat them as one unit, even when it's not remotely relevant (eg, the question about FCG's death) and resist the idea of them becoming more distant even if that's where the narrative has taken them (the truly egregious "please say syke [sic]" question from last night) is a real turn off, but also, I'll admit, rather vindicating. I'd much rather have a 4SD where we can treat Imogen and Laudna as individuals with their own arcs and lives, but if we must have this pablum at least I was right that there is a noted pattern of treating them as the appendages of one another with little value outside of being half a relationship on which to project. It's unfortunate, because Imogen's had some fantastic interactions with Orym lately and I'd have loved to hear about that, though Robbie's questions were extremely good and maybe he should write the non-Dorian tankard questions for a while.

I will say the one criticism here that I think isn't really important is that Laura hasn't been on two 4SDs consecutively; I think that's almost certainly just scheduling. She's got a busy acting career and a kindergartner and a lot of the work she does for CR (merch) doesn't require being in-office, so she's always been a little less frequently on the talkbacks than some of the other cast members. Even though Imogen is extremely central to the plot I didn't expect Laura to be on 4SD too frequently; I just wish she could be asked more insightful questions. I'm not getting my hopes up but maybe the Fireside might be an option for something better.

[jq37]

Seeing you describe your opinion on Wish (the movie itself) as "def do have oh boy" just has me curious now. What is it?

OK, so I let this sit in my inbox for a while because I planned to see Wish and I figured that it would be more fair to wait until I had a full picture of what the movie was before I started talking about it and...yeahhhhhhh having seen it my opinion has not changed. It's just intensified. 

MAJOR SPOILERS BELOW (lol, this got past 7k words)

And, fair warning, it's pretty critical so if you don't want to read something critical about this movie then this is your exit.

tl;dr: I think the movie Wish fails at basically everything it sets out to do and it's an absolutely awful 100th Anniversary movie for Disney. 

When I say it fails at everything, I mean EVERYTHING*. I'm going to break this into sections for organizational purposes. 

*The one thing I'll give it a slight pass on is the art style which I don't love but also wasn't like make or break for me. I would have preferred true 2D or a better implementation of the blended 2D/3D style, but if the movie was otherwise of the quality of something like Spiderverse or Puss in Boots, the animation wouldn't have bothered me. Like, I watched S1 of The Dragon Prince with no problem. I can forgive janky animation--and it wasn't even super janky. Just odd. What I can't forgive is literally everything else about the movie. 

Characters

How is this movie so full of characters and yet devoid of characters that matter? There are a million characters in this movie and basically only two of them matter: The King and Asha. But neither of them are compelling in any meaningful way.

There's a lot of to do about the last batch of Disney protags being very same-y in a quirky, all fluff and no substance way and I don't really buy into that. I don't think that Raps, Anna, Moana, and Mirabel are palate swapped carbon copies of each other. They have unique backgrounds and struggles and motivations. I feel like they're all quirky, sure. But they all also have an identity BEYOND being quirky. 

I do NOT get that with Asha. I don't feel like I have a good idea of what makes her tick at all. Like, she's kind. She wants her grandpa to get his wish. She wants to be the King's apprentice so she can help people. The queen (we'll get to her) exposits to us that she cares about people. But being kind isn't in itself an entire personality. The way Mulan is kind (defying the law to spare her father the ravages of war in his old age) isn't the same way as the way Cinderella is kind (making clothes for her mouse friends and protecting them from the cat). Asha just has a generalized want to help people, which is an admirable trait, but doesn't give us much to latch onto. It's so telling to me that in a movie called "Wish" our main character's wish is just, "To have more than just this" And yes, Disney princesses wanting "more" is literally their whole thing, but it's always more specific than that. Mirabel wants to prove herself to her family. Rapunzel wants to experience life beyond her tower. Even Snow White--the Disney princess with the flimsiest story--wants to find her true love. That's a concrete motivation! Asha doesn't feel real to me as a character. It feels like the thing that drives her is that the plot needs to happen and that's it. 

The other important character in the movie is King Magnifico who was supposed to be a return to form for Disney in introducing another classic villain but he just fails at that so hard. The idea that he could stand toe to toe with any of the OGs like Lady Tremaine or Scar or even the latest villains like Dr. Facillier or Mother Gothel is laughable. He just doesn't have any gravitas. And his characterization is so odd. You can tell that they were trying to give him a "reasonable man doing unreasonable things for a good reason” backstory (both because of some images in the film and some stuff in interviews I read) but then they just...don't actually give the backstory? Like, they imply that the backstory exists but I don't remember them going into it at all. Which like, he doesn't NEED a tragic backstory. He can just be doing what he's doing because he's evil. Ursula didn't need a reason to want to rule the seas. She's just a boss bitch and she wants power. I don't need to dissect that any further. BUT if you tell me there’s a reason your villain is doing something, I need to see that reason. I don't understand why they would include that in the movie, just to do nothing with it. 

Beyond that, he's written in such a weird way. Like, despite the "maybe he has a point" angle they seem to want to go with, he's very obviously a self-absorbed ruler--like he'll say things like, "Yeah, I am super handsome" to his wife--which immediately dumps him into the camp villain category. But he's doing the controlling things he does in the movie of his own accord to get people to stick to the status quo he set up. Fine. That's a fine thing for a camp villain to be doing. But then, at a certain point in the movie, he just uses a forbidden magic evil book (which he has for some reason) that just fills him with evil, green magic and makes him 100% unhinged all of a sudden. And that's just...boring? Like, anything interesting you might have been able to do before that point about power and control and how sometimes you make a wrong choice with good intentions is just gone at that point. It sucks because there were a lot of right answers here. You could just make him evil because he's evil. That works. You could have him be seriously convinced that what he's doing is right and be willing to do whatever he needs to do to keep things that way. That works. You could say that he started out trying to be morally upright and then slid into enjoying the praise and control just a bit too much--and I think maybe that's what they were going for. But it does not come across that way. He just seems like a dick to the point where you're kinda questioning how he's pulling any of this off. Asha asks him one question and he flies off the handle. How does everyone not know he's an asshole if it takes so little to fluster him?

So I don't like our main hero or villain. But there are still SO MANY CHARACTERS in this movie. 

You've got Asha's SEVEN FRIENDS. Yes, SEVEN. they're based off of the seven dwarves, which is cute enough but do you know what happens when you give the hero seven sidekick characters? None of them get developed at all and you have to treat them like a unit. Only two of them matter at all--Dahlia (her best friend and the one who actually does more than just make dumb jokes or, worse, nothing at all) and Simon (the one who betrays them--more on that later). There is no story reason for them to have shoved in this many sidekicks. Especially since she also has…

Her animal sidekick, Valentino. Who is a very cute goat until he gets sprinkled with stardust and boom. He can talk. Which immediately made me like him less. Flounder he aint. The whole joke with him is that he's a baby goat with a rich, deep, baritone voice. That's it. Almost every joke he makes is either about that or his butt. Boo. 

Then, there's the Queen--Queen Amaya--who is such a NOTHING character. There's no effort made to build up her relationship with the king so that her flipping on him later has an emotional impact. I have no idea what she cares about or desires. When she shows up, she's basically acting like the king's secretary, which is weird. I don't think that's what a queen does. There's a moment during a later song when she joins the "revolution" and it just has zero impact because again, it's like, I don't know who you are in any significant way! She seems nice, and I would love to live somewhere ruled by someone boring and benign, but that makes for an awful movie character. 

I almost wrote "lastly, there's the star" because I totally forgot about Asha's mom and grandpa. They're in this movie too but even though Asha's whole motivation at the start of the movie is getting her grandpa's wish granted, we never get a good idea of what their relationship is. They have like, one quick scene at the top which tells us nothing, then they're in a crowd scene later, then Asha has dinner with them later the same day and that's it. And, again, we get nothing significant. Compared to something like Mulan where you have a good idea of what Mulan's relationship is with every member of her family by the time the military order comes in or Encanto where between the musical number at the top and the first group scene, you get an entire picture, this is really weak. Again, so weak that I completely forgot that they were even in this movie. 

And NOW lastly, there's the star. Who is like, cute enough but he really makes me annoyed because I've seen the original concepts and they would have been so much more interesting! That's the case for the queen too, so I'll talk about both of them together here. 

I am sorry to inform you if you didn't already know but the queen was originally supposed to be evil too.

