#i was thinking about how they all tend to suffer in their own ways and i realized a lot of it actually connects and relate to each other

[emeritusemeritus]

Heyy, do you think the Weasley twins would cheat on their s.os? Just curious what your take on that is:)

Hi anon! Please accept this essay about my thoughts on the matter, because apparently I have many 😂🖤

George would never.

Fred… maybe… but it would be a very specific situation like a prank gone wrong/ Polyjuice potion fail/ case of mistaken identity. Like he’d get carried away with talking about his inventions and wouldn’t notice the girl getting a bit too familiar until her lips are chasing his. He just thought she really liked what he was creating.

I think it all boils down to how you perceive them. I’ve read a few fics of ladiesman!Fred and though I could potentially see it in an AU, I never personally view him that way.

I tend to always write George as the shyer, more sensitive twin and i think that he is naturally a lot less confident than Fred, at least underneath. He uses humour as a deflective shield and falls into his role of prankster wholeheartedly because it hides his true nature that underneath the surface he’s a little bit insecure. He’s the second twin, always the other one, the other half of something bigger than him and quite often follows Fred blindly, having to explain and rationalise his slightly older brother’s ideas and words. SO, when George gets a girls attention, and it’s only him and not Fred, he’d be a bit of a mess and would probably plan what suit he’s going to wear to his wedding by the second date. I can’t see George ever cheating, it’s just not in his nature.

For some reason, I feel like George wouldn’t find love in his school years but would find someone absolutely perfect for him at the shop, like a meet-cute within their universe and the person would fit right into George’s life.

Fred however, he’s the more outgoing, more confident twin who seems completely unashamed and proud of who he is, both as a twin and in himself. I personally don’t write him as a fuckboy but he’d be quite a good fit if I did under certain contexts. I tend to write Fred as finding ‘the one’ young, probably in their school days and being certain right away that she’s the one. He’s a fiery guy, often quick to anger and doesn’t think of consequences of his actions so he’d need someone that balances him out, reminds him of what’s important and someone that he actually listens to when he needs to pull back a little.

Like he would get the attention of other girls but he’s completely blind to it because he only has eyes for his girl.

I always see him as being friends with the person before, a typical friends to lovers trope with a big event or a big realisation that it’s been her all along.

My own personal HC is that his love story would follow Arthur and Molly’s up to a certain point (being young, finding love, getting married early). I think it would be one of those ironic life twists that always seem to come full circle as he’s often quite anti-authority and against conformity, particularly when it comes to Molly’s expectations for him and George. So to see his life mirror his parents as hard as he’d tried to deny it would be ironically beautiful.

So I think with that in mind, I really couldn’t see cheating being an option. George likes having an easy life and if the relationship wasn’t right or he knew he couldn’t give it his all then he’d find a kind way of ending things, not cheating in any degree even if the relationship was rocky. If the relationship was happy, he wouldn’t even dream of it. The grass is never greener to George Weasley.

Fred wouldn’t dream of it because he knows he can’t do better than his long suffering girl. There’s too much history, too many inside jokes and his parents have practically adopted her into the family anyway so if he ever stepped a toe out of line, his mother would probably kill him. The length of his relationship is a mark of pride for Fred; being secretly sentimental he’d love to be able to say proudly how long he’d been with his girl to anyone that asks, knowing that even from a young age after so long together that you’d been together longer than you’d ever been apart in your entire lives.

The Weasley men just love their SOs okay?

Any one else have opinions on this?!

[skitskatdacat63]

Hey, do you remember that really homoerotic scene from Skyfall? No? That's okay, here's a Vettonso version of it :)

- explanation & w/o text:

Hi hello, finally my weird psychosexual relationship with Casino Royale has come to fruition. Yeah this is directly based off a scene from Skyfall, but I def envision the vibe as being more like Casino Royale hehe. I can't believe I made that inspo board for this AU almost 4 weeks ago, and then ended up drawing a four panel "comic" about it. Ahhhh proud of myself, a bit, a tad. I think this took 20+ hours across the span of a week? God. Anyways I digress! The AU!!

First of all, their Bond song would be "My Way of Life" by Frank Sinatra. It's so toxic, codependent and obsessive, I'm in love with it. And it really suits Fernando and his motivations and outlook in this AU. Basically, MI6(in the context of James Bond) in this AU is an analog for Ferrari. It picks theses guys up, tells them that they're Ferrari MI6's most special boy, chews them up, and then spits them out when they're finished extracting all their talent and skill and life force.

Much like with Ferrari, Seb in this AU replaces Fernando after Fernando loses favor and becomes undesirable. Now Seb is the new golden boy, and Fernando has turned to a life of crime! Fernando resents Seb for this of course, but also becomes obsessed with him and the idea of him , and how they are connected. It's weird to watch someone else basically go down your exact same path and unknowingly make all the same mistakes(buying into the mysticism of it all too much, being overly cocky, having naive beliefs and goals, etc.) He is caught between wanting to doom Seb even more but also wanting to "save" him, by corrupting him and convincing him to work together.

Basically: He's both a Bond girl and Bond villain.

Fernando is in such a weird place in this AU. I think he's just very dramatic. Seb is just casually living his best 007(005?) life, and Nando is watching him with binoculars, whispering to himself: "DOESN'T HE UNDERSTAND THAT WE ARE NARRATIVE FOILS!?" Yeah he hates Seb, but like the song lyrics say, their lives and dreams are inherently tied up together. He would feel lost without Seb, because Seb basically, unknowingly, destroyed and then took over his life. Maybe he'll feel satisifed if he manipulates Seb into going down the exact same path a bit better.

About the drawings themselves. Still can't believe this scene is a real thing that actually happened, insane to me. But in this AU, after the events of these drawings, Fernando definitely kicked all his henchman out of the room, and fucked Seb in the chair. And then against the wall. And then on the floor. Hey man, Seb is already looking mighty delicious with his unbuttoned attire and being tied up.

I think the general plot would be that Fernando keeps trying to seduce him to the dark side, and Seb keeps making him think it worked, only to escape at the end of the encounter. Leading Fernando to just come up with increasingly more violent and kinky traps. Seb goes along with it(read: enjoys it), leaving Fernando satisifed, only to somehow escape and wink and make kissy faces at Fernando in the process. (Fernando smoking cigarette in bed: "How do I make him stay. Sigh.")

I like to think though that Fernando does win in the end, by realizing, ah wait shit I do need to actually explain my motivations to Seb. And Seb is so worn down by his job, not Fernando, and how he's being treated, that he listens, really actually listens, and realizes Fernando does really have valid reasons. And then they become evil crime husbands yayyyy. Wow you thought this was a espionage AU? Well it is, but just not the outcome you'd expect.

[anxiously-sidequesting]

So I just made a terrible discovery 🙂 you know how the gist of Death Magic in particular is "take something away (usually the self) to give something back (usually for others). we'll have you ever considered:

Malorn Ashthorn: sacrifices his emotional/mental health to give to and nurture others (Ghoul, Vampire, Wraith, Sacrifice, etc.)*

Malistaire, Morganthe, and Duncan Grimwater: sacrifices their emotional/mental health to harm/hinder others (Feint, Doom and Gloom, etc.)

*(i know 3 out of 4 of the spells listed harm the enemy rather than the self, but it still kinda works trust me bro)

[luveline]

hi!!! i have a request for roommate!spencer where he's injured during a case and reader show up at the hospital because she's his emergency contact but the team is really confused wondering who's this stranger fussing over spencer. hope you like it, love you!

thank you for requesting honey!! love you<3 fem!reader

“Close your eyes,” you command, voice all blown up and grand, already smiling. “Close your eyes, Spencer.” 

“No.” He squints groggily. “What are you doing?” 

“Close your eyes.” 

“No, Y/N, what are you doing?” he asks. 

You shake your spray bottle at him. He sighs a long-suffering sigh and finally admits defeat, his tired eyes shuttering closed all too easily. You rest your knee on the side of his bed and hear the metal squeaking at your added weight, your hand gentle as you cover his forehead. “You have greasy hair,” you say sympathetically. “This is gonna feel much nicer.” 

You blast him with dry shampoo, his brown hair turning white with powder. You drop the can in his lap and set about rubbing the powder into his hair until the grease is soaked up, and his hair feels less miserably lank. 

“When are they gonna let you shower again?” you ask quietly. 

You’re still touching his hair. More for him than you, you hope he feels comforted, but mostly you just wanna affirm to yourself that he’s all in one bruised piece. Your heart still aches as much as it did when you got the phone call in the first place —Spencer Reid’s next of kin? 

You suppose that’s you. 

“I don’t know.” 

You take his hair back into his current parting. “Well, let’s hope it’s soon. How are you liking the sponge baths? Are they awful?” 

“Humiliating.” 

Just outside of Spencer’s hospital room, Hotch and JJ stand together with a bag of essentials. They’d drawn to a sudden stop when they realised Spencer had company. “Who is that?” she asks. 

Hotch, used to knowing everything, frowns very deeply. He doesn’t know who you are, but from the way you’re touching Spencer’s hair and face, he should. 

JJ sounds a little put out. “She doesn’t work here.” 

“No, I don’t think so,” Hotch says. His frown lightens as you laugh and scratch Spencer’s hair back behind his ears. 

“Is it unkind of me to think he didn’t have any friends?” JJ asks. 

Hotch knows Spencer has friends. He’s summoned Spencer from chess games and fan clubs, picking him up occasionally on the way to the office on cafe sidewalks as he waved goodbye to a glasses-wearing bibliophile, often in coats too big for them or with hair in need of a trim. Spencer attracts the unconventional because he, as anybody in this line of work tends to be, is inordinary. So JJ probably is being unkind, but Hotch knows what she means. 

You look completely regular. You settle on one thigh on his bed while the other keeps you up and put your hand on his chest, chatting breezy words they can’t hear through the glass.

Spencer curls into you slowly. 

“You’ll be home soon,” you say, rubbing his shoulder, “don’t worry.” 

