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#i will be sad but understanding if it’s a traumatic scene for him but i want jeremy to drool
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Sooo are we all assuming that Jean’s hair hasn’t been cut and is still uneven? praying and hoping and wishing that there is a haircut scene or post haircut scene in which Jeremy swoons
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Oh em gee :,( ari :,( thank you for yapping at me…………. My brain juices started flowing…….. I knew all I needed was some of your ideas…,,, and the little hamsters in my brain started running around again!!!!!!!!!!! Ik u said don’t feel bad for sending asks but…. I feel a little guilty sending another one….. but the brain hamsters started working and I can’t deprive them of spreading their little hamster ideas 😔😔 BUT ALSO??? I NEED TO TALK ABT HOW U REPLIED TO MY PREV ASK. THEM TALKING WHEN UR SLEEPING??? AND MAYBE?? YOU SECRETLY HEARING??? IM GOING INSANEEEEEEE IM LITERALLY DISINTEGRATING AS WE SPEAK :((( satoru wanting to confess bc he doesn’t want u sad over ur ex……… sugu convincing him they shouldn’t rush u…….. :( sobs… they r so special to me. imagine what would happen if u just sat up in the middle of them talking like “🤨🤨I heard all of that btw.” but like. What do you think they’d do if your ex did try getting back together with you? Either that or just trying to get back into contact ……. Just an idea :3 giggles…. N E WAYS I HOPE UR HAVING A WONDERFUL DAY SLASH NIGHT!!! MWUA MWUA TAKE CARE AND DRINK UR WATER !!!! ^_^ — stsg anon 💐 < with bouquet. For u!!! :3
STSG ANON !!!!!! i’m telling you our brains are synced…… every time ur brain juices flow mine do too……… i’m so happy your little brain hamsters r running around 🐹🐹🐹
okok first of all ….. NEVERRRRR feel guilty for sending me asks 🔫🔫🔫🔫🔫 never ever ever!!!! i love them so much!!!!! even if i’m slow at replying sometimes i promise i read them instantly and they always feed me so good!!!!!!! i should literally be paying you for these that’s how much i love them. if i catch u feeling guilty again there Will be consequences so watch out …. (ominous)…..
BUTTTT ok :3 YES . THE STSG IDEAS. i’m so happy you liked my little brainworms phdkdjj i just!!!! think it’s a tasty concept!!!!!! and PLSSS reader just sitting up and calling them out 😭😭 i KNOW they’d scream . even sugu does a little squeak bc he was so convinced you were asleep…… but goddd i think they’d actually be a little flustered <//3 our babies. once they recover satoru would be so smug tho. bc now you finally know!!! he doesn’t have to wait!!!!! and sugu is obv very happy too….
but… gahhh…… STSG ANON ………. if your ex tried getting back with you………….. ohhhh gosh. they’d be very offended . on your behalf . in a ”can you believe the audacity” way ….. but ofc they’d also be very furious and protective . like. maybe you tell them that your ex texted you wanting to meet up and they’re both INSTANTLY on guard…. ideally you’d block them ofc but if you insist on meeting them just for the sake of closure then they’re immediately convincing you to let them go with you!!!!! for scary dog priviliege . i’ll be honest i don’t think there’s much your ex could do 😭😭 bc stsg WILL be glaring at them. behind you. and if they even try to lovebomb you or blame you in any way they’re . Stopping Them . in one way or another. i think they get very very scary LMAO sugu stops smiling entirely and satoru smiles in a distinctly furious way 😭😭 ..
but ohhhh ……. if . you were the one who wanted to get back with them ….. then i think stsg would feel so helpless :’3 bc like . they can’t control you. they don’t want to. but i also think they’d rather die than have to watch you be with someone so undeserving…… so i feel like That’s when they’d confess. bc they’re so desperate . and let’s be honest who would choose a cheating ex over stsg????? no one <33333 problem solved. they’d be really terrified though…..
MWAHHHH one big kiss for you my lovely little stsg anon <33333 i’m putting the bouquet in a big beautiful vase <33333333 here r some handpicked flowers just for you :33 🌷🪻🌻🌷🪻🌻 i hope you’re taking good care of yourself too!!!! eating and drinking and sleeping lots . it’s what me and stsg want for you!!!!!! thank you as always for the food i hope u know how much i adore you <333
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dunmeshistash · 4 months
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Literally right after I saw one of ur Milsiril posts today I saw another person doing a Mithrun analysis with a huge focus on Milsiril only helping him bc of ulterior motives and it makes me sad :( She’s such a soft mum that would teach her children anything. If anything she’s less overbearing than my Chinese mother
What are the arguments? I don't really get what she gets from helping Mithrun. I guess the thing she would be able to get is making him fight the demon.
But like, she's no longer a canary and there isn't really much to hint that's what she wants. This is her part in Kabru's version
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My boy really fairy tale-fied his backstory, it just ends with "And from that point onward Mithrun lived only to slay demons. He ate even though he had no desire to eat. He lived on, even though he had no desire to live."
Which is objectively false, in this version it really seems like she lets him live cause he can still be used, but he can't.
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This doesn't really look like a killing machine that can be used to fight demons does it. Kabru as usual oversimplified what happened cause as he said "the world doesn't need to know personal things like that"
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Again with his timeline vs Kabru's
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Utaya started and ended while he was still recovering, 20 years from being saved to being appointed as a captain again. I know elves see time differently but even if we do the divided by 5 that's still the equivalent of 4 years of his life if he was a tallman. I don't think that's a negligible amount of time and honestly I'm happy Ryoko Kui considered that recovery from something so traumatic isn't fast or easy.
I said Milsiril only started to help with his rehabilitation after she retired because of this bit. "Mithrun. I saw a demon in Utaya" the situation from arrival to destruction was at most one year, I can't imagine she was able to leave in the middle of it just to visit Mithrun?
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So I always assumed she did it after retiring (perhaps one of the first things she did since she's still in canary uniform)
Even if she left in the middle the earliest this could have happened is 498 so at most from his 20 years of rehabilitation Milsiril was with him for 2. At the most.
To me her smile here is cause she's seeing a way to motivate him to eat
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Doesn't really look like someone sinister or with ulterior motives to me, she has her eyebrows slighty furrowed and a forced tight smile. To me it looks like she's worried. The other point is that right before this scene this is what she says
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Here she has a soft smile as she remembers that he was someone similar to her. I think she didn't kill him because she saw herself in him, and I think she tried to help him for a similar reason. "It was such a warped, convoluted place built from inferiority jealousy lies and anger" "We might have hit it off pretty well"
She isn't saying that to judge him she's saying that and acknowledging he was just like her. I don't think the fact she relates to him would have been set up right before she tries to motivate him to eat to show "ulterior motives".
If anything I think the ulterior motive she has is that she sees herself in him, and wants to help him to help herself. Which as 'ulterior motives' go I think it's fine.
Everytime I talk about Milsiril I end up with a huge text lmao, I think I might be repeating myself too but I wish I understood the arguments for a sinister Milsiril using Mithrun. I don't really see anything in the extras that could indicate that. And the biggest "proof" is a intentionally abridged version of Mithrun's backstory told by Kabru that ignores all of his interpersonal relationships in favor of a easy to understand cautionary tale.
Oh yeah, and Mithrun's bitchy past self that didn't trust or like anyone saying it,
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binomech · 2 months
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I mean it when I say that Kim and Harry's relationship is only possible at the point in time where they meet, as the people they are during the Hanged Man case. I love playing with AUs but the same way even a Harry with amnesia is inevitably a product of his past, so is Kim. this is a VERY long post so i'm putting it under a cut.
facts about Harry:
Harry tried to kill himself three times in one night and he failed to kill his body
The Harry you meet does not remember this, consciously, and yet sometimes the only thing he thinks will solve a situation is killing himself
Harry doesn't remember his mother, but he remembers being very loved by her
Harry is the only person left from his childhood friend group, and he forgot them
Harry learns about his life through a case ledger and a bitter coworker and a town full of people he traumatized before he tried to kill himself
The ledger says: You were brilliant and bright and you solved every mystery. You once beat a man until he could never walk again with this very clipboard because he reminded you of yourself. Out of all the policing specialties, you picked building safety regulation because it wasn't violent, and once you spotted a crumbling building and reported it but it fell before anyone in the force could give a shit and a bunch of families died. Your partner that you forgot, who you only have experienced as vitriolic and judgemental, once campaigned to keep a street mural because he knew it was a sign of hope for you and you liked it.
Your body remembers what your mind cannot: The smell of apricots and loss. Being raped. Prepping for anal with another man. Being a gym teacher, a loving mentor and then giving it up for the apricot smell. A sick liver. A sad brain. A locked jaw and chronic pain because the polio epidemic took everyone but not you. Survivor's guilt. The need to dance.
he thing about harry's memory loss is that it's that his life becomes a crime scene to investigate. and he's very good at that. he's been told it's the only thing he's good at. and his body remembers that that momentum is the thing keeping him alive. and yet everything he finds is marred with mistakes, violence and lots and lots of love that make the mistakes and violence even more damning. and he can't stop looking with morbid curiosity because it doesn't even feel like his life, but he's living the consequences of it. and sometimes he does things, he feels things, and he understands that he's not someone else and then he wants to die.
Why are you an amnesiac? Is it because the pale took you while you sank in the water next to a church where baby pale is growing? Is it what the decades of substance abuse did to your brain tissue? Is this you, protecting you from yourself, just so you can live for a few weeks more?
Why are you a detective? You remember being a happy teacher, a good teacher, you were an art student teaching gym. why did you change careers? Is the insatiable curiosity that your body remembers something that was eating you alive? Is it why you're still alive at all, to find out? Did you think you could do more with a gun in your hand and some speed in your system? Did she think that?
And then there's Kim. One of Kim's lines that is among my favorites, and weirdly honest for what we get from him usually when he's talking to people that aren't Harry is:
"My position, ma'am? My parents got ripped to shreds in the Revolution -- I would have gone the same way. I was saved by being two years old. That's my position -- the abattoir."
Harry's life is defined by a violence that he cannot remember, Kim's life is defined by a violence he cannot forget.
And that, I think, is important to their dynamic. Kim's life is defined by the degradation he has suffered, by the Moralintern as the child of revolutionaries, by his peers at every point in his life due to his racial heritage and his sexuality, by his disability. His fear isn't even fear, it's a certainty -- he's waiting for the other shoe to drop and go the same way his parents went, in front of a firing squad for daring to want something better. So he bargains, and he tries to delay what he knows is coming by not only not stepping out of line but giving the line a wide berth that could be a fucking moat filled with krakens.
He grows up Dolorian breathing the ideology of the institution that had his parents executed 24/7. He believes so deeply that he is as important as everyone else for the world to keep going, a blue forget me not, a piece of the sky. But of course he knows enough about his parents so he cosplays as a revolutionary and joins the RCM as the shitty replacement of the Commune's guerrilla.
He spends 15 years in a position usually given to recently enlisted officers because they do not believe him to be good enough. He finally promotes by going undercover as a teenager and infiltrating a fucking arcade because asians look so young and asians are so good at tech. The first partner he gets as a detective is nicknamed Eyes because he was assigned to him because his eyesight and sharpshooting could not be trusted. He doesn't see a shooter approaching and Eyes takes a bullet for him and he's the one to deliver the news to his family.
He doesn't even believe in Moralism, strictly, because he's too old and not innocent enough but the sunk cost of spending his entire life carving his tombstone as an RCM lieutenant is simply too much to give up. He rations his cigarettes to remind himself no matter how much he wants, wanting will destroy you from the inside out.
