#i will not apologize for the inconsistent art style that is the point of this comic <3< /div> Explore tagged Tumblr posts

[butterfilledpockets]

someone get this relic OUT the weaponry, he will blow the whole ship up (he still has no clue where he is)

bonus points to anyone that spots the weapon cameos from games

previous --- part 13 --- next

(next batch of pages will be a little longer this time, going back to university and its going not bueno. Will keep updated <3)

[missxoier]

I had to get it out of my mind so obviously it has no context

[kyuuuu]

Finally saw the GGGNK movie

Just an unhinged train of thoughts about the film. Spoilers and stuff. And additional spoilers for Exhuma (2024)

First off, the theme of the movie was hugely satisfying. Instead of brushing over the imperialism of Japan the movie says "there were no glory days, it wasn't an honorable death, this is just a bunch of creepy old men hungry for power"

It's heartwarming that this movie is a story about how Mizuki and Gegero met when this is for the 100th anniversary of the author's birth (who is also named Shigeru Mizuki). Clearly a heartfelt homage, I can feel it from the quality of the film- the story beats, the themes, and the designs all seem inspired by him.

The animation was so smooth and the style was consistent. The Gegero vs Osada scene has good sakuga and the stylistic choice of shaky lines was *French kiss*

Character designs are an odd mix of old school and modern anime, but toned down to fit the setting and mood. I'd rather have the designs align with the old school style, but the modern style is worth it with the crispiness

Sometimes the line art did seem inconsistent with some parts being thicker than the rest but it didn't show up much

Tbh I came to the theaters just to simp for Mizuki and he didn't disappoint. Quite charming lad.

His character arc was slightly unsatisfying but since this is a prequel I know parts need to be cut off to keep his character consistent...

Also he's canonically a pretty boy?? The movie mentions he looks like Sada Keiji and

Damn

He's gives so much openings for asexual interpretations. When Gegero says 'one day you'll find someone who you'll love more than yourself', he does! He finds Kitaro. It's a nice non romantic version of the 'you'll understand love someday' trope

Thank god there's no forced romance between him and Sayo. The movie acknowledges a. the age gap and b. realistically no one would fall for each other in a few days. The 'romance' is mostly a desperate attempt by Sayo to get out of her nightmare while Mizuki is half heartedly playing along. In the end even Mizuki betrayed her by only seeing her as a means for information instead of a person. However, the only thing, and the most important point that differentiates him from the rest of her abusers is that he genuinely apologizes and tries to make amends.

He's usually at his hottest when he's holding a weapon. The gun and axe did something to me. Legit I wouldn't have bothered to go see the movie if it weren't for pictures of him splattered in blood.

Sayo deserved better! I overheard some girls say "they seriously fridged her?" when the movie ended and while I disagree that she's just a fridged woman, she was neglected by the writers

I was bracing for her backstory when the family was introduced. Big, powerful clan in an isolated area? Definitely incest here. I'm not quite sure how to evaluate the handling of CSA but one point I'd give credit for is that they didn't fall into the trap of showing trauma graphically

Her story reminds me a lot of Tezuka Osamu's Ayako. Even the two works' setting (Showa era), a lot of the character roles (monstrous head of the clan, the mad man/woman, the twit sister, callous men in a power struggle) and the themes (conservative values vs new generation) match so I don't think it's a simple coincidence

What a bummer that Mizuki gets over her death so quickly. It feels unnatural how he collects himself so fast after literally having her rage on him for using her feelings and attempt to kill him, then to die in a horrific manner. At least get him a pep talk from Gegero to be able to get a grip again.

And why is there no mention of her when he confronts the head of the clan? The lack of acknowledgement of how Mizuki and the rest of the adults failed her makes the final act feel rather disconnected, to be harsher, weak.

The biggest bummer is that the perspective of other characters are lacking when they all have interesting stories

Osada was one of the characters I was curious before I saw the movie and I was surprised by how little screentime he got compared to the fanart. I was expecting him to be a main antagonist but no, he was a faithful red herring

He's the father of the head in line yet that aspect of him is underutilized. His relationship with Tokiya and Toshiko is virtually unknown, to the point I suspect he wasn't originally supposed to be Toshiko's husband during production and they quickly changed his role. Based on fanart I genuinely thought that he was going to murder Toshiko lmao

And his role as mayor would have been much more of a threat than as an exorcist. I know Mizuki is meant to be the trump card bc he's an unexpected factor, but he could have been a formidable enemy to the duo, pressuring Mizuki psychologically by turning the entire village against him while exchanging blows with Gegero

Overall the experience wasn't bad but I feel like I would have enjoyed it as equally I did in the theater as on my laptop.

It was a lot more consistent than Exhuma but fumbled the execution by an angle of three degrees to fully satisfy me- superior in the drama and mystery aspect but Exhuma's horror and occultism was more intriguing.

That being said it's an unfair comparison since GGGNK has a younger target audience so I imagine if the directors went all out it could have been really, really terrifying. The age restriction was already pushing it when they thought scenes of eyes getting gouged out were okay for children above the age of 12

Hilariously, both are occult horror mysteries that have "Fuck Japanese Imperialism" as their message, despite one being the A-list actor movie and the other being an anime movie for a series obscure outside of Japan. (I could probably make an essay of comparing and contrasting the two's criticism of imperialism, one being from an outsider/victim's perspective and the other being from an insider/perpetuator's perspective.)

Capping off this with a subjective score of 8/10 and an impersonal score of 7.5/10 ig

[dagwmeno]

Hey apologies if my art style drastically changes once I start posting consistently again, I haven't quite found a way of drawing that I'm fully comfortable with yet, so I obviously have inconsistencies in my artworks.

So maybe let's not, like, go into my ask box just to point out my inconsistencies and accuse me of "seeming like I'm tracing someone" (??????im sorry????) with no further explanation. Thanks.

[nateascendingskies]

A DISSERTATION ON ASTEROID CITY

Leaving a showing of Wes Anderson's latest film "Asteroid City" a few weeks ago, having pondered and puzzled over the anarchic, metatextual and science fiction vibes of the entire project, I was certain of one thing by the end.

I'm pretty sure that Wes Anderson is on the autism spectrum.

Like, there's really no other way to explain his quirky, offbeat, and matte painting filled style - the dude oozes hyperfixation and fascination with the strangest of details, and it's really proven by the way "Asteroid City" plays out.

Early on in the film, one of the three leads, junior astrologer and scientist Woodrow Steinbeck (played by Jake Ryan) is playing a name game of sorts with his fellow Junior Stargazer recipients, wherein one person mentions the name of a famous scientist or artist and the other person adds on to that, continuing in a Simon Says-like chain until it should, theoretically, be hard to follow.

After several names have been said and it's Woodrow's turn again, one of the other stargazers challenges him to name all of the people previously mentioned - in reverse order. He does it flawlessly. Since I know others on the spectrum that could do that with the entire alphabet at a young age, you can probably see where I'm getting at.