Hotch’s eyebrows rise of their own accord. He and JJ excuse themselves for coffee before they’re spotted, and when they return, you’re gone. “Spence, who was that girl?” JJ asks. Hotch notes the slightest line of jealousy tugging under her curiosity. 

He sounds as though he could use some more pain medication, and a good night's sleep, but he’s proud as he says, “That’s my roommate. I told you about her.” 

“Ah, your roommate,” Hotch says. 

“What’s that mean?” Spencer asks. 

“Nothing, Spencer,” Hotch says, using the young man’s first name in a rare show of affection. “That’s just an irregular word for it. I haven’t heard it in a while.” 

JJ laughs. Spencer hides his face with both hands, a smudge of lip balm on his hand shining under the stark hospital fluorescents. “I’m too tired,” he complains. 

Hotch hadn’t seen you kiss him, but he can imagine how it might have happened, how you’d leaned in for a kiss on the cheek goodbye and Spencer overwhelmed himself thinking about it. Or maybe it’s just an innocuous smudge. Maybe it’s nothing at all. 

“We live together,” Spencer mumbles. “I couldn’t afford to live by myself at first, it’s D.C.” 

“And now?” Hotch asks. He knows Spencer is on good enough money to afford an apartment by himself these days, a big one. He has no dependents. 

“Didn’t seem fair… She’s nice. She’s, like, my best friend.” 

“Don’t let Morgan hear you say that,” JJ laughs. 

Hotch isn’t sure she gets it, but he does. “Well, you can ask her to come back. We have work to do.” 

Spencer pretends he’s hesitant to pick up the phone. Your reply is an immediate beep. Hotch knows a good friend when he sees one. 

[gay-dorito-dust]

Hey I liked your writing on reader having to get in between Wolverine and Deadpool all the time 😆 it made me think what it would be like if they were crushing on you and there is a rivalry between them. If you could write what they’d do to win your favor or what shenanigans that would come with it 😂 subtle or not

These two weren’t fond of sharing.

So when the other finds that they have similar feelings towards you, the outcome is never good.

They’re childish in a way where if either Logan or Wade was coincidentally standing too close to you, the other was bound to notice and make a scene out of it, all the while you wished you were anywhere else in that moment.

The pair couldn’t get along even if they bothered to try as sooner or later they’d end up stabbing each other just because the other one was breathing too loudly or just merely existing.

And yet their feelings towards you ends up causing Logan and Wade to butt heads more often, especially if you were constantly teaming up together, with you often being their meditator in all their conflicts.

Wade was more vocal and borderline flirty when it came to interacting with you, he would crack jokes, boop you on the nose or even playfully smack you on the ass just to hear your yelp in surprise and become all flustered.

‘Plush ass you’ve got there, babe! wouldn’t mind laying my head on it sometime and use it as a beautiful fluffy pillow.�� - Wade, skipping away.

Wade could be quite clingy at times so there would be moments where you can barely escape the guy as he hanging on your side like a koala bear.

You: Wade can you let go.

Wade: and let go of my emotional support person? *gasp* Do you want me to die?

You: well considering how fast you regenerate, you technically can’t die-

Wade: do you hate me? Do you think I’m clingy?

You: no- well yes but-

Wade: you hate me!

Wade can be dramatic and the only way to shut him up is to just let him be in close proximity of you and allow him to talk your ear off about how good a dog parents you’d be to Dogpool.

Dogpool is your weakness, you could never say no to Dogpool and Wade knows this like the back of his hand and will use this as leverage over wolverine.

After all It’s not like he has a version of himself that was an actual wolverine or maybe even a honey badger in yellow spandex. So Wade counts this as a win on his end.

Logan on the other hand would be more subtle with his approach, even though to Wade, Logan’s subtly was as an dopey cow standing in a field of grass with how the scruffier man tended to keep by your side protectively; so much so that he might as well start growling at every person who ever laid eyes on you in general.

He’s a guard dog of a man in every sense of the word but how that came to be was from a whole lot of trauma and loosing people he’s ever cared about, so needless to say he won’t act like he’s interested in you at first, his heart had been wounded about as much as his body has and even had the mental scars to prove it.

He’s lived a long life of pain, fighting, suffering and heartache. He’s not going to falter so easily until you did something that made him feel safe enough to fall for you.

Once he has however it was impossible to go about the mission without him always wanting to stand guard by your side when he sees someone he doesn’t fully trust, always using his body as a shield for your own as Logan knew he could handle much more punishment then you could. So he’d rather avoid you being grievously hurt by any means possible.

He’d probably scold you if you ever were hurt as he was afraid that he might loose you, yet his hands were gentle but firm as they worked to patch your wound so it’d heal properly.

Wolverine: you’re an idiot you know.

You: wow I really feel the love over here.

Wolverine: *huffs* you expect me to kiss your ass when what you did was reckless and could’ve killed you? *his hands linger on your own even long after he’s done patching you up as though committing your warmth to memory*

Logan is a secret softy who wouldn’t push you away if you were to ever fall asleep on him, he’d grumble but that’s about it.

He’d even toss you his jacket if you were to ever complain about being too cold or leave it somewhere for you to take yourself, again he’d act like he didn’t want you to but he actually did with how he almost smiled upon seeing you looking comfortable in his jacket.

Logan is evidently more subtle about his crush on you then Wade is, or so he’d likes to think but Wade can messily tell he’s smitten when he sees how Logan’s eyes were quick to follow you in a crowded room with protectiveness and adoration.

Wade: aww has our dear friend taken the stick out of your ass and you fell in love?

Logan: *growls* fuck off Wade.

Wade: *holds his hands to his lips and gasps* oh my gosh! You have! Me too!

Logan: *looks at him* you what?!

Wade: yeah cats out of the bag, I like them too wolvie. you’re not the only one to find them cute, how close minded of you seriously.

They can’t share to save their lives, I’ve mentioned this before but they genuinely can’t even if they tried because one is them was bound to get jealous and try to take you away from the other.

Wade: do you really want to be near me grumpy all the time? Yawn fest much.

You: stop riling him up, you’re making Logan mad. Why are you like this?

Wade: maybe because you deserve to be in the company of someone who isn’t still unhealthily hung up on his previous red headed lover.

Logan: you shut your fucking mouth.

Wade: see! He’s not denying it!

You: I’m going to go now. *leaves*

Logan: you should make full time fuck head your job.

Wade: and you should make full time teenage brooder in a full grown man’s body who still isn’t over his first breakup yours.

The shenanigans that would occur between these two would be headache inducing to say the least.

The constant fights that would break out between them that you’d have to break up.

The bickering over who gets to act like a couple with you on missions. They might even play rock, paper, scissors multiple times behind your back.

Wade probably tried to trip Logan up in front of you once but it backfired when Logan made Wade trip up instead as he puts a hand on your lower back and guided you away from the poor Merc with a mouthful of dirt.

[baeshijima]

mr reca fic where he’s suffering a creative slump due to the lack of good scripts (by his standards) from various screenwriters. he feels himself going positively insane with every script he’s given.

it’s too dull. it’s too predictable. this one has no creative flair whatsoever!! that one just doesn’t spark enough imagination!!!

it’s troublesome, really. some think he’s really going through it, while others believe the scripts he’s been given won’t bring him enough money. but really, who cares about monetary value when it is he who cannot even begin to picture himself enjoying the process that comes with each script?

and so that is how he finds himself wandering around aimlessly. sometimes the outdoors is necessary for the mind, and who knows? perhaps he really will find something that will give him a spark. hmm, those trees are looking a little dull. the sky overhead is too cloudy. hm? did he just hear thunder—

something collides into his chest, a choked “oof!” following soon after. he stumbles backwards a little, papers flying through the air around him. he blinks once, twice, at the sight of you on the ground, muttering something under your breath before a sharp gasp escapes you, hastily scrambling to gather the papers fluttering and strewn around.

one such paper falls into his hands. he glances over its contents, skimming through it as he goes to pass it over to you with an apology at the tip of his tongue, only to freeze.

this… this is genius! this is absolutely the pinnacle of writing!! while a little rough around the edges (as drafts usually tend to be), his once clouded mind is now clear, giving way to a blank canvas which slowly depicts the imagery your writing induces. idea after idea pours into his brain as he can visualise exactly what he wants, his body trembling and heart pounding as he insantly fixates on your panicked form still collecting all the fallen papers.

“yes… yes! this is what i was looking for! everything about this is pure artistry! the possibilities are endless, the sky is the limit!!”

this is possibly the happiest and freest he has felt in what seems like eons! seriously, compared to those other mind-numbing scripts this truly is the pinnacle of writing itself.

a laugh full of pure, unadulterated glee escapes him, careful not to crinkle the god-sent paper cradled in his palms. “you! you’re a genius!”

“i’m a wha…?”

he whirls in the direction of the source of the voice, further praises and a proposal for a collaboration on the tip of his tongue, only for his breath to catch in his throat.

you… you’re so radiant! even with that disheveled appearance and absolutely adorable confused expression you’re giving him, he never realised such beauty existed! not only does your writing fill him with endless creativity, but his pounding heart, parched throat and warming skin tells him you’re definitely the main character!

but wait! if you were to be the main character, then would that make him the main character’s love interest? surely he wouldn’t have had such a cliché meet-cute like bumping into each other if he wasn’t the love interest! but what if there is a second love interest? no, no, he can oust them…

you, on the other hand, believe you’re about to get whiplash instead of the man, baffled at how he instantly switched from a maniac to stark silence to muttering senselessly with a dreamy expression.

well, each to their own. you have more pressing matters, and that’s to quickly return home and continue fantasising before you forget the idea! but first, you have to get the last piece of paper back…

“um… sir? can i have my paper back, please?”

in an instant, he kneels in front of you. now that you’re at eye level, he certainly is very handsome. if you didn’t know any better, you would have thought this was some movie or drama plot with him as the main lead! oh, but why is he holding your hands—

“yes, i will spend the rest of my life with you.”

“…what?”

tldr; you’re just a silly writer who daydreams far too much for their own good, and somehow managed to bag top-tier director mr reca with the power of said daydreams. (his ever-growing obsession with you is concerning to say the least but, hey! what genius isn’t at least a little insane?)

