#i wasn't even close to it

[teddybeartoji]

bro just the mere thought abt starting disco elysium again had my tv turning on on its own hello???!!

[corgiteatime]

Congratulations, game. You really did subvert my initial expectations with the really-not-all-that-horny vampire and the totally sensible weed Dad figure and Mr. Gale "I'm totally into the fact you haven't taken a bath in 2 weeks and I read a book about about being turned on by deadly danger and let's have astral projection 4-way sex with only 2 people in outer space and you look good jogging around the city in strappy bondage gear" Dekarios.

Not complaining. I was just surprised, that's all. I love having my expectations subverted.

[afterswan]

the scarmobile... but with no scar ?

[hairmetal666]

He hates Steve Harrington, everything about him. His stupid, upbeat pop music. His tall fucking hair. His annoyingly bright clothes. His bullshit German luxury car.

Eddie hates that Steve's a good guy. Hates that he carried Eddie's broken and dying body out of hell. Hates that the kids love him how they do. Hates that he and Robin Buckley are the kind of best friends who might as well be siblings. Hates the way that Jonathan is back and Nancy is happy, and Steve has no resentment about any of it. Hates that he'll never, for as long as he lives, forget about six kids and a Winnebago.

And he hates, more than anything of all, the way he's always finding himself in Steve's bed. The way he falls apart when Steve is deep inside, the way he begs for more, pleads for Steve to wreck him. The way Steve treats him so good that it makes him sob.

Eddie hates himself for not being able to stop. For wanting Steve so much that sometimes he feels it as a visceral ache in the back of his molars. He hates himself for how little fight his dumb traitor heart puts into not being astronomically down bad in love with the guy immediately.

And none of this is supposed to flow from his brain to his tongue to out of his mouth, but Steve fucks him so good and slow--gives him the most mind-blowing orgasm of his life--that it all just slips out of the safe confines of his mind.

"I fucking hate you," he says. Or pants, more like, he's all flushed and sweaty and covered in come, not yet settled back to himself.

"W-what?" Steve stutters. He's standing at the edge of the bed, damp towel clenched in his fist.

True, full consciousness strikes then and he doesn't know what else to say. Steve's big eyes are wide and sad, and Eddie's brain is screaming at him to fix it, and isn't that just another thing that he hates?

"Steve. Like. Fucking look at yourself, man." He waves his hand up Harrington's perfect body. "You're the most beautiful fucking thing in the universe. And you--you embody like every fucking thing I'm supposed to hate with your money and your athletic ability, and your whole goddamn clean-cut All-American boy next door bullshit. And I--I keep ending up here when everything in me says to run away, that this--you--are too good to be fucking true."

And Steve, he's pinching the bridge of his nose, looking more than anything like he's trying not to burst into tears and this--this cannot be borne.

"I love you so fucking much." His voice cracks and he reaches out to circle his fingers around Steve's wrist, the one holding the towel. "I love you so much and I don't deserve even a second of it. Not a minute. Because you're Steve Harrington, you're--"

Steve presses his hand (he hates the the wide palms and long fingers, how they're perfect, how they hold him and comfort him and wring out pleasure again and again like it's nothing, like Steve's hands were made for making Eddie come) over Eddie's mouth. "Shut-up, Munson," he says.

"I fucking hate you too." There's ease in the way he says it, a lightness in his eyes. "I hate that you don't use conditioner. I hate that your van makes that turkey gobble sound every time you turn a corner, and you refuse to let me look at it. I hate how loud you play your music, how it makes my fucking skin shake. I hate when you forget to take the damn chains off your jeans when you put them in the wash."

Steve climbs into bed, straddling him, towel long forgotten. "You know what else I fucking hate, Eddie?" He leans down, ghosting his lips against the tip of Eddie's nose, skimming his mouth. "I hate that I've never loved anyone like I love you. I hate that I almost fucking lost you. I hate that we can't spend every minute in this goddamn bed, so I can memorize every inch of your skin, every sound you make, every single way I tear you apart, and all of the things that put you back together. I love you, Ed. Every fucking terrible part."

[htub]

I really like that they made Jor-El speak Kryptonian and Clark unable to understand him. The whole "aliens speak English" thing that happens in every goddamn media has bothered me all my life. Ik sometimes Clark just gets zapped in the brain for insta-second language but that always felt like a cheap shortcut.

