#i will accept criticism on this

[thewizardhole]

happy pride u vile sickos

[littlefeatherr]

cat_does_the_arts

[koolaidashley]

How I think a de aging ep would go

[strawberri-draws]

this is "laois should get many cuddles" propaganda

[shanalikeanna]

Okay anon you got me haha, I love this too much not to post.

I just started reading One Piece, and I haven’t met Law yet. But Rachel told me that him and Chopper have something in common and this is my own personal headcanon.

[ivanttakethis]

Same color scheme, same lighting, same tears/sweat, same club vibe…

Close enough, welcome back Deep Faker (偽顏) music video 💕

[bietrofastimoff23]

criston with aegon:

unlike your father, i will always be on your side.

unlike your grandfather, i will always defend your honor.

unlike your mother, i will not spare your enemies.

unlike your brother, i really care about you.

the only person who sincerely supported aegon, treated him with respect, glorified his name with conquests of castles and was eager to avenge jaehaerys. and how determined he was to get to the fallen aegon at any cost, even though he could barely stand on his own feet ?? criston, you're not just the dad that stepped up, you're EVERYTHING.

[slaviccryptid]

[thenationofzaun]

The Vander/Silco Shitshow - generic, juvenile, and gimmicky slop

So, I think that Vander/Silco flashback was terrible. Tropey, careless, juvenile, clichéd bullshit that stripped away everything that made their season 1 story nuanced and poignant, while simultaneously ripping open a fat plot hole because the team got careless and did not catch the discrepancy between the story they'd written in their heads and the visuals that ended up on screen in season 1. This is just going to be a long rant post detailing the reasons I absolutely despised this flashback. Obligatory disclaimer that this is just my (strongly held) opinion.

1) The timeline plot hole

No, I'm not misusing the term. So a plot hole is an inconsistency in a fictional narrative that cannot be explained away by any plausible in-universe justifications. There are many moments of weak writing in Arcane that may be contrived, rushed, weird, convenient, etc. but aren't plot holes.

This Vander/Silco situation however. Oh boy. If you all remember, Season 1 opened with the bridge massacre, also known as the Day of Ash. Vander is shown cracking enforcers' skulls. He looks like this.

The sisters, seemingly recognizing him, ask him where their parents are. He gestures to their corpses, the sisters cry, Vander has his "violence is not the answer" epiphany, drops the gauntlets very dramatically to underscore this massive turning point of character development for him, then picks the girls up and leaves the bridge.

In episode 3, we are shown a flashback. Vander is trying to kill Silco in the river. He looks like this.

Let's compare this to how he looked like on the Day of Ash.

Yeah. According to the visuals shown in Season 1, the falling out of Vander and Silco seems to have occured in the past before the Day of Ash, evidenced by how much younger Vander looks. Unless Silco is a time traveller who jumped forward to the future to throw a molotov at the riot because he just loves violent extremism that much, or Vander took the time to shave his beard and apply heavy duty anti-aging lotion on his face before hunting Silco down, there are no plausible in-universe explanations for this inconsistency. Not to mention, if Silco and Vander were really as close as brothers and the sisters knew Vander, then it's impossible they wouldn't have known who Silco was.

Yet, in Season 1, that's exactly what we see - not a single sliver of recognition between Silco and the girls, nothing to imply they knew of his existence before episode 3. Not a single conversation between Jinx and Silco implied that he knew, let alone was close to, her mother. Nothing from Vi throughout the entire first season indicated that she knew of his past friendships with her mother and Vander. They acted like total strangers to each other.

Many fans already caught this inconsistency during the three-year gap after writers' comments online implied Silco was involved in the Day of Ash. We had hoped the writers would catch on to this discrepancy too and either iron out the timeline if they want to do serious flashbacks, or just avoid calling attention to it completely by not doing flashbacks of their falling out. Alas.

2) Leonardo Dicaprio pointing meme

Death to the everybody-knows-everyone trope and lines that only exist to invoke the "Leonardo Dicaprio pointing" meme. Throw them into a fucking fire. Boring, mind-numbing, clichéd, overdone garbage. Not every character needs to have some kind of half-baked relation with each other. Not every major incident needs to be tied back to the main characters. Not every single detail needs to be overexplained and justified and again, somehow tied to a main character. They are unnecessary, and make the world feel so much more claustrophobic and smaller than it should be.

"The enforcers actually commited the Day of Ash massacre because SILCO threw a molotov. Vander actually tried to kill Silco because of VI AND JINX'S mother. She knew both Silco and Vander personally and TOLD THEM to help her raise her kids. VANDER named Vi."

Bullshit like this really fucks with immersion, because it becomes clear very quickly that the world is only occupied by a small handful of real characters while the thousands of other people in it are nothing more than inconsequential set dressing and wallpaper. The story and world no longer feel real, vast, and immersive. And these forced "connections" between main characters are so obviously manufactured to generate "OUGHHH" and Dicaprio pointing reactions. Idk about anyone else, but it takes me completely out of the story when I can obviously tell the writing is trying too hard to blow my mind.

The girls' mom waltzing up to Vander and Silco and just. Fucking telling them to help her with her kids lmfaoooooooo. (OUGHH and they both really ended up raising her kids WOAGH😱���). Jinx's mom saying choosing a name is stressful because her child will feel stuck with it (GASP and Powder ended up changing her name WOOOOWW😱). Vander coming up with Vi's fucking name. (OUGHHHH HE REALLY WAS MEANT TO BE FATHER ALL ALONG WOADGHHGHDHDH🤯🤯🤯).