[drenched-in-sunlight]

I think to make sense of how Marika feels about her Omen twins, you need to follow a string of:

1/ how bad is Marika’s PTSD?

2/ how bad are people in the Lands Between in general feel about the Hornsent? The Hornsent is very much leading a whole empire that is hunting down anyone they deem inferior, even their own brethren. the fanbase tend to forget that people of Land of Shadow and Lands Between have every reason to already feel grievance towards the Hornsent royalty, even without Marika’s influence.

They were the Golden Order before Golder Order was even a thing (and they want that, btw, the Greatsword of Damnation skill description very much pointed out that the Hornsent royalty wanted to build their own Golden Order under the banner of the Spiraltree, they are just pissed as hell Marika wrenched that divinity from them and made it under the Erdtree instead).

And Marika, even as a God, was still just one person, with an ailing son at the beginning. If she wanted to consolidate power, she had to unite other people under a common cause. And I do think she promised them a world abundance of healing blessing and no death, and no one will suffer under the Hornsent anymore (sounds awfully familiar, isn't it. except that Marika was always gunning for revenge as well). Omens being shunned that badly can’t be just because of Golden Order propaganda, it’s also because people in fact did suffer under the Hornsent and still remember it too.

3/ Messmer, who is fanatical to the point of even though he admits the Tarnished has Marika’s sanction, he will still hunt them down because he considers them lightless / unworthy, who was very much around when the Omen twins were born, why did he do nothing about it?

I’m pretty sure he has no qualm about killing babies, he doesn’t gaf about his siblings chasing something doomed to fail, he very much goes extra miles to torture any Hornsent on his way. So who protected the twins from him? Who hid them from him?

1 + 2 + 3 = you have a Marika who still very much suffered PTSD from what her people went through, she thought she had escaped, she thought she had managed to build a world where everyone was free from Hornsent’s cruelty and always bathed in gentle ray of healing - something the minor erdtree in her village could never do, because there was no one there to heal. But now she gave birth to … Omens?

It’s a sign that whatever the Hornsent once did to her, it’s left a taint forever inside her (yes i very much believed she was under the Hornsent capture before she managed to run away, either via the Mimic Veil or other means). That she never really escaped that cold dark gaol. And for all of his belief in her sanctity, I think Messmer knew that too, that it’s a wound he could never heal, and now all he could do was to make sure she wouldn’t be tainted further.

And after distress, came fear. Fear for the Omen twins, even though she should hate them, she still loved them, she couldn’t help it. She carried them for months and had loved them all that time. That wouldn’t stop even when they triggered all of her trauma at once.

I think it should be noted that in the DLC there is an item that is the same as Omen Bairn item in the base game, which points out that Omen (or in their case, Hornsent) babies with overgrown horns meet a frightfully early demise. Morgott and Mogh both have overgrown horns. But they are alive! They are ! Very much alive! And grow into adulthood!

Who healed them? Who kept them alive? Who else but the woman who used to make several blessing flasks for her cursed firstborn, whose innate power is healing, right?

Before the Omen twins, Omen babies had their horns excised, causing them to perish, but once there are ones born into royal linage, exile is on the table? and again, they have overgrown horns, and still live to adulthood. if they were left to rot in prison, they would have already died.

Marika built a world with a promise that the cruel shadow the Hornsent cast would never befall there, but now… she gave birth for two of them. Her position as a God Queen was of no use if her people clamored for the twins’ death, her duty to them will always outweigh her personal feelings. But she sure as hell would not let her sons die, either.

They weren't exiled to faraway land, they were kept under the capital, presumably so Marika could visit and heal them if their horns caused them pain, the shackles were made so they wouldn't wander up above and ran into civilians that pretty much would call on the Omenkillers to go after them. it was a cruel existence, yes, but it's all she could do for them. she tried her best out of love.

That is why Godfrey never held it against her, even when it's apparent he loves Morgott (as he cradles his son's body gently in the boss cutscene). Godfrey knew she had done everything she could.

All of that above answers this 4th question: why Morgott was accepted as Lord of Leyndell, even went so far as having command over a whole army of the Night's Cavalry?

In the time of unrest, Omens were welcomed in the army, but they were distrusted, even their weapons have an enchantment on it so it could be taken back if they tried something funny.

But Morgott was trusted to command a whole army and held the walls of Leyndell for that long?

The only way I could rationalize that is after she was forced to separate from Messmer, Marika brought both Morgott and Mohg back to live with other demigods. A big part of the Erdtree's power force was in Messmer's hand, now that he was not there anymore, I imagine people would become more accepting of letting Omens join their rank. And because Messmer was not there, the twins would actually not have to deal with him. In a twisted way, when Marika lost her beloved firstborn, she gained the other two back.

Even though they weren't officially recognized as her child, but more as warriors serving in Leyndell army, Morgott proved himself with his tactical mind and combat prowess (while Mogh used the resources brought by his new position to secretly started funding his blood cult, and this is how I think he met Miquella and all the stuffs in that part of the lore happened. Like you can't convince me he built that whole palace and had all that fancy clothes without money or resources taken from somewhere else).

Then Godwyn died, and Morgott witnessed everything thereafter. and the rest of the story, we knew how it played out.

So yeah, that's my take on the timeline and story of the Omen twins. I know it doesn't have a strong official description backup as my theory on Messmer, but I feel like this makes sense with all of my other interpretation, and if you agree with those, they are what actually back up this one.

If I draw Morgott in the future, it'll also be based on this premise.

[ilions-end]

i finished statius' ACHILLEID. thoughts thoughts thoughts:

i knew going in it was a VERY short unfinished epic, but i didn't know it would be FUN?? if i ever get that time machine, FIRST THING i go back and find one publius papinius statius, i lock him in a room, and i'm NOT letting him out until he's finished the achilleid!

achilles is statius' BLORBO in a way neither homer, quintus nor virgil have blorbos. statius likes achilles to be strong and pretty and graceful, but most of all ENDEARING even when he fails. and he fails a lot, because this is him still figuring out how to be an adult, not to mention a prophesied legend literally everyone is waiting for to step up

the one thing that gets tiring is just how many prophecies permeate the achilleid. nothing's left to chance, there are so few unknowns. even ODYSSEUS was aware that from peleus' wedding there would come a child destined to be a central warrior in an upcoming gigantic war.

as it stands, the achilleid is more of a... thetisiad? she is very centered in the narrative (we spend more time looking at things from her point of view than achilles') and there is SO MUCH SYMPATHY for her, oh my gosh!! she loves ONE person, her son, the only worthwhile thing she got out of a traumatizing marriage, and she despairs that he's fated to die young in a silly human war.

also i'm a deidamia defender forever now. so three-dimensional, so clever!

aughhh i love how much characterization statius puts in, even in the small scenes! my favourite example is odysseus and diomedes as they walk up to lycomedes' place (literally just moving characters from A to B). diomedes teases odysseus, and odysseus is delighted to be teased. that night we're told odysseus CAN'T SLEEP because he's too excited about showing off his plan the next morning!

the unveiling of achilles is completely different from the chagrined defeat/"achilles is a fucking idiot" ways i've heard it retold! i love that it's collaborative, it's a mutual triumph. it's just as much achilles (who's been suffering in gender dysphoria hell for a year) longing to be exposed as it is odysseus LIVING for showing everyone (especially diomedes?) how clever he is. it's not just the shield and the spear and the bugle, it's odysseus playing the part of the siren, whispering in achilles' ear that he knows who he is and describing how glorious he will be on the trojan battlefield. it's achilles' grateful relief at being ALLOWED not to pretend anymore as he rips off his own dress even before the bugle calls

also it's very important to me that the moment he's no longer hunching over trying to make himself look small and inoffensive, we're told achilles is taller than both odysseus and diomedes

i KEEP IMAGINING how good statius would have made the rest!! especially because as book ii ends, achilles regards odysseus as a cool uncle; he's the guy who rescued him! i want to think statius would have put in the big mystery quarrel achilles and odysseus are said to have had early in the war, something to drastically change that affection. i want to know how statius would have handled troilus, and the gods. augh statius you roman BLUEBALLER

an assortment of story beats still revolving in my head:

chiron is such a sweetheart!! he's SO gallant with thetis, he's so affectionate with achilles. he HIDES HIS TEARS when achilles leaves, awww

statius writes out phoinix completely. as a phoinix stan i object. sure chiron can raise young achilles, but i NEED phoinix to tend to him as a baby

i enjoy how achilles EXPLODES into a mess of teenagerly hormones when he first sees deidaima. it's so funny that thetis is looking on (and we get my favourite simile of the achilleid, of a herdsman delighting in a young bull snorting and foaming at a beautiful heifer) like "aaaaand there's my son's sexual awakening. i see! well, we can use that" and THAT explains why achilles is so willing to commit to the female disguise

(listen. listen. few things mean more to me than the love between achilles and patroclus. but achilles is a teenage boy at the age when a fucking breeze will give him a boner, and deidamia is the most beautiful and the cleverest of her sisters. i really enjoy a story where achilles and deidamia are neither "fated eternal true love" or one's a sneaky opportunist. it's much more compelling that they're both knots of budding emotions and bodily feedback)

i notice that statius never uses the name pyrrha, he doesn't seem to have a fake name at all, just "achilles' sister"

lycomedes is SO honoured and proud that thetis is entrusting her daughter to him. i feel sorry for lycomedes, he seems so earnest and hasn't done anything to get tricked

the one thing i can't forgive statius for is that after spending SO much time establishing that achilles and deidamia (who knows he's a guy) are genuinely into each other, it feels like statius goes OUT OF HIS WAY assuring us that their first sexual encounter is rape. sure they talk right after, deidamia forgives him, AND i understand there are social rules that makes deidamia more "honourable" and "worthy" when she resists, but like. sigh.

aLONG with the previously mentioned interplay between odysseus and diomedes as they walk up to lycomedes' court, there's a simile where they're both starving wolves on the hunt. so sexy it's almost illegal

the feast scene is SO FUNNY omg. all of achilles' careful feminine training dissolving because odysseus and diomedes are there with their boundless masculinity for him to feed off of. deidamia practically WRESTLING achilles back down on the couch every time he forgets himself and behaves too much like a man. odysseus chatting with lycomedes SPECIFICALLY trying to rile up achilles, and then after the women have left (achilles dragging his feet and looking back, YEARNING for their male company) odysseus specifically praises the maiden's "almost masculine" beauty (because ohh he suspects. he just needs to prove it in the morning. he can't SLEEP for it)

when they depart, achilles earnestly swears to deidamia that no other women shall ever bear his children. i find it interesting as a reminder of the social rules of its era. neither of them expect achilles to be sexually exclusive, just not fathering potential heirs. which again makes me wonder about the contraceptives in ancient greece

on the ship towards aulis, diomedes begs achilles to tell them all about his feats and training with chiron, and achilles is so shy about it! who can blame him! diomedes has a WAY more impressive track record

odysseus is SO good at firing up achilles' outrage at paris even as he's just catching him up on what the war's about. and he's so pleased at how easily achilles' outrage can be directed! you KNOW that would have developed in such an interesting way AUGH THE REST WOULD HAVE BEEN SO GOOD.