And then, he gets sent to Martinaise both because he is undeniably good at his job (he's shown them, he can shoot, he can fine, he can send people to jail facilities without breaking a sweat, he can lord over his authority to any civilian as much as any other straight white cop in the precinct) but also with the expectation that he will Fail and they'll finally have a reason to demote him. And he goes there and waits for two days for Harry to show up and when he does, he's drunk, doesn't know the basics of the world (the basics he cannot forget for one second or they will kill him, too) and is still capable of wonder.
And Kim is so fucking jealous. He's like "what the fuck, I have to do so much and this guy gets a pass?". Not because you are actually doing anything wrong, most of the questions are standard for Harry at any point in the game, but you get to forget everything and keep your job. You get to have drugs and keep your standing. You get to be violent and brilliant and no one doubts you for a second. He gets away with wearing heels and blatantly faggy old fashioned clothes. He gets to cry and show the worst parts of himself. He gets to protect you without losing anything.
Harry is everything Kim can't be, because he is a white cop.
But that's not what changes things, in the end. It's that this guy who literally is everything a good detective is and also everything awful a detective is, takes one look at you and sees you on the other side of the moat and he doesn't even build a bridge: He plunges headfirst into the moat and makes friends with the krakens and comes out soaked and dying on the other side and he smiles and asks for your opinion, Kim, you always know what to say
He doesn't know you and he's the first person that doesn't assume the worst. And you know he's putting you on a pedestal, and that you need to make sure he understands that's not good for him, but it does feel a little good to have all the things you do be acknowledged without friction.
And he makes stupid jokes and when you joke back he laughs and doesn't think less of you. And he likes art, which you will never let yourself understand, and he likes children because he doesn't have a history of 15 years trying to get kids to have a better life and them dying by the dozens, and he's everything you hate because he's everything you wish you could be.
And then he finds a miracle, and he tells the miracle about you, and you take a picture and it's not a dream. You thought, it must be the amnesia, he will remember and life will go on with the realities that you know to be true. But the picture is still there: Tangible proof that not everything you think immutable is a sure fact of reality.
Unbeknownst to you, in one of these universes he spares you from a nuclear bomb that he launches himself. If you get shot, he will hear you on the radio when he needs you the most. You are not the only one that has been changed from this.
Pre-amnesia Harry and Kim could have never found this tentative kindness because Harry was bogged down by all the things he had done and Kim was buried in things he couldn't do. But whatever happened to Harry, it opened a door in a huge web of universes, just by saying "It doesn't have to be like this". No matter where they go from the ending of the game, that is a thing you cannot un-know.
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very-straight-blog · 4 months
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It really tires me how some fans try to make Aegon look like an asshole who doesn't give a shit about anything. This is a fundamental misunderstanding of his character as such. Of course he cares, that's literally the essence of his personality. He cares. He and Aemond both feel too much emotion, but if Aemond sublimates into self–improvement, trying to be strong, cold and detached, then Aegon is literally an open wound. I want to talk about this, also using Tom's interviews (yes, I think the actor's opinion is valid in this matter) and the few scenes that we have in the first season.
We know that Aegon didn't want the throne and wasn't ready to rule. The scene with Alicent, who explains to him the prospects for the future of their family, seems very traumatic to me. Imagine what it's like to know from your childhood that the lives of people close to you depend on you, on how strong you'll be. Such a burden can destroy anyone. You can't just ignore it.
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Next, we're shown how Aegon drinks on Driftmark. And that's a pretty sad sight - several cups in a row, wincing, as if taking a medicine that will help him to feel better.
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Actually, I like the theory that he gets drunk after Aemond says that Helaena is his future queen. Another reminder that he'll have to marry his own sister, for whom he has no feelings. And he drinks because he tries to numb his pain.
The same goes for his obviously unhealthy attitude towards sex - he uses it to numb his loneliness. I believe that Aegon literally didn't have the opportunity to feel what love is in any form. His father disliked him and showed it openly. His mother loved him, but she never knew how to express it the way he needed to. He was married to his sister (the tragedy for both of them) and it was a matter of duty, not feelings. At the time of the first season, Aegon is deeply unhappy and this is obvious. I have every reason to believe that his need for physical intimacy is based on the fact that this is the only form of love he can receive. Considering that Aegon is quite smart, I even think that he himself understands how ugly this form is, but there's nothing he can do. During the act, I guess in some unhealthy way it really saves him from loneliness, longing and the need to be loved, but in the end it makes him even more unhappy.
Then it's impossible not to remember the eighth episode and the famous:
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It's still clear that family is important to him. Yes, he feels like a stranger among his relatives, but it hurts him just because he cares. He cries and says "it will never be enough for you or father" because he wants it to be enough. He still loves them and wants them to love him back.
"What Aegon wants more than anything is to be told by his dad ‘I have faith in your capabilities as a young man. I see you bringing prosperity to King’s Landing.’ But he hasn’t said any of those things. His dad has completely ignored him, in fact, throughout his entire youth." (с) Tom Glynn-Carney for Esquire
Next, we can move on to episode nine and the fact that Aegon ran away. I've seen a lot of opinions that this is an indicator of selfishness and like...what? He was scared. This follows from the script:
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He was scared, he'd never leave his family, much less Sunfyre. It was a decision made in a panic when he realized that his father had died and the moment he had feared all his life had come - he needed to accept the crown to protect his family.
During the conversation in the carriage, we see that Aegon was really hurt that his father didn't love him:
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He even said "because he didn't like me" when talking about his father's attitude towards him. He didn't use the word "love" because it was obvious to him that his father didn't love him. He used the word "like", unknowingly emphasizing that he couldn't count on even simple sympathy.
He's also well aware that Viserys could have named him the heir, but didn't do so simply because he didn't want to and because of this, he - the eldest son, feels unworthy of the throne, and also completely lost.
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When Alicent tells him that Viserys wanted to make him the heir before his death, an emotional dam breaks inside him, it's literally written in the script:
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And at this moment, looking at the dagger, he's not even listening to Alicent, he's completely in his thoughts - maybe, at least for a second, his father cared about him. And when he asks his mother if she loves him, we see how much he craves love, how broken he really is, how important his family is to him.
I know this post is insanely long and I haven't even analyzed the various microexpressions in Tom's acting, but I'm really tired of people wanting to make Aegon something pure evil.
"I also see Aegon as being incredibly complex. He's not an out-and-out psychopath. I see a multilayered character that just has endless potential of pits of vulnerability and empathy and things that we don't see. I think it's his vulnerability that breeds the darkness. It's the way he copes, it's his security, it's his safety blanket, it's an addictive coping mechanism for him to shut things out and to be cold." (с) Tom Glynn-Carney for Entertainment Weekly
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cupidzgf · 9 months
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FACETIME | SATORU GOJO
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☁︎‎‎‧₊˚ summary: have you seen those tiktoks with girls talking about how they've been "traumatized" on facetime because their boyfriends said, "keep talking" while secretly getting off to their girlfriend's voice over an innocent call? let me set the scene for you…
contents: mdni, nsfw, afab reader, male masturbation, a little bit of sub satoru, voice kink, basically one-sided phone sex, lmk if i missed anything, w/c: 1.5k
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SATORU lies on facetime with you in the late hours of the night. he's been across the country for the past two weeks due to a cursed womb (or so he says; you never understand what he is talking about). so you two settled for calling one another any night he was available, even though he loved to rub, "aww, did you miss me, sweetheart? i bet you're bedridden with sadness over my departure," in your face.
week two comes to a close on saturday night, and still, he's stuck with another sorcerer he claims "gets in the way of his technique" and is "virtually useless." you try to remind him to be kind, but it goes in one ear and right out the other.
he had already recounted his day to you, albeit tiredly, but he filled you in with the same happy-go-lucky attitude you're used to from his luxurious hotel bed as he turned his attention to you for you to do the same. throughout your recollection of the past three days, he grows increasingly antsy, fidgeting too much for it to be nothing. his phone constantly scrapes against the bed sheets as he adjusts the angle, but you don't comment on it, more focused on how nice it is to talk to him after three days since your last call.
no matter how much gojo is gone, it never ceases to leave a hollow hole in your chest, crawling with pits of negative emotions. knowing bits and pieces of the danger he faces does nothing to ease your worried consciousness over his well-being when he's away. he knows this and does well to accommodate the loneliness and anxiety that follows his absence, ensuing these calls when he can. not that he isn't as obsessed with you as you are with him, but he's more considerate than most people give him credit for.
you continue recounting the details of work and its latest drama, something satoru is usually very attentive to. in his line of work, drama comes in a much different form, which is why you assume that yours is a distraction from his. yet his lack of response begins to raise warning flags. his typically energetic and reassuring demeanor is replaced by eerie silence. questions about his behavior start to filter and infiltrate your scrambling thoughts.
it was easy to assume that it was your fault. maybe he was tired and didn't want to hear you ramble? perhaps he doesn't want to be rude and tell you to shut up? what if you're annoying or boring him? even as he's assured you hundreds of times before how he loves to hear you talk and share your life with him, the insecure part of your mind starts to turn on you with bared teeth and fangs.
as you finish your sentence, a beat of silence passes, and you wait with bated breath for a huff of laughter that never comes. he doesn't respond, heavy breathing filtering through your phone's speakers so quietly you have to strain your ears to hear it. you furrow your eyebrows, biting your nails as the silence stretches on.
"toru?" you softly ask, tilting your phone screen to get a better angle of the dark room staring back at you through the screen. the hotel room provided little in the way of light.
"yeah?" he replies, his voice strained with a tinge of breathlessness.
"are you okay? you're not injured, right?"
a shaky hum vibrates your phone ever so slightly, and you catch a glimpse of his spikes of white hair in the darkness. "yeah…yeah, sweet cheeks, just keep talkin' f'me, alright?" i'm close, goes unspoken, but he's too focused on the sound of your voice that could have only been gifted by the heavens and his hard, leaking cock to dwell further.
it's been two weeks, and he feels like he will go insane before the semi-grade 1 he's supposed to supervise exercises the curse.
suguru had recommended that the kid be moved to a grade 1 sorcerer, which was fine with him. he didn't interact with his juniors often but figured his calmer other half had a plan. why should he care? that was until he'd been put on assignment with him to exorcise a special grade halfway across the country, and suddenly, he cared a whole fucking lot.
it had only been because of suguru and leiri that he didn't whine and complain until they assigned someone else about why he, the strongest jujutsu sorcerer, was given something so….so….(suguru hadn't let him finish the sentence before he was given a cold glare). but the old bastards had a way of making his life hell, and now he was left to sleep in a rundown hotel (the kid insisted it was the fanciest thing he'd ever seen), pent-up and irritated out of his mind.
you, however, had been his saving grace when after a particularly long day, you called him. sporting the cute pajama set he likes to smack your ass in, how was he not supposed to find your voice attractive? i mean, come on, he hadn't even had time to jerk off in those two weeks; what was he supposed to do? not as quietly as possible, take his cock out of his pants?
at your end of the call, his out-of-character attitude makes you suspicious. however, for the sake of conversation, you attempt to brush it off until it hits you, and you pause for your next word. "what are you doing?"
silence. you are met with piercing silence and then an unsteady chuckle. you can imagine him shaking his head as he clears his throat uncomfortably. "listening to you, whad'ya ask?"
"you're really quiet…and i can't see you. if you don't want to listen to me, just say so," you murmur softly, delicately even. the next second, there's a poorly concealed grunt, teetering on the edge of a whine. both of you pause at the same time, the humming of the air conditioning outrageously loud in the stillness that follows.