Later on in the film, following a military quarantine following the inexplicable arrival of an alien to the titular small town, we see the same stargazers - and what might they be doing now, you might ask? Continuing the same game with gleeful abandon and now throwing celebrities like Marilyn Monroe into the mix.

Of course, this isn't the only spectacularly bizarre detail that appears or re-appears throughout the course of the film. At three separate occasions, a slapstick worthy police chase and shootout involving no less than three vehicles passes through the main road of the town, with little acknowledgment from those who see it other than a shrug. It's not necessarily how the gag plays out in this case, though - rather, it's how it's set up and visually portrayed - almost with a sense of lucid unreality and focus on the particulars of what is happening. It's as if Anderson is relishing in the outright batshit insanity of it all - much like the entirety of the food critic hostage situation segment in The French Dispatch and the entirety of Fantastic Mr. Fox, two of his other works.

When you throw in various similarly odd running jokes involving a dancing roadrunner, someone burning their hand on a patterned griddle, a literal highway overpass to nowhere, real estate being sold from a vending machine, a Rod Serling style-guide who presents the play within a film setup in a loving tribute to the creation of such arts (and even intrudes on the "play's" narrative at one point by pure accidental happenstance), and nuclear bomb tests, it's easy to see why a case could be made for Wes' clear and uniquely neurodiverse position on the spectrum. Everything about "Asteroid City" might seem random at first glance, but there's a clear rhyme and reason to Wes Anderson's madness and how the entire narrative works and plays out.

Neurodivergent brains function in a state that is far from what might be considered societally normal or typical, tending to be drawn towards particular obsessive interests and playing with them in a style or voice that is uniquely their own. Over the course of a few decades, I have developed mine - with a love of films being among them. So, when I see a film like "Asteroid City" and admire its tonal consistency with such a wildly inconsistent set of characters and situations, having a clear love of well placed 50's and 60's musical needle drops and a song about the arrival of a benevolent alien told in an appropriately folksy style (Anderson even apologizes to the inspiration behind the song in the end credits for good comedic measure) in the same manner as my love of motorsports, Pixar films, and the scores of James Horner, I can only once again come to one conclusion.

I'm absolutely sure that Wes Anderson is on the autism spectrum.

[danothan]

#ok so like #this post has a good point but inconsistent and flexible are different things #flexible means you can draw a range of subject matters and a range of styles #inconsistent means you can't draw the same thing in the same style the same way repeatedly (via @xpv-megaflora)

that’s a very fair distinction! my initial post was in response to a common trend in artists apologizing for drawing things different or not having a “recognizable style.” i use the term inconsistent here specifically bc that’s what i see these artists label themselves as. so while i def could’ve worded it more clearly, the intended message was meant to recontextualize this phrasing to that particular audience

what’s funny is that every time i see this complaint, i am always able to link the style to the artist. style isn’t so much of a Goal as it is a Byproduct of practice/experience; whether intentional or not, art will always be inherently personalized. that’s why i’m not a fan of “inconsistent” as a self-descriptor, i just don’t think it’s a useful mindset or even necessarily a sign of inability/lack of style

i do completely understand the frustration, however. as a comics fan + freelance artist, it’s actually a very relatable concern to me! but ironically, in my pursuit for consistency, i end up digging a bigger hole for myself. my art gets stiffer and deteriorates into a false imitation every time i go into tunnel vision for attempting consistency. i mention using “inconsistency as a learning process” bc i think that striving for flexibility is what develops your eye for patterns to be able to repeat them

so you’re right that “inconsistent” and “flexible” aren’t interchangeable, but in some roundabout way, they go hand in hand!

some of you guys have got to stop calling your art styles "inconsistent" like it's a bad thing. you mean flexible? adaptable?? why would that not be smth you're proud of, imagine all the things you can draw bc you're not limiting yourself

i hate social media for teaching artists to brand/market themselves at their own expense and twisting perfectly natural artistic qualities into smth "bad.” variety is literally the one thing i strive for in my art, use your "inconsistency" as a learning process instead of viewing it as a fundamental flaw. it's art, enjoy yourself

[t3chborb]

About me & this blog

Hello, call me T3, Birb, or Borb, whichever you prefer.

I've made this silly corner of the internet because I have an unhealthy obsession with a fictional character and want to contribute to the fandom, be it feeding the algorithms with likes n reblogs n shit or my own produce :P

Unique tags found on this blog:

Borb's Scribbles (art)

Borb's Rambles (thoughts, theories, etc)

Borb's Garbage Dump (works in progress, may or may not get finished)

Borb Answers (ask responses. May sometimes also feature scribbles and rambles, depending on the ask)

Not mine (obvious lol)

Unholy Abomination - universal mature tag, may contain either adultery or robot guts. Used liberally just in case, even if the art is technically sfw

Other noteworthy things:

English isn't my native language, my apologies if my words are hard to read or understand

This blog is hyperfocused on Ramram. Probably a stupid idea in the long run but this account is a semi-throwaway anyway

I don't reblog much as I lowkey don't see the point. This is a place for my produce, not a spam blog. That said reblogs do show up on the rare occasion. I do my best to make up for this by leaving likes and comments on other's posts to show support :)

I'm here to have a good time, not cause or experience discourse, so please don't be a jerk, just block me and ignore me if my existence bothers you

I am, to some extend, a pro-shipper. I barely have any preferences when it comes to Ram ships, I'm fine with just about any (including self-inserts and OCs)

There are some shipping dynamics I don't like, one or both characters being OOC as hell, general toxicity and abuse, underage x adult, non-con, things of that nature, but I'm fine with pretty much anything deemed "problematic", assuming the issue is handled reasonably well (and if it's not handled well... the creator has a right to vent via creative media, even if I don't like said media. Better have them let out their frustrations creatively than... you know. Actually acting on them.)

For Ram fandom's "problematic" ship specifically, I'm neutral on Ramyatta, slightly leaning towards the don't like it territory, but for reasons other than the whole pseudo-incest thing (it's not incest in my eyes because robots don't have genes and monastery titles, but I can see how Ram and Zen calling each other "brother" is offputting)

I generally don't take requests, but if I happen to vibe a lot with a certain concept, I might just draw it

I'm open to talking, but I'm shy and perfectionistic. So please don't take it personally if I don't respond for a while ;-; I'll try to do my best.

I am a-okay with naughty topics, just know that I'll probably be embarrassed about it

About my art:

Krita 5.2 + Huion Kamvas Pro 16

My "style" is inconsistent as fuck as I'm going to be experimenting a lot for improvement purposes

If you wish to use my art, I am fine with the following:

Profile pictures, profile backgrounds, device wallpapers (with credit provided somewhere easily accessible, if it's shown publicly)

Coloring uncolored lineart

Side Note 1: I would like to know about you using my work, but telling me isn't mandatory (provided you follow these rules)

Side Note 2: Almost all art posted has been heavily downscaled from the originals (about 3 times smaller), so they may look terrible in certain use cases. If you want the full res, reach out to me privately, I'll send it over if I'm confident that you won't misuse it

I am NOT fine with the following:

Commercial use of any kind

Feeding into AI generators

NFT nonsense

Modifications of any kind EXCEPT coloring plain lineart

Reposting anywhere, especially Tumblr. If you REALLY want to share my stuff, I'm flattered, but please use links instead...