She was supposed to be a part of an evil power couple with Magnifico and how dope would that have been? We've never gotten that from Disney before. Imagine! Disney Villain Song Duet! A Hot couples costume for next Halloween! An actual relationship that's developed in this movie! But nope. They unflavor-blasted her into the paper thin, placeholder of a character we have in the movie. 

And the Star went through a couple of concepts. One, was the spirit of her dead grandpa, taking a younger form, which isn't my fave one but it at least would give her a relationship with this person who is supposedly an important person in her life, something we don't have in the movie right now. My favorite alternate concept is that originally, the Star was supposed to be her celestial love interest. And listen, anyone who's followed me for long enough knows that I am a big advocate for platonic relationships and FRONTING platonic relationships. I don't think that a story needs a romantic relationship to be compelling and I think forcing one in almost always makes it worse. But there is NO central relationship in this movie to carry it. Asha has too many friends for any one of them to make a serious impact so it's not a friendship story. Her mom and grandpa are nothing characters, so it's not a family story. She interacts with the star a lot, but that's basically just her talking to herself because the start doesn’t talk. So nothing is really there to latch onto. If they'd decided to go with the romance angle, it would have forced them to focus on at least ONE relationship and it would have been a nice way to throwback to classic Disney movies from the past. Much better than just sticking her with SEVEN WHOLE USELESS FRIENDS. Literally, all they provide is backup vocals in the fight song. Special Dishonorable Mention to Gabo. Man I hate that dude. 

So, to recap this section, Asha's personality is only sketched out in the loosest possible way, King Magnifico is entirely half-baked, and there are so many side characters that no one can form meaningful relationships with each other. And it's really a shame because (1) they very easily could have pared down the cast and (2) very recently Disney put out Encanto which handles a large cast beautifully. There are a ton of Madrigals but I can tell you what the deal of each and every one is. This could have been done well and they fumbled so hard. 

Concept

OK, so next up is the general plot and concept. This story takes place in the city of Rosas which is ruled by King Magnifco. It is supposedly a paradise, but much like a YA dystopian novel, it has a twist: When you turn 18, Magnifico takes your wish away from you and puts in in his wish room with the promise that it might be granted at one of the monthly wish granting ceremonies. Once your wish is taken from you, you are "unburdened" and you're "free" from having to pursue it. You don't even remember what it was. 

There's a kernel of something interesting there. A ruler making his subjects docile, placid zombies that won't challenge him by taking away their ambition? That's interesting. People willingly giving away a part of their heart to dull the pain of trying and failing? Interesting. Someone doing this with no ill intent, but rather genuinely thinking that this half-existence is better than the heartbreak of the alternative? Interesting!

But the actual implementation of this idea? Ughhhhhh. 

So first off, just logistically, Magnifico grants one wish a month more or less (Asha says once a month and in his villain song, he said he granted 14 wishes "last year"). So like, realistically, most of these people have to know their wishes will never be granted, right? Because of like...how math works? Asha acts like it's a big shock when she learns that most wishes won't be granted but like girl...math. 

Secondly, there are two moments that are meant to imply that having your wish taken away turns you into a shell of yourself. Asha's friend (who betrays her) Simon is said to be all sleepy and more boring since he turned 18 and had his wish taken. And then, later in the movie, we see two new residents have their wishes taken, and they look a little disturbed after it happens. But, here's the thing. NO ONE ELSE IN THE MOVIE ACTS LIKE THAT. Asha's mom and grandpa act like normal people. So do all the other characters. It’s not consistent enough to establish that this is what’s on the line. Does taking your wish away make you a robot or not?

And does everyone just have one wish? I know I could fill a full sheet of paper, front and back, with things that matter very dearly to me. If you took away my wish to write for TV someday, that would still leave my wishes to travel the world and get a comic book adaptation of one of my novels and a whole lot of other things! Does taking your main wish away make you lose your ability to form new wishes? Logistically, how does any of this work? And you can't just say, "It's a metaphor. Don't think too hard about it," because there's a scene where the citizens start asking these questions. Like, "What happens if we have a new wish than from when we initially made it?" As if having unnamed side characters ask the questions first will alleviate the need to answer them. It's not lamp shading at that point. You're just being lazy. 

Also, this is more a me thinking about the implications too hard than an actual plot problem but if he's taking the wishes at 18 I feel like a lot of peoples' greatest desire at that stage in their life is, "I want a romantic partner." And if the central conceit of this premise is that once your wish is taken, you stop wanting to pursue it then the city of Rosas is gonna have a population Collapse problem very soon. 

The characters--especially Asha--get so emotional about wishes. It's like they're giving a My Little Pony: Friendship is Magic speech every time they talk about it (except MLP has MUCH better writing). It's bizarre to see Asha's mom get her wish back and be like, "Oh my wish. My precious wish!" when she doesn't act any differently than a normal person before or after she has it back (Sidenote: She says this and she's holding the wish ball but we never see what that wish is and that's maddening. Why do I know what the dream of every patron in the Snuggly Duckling is, but they didn't show that? Ridic.) It almost is like, being in contact with a wish ball is a quasi-religious experience that drives the characters’ actions (Asha and the King are both totally enraptured while singing together in the Wish Room), but because we, the audience, are very much not in contact with the wish balls, we're not getting ANY of that. 

Anyway, to recap this section: the central premise of how wishes work and how taking them affects people is not treated consistently or explained well, which makes the stakes feel very undefined and sloppy. 

Pacing

This has to be its own section, because it's the thing that baffled me most when I watched this movie. So, here's the setup. Asha is going to interview for the internship with the king. She wants to help people and she has the secondary motive of wanting to try and get her 100-year-old grandpa's wish granted because he's not getting any younger. 

Here is the entire sequence: Asha is led into the interview by Queen Amaya. Asha is awkward but makes a good enough first impression that Magnifico is moved to show her the wish room (for some reason). They sing a duet about the wishes where they’re both dazzled by the Wish balls. During the song, Asha finds her Grandpa's wish and after the song, she asks him to grant it. He looks at the wish and says while she has good intentions, it's too dangerous to grant--as are most wishes. She asks why not give them back then and he immediately flies off the handle and starts ranting about how HE decides which wishes get granted and what everyone deserves! 

Their first meeting and him showing his true colors happens in the SAME SCENE. It's like 7-10 minutes and they just RUSH through all of that. And it's like, why? Did they really need to get to that dumbass star song (we'll get to that) faster? 

I know that he isn't a twist villain so we don't need to keep the fact that he’s the bad guy under wraps. And, the way the story is structured, she needs to learn what he's doing before she can rebel against him. But it's not gonna be a big, impactful moment if you're rushing from beat to beat like this is an essay that's due in twenty minutes and you started five minutes ago. 

And it really makes you wonder, if Asha can blow the whole lid off this conspiracy within ten minutes of meeting this guy, why is this not happening more often? Between how obviously smarmy the King is, how paltry the wish granting system is, and how easily Asha was able to start asking questions and get him to blow his top (something that happens again later when the citizens start asking question–it literally drives him into his villain song) I don't believe that this wouldn't have happened earlier (Sidenote: Finding out that it HAD happened earlier and that Asha is the latest in a line of failed apprentices who questioned him? More interesting premise). 

So to recap: I have no idea why this movie is paced like this but it's not doing it any favors. 

Humor

Humor is very subjective so you can take this with a huge grain of salt but I think this is a deeply unfunny movie. 

The jokes fall into about three main categories:

(1) Quirky Humor: This is like Asha babbling and tripping over her words. The scene in the trailer where she's like, "Is my face drooping?" is a good example. It's not really a joke but it's clearly an attempt at humor that I don't think meets the mark. It's also in the songs with, for instance, the animals or the King saying slang that doesn't match how they talk or you'd expect them to talk at all and it just feels deeply incongruent, not funny. 

(2) Referential Humor: This is probably what bothered me the most because it was just so so very eye-roll inducing. And listen, I love a good reference. Enchanted is my favorite movie of all time. I don’t begrudge them for putting a few references in their 100th Anniversary movie. But ugh. There is a scene after the king's gone crazy where he's destroying wish bubbles for power and he's like, looking at the wishes and making a quip before he crushes them. And for the second one he goes, "Oh you want a nanny for your kids? Definitely  POPPING this one!" And he might as well have looked at the camera and said, "Get it? Get it?" and it took 6 months off my lifespan. (Sidenote: He he does a direct ref with the first two wish bubbles--Peter Pan and Mary Poppins–and then he just makes a general ref to the concept of true love with the last one and it's like, come on at least rule of threes this if you're gonna do it. Commit to your awful bit!)

