#i will reunite the wives

[ruiiplume]

Happy seamoon update day yall c:

[naetles]

starting to experience withdrawal symptoms because it's been nearly seven years since we have last seen kunikidazai interact

[nonexistent-alfa]

The LCF readers experience of faux angst

The Soos.

Me, after binge reading 600 chapters: *sobbing uncontrollably because of the Soos*

Me, at the end of part 1, after learning the OG CJS and LSH are coming back: hol' up, what.

Me, 200 chapters into reading part 2: forget Cale, I want my tears back. The tears I shed for three hundred plus chapters... All for these two to rise from the dead in part 2? Like, huh???

[leosgreyfringe]

ben + big gabi then and now

[sexynetra]

I MISSED THEM SO BAD

[theheadlessgroom]

@beatingheart-bride

"No, I...I wanna try," she replied with a little nod, puffing out her chest in an attempt to look a bit braver as she crawled up into her seat beside her father, who leaned down and lowered his voice, saying, "If you ever wanna leave, if you ever get uncomfortable and want to take a breather, you just let me know and we'll go, okay?"

"Okay, Papa," she nodded appreciatively, smiling sweetly as he kissed the top of her curls, the pair linking pinkies beneath the table just as the Pace brothers came bouncing downstairs, bright-eyed and bushy-tailed as they hopped into their seats, Colin cheering, "Good morning! Boy, these spirits here know how to throw a party!"

"Did you stay up with the revelers?" June asked, Callahan reaching for the pitcher of orange juice as he answered, "Oh, yeah; when in Rome, as they say! Col and I stayed up, we danced, we sang, we chatted with some of the other spooks here, knocked back a few drinks, we had a good time! Rowan's gonna love this place-the only woman on this Earth that can drink me under the table."

He said this with great adoration, smiling goofily from ear to ear at the mere mention of her, as Colin dropped his voice, whispering to the rest of the table with a little grin, "Her sister, my wife, Morwen? She can drink him under the table too. Faster, too."

As the brothers continued to bicker playfully over their wives' skill in holding their liquor, Wilhelm leaned over to his son and daughter-in-law, saying, "The talk went pretty well, I think. She's still nervous, sure, but...she knows she's loved. You love her, Junie and I love her, Lon loves her, Dorian and Elizabeth loves her...my brothers and Junie's folks, they're no different, and we told her so. She's a gem of a girl, and we told her so."

"Thank you, Pa," Randall smiled appreciatively, Wilhelm smiling back to the couple as he replied, "Don't mention it," just as the Burke's arrived for breakfast: While Josephine was looking as bright-eyed as the Pace brothers, very chipper and ready to seize the day, August looked rather tired, much less put-together than he did the day before.

"Good morning!" Josephine smiled as they took their seats, August immediately reaching for the coffeepot. Concerned, June asked, "Did you not sleep well, Father?"

"I'm used to the usual hustle and bustle of New Orleans, dearest," he yawned, filling his mug nearly to the brim, with only just enough room for cream and sugar. "The hustle and bustle of Gracey Manor? That I may need some time to adjust to."

The Pace brothers smiled bashfully at this, but otherwise said nothing as they all began to help themselves to breakfast-pancakes this morning, strawberry puffed being one of the varieties: Randall immediately helped himself to some, and was pleasantly surprised that August did the same.

[silverselfshippingchaos]

it's literally them

[moonglittering]

officially here for the day... 4 action. bought a guitar.... homeboy at the counter gave me the strap i picked for it for free..... bought some skincare..... got a pizza..... im bout to get high as fuck and try not to die in the beta editor.

[batovskaa]

OKAY SO HERE ARE RANDOM HAMILTON THE MUSICAL FACTS NO ONE ASKED FOR

• After Maria mentions she is "helpless" in Say No To This, Eliza doesn't mention it for the rest of the play

• In That Would Be Enough, Eliza says: "I wrote to the general a month ago". In Stay Alive we can see her writing the letter

• In Take A Break, when Angelica and Eliza reunite and say each other's names there is a slight pause for "and Peggy"

• In Stay Alive (reprise), Phillip says to Eliza "Mom, I'm sorry for forgetting what you taught me" because Eliza taught him how to count to 10 in Take A Break and he thought that mr. Eaker counted to 10 even though he didn't

• Phillip had trouble with number 7 in Take A Break, got shot at number 7 and died at Sept-7 (guess it wasn't exactly his lucky number)

• Burr always repeats that he's willing to wait for it and Alexander always repeats that he's not throwing away his shot, but in The World Was Wide Enough, Burr doesn't wait for it and shoots Alexander and Alexander throws away his shot by aiming his pistol at the sky

• In Hurricane, Alexander says: "I couldn't seem to die" and the backing vocals/ensemble say: "Wait for it, wait for it, wait for it, wait for it.." because Burr is going to shoot him in 9 songs

• If we count all of the songs in Hamilton + Lauren's interlude, there is exactly 47 songs. 47 is also the age Alexander Hamilton died at

• In Best Of Wives And Best Of Women both Alexander and Eliza say exactly 37 words, which is also how many songs they were married for in the musical

• In Who Lives, Who Dies, Who Tells Your Story when Eliza says: "I speak out against slavery," Washington makes a surprised face behind her because he owned around 120 slaves

• In What'd I miss when Jefferson gets the letter from Washington he says: "Sally, be a lamb, darlin' won't you open it," reffering to a slave of his

[stiltonbasket]

If you do Bingyuan prompts:

Bingge discovering/realizing that his children’s beloved head teacher is the friendly Shizun from the other world would be a delight!

(Shen Yuan with a miniature army of tiny heavenly demon children who adore him is just super cute!)

By the age of twenty-five, Luo Binghe possessed—or thought he possessed—all the wealth and treasures in the world that a man could want. His vengeance upon the Cang Qiong Mountain sect was complete, the mountain range burned and its peak lords slain but for the master of Qian Cao Peak and Qi Qingqi, whom he had spared for Liu Mingyan’s sake—and he had long since established himself as Emperor of the demon realm, with no small amount of influence in the world he was born to by virtue of his marriage to the Little Palace Mistress, Hua Zhihan. 

But then—half-way through his twenty-seventh year, and three years after the construction of his great fortress close to Huan Hua Palace—he stumbled through a rent in the very skin of the world and found himself back upon Qing Jing Peak, cradled in the arms of a man who wore the face of Luo Binghe’s hated shizun. 

He had hardly been there an hour before he discovered that that Shen Qingqiu had been nothing like the jealous fiend who tormented Luo Binghe in his youth. On the contrary, he had welcomed Luo Binghe into his home and bed like a new bride reuniting with her husband at the end of a long day’s work; and for several months after Luo Binghe returned to his own palace in the demon realm, he found no satisfaction in his endless riches, or the tens of wives in his harem. 

He spent a full season hunting for that Shen Qingqiu in his own world afterwards, for he knew somehow that the living Shen Qingqiu who had married the other Luo Binghe and his own former Shizun were not one and the same. The Shen Qingqiu Luo Binghe knew had nothing in common with that man other than his face, and even that had been so altered by the spirit living behind it that Luo Binghe had not recognized him as Shen Qingqiu at first sight; but the other Luo Binghe reminded him a great deal of his own child-self, and how single-mindedly he had loved Ning Yingying in those early days at Cang Qiong. 

But years went by, and Luo Binghe found nothing—no shadow or trace of that gentle Shen Qingqiu, whether living or dead—and at last, he drank himself sick on dragon-blood wine and unburdened himself to Ning Yingying, confessing that nothing under the sun had brought him joy since that one jewel-bright day with Shen Qingqiu three summers earlier. 

Of course, he did not breathe a word about what had actually happened—for Yingying and the others believed that the strange, bewildered husband who stumbled into the hougong that day was none other than Luo Binghe himself, and he had never seen fit to disabuse them of the notion—but she seemed to understand that the better part of his life’s joy had left him, and said:

“A-Luo, if we sisters can’t make you happy as we used to anymore, do you think—do you think a child might make you happy? We’ve been married for nearly ten years, and I hoped…”

Luo Binghe thought for a moment, still dizzy from the six pots of wine he drank with his evening meal; and amid the soft haze clouding his thoughts, he realized that he would have died of envy if the poor imitation of himself from the other world had had a child with his Shen Qingqiu. 

But the only children he had seen on Qing Jing Peak that day were a handful of young disciples in their early teens, far too old to belong to that pitiful Luo Binghe. It struck him that this was something that other Luo Binghe could never have—must never have, lest Luo Binghe know what had happened and find his way back to that dream-world to quell his jealousy by ripping his other self limb from limb—and then—

“It might not be a bad idea,” he heard himself say. “What about Yingying? Would you like a child?”

“Very much,” Yingying whispered, taking Luo Binghe’s hand. 

Their first daughter, Suoxin, was born the next year; and when the head taiyi placed her in Luo Binghe’s arms, a tiny mote of the tumult in his soul grew calm, and never returned to trouble him again.

The birth of Suoxin’s younger sister Changying followed exactly a hundred days later, for Hua Zhihan had demanded a child of her own as soon as she heard that Ning Yingying was pregnant, and Luo Binghe saw no reason to refuse her. Several of his lesser wives had attempted to follow suit, but he was adamant that no children should be born to them until the children born of his five chief wives had safely reached the age of about three or four: especially after the tragedy that accompanied the birth of Luo Binghe’s first son. 

The taiyi later discovered that his mother—Qin Wanyue, who had suffered a miscarriage at Sha Hualing’s hands some six years earlier—had been born with a deformation in one of the chambers of her heart; and due to her general good health and the strengthening effects of her cultivation, Wanyue never noticed it. But her cultivation was not sufficient to protect her from the strain of childbirth; and scarcely five minutes after the baby took his first breath, Qin Wanyue drew her last, dying without knowing anything more of her child than a single, snatched glimpse of his small red face.