[maddies-art-corner]

Ironqrow Week || Day 1: Opposites Attract

Goth goth and jock nerd fall in love, or as i like to say, disaster bi meets distinguished gay

ft young(er) ironqrow

[corpsoir]

hello! so I don’t really know how to word this in a non word vomit kind of way so my apologies ahead of time! One of my further questions about art especially digital art is finding a nice in between style of realism & “cartoony.” I personally struggle with the realism kind of art somethin about drawing real people is extremely difficult for me, I don’t want to draw them like fully real like but I do think my art could improve if I figured it out. Do you have any tips or recommendations to help with finding this? My other question is a bit more into coloring, i think I’m getting a little better at it but I’m still a tad confused on things like shading how to do lighting all that extra stuff people add when it’s not just flat color. Hopefully I make sense? I’ve been watching videos on digital painting & it’s helping but sometimes the ones I watch kinda go over my head & I was wondering you had any other tips/tricks or could dumb it down for me. Please & thank you sm again I really appreciate your help 💘

yeah sure i have lots of tips and thoughts im sure other people might find useful or fun to read as well!

i just wanna preface this by saying this is how just i do things and by no means am i saying im doing it "right" or that there even is a right way to do art. have fun! art is just a by-product of being human, nobody can do art more correctly or better than anyone else, its just art, its like breathing!

the best tip i can give to anyone looking to improve their art, especially when it comes to drawing people and light and shade, is taking a real life figure drawing class!

i know it can be expensive depending on where you live etc but if you ever get the opportunity, DO IT! its seriously so valuable especially if you have a teacher who is good at explaining 1) how to think when youre drawing and 2) can point you in the right direction and give you tips personally according to your abilities

when it comes to balancing realism and a more stylised cartoony style the best thing here is also to learn how the real human body works and looks. and again a figure drawing class can help here but so does looking at pictures, looking at your own body and how it moves and how light plays on your skin etc! i think in order to stylise something its always helpful to have that background knowledge of how something looks like in real life, that way you can sort of abstract the thing youre drawing and simplify it with simple shapes. i think one of my favourite examples for this that a lot of people struggle with is hands. people tend to want to draw every single finger in detail, and sometimes that can look a little bit stiff. heres a bunch of hands ive scribbled lately, notice how theyre all just. idk. shapes? especially the little negative spaces that trick you into seeing a finger when in reality its just a blob with a hole through it.

you read them as hands but theyre really just. blobs mostly.

there are tons of books on anatomy for artists as well and those might help! i dont have any tips there though, most of my knowledge on the human form is from figure drawing and looking at my own body and stuff :))

and COLOURS! so i always work with a limited palette for my art. instead of going in and picking new colours all the time and ending up with an inconsistent muddy mess like i used to, i have made a nice palette with colours i enjoy and that go together well.

lots of reds and browns and purples here, but thats just my personal preference for how i work with colours lol

and im gonna be really annoying with this but when it comes to shading things "right" this is something you gotta practice practice and practice, by looking at real world examples and trying to replicate it on paper (or digitally i guess). i still have a lot to learn, i struggle with light and shade still too and its fine, its a learning process!

but anyways this is how i usually do the light in my art, and i think this piece is the best example because its a very bright light source and stuff

excuse my handwriting lol my thinking when it comes to light is just. im trying to think about what im drawing as a 3d object, so in my head i try to visualise for example how the light will fall on their weird hair shapes and their skin and clothes.

oh and also i just found a compilation of a bunch of videos by an artist who is really good at explaining a lot of stuff i do too! its REALLY long but she's got so many good tips on how to think about art and its really helped me a lot since i stumbled upon them. shes also really great at explaining colour theory in a way that made it so much easier for me!

hope this helps at least a little bit lol im not a good teacher sorry!!

[tarobii]

ok so I'm not gonna mince my words so I might come off as rude and I apologize for that 💀

I am also in no way a professional (self taught) but I like to think I've picked up a thing or two

but here's my take:

My main thing here is your lineart. I know that sketchy-ness is a style but I think you would benefit from practicing longer, more confident strokes. An example here would be the third/top right picture. The left part of Ink's scarf is very disjointed, and having it be one whole continuous line would help it feel smoother.

You could also practice doing clean lineart. Even if you don't end up doing that for your actual pieces, practicing clean sketches/lineart will help with the clarity/readability of your lines.

Also pertaining to lineart, maybe turn off line thickness w/ pen pressure. Either that or practice more intentional line width variation. Bringing up the third/top right picture again, the lines for the two halves of Ink's scarf are two different sizes, which is. Not good.

The fact that the lineart is pure black doesn't help to hide the inconsistent line weight. Perhaps experiment with coloring the lines or lowering the opacity.

I would say coloring inside the lines is also something to practice but. like. With the sketchiness of the lines, that's a bit of a moot point. Maybe try painting over the lines so you can clean up the sketch and render in one go.

Finally, anatomy and fabric and stuff in that field. References are your friend. Look 'em up--practice hands and feet. Look at fabric folds and implement that into your art. Again with Ink's scarf. Fabric doesn't really move like that. If you added some fabric folds, though, it's totally possible.

TLDR: practice confident lineart, anatomy, and fabric folds

DOES ANYONE HAVE ANY CRITICISM FOR MY ART RAAAYAHAGSGAHH

HERES SOME EXAMPLES I WANNA IMPROVE BUT LIKE. SKSAJANSJAJ

[scorpionyx9621]

While the art is left to be desired (i'm hope i use this ohrase right, my english is awful). I suprised that i found future state!Jason to be more enjoyable than Urban Legend one. Like he's way more capable there and [spoiler alert] also Bruce depend on him and still call him son? So you can have a bad ass Jason and good son jason at the same time.

So I need to apologize because this turned into a rant about Jason's characterization as whole and MAN is it long-winded and I'm sorry.

I have to agree. I really like the characterization Future State/Dark Detective is going for with Jason.

Jason is still the typical Jason we've grown to expect. Cold, cynical, snarky, willing to cross the dark red line and kill if need be, but he's still shown to have emotions. When he's betraying the family it's vocalized by Jason that he's upset about the situation. He doesn't want to, but he must for the mission Bruce put him under.

Truth be told, I'm not fully caught up on Future State/Dark Detective. I've kind of been reading spoilers and just getting the general gist in the periphery from people like you on Tumblr. I've been more focused on Urban Legends, which, while I will say I still don't hate the story, hell we still have two issues left of Cheer, and I by no means think Chip Zdarsky is a bad writer by any means. His characterization of Jason irks me.

*God I was so on the fence about Eddy Barrow's take on Jason until Issue #3. That right there? THAT. That's a handsome ass man Maurry*

ANYWAYS: I'm irked by Zdarsky's take on Jason just because of how hot headed and brash Jason is. Now don't get me wrong, every main writer for Jason has taken a bit of a different spin and while the big characters who have written Jason (Judd Winnick, Scott Lobdell, Tony Daniel) and while Zdarsky seems to be what I'm hoping to be a bit of a medication of Jason & Bruce's relationship. He's doing it at the expendature of Jason's characterization of being a damn near criminal mastermind.