(3) Kiddie Humor: This is where things get especially subjective because maybe a little kid would find this stuff really funny and they are a part of the target audience so that's valid. But it doesn't add much substance to the movie. This is like the goat being like, "I found a secret passage with my butt" or leading a chicken choir or singing the line, "So that's where all the balls of gas come from" while sticking his butt in the air--a lot of these have to do with the goat and his butt now that I think about it. 

I think I only laughed at one thing in the movie that was meant to be at least partially funny--when the Queen interrupts the fight song and everyone is like "Oh shit, we're busted!" before she starts singing along. 

So to recap: Sometimes a movie has a weak story but it's super funny and that makes up for it. This is not one of those movies.

Music

This is the one thing I already knew before I watched this movie: The music in this movie is bad. 

Like, fullstop, no qualifications bad. Not bad for a Disney movie. Not bad for this story. Just bad.

I was a little confused by the choice to pick a pop artist instead of someone who specializes in musical theater style music for this project, but a more pop-y musical doesn't automatically mean a worse musical. Sure, maybe it's a weird choice to pay homage to the past 100 years of Disney movies, but it could be good. I love Six the Musical.

But that's the problem. The songs aren't just unfitting. They're not just un-Disney. They're fully BAD. They feel so half-baked and God, I've never been so assaulted by slant rhymes in my life. Like, this bothers me to the point where I have to go through the entire tracklist. I can't just make a blanket statement, I have to show you what I mean:

1) Welcome to Rosas: This whole song sounds like someone listened to “Where you Are” from Moana (the "consider the coconut" song), “Belle” from Beauty and the Beast, and “The Family Madrigal” from Encanto and was like, "I could do that". And then they couldn't. It's not really catchy and it's pretty repetitive. Super forgettable. 

Worst Line: Honestly, this song is too boring to have a worst line. 

2) At All Costs: This is the duet that Asha and Magnifico sing. Before I saw the movie, I thought it was going to be Asha singing about a wish and Magnifico singing to his wife to set up the eventual rift between them but that was before I realized that this movie doesn't believe in relationship building. Some of the movie's worst musical sins are on display here. Turns of phrases that seem like they were written by AI and bizarre syntax. 

Like what does, "You pull me in, like some kind of wind" mean? That's not what wind does. Why would anyone ever say, "Felt this? No, I haven't" instead of "I haven't felt this?" That's so awkward. 

Worst Line: "Leave you here, I don't wanna. I wanna [promise as one does]." My feelings about this line could be a whole other essay, but I've been writing this for 2 hours already so I have to move on. 

3) This Wish: This is the big "I Want" song and it fails on several levels. It fails in comparison to all the songs it’s standing in the shadow of--like the last “I Want” song we got is, I believe, “Waiting on a Miracle” and man! How can you not feel for Mirabel after watching her go through everything she goes through at the start of the movie and it getting topped with her being excluded from the family portrait? You see all the build up (including the implied build up from before the movie started) and you see why it's all bubbled up to the point where she has no choice but to sing about it! With Asha, there isn't a whole lifetime of angst that's bubbling up to make her sing this song. Everything that's happened to her has happened over the hour of like eight hours tops. She meets the king, finds out about the king, realizes the whole system is bad, and then gets into an argument with her family who's drunk the Kool-Aid and doesn't wanna hear what she has to say (which makes no impact on us because we have no idea what their relationship is). That's it. It doesn't feel like the movie has earned the song.

And then with “Waiting for a Miracle” the music itself is plaintive and soaring. Like, I just paused writing to listen to it and I couldn't help but sing along and pour a little of my actual IRL "I Want" energy into it. It's a song that feels very real. “This Wish” isn't any of that. And it's not the actresses' fault! She's pouring her whole heart into it and she consistently does all movie. But the song is just, bland. Like I said, "I want to have more than this" is too weak a hook to hang your whole song on–especially when it’s the song that’s supposed to be the thesis of your whole movie.  

Worst Line: "So I look up at the stars to guide me/And throw caution to every warning sign." That's not a thing people say and also it doesn't mean anything. If anything, it sounds like she's saying that she's being extra cautious at the warning signs! You can't just throw words together haphazardly and expect them to retain their meaning!

4) I'm a Star: This is, imo, the worst song on the whole track. A friend of mine described it as sounding like a song from a preschool science show and that's exactly it, but there's more to it than that. 

First of all, a big part of the reason this song exists is to set up the fact that humans are made of stardust because that's a plot point in the climax. But there didn't need to be a song about that. That would be like if Frozen 2 had a song about how water has memory. But like, OK. If the song was a bop, it wouldn't matter that it was superfluous. Haus of Holbein in Six does NOT need to be there, but I enjoy it! I do NOT enjoy this song however. 

This is something I alluded to earlier, but this soundtrack in general and this song specifically sounds like it's trying to do LMM's schtick but poorly. And I know some people don't like his whole style of music (I personally like it) but love him or hate him, his style without his skill? Awful. The presentation of fun facts in the middle of a fun song makes me think of his "Look it Up" in “Shiny” or "That's true" in “A Winter's Ball”. And there's a part where a turtle (we'll get to the talking animals) sings "See we're all just little nebulae in a nursery/From supernovas now we've grown into our history/We're taking whys right out of mystery, closure/Now we're taking in all the star exposure" And it really sounds like someone doing their best to emulate Lin's flow in things like Mirabel's aside to Mariano in “The Family Madrigal” or any number of songs I could name from Hamilton. But it just falls so flat here. It sounds so preschool and cheesy. And not preschool in a fun way. Backyardigans would never. 

Also, this song is sung by a bunch of talking animals (the Star gives them the ability to talk) and I find them so obnoxious. They say stuff like, "Did we just blow your mind?" with the "boom" sound effect and I hate it. Maybe kids will like them, I dunno. I refuse to get into it further. 

Worst Line: This song completely misuses the word allegory, which I hate, and it rhymes it with "excitatory" which I hate more (and I am saying this as someone who has made peace with the fact that Schwartz rhymes "nasty" with "flabbergasty" in Disenchanted) but there is only one line in this song that can be considered the true worst line because it's my least favorite line in the whole movie. A dumbass, stoner-sounding deer named Bambi (boo) sings, "Ooh, I'm a star! Watch out world, here I are"

They rhyme the word star--not a hard word to rhyme at all--with HERE I ARE. 

I firmly believe someone should go to jail for that. 

5) This is The Thanks I Get?!: This is the much anticipated and extremely disappointing villain song. There's just no gravitas and it's not clever enough to be very fun. It's just kinda bopping along which is eh, kind of fun at best, but like everything else in this movie, doesn't leave an impact. A musical number doesn't have to be obviously sinister like “Be Prepared” or, the holy (unholy?) grail, “Hellfire”, to be impactful. “Mother Knows Best” is bright and filled with false cheer but it still works because we can see the manipulation that Gothel is doing and she spins Raps around in mental circles to keep her docile. This is just an egotistical rant--and not even in a fun, Gaston kind of way! (Sidenote: Gaston is a good example of a villain who is preening and pompous and kind fo campy, but who you see why he’s beloved AND he can be menacing when the scene calls for it). 

Also, it's so full of weird slang that Magnifico doesn't use at any other point in the movie. "Peep the name", "Ungrateful much", "Mmm, are you sure you're not the prob?" It's like he suddenly got possessed by Urban Dictionary. It's bizarre. 

It also comes weirdly late in the movie, which isn't a complaint, just an observation. 

Worst Line: I think "peep the name" is my least fave but, because I already said that, the opening lines of this song are, "I can't help it if mirrors love my face. It's genetics! Yeah, I got these genes from outer space" and that's such a weird thing to say. I got these genes from outer space? He wasn't even there for the star song so what the hell does he mean by that?

6) Knowing What I Know Now: I feel like this is the song that had the most potential. But for all its build, it never builds to anything. It starts and ends so abruptly (which is the case for multiple songs on this list). We don't really get to know any of the characters well except for Asha so them joining the revolution has no impact. The Queen turning on Magnifico really doesn't have much impact. 