"fuck, i'm sorry, i'm so sorry. i just can't take it anymore." moaning, the vulgar sounds of wet slick fill the air, and it's then the realization comes crashing down.
your jaw slackens, utter shock overtaking your now stiff body. "what the fuck?" you breathe, astonished. "h-how long–"
"since you started talking," he strains, and the familiar build of an orgasm from his hand frantically pumping his length drenched in pre is a lewd sight. spreading his legs further from where he lies on the bed, he whines back, arching as the tightness in his balls makes him feverish, his cock impossibly hard. he's become desperate to hear you speak, pleading for you to give him that push off the edge and into the insanity of release. "oh, fuck, keep going, please--"
"oh my god, you're such a perverted freak! i wasn't doing anything sexual, and you're beating your cock to my voice—"
he knows he's depraved, but cumming to the sound of you degrading him over the phone has to be a new low. especially the way his pent-up release feels like heaven crashing over his body in a tidal wave and sweeping him off his feet. he moans, shuddering with a sweet cry when you gasp in that cute voice of yours as you realize he came.
panting, satoru slumps on the bed, his hand and the bedsheets drenched in his seed. his eyes follow the mess he made to his phone, where spurts of sticky white land where your face is on the screen.
"you're sick." he knows you don't actually mean that. you're just in shock, right? turned on? maybe you'll even take off your pants, and he can get a glimpse of that sweet pussy… "i'm breaking up with you."
satoru is violently ripped out of his lust-filled fantasy as he grabs his phone in a flurry, cringing at how his fingers stick and smear over the metal. "no, no, no, no. i'm sorry, pretty baby; i didn't mean to make you mad."
pouting, a face that he knows garners your sympathy, he attempts to coo his words in a sickly sweet, desperate voice he knows you love. "i've just been so pent up without you and your pussy that i couldn't help myself. you were being so good for me, i couldn't hold it in anymore. :("
he holds the camera to his face, praying it captures not only the sad tone but also his frown and sad eyes of apology. "i'll be better next time, sweet girl, i promise."
your eyes move across your face before you stand and pace around your shared room, rubbing a hand over your eyes. "i hate you," you murmur, and his face lightens up with an ear-splitting grin as you grumble about how he could have at least done it with you. all was forgiven as far as he was concerned.
"ugh, you're disgusting. just… go clean up." sighing, you sit back on the bed, side-eyeing him when he doesn't move.
he perks up, grinning as his following retort comes to mind. "only if you talk me through it."
automated beeps from the now-ended call are the only things that reply.
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futuremrsreid · 1 year
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Redemption (S.R.)
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Summary: When Spencer risks his life on a case and doesn't want to see how dangerous it was, reader tries to talk some sense into him. It results in a lot of yelling and some other things.
A/N: So..... smutty angst, as promised <3 I hurt myself while writing this. Enjoy.
Content Warning: Smut (18+), very very mildly dubious consent, a bit of dark Spencer but he's just traumatized, angst, sad, dominant Spencer, kinda sub reader
Word Count: 4,1k
I was pissed. Actually, pissed didn’t even begin to describe the rage I felt at that moment. 
We were currently in Florida, hunting another psychopathic bastard as always. Everything was fine and under control, up until the moment Dr. Spencer fucking Reid decided it would be a good idea to drive to the unsubs location alone because he was “closest to him” and because we “didn’t have time” and nearly got himself killed in the process. Luke and I had arrived just in time to prevent disaster, but Spencer still got a few bruises on his face. 
I was furious and let him feel it by yelling at him while he was getting checked out in the ambulance. But like always, my yelling resulted in his yelling. We went at it for a couple of minutes but Emily put a stop to it before it got really bad, concerned about the reporters at the scene who already started to take a few pictures of us.
:keep reading:
We didn’t talk or look at each other for the rest of the case. Emily let Spencer get away with it because everything turned out fine, but I was not feeling gracious. 
When Garcia informed us that there was a storm that would delay our flight for the next couple of hours, Emily decided that we should just spend another night in the city and fly back in the morning. We all drove back to the hotel and when we arrived, I was on Spencer's heels all the way from the car to his room. He didn’t even try to stop me, he knew there was no point to it.
“That was so fucking irresponsible, Spencer! What were you thinking”, I started to yell as soon as I had closed the door behind me. I wanted to say “stupid” instead of “irresponsible” but decided against it. I wanted him to understand that he can’t do shit like this, and not insult him.
“It worked out fine, y/n. I don’t understand why you’re getting yourself worked up over this!” He rubbed his hand over the side of his face, clearly done listening to me.
“It only worked out fine because Luke broke like every rule you can break in traffic to get to the scene as fast as possible!”
“Oh right, Luke, my hero. I should go thank him, don’t you think?” he chuckled humorlessly and rolled his eyes.
“Maybe! He’s the reason you’re not dead.” I tried lowering my voice. This wasn’t our first fight, and I have learned in the past that screaming won’t help.
“I would have been fine! I had it under control, y/n. God, just leave me alone”, he spat and I felt a stabbing in my chest at the way he didn’t want to see how much danger he put himself in.
This wasn’t the first time he risked his life like that and I hated it. All of us hated it. Spencer seemed drawn to dangerous situations, it had been that way when I joined the team and from stories the others told me, it had been this way before that.
When I met Spencer, he was freshly out of Prison. They hired me together with Matt after Agent Walker died. The first time I saw him, I knew I had to befriend him. What I didn’t know was how easy it would be and how much easier it would be to fall in love with him. 
I tried to push it down, to get rid of it, scared that it would ruin everything, but there was no way of falling out of love with him, which made the situation even harder. Spencer didn’t seem to realize how much he hurt me whenever he risked his life like this. I wasn’t even sure he realized how much I cared about him. 
“I’m not going to leave until you admit that you were wrong.” 
“Well, this is going to be a long night then, because that’s never gonna happen.” He turned and walked away from me, removing his suit jacket and draping it over one of the chairs in his room. I sighed.
“Spencer, you need to stop risking your life like this. You're gonna get yourself killed”, I pleaded, but it fell on deaf ears. I tried to get him to look at me, but he avoided my eyes. “Please. I can’t lose you and especially not like that.”
“The day will come when you and the rest of the team realize that this is exactly the way it is supposed to end for me. Dying in the field would be an honorable death. It’s the only redemption I will ever get.” 
“What?”, I breathed and my heart stopped for a moment, “What do you mean, Spencer?”
“I meant what I said.” 
“Redemption? What redemption, Spence? You don’t need any, you haven’t done anything wrong.” I was confused and hurt by the way he said it. It sounded almost suicidal. 
“Yes, I have. I have done horrible things in my life, y/n. I will never be able to make up for them.” 
“You don’t have to! Everyone makes mistakes. You are a good person Spencer. You’re kind and gentle, you saved hundreds of lives in your career, you don’t need to make up for anything.” I tried to get through to him, but it was like I was hitting a wall.
“Prison changed me, it turned me into a different man. I’m not nearly as gentle or kind as I used to be.”
“I don’t know you any other way. I almost can’t imagine you being even more gentle than you are now. I don’t think anyone can be.”
“I was though”, he countered almost immediately, still unable to look at me, “I think you would have liked the man I was. He was gentler, kinder, and more deserving of you than I could ever be now.” He didn’t even sound sad when he said it, almost like he had accepted his truth from the moment he met me. 
“You know, you talk about yourself like you are the worst man in the world”, I said in an accusatory tone.
“Am I not?”, Spencer scoffed, raising his voice slightly while going on, “We hunt terrible men every day but in the end, how different am I from them? What makes me a good man and them a bad one, y/n?” He was almost yelling now, stunning me for a moment too long. When I didn’t reply, he turned to finally look at me. “Tell me y/n, what is it about me that convinces you I’m not every bit as bad as them?” The desperate look on his face made me take a step toward him but for every step I took, he stepped two back.
“Spencer, I-” My voice faltered and I didn’t know what to say. I knew he wasn’t anything like them but I wasn’t able to find any words that would convince him. When my mouth stayed open but no words left it, he took my silence as an invitation to go on.
“I almost killed Cat Adams, did JJ ever tell you that?” He spat, walking over to me and pushing me back until I hit the wall. 
“I put my hands around her throat and choked her until she was clawing at my wrists. And I didn’t stop then”, he moved even closer to me and I was unable to move away, the words leaving his mouth freezing me into place, “I told her that I was going to kill her and I meant it. I would have strangled her if JJ hadn’t pulled me off her.” He moved even closer, his voice dropping to a whisper. “Her eyes were filled with fear, and you know what? I enjoyed it, y/n. I loved the way I scared her, the way she struggled for her life against me.”
He leaned in and I felt his breath ghost over my ear when he said the last words of his cruel monologue. “So tell me, y/n. Tell me how different I am from those men.”
He stayed where he was, his hands at his side and his mouth grazing my ear. He was trying to intimidate me with his speech and to be honest, he would have convinced me if it hadn’t been for the way his nose brushed against my hair, inhaling my scent like he was convinced this was the last chance he ever had to commit it to memory. 
“You can’t scare me with your words, Spencer. If you want me to believe how terrible of a person you are, you’re gonna have to show me because I will never believe it otherwise.” He probably calculated every possible outcome of this situation, but when he pulled back to look at me, I knew that he didn’t expect me to respond like this.
“Cat Adams is a monster who had you tortured and assaulted. She kidnapped your mother. Do you really expect me to feel bad for her? I never even met her. If you want to scare me away, you’re gonna have to do better than that.” 
There was a long moment of silence where we just watched each other. I thought I managed to break through to him for a second, but Spencer was on a mission to make me despise him, and he was determined to make it happen. His eyes darkened and he straightened up, towering over me.
I felt a sliver of doubt about my faith in him at that moment and he must have seen it cross my eyes because when I lifted a hand to push him back, he harshly grabbed my wrist and spun me around, using his body to push me against the wall. My arm was twisted behind my back and when I started to struggle out of pure instinct he took my other wrist in his hand and held both my arms behind my back, resulting in me being pushed more into the hard surface, my cheek flush against the wall.
When the shock had left me, I opened my mouth to ask him what the fuck he was doing, but Spencer was faster than me. He took his other hand and held it over my mouth.
“Do you believe me now?”, he whispered in my ear and I felt my pulse quickening. “You are so fucking naive y/n and honestly, you’re a little stupid too. What the fuck makes you think I would never hurt you, huh? You don’t know me.” 
It was those last words that took me back to reality because I did know him. I knew the way he brought everyone on the team their favorite food when they were sad. I knew the way his voice got an octave higher when he started talking about something that excited him. 
I knew the way he recited his favorite poems when I struggled to go to sleep after a tough case.
He won't hurt me. 
He would never hurt me.
He would never do something like this.
So, against every instinct in my body, I tried to calm my heart down and closed my eyes. I tried to speak but his hand on my mouth didn’t let me so I jerked my head back and stunned him with my sudden movement long enough to say a few words I knew he definitely didn't want to hear.
“You are all talk Spencer Reid. You would never hurt me and we both know that”, my voice was louder than I had expected and I felt his hand tighten around my wrists, “You can push me against the wall and insult me and tell me the terrible things you could do to me all you want but we both know that you would never lay a hand on me without my permission and you would never hurt someone who didn’t deserve it.”
His hand loosened and I used this opportunity to free myself of his grip and turn around. He was angry that his plan didn’t work and I saw his hands twitch with restraint, but I wasn’t scared of him. 
He had just proved to me that he was the man I knew he was.
“You’re not an abuser, you’re not a rapist-”
“Shut up.”
“- and you’re not a murderer. That’s what makes you different Spencer.”
“I said shut up!”, he yelled and I did the only thing I knew to do in response to that. I yelled back.
“Or what, Spencer? Are you gonna pin me against the wall and put your hand against my mouth again like the bad person you are, huh?” Spencer got angrier and more frustrated with every word I was saying but I was determined to speak my mind, “You’re gonna shut me up like the scary man you are, Dr. Reid? You’re gonna-” But I didn’t get further than that because in a heartbeat he forced me back against the wall again with his hands on both my cheeks and his lips pressed against mine.
He pulled back, “Please y/n, please shut up”, and the desperate tone in his voice awakened something primal in me.