[dixons-sunshine]

No-Nonsense | Daryl Dixon x Fem!Reader

A/N: I am so sorry this sucks. I’m moving in a few days, Saturday to be exact, and I’ve been packing non-stop today. When I finally sat down, my brain was fried and I couldn’t really think of words lol. This was the best I could do. I hope it’s still somewhat okay!

The sound of a disbelieving scoff being let out had Daryl tensing up. His cerulean-coloured eyes trailed over to where you leaned back against the wall, his hard, steel-like gaze resting on your face. “Ya got somethin’ ya wanna say, Sunshine?”

“Yeah, I do.” Your own angered stare rested solely upon the crossbow-wielding archer, T-Dog, Rick and the kid, Miguel or something, not even being on your mind at that moment. “I want a gun.”

Daryl rolled his eyes at your statement. He didn’t even know why Rick had bothered asking you along. If shit hit the fan, you wouldn’t be able to protect yourself, and the archer didn’t feel like dying for some woman he didn’t even care for. Sure, you were a resident at Atlanta General before the world ended and had come along to check if Merle had potentially suffered from heatstroke, but other than that, you were useless. At least, to Daryl’s knowledge.

“Yeah, well ya ain’t gettin’ one. I ain’t ‘bout to have my head blown off ‘cause’a yer shit aim,” Daryl told you defiantly. Truth be told, he did not even know whether or not you could use a gun, but if your hesitance towards even looking at Dale’s shotgun back at the camp was anything to go by, it was best not to trust you with a weapon that could potentially lead to his demise.

Cleverly sensing that the situation would escalate without an intervention, the self-appointed leader stepped forward and between your’s and Daryl’s line of sight. “No need to get at each other’s throats.” Rick sighed, rubbing his eyes in exhaustion. The last thing he wanted was for blood to be spilled over something as meaningless as an argument. The main concern was getting Glenn back. Rick turned towards you, an understanding glint in his eyes. “Shane told me you didn’t know how to handle a gun. I’m guessin’ he’s got it wrong.”

“Shane doesn’t know shit,” you spat bitterly, pushing yourself off the wall. “I know how to use a gun. I just don’t like it.”

“Yeah, well s’the way’a life now, Sweetheart. Better get to likin’ it real quick,” Daryl interjected before Rick could respond. He picked up his crossbow and slung it across his shoulder. “‘Sides, how do we know ya ain’t jus’ lyin’ to us?”

“You don’t,” you began, your jaw clenching as you tried to suppress your anger. “I could be lying to you, or I could be telling the truth. Either way, I’m not walking into that place with nothing but my good looks. So we can continue to argue about this all day, or you can stop being an asshole, shut up, trust me, and give me a goddamn gun, or else you can tend to your brother’s wounds on your own if we find him. Your choice.”

If there was one thing Daryl had to give you points for, it was your no-nonsense attitude. Most of the women at the camp seemed to fear him, but you didn’t. Time and time again, you stood up to both Shane and Merle. You refused to be belittled, and he respected you for that. You could stand your ground, regardless of the person you faced.

Swallowing his pride, because he sensed that he could potentially have been in the wrong, Daryl reached forward and grabbed a handgun from the table. He offered it to you, and when you wrapped your hand around the handle, his hand lingered on the weapon for a few moments. “Jus’ so ya know, I ain’t gon’ carry ya when ya shoot yerself in the foot.”

Against your better judgement, you sent him a small smile. “And I’m not gonna carry you when that guy shoots you in the ass for shooting him in his.”

Daryl let out a small huff of laughter. Under normal circumstances, the archer would have still been pissed. However, for some reason, seeing your smile made his anger fade away and be replaced with another feeling, one that unnerved him beyond belief. However, he pushed that odd, fluttery feeling to the depths of his mind. There were far more pressing matters at hand.

Before he could speak up, Rick’s voice flooded the air, making you and Daryl practically jump apart. “Now that that’s settled, let’s get goin’.” For added emphasis, he cocked his gun, motioning towards the kid. “Let’s get Glenn back.”

You spared one last look at the brooding archer. He gave you a small nod, a stark contrast to his previously angered, frustrated state. “After you,” he mumbled, motioning towards the door.

You sent him a playful smirk as you walked past him. “Why, thank you. That was almost gentlemanly of you.”

“Keep up the smart ass remarks and m’shootin’ an arrow into yer behind.”

[temiizpalace]

Can i have Malleus and Leona with prompt 3?

☆┊PUT YOUR HEAD ON MY SHOULDER! NOT HIS! (🐉 vs. 🦁)

SUMMARY: THEY BOTH OFFER HIS SHOULDER TO REST ON. WHO KNEW IT BECAME A FULL BLOWN WAR!

CHARACTERS: malleus draconia vs. leona kingscholar

EVENT MASTERLIST

WARNINGS: no determined end couple, jealousy, crowley sucks at being a guardian 👎👎👎

NOTES: leona suffering chronicles part 3!!! /j tysm for your request!

reader is g/n, reader is yuu

˚∘☆∘˚

helping crowley had many benefits.

weekly payments, a home and shelter, and a beloved father figure. that’s what he claims anyway. however, from yours and grim’s experience, there were also many drawbacks; he forgets to pay you, he forgets about you, you’re his favorite errand runner, and you tend to pull all-nighters in order to finish up his chores.

in short, helping crowley was just asking for a death wish. finally finding some free time in your day to rest, you sat onto a nearby bench hidden by the trees, basking you in some shade.

“urgh.. if i have to run down anymore papers to crewel i think ima be sick.” grim groans, stretching himself into your lap before curling up to nap. “tell me about it.. im sick of being sam’s supplier.” you sigh, leaning your head onto the back of the bench. “child of man? what are you doing outside of class?” a certain prince calls out, suddenly sitting by your side.

“tsunotaro? i could ask you the same question.” you laugh, suddenly snapping yourself awake. “wasn’t there a housewarden meeting today?” you ask, seeing his face twist into a pout. “if that is the case then they have failed to invite me.” he sighs, crossing his arms with a frown.

“seriously? again?” you scoff, shaking your head. “i’ll have a talk with crowley about this when i see him later.” you smile at him, patting his back. “i appreciate it. you’re too kind, really.” malleus looks into your eyes, not being able to resist smiling back at you. as you both continue to converse like normal, you have yawned far too many times for the poor boys liking.

“are you sleeping alright? i believe you yawned at least 10 times during our conversation. are my topics too boring for your liking?” he frets, sudden worry overriding his emotions. were you losing interest in him? are you going to leave him?! oh no. no no no no no no no no—

“why would you think that?! im always interested in what you have to say. crowley has been working me ragged lately, that’s all.” you reassure malleus, giving him a thumbs up as if what you said wasn’t concerning in the least. “why that lousy..” he mutters, eyes narrowing at the facts. how dare that stupid insolent prick drive his poor beloved prefect to the brink of exhaustion. it’s inexcusable.

“im on a break for once, so me and grim were just resting here.” you smile, pointing to your sleepy catlike companion. speaking of catlike companions, leona watched from a faraway tree your little chat with malleus. yuck. he’s already annoyed when you talk to other beastmen, but talking to that horned bastard just left a bad taste in his mouth.

“well, you’re more than welcome to rest on—”

“hey.” leona huffs, plopping himself beside you. malleus’ eye twitched at the sight. are you shitting me. what is he doing here? isn’t there a housewarden meeting for him to attend to? go away. “leona?! shouldn’t you be at the housewarden meeting?” you exclaim, practically taking the words right out of malleus’ mouth.

“mm, ditched. no way am i attendin something stupid like that first thing in the morning.” he shrugs, crossing his legs and making himself comfortable. “looks like someone wasn’t invited.” leona grins, pointing at the obviously annoyed prince sitting beside you. “if you had just come to insult me, then you can take your leave and save it for later, kingscholar.” malleus replies with a polite yet harsh tone.

“not everythin’s about you, lizard. can’t i care for my own underclassmen?” leona frowns, wrapping his arm around your shoulder. “..pardon?” malleus furrowed his brow, watching as the lion prince got far too touchy for his taste. “they got eye bags, probably haven’t been sleeping well. since im such a kindhearted senior, i don’t mind if they rest a lil.” he smirks, leaning you onto his shoulder.

“really?!” you shout in disbelief, nearly waking poor grim up. leona was one to never admit to anything, always keeping you guessing. seeing him so.. direct threw you and malleus for a loop. “would you rather rest on tree bark?” he raised a brow, leaning closer to your face. “nope! thanks i guess, leona.” you hastily accept, deciding not to question it.

“thanks for talking to me malleus, it kept me from falling asleep.” you smile, now shutting your eyes. in a matter of seconds, you had already fallen asleep, relieved from all the previous exhaustion. the two princes glared at one another, tensions rising to new heights. “your services are no longer needed, you can go to the housewarden meeting. consider it an invite.” leona chuckles, waving malleus off towards the hallway, earning a genuine look of anger from the usually calm and collected fae.