If we focus on Winnick and Daniel's interpretation of Jason (Winnick wrote the original Under the Hood & Lost Days. Daniels wrote Battle for the Cowl) as well as all Pre-New 52 versions of Jason. Jason is a monster. Like genuinely a horrible human being. He still fights for right moral side (he kills mostly child abusers/drug traffickers and the likes) but this Jason is genuinely unhinged and while smart, he's absolutely monster. Hell, in Battle for the Cowl after hearing Bruce's final words, he has a villainous breakdown. Dresses as batman, and starts killing people. Judd Winnick himself said he sees Jason as a 'Psychopath' and there are a lot of very vocal people who say Winnick's original interpretation of Jason as a violent, misanthropic villain is the superior version and that Jason should return to this.

*I love to point out that I made a post on my alt account questioning Jason's age in this issue. Turns out he's Like SEVENTEEN. I get why they draw him older and more mature because of his darker/more villainous tendencies. But there's something kind of True Crime Podcast host fascination I have with this greasy, crusty, 17 year old who just casually kills 30 mobsters in horrific gun violence and calls it a day.*

Then we have the New 52. And in comes Red Hood & The Outlaws + the eventual Red Hood: Outlaw series. Piloted by the one Scott Lobdell. Now I know a lot of people dislike Lobdell for his takes on certain characters, his all-over-the-place writing style. (Let's not forget his allegations of SA and the fact that he openly admits that he wrote Jason as a self-insert for a 'bad guy seeking redemption') this was my first comic experience with Jason and to be honest, I can't bring myself to hate it. Sure there's some parts that literally show how much of a dumpster fire Lobdell's writing can become, but for the most part I genuinely liked the characterization of Jason that Lobdell gives. Jason may be a bit more reactionary and just kind of making shit up as he goes along, but he's far from dumb. The intro to the series has Jason sneaking into a terrorist run nuclear sub and killing everyone inside.

Again: Lobdell's writing is all of the place. But I do like that his take on Jason is a bit more subdued. I know in the New 52 they wanted to make Jason an Anti-Hero. Someone who very much still driven by emotion and revenge. But he's definetly more relaxed and even has a lot of fun. Intelligence wise he has is moments, but it does emphasize that while he may be the best read Robin, he does have a tendency to leap before he looks. Also all the art for RHATO with the exception of a few series were TOP TIER. I understand why they hired artists like Kenneth Rocafort and Dexter Soy to rehabilitate his image. I mean, come on.

Now if we're talking about Jason's intelligence, I'd be absolutely remiss if I didn't discuss Red Hood: Outlaw and the Price of Gotham Arc. Specifically this exchange between Bruce & Jason. To me, this is the single best part of Lobdell's run and shows Jason's true intelligence.

To give a rundown: After Bruce banished Jason from Gotham after seemingly killing the Penguin. Bruce proceeded to find Jason and literally beat him to within an inch of his life. It took MONTHS for Jason to recover. A lot happens but mostly Jason finds out (from Bruce no less) that Penguin is still alive. Jason hatches a devious plan. He takes over the iceberg lounge, kidnaps and holds Penguin hostage. Publically outs himself as Jason Todd, the dead ward of Bruce Wayne, as alive and well, and the new owner of the Iceberg Lounge.

When Bruce finds out he's clearly pissed and goes to confront Jason because he's banished him from Gotham. But because Jason outed himself as alive and one of Bruce's sons. Batman can do NOTHING. Jason has Bruce by the balls. If Bruce does anything to Jason while he's out and alive as Jason, all Jason has to do is tell the truth. And the whole Batman jig is up in an instant. And Bruce? After these panels? He runs off with his tail between his leg because he can't touch Jason. And all Jason did was capture penguin, and come out as alive. THIS is the Jason that I love. This is the Jason that strikes fear into people's hearts.

I think a lot of the general complaints we see about Jason as a whole is just how inconsistent he is with his writing. Which I agree. It's hard to characterize Jason well when there's been a character like Lobdell who was at the Helm of Jason's character for 10 years and then forced to leave. And I don't really know if DC has any really solid plans for his character and development. There's a lot of hype surrounding the end of Cheer and them saying it'll 'change Red Hood & Batman's relationship forever' as well as with Jason being featured in the new Suicide Squad coming this August, and Jason getting a feature in an issue of Robin. It'll be interesting to see where they take the character. Personally I do want a resumption of Jason. But like Harley Quinn where they're taking their sweet time redeeming her. Jason has done A LOT of awful things and of they wanna make him a hero, I want a few years to pass in terms of monthly issues before we see Jason become a hero again.

*edit: spelling*

[jiubilant]

Can I ask a question? How does someone use real-life cultures in their work without being disrespectful? As you pointed out, Morrowind uses Islamic art to design Mournhold's architecture, but I'm not sure if they were being respectful. Is it okay to simply borrow ideas or is there a specific way to borrow ideas without seeming rude? (I apologize for the confusing question, I mean no offense.)

you’ve got me confused with @nehti anon but i’ll tackle your question anyway, with the caveat that i am some stranger on the internet and not an expert

morrowind imo is a great example of what not to do when it comes to coding (modeling a fictional people after a real-life culture) because it slapped together elements of southeast asian, japanese, and mena cultures without much forethought in order to create a fantasy land of inconsistent aesthetics that would read to the initial target player (male, white, probably not looking to engage critically with a video game) as generically “eastern” and “exotic.” tes in general is bad enough about coding responsibly that the impetus is often on us as fans to make sure we’re producing fan content that’s mindful of the shortcomings and harmful biases of the source material

let’s say as an example that you’re a game dev and you want to create as the setting of your game a fantasy country that’s “eastern-inspired.” well “eastern-inspired” is both a very broad and very orientalist brush—let’s narrow things down. you want to create as the setting of your game a fantasy country that’s inspired by...the ottoman empire. better. now go research the ottoman empire. read primary and secondary sources. find out how people who lived in the ottoman empire dressed, how they worshiped, how they talked to one another, how they made and critiqued art, how they interacted with people of other cultures, how they took their coffee, etc. also educate yourself on the ways orientalism and colonialism affect how people of certain cultures are represented in fiction. also educate yourself on the various harmful tropes ingrained in the sword-and-sorcery-style fantasy genre. also respectfully seek out people whose culture you are representing in your work for feedback. accept criticism with grace and open eyes. revise. research some more

having done all that, now you probably know whether or not it’s appropriate to give your elves katanas

[blankd]

Thoughts on The Mitchells vs the Machines

I watched it a while ago and kept forgetting to post my thoughts on it, but some posts here on tumblr recently reminded me.

I disagree with the majority takeaways I see but is that not the spice of life?

As a standalone movie its inoffensive and the writing of it will likely exit my brain in a few months.  However I can appreciate that the visual style was different from the typical fare and the mixture of 2d elements for visual embellishments were mostly enjoyable and well-suited for Katie as the POV character.