“If you want me to shut up, you’re gonna have to make me because I will never stop trying to convince you that you are a good man, Spencer.” When he didn’t say anything I went on. “You are kind and gentle and-” 
He kissed me again, and this time I kissed him back until I wasn’t able to breathe anymore. His kisses wandered to my neck then.
“You say I am a good man, but you don’t know the things I thought about doing to you”, he bit the skin on my neck then and I gasped, which seemed to spur him on further, “I want to pin you down and fuck you until you’re crying. I want to make you feel so good that you can’t take it anymore.”
His kisses moved up my neck and to my ear. “ I want to break you into a thousand pieces and put you back together again. I want to ruin you for everyone else, I want to lock you in so that no man can ever look at you again and at the same moment I want to show you off to the entire world because you are the best thing in my life. I want to take you and make you mine”, he cried out, holding my hips in a bruising grip.
“Then take me, Spencer. Take me, break me, ruin me, I don’t care. I am already yours. I have been yours since the moment I met you.” He looked me in the eyes then, searching for any lies, any doubt, and when he didn’t find any, he kissed me another time.
“Say it again”, he demanded and let his hands travel down my body.
“I am yours, Spencer.”
“Again.” His hands roughly shoved up my skirt, his breath warm on my neck.
“I’m yours.” When his hand brushed against the damp panties I was wearing, I sucked in a breath.
“Again.” 
“I’m yours, Spencer. Only yours. Now please do something.” My plea seemed to finally push him over the edge because a second later he was moving the cotton aside and his fingers met wet skin.
He told me “Again.” over and over again, but the longer his fingers were moving inside of me, and the louder the sounds of my pleasure got, the more his demanding turned into begging and it wasn’t until I felt my orgasm wash over me, that he stopped our back and forth to press his lips against mine once more. 
My legs were trembling when he removed his hand from my cunt and the way he looked at me while bringing the same fingers that were inside of me moments ago to my lips didn’t help steady them.
He didn’t need to say anything, I knew exactly what he wanted. I don’t think he was quite prepared for the sight before him when my lips accepted his fingers and my tongue swirled around them though, because Spencer's eyes became even more feral at it.
“Fuck.” He removed his fingers and in only a few seconds removed my shirt, took off my bra, and had my skirt on the floor. I tried taking off his clothes too, but when my fingers started to unbutton his shirt, he gripped my wrists and walked me over to the bed. 
“If I had known that our fight would end in us having sex, I would have waited until we had something better available than a cheap hotel bed”, I breathed out a laugh. I figured he’d laugh as well but he returned a soft “Do you want to stop?”
“God no, but this bed is gonna squeak really loudly”, and this time I was met with a laugh. He didn’t interrupt when I started another attempt to undress him. When I was done with his shirt he finally raised his hands to touch me again and my whole body shivered when his palms made contact with my breasts. Feeling my erect nipples on his skin must have awoken yet another thing in him because the next thing I knew he was throwing me onto the bed. I didn’t even have time for a shocked gasp before he was on me, pinning my wrists down on the mattress.
“You know when I told you I want to ruin you”, he said while letting his hands travel down my body to grip the waistband of my panties, “I really did mean it.” And with that, he ripped the cotton apart and threw it to the side.
He continued to deny me any time for a reaction when he grabbed my thighs and pulled me towards him. His hips took their very rightful place between my thighs and pressed against me. 
We both moaned when his covered bulge pressed against wet and hot skin.
“Beg me to fuck you, y/n.” I think he was expecting me to hesitate, but I was desperate for him to touch me.
“Please fuck me, Spencer,” I moaned and ran my nails down his back.
“Huh, I thought you would put up more of a fight, to be honest.” He sounded disappointed, but his eyes told me that he was relieved I wanted this just as much as he did.
“Do you want me to?”, I still asked, wanting to give him everything he yearned for. 
“Another time. I think we dragged this out long enough for today”, he said and with that, he took off his underwear and I got to see all of him for the first time. I knew he would be beautiful, and it applied to any part of him, but I couldn’t fully conceal my shock at the length of him. 
And that smug bastard smirked. “Don’t worry darling, we'll make it fit.”
And with that, he moved back between my thighs and lined himself up with my entrance. I expected him to at least try and tease me a little but he started to push inside me immediately. 
We locked eyes while we both felt inch after inch of him sink inside of me. It was intense, erotic and so intimate that I felt the urge to look away. He must have felt it too, because when he was fully buried inside of me, his lips pressed against mine in a bruising way.
When he started to move and his lips started their way down to my jaw and neck, I completely lost it, moans and whimpers flowing from my mouth in a volume that even surprised myself. Spencer thrust harder and deeper the louder I became.
“I know you were worried about the bed being too loud, but I’m pretty sure your moans are covering that sound up pretty successfully, angel”, he panted with a labored breath and heat rose to my cheeks. I was trying to remember if any of our coworkers shared any walls with Spencers' room, but he was literally fucking me stupid so I just removed a hand from his back and bit down on my fingers, hoping no one has heard yet. When Spencer saw, he slowed down. He reached down the side of the bed and lifted up my torn panties, and then proceeded to remove my finger from my mouth to push the cotton in its place. “There, now you won't have to hurt your finger”, and with that, he picked up a brutal pace again.
He was muffling his own moans by pressing his mouth onto my shoulder, no doubt leaving behind a dozen of hickeys. He was losing it, I could feel it in the way he pushed his fingers into my hips and the muscles in his back tensing. I wasn’t doing much better, my thighs were trembling and my panties were barely concealing my noises anymore. The room smelt like sweat and sex, Spencer’s skin was hot on mine and I never felt more whole in my life. I could feel my orgasm building inside of me.
“Touch yourself for me, angel. I want you to come with me.” I didn’t hesitate and started rubbing circles over my clit. It only took a few moments until my orgasm washed over my entire body and Spencer quickly ripped my gag from my mouth to kiss me. My thighs and cunt clenching around him, pulling him into me as deep as humanly possible, must have pushed him over the edge because after a few more strokes he stilled at my deepest point and came.
He released my lips from his and put his forehead on mine so we could both catch our breaths. It was quiet for a few minutes. I could feel his cum dripping out of me between our bodies and spared a quick thought to the poor person that would have to clean these sheets. I couldn’t bring myself to care though, not with the way he kissed my skin and nuzzled his face into my neck. I moved a hand to his hair to run my fingers through it, the strands curling once again from sweat wetting them.
“Tell me again.” He spoke so softly I almost didn’t hear, and I’m not sure I was supposed to. It took me a moment to realize what he meant but when I did, I moved my mouth to whisper in his ear.
“I’m yours, Spencer. As long as you’ll have me.”
“Forever then?”, he pulled away to look at me, but before I could answer, there was a knock at the door.
“Ayo Spencer, are you and y/n still fighting? We decided to go to a bar a few blocks away, but you’re only allowed to come if you don’t put us all in a pissy mood”, Luke's voice seeped through the door. I could feel Spencer trying to come up with a reply but before he had a chance, I spoke up.
“Actually, Luke, we’re still in the middle of fighting and I don’t think you want either of us there with you right now.” I tried to sound mad and I must have been convincing enough because even Spencer furrowed his brows at the tone in my voice. I smiled at him and trailed a hand up his arm to reassure him that I was just putting up a show.
“Well, okay just… Try to remember you two are friends and don’t actually want to kill each other”, he replied almost nervously. Damn, we must have really worried the team with our fight this time.
When we heard his footsteps moving away, Spencer started to detangle us from each other. He was still inside of me and when he pulled out, I sighed at the empty feeling it left behind.
“I’m gonna get something to clean you up.” He tried to stand up but he didn’t get very far before I pulled him back. I held his face in my hands and made sure he was looking at me when I said the words I know he desperately needed to hear.
“Forever.”
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unhelpfulfemme · 1 year
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Another thing I liked is how Laurent's trauma is handled, because usually when a character has a Secretly Traumatic Backstory there's some kind of annoyingly maudlin scene about it. Either they get into some kind of big conflict with the love interest and are forced to explain themselves so they don't get judged or dumped, or the love interest intrudes on a vulnerable moment and sees them being abused or somehow handling the consequences of that abuse, or they are explained the circumstances by a benevolent third party, and this changes their view of the abused character because now they're god's poorest meow meow and I just fucking hate it every time.
Like, this is why I stopped reading this type of story: because the amount of crowding and backing into a corner and privacy violation that happens to abused characters in order to coax them into opening up about it and reassure them that they're okay is so annoying. I feel like I've been psychologyposting on main too much lately, so I might explain later why I feel this way or I might not but in any case I hate it.
I love that this book is the literal opposite of that, that Damen not only doesn't crowd Laurent and insist that he open up, but that Damen ensuring space and privacy and time to calm down for Laurent when he's overwhelmed is repeatedly portrayed as an act of friendship and caring and love (that Laurent later reciprocates, because they both lose their heads when something pushes their buttons and understand this about each other).
I also love how Damen doesn't fall in love with Laurent because Laurent is sad and fucked up, or because he's so brave to have put up with the abuse, or because Damen too is sad like Laurent (I'm physically restraining myself from going off on a rant about how shared trauma is hardly ever a good foundation for a relationship): no, he falls in love with Laurent because he's whip-smart, and a good leader, and funny, and tender once he opens up, and a lateral thinker, and a man of integrity who keeps his promises and pays back his debts (and because he's pretty and blonde and good at sporty shit that Damen likes). Some of these things may have been shaped by the awful shit that happened to Laurent, as they were also probably shaped by his station or his education or his body type or any other circumstance of his life, but it's refreshing to have a character who went through awful shit but who also has other things going on for him that make him loveable instead of being completely defined by his trauma. And even when Damen finds out, the way he thinks about Laurent literally doesn't change at all - the things he likes about Laurent are still seen in the same light as always, Laurent's personality as a whole is still the same, even his attitude towards what Laurent did to him when they first met doesn't change much (as we see in the short story epilogue). And even this last bit is really cool because Laurent is never stripped of his agency or made out into some sort of helpless victim currently, both of which would probably mortify him with how much he's trying to establish that he's not at any opportunity.
And I also like how it's not necessary for Laurent to tell Damen about it in order for them to be close, nor does Damen push him into it. And everyone else seems to agree that it's Laurent's story to tell when and how he wants it told, except for the villain of the piece, who reveals it in the most awful way possible. This is particularly important because Damen spends three books grabbing everyone in Laurent's life by the shoulders and shaking them and going, "Why do you care about this guy??? Have you noticed that he's kind of an ashole?? Why are you loyal to him?? Why???" and no one ever says anything, because they're protective of Laurent and don't want to take away his agency or privacy because it's his fucking story to tell. Even after Damen finds out, we don't see him mention it and he probably lets Laurent open up or not on his own terms, as he does with everything else that doesn't directly concern him. Even though we've seen through Laurent's dialogue time and time again that he's probably conceptualizing it in some fucked up ways in his own head and needs yet to realize that he's not some kind of twisted pervert for what happened to him, crowding him about it before he's ready won't accomplish much.
And the story itself backs all this by never being maudlin about it even though it's obvious what happened pretty early on (I figured it out really early, I remember suspecting it almost immediately and being dead sure of it by the Ancel scene in the garden); it kind of elipses around it, gives hints and parallels to other characters in similar circumstances, has Laurent say incoherent shit that makes sense in context, has other characters hint at it, but with Laurent being one of the central characters it's cool that the story gives him that respect and doesn't wallow in the tragedy of it all.
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theshy1sout · 4 months
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Okay, so
I finally got my bf into reading Homestuck. I was on a phone call with him as he read it at loud, voice-acting and stuff, while I was drawing. Today he reached the Dave first appearance and he discovered Sweet Bro and Hella Jeff.
You have to understand that I always thought that this comics was just a stupid joke that only Hussie understands and finds funny. Bc the moment I saw the page with the dog (you know which one) I left the comics and never looked at it again. Until today.