(There's a line in this song where a character sings, "I was sweet but now I'm something else" which is so funny because we literally know nothing about her except that she surprises people when she's in a room which, lmao, me too. Fully forgot you were in this movie, girl). 

Worst Line: "The good in him, I've watched it melt". There's technically nothing wrong with this line but I hate it because melting with regard to emotion is never, "Oh, his goodness is melting". It just hits the ear so wrong. You can watch the good in him disappear or fade or vanish. Not melt. Hearts melt. 

There's also a reprise and a credits song but I have talked about the music for too long as is so to sum up, there is not a single song on this list that I will ever purposefully listen to for enjoyment ever again and there are a few lines that I feel calls for someone being forced to go to whatever the musical version of the Hague is to explain themselves. 

MISC

This is just a section for things that annoyed me that didn't fit anywhere else. 

There's a moment where Asha sees Star which is a star that has fallen to earth and is shaped like a star and she's not able to put together than he's a star until she looks up at a ball of yarn that's tangled in the trees and sees that the yarn is shaped like a star...which again, Star is ALSO shaped like a star! Baffling. 

Gabo at one point makes a comment to the effect of, "Wishing on a Star? Grow up Asha, this isn't a fairy tale." And it's like, dude shut up. Your king is a sorcerer. This movie isn't funny enough to pull off that kind of wink to the audience. 

The actual funniest part of the movie is when a talking mouse (not a thing that usually exists in this world) runs onto the Queen's shoulder during a big speech in front of a crowd and not only does no one notice, but she has no stronger reaction than if a messenger was telling her that her dinner was ready. And not in an underreaction for the purposes of a joke way. Like, in a they forgot to write in a reaction for her way. It's so unintentionally hilarious. 

They specifically set this in the real world–off the coast of the Iberan Peninsula–but I didn’t get any of that influence in any significant way here. It could have been any generic island town. Rosas sounds like a Spanish name and “Welcome to Rosas” there is some dancing that looks like traditional Spanish dancing. But on a whole, it feels pretty bland. When I think about studying abroad in Spain, one of the big things I think about are all the moments with food–patatas con bravas, pan con tomatae, paella, and so so much coffee. The only food I remember from this movie are the novelty cookies Dahlia is always baking. Which is wild to me because their last big musical was Encanto and you could feel the cultural influences in every scene and it was seamless. This wouldn’t even bother me if that hadn’t made a point to set it in a specific part of the real world and call it out. 

A lot of the dialogue is super expository in a way that both makes me think the writers think we’re stupid and that they realized at certain points that they forgot to establish things but instead of fixing the script they just shoved in a line. Like, to the first point, there’s a part where Magnifico crushes a wish and it’s very clear that he’s getting a high from it. But instead of letting the moment stand he’s like, “Oh yes. Who knew crushing wishes would feel so good? I must continue to crush wishes so I keep feeling this good feeling,” and it’s like…why did you need to say all of that? Old Power Rangers episodes have their villains monologue less than that!

This movie opens on a storybook–just like Snow White–and it has a voice over of Asha narrating the history of Rosas as the pages flip. Not a bad idea–until you push into the scene and realize she’s telling all of this to…her grandpa? Who is 100 years old and lived through all of this? What? Why not have that scene be a kid flashback and the story is being told to her? Or have her be doing the little kid thing of telling a story to an adult? Either way, that would help establish their relationship which is ostensibly very important to this movie. Or, wild thought, just have her be telling this story to kids! Like Mirabel explaining all the Madrigal gifts in Encanto! Like, if you’re gonna take cues from that movie, at least go all the way so your movie makes sense. 

It’s very unclear how Star’s magic works. It seems like he mostly just gives wildlife the ability to talk. I thought he was just granting wishes but he never does that to any of the humans. And I find it hard to believe that the wish of every animal (and mushroom)  in this movie is just to be able to talk.

Easy Fixes

And all of this is compounded by the fact that this isn’t just any random movie or even any random Disney movie. It’s the *100th ANNIVERSARY*. You only get one of those and this is what they wasted it on. My hopes were really high here! I was expecting a lot of love and care to be put into this one, but it just fell absolutely flat. It feels so rote, so by the numbers, so lacking in care. It feels like the shell of an outline of a movie that relies on the fact that we know what a movie of this sort should be and can fill in the blanks. 

And the worst part? The absolute worst part?

IT WOULD HAVE BEEN A REALLY EASY MOVIE TO FIX. 

Like, I’m serious. If you watch this movie, you will be able to, off the cuff, name tons of things that would have solved problems without breaking a sweat. 

For instance, just cutting her friend group down from seven to two would have helped immensely. If she, Dahlia, and Simon have a Three Musketeers relationship, then when he betrays her to the king, it actually means something now! 

For a bigger but still obvious change, why not have Asha have an existing relationship with Magnifico? So then this story can be about her losing faith in this relationship she’s had for a long time after she’s seen behind the curtain and become jaded over time and not a 7 minute “Don’t Meet Your Heroes” speedrun.

And making it clear what taking a Wish from a person means–and following through with that portrayal all movie–would all be a game changer. Show that Magnifico’s magical wish granting still leaves the people hollow. Show that Asha is a vibrant, bright person amongst a sea of robotic adults. Show me some worldbuilding! 

Also, just hire a musical theater person to do the music. Seriously I can’t believe I have to say this? How is there not a single good song in this movie? There are DCOMs with more bangers than this. Almost every song in High School Musical is a bop. How are you getting outshone by High School Musical?

And these are just changes that preserve the bulk of the story as is. This movie could have been even better if they’d change the direction to go with some of their scrapped ideas!

This is just a movie that absolutely baffles me. I wouldn’t think it would be possible for a movie with this high of a profile to be this bad. You would think that even accidentally they’d have to get SOMETHING right. But they really don’t. I can’t recommend this movie, even for a fun-bad watch. It’s like eating unsalted saltines while you have dry mouth. Just watch a better movie. And here are three movies I think are more in the spirit of Disney’s 100th anniversary than Wish:

(1) The Princess and the Frog does literally everything that this movie is trying to do but better. You’ve got a movie that used a 2D style in the 3D era. You have integration of cultural elements–in this case New Orleans in the 20s. You have a classic princess story with the classic trappings: romance, villain, fairy godmother. You have a rocking villain song. Hell, you even have a wishing star motif! 

(2) Encanto is the latest Disney movie of the modern era to have that classic Disney magic, imo. It sidesteps a lot of the classic Disney tropes–no princess, no serious romance (Delores and Mariano end up together but it’s very much a side thing), no villain beyond generational trauma–but it still feels musical and magical and full of character and life. It shows that you can keep the big emotions that we expect from Disney even with more modern sensibilities. 

(3) Enchanted is my favorite movie of all time so I’m biased, but I still firmly believe that it stands as a better movie in general and tribute to Disney specifically than Wish. THIS is how you do an homage. The whole plot is a loving roast of all the quirks of classic Disney movies, but it’s also a sincere story that stands on its own. It has references to old movies, but they’re integrated very naturally. And it’s funny enough to get away with things like a character mid-musical number being like, “What the hell is happening? Why is everybody singing?” without it feeling like lazy, “Well that just happened” humor. And the music is so good! 

(A quick note on the music btw: Most of the songs in Enchanted are musical theater style songs but there’s one song near the end called “So Close” which is like a pop ballad. And it totally makes sense why they’d depart from the musical theater style in that moment in context but, even if it was jarring and totally unfitting for the movie, it’s still objectively a strong song. Out of context, it would be a great, sad, romantic song. And if the music in Wish was all like that–good but unfitting–this would confuse me less than it does.)

Anyway, I would shell out a LOT of money for a making of documentary for this movie in the style of the Frozen 2 one because as writer and a fan of a lot of Disney’s past stuff, it is completely beyond my comprehension who a team of accomplished people get together to create the 100th Anniversary project with their vast resources and produce this. It just doesn't feel like a movie with any serious care put into it. Which is separate from quality, btw. I don’t like the movie Raya very much but I think it’s obvious a lot of care went into it and I respect this. Wish feels like a movie that was made to fill some kind of contractual obligation and it makes me sad because I really wanted to like it. 