“i appreciate the sentiment, but i believe the child of man and i were having a heartfelt conversation before you showed up. as king of briar valley, consider yourself excused.” malleus retorts, moving you over onto his shoulder. leona scowls in return to his obvious insult, very gently moving your head back to him. “if i remember right, they chose to lean onto me. not nice taking what’s not yours.”

“don’t act like you didn’t just steal their attention.” malleus scoffs, tugging you back towards him. “why you horned bastard.” leona growls, bearing his fangs at the now smug prince. and so, the game of tug of war began. constant pulling back and forth, back and forth, it was a miracle you hadn’t waken up yet. poor prefect..

HOWEVER, a certain someone else felt the shaking, and just couldn’t stand it. grims eyes flutter open as he looks to the two housewardens tugging you left and right with a frown. “HEY,” grim shouts, startling the two as they looked down. “do ya mind?! some of us need to get a lil shut eye.” he hisses, trying to look at the very least intimidating. “shut it, pipsqueak.” leona grunts, glaring at grim.

“grim, i believe it is best if you don’t intervene.” malleus stated sternly, moving him off of your lap. “HOW DARE YOU! GRIM THE GREAT LISTENS TO NOBODY! [MC]! WAKE UP, WE’RE SLEEPING SOMEWHERE AWAY FROM THESE FREAKS.” grim shrieks, almost rupturing both of their eardrums.

you stir awake at grim’s shrill voice, rubbing your eyes with a grumble before looking downwards. “huh..? oh, tsunotaro? leona? you’re still here?” you mumble, turning your your sides to see the two boys covering their ears. “let’s get outta here and sleep somewhere else. crowley might find us and give us somethin else to do.” grim frowns, tugging your hand.

“alright, alright, jeez. calm down, will ya?” you sigh, reluctantly getting up and following him inside. “i’ll see you both later! don’t go arguing more, ya hear?” you show them a smile before grim drags you out of sight, leaving both boys dumbfounded.

“it’s your fault they left. tch, dumb lizard.” leona grunts, glaring daggers into malleus. “my fault? how about saying that again after i shave off that mane of yours?” he jeers, feeling a vein about to burst. “haah? what was that?!”

they did indeed, argue again.

A/N: three leona requests in a row is crazy 😭😭 he can’t catch a break (imagine leona bald tho)

date published: 8/25/24

© temiizpalace — do not copy, steal, or put my work into ai. thank you!

[traceybrakes]

Let's Talk About Un-ironicizing Art!

In light of a lot of the conversations i've seen surrounding Death Grips and recent events concerning them, I want to take the time to point out that this is a good time to start thinking about how we engage with art on the whole!

For a long time, the irony poisoned method of consumption went unchecked in all facets of internet culture. As an internet musician in current day, I have noticed a sharp disconnect between artists and enthusiasts/casual listeners when it comes to attitudes surrounding music specifically, though I've witnessed it permeate all forms of art in some way.

I see people who have grown scared to engage on deeper levels, intentionally severing any resonant connections or knowledge learned from a piece of media before it has the chance to take root. In short, dare to be vulnerable! Dare to enjoy something on the basis that you yourself resonate with it, and not for any other nebulous reasoning. When masses of people relegate art to a spectacle, not only do artists become more likely to be disenchanted with the passions that fuel their work, but the audience ultimately suffers as well. All art at that point becomes less an extension of ourselves, less a vehicle to explore our identities, and is rendered a meaningless hulking sludge, or worse, the opponent to an already shrinking and narrow worldview.

Be not afraid to be unabashedly in love with the work that inspires you. Be not afraid to have the things you love misunderstood by some. When you engage with work new and old, make sure to do it for yourself. Making and observing art is inherently selfish, but being selfish is not inherently misguided. Allow yourself to learn, grow, discover, and repeat that cycle until the day you die.

To speak more candidly about my own experience, throughout the course of my life, there has been art that I've held near and dear to my identity, and own journey of self discovery that I seldom find others who hold the same sentiments to. I've always found this exciting. Exciting to hold something close to my chest as something so personal, and even more exciting when I can ease up on that grip when I find someone who I can share that with. However, I've also been through the throes of how the internet tends to chew up and spit out art that generally isn't understood by the many. I've fallen victim myself to the hive mind mentality that circles some artists and the cult of non-identity around them. This off-color ouroboros of knowing all about an artist's work and simultaneously upholding this facade of vapid complacency. I've come to the conclusion that if being openly supportive and connected to an artist's work or a particular piece of work automatically renders a person uninteresting and unambiguous at the very least, then I will live happily as an uninteresting open book. At the worst times, we see this line of thinking contribute to Death Grips being mocked and belittled en masse by people who are unwilling to engage with their art before they even get that far. It's heartbreaking, to me at least to see people put so much effort, emotion, and passion into transforming culture for the better to be rewarded with a crowd that's plugging their ears.

I realize I run the risk of sounding self indulgent, or even patronizing to an extent; I apologize because that isn't my intention, I'm hoping to see gears shift at least on a micro level surrounding attitudes towards art appreciation. Remember to dare to be in love holistically with the art you engage with! Speak of the things you love in a way that makes that clear to others, and consider your peers to do the same! You and the people around you can only be better off for it.

[brightgoat]

Question about GER:

Why did you write them as unhinged and antagonistic? Correct if I'm mistaken but I don't think they act like that in Canon?

Don't get me wrong I don't have a problem with that at all, in fact I find it really interesting!

It's just that I'm pretty curious on your writing process about them and why you wrote them the way you did

First of all, thank you, I'm glad you find it interesting!! And second of all....

The in-universe reason is because Requiem Stands embody whatever desire and emotions the User had at the moment of attaining Requiem. Polnareff wanted to protect the arrow so the incomplete Chariot Requiem continued that duty. Giorno desired to defeat Diavolo, and for just a moment he felt rage, power and malice. Somewhere deep inside, he just wanted Diavolo to suffer for everything he's done. So GER embodies these feelings and became a megalomaniacal and malicious person.

Artificial stands tend to be defined by their ability much more. The power of Requiem is the manipulation of souls, and GER's abilities are to 'return will to zero', which is essentially manipulating souls into not being able to fight back. Since GER embodies this, they turned out to be rather emotionally manipulative. And the fact that this ability is often described as 'nullifying truth' or 'manipulating reality'; GER is also quite the doublespeaker.

In this AU, they start out as you see them in canon, and then develop their own personality.

Now for my own personal reason why I chose to go this route:

First of all it just makes sense for the reasons listed previously. Like the setup is too perfect.

Second of all, it makes it more interesting. If I just made them act exactly as they are in canon all the time (they did at first but then changed), it just wouldn't be as dynamic. They'd be too flat. Making them more emotionally vibrant also contrasts them with GE.

I also like when the most OP characters are villainous or at least not on the protags' side necessarily.

And finally, and this is the more meta reason: a lot of this AU is based off of what little I saw of the JJBA powerscaling community. GER has always been a rather controversial stand due to how,, unexplained and 'up to interpretation' their powers are and how OP they seem.

A lot of people often got into arguments and debates and as you can guess it often turned pretty toxic haha, so I decided to have GER embody this. Who is a larger fan of GER than GER themselves after all? So I made GER toxic and controversial.

[youremyheaven]

Jupiter Dominant Women & Daddy Issues

TW: mentions of rape, abuse, suicide etc

Over the years of my studies, I have noticed that its Jupiter dominant women who tend to have daddy issues more than any other planetary dominance. Solar women (Uttarashada, Uttaraphalguni & Krittika) tend to benefit from positive male influence in their early life, so they have healthy Yang qualities (they're driven, self-motivated, critical thinking) whereas women who haven't had a healthy male influence in their early lives, either develop a heightened but fragile femininity (understood in a very traditional way, this means being passive and excessively reliant on others to get by, I know this is misogynistic but i am talking strictly about a traditional notion of femininity) or they cultivate inner masculinity.

Jupiter is a masculine planet and across the naks of Punarvasu, Vishaka and Purvabhadrapada, women tend to have a very unguarded, open, almost masculine presence. I mean this in terms of what they talk about or how self-assured they seem, traditionally women were expected to be more withdrawn or to talk little. I don't mean to say Jupiterian women are brash or aggressive, they're very poised, and elegant and put across their point eloquently. They're 9/10 times very well-spoken. When one lacks the security of a male figure early in life, one tends to cultivate inner masculinity because it's understood that you cannot rely on any man.

Caroline Polachek, Punarvasu Moon, has spoken about her difficult relationship with her father on numerous occasions. Here's a link to a post where she talks about it. Her lack of a father figure in her own words caused her to be "self-sufficient". Notice how in the post, she speaks about making amends with him later in life and even ended the post with "love you dad". This is the kind of generosity that you don't see from most other nakshatra types. To forgive someone who was never there for you/abused you/hurt you/caused you immense pain, requires a great deal of strength and maturity and not everybody has it. Punarvasu's innate nature is to absorb everything into its orbit and always be the bigger person. Due to the vast, abundant nature of Jupiter, they are ABLE to, accept these people for all their contradictions and see them as flawed, which makes it easier to forgive them. Most people let their traumas define their identity (im not saying traumas don't shape you, only about the kind of perception most people have about their own traumas) and spend their whole lives blaming others for who they've become or what they've done to them. To live a peaceful life, one has to take the high road, look beyond everything and see it as a part of life. It sounds very callous when I say it like that but that's what I mean. Not everyone is capable of being the bigger person or taking the high road.

Jupiter is the guru or teacher and how would one describe an ideal teacher? Someone who forgives the mistakes of their students as having risen out of immaturity and forgives them for not knowing better or being better. A teacher is forced to operate on a higher moral plane than others simply because chaos would descend if the teacher came down to the level of others. They are figures of wisdom, knowledge and higher learning, therefore their behaviour has to reflect the same. Jupiter natives are harshly punished for behaving in ways that are not fit for a "guru" because subconsciously society/those around them subject them to a different standard. Others can do the same exact thing and not suffer any consequences but when a Jupiter native behaves that way, they're ostracized. People kind of expect them to have it all together or be better. Any lapse on their part is judged harshly.