My boyfriend read every single page of Sweet Bro and Hella Jeff in complete silence. I asked him what's wrong, and he said "This is extremely sad". I was confused so he started explaining to me how this comics is a way little Dave was coping with trauma of living with his abusive brother. I didn't believe that, so I started reading the comics again and you know what?
Imagine adult Dirk, being completely under Lord English control, going shopping with little Dave and destroying supermarket in frustration of not finding anything that Calliborn would recognize as a food, being arrested by police in process and leaving little Dave alone hidden somewhere in the shop.
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Imagine little Dave being pushed from the stairs so many times by his bro, he drew a caricature of himself pushing his bro off the stairs in revenge. Or being regularly beaten so hard and often, so he drew comics in which his brother got beaten up, shitted on and even brutally killed.
Imagine little Dave being so hungry (bc of course brother didnt give him proper food) he literally threw himself at a Subway sandwich machine during idk a walk with his bro (probably) and tried to steal some food or even just smell the actual normal food and while doing so got abandoned by his brother. Again.
Of course we can't interpret this way every single page of Sweet Bro and Hella Jeff, but come on, if you start seeing it, you cant stop sensing that every single page is either a way Dave coped with a traumatic experience or a way he kind of got revenge on his brother in a way his brother wouldn't understand and notice and beat him up for doing so.
I searched internet for so long and can't find a single person who would interpret it this way. Am I wrong though??
It gets better. As we know, Dave from universe B also drew this comic. And we even got a directly explained to us interpretation: he started drawing it as a simple comic (probably to cope with the loneliness). Then when Batterwitch became a real danger and he saw that but couldn't react directly, he started using his comics as a way to show what Betty Crocker was really like. So we also had this two characters, one represented Betty Crocker and the second one represented society, and they had this very abusive relationship that had references to situations in real life in Universe B.
So my theory (or more like my bfs theory) is that Dave from universe A was using his comics for the same exact thing. He drew situations from his life in a unreadable for others way (and also no one taught him how to draw or write, and maybe later he kept the shitty format so it's unreadable and too shitty for his brother to read) to cope with trauma. We see in this comics that Sweet Bro is shaving himself above Jeffs face while he sleeps, a thing that Dave's bro could definitely do. We see some pages of Dave trying to understand sport, economy and politics in his own way, bc his brother of course didn't teach him shit. And we even got a page that might suggest that Dave was sexually molested by his bro. There are many scenes of Bro being abusive to Jeff or Jeff getting his revenge. We also have Geromy, a possible interpretation of John, and on one page Jeff (Dave) tries to come to Geromy's (John's) place to visit him, but he can't and he drowns instead (which is so sad???).
I could go through every single page with this interpretation. I think some pages being a foreshadowings for what is happening later in Homestuck is just an additional joke, Hussie loves having layers of meta twists and many unrelated things relating or referencing each other for no reason. I don't think the comics is Dave's unconscious traveling through time and revealing the future, bc if so then we would see every single page of Sweet Bro and Hella Jeff being a foreshadowing, and they are not. I also think that the huge wink to the audience was the scene of Dave being pushed by his bro down the stairs and we see him falling with accompaniment of a little panel of Jeff saying "I warned you about the stairs, bro". For me this is a visible hint that this is what this page of the comics was about, it was a way of coping with trauma, it was Dave drawing his brother falling down the stairs and himself saying probably a line that his brother irl was saying to him a lot.
Dave drew his life. His own horror of a life and it was probably more terrifying than he revealed in act 6.
Do you remember the iconic "bro hug" from Sweet Bro and Hella Jeff? A hug from his bro, sth that Dave really needed and wanted, a simple hug that he was very nervous to asked for, he literally drew himself hugging his brother in his second comic, and then we have the very same scene of Davepeta and Arquius hugging (part of them was Dave hugging Dirk, even if artificial), and then we have the exactly opposite of the scene between actual Dave and Dirk, when instead of enthusiastic "we're doing it bro, its happening, were making it" it's Dave saying "fuck forgive me for what I'm doing, this is so messed up fuck" and it's not even full embrace like in his comic, it's awkwardly side by side hug when they didn't even sit on the same level (like in the comic or with sprites), no, Dave is lower, he's smaller, he's scared, he cant face his brother, he wants to but he can't and this is just aaaansnanbska dmnsksnsdkydykdky
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Can someone talk about this comic more? This flashy shitty documentary of Dave's life drawn by idk maybe 8 years old Dave ? The more I read Sweet Bro and Hella Jeff, the more depressed I am, cause this is so sad if I'm right about it. I really wish it was just stupid colorful comic without any deeper meaning, just faking to have one or sth....
Also I think Geromy is black bc either Dave didn't know how John looks like so he imagined him being somewhat similar to his fav president Obama or maybe he was just trying to make John's character as unlike John as possible so no one would suspect a thing. Or maybe he just imagine himself being friends with young Obama, who knows.
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After editing this chaotic rambling I have two more things as a prove for my theory. One is picture above, and second is what Hussie said about Sweet Bro and Hella Jeff:
“SBaHJ is absolutely inseparable from HS, and has been almost from the start. If you don't understand this, then you don't understand HS very well. SBaHJ is like the mentally handicapped step brother of MSPA, requiring special attention, but no less cherished as a part of the family. It was originally intended as the chief source of in-house memes for dialogue, but this is ultimately a superficial purpose. Though it only has 20+ strips, it contains a pretty dense and internally consistent language of recurring symbols and typo-driven grammars, applicable as a rich sub-cognitive lexicon for highlighting elusive elements woven into the mythology of the story which tend to be shrouded in the unconscious.”
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rosesfox · 11 months
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♡ more things that jacks did/said/thought that show how much he loves evangeline. ♡
❥ evangeline died in his arms in the previous book, and he is clearly traumatized by this. he gives her up because he knows that he will kill her if he stays with her (since he will kiss her), and prefers to leave her with another man because he thinks she would be safer. he says that, being a princess, she would always have everything she wanted.
❥ even though he chooses to leave her, he can't stop thinking about her. he can't stop wanting to be with her. then he goes to her and observes her in silence, distant. he says he just wants to make sure she's safe, that she's not sad or cold (coooOLD he is scared that she might be COLD HES SO IN LOVE
❥ he knows that he has to leave her, that she is on her own, so he tries to teach her to defend herself. (we all know he just literally couldn't stay away from her and wanted to touch her as much as he could, but he (also) had good intentions.)
❥ he is absolutely outraged by the killer who tried to kill evangeline, and then even more outraged when he sees that she is hurt. he literally kills this guy in cold blood (in one of the HOTTEST scenes in the book)
❥ then he simply says that evangeline could never look awful, he is all nervous and shy and puts a strand of her hair behind her ear as he approaches her and is suffering from wanting to kiss her and ARGHHHHH
❥ he ''kills'' chaos by being close to her.
❥ he tries to convince himself that it's better that she doesn't remember who he is, that she doesn't remember the feelings they shared when, in reality, he hates that she doesn't remember. he says that he wanted her to want him again, he puts his forehead on hers and begs her to remember him.
❥ evangeline discovers that the happiest day of his life (an ageless fate) was the day he spent with her, the night they slept together and when they had breakfast. she notices that he feels pain when he abandons this memory, when he leaves this place that was happy for him.
❥ he rents a room in an inn so she can rest. he calls her his bride and carries her to the bedroom (again, we know he just wanted to touch her, that it was his make-believe moment.)
❥ he almost starts crying because the time has come and he needs to leave evangeline at that inn and never see her again.
❥ he carries the letter that evangeline wrote, a letter that is definitely not a love letter, he keeps it close to his heart and reads it and re-reads it over and over again.
❥ he trades his heart for a cuff that will keep evangeline safe because there is nothing more important to him than her.
❥ he wants to set his own heart on fire because he knows that then he will be able to let her go (i don't know if you understand how much he was suffering. he wanted to set his own heart on fire because it seemed easier than letting her go.)
❥ he is literally psychologically destroyed and begs evangeline to let him go and he starts crying because he is suffering so much (in a beautiful scene where evangeline says: no, i will fight for you because i love you)
❥ in the end, when everything works out, he admits that he loves her and loves her so much that he knows he doesn't even like the idea of letting her escape so he promises that he will never let her out of his sight. and he says that that, that between them, is not just for that moment, it is for always.
❥ he also gives up pretending he's not addicted to touching her. he is physically incapable of not touching her all the time, he is always putting her hair behind her ear, touching her, hugging her from behind and giving her lots of kisses and bites. his love language is definitely physical touch.
❥ he literally doesn't let her out of his sight. in every possible ending he is close to her, watching her read a book, take a nap or feed the little dragons. evangeline also says that she hates leaving him, and that he doesn't even let her do that because he always catches up with her. they live in the greatest glue in all realities.
after everything he went through to get here, i'm so happy and content to see him like this. like i always said, he always cared. he was always the only person to genuinely care about evangeline. he loves her.
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yakichoufd · 3 months
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AWWWW, the way you draw Evolution Scott is so cute!! I recently watched Evolution and really enjoyed it!! I’m so glad there’s at least one adaptation of Scott that isn’t constantly suffering. He deserves at least some sort of happiness in his life. :,)
What’s your opinion of Evolution? I think you have good takes on anything Scott-related, so I must hear from the source!!
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I already shared my opinion on that show several time so I might repeat myself haha! X-men Evolution is one of my all time favorite. I watched it as a kid and it made me fall in love of Scott (and Kurt). He is very mature for his age (but you could understand it if you know his past) and very kind. He struggles with things that fit with his age and highschool (ofc he has other bigger struggles with his mutation and the x-men too) but the show gave a good balance between daily life and being a mutant/x-men. Or at least for the first 2 seasons, after, I started to enjoy it less. I like how his romance is written. Scott isn't too obsessive and he keeps his distance when he thinks his love interest is not receptive. He is still awkward but it is not over done. I think Jean should have been written a bit differently, I don't think they are a super good match here (like Rogue and Scott actually got many bonding time and they are very good friend). I'm really sad that once Jean and Scott are together, he doesn't hang out with Rogue anymore. I think the writers should have give them some scenes together as friends. We lose a bit of Scott's personnality and character development once he is with Jean. which is a pity. But they are still a cute couple, I guess! I loved how they added angst for Scotty. Too bad they never really do anything with the angsty episodes, cause his brother and him deal with a lot. Same when Mistique kidnaps Scott and abandon him in a desert without his visor. He should have end up a bit traumatized for an episode or two...but nope everyone are acting like it was not a big deal.
SO if you like good boy Scott, then X-men Evolution is your show haha! there is a mini comic serie about the show. I read then and they are fun. Scott is a bit more goofy in his writting there but still a good boy that you want to hug!
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chirpsythismorning · 1 year
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Mike's character regression can be explained in large part by one emotion in particular: guilt
Just want to preface this by saying that, this is not Mike slander. I love this dude. In fact, I think what makes Mike such an interesting character is that a lot of his behavior throughout the series can be explained in part by previous moments, and after really looking at all these moments together, what you end up with is a pretty fucked up story.
So while some might want to take this as Mike slander, these points I'm making are a part of Mike and things he has done and said and whether they were intentionally harmful or not, it's Mike. It's all shaped him and his role in the story. The fact that we're seeing a visible shift in his behavior at all, with plenty of moments from the show to back up what brought us here, makes it compelling enough to talk about.
So, without further ado, back to our roots:
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Ah yes, the infamous canon proof disputing Mike's I think my life started that day we found you in the woods, claim during his monologue. Not only that, but in this original scene from 1x02, it turns out Mike actually intended to send her away the next day (all of which El could hear Mike saying from the open bathroom door).
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Mike outright calling El a weapon, again telling the others they need her because they stand no chance at getting Will back otherwise.