Fucking kill me. Arcane Season 1 was surprisingly good precisely because they DIDN'T, for the most part, resort to tropey bullshit like this. It had, for the most part, originality. Uniqueness. In fact all the strongest aspects of Season 1, aspects I loved, were deliberate subversions of overdone clichés. For Season 2 to resort to this kind of writing reminiscent of Disney slop is insanely disappointing.

I'm waiting for a character to unironically say, "What are we, some kind of League of Legends?" in Act 3 now.

3) "Ohhhhh so THAT'S why he did that!!!!!!!!!"

Also death to overexplanations and giving justifications for things that never needed justifications. You know what I was never confused by while watching Season 1 of Arcane? Why Vander adopted the girls. Why Silco adopted Jinx. Why both came to care for their girls so much, they were willing to sacrifice so much for them. I thought the reasons for those things were very clear and poignant in the first season. I never needed an extra on-the-nose justification for the adoptions in the form of, "they wuved yo mama". It's not only redundant, it's also one of the most tired ass tropes in fiction. To me, Vander taking in the girls and Silco taking in Jinx are so much more powerful if they really were just random guys with no real connection to the girls' parents.

But I've already seen some positive reactions to this flashback with "Ohhhhh so THAT's why Silco/Vander cared for the girls so much, now I understand😯🤯😓" mf what exactly did you not understand before??

4) Character motivations

The motivations of both Vander and Silco are made downright bizarre by this flashback. So Silco was hellbent on murdering Vi last season, despite being close friends with her mom whose death he may feel guilty for? Literally despised her and wanted to kill her the entire time with no hesitation lol. So Vander had that aforementioned dramatic moment of character development, dropped the gauntlets, realized violence wasn't the answer, and carried the kids to safety... then doubled back to violently hunt down and murder Silco? But not before shaving his beard and applying youthful lotion of course. Can't kill your bro while looking crusty. Then he failed to kill Silco so he just... went back to the kids and pretended like nothing happened? Lol.

Silco being close to, let alone loving, the girls' parents makes no fucking sense for his character. Vander knowing them at least makes sense, but casual friends would have sufficed. "I was lowkey crushing (?????) on your mom and also named you" just cheapened the entire Vander/Vi and Silco/Jinx surrogate father dynamic. Vander's motivation for killing Silco being yet another fridged woman is also weak as fuck. First Viktor with Sky, and now Vander/Silco. They really should have left this one up to our imaginations if this was the boring tripe they came up with.

[redysetdare]

All this aroace character shipcourse has proven to me that a majority of people that interact in fandom cannot actually interact with characters and media outside of shipping and genuinely I believe you need to learn how to interact with media outside of shipping.

[sweet-little-tank-top-number]

Stargate SG-1 is the story of how one man with ADHD has to wrangle his team of three different flavors of idealistic autistics. Together, they save the world from cheesy 90’s ancient Egyptian aliens.

[ariadne-mouse]

idk if you saw Omar in his little battle armor on the TLVOM watch party but I feel like that could make an excellent doodle. maybe he needs a sword, too!

So I did see Omar's battle armor and it was very cute, but in my laziness looking up a reference from the party, I instead spent several hours painting him as Brennan Lee Mulligan's knight photoshoot, inspired by your suggestion of adding a sword 😂

[partyrockin]

:)

[lorde--of--the--rings]

As much as Veilguard is missing a lot, I’m grateful to have this little hand-made patchwork quilt of a game. It’s like the elements of Dragon Age I love stitched all mismatched together, and it’s not perfect but it’s still beautiful and lovely and eclectic and it keeps me warm, and it will for as long as I keep it.

[alivedean]

[shorthaltsjester]

if i keep seeing so many people refer to ayden as an indication of an unknown softness in pelor i will start setting things on fire. just because YOU cannot handle nuance does not mean the story of exandria has not contained it and done so consistently. in fact the first in depth interaction that any party had with pelor (vex becoming his champion) was a portrayal of him that was explicit in his complexity. taken straight from the transcript for 1x104 elysium, “[vex you] spin and look, whereas there once was a burning star-- and to the rest of [vox machina], you see the painful, endless light that averts your gaze-- it doesn't hurt your eyes as much, and you can see the faint features, the soft cheeks, the hairless head, and the bright warm eyes of he who brings the dawn. And you can see the smile there, behind the light. “there is hope.”” sunlight can warm you and burn you in equal measure.

that burning image of the sun has much in common with a teenage boy who steps into a dark room, and reminds the dm that it’s not dark. the same way that a teenage boy who stands by as a woman who will not give up her worship of pelor is punished because he has more important responsibilities he must honour has much in common with a seemingly benevolent lord of the dawn might respond harshly to a cleric who asks if he is worth saving while he is trying to find a way to survive so he might keep helping to provide light. the gods aren’t simple and they never have been. i am as psyched about the particular angle that downfall is taking as anybody but it is already frustrating watching people act like the gods are suddenly more nuanced because they’re in literally mortal bodies when the entire Point of the gods in exandria in the various stories we’ve seen so far is that the only difference they have with mortals is the bounds of their power. they carry all the same flaws and the same profundity. just because so much of the fandom has reduced that to black and white flatness or faulty mapping onto real world religions (or the various traumas those might have caused individuals) doesn’t mean that complexity has been missing at all from the story.