The infant was given the name Luo Nianzu, in remembrance of his mother, and handed over to Liu Mingyan to raise. Mingyan had not wanted a child of her own, though she was more than willing to bring Nianzu up in Wanyue’s stead. 

And in the wake of Qin Wanyue’s passing, Luo Binghe vowed to himself that he would never sire another child. He had been the instrument of her ruin, wittingly or not: and with three healthy heirs, of whom one was a boy, he refused to risk a second death in the harem. 

But his resolve had not hampered Sha Hualing’s plans: and in truth, Luo Binghe should have known better than to expect otherwise. One night, she took Xin Mo from the stand beside his bed and stabbed Luo Binghe straight through the shoulder—rather more ferociously than usual, he thought—and absconded from the palace with three phials full of his spilt blood, returning a fortnight later with a fat baby boy swaddled in one of her own silk veils. 

“Did you give birth to him?” Luo Binghe frowned, after he tasted the child’s blood mites and found that they were nearly identical to his own. “You were only gone for two weeks.”

Sha Hualing only laughed at him, and asked that he give their son a name. Luo Binghe named him Shunlei, with the shun for obedience and the lei for thunder; and though Hualing took the hint at once, she was so well-pleased with Shunlei’s name that Hua Zhihan spent the next month sulking about it. 

The three years that followed Shunlei’s arrival were peaceful ones, for the demon realm had been brought to heel with Sha Hualing’s aid, and Mobei-jun grew more ruthless towards Luo Binghe’s enemies with every passing day. Yingying and Mingyan governed the harem both kindly and firmly, calming any disputes among the lesser wives and punishing those whose bids for favor put their sisters in danger; and they never faltered in their duty to the little ones, so that Luo Binghe went untroubled by the children’s needs until Liu Mingyan declared that Suoxin and Changying were old enough to begin studying with a trained taifu.  

“I already have a candidate in mind,” she said to him over dinner one evening. “Will my lord permit me to look after the arrangements myself?”

“I don’t see why not,” Luo Binghe replied. “Do what you must. Only ensure that the taifu is well educated, and knows how to teach little children without frightening them.” One Shen Qingqiu was bad enough, after all.

And so, preparations went forth for the children’s education. Liu Mingyan wrote to the prospective taifu, who accepted the offer of employment and asked for a month to settle his affairs before moving to the palace; and Yingying began teaching Nianzu and Shunlei how to read, in the hope that the taifu would agree to instruct them alongside Suoxin and Changying. 

Luo Binghe, having nothing further to do with the matter, left for the northern desert with Mobei-jun and Sha Hualing. 

Linguang-jun had decided to rebel against his nephew’s rule again, and Luo Binghe was weary of indulging him. In the aftermath of Shang Qinghua’s betrayal, he and Mobei-jun had both decided that Linguang-jun’s continued existence was far more trouble than it was worth. 

All told, he remained away from the palace for over two moons. When he finally returned, in midsummer, he went straight to his own courtyard and slept for three days without moving a muscle. 

And then he awoke, and heard a soft strain of qin music issuing from the other side of the wall.

Luo Binghe froze.

That courtyard was meant to be empty; it had been empty since the day it was built, eight months after he met that other world’s Shen Qingqiu. Luo Binghe had filled its four rooms with books and bamboo furniture, and even the double bed in the inner chamber had been a replica of the one the other Shizun slept upon—and the courtyard’s little garden had a pavilion with a built-in table for a qin, since the construction of that Shizun’s house and garden made it plain that he liked to practice out of doors.

Who had dared set foot in that courtyard while Luo Binghe was absent?

Hua Zhihan? Qin Wanrong? Certainly not Yingying or Liu Mingyan; it resembled the living quarters at Qing Jing far too closely for either of them to find any peace there. 

Trembling with fury, he pulled on the robes he was wearing last night and rushed over to the adjoining courtyard, where he stopped short at the threshold of its white-painted moon gate and gaped at the spectacle awaiting him within. 

There was a man sitting at the qin table in the pavilion—a man, in the compound where Luo Binghe lived with his wives—playing a rearrangement of “Flowing Waters,” with Luo Shunlei on his lap. Suoxin and Changying were seated on either side of him, armed with child-sized guqins of their own, and Nianzu was nestled against the man’s shoulder, asleep.

And his face—

Luo Binghe had never seen such a face before. It was not the face of Shen Qingqiu—not the Shen Qingqiu he knew, at any rate—but the light in his eye and the warmth of his voice as he spoke to Suoxin were very like that Shen Qingqiu’s, though Luo Binghe noticed that there was a shade of difference between the two. 

He is older, Luo Binghe realized at once, as his heart thundered inside him. The other Shen Qingqiu was young, judging by his manner—perhaps forty, at the very oldest—and my Shizun never even reached the age of fifty. 

The other Shizun had worn green, he remembered. He preferred the same clean-cut style of dress that Luo Binghe’s shizun liked to wear, and of course their bodies and faces had been the same, as well; but this man wore s different face entirely, and his worn silk robes were a clean, stark white, like the garments of the wandering rogue cultivators who used to pass through Luo Binghe’s hometown when he was a boy. 

The trappings of his flesh made no difference, however.

Luo Binghe knew him for what he was at first sight. 

It struck him then that this must be the taifu Liu Mingyan selected for the children. He could not fathom why she would have housed an imperial tutor in the hougong, of all places: but now that he was here, Luo Binghe would rather walk through the Endless Abyss again than permit him to leave. 

Luo Binghe could have stood in the doorway and stared at him for a lifetime; but then the taifu looked up and clambered to his feet, tugging the little girls along with him. Shunlei remained where he was, gripping the soft front of the taifu’s gown like a baby monkey clinging to its mother’s back; and Nianzu, securely balanced on the taifu’s hip, slept on without noticing that the man had moved at all.

“My lord,” the taifu said, bowing. “This humble servant offers his—”

“Xin’er greets Father!” Luo Suoxin cut in, glancing up at her teacher for approval. “Did I do it right, Shizun?”

“Yes, except for the part where you interrupted me first,” the taifu laughed. “Go on, Changying.”

Luo Changying nodded and stepped forward. 

“Chang’er greets Father,” she said, rather more gracefully than Suoxin. 

“Well done,” said the taifu. “Now, Shunlei…?”

Shunlei blinked and tightened his grasp on the taifu’s robes. 

“A-Shun is hungry,” he complained, refusing to meet Luo Binghe’s eyes. “Shizun, snack time.”

Luo Binghe bit back a smile. This man was somehow more indulgent with his young charges than the other Shizun had been, and the sight of him holding Nianzu and Shunlei was so desperately sweet that Luo Binghe nearly reached out and touched him. 

“Daozhang is the new taifu, I suppose?” Luo Binghe asked instead, taking another step forward. “Your name?”

The taifu nodded. 

“This one is called Zhu Qinglan, my lord,” he replied, trying in vain to coax Shunlei down to the ground. “Now, A-Shun, my good little disciple…”

“Shunshun won’t look at him,” the baby insisted, his little voice muffled in the folds of Zhu Qinglan’s coat. “I want to eat cake, not see Fuqin.”

To Luo Binghe’s astonishment, Zhu Qinglan sat down on the steps below the pavilion and drew a wrapped package of sesame cakes out of his sleeve. 

“Your imperial father has come back to see you after two months, and you act like this?” he chided, placing one of the cakes on Shunlei’s outstretched palm. “Now, eat your cake like a good child; and then you must get up and greet your father properly, like Xin’er and Chang’er.”

Luo Binghe lifted his hand. 

“No need,” he said mildly, watching with half-crazed eyes as Zhu Qinglan stroked Luo Nianzu's fluffy hair. “Shun’er is always upset after this lord returns from his travels abroad. I do not see the children as often as I would like; but I try to dine with them at least once a week, and that little demon in your arms refuses to speak to me for days on end if I ever dare to arrive late.”

With that, he turned on his heel and swept out of the courtyard. He could not stand in Zhu Qinglan’s presence any longer, lest he do something that would terrify his children and turn their Shizun against him forever; and as it was, the little demon servant who brought breakfast to his quarters ten minutes later nearly died of fright at the sight of him. 

“Zhu Qinglan,” Luo Binghe said to himself, after the petrified lackey made his escape. “The name suits him, whether it is a false one or no.”

He drained the last of his tea, and smiled. 

“I’ve finally caught you, Shizun.”

[inherdaze]

jungle — kiyoomi sakusa

kiyoomi x f reader

18+ content, pining, slow burn, sakusa wears dog tags mmm, smut, acquaintances to lovers. kind of a historical au? (think 1930s) idk bro it's like all made up. mentions of pregnancy

9k

summary: kiyoomi seeks serenity after coming home from war.

There’s lots of commotion outside. Hollering, cheering, squeals and shouts paired with the sight of lovers reuniting, families coming together, men picking up their children and spinning them around in the air. You watch from the kitchen window as you wipe down the dishes, see some people carelessly pick the flowers from your yard to bunch up and give to wives, children, husbands, the like. Normally, you’d scold them for being so careless and probably offer a pair of garden trimmers so that they wouldn't crush the surrounding flowers, but you let it pass. Everyone is happy. The war is over. 

Your mother watches as she stands next to you, handing you over the dishes to dry once she’s finished washing them clean. She looks at you from the corner of her eye, gouging out your reaction before clearing her throat. 

“Do you remember Kiyoomi?”

 You freeze for a second, plate and rag in hand as you try to think. “Mm. No?”

“The Sakusa family?”

“Oh,” And then you start again, rubbing the plate dry. You don’t really remember the boy, only that your mother was friends with his mother and that apparently the two of you played around as young children. You don't remember the last time you saw him. Probably couldn’t even point him out in a crowd.

“He’s coming home.”