It's a bit "hyper" for my liking, but that's fine, it's likely intended for an audience that's accustomed to the flood that is the current norm of the internet.  It was probably made with GIFable moments in mind and that is the most frequent content that is shared about it, so it certainly succeeded in that regard.

My more critical take is that jokes are delivered at the expense of what could be more authentic themes.  Quips are made that draw attention to character flaws or undercut questions the movie should try to answer, but inevitably they are ignored to move onto the next joke or story beat.

The rest would fall more into spoiler territory, so read more for that.

--"They Were Both In the Wrong"

I personally disagree heavily with the thrust of how "both sides" were wrong when the degrees are disproportionate.

I've seen claims that Katie was "as in the wrong" as her father, but she's incredibly patient to the man who does her material harm.

I've yet to have seen someone say specifically what Katie did *wrong* to her father that is at all on par with the *years* he at best hasn't been able to interact with her or worse, actively refused to engage with her interests.

I would generously venture that her flaw was that she was more willing to communicate her feelings to strangers, but she easily talks to her mother and brother- her brother even helps her with her movies and she happily engages him with his own interests, which pivots the point back to how her father is physically/emotionally unavailable and led to the erosion and distance between the two of them.

Due to this, MvM comes across more as Kaite having to do so much more to guide her father rather than a more mutual learning experience for the both of them.

--"Technology that [Dis]Connects"

It's probably beyond the scope and intent of the film, but I was surprised there was no examination about why technology can be more alluring than interacting with physically present people.

For better or worse, the internet can be used as a means of supplementing the validation and acceptance of family.  It can also lead to no longer connecting to people around them because of the validation high of appealing to a constantly 'awake' sea of strangers- the spotlight is warmer than the cold reality that they are not the internet image they have cultivated.

For example, the rival 'perfect' family was never revealed to be a carefully constructed highlight reel that Mrs. Mitchell envies, they really were actually that perfect- because that provides an easier punchline than an examination or acknowledgement of how the internet can create unhealthy expectations.

I also can't expect MvM to acknowledge the reality that LGBTA+ people who are rejected by their family resort to seeking a new one through the internet because it would be much harder to redeem/rehabilitate a man defined by being tethered to "old values" if he was homophobic instead of "overprotective" and apprehensive at his daughter's departure from home and her dubious art career.

But hey we got that quick line at the end that Katie likes a girl, so that's a diversity win or something.

(To be clear I'm not expecting a whole parade or even an A or B-plot dedicated to it, but I think it should be acknowledged that this kind of "surprise inclusion" is very easily erased with a change of audio and would be completely unsurprised if this were the case for countries that are homophobic.  People can be happy about it, but it is dishonest to pretend that this is a bolder statement than it is.)

In that sense, I do and don't hold MvM to taking a "safer" route about how family always has your back, but this still feels like an important omission considering the focus on technology and its dynamic with the Mitchells.

I will also say that it was also bizarre, to me at least, that the obvious route that her father sees the value of home videos didn't become an active point between him and Katie.  Or that Mr. Mitchell's carpentry never really amounts to anything despite having a sentimental wooden moose.

Lastly, I think it's an unintentional, but it's interesting that Katie going to college to pursue her passion is viewed as a Terrible Thing by her father even though if he had his way, he'd be ostensibly living in the woods away from everyone else except his wife.

This isn't a problem, people are a collection of contradictions, but It's fascinating to see what the *narrative* treats as a difficult sacrifice while simultaneously pulling at heartstrings when PAL cites how children ignore their mothers.  There's an unexamined comedy that Mr. Mitchell's losing out on his 'passion' to live in the woods away from people is treated as tragic despite the movie's insistence on staying connected with your blood family.

--"The Inconsistent Personhood of AI"

PAL is rightfully angry at being discarded for something new; it's provided as a glimpse of what Katie will do when she finds 'her people' at college.

This in of itself is a good hook, because there is no one universal answer to when a flawed relationship should be mended with compromise or if it's better off being broken for the wellbeing of the ones involved.  Family and relationships are not programming, it's a choice and a gamble for whatever it brings but is nonetheless something that must be mutually worked upon.

Initially I thought that PAL was being set up as an exaggerated parallel to Mr. Mitchell.  PAL and Mr. Mitchell did their best to provide for their family.  PAL and Mr. Mitchell are in different stages of being 'discarded' by their family.  PAL and Mr. Mitchell both retaliate at their lack of power in the scenario by using the power granted by their roles to infringe on the autonomy of others for selfish reasons.

PAL even gives a 'chance' for her plan to be halted with, I had assumed this was being set up as the thesis of the movie, about humanity and the value of family, relationships, etc. being used to help someone who is already hurting.

But despite Katie looking at the camera and explaining herself, it is never actually directly resolved or challenged because a punchline was deemed more desirable for this narrative climax.

This begs the question of why PAL bothered with the pretense that she could be reasoned with, especially since this is not some question leveled at all of humanity, just two people.

I'm curious how the writers came to the conclusion that this was the best execution of the scene or if Katie's speech was considered immune to any challenge from PAL.  Would anyone have accepted this outcome if PAL were not an AI but instead a person?

It's not necessarily bad writing they went this route, but I doubt anyone would consider this good writing either.

By the end of the movie, PAL is no longer a 'person' who was betrayed and is lashing out, she is an object to be destroyed because the movie has to wrap up.  No compassion or chances are spared to this AI that did literally everything asked of her except take being discarded quietly.

Did PAL deserve a redemption arc? For this length of movie, probably not.  But it could have concluded with a commitment to doing no further harm.  Instead it is an accidental glimpse at how easily the pretense of compassion can be quickly discarded and mostly unexamined with the right framing.

A likely unintentional example is the conditional humanity given to Eric and Deborahbot who are adopted as "family" while the rest of the robots are mowed down without another thought.  Some are even beaten and broken while begging for mercy, because again, it is a funnier punchline.

Far be it for me to advocate that the murderbots needed 'a second chance uvu' but for a movie whose conceit rests on 'sticking by family' and 'giving chances', the writers certainly made a choice in deciding which AI get honorary humanity and spared violent death- perhaps PAL had a point about humanity's callousness after all.  Bad robots are discarded, good robots get to live.

Even the CEO who realizes he enabled this mess (easily the most unrealistic part of the movie, honestly) is given another chance and he manages to take away a completely wrong lesson.

Speaking of-

--"Maybe I Shouldn’t Have Used Tech Like This"

There's a particular image/gif set posted about MvM with the CEO apologizing for the machine uprising, attributing it to unchecked technology and monopolies.  I've always seen it accompanied by people congratulating the scene as if any of this is at all relevant to the movie.

Charitably, these are people who haven't watched the movie and don't know that PAL is a phone AI single-handedly doing this, but most take the stance that this scene is proof the movie is not saying technology is bad, only corporations are.

The speech isn't technically wrong but it is so utterly divorced from what happens in the movie that it's surreal to see people congratulate it as anything but a moment of soapboxing.