I wont elaborate on this now, because there is way too much to unpack that'll honestly be more worthwhile discussing further on.
For now, this is a secret tool that will help us later.
These next couple scenes right here though, are pretty painful if I'm being completely honest. The way its shot, specifically El's very visible exhaustion, accompanied by the varying priorities of others around her, leaves me feeling pretty unsettled upon rewatches.
I obviously can't remember how I felt when I watched these scenes for the first time, but I imagine I viewed them as this huge romantic moment for Mike and El (I was tricked by heteronormativity, okay?). But, again, upon rewatching them since then, I've realized I get this sort of sad feeling by the end. You'll see what I mean.
El obviously just went through something extremely traumatic. She tried to go find Will and Barb in the void, only to find Barb dead and Will presumably alive, but then slipping through her fingers at the last second (no, literally).
We then got a moment where Joyce held El while the others sat by quietly because she clearly needed a moment of comfort given what she just endured.
Then in this scene shortly after, everyone is leaving to get ready for their final attempt at saving Will.
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Now, notice how not only Lucas, but also Dustin make the effort to reach out to El to comfort her affectionately after that traumatic event, with those twos' actions specifically being showcased in sequence?
Lucas, who spent the better part of the season being critical of El, is now ending the season rubbing El's shoulder to warm her up, literally soothing her to make her feel better.
Then there's Dustin, who right after Lucas' gesture makes a gesture of his own, putting his hand on her knee reassuringly, to show her he's there and he's happy she's okay.
And lastly there's Mike, who is so kindly allowing El to rest her head on his shoulder. This placement of Mike and El here is definitely a testament to the fact that Mike has vouched for El this whole time in contrast to the others and so, understandably, she put her head on his shoulder for reassurance, because out of the three of them, he's the one whose been looking out for her the most. (Right?)
Now you might be thinking that this sequence's only purpose was to show Lucas and Dustin's development with El, and that it wasn't intentional that they focused on Lucas and Dustins' priorities in this moment in contrast to Mikes'. And I raise you, this next scene.
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Here we have a focus on Mike looking on to where everyone left, while the others beside him are presumably just processing what went down and taking a rest (and boy oh boy do they (El) need one).
Mike on the other-hand decides to take this moment of rest to display the most cliche and universal forms of distracted unrest known to man: he checks his watch.
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Mike then stands up abruptly, causing El to fall without his shoulder there for her to rest on anymore, all while her and Dustin are looking on after him, sort of like... Okay?
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It's small. It might seem insignificant. But if you actually pay attention to what this scene is trying to make you feel, after really looking at it for what it is, it's kind of sad.
In a moment that chooses to highlight the other boys' acknowledgment of El after what just happened, and not only that, but at the tale end of their final battle of the season, Mike is... distracted?
Mike, who has been presumably looking out for El more than the others in the party this whole time, is conveniently out of commission? And right now when El is looking for his reassurance the most? Mike doesn't even have a moment to say, 'Hey I'll be right back, I just want to check something. Can one of you?--', asking Lucas or Dustin to sit next to her in his place. No. Dude just stands up without even acknowledging her.
If it was any other moment in the show, under less post-traumatic circumstances for El, then I wouldn't even think much of it. But it's at this point in the story when El is essentially at her most exhausted and quite literally seeking out support from others, specifically Mike, that makes his distractedness so eery.
Again, you might still be thinking that this isn't that deep. However, I think based on the events leading up to this, and what follows right here, could quite literally hold the answer to the guilt Mike is still keeping to himself to this day.
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So... How are we feeling?
Are we feeling like Mike None of you are thinking about El's wellbeing right now! She could get brain damage from using her powers too much! She's not a weapon!* Wheeler is a little bit of a hypocrite? (I told you that tool would come in handy!)
It's actually quite terrifying how similar this scene is framed to the scene in Hopper's cabin in s3, where Mike pretty much says the exact opposite. In s1 Mike goes from being one of the first people to refer to El as a weapon within the context of them using her powers to find Will, with him being completely un-attuned to the fact that she is exhausted in this moment while the others are saying El's rest and safety is the most important, to then in s3 completely flipping script and saying El was using her powers for nothing, blaming the others for treating her like a weapon and not taking her wellbeing into consideration.
It would be one thing if Mike had a little arc where he acknowledged this script flip. Because that's what it is. It is them having Mike use a word in s1 to describe El, that being weapon, only to say the others are treating her like that with that same word being used. It is them having Mike not agknowledge El's well being after overusing her powers, only to say the others aren't taking her wellbeing into consideration for overusing her powers.
And it would be one thing if Mike had spoke to El or literally anyone about how he felt like he wronged El for planning on sending her away the next day after they found her so that they could go back to looking for Will, or how he said she was a weapon that they needed in order to find Will, essentially being no better than the people she just escaped from, who also used her for her powers. But we don't get that (actually we do.. but it's not acknowledged for what it is aka survivor's guilt. It's instead seen as romantic... another tool for later...)
Now, don't get me wrong, I don't think any of Mike's behavior takes away from what Mike did do for El, because yes he was kind and accepting when the others weren't. But even despite all of that, at the end of the day, he was often at the forefront of expecting El to risk her life for them, even if he wasn't outright asking that of her.
Before you freak out, No. I don't think Mike, a literal child, was capable of fathoming that El was going into these situations risking her life. She's a superhero. El's alternative was literally going back to the lab, running, or staying with Mike. This was her safest option.
After a bunch of rewatches and putting together a lot of these moments as a whole, I've come to a point where I believe that Mike's behavior throughout s1 was him thinking that because of who El was, she's already in danger at all times. That is a constant reality for her. And so why not have her help them find Will, because she is able to, all while he can also help her. And El clearly wanted to help them, because she wanted to help good people and finally do something meaningful with her powers for a change. Unfortunately, she also had to endure PTSD flashbacks almost every single time Mike and the boys had her use her powers to help find Will.
Speaking of Will, he is currently missing and possibly dead. Will also, in contrast to El (for now...), does not have any sort of superpowers.
Mike's concern over the threat of Will's livelihood is much greater than Mike's acknowledgement to the true risks El is exposing herself to each time she uses her powers to help them. That is s1 canon.
Is there times when Mike is focused on El and her well being. Absolutely! But is there also times when Mike is not showing any display of concern to El's well being in the moment, in complete contrast to the other characters around him... Also yes.
And so the events happening the way they did, with Mike himself not fully comprehending the severity of what's been going on during these high stake situations going on around him, makes sense.
And that's what makes it all the more sad that when Mike finally does realize what he's truly been asking of El this whole time, which is to risk her life for them, it's too late.
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This whole scene is obviously very emotional. All of the boys are crying, but the focus on Mike calling out for El painfully is heartbreaking.
But what's even more sad to me, is that El has been sort of used to mistreatment her whole life. She's used to having to find any comfort she could get from people in her life, all the while they were using her for her powers. I mean even despite Brenner being who he was and doing what he did, she still showed these signs of wanting to love him despite it. Which is very very fucked up. But knowing what she's gone through, makes sense.
Mike on the other-hand does greatly contrast Brenner because he was one of the first people to actually treat her with genuine kindness right from the start (before he even knew she had powers), making it a lot easier for her to care for him even despite that pesky trait of using her for her powers being almost synonymous with Brenner's very similar trait.
So when she looks back at Mike, and points him out specifically before sacrificing herself, it feels like a few things at once.
It feels like her acknowledging the fact that she appreciated him specifically for taking her in and supporting her more genuinely than anyone has in her entire life.
And yet it also feels like her, either intentionally or unintentionally, acknowledging the unfortunate side affect caused by days of Mike leading the efforts to find Will, with the expectation of her to do things to achieve that, which could have all lead to her demise technically. And so now when it all comes down to it and the stakes are at their highest yet, same as the risk, she's got to a point where she believes there is no other choice but to do just that, risk her life, especially if it means saving them.
While this is happening, Mike is backtracking in real time. He is trying to get El to stop and it's because he doesn't want her to die. Obviously.
But that's the fucked up part isn't it? When he finally realized what he's been asking of her this whole time, it's too late.
Which takes us to S2 Mike Wheeler, known by many for being a boy whose been calling his true love everyday for almost a year now because he's just so in love, but is actually in fact a boy suffering the most intense form of survivors guilt, one that involves a person who genuinely feels responsible for the persons death...
But that will probably take at least another 2,000 words so I'm thinking maybe I better split this into multiple parts.
I will tease that the next part involves one specific detail in particular that I never see anyone talk about, a detail that I think, in combination with what's discussed in this post, is so important to understanding Mike's breakdown for what it truly was at the end of season 2. I will also probably do more posts beyond that for s3-4, to delve into the impacts these moments from the first two seasons have basically put in place a perfect recipe for what is currently going down.
So feel free to stay tuned for those nonsense updates.
Continued
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Keep Moving Forwards, Part 45
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Azriel x Reader Fic
Summary: After finally deciding to leave your abusive and manipulative mate for good, you find unexpected companionship with Azriel, the Shadowsinger of the Night Court. As you navigate the aftermath of your traumatic relationship, you struggle to understand where the mating bond went wrong and contemplate your path forward, vowing never to return to the past.
Find other parts here: Master List
To follow this fic, follow tag "Keep Moving Forwards Fic" or comment to be tagged in future parts.
Content Warning: This story contains depictions of extreme emotional manipulation and abuse, detailed descriptions of direct physical abuse, and scenes of men hunting women with implied sexual assault. Please read at your own risk.
Word Count: 2.8K
Author's Note: This is a multi-part series. Unlike my previous works, this fanfiction delves deeper than just fluff, exploring complex emotional landscapes. As I navigate this new writing journey, I kindly ask for gentle feedback. The topics addressed are profoundly impactful, touching many lives with diverse experiences. Please be gentle with yourselves and others. Healing is a journey, and everyone processes it differently. Be kind to yourself. Take what resonates, and leave what doesn’t.
Please continue reading, being aware of the above content warnings, ensuring you are in a healthy headspace. Give yourself time to process and be gentle with yourself.
Without warning, he appeared in your office, his footsteps silent but his scent overwhelming. You turned to face him before he even reached you, the papers on your desk forgotten as you drank in the sight of him. His black curls were tousled and swept to one side, like he had been running his hands through them. His hazel eyes locked onto yours and a half smile tugged at the corners of his lips - a look that was reserved just for you. Without a word, you closed the distance between you with barely a touch of your feet on the ground, wrapping your arms around his strong, muscled frame. You buried your nose in the soft fabric of his shirt, inhaling deeply the familiar scent that you had been missing for weeks. Azriel's own arms enveloped you, his chin resting on top of your head as he pressed a gentle kiss into your hair. As if trying to convince himself that this was real, he moved his fingers across your shoulders, pressing against your skin with tenderness and love.
You finally looked up at him through teary eyes and whispered, "Hi."
A small chuckle escaped his throat before he responded with a simple "Hey."
On your tip toes, you met his half smile with a kiss that conveyed all the longing and desire that had built up during your time apart. Azriel eagerly returned the kiss, his lips molding against yours with a softness that made your heart swell. His hands shifted, one coming to rest on the small of your back while the other tangled itself in your hair, pulling you closer to him. Your arms circled around his neck as you went limp in his embrace, almost hanging off of him as he held you tight. In that moment, it felt like there was no space between the two of you - like you were one entity instead of two separate beings. Azriel's kisses became more fervent, his nose scrunching as if he wanted to get even closer to you. His fingers moved through your hair with a tenderness that left you weak in the knees. He squeezed you tighter, and you let out a contented sigh into his mouth before he finally pulled away, not fully releasing you but letting you stand on your own two feet again.
When you opened your eyes, Azriel was smiling down at you, his lips still puckered from the kiss as if trying to hold onto the taste of you. "If that's how you always greet me, we should spend more time apart," you said playfully, causing him to chuckle and press another quick kiss to your lips.
