#i will kill someone who will say that
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psipaka · 8 months ago
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i’m so normal about them guys
(IF I WILL SEE A SINGLE PERSON ASKING IF THIS IS SKIBIDI TOILET I WILL BLOW UP AREA 51)
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lazylittledragon · 10 months ago
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can't believe we're all adults being forced into the club penguin level of censorship in 2024
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noelledeltarune · 1 year ago
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EVERY SINGLE DAY there are MILLIONS of characters in their late 20s who get falsely accused of being father figures to teenagers when in reality the description of "weird older cousin" or "step-sibling that moved out before you were born" is 1000000x more apt
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homoquartz · 18 days ago
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a show doesn't necessarily have to be ABOUT queerness to BE a queer show. it's a cultural dialect that cishets don't quite speak.
edit: i gotta clarify that the shows do indeed still have to have actual queer characters in them to count
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inkskinned · 1 year ago
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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bixels · 8 days ago
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this is coming from the position of a student, so don't take my word as gospel, but i want to strongly encourage people to prepare for the coming years and look outward to find communities in real life. this can be big like getting involved in fundraisers or organizations or small like going to poc/queer/art social spaces and talking to people. making friends and connections will help you and others build support networks, something you will need as we enter the new term. i know talking to strangers in real life can be scary, unfamiliar, or difficult (depending on where you live especially) and it may take a lot of compromising and work –– and i don't want to condescend –– but we have to try starting now. this is about your safety and welfare, as well as the most vulnerable people's.
if leftists/progressives/minorities want to survive and beat back what's coming, we need to do our work offline too and take up space. an example of getting involved would be (if you're an artist) reaching out to fundraising organizers and making prints of your artwork to donate for raising funds.
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mipmoth · 7 months ago
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Submas VIOLENCE
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1eos · 1 year ago
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'tumblr is full of 14 year olds' wrong tumblr is full of 24 year olds who just don't do anything. and that's okay
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spitedemon · 2 months ago
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i really don’t think it’s “typical dragon age fandom nonsense” for people to be genuinely upset about the world state choices. combat, level design, art direction, gameplay gimmicks, those have all varied across each dragon age game. the one thing that’s remained constant are nods to our previous choices.
i wasn’t expecting my HoF to come riding in on a griffon, but i can’t find a monument dedicated to warden tabris somewhere around the anderfels? lucanis couldn’t have some lines about the time that one arainai boy was stirring up trouble in antiva city? you’re gonna tell me that making a mage the new divine wouldn’t have some impact on nevarra and antiva? on the anderfels, the supposed most devout militant andrastian nation in thedas? you’re saying nobody in the north is paying attention to who rules orlais or ferelden? come on.
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starry-bi-sky · 1 month ago
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Blood Blossom Au: Baby's First Commissioner Meeting :)
TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.
(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)
This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.
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Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.
....
The kid is a surprise though.
Granted, he seemed to be a surprise to the Bat too.
There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.
The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.
The kid is a surprise, and he appears like a bolt of lightning.
He shows up in the middle of a conversation Gordon is having with the Bat.
A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.
At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.
Gordon has multiple questions, and his officers tense up.
Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"
The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."
Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.
"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."
He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.
The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.
"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.
The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.
Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.
The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.
Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."
#I have never seen Batman (2022) so really I'm just using battinson and crew as templates for my fic. but hey what else is new lol#dpxdc#danny fenton is not the ghost king#dp x dc#dpxdc crossover#dp x dc crossover#dpxdc fic#dpxdc au#dp x dc au#dpxdc fanfic#i dont know shit about detective work or true crime so forgive me for any bad terminology or incorrect procedure for how these things work#just a fun rough idea for how i imagined gordon's first meeting with nightingale goes LMAO. im sticking to the idea that danny doesn't#officially join the field for a *while* due to more than just health reasons. so his first appearances are brief and usually to give B smth#danny: im only here as express delivery for vader's little brother over there. yall stay safe tho.#bruce: *kill bill sirens bass-boosted* ohmygodwhatishedoinghere#batman: how did you get here... | danny: you have so many spare grappling hooks it was pr easy to just grab one and go#also danny is whispering on purpose because he doesn't have his ghost form to fall back on as a secret identity. so he *is* actually taking#extra steps to keep his identity safe. and people usually sound different when they're whispering. he also has personal beef with#office martinez despite the fact that they've never met. Danny's HEARD of his ass. he hATES his ass.#Martinez: *to batman* freak | danny: im going to Bite Him. | batman (reluctantly): hmr. please don't. | danny: im going for his shins#Martinez and Nightingale have this whole thing going on between the two of them. danny WILL slap a sticky note on Martinez's back that says#'asshole' on it and its the one spot square on his spine that martinez can't reach.#someone: why are you beefing with like. an actual 12 year old | martinez: HE'S A LITTLE RAT. THAT'S WHY. he's here to torment me#battinson: *did you grapple the whole way here* | danny: yah. it was kinda fun. i would've gotten here faster but i kept having to stop#battinson: *hnnn* im driving you back | danny:.. are you sure? | battinson already pulling him out of the room: y e s#i've been thinking about this for literally WEEKS. what did bruce forget? good question! i'll figure that out if or when i get to this#danny has Issues behind the word freak so its like a mini beserker button for him regardless of who the word is aimed at lol. lmao#martinez calls batman a freak once while nightingale is within range and its just the doom ost as danny simply Disappears from sight#like oops. you are now. In Danger. rip couldn't be me.#blood blossom au
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jazforthesoul · 5 months ago
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every time someone reduces CAPTAIN !!! elizabeth "lizzie" lafayette down to "a sad lesbian" a fairy dies bc i shoot it with my gun. like you're telling me you were spoon-fed a character that has one of the most realistic and RAW representations of grief and perseverance in the series and all you got from that was "she's sad" ????