[tossawary]

As I post about rereading SVSSS for lore and characterization, and about sometimes ignoring canonical details for the sake of whatever story I want to tell / explore in fanfiction for fun, I want to make it clear that I don't make these changes because I think it makes a "better story" or that I can write a "better story". I don't even like using the term "fix-it" for my canon divergence AUs that avert some in-universe tragedy, even if it is the "correct" fandom term in some cases, because I don't think that SVSSS is a story that needs to be "fixed".

(Honestly, a lot of my minor alterations to canon's details are because I can't remember what exactly canon is and can't always be bothered to hunt for one sentence (which I may or may not remember existing at all) across multiple volumes, especially when I don't always think strict faithfulness to canon is that crucial to the main concept of what I'm doing. I wrote PINTWILF and several other fics before the official English translations were fully released, when checking minor details was an even greater pain in the ass. Sometimes, I'm cooking without the recipe in front of me because I just want to eat.)

Like, I have criticisms of SVSSS, definitely. When I first started writing SVSSS fic, I was more frank about this (fond but less fond of the characters and world than I am now), and I've talked about things I wished the story expanded on more. I think it has flaws. I know those flaws are a dealbreaker for many people. But it's not my story. I can't tell MXTX's story better, because I believe that every author's story belongs to them and only they know what they're trying to achieve, even when I may personally think that the story might have been stronger if it had done something differently or I'm ignoring some minor detail specifically because I don't really like it.

It's awkward, sometimes, occasionally being told by someone that they enjoyed my fic more than the original story. It's very flattering (I can't pretend I don't have an ego) and I don't think anyone means any harm by this, people enjoy stories or don't for many different reasons (enjoyment is not necessarily an indication of quality and I think engaging with fandom can often be more fun than just reading a story on its own by yourself), but it is a little awkward, especially when SVSSS is not an English / western story. I have an advantage appealing to western readers. Reading a translation of the original story, I know there are details of SVSSS going over my heard, references I'm missing, nuances I don't recognize, even as I endeavor to keep learning. I personally enjoy some of my fics more than SVSSS itself because I associate them with good experiences and a lot of them appeal to me personally in some way or another (all of my favorite tropes! we all have favorite tropes!), but they are built on the back of someone else's original work on the other side of the world, and I want to be respectful of that.

I don't want to compete or fix. I'm not trying to compete or fix, I think I would fuck it up if anyone seriously set that task on me, and I don't think that's a good way to view anything. I want to explore and appreciate. I'll type up a lengthy post at some point as to why I'm generally not interested in concrit on my fics (honestly, mostly it's because I'm not interested in being told that a reader hates the present tense and wishes I would rewrite the entire story, which has happened to me before), but I hope that doesn't come off as disinterest in the original story or its cultural context, or as me thinking even a little bit that any of my stories are flawless and/or better than the original.

I want to make a "why would you put two bad bitches (compliment) against each other like this?" joke here, but I also want to be clear: I think MXTX is by far the badder bitch (compliment) in this situation.

(Turning off reblogs, btw, because this post skews more on the personal side.)

[gorjee-art]

Are there any things you like that are bad? As in quality or execution, not morality. I also mean like, rancid. There is very little, if anything, redeeming about it, beyond it meaning something to you. I don't mean So Bad It's Good either, (Examples of that being The Room or Shadow The Hedgehog 2005) it just isn't allowed to be good. I suffer from too much recency bias and a poor memory to think of any examples of this for me. Except maybe Big's Campaign from SA1? I haven't played it recently enough to know if it's truly as bad as people say and if I just enjoyed suffering as a child or if they were simply not as good as me at holding the A button down.

Oh this is easy for me, anything from Vivzie Pop's work. Ho-kay! Ho-kay...put the pitchforks down, and let me explain myself.

I am the type of person who is critical and picky with most things regarding media, I am the movie critic snob who puts her nose up at any sign of error or distasteful writing. My inner critic is basically this, regarding everyone else and even me.

I also know how to let things go and let people enjoy things without having to share my opinion, which Helluva Boss is my greatest self-guilty pleasure. I am in the middle of the lovers and the haters and I agree with both.

The writing is AWFUL, and so slapped together last minute, there was little to no planning for the story other than "I really like the idea of this relationship so I will decide to let it take over the entire show that's about imps doing murder". Not to mention the famous sailor mouth on EVERYONE. There is little difference in mannerisms regarding dialogue and that drives me up the wall, I could make a 10-page essay on how I absolutely despise every single little thing about it...

but I also just adore it...I love the characters! Fizzarolli is the first character in a WHILE I genuinely relate to on a close level, and the songs. GOD the music, it's so catchy and wonderful, All 2 U and House of Asmodeus are something I've been humming to myself for a long time. As much as I hate to say this...I love Stolas and Blitzo's dynamic as well, I am grossly passionate about them and wish they were written BETTER, I love the idea between a royal and a clown, the king and their precious jester, the prince and their knight. I love all the tiny details in Apology Tour and I HATE THAT I DO.

I just desperately want this show to be good but it only has...moments. of greatness. if that makes sense, and that frustrates me to hell and back. It feels like fanfiction, not a show, it feels like someone who really likes this relationship did it. Not the official thing, and I really sometimes wish Stolas and Blitz' were not the focus of the show, cute as they are. It was about hitmen doing their job in ludicrously silly and cruel ways because they're...imps! cruel cruel imps! that's their go-to! I didn't go into this show expecting a touching oddly sultry romance.

but, I'll keep my mouth shut, and ignore my inner hypocrisy I learned a long time ago that people should just...enjoy things.

[sweaterkittensahoy]

Gale decided to go with John to London and they make it to the hotel room and Gale is just touchy feely in a way that John has never seen from him before cuz they always had to hide behind friendly playfulness or be quick or quiet about their affection. I just want Gale wrapping his arms around John's neck, sitting on his lap, all the above and just absolutely blowing John's mind with how much he loves him.

[No queerphobia but also Buck keeps his feelings right here in his chest and one day, he'll die]

"Come to London with me," Bucky says. "We'll paint the town red." His offer is sincere, but he truly doesn't know if Buck will agree or not. He watches Buck chew his toothpick and wishes he could lean in and pull it from his mouth, hold his jaw and kiss him in front of Meatball and everyone.

But Buck's not affectionate like that. He's funny and smart-mouthed, giving Bucky affection with teases and little nudges. Bucky's just glad Buck doesn't mind how affectionate he is. How he needs to rotate around Buck like the Earth to the sun. Have an arm around him, grab his chin, sometimes even bite at him through his uniform.

"Sure," Buck says, breaking Bucky from his thoughts. "I'll go to London with you." His smile builds slowly as Bucky stares at him. "Oh, come on, I'm not a complete wet blanket."

Bucky grins and wraps an arm around Buck's waist. "Just slightly damp sometimes," he says and laughs when Buck shoves his shoulder. "Come on. Let's make tracks before they stop us."

*

Bucky only means to stop at the hotel for a quick shower and a change of clothes, but two minutes after he steps under the water, Buck crowds in with him.

"Oh, hey," Bucky says. "You want to--" He cuts off when Buck grabs his hips, digging in his fingers, and presses his cheek between Bucky's shoulder blades. "Buck?"

Buck rubs his cheek back and forth and wraps his arms around Bucky's waist. He softly kisses the back of Bucky's neck, and then he nudges Bucky forward so they're both under the water.

"Buck?" Bucky asks again.

"I can't--" Buck kisses behind Bucky's ear, then drags his hands up Bucky's torso. "You're so much better at this."

Bucky shakes his head. "I don't know what you're talking about."

Buck traces Bucky's ribs, making him shiver, and then he drags his mouth down Bucky's neck and shoulder and halfway down his bicep. "This," he says. "Touching."

"You're doing just fine there," Bucky says as another shiver works its way over him. Buck's nosing his spine, running his hands up and down Bucky's side from armpits to hips.

"I want to. All the time. Touch you. But I--" Buck shakes his head. "There's reasons, Bucky. I wish I didn't have them but--"

Bucky turns around. He touches Buck's chin, and Buck lifts this head to meet his eyes. "Hey, you don't have to explain to me, okay? We're usually around people, and you don't like to share. I know you."

Buck grins faintly. "It's not that I don't like to share. It's that it's..." He sighs and presses his face against Bucky's colllar bone. Licks once, then bites down lightly, just like Bucky does to him sometimes. "I used to be jealous about how easy you are with touching everyone. Not that you were touching everyone. Just that you could. Can."