“From the war?”

 “Yes.” 

“Would you like me to gather some flowers for him? There’s plenty in the backyard, too. None of the crushed ones.” 

She sighs before placing the plate she held back into the sink, turning to face you entirely. 

She says your name softly. “He’s coming home. Here.” 

“Why? For dinner?”

“No– well, yes– but he’ll be staying here. With us.”

You slowly put out the plate face down on the long countertop cloth to let it air dry. “Since when?”

“We’ve been exchanging letters.”

Ah. You had been wondering what that was about. Each time the mail came in, your mother would scurry to get it before you could, holding it to her chest protectively before gently slicing it open in the study, purposely keeping it from you. You thought she had been exchanging letters with some sort of admirer, so to speak. You thought she’d be afraid to tell you she’s moving on after years of your father’s death. 

She continues, “His parents passed a while back– they both fell ill while he was away. He just needs somewhere to stay in the meantime so he can get back up on his feet. I'm sure there are plenty of other families that would be more than happy to host a soldier, but I suppose he would feel more comfortable here. I mentioned the garden and the chickens and he said he’d help you out with those. Don’t let him, though.”

“Huh? Why not?”

Your mother lightly swats your arm and gives a quiet scold of your name, “He isn't here to work. He’s here to rest. He’s been through a lot, you know. Just let him be while he’s here.”

You roll your eyes. Your mother can tell that you're not really annoyed. 

“He seems very reserved in the letters we exchanged. If he’s formal with you, insist that he don’t be. We are friends of his. Make him feel comfortable, okay?” 

You hum and nod. “Okay.”

There’s a pause.

“When will he be here?”

Your mother nearly answers before you've even finished asking.

“Tomorrow.”

You’re an early bird. Even when you don’t want to be, you must. You have to tend to the chickens in the morning, tidy up and make breakfast for your mother before she goes out to the market to sell the eggs. 

The morning dew that sits atop the grass kisses at your shins as you trudge towards the coop, face lit by the oncoming sunrise. The sky shifts from deep blue to a lighter blue to purples and pinks until the sun finally reaches the top of the sky. 

As you get closer to the coop, you hear the familiar and pesky repetitive clucks, appreciative that the coop is farther out into the yard and not by your window.

You slide the coop door open, stepping to the side as they rush out with curiosity.

“Mornin’ kids,” You start before emptying out their dirty water, tossing it into the grass before turning on the hose to fill up the bin.

You replace the water, give them more food, collect the eggs that are deemed ready, and hang out with them for a good thirty minutes to make sure they’re healthy and roaming around like normal. You sit on the grass, knees to your chest as you absentmindedly say hi to them when they pass by or stare at you.

Once the sun has almost fully risen, you grab the basket of eggs and make your way back into the house, slipping out of your boots before stepping inside.

The morning goes as always; Your mother wakes up, thanks you for handling the chickens, thanks you as you place her breakfast on the table, gathers all the eggs she needs to sell, and kisses your cheek before she heads out to the market. 

“Kiyoomi should be here later, once I’m already home. Please make sure the spare bedroom is clean, with fresh sheets. If he happens to arrive early, be nice.” 

“God, don’t act like I’m insufferable! I won’t drive him out.”

She smiles knowingly. “I know, my dear.” 

She looks like she wants to say more, but swiftly turns on her heel and takes her leave.

The rest of the day is spent cleaning up the spare bedroom to make sure it’s nice and welcoming for when your new guest arrives. You smooth out all the bed linen and wipe down the dressers, making all photo frames and little trinkets look presentable. It doesn't take long for you to set it all up– the bedroom has always been very empty. You wonder how it'll look like when it’s more lived-in, with boots and coats and whatever else he may carry laying around. 

You slip into the kitchen and wash your hands, preparing to make lunch. With the curtains on the kitchen window drawn shut, you fail to see the man that climbs up your porch steps, eyes downcast as he raps his knuckles on the door a few times. 

You freeze in your spot almost violently. It’s much too early for him to be here, and when you glance at the clock on the wall, you’re convinced that it has to be someone else– perhaps the neighbor? 

Drying your hands on the apron tied to your dress, you draw back the kitchen curtain to get a little peep.

You almost squeal as you back away from the window, covering your face with your hands like you’ve just seen something you weren't supposed to– but you had just seen him. He was… big. That’s all you could think.

When you open the front door, the two of you stare at each other, silent. 

Yes, he’s big. Broad shoulders, gifted with height, and his chest seems…. inviting in the military uniform he wears. You finally make eye contact with him, scanning over his handsome features, the two little beauty marks that rest atop his eyebrow, the pretty curve of his lips—

“Hello,” He says with an air of formality, and you clutch at the skirt of your dress.

“Hi… hi.”

He stares at you blankly.

“I, ah— come in, Kiyoomi,” You start, standing to the side as he takes off his boots and leaves them by the door, following diligently as you lead him to his room. He doesn’t even spare a glance to look around the house, eyes trained on your back. 

“Here,” You say, opening the door to his room. “The bathroom is down the hall, my room is right there– right across, and my mother’s room is the farthest one down the hallway. There’s a, um, study if you'd ever like to read or spend some time in there. Do as you like,” You explain gently, a warm smile on your features. “I was just making lunch. Are you hungry? Would you like some?”

“No thank you,” He says immediately, looking down at you. “Thank you for letting me stay here.” 

“Of course! My mother should be here in a few hours. For now, the house is all yours– er, ours, but– well, yeah, yours…” You trail off with embarrassment, looking into his eyes for help, hoping he’ll finish your sentence or laugh it off with you. 

He doesn't. 

As soon as you back away and start walking back to the kitchen, he shuts the door softly and coupes himself up in there. 

You frown to yourself, remembering your mother’s words. He seems very reserved, let him be, he’s been through a lot.

You do just that, careful to not make any noise as you prepare lunch, then sit by yourself at the table to eat. There’s a light clink and clatter of the dishes as you wash them, but you can only hope he doesn’t mind. 

Noon turns into night and you’re still alone. You haven’t heard Kiyoomi leave the room or rummage around at all. It’s like he never even arrived. 

You’re not surprised when your mother comes home and deems the house empty (besides you being there) and exclaims that the both of you must rush and start working on dinner because Kiyoomi deserves nothing but the best. You feel your skin prickle hot for some reason. She wasn’t wrong, but if Kiyoomi had heard her say it, it sounded like she was one of those old ladies who desperately fawn over younger men. You didn’t want him to get the wrong idea.

You laughed nervously and bumped her hip with yours, quietly telling her that he had already arrived. 

She gasps dramatically, hand flying to her heart as she scolds you. 

“Why didn’t you invite him out here to sit with you? Has he eaten lunch? Did you offer him lunch? Goodness, my dear, this is no way to host someone. Ask him to step out! Did you show him around the house, at least? Oh, heavens– did you change the sheets?”

Your ears feel terrifyingly warm, knowing very well that your mother was loud enough for Kiyoomi to hear her through closed doors. Just thinking of him overhearing you get scolded made you want to scuffle away and complain in embarrassment to the chickens. 

“My apologies, miss.”

The both of you whirl around to see Kiyoomi, who looks absolutely delightful, you think. 

His curls are mussed as if he had been sleeping, uniform ditched for a skimpy white undershirt tucked into some slacks, the planes of his chest peeking out and greeting you handsomely. The dog tags that are strung along the chain around his neck glint in the kitchen light, almost like they’re saying Hi. “It’s not her fault, I assure you– I had turned down her offer for lunch, and I just wanted some time to myself after arriving. No hard feelings at all.”

He speaks in such a collected and calm manner, and his face and eyes look empty. He’s good at containing all his emotions. 

“Oh,” Your mother breathes out, a wistful smile creeping onto her face. “Oh, my lovely Kiyoomi!” She rushes towards him and cups his face, smushing his cheeks in her hands, beaming up at him. The action makes his eyes widen, hands immediately flying up to push hers away, but he stops himself just in time and lets them fall back to his sides. 

“How you’ve grown! My goodness, it’s been ages, my love, please– please sit down, we’ll make some soup, okay? Just rest. Tell us, how have you been? Any good stories?”

She greets him like a mother would, and for a second, you think you see his features relax. Not wanting to get caught ogling at him, you turn and face the cutting board, lining up all the vegetables needed for the soup. 

The two talk the entire time, your mother silently leaving the task of cooking up to you. You don’t mind at all, keeping your back to the both of them to hide the look of shyness on your face. Every time Kiyoomi speaks, you feel your hands stutter. 

The conversation is mostly your mother gushing over him and how much he’s grown, telling him he’s such a handsome young man, asking him how his trip over here went, and then she asks him if there is a woman in his life. You know that it would be normal for him to feel a little flabbergasted from such a question, but you don’t know why you feel so embarrassed as well. 

You figure it’s because if he says he does have a special someone in his life, your mother would turn around and berate you (in front of him) for not being ‘out there’ enough and for not seeing someone already. 

To your surprise, he weakly mentions that no, he doesn’t have anyone like that in his life. He quickly excuses it by saying that he had been too busy during the war to worry about such things. 

Your mother laughs good-naturedly, flailing her hand around, “Oh, of course. Silly me!”

By the time your mother opens her mouth to tell him that there are plenty of riveting people around town that he may like, you announce with your back still facing them, “Soup’s ready.” 

You serve your mother and Kiyoomi, keeping your head down as you approach him and place his bowl on the table. He thanks you in a quiet, rumbly voice that makes you go completely still for a split second. 

Conversation dies down as the three of you eat. Your mother has pulled out as much as she can from Kiyoomi. He avoided a lot of questions about the war, about his experiences, about what he saw. You can’t help but wonder. 

Your mother interrupts the silence as she subtly turns to face you. 

“How are the vegetables doing?”