One of the biggest mysteries is how Jupiter natives emerge from often brutally abusive and neglectful childhoods into relatively well-adjusted adults. In the case of famous parent-child situations, there is public proof of their wrongdoing but in numerous other instances many do not believe Jupiter natives to have suffered the way they have or to the extent they have simply because on the outside they seem to have it all/seem so put together. This is yet another manifestation of Jupiter's duality and this not being believed/seen for who they are/how they've lived can be a source of pain/grief for some of these natives whilst others like to pretend it never happened and present a very positive view of their life. They don't hold grudges and often simply overlook the horrible nature of their loved ones, especially their parents and try to make amends with them.

Drew Barrymore, Punarvasu Moon, comes from a very famous family of actors but her father John Barrymore was a violent alcoholic and a drug addict who abandoned her & her mother when she was a child. She did not have any relationship with him and seldom spoke to him until he was diagnosed with cancer. She took care of him and even paid his medical bills until he passed away in 2004. Here's an IG post where she talks about her dad. It's so touching to see the compassion with which Punarvasu natives talk about people who've hurt them so much (in her memoir, Drew recalls how one time her father picked her up as a three-year-old and threw her against the wall). Truly, I don't see this level of kindness in any other nakshatra if I'm being honest. This is a photograph of her with Steven Spielberg who directed her in E.T when she was 7 years old, he's kind of a godfather figure to her and she apparently asked him to be her dad when she was a kid 🥺🥺

I also think Jupiter natives have a complicated relationship with their mothers as well, sometimes they're extremely close but other times, I think Jupiter natives feel the need to be their mother's saviour because they know how much she's gone through in her life. This manifests itself in a very complicated relationship. There is love but there is also a lot of bitterness.

Drew Barrymore has a very complicated relationship with her mother, who used to date the men Drew dated, pushed her into acting and exploited her as a child and admitted her to a psych ward when she was 12 among other things. Drew still takes care of her financially and has mentioned that her mother has even tried to steal money from her.

Charlotte Gainsbourg, Punarvasu Moon is the daughter of Serge Gainsbourg and Jane Birkin. Her parents separated when she was a child and she lived with her father. In 1984, she did a duet with her father and starred in the music video for a song called Lemon Incest which describes an incestuous relationship between father & daughter. She was 12 years old at the time.

The music video is creepy, to say the least and features both of them half-naked in bed together. In 1986 when she was 14, she starred with her father in a movie called Charlotte For Ever which is about an alcoholic man whose only link to life is his daughter (Serge was an alcoholic). She has spoken about how difficult the filming experience was for her as he would push her to her extremes.

Here's a very uncomfortable clip of him kissing her on the mouth when she wins a Cesar. She is 16 years old.

Jane Birkin commented on the song saying "It never came as a shock or a surprise or even a worry [to her], knowing Serge's great love for Charlotte". Many believe that Birkin enabled Serge's abuse of their daughter since she left him due to his alcoholism and violence but left Charlotte in his care. She has also stated that her mother would always dress her up as a little boy when she was a child and that this complicated her relationship with her femininity.

Charlotte has only ever said good things about both her parents and denied any abuse.

She's also starred in multiple films directed by Lars Von Trier where she plays gruesome sexually depraved characters and Lars is well known for being difficult to work with. She has said that she sought fatherly approval from him ._. and again has only said good things about him.

Kali Uchis, Punarvasu Sun, Vishaka Moon & Rising has spoken about being abused as a child and that she no longer maintains contact with her family. She was kicked out of the house when she was 17 and slept in her car and worked at a supermarket for years to support herself.

Halsey, Punarvasu Moon. She grew up poor and has spoken about her difficult childhood, both she & her mother suffer from bipolar disorder and in her song Whispers she sings “Why do you need love so badly?/ Bet it's bеcause of her daddy." In the Armchair Expert podcast, she said that she has both "mommy and daddy issues".

Mariah Carey, Punarvasu Moon, has published a very revealing memoir about her life where she chronicles the abuse she experienced from her family. She had a moderately good relationship with her dad but was estranged from him as an adult. Her mother however continually exploited her for money.

Miley Cyrus, Vishaka Moon has a complicated relationship with both her parents. Currently, she's not on speaking terms with her father after he married a woman around Miley's age.

Beyonce, Vishaka Moon has been performing since she was a child and was in a girl group Destiny's Child which was managed by her father. She dropped him as her manager in 2011 and in the same year, his divorce from her mother was also finalized. He had apparently fathered a love child with another woman in 2009 and this was the reason for their divorce. Some speculate that they are now estranged but in typical Jupiter fashion, she has never bad-mouthed him in public. Jupiter natives do not air their dirty laundry in public ever. Their grace and dignity even in the face of extreme humiliation/shame/pressure is commendable.

Jennie, Vishaka Moon is very close to her mother but she's never mentioned her father in the 8 years since her debut. In the Blackpink documentary, she said that growing up it was just her and her mom. In this interview she spoke about living with her mother and how she never got a chance to spend much time at home as she was sent to boarding school at 8 years old. She remarks that she and her mom are like sisters but she's never said anything about her relationship with her dad, ever. I am not going to assume that they have a bad relationship but I thought it would be interesting to mention.

Demi Moore, Vishaka Sun

Moore was born to a 19-year-old mother and her biological father left before she was born. The actress' mom remarried a man who worsened her problems with alcohol, which led to violence and instability. The family moved many times throughout Moore's childhood and when she was 17, her stepfather committed suicide. In the early '80s, she embarked on her acting career and helped her mother stay in rehab throughout the years. In 1997, her mother was diagnosed with brain cancer and she reunited with her in the final months before her death.

Lily Collins, Purvabhadrapada Sun

Lily had a strained relationship with her dad growing up“Because my dad was often gone, I never wanted to do anything that would make him stay away even longer,” she wrote. “I became extra careful about what I said and how I said it, afraid he'd think I was angry or didn't love him"

She penned an open letter that said: "I forgive you for not being the dad I expected. But it's not too late”.

Alia Bhatt, Purvabhadrapada Sun has said that growing up she saw very little of her filmmaker father Mahesh Bhatt who is known in the media for being a very problematic figure. He once posed for a magazine cover in the 90s with his daughter Pooja Bhatt where they're kissing on the lips (Pooja is Alia's half-sister) and said that he would have married her if she weren't his daughter 🤮🤮Mahesh is known for being a very temperamental man (you'll be hard pressed to find a video of him not screaming) and it's quite well known that he and Alia's mother had a pretty rocky marriage that her mother could not leave as she was financially dependent on him. Her sister, Shaheen Bhatt has talked about struggling with depression and suicidal tendencies since she was a child.

Rekha, Purvabhadrapada Moon is the illegitimate child of actors Gemini Ganesan and Pushpavalli. Her father was already married to another woman when she was born. He refused to accept the paternity of Rekha and her sister Radha and she grew up in the same city that her father and his "legitimate" family lived in and attended the same school as her half-siblings where she occasionally saw glimpses of him dropping his other kids to school. She has stated that growing up she was called a "bastard" and that the only male figure in her life was "God". She made her debut as an actress when she was 13 against her wishes because her family had fallen on bad times and she had to work to support her 6 siblings and ill mother.

This interview of hers offers a glimpse into her early life. Regardless of what she's been through, Rekha has always been stoic and conducted herself with immense grace and dignity even when she received an award from her father who was never a part of her life. She said this in response:

“Why should I grieve for him when he’s so much part of me? Why should I grieve when I’m so grateful for his genes, his teachings, his rich life and his sheer existence? Grieve for what??!! I’m happy I didn’t have to share unpleasant moments with him. He existed for me in my imagination. And that’s so much more beautiful than reality. Everything I love is unqualified by worldly time constraints. I’m just a small link in the larger scheme of things. I’m not the first one to go through death, nor am I the first one to receive an award. I’m enjoying everything that comes my way…good bad or ugly. I try to make good use of what life’s experiences offer. I think I’ve done a good job of my life, whatever others may think.” 

The Jupiterean ability to always look at the bright side and forgive people who don't deserve your forgiveness is heart-breaking but enlightening at the same time.

Rita Hayworth, Purvabhadrapada Moon confided in her husband Orson Welles that she was sexually abused by her father as a child and had been repeatedly raped by him.

Elexus Jionde aka Intelexual Media, Punarvasu Moon has mentioned that she's estranged from her father.

Arnold Schwarzenegger, Punarvasu Rising & stellium has spoken about being emotionally and physically abused by his parents especially his father who would beat him up. They also abused him because they thought he was gay due to his preoccupation with the male physique (he wanted to be a bodybuilder and would later become Mr World).

Keanu Reeves, Punarvasu Moon has been estranged from his father for the majority of his life. Charles Reeves abandoned the family when Keanu was 3 yrs old.

Kaia Gerber, Purvabhadrapada Moon has like most other Jupiter natives kept a low profile and seldom spoken about her personal life and has only ever said nice things about her parents. Her father Rande Gerber has been accused of sexual harassment by multiple women and there have been blind items about Cindy putting Kaia on a calorie deficit diet since she was a child to prepare her for a modelling career (this is awfully common among celebrities so I don't even think this is a stretch). When Kaia was 7 years old, her parents were threatened with a picture of her, barely clothed being gagged and bound. It was said that the picture was taken by a female babysitter during a game of cops and robbers because she wanted to prank the Gerbers by pretending to kidnap Kaia (sincerely, wtf) but there have been conspiracy theories that perhaps Kaia was abused by her parents and this picture was leaked from their collection. Anyway the matter has been settled and it feels wrong for me to speculate too much but I thought I'd mention it anyway.