"You touch me as little or as much as you want anywhere, anytime, Buck. Just mean it when you do it, yeah?" Bucky feels Buck nod against him. "But if you wanted to work on it," he says, intentionally adding a sing-song quality to his voice, "you could just try to play a little more grab ass once in awhile."

There's a pause, then a snort, and then Buck is lifting his head to try and glare at Bucky, but he's smiling too much for it to be intimidating. "John, for fuck's sake."

Bucky shrugs. "I'm a man of simple needs," he says.

"You're a stone in my shoe," Buck replies.

Bucky laughs. "Yeah, you say that a lot. I know what it means."

"It means I love you," Buck says, going serious again. "It means I can feel you with me, even when I don't want to."

Bucky doesn't have an answer for that. He just pulls Buck close and holds him under the hot water.

*

After their shower, they sit in their robes and look out over London. Buck's leaned into Bucky's side, and Bucky's got his arm tight around Buck's shoulder.

Bucky strokes Buck's hair off his forehead and watches the furrow between Buck's eyebrows slowly deepen. He kisses the spot but doesn't ask what Buck's thinking about. He'll say it or he won't.

Buck turns and throws his legs over Bucky's lap. He scoots closer, wrapping an arm around Bucky's head and pressing his forehead to Bucky's temple.

"Can I tell you something?" Buck asks, the whisper barely carrying.

"You can tell me anything," Bucky says. He wraps his arm around Buck's calves, smiling when Buck turns his knees in a little so there's even more contact.

"My dad," Buck starts. He closes his eyes and sighs. "He taught me not to show affection. Not any kind. It could be used against me. Against him. If anyone thought I actually liked him, I might get taken for whatever he owed someone."

"Jesus Christ," Bucky breathes out.

"And I've tried to learn not to listen to the part of myself that learned that lesson. But it's hard. Especially when..." Buck opens his eyes and tilts his head back to stare at the ceiling. "We're in the middle of a war, John. One of us could get an engines shot out tomorrow--"

"Buck--"

"No. Shut up. Listen to me, okay. Just listen to me."

"Look at me at least," Bucky says. "If you're going to talk this shit, talk it to my face."

Buck sighs and meets Bucky's gaze. "It's not shit, and you know it. It's so bad up there you didn't even warn me."

Bucky winces but doesn't try to defend himself. Buck's right on the money, same as usual.

"We could die tomorrow, John. That's the truth. We both know it. And I--" Buck's breath shudders and he touches Bucky's neck, traces the shape of his ear. Presses his thumb to Bucky's mouth. Bucky kisses it, and Buck smiles, just a little. "I want to be better at this," he says. "I want to touch you all the time, but I also want to touch you all the time." He rubs Bucky's bottom lip.

"I hear you, Buck." Bucky says. "And I'm not kidding, okay? Whatever you can or can't do, just mean it. Just mean it, and we'll get on just fine."

Buck sighs and nods. He kisses Bucky, then rests his nose just behind Bucky's ear. "Whatever happens, John, just know I always mean it."

"Don't gotta tell me twice," Bucky replies, thinking of how often Buck's right at his side, leaned towards him with their arms pressed together. How often they're sat so their knees can knock. He thinks of the way Buck grabs his shoulder to steer him places, or just barely taps his elbow to get his attention. He touches Bucky all the time. Knowing he wants to touch him like this, all curled up on Bucky like he wants to fit exactly right in his lap, it takes Bucky's breath away.

"You know what? You don't ever have to tell me again if you don't want," Bucky adds, turning so his own nose is pressed against Buck's temple. "You're a man of your word, Gale. You ever change your mind, just say so."

"Don't think I could change my mind about you if I wanted to. "

And that warms Bucky from his head to his toes, that warm raspy voice rolling out a truth that makes Bucky feel ten feet tall.

"You're a maniac," Bucky says. "I fucking love you."

"I fucking love you, too," Buck replies.

Bucky dips his head down and kisses him, then leaves them pressed forehead to forehead, mingling their breath as they stay where they are, in a moment of bright and quiet happiness that Bucky swears he'll never allow himself to lose.

[robintherobiner]

This is an interactive story. The next part will be based on what you guys choose.

Warning, the story heavily revolves around dark topics, like suicide, abuse (all types), bullying, all that jazz. It's an au, HEAVILY canon divergent. So, idk proceed carefully

"If you're watching this, it means I'm dead."

Suddenly, Jason wished he'd never bought the sticker covered camera. He'd seen it in a charity shop, looking all lonely on it own little table. All the other camera were old, and had dents and scratches, but this one looked almost new and bursting with personality.

It had cost a lot, of course, and Jason had considered putting it back down. After all, he didn't need a camera. He was pretty sure Bruce had one at home anyways.

But then he'd seen a sticker, right under the shutter button, and he'd recognized his own costume. Whoever had owned this camera had liked Robin, his Robin, with curly hair and freckles instead of tanned skin and sparkly shorts. He had to buy it now, he thought, and so he did.

Jason pressed the play button again, and stared at the kid on the screen. He looked pale, and far too skinny for someone who, if his Bristol accent was anything to go off of, clearly had enough money to buy food.

"Sorry. I realize that was probably, like, a really big thing to say. Or, not big, I guess, it was only eight words. Tough? No.. Eh, whatever." The kid shrugged. "Point is, sorry. You picked up my camera though, so you have three options."

The whole situation is bizarre. He sort of assumed there would be pictures of nature, or videos of some cool tricks if the skateboard stickers are anything to go off of. Not a fucking death announcement.

Still, Jason is curious. Is the kid in danger, and thats why he thinks he's going to die? Or is he sad? Jason lived on the streets, he's not a stranger to people who's heads are clouded, people who think things will never get better. He's never felt that way personally, but he's known lots of people who ended up hurting themselves.

"First, you could just throw the camera away. A bit of a waste, since it's pretty good quality, but whatever. Second, you could delete everything on here and just use it yourself. I'd be okay with that. Photography is fun. Or, if you wanted, you could watch these videos."

Here, his cheeks flush, as though embarrassed. Its hard to hear, but Jason thinks he can hear the boy mutter something along the lines of what a dumb thing to say.

"Even though I'm going to die, I still sort of want to do cool things. Have a coming-of-age movie moment, you know? But I can't have one, so the next best thing is to try give it to someone else." Camera Kid paused. "I think coming-of-age movies are only for teens, though. It would be cooler if I, like, changed the life of someone who's already an adult. Cuz people my age aren't fully developed. That's shaping a life, not changing it. Changing a life would be much harder than shaping one."

Hm. Maybe Jason should give the camera to Dickhead. He's an adult, legally. Give the kid, whoever he is, his wish to try change a life.

Jason would never admit it, but he can't help but snicker. There's no way some random kid can shape or change a life. Especially not with a... Jason checked. Not with a one and half minute video.

"But if that doesn't happen, it's fine. Not like I'll know anyways. I like this camera, so I'll only give it away just before I die. Unless I come back as a ghost who's like, tethered to this camera, I'll never know if anyone watches these videos."

With those words, Jason sobered. It didn't feel funny once he remembered that whoever this kid was, dumb hopes aside, was clearly certain he'd die. If what he said was true, then he already was. That made Jason feel really bad for laughing, and even a little sick.

He'd seen dead bodies before, even his own mom's. He'd watched, smelt, and heard people die. He'd talked people off the ledge, both metaphorically and literally. But this? Holding the beloved camera of a boy who was most likely dead? It made death feel melancholy in a way Jason had never felt before.

"So, yeah. You have three options." The boy says, and reaches out to end the video.

Jason didn't know what to do. Really, he has four options.

[dreamonseems]

Miss Understandings

Erling Haaland X Female Reader

Summary: Erling and reader have their first big fight, and some miss Understandings happen.

As the days went by, Y/N had been feeling like Erling was becoming distant from her. He had been busy with his football training and matches, as well as attending to his endorsement deals and other commitments. She had tried to bring this up to him before, but she felt like he wasn't really listening.

One evening, as they sat down to dinner, she tried to bring up the topic again. "Babe, I really feel like we haven't had any time for each other lately. You're always so busy, and when you're home, you're always on your phone or your laptop. I miss spending time with you."