“Growing,” Is all you respond as you stuff another spoonful of soup into your mouth. She’s grasping at straws to not let the atmosphere turn awkward. 

You figure that if Kiyoomi is going to be staying here, may as well be casual, treat him like anyone else (despite the fact that he looks like he came down straight from Heaven). 

You shift in your chair, the wood creaking. “Tomorrow, could you buy some more flower seeds from the market? You can pick which. I need to fill in the spaces that were crushed yesterday from all the people.” 

Her eyes light up, “Of course, dearie. Thank you for reminding me.” 

The two of you talk about mundane things for the rest of dinner, topics you usually discuss. Kiyoomi finds it comforting. Makes him feel more at home. 

The next morning, you rise before the sun kisses the sky, as always.

You pull on the short linen clothing you use for working, old stains of mud and grass forever tainting the articles. As quietly as you can, you pad around the house before reaching the back porch, tugging on your work boots before stepping into the fresh morning grass. 

Unbeknownst to you, Kiyoomi is also an early riser, a habit that he has cultivated over years of training. He watches you from the backyard’s dutch door, the top half open. He rests his elbows on the bottom half and leans forward, watching and listening as you greet and coo at the chickens like they’re your children. His eyebrows twitch up when he hears you reprimand one– Stop putting grass in the water, Harold! 

After you dump out the water, you pick up the water bucket and take it over to the pump, working the water into it. With your back turned to Kiyoomi, you don’t hear as he steps through the grass towards you. 

“Good morning,” He greets politely, and you yelp.

Whirling around with the half-full bucket in hand, the water flies out and crashes right into him, soaking his torso and the entirety of his pants. 

You drop the bucket.

“Oh my gosh– oh, Kiyoomi— I’m so sorry, I’m so so sorry, oh my goodness– I didn’t– I’m so sorry—”

You're petting his torso worriedly, as if your hands will soak up all the water that has been spilled. He knows you have good intentions and are just trying to help somehow get the water to dry, but your touch makes him stiffen.

You’re repeating that you're sorry, and the more that you ramble on, the more he can hear the tremor in your voice as you squeak and swallow and try to push this upcoming embarrassment down. Kiyoomi lifts his hands and places them right on your arms, completely stilling you. “It's fine.” 

It comes out clipped, like it's not really fine, but you can’t tell if he's annoyed. His face remains stoic. 

“I’m so sorry,” You whisper.

“It's okay. You weren't aware that I was here. I understand.” 

You look over him again, the bottom half of his cotton shirt soaked and his pants clinging onto his legs like paint. You’re so embarrassed and ashamed that you can't even find it in yourself to admire him. 

“You’ll– you’ll get sick. Let’s go inside,” You plead, stepping away from his touch and gathering your skirt in your hands to run back into the house, hastily kicking off your boots before prying the bottom half of the door open.

He watches you scurry around the house to make him some tea, pouring water into the kettle and sorrowfully letting him know it’s gonna take a few minutes. You advise that he changes but don’t push it on him too much, not wanting to be over controlling.

He disappears into the room and shuts the door, and you plop onto the dining table chair. Resting your head in your hands, you mentally chastise yourself for messing up like this, and on the first day that he's been here, too. 

The kettle whistles. You pick yourself up to see Kiyoomi already looking at you, in a pair of clean clothes. Embarrassment crawls up your spine. 

“I’m sorry.” You say again, turning to silence the kettle and pour the water into a mug before adding a few loose tea leaves. 

“I’ve already forgiven you.” 

“I know, I know but– I’m really sorry.”

He only sighs. You take that as a sign he’s frustrated. 

“I’m stepping back outside,” You say, “Still have to get stuff done.” 

He nods stiffly. You walk with your tail between your legs to the backyard porch, putting on your boots and this time shutting both halves of the dutch door.

You confide and whine to the chickens as you clean up and spread out their food.

Despite the incident, Kiyoomi insists that he help you out in the mornings. He follows you out to the back porch and manages to slip past the threshold before you can shut the bottom half of the dutch door to trap him inside (he can always just open the door and walk by, but you tell him it’s the prospect of trapping him inside that matters the most. His eyebrow twitches at that). 

He lingers as you talk to the chickens, which you do quietly now that you know that he’s there. He pretends to look away when you tell Harold good morning. 

When you finish saying your greetings to the birds, you tell him to go back inside. This is your job only and he should take this time to rest or get some extra hours of sleep– but he insists. He tells you he can’t sleep for any longer, he’s spent years rising early and getting straight to work and if he were to lay in bed he’d just lay restless. 

You know your mother will scold you later, but you offer him some work to do anyway. You tell him to replace the water while you give them fresh food. And he does so gladly, falling into a rhythm with you that, if a stranger looked at the scene, would convince them that he belongs here and always has. 

There’s this sort of look of serenity on his face, like he’s content to be doing something rather than staying in the house (which is what your mother has been pressuring him to do). 

The rising sun kisses his face, reminding you of his beauty. His skin practically glows and you can’t help but let your eyes linger on the moles on his forehead. 

In this kind of lighting, you see faded scars on his hands and arms, earned from hardwork and fighting and war and other things you cannot even imagine. They make him seem gruff (more than he already is) and in a way, scary. But the way he handles the chickens and the land and the water with such a tender touch tells you otherwise. For a brief second, you wonder if he would hold you with such care as well. You shoo the thought away. 

Kiyoomi stays with you while you watch over the chickens. He stands while you sit on the grass.

“Talk to them,” You encourage. 

He lifts an eyebrow. “And what should I say?”

“Ask them how they are.” 

Kiyoomi clears his throat and looks at one of the chickens, “My… My dear Harold,” He starts, “I hope you are in good health.” 

You laugh, “So formal, Sakusa.”

He finds himself humming. Humming. Humming in amusement.

When you're done with the chickens, you tell him he can go back inside and relax while you check up on all the vegetables, but he tells you he wants to help with that too.

You untie your apron and start checking on and picking the ripe vegetables, bundling them in the cloth. Kiyoomi, truthfully, seems a little lost as he handles pulling out the vegetables and leafy greens with a sort of hesitance as if he’s afraid to hurt them. You scoot over closer to him and offer some help. 

“They won’t cry in agony, Kiyoomi.” 

“I–” He starts, embarrassed. “You mistake me.” 

“How so?”

He doesn’t answer, runs out of excuses. Suddenly Kiyoomi thinks the sun feels warmer when your hands brush over his own to guide him, encouraging him to pluck at the vegetables. He gets the hang of it, bundling up all the produce in your apron before the two of you make your way back inside. 

When your mother sees the both of you step in, kicking off your boots and hands stained with dirt, she tsks at you. 

“I specifically told you not to ask for any help.” 

Embarrassment blooms in the depths of your chest. Getting scolded in front of Kiyoomi will be the death of you. You want to defend yourself but you don’t want to throw him under the bus, either. You hold the bundle of vegetables and greens closer to your chest, almost protectively. 

“She did no such thing,” Kiyoomi interjects before your mother can continue. He stands tall, seems bigger, voice collected but strong enough to cause the both of you to jump. It’s been ages since you and your mother have been in the presence of someone as powerful as Kiyoomi. 

He visibly slackens, clears his throat. “She didn’t ask for my help– told me to go inside, actually. I took it upon myself to help her.” 

“Oh,” Your mother breathes out, tone suddenly sweet and forgiving. “I see.” 

The silence that rests between the three of you could pierce your ears. You skitter into the kitchen to wash all that you’ve collected and leave your mom and Kiyoomi alone. In a matter of seconds, she’s already cooing at him and telling him that there’s no need for him to be working, it’s fine if he wants to rest inside, there’s plenty of time for him to spend his days off. He’s silent in response. 

After you make breakfast and your mother leaves for the market, you gather all the dishes and make a beeline for the sink, pouring hot water over the dishes to scrub them clean. 

Kiyoomi follows up behind you, rolling up the sleeves of his cotton shirt, bunching it up right above his elbows. You watch as he leans forward to grab a washcloth, swallowing when you see his dog tags swing low as he dips down. They clink back onto his chest when he stands upright. 

“Thank you,” He says suddenly, eyes focused on the plate in his hands as he wipes it in a circular motion. 

“What for? I should be the one thanking you, Kiyoomi. You defended me in front of my mother.” 

He takes a second to formulate what he wants to say. “I must thank you for letting me work with you. I know your mother has good intentions, and I appreciate that she insists I rest.” 

You tilt your head up at him, silently asking if he will continue. 

Kiyoomi, unbeknownst to you, is facing an internal battle with himself. Years of being in war and surrounded by men who believe vulnerability is weakness often leaves him staying quiet in moments where he wishes to speak. He mulls over what he wants to say again, wondering if you’d laugh him off and tell him to not be silly. But he knows that you sense something is up, your eyes taking on a glimmer of understanding and kindness before you look down at your plate. “I won’t force it out of you, Kiyoomi.” 

He looks at you affectionately, but you miss it as you stack the plate on the counter. 

“Well, since you’re practically pleading me to share my thoughts, I’ll tell you.” 

That makes you laugh. You laugh a gentle little laugh, and Kiyoomi has to turn back and face the dishes so that he doesn’t lose his thoughts. 

“Your mother, I… I know she means no harm. I know that she may believe that I need rest and time and some sort of recuperation period. I don’t mean to be rude, but she… it feels as if she is doing worse than good, for me.” 

You nearly freeze on the spot, worried about what he’ll say next. You’re scared that you and your mother have ruined his whole stay. 

Kiyoomi breathes out your name, “I assure you that I am not a wounded dog that must be left alone to rest and sleep the pain away. I want to live a normal life, now. I’ve faced enough estrangement in the war. Please, allow me to work and live with you just as anyone else would.” 