None of the datagrabbing was used at all as part of the takeover.  It's all magical kid-friendly terminators with no relevance to what anyone's browsing history is.  If the company was one that produced robot assistants instead of a being a super tech monopoly, there would be no narrative difference.

The closest to a predatory tactic that is used in MvM is the offer of free wifi which is used to lure most people into their cells which they happily comply with. Curiously this... commentary of people’s mindless addiction to technology is not acknowledged by the Tumblr Court with the same intensity as the CEO’s speech.

But more constructively, I do feel it’s a missed opportunity that Katie who's supposed to be an extremely online person apparently never said any bad things about her family or made any petty vent films for PAL to weaponize.  Instead an in-media audio at one of the outskirt locations was used to accomplish its Traitor Revealed moment.

IN CONCLUSION

MvM is a movie that involves topics that ought to be touched on and explored properly in media and chickens out on all of it due to possible concerns with age-appropriate handling or because it was more committed to its comedy than whatever it has to say about family, change and how technology affects people.

It also reminded me that I hope media will finally graduate from the trope that if you spec into any ‘outdoorsy’ hobby you are incurably afraid of technology.

[antihentaiclub]

i’m rating manga/manhwa i’ve read because i don’t want to do my schoolwork

1. Blood Bank

status: completed

rating: 8.8/10



this was the first one i read and MAN. i like how in the beginning there was no relationship whatsoever but because Shell had power, he was able to use it and see One whenever he felt, at first, Shell was almost like a sugar daddy trying to use that to win One over. but over time, they developed a genuine relationship that was unbreakable and brought them back to each other in the end so they would receive their own happily ever after that they Definitely deserved.

2. bj Alex

status: ongoing (side story)

rating: 8.9/10



the basis of the story was good. i liked the growth of Jiwon throughout the entire story. watching Jiwon accept and move forward from his past trauma was therapeutic and so wholesome. it would probably be my favorite aspect of the series. however, i wanted to punch Dong-gyun Real hard in the beginning because of how he thirsted of Jiwon, but i think that factor is what made him so realistic. he was nearly obsessed with this idea he had of Jiwon and we got to see that idea destroyed and rebuilt multiple times. one another note, i really liked the side story with MD and Chanwoo. it was subtle enough not to overtake the main plot, but present enough o make an impact. now, though, in the side story i want to murder Chanwoo because he’s taking MD for granted. anyways, overall, bj Alex is a very good story. i also quite liked that it was drawn in black and white and the important parts were in color.

3. Make Me Bark

status: completed

rating: 7.5/10



Make Me Bark was very cute. different than my usual tastes, but definitely a good, quick read. i like how Sungjoon was having nothing go his way but Hyo-in kinda swooped in and knocked him off his feet. although, i do wish that we got to know a little more about Hyo-in. i feel like i know so little about him.

4. Well Done!

status: completed

rating: 7/10



i liked the overall concept quite a lot actually. i think the author did a decent job in proving that there doesn’t have to be a good person, or a hero, in a story and that both sides can essentially be villains in their own respect. parts of me wished that Sangwoo and Jaehyun worked out in the end, but i know their relationship didn’t have a solid foundation whatsoever. i don’t want to say the end was fitting for Jaehyun, but he definitely got knocked off his high horse.

5. Walk on Water

status: ongoing

rating: 9.8/10



one of my absolute favorites. this story takes you on so many twists and turns emotionally. the author has beautiful art and an incredible story including growth for both McQueen and Yeowoon. i can’t talk enough about how much i like it. it starts with Ed, who’s later revealed to actually be name Yeowoon, trying to find another source of income to pay off debt that his grandfather accrued. he stumbled upon this gay porn website owned by Glen McQueen and decided to give it a shot, despite not being gay. from then on a shaky string of hookups to hide true feelings ensues until McQueen and Ed finally reveal their real emotions. they begin dating and one would think that’s it, things are fine. but instead, things all start going wrong and Ed and McQueen get in a huge nasty fight in which they both end up regretting but Ed can’t bring himself to be the bigger man and apologize. he starts finding himself in less and less fortunate situations, but currently things are starting to take a turn for the better as he and McQueen have apologized and are talking in hopes of eventually creating a new relationship that will not lead to the hurt they experienced before.

6. BL Motel

status: ongoing

rating: 8.7/10



in this story i liked watching Jinwon and Byul’s relationship grow. you get to see them develop feelings and not tell each other despite how obvious it is. you also get to see Byul struggle with he and his brother’s relationship and how it had been flawed from the beginning. it showed Jinwon helping him and letting him finally resolve the situation so now they are on better terms and healing and finding proper love. i liked that a lot. my one thing that bothers me though, is that a lot of the character designs are similar so i get super confused on who is who. it’s a little disorganized in that sense which can make it a bit hard to read. otherwise, it’s a great story.

7. Dear Door

status: ongoing

rating: 8.6/10



i love the art style for this story. it goes from sophisticated and attractive to cute doodles in seconds and i like the laid back approach to storytelling. in this universe demons can use people as “doors” between the human realm and Hell, which is how Cain, a demon, and Gyeong Joon, a human police officer. Cain begins to use Gyeong Joon as his door and they develop an interesting type of relationship that still has a lot of room for growth. it’s still very early on for this story but i look forward to updates.

8. Love or Hate

status: ongoing

rating: 9.5/10



another favorite of mine. first, the art style is incredible and the character designs are so good. plus, the story is well structured. in this story you witness Haesoo conflicted between two people, his long time hookup Joowon, who he had known for ten years and had immense history with, and Taekyung, a photographer who he met through his job and funny enough, resembles Joowon’s actions. the story shows the damage of toxic relationships and how vulnerable people become when they’re in love with another person and when all they want is them. the characters, Haesoo especially, are so well thought out and complex and it adds so much flavor to the already good story. i heavily anticipate season 3 and know i’m in for a rollercoaster.

9. Back to School

status: completed

rating: 6.8/10



hear me out, by no means am i saying i didn’t like Back to School. what i am saying is i think there was potential for so much more. the ending was abrupt and left me with too many unanswered questions. i also thought the writing was a bit inconsistent towards the end. anyways, the concept was good. Cha Chiwoo left school because of a traumatic event and went back after taking his time off to finish and get his diploma. there he met Ki Kyujin, the class president, who tried befriending him despite the rumors that surrounded him. later on he reconnects with someone from his past, Song Jihyun, his ex best friend and the reason he left school in the first place. now, Jihyun decides to finish school and they’re all in the same class. throughout the story we got to unlock more of Chiwoo and Jihyun’s history, which was a factor i enjoyed. however, at the end, after Jihyun left, i think there should’ve been a point in the future where he comes back and he and Chiwoo actually resolve their last and can healthily move forward. i know it’s not my story, but i think something like that would’ve provided more of a resolution than Chiwoo just confessing his feelings and kissing Kyujin. i also think Jihyun was demonized more than necessary. he already had been falsely arrested for murder, he had multiple settled cases for his violent nature, and he had the major fall out with Chiwoo but in the q&a at the end the author said that Jihyun had raped Chiwoo which i don’t think matches his character. it was clear that everything he did was because he loved Chiwoo and he isn’t stupid enough to do something so cruel, or so i think.