Azriel gave another half smile, chuckling, but behind his eyes seemed a sadness you couldn’t quite place, some sort of grief. You leaned back farther to take him in, the skin around his eyes tightened slightly, faint shadows underneath keyed you into the many sleepless nights he’d had as well. But there was something more lurking beneath the surface.
“What’s wrong?” You asked, your brow arching slightly as you reached your hands up to cup his face, feeling the roughness of his stubble against your palms.
A heavy sigh escaped Azriel's lips, causing his shoulders to slump and a tight smile to form on his face. "I just missed you," he said, but there was something in his gaze that didn't quite match the words. Your stomach twisted with a sense of unease as you searched his face for any clue of what was bothering him, what secret he was carrying on those broad shoulders.
"What are you doing here?" You asked, your own smile turning into a light laugh. "Does Rhys know you're here?"
Azriel nodded, "He sent me to get you."
Hope bloomed in your chest. Perhaps this meant the solution to your problem had finally been found and all the waiting was over. But Azriel's demeanor gave you pause. "I can come home?" you asked hopefully, wanting to see some sign of celebration from him. But instead, you felt his fingers tense against your back, as though he couldn't bring himself to say the words.
His reply came slowly, as if he was carefully selecting each word. You studied his face, noticing how his lips parted slightly before closing again, as if he wanted to say more but decided against it. This went on for several moments before you finally interrupted him, unable to bear the tension any longer. "Azriel," you began hesitantly, "What's going on?"
Azriel let out another sigh, his eyes locked on yours as if trying to convey something without speaking. It felt like watching his heart break right in front of you. "Eris has called a meeting," he finally said.
Your brow furrowed in confusion, not because Eris had called a meeting, but because you had been invited to attend. After weeks of silence and assuming that Rhysand was working on solving the issue at hand, you were expecting him to show up one day and declare everything resolved. And yet here was Azriel, tense and anxious, telling you there was a meeting. "And I'm supposed to go to this meeting?" you asked, your heart beginning to race.
Azriel swallowed hard, as if struggling to get the words out. "Yes. Both Rhysand and Eris want you there."
You leaned back against him, not wanting to leave his embrace but needing some space to process everything and avoid vomiting on Azriel’s chest. "Why?" you asked, feeling heat rise in your cheeks. "Can you please stop being cryptic and just tell me what's going on? This dancing around the issue isn't helping."
"There are decisions that will be made and they feel that you should be a part of them," Azriel answered carefully.
Frustration simmered within you as you replied, "Well then just tell me. Keeping me in the dark is only making things worse."
"Look, Y/N," he pleaded with a hint of desperation in his voice, his eyes searching yours for some kind of understanding. “Can we please just be in this moment right now?” Instead of providing the solace you so yeared for, his words only heightened the frantic beating of your heart against your ribcage. His face softened, but it was a struggle to do so. It was etched with grief and sorrow, and you could feel the tension in his hands as they clenched onto your sweater as if it were the only anchor keeping him grounded. Unable to block him out, you gave a hesitant nod and leaned back into his embrace. However, this time there was no sense of euphoria like before. Instead, you remained acutely aware of every little detail as you pressed your cheek against his chest, feeling the rapid thump of his own heartbeat just inches beneath your skin.
This reunion was nothing like what you had imagined. In your mind's eye, the two of you were supposed to be wrapped in each other's arms with gentle embraces and passionate kisses. You would have playfully pushed him down in excitement, straddling him as you showered him with soft kisses until he couldn't stop grinning from ear to ear, his glorious laugh echoing around the room from deep in his belly.
But now, your bodies were pressed tightly together as if trying to merge into one being out of fear that someone might come along and rip you apart. The silence between you was heavy and suffocating, neither of you daring to break it as rain poured down outside. It wasn't until this moment that you even realized it had started raining, the sound of thunder rumbling in the background unnoticed until now. How long had this storm been raging?
Despite the relentless rain pelting against the windows, Azriel insisted on taking a walk through Velaris with you. Donning jackets and umbrellas, you stepped out into the soggy cobblestone streets, hand in hand. As you looked up at him from under the brim of your umbrella, the raindrops hitting your face, you could see the tight lines of a smile on Azriel's face. It seemed as though he was trying to etch every moment into his memory, soaking in the sight of you with all its curves and edges. But instead of feeling like love and desire, it felt like desperation and pain radiating off of him. You pushed those thoughts aside, determined to enjoy this walk with him.
As you splashed through puddles and joked around, trying to lighten the mood, you couldn't shake off the persistent fear that lurked in the back of your mind. So when Azriel released your hand to splash through another puddle, you shot him a mischievous look before taking off down the alleyway, boots slapping against the wet ground. It may have been a childish game of chase, but you did it without thinking, wanting to shift the heavy atmosphere between you.
"Where are you going?" Azriel's laughter rang out through the downpour. You turned back to him as you pulled your hood off and let the rain drench your hair.
"Come find out!" You yelled back playfully before turning on your heel and clomping down the street. Despite the heavy rain, your heart raced with excitement and anticipation as you ran through the bustling crowd of shoppers brave enough to face the storm. Excusing yourself through your laughter, you made your way towards an abandoned side street, knowing that Azriel would easily spot your bright red jacket among the dull browns of the other citizens.
As you caught your breath for a moment and looked back at Azriel, you couldn't help but smile. He was making his way towards you with ease, laughing just as joyfully as you were. You took off down the street again, your boots echoing on the empty stone.
"Why do I have to chase you?!" Azriel's voice called out from behind you, but there was no hint of annoyance or malice in it, only pure happiness and the Azriel you wanted to see.
"Why not?" You yelled back, nearly slipping on the corner before catching yourself. "Why not play in the rain?"
You knew the city like the back of your hand, especially this lower income area where you spent countless hours scouting for potential projects in abandoned buildings. As you ran through the familiar streets and alleyways, you couldn't help but feel free and alive, the rain washing away all worries and fears.
You called back over your shoulder, taunting him with a sly grin on your face. The wet cobblestone street glistened under the dim streetlights as you playfully goaded, “You know, for a trained warrior, you sure are slow. Perhaps you’re more of an old male than I thought.” You could almost hear the low growl that would rumble through his chest at your mention of his age.
As you reached the corner of the dark sidestreet, you skidded to a stop, nearly slamming into Azriel who emerged from the shadows. His well-muscled form was crouched in a low stance, ready to pounce like a honed and deadly predator playing tag. The tense lines of his body and the glint in his dark eyes full of hunger. “Perhaps you forgot that I’m trained to think four steps ahead of someone running from me.” He arched a brow at you, reaching out to grab your arm. You let out a yelp as he caught the sleeve of your coat, but without missing a beat, you spun away from him, your arm slipping free as you broke into a sprint down the street. Azriel's voice called out after you in playful warning, “You’re going to freeze to death!”
“Then you better catch me!” You urged him on with laughter bubbling up inside you.
The rain came down hard and cold, searing through your skin and chilling your bones. Yet the warmth in your cheeks and the flutter in your heart drowned out any discomfort as you weaved through the maze-like streets of the city. Each turn and twist threatened to land you in a puddle of rain, but you were confident that Azriel was just steps behind you. However, when you stole a quick glance over your shoulder, the familiar silhouette with wings was no longer there. He most definitely hadn’t lost you, and now you couldn't shake the feeling of being tracked instead of chased. You slowed your pace, a mischievous smile forming on your lips as you swung open the door of an old abandoned shop. The musty smell of aged wood filled your nose as you bounded across the creaky floorboards, making your way to the back of the store. With a quick glance around, you spotted the old wooden stairs leading up to the second floor and bounded up them with ease, careful to avoid any rotted steps that could give away your location. You heard the door creak open again, followed by the heavy pounding of Azriel's footsteps across the floor below. A thrill ran through you as you darted up another flight of stairs to the third floor, entering a long hallway lined with doors. You did your best to keep the aging floorboards from creaking as you scurried down the hall, pausing at the second to last door. As you heard Azriel's footsteps getting closer and his curse when one of his feet broke through a rotten step, you couldn't resist letting out a small squeal before quickly opening the door and slipping inside. It was a large cabinet, filled with moth-eaten linens and dusty shelves. Without hesitation, you squeezed yourself into the tight space and pulled the door shut behind you with a small crack left open for air. Azriel's footsteps continued to echo across the room until they reached the stairs leading to this final floor. You held your breath as he slowly made his way down the hall, stopping at each door and listening carefully. The sound of silent spymaster steps was barely audible but you could make out door handles turning and creaking open as he searched for you in each room.
You desperately tried to slow your breathing, holding it in as you heard doors creak open and muffled footsteps approaching each room. Your heart pounded in your chest as you waited for Azriel to reach your room, but all you heard was silence. You knew he could sense your presence, taunting you by playing along and opening different doors. Your heart skipped a beat as you slammed open the cabinet door and launched yourself at Azriel, using all your strength to knock him backwards onto the floor. He let out a shout as his body hit the ground, your wet hair cascading down onto his face. Despite being caught off guard, Azriel's chiseled jaw broke into raucous laughter as he leaned back, his curls dampened by the wooden floorboards behind him. His infectious laughter caused you to burst into your own fit of giggles as you straddled him triumphantly, pushing against his shoulders with your palms. Azriel's hands rested lightly on your hips as he struggled to contain his laughter and opened his eyes to meet yours, a shit-eating grin spread across your face
"Why do you always have to be so extra?" He teasingly asked with a grin. You both were drenched from the rain, and you could hear the pitter-patter of droplets falling from your hair onto his wet shirt.
"Because it makes you smile," you retorted, playfully poking his nose. "And because sometimes you need a reminder that life isn't all serious and broody."
Azriel rolled his eyes, but couldn't hide the small smirk on his lips. "I only chase after you to make sure you don't slip and fall and break something."
You scoffed, "Please, I never fall. And let's not forget, you're currently pinned under me right now. So technically, I won this round."
Azriel gently took your hands from his chest and intertwined his fingers with yours, effortlessly holding your weight as you leaned into him. "You are insufferable," he chuckled.
You grinned mischievously, feeling a spark of joy in your heart. "And yet you choose to suffer me."
Azriel's eyes softened as he gazed back at you, "Forever."
You had tried to seduce Azriel inside the abandoned building, hoping to turn up the heat between you two and remove all the drenched clothes. But he stubbornly resisted, despite the obvious physical reactions he was having. He reminded you that you both needed to meet with two High Lords and suggested getting cleaned up and dressed for the meeting instead. You pouted in disappointment but eventually agreed, holding Azriel's hand as he helped you stand up. As you looked at him, you could see the burden of his secret weighing heavily on him once again. You interlaced your fingers with his, expecting to be immediately winnowed to the House of Wind but instead you met Azriel’s eyes as he looked at you with a smile that was almost apologetic. His thumb traced the back of your hand but before you could ask any questions, the world blurred around you and you found yourself surrounded by the familiar scent of Nesta and Cassian.
To my readers: My sincerest apologies for the lack of updates, life events got in the way and I wasn't able to write as much as I wanted. I know it's not an excuse for leaving you hanging, but I promise to finish this fic within the next week - that's my writing plan as of now. Thank you for sticking with me through the challenges and I hope you haven't forgotten about our protagonist's journey while waiting. Your support means everything, thank you again from the bottom of my heart.
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Whenever I doubt myself I remember that there are people with 0 brain cells that are writing the biggest show in the world.
Blood and cheese was terribly done. Absolutely awful writing, especially adding Alicent and Cole at the end, that was ridiculous. To make Daemon want Aemond instead of actually having him order the killing of a boy? I hate how scared they are to make team black bad people. They are all bad people, from both teams. Daemon ordered the murder of a child but these idiots don't want to make team black the bad guys, ever, so let's write him not ordering this and make it another misunderstanding, why not?