It’s a simple, simple request. A simple request that would have anyone cheering and clapping and showing him to the damaged flowers in the front yard and putting him right to work. It’s a simple request that makes your heart clench and twist in the caverns of your chest, knowing that he wants to live a life of normality and serenity. Knowing that he has opened up to you about being shunned away. It makes you feel trusted, and in a way, sought out. 

You’re silent for a beat too long and Kiyoomi looks like he wants to scrub away all the words he just said with the way he resumes at washing his plate. As you set another one to dry, you tell him calmly, to prevent the feeling of pity arising in the air, “Of course, Kiyoomi.” 

The corners of his lips twitch up when you tell him the bushes out front need to be trimmed. 

You tell your mother of Kiyoomi’s request that same night, and she scoffs and frowns and throws a little fit before she caves. She initially insists that you only give him light work, but eats up her words at the glower you throw her way. 

He helps you trim the bushes, the weeds, helps you with the vegetables and the chickens and watches eagerly as you prepare food so that he can take on that task later on. 

You stir the soup around in the pot, sprinkling in some herbs and seasonings to add some more flavor. He asks you how much you use, you tell him you just know in your heart when to stop. When the kitchen falls quiet, you pick on him and teasingly ask, And how should you cook? And he answers, suppressing a laugh and an eye roll, With love. 

You peer down into the pot. 

“Okay. Kiyoomi, I am trusting you to deem it ready. Have a taste. The fate of this dinner falls on you.” 

He bites his cheek at your dramatics.

You bring the ladle up to his lips and Kiyoomi has to lean forward a little to meet you halfway. You press the spoon to his lips and he lets the liquid in, his eyes locked on yours as he takes a sip. You feel small in some invigorating, exciting way. 

He pulls away to think about the taste. “A little more rosemary.” 

You eye him carefully but take his word, dipping the ladle back into the pot and sprinkling in a few more leaves. After a few stirs, you scoop the liquid back into the spoon and hold it up to him again. 

He leans forward without being told, almost eager to have you press it to his mouth. Again, he keeps his eyes trained on your face as he has a taste. 

When you pull the ladle away, he remains close to you, face inches away from your own. 

Your fingers twitch. 

“Yes,” He breathes out, your lashes flutter. “It’s ready. Made with love.” 

You can’t tell if your mind is playing tricks on you, but he seems to be inching closer and closer, your grip tightening on the end of the ladle as you start freezing up, debating whether or not to shut your eyes. 

You watch as his pretty eyes close, and with your heart leaping and palms sweating around the ladle from nervousness and the heat that remains in the small space between you two, you let your eyes slip shut. 

You know it– you know it, it’s coming, his lips right against yours, you think you can already taste him—

“I’ve arrived early!”

The both of you jump backwards and the ladle collides with the floor. 

“S-Sorry,” You whisper to Kiyoomi, picking up the ladle and tossing it in the sink before grabbing a different one off the kitchen rack. His shoulders sag and you think you hear him sigh, but he composes himself quickly as your mother makes her way into the kitchen. 

She sees the two of you in front of the soup pot and beams, missing how stiff the both of you look and how you’re wiping your sweaty hands on your apron.

“Teaching Kiyoomi how to cook? Good! Good good, more men should partake in household chores. I cannot wait to taste how Kiyoomi’s soup comes out, should he cook for us soon.” 

He nods curtly, watching as you dip the new ladle into the liquid. You look shaken up, movements jagged and nervous, and he fears he’s done something terribly wrong.

“Did you teach him the most fundamental lesson in cooking, dearie?”

At that, a smile slips onto your face. 

“Yes. Cook with love.”

When the three of you eat dinner together, Kiyoomi mulls over the fact that it was made with love. Your love. He wants to eat so much that he feels full of your affections. He wants so much of it that he cannot help but decline anyone else who offers food, because he’ll be full of your love. 

You two never bring up the almost-kiss. Kiyoomi is scared that he’s pushed a boundary and you’re scared that you misread the situation– so the two of you remain silent and try to fall back into the familiar pattern of days, the rhythm you two share. 

The tension is nearly unbearable when the two of you are less than two feet apart. It almost hurts. It hurts Kiyoomi to look at you so longingly and you never notice. It hurts you when you try to scoot a little closer and all he does is move away. You think it's because he's disgusted with you. He just wants you to feel comfortable. 

Days pass and the both of you pack the incident up and back away into the furthest crevice in your minds. Everything seems alright again– you both talk to the chickens, trim the flowers and cook dinner by each other's side.

You’re preparing to cook and pull your apron off the hook rack that’s nailed right by the kitchen entrance. Kiyoomi watches as you slip it on and watches when you huff in frustration as you try to reach behind yourself and tie it off. Your arms start getting sore from the awkward position they've been in, the apron straps unraveling again and again in protest. You’re about to let the damn thing flail loose until you hear Kiyoomi clear his throat behind you. 

“Let me help.”

Your cheeks burn. 

He delicately takes the straps into his hands, making the base knot against your back and pulling it. “Is that good?” 

It’s a little loose. 

“Tighter, please.”

He pulls. It’s almost like you’re drawn backward, nearly knocking into his chest. He starts tying up a little bow and you feel the brush of his fingers against the small of your back, shivers running up your spine and shoulders. You have to hold yourself back from twitching. 

“There,” He says, taking a step back and admiring his handiwork. He keeps his eyes trained on the bow, tries to hold himself back from drinking in your entire figure. 

It’s oddly domestic, intimate. It has you drifting off in thought, has you confirming all your wonders about his touch that had crowded your mind ever since that day when you saw him pull out the vegetables. He is gentle. You can only hope that the softness of his touch is a testament to his feelings (more specifically, his feelings about you). 

You cough. You make it awkward. You thank him in a quiet, choked up voice before gathering all the pots needed for dinner before scrambling away to start on the food. Kiyoomi thinks he made you uneasy and this time, stands farther away from you when you show him how to prepare the food. Your heart aches at the same time as his. Both of you are back to square one. 

The following days are painfully repetitive. It’s a cycle of the two of you falling back into place, and then your hands brush his, or you catch him staring, or you lean in too close to him, and then the both of you are creating more distance and relapsing into silence and copious amounts of space. 

On this particular night, the two of you are sitting far apart, him on the rocking chair with an open book, and you on the other side of the living room, pressed into the far corner of the couch, embroidery hoop in hand. 

You could trick yourself into thinking that there’s a sense of peace that blankets the two of you, a scene of quiet comfort and domesticity before there’s a dull knock on the door. 

You both freeze. You’re the first one to get up to go check, and Kiyoomi is a little too late in his reaction as he tries to tell you that he’ll get it, a weird sense of protectiveness overcoming him. 

The door is already open and the air is knocked out of your lungs. 

Before you stands a tall, handsome man, brown hair slightly disheveled, a smile growing as he looks down at you. He is very attractive. But not as charming as Kiyoomi, a voice in your head whispers. 

“Well, well, well,” He starts, leaning onto the door frame. “Didn’t know Omi was staying with a pretty little lady.” 

“Miya,” You hear from behind you, nearly jumping as your skin burns hot knowing there are two striking men trapping you. 

“Ah! My old friend!” The man cheers, his eyes searching yours for approval to step inside. Without any hesitation, you grant him access, slowly backpedaling into Kiyoomi’s chest with a squeak before he moves out of the way, the two of you letting the man inside (much to Kiyoomi’s dismay). 

“Miya,” Kiyoomi starts again, gaze hardened. “What are you doing here?” 

“Don’t be like that, my good friend,” The man, Miya, repeats. “Hurts when you address me by last name.” 

Kiyomi doesn’t retort. He won’t play into the man’s tricks of beating around the bush. 

Finally, he fesses up. 

“Bo and Shoyo and I are going to meet up at the pub in a bit, thought you’d like to come along.” 

You see Kiyoomi make a face. 

“I have suffered enough from your presence over the last few years. Please do not try to rope me back into your antics.” 

“Omi!” The grown man whines, face falling before he remembers that you’re standing there. Slowly, his face shifts into a wicked smile, and Kiyoomi’s frown deepens. 

“Ah ah ah,” He starts, dipping down and leaning in closer as if he’s examining you. “I know why you’re so adamant about staying. Find yourself a pretty little wife?” 

The both of you choke. 

You’re about to protest, but Kiyoomi is pushing Miya out the door, effectively letting you hide behind the broad expanse of his back, but you peek out from behind him to see what’s happening. 

“If I– If I go with you this time, will you swear to not come back?”

“Don’t be like that, Omi.”

“Miya.”

“Just say Atsumu! And fine! I won’t visit after this. Won’t steal your pretty lady away.”

“You are unbearable.”

Your cheeks feel hot as Kiyoomi turns around to face you, face irritated. 

“I’ll be on my way. I should be back before it gets too dark out. Please stay safe.” 

You give him a meek goodbye as you watch him pull his coat from the rack next to the door and slide it on, watch closely as he threads his arms through the sleeves, watch as the article fits snugly against his form, watch as he again proves that he is a sight for sore eyes. 

After you shut and lock the door, you rush to the kitchen window to get a peek at the both of them descending the porch stairs, watch as Atsumu laughs and hangs close to Kiyoomi as the latter tries again and again to maintain the space between them and throws unimpressed looks his way. 

When your mother comes home, you tell her Kiyoomi went out with his friends. She smiles and thanks the heavens, happy that he’s finally getting out there. She tells you she hopes he finds someone he may like while he’s out.

You only hum in response. 

Hours pass and Kiyoomi is still out. You and your mother have already eaten dinner and she’s already fast asleep. You’re already in your nightgown and tired of waiting around. 

You step outside and stand by the chicken coop. You watch them sleep and some of them scatter around and you talk to them as if you’re sending wishes to the universe. Tell them you hope Kiyoomi is okay. Tell them you hope he gets home safe. 