Erling sighed, feeling slightly annoyed. "Baby, you know how important my career is to me. I'm doing all of this for us. You should be proud of me."

"I am proud of you, but I just wish we could spend some quality time together," she said, feeling frustrated.

Erling rolled his eyes. "What do you want me to do? Quit football and spend all my time with you?"

"No, of course not. I just want you to make more of an effort to be present when we're together," she said, her voice rising.

Erling could feel himself getting angry. "I'm doing the best I can, Y/N. You're being unreasonable."

"I'm being unreasonable? You're the one who's always too busy for me!" Y/N shouted.

Erling slammed his hand down on the table. "You know what? Maybe you're right. Maybe I am too busy for you. Maybe I should just go back to focusing solely on my career."

Her eyes widened in shock. "What are you talking about? That's not what I want!"

"Maybe it's what I want," Erling snapped, getting up from the table.

She stood up, tears streaming down her face. "Fine," she said, her voice shaking. "If you want this to be over, I'll leave." She stormed out of the house, slamming the door behind her.

Erling paced around the house, trying to calm down. He knew he had said things he didn't mean, but he was too angry to take them back. He loved her more than anything, but lately, he felt like he couldn't make her happy no matter what he did.

After a few minutes, he decided to go after her. He knew he needed to apologize and make things right. He quickly grabbed his keys and headed out the door.

Meanwhile, Y/N had made her way to her parents' house. She was a crying mess, thinking that their relationship was over. Her parents tried to console her, but she couldn't stop crying.

"I thought he loved me," she said between sobs. "I thought we were happy."

Her parents hugged her tightly, trying to calm her down. "Everything will be okay," her mother said soothingly. "Just give him some time to cool down and then talk to him."

She nodded, but she wasn't sure if things could ever go back to the way they were before. She had never fought with Erling like this before, and she didn't know how to fix it.

Back at the apartment, Erling was driving around aimlessly, trying to clear his head. He didn't know where to find her, but he knew he needed to find her and apologize. After driving around for what felt like hours, he finally spotted her car parked in front of her parents' house.

He took a deep breath and got out of his car, steeling himself for what was to come. He knocked on the door, his heart pounding in his chest. When her father answered, Erling felt a lump form in his throat.

"Is she here?" he asked, his voice barely above a whisper.

Y/N father looked him up and down before nodding and stepping aside to let him in. Erling made his way to the living room, where Y/N was still crying on the couch.

"I'm so sorry," he said, dropping to his knees in front of her. "I didn't mean any of it. I love you so much."

She looked up at him, tears still streaming down her face. "I love you too," she said, her voice barely above a whisper.

Erling pulled her into a tight embrace, holding her close. "I promise to do better," he whispered in her ear. "I'll make it up to you."

She nodded, feeling a glimmer of hope. Maybe they could work things out after all.

------------

After the argument, days passed by, but the words he said stayed in the back of her mind even after he apologized. She tried to keep herself busy. She decided to join a yoga class to relax and take her mind off things. There she met two new friends named Dylan and Vanessa. They hit it off right away, and the three of them went out for lunch after class.

During the lunch hangout, she noticed that Dylan was being quite flirty with her, but she dismissed it as just his personality. She never thought of any guy other than Erling, so she put it out of her mind. As time passed, she started spending more and more time with Dylan and Vanessa. Vanessa was actually married to a footballer, and Dylan is vanessa's brother in law so they understood what she was going through. She talked about them all the time.

Erling noticed how much time she was spending with her new friends and how much she talked about them. He became suspicious of their intentions and asked to meet them. She invited them over for lunch, and during the meal, Erling noticed how flirty Dylan was with her. The two men were starting each other off the whole time, almost like they were in a standoff, and the girls didn't notice anything.

After Dylan and Vanessa left, Erling told her that he didn't want her to hang out with Dylan anymore. She was shocked and asked him why. Erling explained how he thought Dylan was trying to get her, and she just thought that Erling was being stupid and jealous.

"You can't tell me who I can hang out with," she said.

"Yes, I can," Erling replied, slamming his hand against the wall, scaring her. "I know what's best for you, and you're not seeing him again. That's final."

With tears in her eyes, she said she was sleeping in the guest room that night, and she ran and locked herself in the room. The next day, she avoided Erling, and after he left for training, she went into their room and packed a bag. She left a note for him saying she needed some time to herself and that she was spending a few days at her parents' house.

Erling was devastated when he came back home and saw the note. He realized that he had let his jealousy and insecurity get the best of him, and he had pushed her away. He knew he had to make things right and earn her trust back, but he didn't know where to start.

-------------

Erling was feeling lost without her. He had tried calling her numerous times, but she never picked up. Even his attempts to go to her parents' house were futile as they thought it would be best for them to cool down before making things worse. He couldn't believe that things had gone so wrong between them. Erling only loved three things in this world - football, his family, and Y/N. He wanted to marry her and start a family with her. He knew he couldn't lose her.

While he was dealing with all these emotions, he had a match coming up. Little did he know that Dylan's brother was on the opposing team. The entire game, the player was constantly near him, trying to foul him. Erling didn't pay much attention to him until he started talking about Y/N. The player taunted him, "Oh, so now you'll listen when it comes to your little girlfriend?" Erling pushed him and yelled, "Shut up, don't talk about her."

The player pushed back and continued, "Does the great Haaland have a weakness? Don't worry, my little brother Dyan will take good care of your little girlfriend, or should I say ex-girlfriend?" Erling was furious and forgot about the game. He grabbed the player by his shirt and yelled, "What did you just say?" The player smirked and replied, "Don't worry, Dylan will give her all the attention she's craving."

Erling lost control and punched him. Everyone on the field tried to break up the fight, but Erling was too angry. He ended up getting a red card and was kicked out of the game. He stormed back to the locker room and threw things around, trying to vent his frustration. Eventually, he slid down the wall, sitting on the ground, and held his head in his hands, feeling lost without her.

-------------

She sat on the couch with her parents, her eyes glued to the TV screen, watching the football match. She was trying her best to focus on the game, but her mind kept drifting to Erling. She missed him terribly, but she was still so angry with him that she didn't know what to do. She didn't even want to see him in person yet.

As the game progressed, she noticed that Erling wasn't playing like he usually did. He wasn't being as aggressive as he usually was on the field. It was strange, and it worried her. Maybe he was still upset about their fight. She didn't know what to think.

Suddenly, there was a commotion on the screen. Her heart skipped a beat as she saw Erling in the middle of a fight with another player. She couldn't believe what she was seeing. She wondered what could have possibly made Erling lose his cool like that during a game. As the fight continued, she watched in shock, wondering if Erling was okay.

When the game was finally over, her dad turned off the TV, and she was left alone with her thoughts. She missed Erling so much, but she didn't know how to fix things between them. She wondered if he was feeling the same way she was, or if he was just angry with her. She didn't know what to do, but she knew that she had to talk to him soon.

-----------

She had been feeling down for days after the fight between her boyfriend, Erling Haaland, and another player during a match. She was at a loss about what was happening in their relationship, so she decided to meet up with Vanessa and Dylan to clear her head.

When she arrived, Vanessa introduced her to her husband, who turned out to be the same player that had fought with Erling. She was shocked and wondered if Erling had known all along, and that was why he had lost his temper during the game. However, Vanessa assured her that it was just between the two players, and their fight didn't have to effect their friendship.

As Vanessa and her husband had to leave to pick up their child from school, Y/N was left alone with Dylan. They started talking, and Dylan confessed his feelings to her. She was shocked to hear this and told him that she loved Erling and had no intention of being with anyone else.

Dylan tried to convince her that Erling didn't love her and that she should break up with him, but she was in disbelief and saddened that Dylan would act this way. She told him firmly that she didn't want to see him again and to stay away from her.

"I'm sorry, Dylan, but I love Erling, and he's the only person I ever want to be with in my life. I can't believe you would suggest that I break up with him. Please don't contact me again," She said with a firm tone in her voice.

Dylan looked disappointed and ashamed as he apologized and left. She knew that she needed to talk to Erling and sort things out between them once and for all.

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She arrived back at the house she shared with Erling, feeling a sense of comfort and familiarity. Erling was upstairs, lost in his thoughts, trying to distract himself from the constant ache in his heart. Suddenly, he heard the front door open, and he was surprised to see Y/N standing there. As they locked eyes, they both knew that they deeply missed each other and how much they regretted everything that happened.