Asia Argento, Purvabhadrapa Moon, is the daughter of filmmaker Dario Argento and has said that she never saw her father as a child and had no kind of relationship with him until she started acting in his movies when she was 16. She said "I never acted out of ambition; I acted to gain my father's attention. It took a long time for him to notice me. … And he only became my father when he was my director."

Her characters in his movies were undressed, raped and generally psychologically traumatised on screen. She once said:

"But I always had this feeling of never being a part of anything, not even of my family. My parents forgot about me. I did everything I could to get their attention."

Chyler Leigh, Vishaka Moon. Her parents divorced when she was 12, following which she was estranged from her father for many years. Her mother moved her to LA when she was a teenager so that she could pursue an acting career. At 15 years old she starred in a movie called Kickboxing Academy as her biological brother's love interest (he was 19). She is said to have been manipulated into doing so by her mother. She has said in a recent interview that she's been estranged from her mother for over 20 years and that like her mother, she too suffers from bipolar disorder. She said, "Because I was put in a position to support my mother, I didn't get the opportunity to speak about my own feelings when I was in my teens." She moved out of her mother's house to live with her then-boyfriend and now husband Nathan West.

Han So Hee, Vishaka Sun was in the news when her mother using her name to borrow bank loans and her debt became public news. Its very rare to hear about the private life of a celebrity in Korea but Sohee came forward to clear things and said her parents divorced when she was 5 following which she was raised by her maternal grandmother with whom she lived until she was in highschool. She's estranged from both her parents and only realized that her mother had been in debt after she turned 18. She found out that her mother had been borrowing money under her name illegally ever since she was a minor. She paid off this debt and apologized to everybody concerned.

IU, Purvabhadrapada Moon grew up in poverty. Her family fell into debt and she was raised by her grandmother who could barely take care of her and her brother. She saw little of her parents growing up. Its unclear how close they are now.

I realize just how many of them are nepo babies lol but I'm kinda glad because it means so much of their life is on public record. Its really unfortunate to see that so many of these natives had absent fathers or fathers who were present in their lives and very abusive.

[thesirencult]

Lunar Eclipse In Pisces, Tarot Reading

@thesirencult

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Pile 1

“When a young tree is injured it grows around that injury. As the tree continues to develop, the wound becomes relatively small in proportion to the size of the tree. Gnarly burls and misshapen limbs speak of injuries and obstacles encountered through time and overcome. The way a tree grows around its past contributes to its exquisite individuality, character, and beauty. I certainly don't advocate for traumatization to build character, but since trauma is almost a given at some point in our lives, the image of the tree can be a valuable mirror.”

― Peter A. Levine, Waking the Tiger: Healing Trauma

How Will This Eclipse Change You?

Pile 1, things will get worse for you, before they can become better. Right now, you have been going through a period of upheaval. You feel as if though you have to watch every step you take. There might be people around you who are praying for your downfall. This to me shows that you are someone who takes charges and like to lead the way, otherwise, these people wouldn't have a reason to be intimidated by you.

This eclipse will shake things up. Expect a confrontation with someone, especially at work. You will find out who is by your side and who isn't. Be careful. Retreat and don't fight back. Tigers don't compete with kittens, for they know their power.

You are someone who has "grown around their traumas". This eclipse prompts you to escape your "in-between" position and show your teeth by setting even higher goals. Take charge, travel if you need to and never lose faith. Become more vigilant but not aggresive.

Kittens can not and will not stop a tiger!

What New Era Is This Eclipse Ushering You Into?

This eclipse is doing all the work for you. If you take a break or travel for a while, expect a different setting when you return to your familiar environment. Justice came out. I don't know why, but I get the impression you are someone who tends to suffer quietly. You don't like to give attention to petty people and small things others may find annoying. Keep doing that, but work through it internally. The Justice card is ushering you into an era of getting paid back your good karma, while those who wronged you are getting served theirs.

Another thing I see, is that in this era you will realize that every action has consequences, be it good or bad. This will offer healing and make you think twice before you do everything. You are a calm, cool and collected individual who may struggle with setting boundaries and taking responsibility because you don't believe you are good enough. Expect things to fall into your lap and getting celebrated for past successes. Get over your "imposter syndrome". You deserve to be rightfully compensated,

Where Is It Asking You To Focus Your Energy?

Focus on raising your risk tolerance and lowering your tolerance for bullsh*t! You have great potential for success, so act accordingly. Any ideas about new ventures you should turn into plans. Find wholeness within and don't wait for external validation, be it about your self worth or plans. Overall, stand on your own and be like a tree that withstands the jarsh conditions by bending with the wind. You are strong enough to let the storm pass.

Pile 2

“Through transformation, the nervous system regains its capacity for self-regulation. Our emotions begin to lift us up rather than bring us down. They propel us into the exhilarating ability to soar and fly, giving us a more complete view of our place in nature. Our perceptions broaden to encompass a receptivity and acceptance of what is, without judgment. We are able to learn from our life experiences. Without trying to forgive, we understand that there is no blame. We often obtain a surer sense of self while becoming more resilient and spontaneous. This new self-assuredness allows us to re-lax, enjoy, and live life more fully. We become more in tune with the passionate and ecstatic dimensions of life.”

― Ann Frederick, Waking the Tiger: Healing Trauma

How Will This Eclipse Change You?

This eclipse will make you sharper, quicker to act and ready to be strategic about your plans. After many trials and errors you have come to the conclusion that you're the only one who can change your life. You are becoming more stoic and pragmatic.

You are getting the bird's eye view, sitting high up in your throne like the queen/king you are.

I'm getting the message that clarity is here, not because of others but because of a change in your mindset that comes down to this: "I'm setting myself free from expectations and expecting. I'm choosing my battles wisely. I see things from a higher perspective."

Wisdom, truth and logic are the tools you are going to use to manifest your dream life.

From now on you will be guarding your heart and letting it rest for a while. Now, it's time for the sensitive heart to give the reigns to the cold head, just for now...

What New Era Is This Eclipse Ushering You Into?

This is perfect! I just saw a carousel on TikTok that talked about the "winter arc" and when it starts (October 1st). I'm getting that this eclipse is ushering you into your villain era/winter arc.

You are a very soft and caring person but you've had enough, haven't you? I'm not getting that in this era of your life you'll turn into a b*tch and go from one extreme to another. I'm getting that you'll simply use radical honesty with yourself, you'll cut out the fluff and use your empathy to empathize with the one who deserves it, YOURSELF.

I want you to know that after this much needed period you will see that only people with the beat intentions approach you. I'm not getting that you will be lonely, I'm getting that you will choose to keep your distance from toxicity. You may meet someone who is going after their goals too and you two become really great pals.

Where Is It Asking You To Focus Your Energy?

Very interesting...

First of all, share your gifts with the world cause this will lead you to material abundance. It's been reaffirmed that you are a generous and empathetic person. The Universe wants you to know that it's clearing out from your life those that are leeching off of your energy and are sticking around just to have a taste from the fruits of your flavour.

Since you will become more logical in this period of your life, you will see that certain people are better to be left in the past.

You need to focus your energy on making money, finding like minded souls who reciprocate your positive energy and also, SERVING karma. Be okay with being the villain in someone else's story. They wronged you first and now they just want to use you. Don't feel bad that you want them to watch you win, because they wanted to watch you lose.

Now, let them watch from the sidelines, while you are running towards success. It's going to be sweeter though, cause you will be so focused on the path ahead of you that you will not care about the bench sitters.

Take care !

Pile 3

“Every trauma provides an opportunity for authentic transformation. Trauma amplifies and evokes the expansion and contraction of psyche, body, and soul. It is how we respond to a traumatic event that determines whether trauma will be a cruel and punishing Medusa turning us into stone, or whether it will be a spiritual teacher taking us along vast and uncharted pathways. In the Greek myth, blood from Medusa’s slain body was taken in two vials; one vial had the power to kill, while the other had the power to resurrect. If we let it, trauma has the power to rob our lives of vitality and destroy it. However, we can also use it for powerful self-renewal and transformation. Trauma, resolved, is a blessing from a greater power.”

― Ann Frederick, Waking the Tiger: Healing Trauma

How Will This Eclipse Change You?

As far as I can tell, Pile 3 needs to read both this pile and number 2! You are a complex person with lots of layers and reading both piles will help you gain two very distinct perspective on this next cycle taht will transform you COMPLETELY. It's not just about the eclipse, it's about the node change and the overall energy of the next 18-20 months. One of the two piles may not resonate right now, but in a few months or even a year it will be helpful to read it again for guidance.

The eclipse will change your perspective when it comes to your "all or nothing" attitude. Now, this change might have started already but what I see is that you will have a moment in the next month where you will realize that you have the ability to stand still while the world around you is moving. Before, you saw this as your inability to change and evolve but spirit wants you to know that you have the super power and luxury of following your own path. Your timing is way different than taht of others and your ability to move mountains while being still will help you advance in life. You see yourself as a walking contradiction but in reality, energy may manifest in different ways but its substance is the same. Stop beating yourself up and let your energy flow in different ways/wavelengths.

What New Era Is This Eclipse Ushering You Into?

You always get so close to the finish line but refuse to let go of the burdens so you never finish the race. The Universe is asking you to let go of expectations, negative beliefs and fear. Ask and you shall receive. Your options are confusing you, that's why they will fall away one by one. This new era is the era of shedding your new skin and of stripping down to the basics. You can not jump into cold water with clothes on, they won't help you even though they protect you at the shore, in the water they will weigh you down and you'll drown. Different things work at different phases, now it's a new phase and whatever was helpful before it's not working now. Paradigm shift.

Where Is It Asking You To Focus Your Energy?

Know that your life is headed towards a beautiful direction and trust your inner compass to lead you to this destination. Focus on improving your skillset and mindset and let yourself prepare for abundance. This next chapter is all about sharpening up before we climb the mountain. Thinl about it, if you had to climb up Everest wouldn't you want to be as prepared as possible. This last hump on the road is just a preview of the mountains you will climb.

[vidavalor]

Crowley and Plosives

@kimberleyjean asked in my recent post on rings and apostrophes why it is that I think Crowley pops the consonants of words at times, as in "BooK. shoP", and if there is a technical term for what he is doing. There is.