As soon as you’re stepping back inside the house, there are drunken laughs and weak knocks at the front door. Not wanting to seem too excited, you take a few deep breaths to pass time before you hear that Miya boy holler out a muffled Pretty lady, come and get him! Which is nearly cut off by a familiar groan. Kiyoomi throws some swear words around. 

You open the door and find that the two of them were using it as support as they nearly fall into you. Atsumu catches you before you can trip on your own feet and fall backward. 

“Hi,” He breathes out into your face, and you have to hold back from scrunching your nose. He smells of liquor but his steady arms keep you rooted in place, his physique nearly swallowing you whole. 

“Hello,” You start, hyper aware of how you look and if you have any blemishes on your face and how close the two of you are, but before you can think of anything else to find a flaw in, Atsumu is pulled back by Kiyoomi. 

“Stop terrorizing my host,” Kiyoomi hiccups out, trying his hardest to remain stern and imposing, but his friend only laughs brightly.

Atsumu slurs out your name, “You must know,” He starts, leaning his arm on the door frame, trying to pose coolly. “Omi mentioned you an awful lot tonight. Think he might have taken a—” 

“Miya.” 

“Yes, my most beloved Omi,” Atsumu professes, cheeks pink and dewy from all the alcohol. “I’ll leave you two be.” 

He clumsily spins on his heel, trips on his way down the steps, and crushes another flower bush. 

Your eyes flash with pain and Kiyoomi shuts the door before you can see Atsumu trip into anything else. He’s rather good at composing himself, straightening his face and posture as he looks at you. 

“Would you like some dinner?”

“Yes, please.”

You find out soon that Kiyoomi is mouthy when he’s drunk. After you reheat what was left over from dinner and slide the plate towards him, he asks that you sit down with him. His face flashes with disappointment when you sit across from him instead of right by his side. 

In his drunken state, he spills all that he’s kept inside without you even needing to probe. Tells you he plans to get going soon, has his eye on a place, tells you he's ready to move on and start life from scratch. He tells you he's tired of you avoiding him like the plague, but there's no malice behind his voice– only pure disappointment, like he’s sulking. At that, you perk up and lean forward, guiltily trying to fish some more out of him.

“Hate that you stay so far away,” He grumbles before stuffing his fork in his mouth. “Always jumping and skittering around me like I’m, I’m– frightening. Hate that you think I’m scary.” 

He hates that you keep your distance, hates that you've deemed him untouchable, hates that you see him as some warlord man who will crush you beneath the soles of his shoes if you utter something incorrectly. 

“Miya,” He suddenly blurts, and for a second you think he thinks you’re the man that just left. 

“Miya told me to confess to you.” 

Your blood runs cold. Confess…? 

Kiyoomi is quiet after that, finishing up his food with sad eyes. He wants more and more and more, any drop of your love that he can get, he will take it. 

You don't ask if he means confessing by telling you all that he hates or if he means confessing something else. Something else that has your stomach stirring, heart doing odd twists as your fist the skirt of your dress. It's hard to think about it when he's right in front of you and slurring his words and clumsily pushing his plate away. It's something you must think about later, in the solace of your own room. 

When he’s done, you help him shrug off his coat, watch as the expanse of his back reveals himself to you. You guide him to his room, expecting him to close the door as soon as he steps in again, but this time, he turns to face you and leans on the frame. He swallows as he looks over you, eyes droopy and tired, and he looks so vulnerable in this light. He’s loosened up, mouth parted only slightly as he lets his eyes wander where he usually doesn't when sober, lets his mind think what he usually holds back on any other day. 

He breathes out your name. You look up at him curiously. 

“I wish you could come with me.” 

You stiffen. You gently place your hands on his chest and push him back into his room slowly– your touch makes him smile. 

“Goodnight, Kiyoomi,” is all you say. 

“Goodnight, angel.” 

Just like the almost-kiss, neither of you bring up what Kiyoomi said that night. It's an elephant in the room– at least, to you. You’re not sure if Kiyoomi even remembers what he said. (He does). 

The two of you delve into another game of dancing around each other in circles, putting on a show that makes it seem like everything's alright and that your hearts don’t ache. Neither of you are aware that when night falls and you're in your respective rooms, the both of you dwell and worry about what you've said and done. 

As of late, Kiyoomi hasn't been around. He still helps you with his morning tasks, but after breakfast, he slips out of the house and tells you he will be searching around town for work with his friend Miya. You know that he doesn't owe you any explanations, but some part of you appreciates it. 

(Kiyoomi knows this, too. He wants you to know he isn't seeking anyone else out there).

Day in and day out, he's around less and less. You start to think that Kiyoomi is now trying to get rid of his feelings ever since you didn't exactly reciprocate what he said that night, when he was drunk.

One heartbreaking evening, Kiyoomi announces that he’ll be leaving soon over dinner. Your mother has a big smile on her face as she congratulates him and cups his face and cries on and on about how proud she is and that he deserves all the best. You nod along to everything that she says, but your vision blurs and all the twines of your fork blend together and it’s hard to see what you’re eating. It's even harder to hold back your sniffles as she starts asking him where he’ll move and where he’ll be working and if he's met anyone. She's always on his back about that last one. It makes your heart feel bitter and heavy. 

The next morning, your mother insists that she go out to the market and get Kiyoomi some farewell gifts. He reassures her that she doesn't really have to, tries to convince her to stay as she's already putting on her coat, and then she's walking out the door. 

Kiyoomi asks if you could help him tidy up before he leaves. It’s more of a statement than a question, so you oblige. 

You help him take off his sheets and load them into a basket to wash later. You wipe down the dresser and the desk, help sweep the floors, help him fold his clothing neatly so that his suitcase shuts securely. 

When everything's done, you wipe your hands nervously on your apron and give him a curt nod, turning to leave the room.

“Stay,” He suddenly blurts, fists clenching at his sides. “I have to tell you something before I go.” 

And so you turn and face him, letting your hands fall to your sides. He steps closer to you. 

“Before I go,” He starts, eyes scanning your face for any emotion, but he gets nothing. You look numb. 

“I don’t expect anything from you in return, but I must tell you, or else I don’t think I can live with myself. You,” He hesitates, feeling like he instead wants to turn away and save it for another day. 

The curious glimmer in your eye pulls him back in. 

“You have captured my heart,” Kiyoomi says breathlessly, “The entirety of my soul. I have no regrets in opening myself up to you, in letting you in, and I can say that you have made me a better man. I want to be vulnerable with you as I am now, time and time again. I want us to be one, but to be our own all at once.” 

His eyes search yours frantically, “I love you.” 

Your mouth drops open. 

Hands shaky, you try smoothing out your dress and formulating a response, the right response, one that tells him you feel the same.

Kiyoomi begins to lean away, taking a step back, face calm. “As I’ve said, I don’t expect anything from you in return. You can leave, if you wish.” 

You stay rooted still. 

“Kiyoomi,” You finally squeak, voice cracking like you're on the verge of tears. The tone of it makes him stand up a little straighter, like he's worried about what he's done, but then you're beckoning him forward with your hand.  

He comes in closer, approaching you like you’re injured- gentle and calm like he mustn't startle you any further. You try to lean into him, try to pull him closer, hands wrapping around his shirt and bringing him towards yourself, voice shaky as you manage to get out, “And I you.” 

It’s all he needs. It’s all he needs before he’s dipping down, lips slotting against your own as you sigh out wantonly. Days and weeks and months of pent up feelings and unspoken words all pour out in one kiss, a kiss that has you stumbling backward and grasping at his shirt, his hands roaming down your back and pulling you into him, closer and closer and closer, like he is going to fuse the two of you together. 

(He wants to). 

It isn’t long until you find yourself pressed into his bed, both of your clothes thrown into some corner of the room, underwear torn off as he hovers above you, licking into your mouth and grinding against your cunt. 

“Kiyoomi,” You whimper once he pulls away. “Please.”

He dips down again to kiss and nip at your chest, the metal of his tags stinging your skin and giving you shivers. Kiyoomi hums into your shoulder, licks a stripe up your neck before lifting himself off the bed, planting his hands on your hips. He drags you closer to him, lifting you up as he drags his cock over your warmth. 

“Such a pretty little cunt,” he groans as he slips in, eyes falling shut when you immediately flutter around him. Kiyoomi almost falters, almost curls in on himself and leans atop of you again before he collects himself and starts dragging his cock in and out, hissing at the way you clamp down on him. 

It’s a build up, Kiyoomi starting gentle and slow until you’re bucking up your hips and whining at him to go faster, till the only thing you can get out is a weak string of please please please. 

Kiyoomi cages you beneath him again as he starts drilling into you, broken cries slipping past your lips as your hands race up and down his back, leaving light scratches that make him moan so prettily right by your ear. 

He brings his hands to your thighs, pushing them up and trapping them against your chest and your eyes roll back, body falling pliant to him. He’s so close, all up in your face and humming about how wet you are for him, how fucking good you feel, how you’re made for me, doll, all for me.

His breath fans your face as he thrusts into you desperately, making the bed shake. The tags on his chain bump into your chin, clinking softly like little chimes and bringing you back time and time again as your mind spirals under the feeling of him pounding into you. Kiyoomi grunts and lifts himself up for the fastest second, taking the tags in hand and ripping the chain off his neck, metal grazing the wood floor as it slides away. His irritation with it makes you want to laugh, but the sound gets caught in your throat as his cock hits the sweetest spot in you, making your toes curl as you cry out his name. 

He watches you as your hands sneak down, nimble fingers spreading apart your folds to try and get a good look at his length sliding in and out of you. Kiyoomi looks down, watches the spot where the two of you meet, watches as his dick comes out covered in slick before pushing himself back in. 

“Fuck, fuck, angel, you’re so– so good, such a good girl for me.”

Your head bobbles up and down in a nod, weakly whimpering out his name, “I want to cum, please let me– let me cum all over you, Kiyoomi!” 