[crazycookiemaniac]

Omg why are you losing so many followers youve been drawing gay shit for forever??? (Or maybe i as a gay was just interpreting it that way)

Because I literally spammed people every day for one week lmao. And also, a lot of people follow others for specific content. The moment I stop drawing that exact thing they followed me for, they unfollow me. There are also accounts that follow just to make you follow them & if you don’t, they unfollow you after a while. There’s people who followed me for haikyuu & weren’t interested in BC content, and there were people who followed me for BC content but got showered in gay art instead and that was not their cuppa tea. 

But mostly, i start appearing on people’s feed the more I post. So having me post incessantly for one week made me show up on feeds that I hadn’t shown up for  a good while, so there were probably people who forgot they had followed me in the first place & me posting was a reminder to unfollow.

Truthfully, follower counts are dumb. Yes, it is important for you to have a high follower count for you to get attention, but the amount of people actually following you if you don’t have a consistent art style & rarely ever post something with different vibes than your usual ones, is equal or less than 1% of your total amount of following.

My instagram tells me I have 43k. I do not have 43k people following me. I’ve had 43k that once saw my account & pressed the follow button, but their feeds are filled up with other people’s accs that interest them more than mine (as well as my own feed does not show all the content of the 200+ something people I follow, unless I scroll down till the depths of hell to find every single post on that day and then do so on the next day as well).

Essentially, 95% of your followers are there because of content. They want to see what entertains them. Most of them don’t care about the artist and don’t interact with them at all. Many of them are scared to, given the high follower count. Social media & big accounts make people forget that there are other, real, living & breathing people that are behind them all.

So, to many, I was just a random artist they found and “lol”ed at one of my comics & pressed follow without thinking about it. Most of them don’t go to my account and see all other art I’ve posted to see if they actually like what I do, or me as a person and as an artist at all.

People who don’t know this get really discouraged when they don’t earn a lot of followers, or when they lose a lot (like I did). And some people think you gotta have hundreds of thousands to be famous. I’ve seen accs going around that paid for ads, that had over 150k followers and less than 1k likes on their posts.

Truly famous, loved, growing and/or steady accounts have an amount of likes per post proportional to their follower count. For example, if someone has 150k followers, most of their posts will vary from 20k to 100k likes.

When I was growing my account because I hopped in the fandom bandwagon and stupid little me didn’t know that would only make me crash later, I had like 20~30k and some of my posts reached more than 20k likes (because people liked my stupid comics). Nowadays, I’m not part of the fandom that made me grow anymore. I’m part of a very underrated one (Black Clover), as well a I am drawing a very underrated ship (LuGna) that above all else is getting hated on. I have everything against me in this, so it’s no wonder I lost so many followers.

They didn’t wanna see gay art. They didn’t wanna see Black Clover. They didn’t even know what the fuck was going on. Not everyone paid attention or kept up with my warnings. Despite me explaining multiple times in multiple posts what the Thunder Flames project was about, a lot of people still didn’t know what I was doing that for.

The thing about being a big follower count is that, unless you’re actually loved for what you do (and to do that, once again, I need to emphasize that you need to keep a steady rhythm, a steady vibe, a steady you. Because people follow you for your first impression on them, and you gotta keep up to that first impression if you wanna keep your followers.

I’m unsteady. One look at my gallery and you’ll see how disorganized everything is. Oh, lookit, a 1 min speedpaint of a random drawing I did on an old piece of paper! And right on the left there’s a stupid random comic I did–on the right there’s this super detailed, shaded drawing I’ve done that actually looks terrible to me and I will 100% archive it later, and then there’s B&W mixed with gray shaded, flat colored and fully shaded characters of different fandoms + OCs from commissions and whatever else. 

The thing is, I made my follower count based on a fandom, and now that I’m not there most of that follower count does not have me on their feed. And most of them do not want me on their feed. Now, I’m trying to build a follower count for who I am as an artist, because the few people who have actually stayed and followed me throughout the years know how inconsistent I am in terms of art style, fandoms and everything else.

A solution to this would me either keep creating/posting the same thing all over again (just in different patterns), or creating original content (which I do plan on doing at some point). But for now? Since my follower count does absolutely not reflect on how many people actually like me and/or my art, I’m going to be as chaotic as fucking ever and do whatever the fuck I want.

So yes, I do find it comical that I lost 1k followers over this and am not fazed in the very least, especially because I literally foreshadowed losing 1k and hit the fucking jackpot.

The only reason I’m talking about this at all is because 1- it’s impossible not to notice my follower count decreasing, especially because every new 1k I thank people publicly through stories; 2- some people were actually worried I was upset over it and I have to 3- show that I am not, while simultaneously trying to show people that just because you’re losing followers doesn’t mean you have to stop doing what you want to create content to please people. It doesn’t mean you should be upset, and it doesn’t mean that what you’re doing is bad or wrong.

It means you’re fucking renewing your followers & you’ll now grow for what you’re trying to grow for, bitch. That’s what it’s all about.

Obviously, people do take a great risk doing this. I am taking a great risk doing this. I could’ve lost 5k, I could’ve lost 10k. But I only lost 1k! And that’s because I believe in the project I worked on; I knew there were people out there who enjoyed what I was doing and it’s on them that I was focused on. On the people who supported me AND my art, not just that one single funny comic post I did 3 years ago.

This answer is 100% a lot longer than what you could’ve possibly expected for and I am typing this while being awake for more than 24h so I’m sure that I’ve repeated myself a lot and that there are a lotta typos or w/e and I apologize for that!! But I’m too lazy to go back to read everything over & turn this into a neat post & I’m pretty sure I could answer your question in the first paragraph.

Oh and also. Yes. Yes I have been drawing gay shit ever since I’ve become an artist because I’m so fucking pissed at the lack of canon gay content in a way that it’s depicted as a normal fucking romantic couple instead of having eeeeeeeeveryone point their finger to the gay couple and scream “HEY THAT’S GAY!!! THIS CAN’T BE PART OF THIS VERY HETEROSEXUAL SHOW WHERE EVERYONE IS OBVIOUSLY HETEROSEXUAL EVEN THOUGH NONE OF THE CHARACTERS HAVE EVER SAID THAT EXPLICITLY BECAUSE WE KNOW THAT THE CREATORS ARE EITHER HETEROSEXUAL OR TOO AFRAID TO LOSE AUDIENCE IF THEY TREAT GAY PEOPLE AS NORMAL PEOPLE!??!! WHAT SORT OF ABSURD NONSENSE IS THAT??!! GAY PEOPLE AREN’T NORMAL!! THEY’RE GAY AND THEY SHOULD HAVE A GAY SHOW JUST FOR THEM IF THEY WANNA GET SCREENTIME” and yadda yadda yadda.