Y/N ran towards Erling, and he held her tight, never wanting to let her go again. "I'm sorry," he said. "No, I'm sorry. You were right, and I should have listened to you," she cried. "I really thought I lost you," he admitted, feeling a sense of relief that she was back.

"Me too," she replied, and they both knew that they couldn't stay apart from each other for too long.

They spent the whole night talking about everything that happened. She told Erling about Dylan, and he wasn't surprised to hear that Dylan had feelings for her. Erling, in turn, told her about the fight at the match and how much he was losing his mind without her.

They held each other all night, feeling the love they had for one another. "Let's never let this happen again. I love you, and I never want to be away from you again," Erling said, looking deeply into her eyes. Y/N nodded, knowing that she felt the same way. They knew that they had to work on their communication and trust each other, but they were ready to move forward and make their relationship stronger.

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After the crazy few weeks they had, Erling knew it was time to finally ask her to spend the rest of her life with him. He wanted to make the proposal special. He had planned the whole evening, from a candlelit dinner on the beach to a beautiful sunset walk. As they walked, hand in hand, Erling could feel his heart beating faster and faster.

He stopped in a spot he had scouted earlier, the perfect location with the waves gently lapping at the shore and the sun setting behind them. He got down on one knee and pulled out this beautiful vintage ring with a sapphire surrounded by a halo of diamonds he purchased months ago.

"Baby, I love you more than anything in this world. You are my everything, and I can't imagine my life without you. Will you do me the honor of becoming my wife, will you marry me?"

She was speechless. Tears streamed down her face as she looked at the man she loved, who was holding out the most beautiful ring she had ever seen.

"Yes, yes, a thousand times yes!" she finally said, and Erling slipped the ring onto her finger. They kissed passionately as the sun set behind them, and the ocean waves crashed onto the shore.

The night was perfect, and they talked about their future together, planning the wedding and their life as husband and wife. Erling was grateful for everything they had been through because it had led them to this moment, to a love that would last forever.

[manytoonepoet13]

Blue Bouquet — A Bittersweet Love.

A little something that I've come to notice while rewatching the two mvs we have for Blue Bouquet is the theme they surround themselves in and how it correlates with what their continent is supposed to represent; the continent of love.

Collab with: @Insight.

You see, from Aozora no Memory to Key My Notes, the themes, the lyrics, they have been about change, sacrifice, hope, time, strength, and courage. All qualities that comes when loving someone or something, especially when you aim for a better future for them. In both mvs, Cielomort is reaching for a brighter future for his people and ultimately the entirety the world of Fragaria, while Kurode is reaching for a better version of himself that could contribute in bringing a brighter future.

"It is natural to want to protect what is important to you. I'm happy to have more friends. I'll show you the blue sky." — Cielomort.

Cielomort has quite the reputation. The young prodigy he is, with his skills and popularity he managed to build the largest kingdom in the span of three years, all for the betterment of the future of Cinnamoroll's kingdom. That, and as the leader of Blue Bouquet, many major responsibilities have fallen into the palm of his hands.

Responsibilities, as well as what may be considered as the greatest sacrifice within Fragaria.

If you take a look in the mv, you'd see a few things that stands out: Books, balloons, the sky, clocks (I hate clocks) and doves.

Now, books, represent knowledge and wisdom, escape and exploration, desire to learn, truth and judgement, communication and expression. And are probably a tie to Willmesh, especially with the new mv coming out later this evening.

Balloons are a symbol of happiness and lightness of sorrow –> which is what Ciel want to do; make everyone happy.

The sky symbolizes infinity, immortality, and transcendence, or an existence or experience beyond the normal or physical level. While clocks represent almost the exact opposite, it represents time, mortality, the passage of life, and sometimes death.

And dove represents peace, love, and purity. While spiritually, it represents peace, renewal, transformation, and love.

But what do all of this mean? Well, basically, the said sacrifice consists of Cielomort wanting to happiness and lightness of sorrows that were brought by the SEEDS and show the people of Cinnamoroll's kingdom and the entirety of Fragaria the blue sky where they are free of worry.

""Both beautiful and the imaginary, different emotions are swirling around." = Change.

Ciel's sacrifice was not easy, some people look at him in honor, some people look at him in sorrow. His sacrifice is free for interpretation, hence the difference emotions swirling around. Now in relation to sacrifice, the line goes:

"Look for you. I'll become the blue sky."

The reason why I said that his sacrifice is free for interpretation is that sky, according to you can mean infinity. There are an infinite amount of possibilities. So when he becomes "the blue sky" he does not only transcend (descend six feet underground) but he also provides a choice. A choice on how his sacrifice can be seen. And that interpretation is ultimately what impacts change." – @c h a m a l a m.

"I wish to share it all with you, it would be nice if I could be within that "everything". But it's alright if your sky continues to remain blue."

Basically, to everyone around him, his promise and sacrifice was basically "everything". Happiness, peace, "everything". And as much as he'd like to be able to share it with them, he can't, and these lines showed us why:

"The rippling bitterness, just drink it all up quietly."

"Even though things may change during these dizzying days... Leave only your smiles, for I will tuck away your loneliness into those clouds."

"Cut out the cotton clouds and blue sky... for they are the footprints of this waving memory, this memory of the blue sky."

"Even if those clouds that rode on the blowing wind will never return... we'll continue to believe that the future will allow us to meet you again."

It's a journey that he would have to venture through alone. I believe, if the lyrics would serve me right, those clouds are the memories of the first timeline, to cut out the cotton clouds and blue sky, to tuck away your loneliness into those clouds, it meant to shut those bad memories and emotions away to make room for better ones, even if it meant not having to remember those again, to not remember who you are or what had happened back then. Here, this is to preserve purity, to provide contentment, joy, and optimism in defense of the SEEDS' effects. But if you were following my theories, you know that this isn't what's "right" in the long run, how this is them falling victim into the illusion the SEEDS made. Because those memories, they are the truth, they are an integral part of who you are as a person.

That's why in both songs they sang "I can't reach it even if I stretch my hand out." "I'm reaching far, far away... until my hope dies."

Even if they don't actively know, even if they aren't actively aware of these memories, there are fragments of them that lingers within their person, making them remember what had actually happen.

""Inside this heart, a memory that's sincere and eternal."

Everyone has a feeling of those memories being there, despite not being fully aware of it. It doesn't matter which song or which character, the message is clear and reiterated over and over: they have memories. They can feel that they do. But the don't necessarily know about it.New insight: The reason why despite everything the seeds and timelines have done they still recall their memories, is because those memories are true. The truth will speak for itself and does not need to be proven. No matter what happens, it will find it's way to override reality for a sense of balance. After all, they do say that there's no secret that time won't tell.

My new insight (specifically the part: it will find it's way to override reality) relates with the line:

"It may be full of absurdity and even riddled with bugs however I still love this world so much."

Because no matter how flawed and fractured the current world of Fragaria may be, those memories are true, they want to get those memories back. So they have to work with what they have. Let's say fest friend J baked a cake but you don't like cake at all. But it's best friend J's thought to bake you a cake that counts. Because you love best friend J, you still accept it as is." – @c h a m a l a m.

"Before long, that imagination will soon overtake us." –> Imagination = Memories.

"Continue on drawing until you can take grasp of it."

"I'll leave everything up to these intense emotions."

You see, everything up to this point has been centered around emotions, even the SEEDS feed on negative emotions, it's their emotions what brought all of this upon them but it is also their emotions what will get them out of this predicament.

"If only we can be imperfect and not full of deceit."

"Sometimes we can let go of that hand due to weakness."

The knights have been to busy thinking of the "perfect" way to go against the SEEDS that they forgot how to feel to the point where feelings began to turn against them. Look at Hallritt and Merold, because of Merold's "lie", Hallritt became tense, distant, and almost hostile towards Merold, quite similar to how Kurode became towards Merold as well.

Merold and Cielomort are no villains, both of them are merely victims of the SEEDS' illusions for the sake of saving their respective kingdom and lords.

But all in all, I'd say to fix this, they just need to let go and feel even a little bit. Relax and reflect and reach out to one another. Because that's what it means to love, isn't it?

"Let me protect everyone from here..."

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"The knights ask nothing in return for their love."