He shudders, hand coming up to grab at your jaw. “Look at me. Look at me when you cum.” 

You sob out pathetically, legs shaking and twitching as you tighten around him, gushing for what seems like hours until you fall limp, tears invading your vision. Kiyoomi murmurs praises into your cheek before planting both hands on your hips again, using you to reach his high, and you let him, let yourself be his little doll. 

You feel his warm seed trickle into you, stomach fluttering at the sensation before he collapses on top of you. 

Kiyoomi nestles his face into your chest for a few minutes before rolling onto his side, cupping your cheek with his big hand. “Are you okay, sweetheart?” 

You nodded, trying to scoot in closer to him, albeit weakly. 

“I love you, Kiyoomi.” 

He smiles. He’s beautiful, you think. He opens his mouth to return the affection, your hand coming up to brush his curls away, but there’s a telltale sound at the door that alarms the both of you. 

In an instant, you two are up, laughing and tripping over your own feet, Kiyoomi hustling into his slacks as you awkwardly slide your dress back on, thumping into the footboard of the bed as your mother chirps out like a bird, “I’m home!” 

“Your mother,” Kiyoomi says in a hushed tone, leaning close to you as he buttons up his shirt, “Always has to go and interrupt us.” 

You smile up at him cheekily, and he catches the mischievousness in your eyes. 

“Just means that you must take me with you, I presume?” 

You step out into the grass of the backyard, the sun already hanging in the sky since you’re a little bit late to your task. Nonetheless, you head straight towards the chicken coop and unfasten the doors, the chickens pouring out and clucking around obnoxiously, as they always have. The rest is muscle memory– throw out the old water, replace it, add in fresh food, sit with the chickens. The familiarity of it all soothes you– not that you need soothing. You simply feel in touch with your roots again. 

“Good morning, Harold.” You jeer at one particular chicken, who eyes you warily. You laugh. “Now don’t be jealous, I’ll always come back to check on you.” 

He gives an approving cluck. 

You gather yourself and get back up, slipping off your boots on the back porch. As you approach the dutch door, you see someone already leaning onto the bottom half of it, a little bouquet in hand. 

“He told me to give this to you,” Your mother swoons, holding out the bundle of flowers to you. A laugh bubbles at your lips as you observe the flowers, holding the stems together, “Aren’t these from the front yard? Such a romantic,” You joke, rolling your eyes as you make your way inside. You tuck the flowers into one of your mother’s vases to keep them safe. 

“I’ll get started on breakfast,” You call out, despite it already being later in the day and, technically, lunch time would be rolling around. 

“Oh no no,” You mother gasps, a sound that you had become all too familiar with when Kiyoomi was around, when she’d clutch her chest in shock. 

“You rest, my dear, I’ll start working on the food.” 

“Mother,” You press, “You need to go rest. That’s the exact reason why we came over here!”

“Nonsense!” She chimes, pushing you down to sit at the dining table as she pads over to the kitchen. You remain still for a few moments to appease her, but then the front door creaks open and you’re on your feet immediately. 

“Hi lover,” You say almost bashfully as Kiyoomi approaches you, wiping the sweat off his forehead as he sinks down to kiss your forehead, your chin, your lips. 

“Hi, my little doll,” he mutters against you before pulling away. “Did you like the flowers I got you?” 

You laugh, observing the green and brown stains on his white undershirt, evidence of his hard work in the front yard. “I shouldn’t be praising a thief, seeing as you took my mother’s flowers right from her yard.” 

“Oh?” He suddenly challenges, “I think this thief deserves a little praise, seeing as I successfully made your heart mine.” 

You can’t help but scoff, tongue poking at your cheek with how embarrassing he is, how corny he’s become now that he’s in love. 

Your mother scurries back in with two plates in hand, telling you both to Sit, sit! like dogs, and Kiyoomi looks at you with a knowing smile on his face. Always interrupting things.

As the three of you start eating, your mother points her fork accusingly at you. 

“And you, my sweet girl, better eat up. You need more nutrients for when a baby is on the way.” 

You choke. Kiyoomi smiles into his cup as he takes a sip. 

“We’re not expecting,” You scold, stabbing your fork into your food. “You can’t just say things like that, mother—”

“How come? You never know! With the two of you in that new big home, you’ll surely want to fill in some space. You’re young! There’s no shame!” 

“You’re the one who may as well fill up the space, visiting nearly every day!” 

“Oh honey, I’m just excited for you—” 

The bickering is all in good fun, Kiyoomi knows. He takes your hand into his underneath the table, finger brushing against the golden band that encompasses your own. 

Yes, he thinks to himself, heart swelling. Perhaps it’s time to start filling up the space.

[doudouma]

“you have 3 WIVES and a HUSBAND?!”

what it’s like being uzui’s husband!reader with his wives!

_______________________________________________

╔══ஓ๑♡๑ஓ══╗

◆ greetings, my lovely lotuses! thank you so much for all 97 votes! with the winning option on my poll, uzui and his 3 wives & husband, please enjoy♡〜

there are no warnings, my dear lotus.

reader is male.❀ 〜

a/n : i had a feeling these headcanons would win the poll, especially since it seems unique〜 apologies if these may come out as short !

╚══ஓ๑♡๑ஓ══╝

ੈ✩‧₊˚༺☆༻ੈ✩‧₊˚ ੈ✩‧₊˚༺☆༻ੈ✩‧₊˚

ooo… such a beautiful relationship〜!

being tengen’s husband… such a delightful thing..

mainly because you have a loving husband AND loving wives♡

with a side of chaos due to makio and suma, never a boring day

as the second man, it’ll be a semi-unspoken rule to help tengen out with the ladies, to help balance things out.

he’s outnumbered by women, after all〜

and they would certainly help you out too! with anything as well, they wouldn’t mind.

you most likely met tengen by being a shinobi or demon slayer. especially since the wives are kunoichi.

they all wouldn’t treat you no different from how they treat each other, and they all say “i love you” in their own way♡

“my flamboyant m/n.. you returned back to me after your mission, and saved countless of lives. you’re a very strong man, im very proud of you.” (pats head)

“i appreciate the things you do for me, so i helped you out with things you needed done today. i wanted to return the favor for you, m/n.♡”

“m/n, m/n!!!! i’m so glad you’re back, why didn’t you return sooner?! do you know how worried you had me?! i was trying not to think of your grave so soon!!!”

“i said i didn’t need any help with the laundry, you know!!!! i could’ve done it myself, it was my job, not yours, m/n!!! ..but thanks.”

the wives love to do your hair, cook with you, talk about their day, and absolutely love to cuddle!♡

tengen would love gift you things with meaning, do small things for you that you forgot, making jokes and teasing you, talking about anything while you two cook for the wives, and love to cuddle too!♡

sometimes the wives forget theres only one of you, so coming home from a mission with all of them ecstatic to see you.. can be a bit overwhelming.

tengen to the rescue!

tengen would usually step in and calm them down, and the five of you would reunite once again in peace〜

he would also be very excited about being put on missions with you!

he’d protect you with his life, and would internally melt if you protected him. even while he tells you to prioritize your life over his♡

on times where you, tengen and the wives all go on missions together, it’s quite fun, and you all feel safer together than apart.

the hashiras may never hear the end of his flamboyant husband, and he’d constantly boast about you! even if you’re right next to him.. he doesn’t care.

i know for a fact rengoku will tell tengen, “you have too many spouses!” my, my rengoku

he wouldn’t mind rengokus jokes, because he knows you’re happy with him and he’s happy with you!

he absolutely adores the fact that you and the wives bond so well, the wives loves you way more than he thought they would!

of course not in a bad way. it makes him feel so happy inside, a very soft feeling of comfort.

if someone ever wronged you, you best believe you’d have four people behind you ready to fight! and since you love them, you’ll fight for them too.

you all have each others backs, no matter the circumstance of any kind, and would go unmeasurable lengths for one another.

such a true strong bond of mutual love and trust. nothing and no one will be able to separate you all♡

ੈ✩‧₊˚༺☆༻ੈ✩‧₊˚ ੈ✩‧₊˚༺☆༻ੈ✩‧₊˚

wow, wow…. this took way longer than i expected!! lotuses, my heavy apologies, i’ve been busy with other things. surprisingly this was a little hard to write, and brung out a side in me that i didn’t know existed of being a uzui fan… thank you for your patience, my precious flowers❀

psps… send requests〜!

[follows-the-bees]

I wanna talk about Jim's journey. Their character arc is one of my favorites of the show.

In season one, Jim fits into two very well-trodded tropes and each one is subverted by the end.

First, we have the trope of a person (typically a woman) disguised as a man to go into hiding and also the old wives tale of no women on ships because they bring bad luck. We see some of this attitude through Frenchie's superstitions but the trope is subverted fairly quickly when Jim talks to them about wanting to be just Jim and the crew (and Nana) effortlessly use they pronouns.

OFMD has many, many ties to classic Western tropes and style of filmmaking. And Jim's whole character arc of season one fits the Revenge trope.

They have been trained to be a killer, hardened by life, only open to Olu but even that openness is just a sliver. When Jim is spurred on by Nana to complete that Revenge arc, they fall into it, leaving the safety of the ship, the community built there, from Olu.

But instead of more killing, Jim comes to an understanding with Spanish Jackie. They share a drink (which oftentimes in Westerns ends in a gunfight, unlike the show which starts with a knife fight and ends with communal drinking). Upon hearing that most of the men they are after are likely already dead, Jim decides to put down that knife and instead returns to the aptly named Revenge.

But in perfect subversions of tropes, Jim does choose Revenge, but not the type that eats at your soul and often ends in unhappiness or death. Rather, they are choosing community and softness.

Jim is one of Stede's loudest critics at the beginning of season one; Stede represents the opposite of how Jim was raised and once viewed the world.