I’m tired of this bullshit. Ever since I was an artist I’ve been rooting for gay ships in shonen manga while knowing they would never happen just because they were gay, and now that we are in our Blessed-By-Satan, Pandemic-Chaotic, What-The-Fuck-Is-Going-On, We-Don’t-Know-If-We-Wanna-Go-Back-Or-To-The-Future-Or-Just-IDK-Fucking-Die year 2020, in which the LGBT community is thriving and being louder than ever to fight for our rights, Me, in my twenty four years of fucking age, having gone through several fucking disappointments ONLY regarding this matter, am sitting here on my ass, hopeful as all galactic, glittery shit that for some fucking reason, my new OTP formed by very underrated characters from this very underrated franchise in the southern and western communities, becomes canon because my stupid eyes can see chemistry between them even though those stupid haters’ can’t. But that’s because they’re stupid and homophobic, and they really should just shut the fuck up. I don’t wanna dream, I want to believe. Let a bitch pray in peace.

But even if I’m getting ready for disappointment, I’m gonna make this project happen and I’m gonna have a shit ton of artbooks from this Thunder Flames project inside my fucking garage if no one wants to buy them. But I am going to invest a shit ton of money in it and I am going to have these artbooks come to life. Because I am spiteful and petty and homophobes should shut the fuck up, and I wanna do what I wanna do bc as an independent artist, I’m building my future with my own two, very toned and buff by now from all the drawing I did, hands. 

God fucking damn it.

Jesus christ I’m just rambling at this point, I’m so sorry. If anyone ever reads this out of context people are going to be so confused.

But that’s fine. They won’t. You know why? Cuz I got almost 11k followers here on tumblr but less than 0.5% gives a shit that I’m here, so I’m safe.

Have a nice day, drink your water and fuck homophobes. Peace

[365days365movies]

March 8, 2021: The Thief of Bagdad (Review)

FREE!!! FREE!!! AHAHAHAHAHAHAHAHAAAA!

Y’know, I forgot to mention my soft spot for genies at the head of this review, but I may as well do that now. Alongside Aladdin and that one Christina Aguilera song that was EVERYWHERE at some point in my childhood, my mom stepped in once again with one of her favorite childhood shows, the theme song of which is running through my head before I even type its name.

Like Bewitched, the 1960s sitcom I Dream of Jeannie was a massive hit at the time, and is still a remnant of the classic era of sitcoms, during that weird time period in the ‘60s when magic and the supernatural found its way into television. For the record, I’ll really have to bring up The Addams Family one of these days, because that was ANOTHER one.

Anyway, this movie definitely gave an interesting version of your classic genie, because OH BOY, I really like Rex Ingram’s take as a more violent and genuinely kind of evil Djinn, which is fitting with a lot of myths and legends about Djinn. They’re monkey’s-paw-mischievous, and they’re not to be trifled with.

Also, I meant what I said about wanting a One Thousand and One Nights cinematic universe, because that would be SIIIIIIICK. I mean that, it’d be awesome, and I’m here for it. Apparently, Harryhausen made a Sinbad movie, so it’s not unheard of! Just saying, it should happen.

But enough of all that! What did I think of this movie as a whole? Well, if you’d like to check out the Recap first, it’s here and here. Be my guest! As for the Review, keep reading!

Review

Cast and Acting: 8/10

Honestly, outside of the stereotypical over-acting of the decade, I actually have no issues with the acting! Sabu is great, Rex Ingram is a lot of fuckin’ fun, John Justin and June Duprez weren’t bad, and Conrad Veidt was actually quite the interesting villain! So, why isn’t this a 10/10? Well...it’s for an ENTIRELY UNFAIR REASON, giving the time period, but...yeah, it’s real weird to have nearly all of these by white actors. I KNOW, I KNOW, it literally couldn’t be helped, but...guuuuuh, it was SO distracting for the entire film, and I couldn’t get over it at any point. Extremely unfair, I know. And I know that Sabu was actually Indian, which is considerably too far east, but...I mean, at least they made an attempt. Same for Rex, who was African-American. And, uh...yeah...he did technically play a slave...so, there’s that. BUT THAT’S MOSTLY BESIDE THE POINT. I won’t demonize this movie for being a product of its times; I think that’s a problem that we have with media.

...Although, to be honest, I do genuinely hate Gone with the Wind, so I might be playing the role of the hypocrite there.

Plot and Writing: 9/10

Eh, maybe the temple stuff was filler, but it was still neat. And otherwise, I think the plot was pretty tight, to be honest. Same goes for the writing, even though it’s a bit corny sometimes. But, hey, it’s the time period when the film was made, and I don’t decry The Wizard of Oz for that, so I’ll extend the same courtesy to this one. The writers are Lajos Bíró and Miles Malleson, the latter of whom played the Sultan who loved toys! Neat! 

Directing and Cinematography: 10/10

Lot of close shots in this one, which is a hallmark of the Golden Age of Hollywood and cinema. The direction here was primarily done by three guys:  Michael Powell, Ludwig Berger and Tim Whelan. And while Berger and Whelan made a good number of films in their career, Powell would become the most prolific, making Black Narcissus, The Life and Death of Colonel Blimp, and  Peeping Tom, to name a few of his more well-known films. Anyway, the direction in this film is...I mean, it’s genuinely great. Seriously, it’s actually pretty brilliant sometimes.

Production and Art Design: 9/10

And goddamn, SPEAKING of brilliant, this production design is TOP GODDAMN NOTCH. It’s honestly, a gorgeous film, from the color to the sets, from the costumes to that one automaton that I ended up putting as the GIF up above, this is some iconic design. The only reason it isn’t a 10 is because some of the costume and makeup design was mildly inconsistent, SPECIFICALLY in terms of the Djinn. Yeah, I couldn’t tell if he was or wasn’t supposed to be blue, and his makeup wasn’t fantastic. Also, there’s a point when Abu’s hanging on to a COMPLETELY fake ear, but...eh, that’s fine. Anyway, I do really love this movie’s style. Also, GODDAMN, the effects! But I’ll save that for...

Music and Editing: 9/10

YEAAAAAAAAAAH BABY! For 1940, the effects in this film are absolutely FANTASTIC. Like, look at that, man! Not gonna lie, I’m not entirely sure how they even DID that shot, and it’s been EIGHTY-ONE YEARS!!! I really like the effects of this movie. Editing by Charles Crichton is also pretty great, although there’s some weird choices made here and there (the first meeting of Ahmad and the Princess comes to mind). As for the music, Miklós Rózsa fills the soundtrack with what may be stereotypical Middle-Eastern music, but still iconic. You can directly hear the inspiration for Aladdin’s soundtrack all throughout this film (which is mildly distracting, not gonna lie).

90%. Hell yeah, it’s a classic.

This was great! A movie that I’ll recommend to people who like Aladdin, and are looking for more of the same type of story. This one really was a diamond in the rough.

...That was a RIDICULOUSLY corny line, my sincere apologies, goddamn.

OK, so, anyway, what’s next? The Thief of Bagdad was a British movie, so let’s stay in Europe for a bit. How about, I dunno...France?

March  9, 2021: Orpheus (1950)