Ridiculous.
It's not just about b&c, but their refusal of making team black grey characters, from the start, is so stupid. They can't be villains, they are the heroes, good people suffering an injustice, and we can't have our heroes doing a terrible thing like this!
That is the mentality of a middle school writer working on a kid's play. If you can only write black and white characters you shouldn't be writing for asoiaf.
The interesting part of the story is that they are all doing bad things, that's why fans like the book so much, cause it's fucking interesting to see them all doing bad shit.
I'm not upset cause I'm team green, I just hate bad writing so much...
Yes I'm aware that Daemon smirked when the guy asked what to do if they can't find Aemond, probably telling them to get one of the kids instead (but not showing us this of course cause we can't have even more proof that this man is a piece of shit), but that is not the same as him actually ordering the murder of a little boy with his own words as the first choice.
They turned one of the most gruesome and horrible moments in the story into a 3 min point and run moment, with a laughable 'catching your mom having sex is weird right?' ending. This takes away all the pain we are supposed to be feeling in that moment. This takes so much from Helaena as well, what the book describes is so fucking sad and gives her character so much more depth.
I also wish they had given more for Phia to work with, she was incredible but that was a pivotal moment for her character and she deserved to be given more in that scene. And don't tell me they didn't do it like the book because it would be traumatic for the kids because yes it is possible to shoot that with and without the kids, you just have to be specific about the framing and shots you use, it's all about camera work.
Do I understand Helaena dissociation in that moment? Absolutely. Did I want to see a little boy getting his head cut off? Absolutely not, no one did, we are not psychopaths. But it does piss me off that they wrote such a pivotal scene in such a bad way, that was supposed to be red wedding levels of shock and pain, and the most shocking thing was Alicent on top of Criston (good for her tbh she deserves to have fun).
They have been terrible writers from the start, for both teams (Rhaenys in the coronation is pure comedy to me), but this to me is painful how bad it was. The only good thing about that scene is Phia's acting.
Anyway that's just how I feel about it. I have so many thoughts about this but I don't think I'll write more, so I'll just say this:
Don't give up on your dreams guys. Anyone can do it. Anyone.
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alpaca-clouds · 16 days
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Astarion's Plotline and the Thing About Consent
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Let me talk about one thing I find weirdly underdiscussed in the BG3 fandom. Technically this does not only concern Astarion, but also a lot of the other romanceable options. but I see it most discussed with Astarion especially in regard of one thing.
I am not the only person who feels icky about the graveyard sex. Not becasue of the graveyard, but because of the context in which it happens. Aka: Astarion has had the hell of one day. He has confronted his trauma in so many ways, he has almost died, he managed to overcome Cazador, and he actually managed to remain himself rather than becoming Cazador. I absolutely do understand that our dear fanged friend kinda wants to celebrate his freedom by finally having sex just because he wants to have it - but I also understand that for a good chunk... Him wanting to fuck in that scene is mostly him somehow trying to cope and not having learned good coping strategies, right?
However, whenever someone in fandom brings this up, quite often someone will reply: "People who are traumatized are still able to consent, you know?"
To which I - someone with tons of trauma - will just say: "Yeah, they can, but consent is something that happens from both sides."
Now, we will leave out the meta discussion that obviously Astarion, on the basis of being a fictional character in a game, obviously has no agency in either direction, while the player does. But ignoring that and just reading the in-game situation...
Tav, Durge, or whoever of the origin characters might be on that graveyard with Astarion in that scene still also have a right to not consent to it. And yes, say: "Hey, you had a hell of a day, and I am honestly not sure whether this is good for you, and if it turned out not to be I would feel really shitty about that" is actually a valid reason to not consent to have sex with someone.
Even if Astarion does want sex in that scene. Even if it turned out to be actually the thing he needed. The other person in the scene very much still has the right to say: "I am not feeling good about this, I don't want this, at least not now."
I am not saying that your own Tav/Durge needs to not be okay with it. They can be perfectly fine with it and have their kinky graveyard sex. What I am saying is, that not everyone is feeling like that - and that their feelings are valid, too.
And it is weird how some Astarion fans react to this, too. First there is the "but he can consent", to which I will just say: "Yeah, and his partner can also say that they don't consent". And then the people will go: "But he looks so sad if you say you don't wanna have sex with him." Which... I... Folks, for once: He is fiction. But also... Even if he wasn't fictional, he would have to live with it. It is not the job of his partner to fuck him whenever he wants sex. Again: Consent matters. And consent involves at least two people.
Like, folks. I am begging you. Just consider this fact. Consent has to come from everyone.
And I can tell you that at least my Tav in that situation did not feel very comfortable with the whole situation. I mean, this is how I wrote out the scene on the graveyard in my fic version of the evening.
“I think, I’ve been dead for along enough,” Astarion finally muttered. “It’s time to try living again.” He took a deep breath, trying to sort his thoughts, his feelings. Then he took the bard’s hands, smiling at him. “With everything life has to offer.” He did not even think about it much, as he gave his voice a sultry tone, and most certainly he had not expected Tav’s reaction. But the bard twitched just a bit. “Astarion…” He seemed awkward, uncertain. “I…” Astarion was not certain if the bard understood. “I want you. I think I might…” “Stop, please,” Tav whispered. There was a tremble going through his body, and an expression in his eyes, that felt like a dagger in Astarion’s heart. He didn’t understand. What was going on. “Don’t you…” It was hard to speak those words. “Don’t you want me?” He had not intended for his voice to sound as hurt as it did in the end. A sigh. Tav pulled his hands out of Astarion’s, before cupping Astarion’s face with them. “I want you. I do. And you know it. Just not… Not now.” “What is wrong with now?” There was hurt still. And anger. Just a bit of anger over the rejection. “What is wrong with now? I am finally free. I can finally…” “Astarion…” Tav was hesitating once more, before moving in closer, pressing his forehead against Astarion’s. “You have been through a lot today. A lot.” “Yes, I know. I was there, remember?” The sarcasm was back in Astarion’s voice. He tried to pull away, but though gently, the bard held onto him. “Please, look at me,” Tav said. “Let me…” He stopped, before letting go of Astarion. “Can I show you?” Now it was Astarion’s turn to pause. He understood, of course. He understood well. “Alright.” He opened himself up to Tav’s feelings – and they were strong. Warm, consuming almost. A want. A need. Fantasies. All there. And it made Astarion understand even less. “Then why?” “Because if I sleep with you again, I want to be sure that we both are going to feel good about it the next day,” Tav said gently. “And today, I cannot be sure of that.” Those words made nothing any clearer. “I don’t understand.” “Look. Today was so much for you. And I do not even need you to show me your feelings. I can tell like this. The sadness. The pain. You feel guilty, too. About those spawn that are more or less your responsibility. About killing Cazador, too.” “Why would I feel guilty about that?” “Because no matter how much you hated and feared him, you were also dependent on him for two hundred years,” Tav said. He took Astarion’s hands again, pressing them. “And there are probably a lot of other feelings, too.” His thumbs were caressing the backs of Astarion’s hands. He gave a tiny sigh. “Look at me.” Astarion had not even quite noticed that he no longer looked the man in the eyes. But he did now. The same, familiar green eyes. “I do not even trust myself right now,” Tav said. “I know I care about you, deeply. I want you. You have no idea how much I want you. But with all the chaos right now… I do not trust myself enough to say whether this is love or just…” Once more his thumbs so gently went over Astarion’s skin. “Right now, I am mostly worried about you. Because today was a lot. And I know those days. And I know what follows.”
And... It is just something that has to be considered. I mean, I know there are people who romance Karlach but still do not sleep with her, because their character is not ready for that. And that is just the thing. Consent has to come from both sides.
In that it does also not matter whether the player is uncomfortable or whether they have just an idea how their character would feel. For the scene playing out... The romancing partner can say "I don't consent." too.
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2rats1gogh · 3 months
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I am disappointed with the way the show portrayed Blood and Cheese
[spoilers ahead for ep 2x01]
First of all, I fully understand the absence of Maelor and I’m not even mad about that. The choice between the two twins aka “which one is the boy” is good imo. Also, Phia is a great actress and I don’t blame her one bit for what happened to her character. She did the best she could’ve with what she was given. But the execution of all this? Meh.
1. Why did Helaena choose Jaehaerys, instead of Jaehaera? It would’ve made MUCH MORE SENSE for her to choose Jaehaera because she’s the girl. And then B&C would’ve killed the other twin, Jaehaerys, because they knew she would not give up the heir to the throne, king Aegon’s only son. Her choosing Jaehaerys takes away her guilt of living next to the child she named to die.
2. Why was the death of Jaehaerys so off screen? I’m not saying I wanted to see a six year old child be beheaded, in all it’s gory and graphic details, but I wish Helaena and Jaehaera were there to witness it. It was important for them to see it happening. It could’ve been just a silhouette, a shadow on the wall, or just Haleana’s expression of horror. Instead, she just runs away. It’s still sad, obviously, in its own way, that she wasn’t there for her son in his last moments, but again, that takes away from her guilt and eventual downfall into madness.
3. Why the fuck was this whole thing played off as a misunderstanding/accident? Of course the creators wanted to make Daemon look less evil, by making him tell B&C to kill Aemond instead. And I kinda liked the addition of one of them saying “what if we don’t find him?” and I expected Daemon to say something like “You can kill another son” or whatever, but then it just FUCKING CUTS AWAY? And now have to INTERPRET STUFF? So that no one can hold Daemon accountable because “technically we never saw him say that in the show!☝️🤓” Fuck this.
4. The Alicole sex scene fucking ruined the whole scene. I was hoping, praying even, that the leaks of Alicole having sex while Blood & Cheese happens was just a rumor, a theory. But no. The creators fucking decided to make them have sex while this horrible incident happens. Someone in that writing room said “You know what? Let’s have Alicent and Criston do the nasty as Aegon’s six year old child is brutally murdered and Helaena is being traumatized for life! That seems like a great idea!” AND THEY WENT WITH IT. That addition was just so fucking unnecessary. What was the fucking point of putting that in? Wouldn’t it be great if Jacaerys heard of the death of Lucerys first and then ran to Rhaenyra on Dragonstone to tell her that his brother was fucking murdered, only to find Rhaenyra having sex with Daemon? Like, why was Lucerys’ death so serious and tragic, and impactful, but then Jaehaerys’ death is overshadowed by Helaena running into her mother having sex with her lover? God, I’m so angry.
5. Helaena didn’t seem to be affected at all by the death of her son. “They killed the boy” and that’s IT? She didn’t cry her eyes out, didn’t scream, didn’t beg for B&C to kill her instead. She almost didn’t react at all. Her son, her baby, her six year old child, was just brutally fucking beheaded and the creators don’t even show her reacting to it? Rhaenyra showed more emotions when she found the clothes of her death son, and Helaena was like 🙁 when HER SON WAS BEING KILLED IN FRONT OF HER?? What the actual hell. And may I repeat, this is in NO WAY an attack on the actress, Phia. I think she still gave us an amazing performance, but it’s fucking obvious that the creators decided to go with the “oh well, she’s weird and distant, and cold and unemotional” narrative they made up. They won’t fucking allow her to grieve.
All those people writing that “Even GRRM was horrified by this scene!” or “This is gonna be like the Red Wedding!”… I was fucking lied to.
This whole sequence felt so short, and rushed, and unemotional… I am very disappointed, and sad. This was supposed to be one of the most important events of the entire Dance. They first actual innocent blood that was spilled. The event that led to Helaena going mad. The event that changed Aegon as a person and made him declare war on Rhaenyra and gave him motivation to repay Team Black for what they’ve done. It was supposed to be fucking important. And the show turned it into a four minute awfully paced scene with dumb additions and lots of unnecessary and easily avoidable changes.
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