Jor-El had a lot on his mind when he set up that magic spaceship okay. The world was ending and he was trying to do as much as he could before time ran out so he could be there for his son. He was rushing. He likely didn't consider Kal would be raised with a whole different language and not know any Kryptonian nor have anyone to teach him.

[poorlittleyaoyao]

from this poll

[boojangs]

How she looks at her when she isn't looking:

How she looks at her:

How she looks at her when she isn't looking:

How she looks at her:

Building Trust:

Coming Home:

[casscainmainly]

As much as I love Duke and Damian being the most adorable brothers ever, the tension between them is way underutilised. They both have very tenuous relationships to the Robin identity, and if you look at their interactions in Robin War, it's shot through with insecurity and dislike:

Specifically, Damian consistently refutes Duke's right to Robin. Robin War is the event that leads Duke to quitting Robin, and arguably he does this mostly because of Damian; Tim and Jason don't really interact with Duke, and Dick essentially endorses him. But the beef is not one-sided, because Duke consistently hits on Damian's insecurities as well:

Damian belittles Duke's friends and entire cause; Duke highlights how unwanted and abandoned Damian is. They are simultaneous Robins with incompatible views of what Robin should be. Damian, fresh from his journey in Robin: Son of Batman, sees Robin as atonement, a link to Batman, and a representation of his personal growth; Duke, in the middle of We Are Robin, sees Robin as power, freedom from adult authority, and a representation of collective community.

The worst thing Damian can say about Duke is that his Robin is meaningless; the worst thing Duke can say about Damian is that his Robin is alone. They both say that to each other. And then, they both give up Robin:

In Duke's case, he precedes saying "I'm not Robin" with "that's the difference between you and me." Their Robins are so wildly different, their ideals so opposed to each other, that they cannot co-exist as Robin. The risk of losing what Robin means to them, especially for Damian, fuels a lot of their early animosity.

This opposition continues in Batman & The Signal #1, where in Duke's dream sequence, there is only one person he imagines wanting to oust him from the family - Damian. But Bruce also pits Damian and Duke against each other in Batman: The Secret Files: The Signal, in Duke's favour:

Bruce drags Damian down ('requires continuous supervision') to uplift Duke ('Gotham's best'). The writing in this comic is very questionable, but this is reminiscent of the way he talked to Cass about Steph in Batgirl (2000). Cass is the acceptable girl vs. Steph's unacceptable femininity; in a similar vein, Duke is the acceptable Batkid of colour, whereas Damian's heritage is 'inconvenient'.

Which is why it's all the more important that, despite everything, Damian and Duke do love each other.

Damian, despite all his (understandable) ambivalence and outward disdain towards Duke, pretty much spends the entire comic trying to save him:

And Duke, when Damian defects to the Owls, staunchly refuses to believe he's gone for good. Tim and Jason also protest, but they get knocked out pretty quickly. It's Duke who refuses to give up on Damian. It's Duke who won't leave Damian alone.

Even though their Robins are complete opposites, Duke and Damian both know how big a deal it is to choose Robin; as the two Robins of colour (besides Dick, whose position is slightly different), they know how easily Robin can be taken away. It's why Duke, a virtual stranger, is the one to break through to Damian when nobody else could.

This panel from the end of Robin War hits so hard in context. Every interaction up until this point is antagonistic, and they have every reason to hate each other - but they don't. They choose not to. They choose to love each other instead.

[lotus-pear]

regret

[doodlingwren]

Nah man what the heck?!

Drew something with the gemini twins for once. Have this one doodle as well because somebody was definitely there holding the camera.

It's a very silly sketch ^_^

If anyone needed it, here's the original twitter post I used as reference for the first drawing!

[coquelicoq]

what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.

[courtesanofdeath]

ZORA in Rise of the Wizard King

[a2zillustration]

We lived.

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[beneathsilverstars]

anyway related to my "gullible" post i do think bonnie didn't really have a lot of friends / any good friends. i'm taking a watsonian approach to "some of the things bonnie does seem more like age 5-8 than 10-12", and a doylist approach to "everyone in this party grew up kinda lonely and feels disconnected from their peer group"

[mejkosmos]

"i wish they kissed" THEIR SOULS ARE LITERALLY ENTWINED AMONGST THE COSMOS WHAT MORE DO YOU WANT???!?!??!?!

[seance]

I'M GONNA SEE MY MAN, 'TIL I GET SATISFIED / for @izzy-hands