But the beginning of season two shows how much Stede's way of piracy has influenced Jim. They no longer are following the Western Revenge storyline, but rather serving as the storyteller to the crew. (A direct parallel to the pilot.)

In fact Jim is reciting that same exact story that Stede told in the pilot. But it is different, darker. And that is because Jim is a different person, and in a different, darker environment at the moment. But invoking those good times that they remember. S1 Jim would have never told a story to try and make a crew member feel better.

We see Jim continue to choose kindness, mercy, grace with several characters. With Izzy, who is a dick but is their dick. And yes, also with Ed, until Ed's plan of suicide by crew now has affected and threatened their lives.

They also seem to be the first to realize what Ed is doing. And they refuse to kill Archie, who was drawn to them because of Jim's hope.

Jim's journey the rest of the season fills me with warmth. They get to be soft, they reunite with Olu, and form the cutest polycule with Olu and Archie. They also intervene and talk to the Pirate Queen about Olu, repairing their status.

The giant smiles on their moustached face during Calypso's Birthday, handing out drinks to the captain and Ed (showing the repaired relationship there), dancing with their lovers, and cheering on Izzy's singing shows how free Jim (and the whole crew) get to be now.

Jim is the embodiment of how Stede has tried to change piracy, of how Stede's effect has created a community.

Jim is the embodiment of the queer joy that this show unabashedly embraces.

[where-does-the-heart-lie]

I'm up way later than I need to be and listening to music while I draw and this song gives me SUCH Sabo feelings and I would love to hear your opinions!! (Never Love An Anchor by The Crane Wives)

https://music.youtube.com/watch?v=Y07xArvIvjw&si=ffMbMHTWuHHnxY2C

You dare bring. The Crane Wives. Into this peaceful household.

Never Love an Anchor no less.

RELATING THE SONG TO THE BLORBO FROM MY SHOW NO LESS

The audacity.

Anyway.

Yeah it makes me think about how Sabo left Ace and Luffy on his own accord at the end. Of course it was a last resort but he left them because he knew that this was the only way for them all to be free.

He left knowing that he would probably not see him until they were 17. Or maybe even never again.

He left them so that they could be safe. Because as long as long as he was with him, as far as he could see, hands would still try to claim him, resulting in the ones he loves getting hurt.

There was no winning for Sabo or any of them. As long as he tried delaying the inevitable, it just never would have happened.

He had to give up what he loved so he could keep it.

And then after he regains his memories, him thinking how much he’s changed. His claws might hurt the one he loves so dearly, even though at this point he doesnt even know him anymore. What if when Luffy finds out that he was alive, it only hurts him deeper. Knowing that there was someone who would have made a difference that day wasnt there. Reliving not only that day in the moment of reuniting, but the say he lost Sabo, too.

I dont find it strange that Sabo didnt try to reunite with Luffy until dressrosa. And in fact i think that reuniting with luffy is something he did as an absolute last resort. I think he truly didnt want to meet him that day at all.

In the anime alone, it doesnt much show it, but in the manga and the Episode of Sabo his hesitance and nerves are really clear to me. He takes a second before he starts walking to talk to luffy. His hand is clutched and shaking. He walks as slowly as he can. And also he only does it after he knows that Luffy cant get the fruit.

They both need that fruit safe. An heirloom of their precious brother, the only thing they have left that can life on from him.

If Luffy could’ve finished that tournament, im fairly certain Sabo would’ve never revealed himself.

I think he feels like he might hurt luffy if he did, but i also think that he didnt feel he deserved it. To reunite with Luffy after all that time. After all that happened.

Going back to the song, the lyrics

“So, I did the only thing that i could And severed the rope to set you sailing from my harbor.”

Even though it was Sabo who went sailing from the harbor, what he was doing was sever the rope from his connections with luffy and Ace so that they could grow and be free without worrying about being held back by him and the weight of his life keeping him suffocating at the bottom of the harbor he’s being drowned in.

If sabo had successfully left Goa that day, and he had reunited with Ace or Luffy somewhere down the line, i think he would act the same way he did in dressrosa that day. I think he would feel his baggage is too much, someone could be after him. And he wouldnt want to reunite. Especially after how he left them.

To me, that letter didnt read as a “i hope i see you again”, but a “goodbye forever”. Which i mean,,,, it was one, at least in Ace’s case, so … 🤷‍♀️ kill me

Anyway, the sentencing of your crimes of Crane Wives-ing me will be capital punishment, i hope you understand.

Thanks for the ask!

[echantedtoon]

Perhaps In Another Life P2

Part 2 of this let's go!

This is inspired by a similar post by @o3o-aya and I wanted to put my own take now. Daki will be included but their own parts will be PLATONIC!! COMPLETELY PLATONIC!!

Summery is the reactions of the Upper/Lower Moons watching you run back to your Haishira s/os upon their defeat. Will stay sfw etc.

Warnings for yandere themes, kidnapping mentions, death, Karaku and Enmu ARE their own warnings, possibly some innuendos,etc.

Zohakuton will be included as a part of Hantengu's but bit he's written as PLATONIC!!

ENMU:

Your husband warned you not to get on trains.

This was the reason why. How you ended up being trapped by a sadistic gremlin like demon who took fascination in you. First it was just an idea to hold you as bait for your Flame Haishira husband seen sneaking around the trains lately but it quickly became a more intimate fascinating for him as he watched your dreams and thought the tears you had as you begged to be reunited with your husband was so delicious.

So that's why he cursed those brats who killed him and glared with the hatred of a thousand nightmares at the Haishira who gave him a similar stare of his own holding you unconscious body in his arms.

However he's smugly satisfied knowing he forever put the fear of loosing each other in your minds. His part will always be in your minds.

GYUTARO (+PLATONIC UME/DAKI):

He knew something was up when Daki brought back a woman that was infiltrating the houses to find them. Stupid really. But he had her comb through the other houses quickly in order to cut down on anyone.

She ended up finding three other women including you.

You were so pretty. So pretty it made his sister pause seeing her brother's reaction to you and gave her the idea of keeping you as a kind of doll and gifting you to her brother. He agreed. Asked his sister to get rid of your wives. Got angry when he learnt you married. Got angrier when your husband showed up looking for his wives.

And now here he was crying out to his sister and blaming her for allowing those damned brats to find where they hid you. Watching with tears as you were group hugged by your wives. Clinging to your severely injured husband as poison pulsed through his body.

He wanted to cry out for you. But his mouth was already disintegrated. All he could do was cry a few miserable angry tears and hope in your next life he could claim you first.

HANTENGU (+CLONES):

You were kind and compassionate. That's what the Love Haishira loved most about her girlfriend, a.k.a You. And you loved her just as much. Unfortunately it was that kindness that was your downfall. You showed some kindness outta fear when you ran into the Upper Moon Four, and he had taken you.

Deluding himself into believing that you two were in love all along and the evil slayer brainwashed you into thinking you were in love with her instead.

So he couldn't stop sobbing when he saw the pink haired woman he had been fighting swinging you around in her arms happy to have you back. You were crying too, latching onto her as she twirled you around.

COULDN'T YOU SEE HE WAS THE VICTIM ALL ALONG?!

SEKIDO:

DAM SLAYERS!! DAM YOU!! HOW DARE THEY TAKE YOU FROM HIM!! HOW DARE YOU EMBRACE THAT WOMAN!! He's angry with everyone until the bitter end as he watches through Zohakutan's eyes.

URAMI:

Like Sekido he's so angry and bitter! He resents the way you chose your wide over them and he resents the pink haired Haishira most of all.

AIZETSU:

CRYING. SOBBING. He wants to yell out to you and beg you to come back. They'll be better he promises! Unfortunately his tears and turmoil can't be heard outside of Zohakutan as they all disintegrate into coming.

KARAKU:

He's mostly numb to be honest. He wants to say something but doesn't know what to say. He couldn't anyways even if he tried being trapped inside with the other three. But he does feel deep regret making you cry like that.

UROGI:

His first instinct is to try and make Zohakutan screech at them. He panics when he realizes that he's unable to do that. Like Aizetsu, panics and cries from within where no one can hear them.

ZOHAKUTAN:

Like Urami and Sekido, he's angry and resentful. However being the clone of hatred it's amplified to the extremes as he hears the other sevens' mixed reactions.

[theheadlessgroom]

https://www.tumblr.com/beatingheart-bride/719787985278779392/beatingheart-bride-theheadlessgroom

@beatingheart-bride

“Oh, Emily...”

At this, June’s heart ached at the notion that she (and by extension, her family) could ever forget someone like Emily, to say nothing of the notion of her leaving...though she was sure the siren would eventually want to return home to the bayou someday, she still knew she would miss her, and a part of her wished she could stay, just a little longer.

She really had changed their lives, and for the better, she felt: It was nice to have someone to talk to while her husband and son were at work, someone to visit with between chores, and she certainly hadn’t missed how happy Wilhelm was, having someone to talk with, to teach, someone who didn’t balk at his being Irish...he clearly enjoyed having someone to share his music with, playing her his autoharp, the two exchanging songs and melodies, a sight that made her smile-it was a sweet connection the two of them had made, and the music they made together made the house come alive.

And, of course, that was to say nothing of Randall, who seemed more alive in the time Emily had been there with them than he had in a very, very long time-not since he started work at the haberdashery had he been so cheerful, so high-spirited...and she knew it was Emily she had to thank for this sudden change in her son’s outlook on life, and she could only imagine how well and truly crushed he would be when she returned home-even though he would no doubt spend every free moment he had visiting with her, still would he no doubt be deeply crushed, no longer having her to come home to.

“Well...our bathtub is always open to you,” she managed to say, after a momentary pause, smiling shyly-it was a silly thing to say aloud, she realized, but it was true: She would always have a place in the Pace home, no matter what.