is she a constantly happy character? Fuck no! that's acknowledged!! but to take EVERYTHING that she is, which has positive and negative aspects THAT ARE BOTH SHOWN, to take the fact that she is THE DRIVING FORCE OF THE MAIN BACKGROUND PLOT, and reduce her down to NOTHING but her relationships?? ?what the hell!!!
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batcavescolony · 6 months ago
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I feel like comic writers and some fans have forgotten that Young Justice is mostly about the girls. The main storylines were about Secret/Greta, Cissie, and Anita. The boys were there but they had their own runs. Take Young Justice Dark Crisis, yeah it's all about the boys IF you only read the first 5 ish comics. After that it's either big comic events or about the girls. Really the girls are the main characters of Young Justice, the boys are there to draw people in.
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curapicas · 4 months ago
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does anyone have thoughts on the focus switching to Kabru, like.
At this point we and Kabru both see Laios begin to put together a plan to take down the mad magician, and Marcille is essential in this. But perceptive as Kabru is, he's got to know that this is also for Marcille' sake.
Sure she'll be an advisor together with him in the future, but here, all he saw from her was a spell backfiring into a monster and her begging people to not hurt someone who's murdering-a-ton. He doesn't have a high opinion of her priorities, even if he doesn't wish ill on her. My first thought was that Laios defense of her would be a bit frustrating for Kabru, even. Though he has an equally low opinion of the canaries' methods, and Shuro's report would force their involvement
But honestly, his past disgust with Marcille doesn't factor in this at all. This might be the first time Kabru is seeing how seriously Laios takes both defending his plans and a friend. Against someone Laios respects, no less! Considering what Kabru's own objectives are (a mission, but not progressing enough to formulate well-thought plans), as well as his most selfish desire is (companionship), I wonder if seeing this didn't affect him, a little. Maybe as an inspiration? Or as kinship?
After all, isn't “this person is both an important part of this plan and important to ME, and I won't let you kill them” reminiscent of another dynamic? Even if in this moment, he's not there yet.
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justaz · 6 months ago
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merlin (immortal) giving arthur (pendragon) the only blade that could kill him
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fightingwithallreality · 10 days ago
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The Enchanted Horse (1992) written by Magdalen Nabb, illustrated by Julek Heller
For @horsefigureoftheday
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knockknockitsnickels · 2 months ago
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I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.
#at the risk of getting put on a list there is something tragic & relatable in nightmare#someone who desperately wants to make connections but just can't understand how#anyway wraith is one of my favorite princesses for stuff like this (and bc tragedy aside her route is a riot)#also im sorry if she doesn't say that line if you got there via nightmare#that's how i got her and i could've sworn she did? But i only found footage of her saying it in spectre#slay the princess#stp#stp wraith#the wraith#stp spectre#stp nightmare#side note archetypal/heart#(slash so i don't accidentally tag them)#pointed out on another post of mine that you get wraith via nightmare by killing her and via spectre by leaving her in the basement#in both cases its a rejection of her (rejection being one of wraith's main themes)#which makes me speculate on spectre's ch 3 (which i think we currently have very little info on?)#Trying to run from Nightmare should technically be a 'rejection' as well#but you get MOC from that (and from choosing to stay with her)#imo bc you're just repeating the same inaction which got you into this situation in the first place#you don't want to slay her. you don't want to set her free. So you just leave her there (again)#and so you get MOC where things have only gotten worse and you have no choice left. Because you chose *not* to take action again#So I wonder if spectre 3 will be a similar 'repeating your past mistakes' type of deal#i was skeptical about it coming from stabbing yourself while she possesses you or trying to crush her bones#but it does make sense with that in mind#im curious if it'll parallel MOC#except instead of having no choice but to free the princess you have no choice but to obey the narrator again#maybe you both end up stuck in the cabin forever again?#idk#sorry i probably should've put all of that tag in the post lmao
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