Let's talk about Crowley's exaggerated plosive sounds--as well as his little "mmm" thing-- and what this all probably has to do with his hiss.

In order to talk about why it likely is that Crowley pops specific consonants when he speaks-- with it being more pronounced at certain times than at other times-- we first actually have to talk about his hiss.

Crowley's hiss is less of a separate sound and more of a slur of what's known as a sibilant sound in phonology-- it's the sound of the letter s or the letters sh. If you say the word "sash" aloud, you're using sibilant sounds twice over-- once at the start and once at the end of the word. While Crowley could probably just hiss like a snake when he's in human form, we never actually hear him do that. We hear a hissing sound manifest in his sibilant sound when he is speaking-- which is to say when he's being a human over a snake. The same is true of Lord Beezlebub, whose fly buzz sound affects their speech. In their case, their sibilant sounds turn into the letter z to mimic a fly (as in, "It izzzzz written" on the tarmac in Tadfield in S1).

Sibilant sounds are part of a group of sounds known as fricatives, which are all softer in sound. They are grouped together based on how your mouth and throat move in forming the sounds and how much air is needed to move through them and in what way to say them. The letters k, p, t-- and sometimes d, b and g, depending on the word and the position of the letter in the word-- are "hard" sounds and are known as plosives. These are the sounds that Crowley tends to pop or to which he gives exaggerated emphasis in his speech. My theory as to why is basically that David Tennant decided that Crowley would feel the hiss is weak and react to it by popping his plosives to seem more intimidating, which really does go along with Crowley's psychology well.

Crowley's hiss is a feature of what of him is a snake and, as a result, will show up in the times that a snake would hiss. That means the slurred sibilant sounds show up primarily in situations in which he feels a sense of vulnerability. Snakes hiss when they're stressed or under duress and they hiss if you try to interact with them while they are digesting a big meal. In demon snake terms lol, it means Crowley is most likely to hiss in exactly the moment he does not want to (when he's anxious or afraid, which is usually when around other demons or angels). He probably cares a bit less about slurring sibilant sounds around Aziraphale after a big meal--or a "big meal"-- and Aziraphale actually probably likes it a bit as it's his life goal to keep that snake blissssssed out but the hissing around other people thing?

Crowley hates it. He haaaaaaates it. There is evidence of Crowley hating the slurred sibilants in a few scenes.

One is that when he shapeshifts into a monstrous snake to scare the guy at Tadfield Manor in S1, Crowley doesn't hiss at him-- he roars. Like a lion. (Lions are also on the arms and legs of his reason-for-therapy-alone throne chair in S1.) And this is his reaction when he makes the guy faint from fright:

He loves it. Ah, control...

Because Crowley is a lot of things, really-- he's a snake, yeah, but he's a big cat, he's a crow, he's a nightingale, he's a black swan, he's a horse... we could go on. To control the hiss when he wants to is to feel in control of himself.

We all know how much Crowley seeks as maximum control over how he's perceived by others as he's capable of generating. It's a normal response to all the trauma he's suffered. It's probably worth considering as well that Satan's attacks on Crowley render him incapable of controlling his own mind and body for the duration of the assault. He doesn't have the option to speak or, if he does, the words aren't his own. These are bodily autonomy violation issues and the result is that Crowley hates anything that makes him feel weak and the fact that he has in the hiss what amounts to a nervous tic that is a symptom of his anxiety disorder makes him feel out of control of himself.

Another example of him hating the hiss is when he intentionally slurs the sibilant s sound while mocking Heaven:

Crowley is not just talking about composers in this scene in general but using first-class composers as innuendo for sexual partners and mocking Aziraphale's potential choices if he gets stuck in Heaven for all of eternity. He does so by combining soft fricatives and his slurred sibilant hiss, showing how he equates the hiss with a sense of what he considers weak and unattractive.

The other scene that suggests this-- and shows how Crowley pops his plosives as a counter to the hiss-- is actually the end of the apology dance, when Crowley pops a t so hard, it's almost its own word: "You were righTTTTTT."

The apology dance scene and its hard T as the final note of the mock-submissive dance also makes it clear that, unsurprisingly, Aziraphale knows what the popped plosives are all about. Plosives are, well, explosive. They have harder, louder, more dramatic sounds. It seems like Crowley pops them both as a measure to counter his hiss and as a measure to try to control it. He's taught himself to respond verbally with intensive plosive popping instead of hissing, which is also why we don't actually hear him hiss all that often.

One of the only times is almost immediately after this:

Because saints and demons preserve us, it's Master Crowley, right? But then Satanic Nun!Nina interrupts them and Crowley starts slurring his sibilant sounds in sarcastic response to Aziraphale telling him that he didn't need to put the woman in a trance.

"Oh, oh, 'xcccussse me, ma'am, we're two supernatural entities looking for the notorioussss SSSSSon of SSSSSatan. Wonder if you might help us with our inquiries?'" How he controls the sentence, though, is really interesting. The extra-exaggerated sarcasm of the last sentence helps him regain control enough that the final 's' in 'inquiries' isn't hissed and he's back in control of it. He's also almost amping up the sibilant sounds he does slur sarcastically as well. Part of why it comes out here is that he allows himself to be less guarded with his speech in front of Aziraphale.

We've actually only heard him hiss his sibilant sounds about three times, if memory serves me correctly, and two of them are related to Heaven and Hell-- the two moments I mentioned above. They're examples of him trying to control-- and then sarcastically wield-- the hiss. (Particularly "celestial harmonies", which he did entirely intentionally.)

There's also one more positive instance of a sibilant slur though and that's this: "Yessssss, the 'Reign of Terror.'"

The long hiss of a "yesssss" in this scene is not one that bothers him because drawing out a sibilant sound during a sexy conversation with Aziraphale is a very different situation than one about or involving Heaven or Hell.

If you look back on the series, there are probably no more popped plosives than in Crowley trying to ascertain just wtf Gabriel is doing in the bookshop wearing nothing but their tartan bedsheet.

"WHaT. Arrre. You. DO. ING. In. THis. BooK. ShhhOP?" 😂

Crowley was literally terrified (and also losing it internally because he just jumped and basically screamed at the sight of Gabriel) and there's a very brief "shhhh" in "bookshop" that starts to slur and has him practically shouting the "OP" to finish the word without full-on hissing. It's a scene built around the plosives, really.

Gabriel probably understands Crowley's manner of speaking more than "Jim" did in this moment as Gabriel has his own affected way of speaking. His defensive speech has the same need for a sense of maintaining an appearance of control and dominance but is usually less about emphasizing plosives and more about conveying a sense of power through a perceived sense of "manliness" in a smug, corporate sort of way. The way he says "but as The Almighty likes to say: 'Climb Every Mountain'" in that 'CEO saying the bullshit company slogan to a junior employee at the company retreat' sort of way.

Gabriel usually uses intimidation through lower, more frighteningly measured tones that carry the sense that if you pissed him off, he would explode and it would not be pretty for you. It's what makes the moment when he does actually a bit shocking and that's when you hear the force come out in his speech a bit.

He pops plosives in the curse and owns the 'fucking' in that sentence as a result. That is top shelf use of a curse word, in that it's selective enough and pronounced in such a way as to give it real power. You know he's going to lose this round because he can't win it but you're still kind of afraid of him-- maybe for the first time.

But Jim? Jim has none of this.

Jim is a guileless lovebug who doesn't understand why Crowley would feel the need to speak-shout at him and pause dramatically so his "I. AM. DUSTING." response is priceless. Jim over-emphasizes all of the sounds because he doesn't know why Crowley only emphasizes the plosives and he pauses dramatically between the words more out of confused repetition of Crowley's speech pattern to try to relate to Crowley than out of understanding that it was meant to intimidate him. He uses the same sense of theatre that Crowley uses without any context as to why Crowley feels like he has to and, as a result, it guts Crowley's whole attempt to intimidate him to compensate for his own feelings of vulnerability.

Crowley and Aziraphale both are fascinated by words and the evolution of language and they speak every language in the world. This means that they both have the ability, in theory, to correctly speak in any accent in the world, which is necessary to be able to pronounce the words in every language. Between that and his self-conscious, trauma-adjacent, plosive/fricative issues, as well as just being interested in how things like pronunciation informs the evolution of language, Crowley is more aware than most of how he sounds when he speaks.

But there's also that his unique way of speaking-- when combined with his low, rumbly voice-- can be very sexy and he's aware of it, namely because it's clear that Aziraphale thinks his sounds-- all his sounds, along the full spectrum of them-- are hot. As a result, we also have scenes in the series wherein Crowley will sometimes heavily emphasize plosives-- and fricatives-- around Aziraphale just for fun because to do so has become a part of how he speaks and because the angel likes it. An example: the "lotsss of GooD DeeDsssss" bit of this:

That Aziraphale likes the full range of Crowley sounds is symbolic of the fact that Aziraphale likes the full range of Crowley, full stop. As a result, Crowley plays around with how he enunciates words, often drawing out parts of them in ways he knows Aziraphale will enjoy. His "oo" and "ou" sounds are often elongated into an "oooh"; he softens fricatives to a breath at times when speaking more gently. At other times, he amps up his RP accent and emphasizes certain words in a sentence with pauses and heavier enunciation ("canopy", "astonish") to maximize their appeal and to draw Aziraphale's attention to them, usually also for wordplay-related reasons ("did you smite them with your wrath?" in Lockdown, for example.)

Then, there is that part of their language thing also appears to be an interest in onomatopoeia, which are words that have derived in language not from a connection to other, previously-existing words but from the sounds of Earth. Crowley, in particular, loves onomatopoeia, and likes to weave words that are that into his conversation-- "frou frou", "whoop", etc.. The word "hiss" is onomatopoeia. Unlike other etymology posts I have written or will write, there is no "derived from the Old French x" or "from the Latin x" or the like for the history of "hiss"-- it's just literally that people heard a snake hissing and said that sounds like "hssss" and so we're going to call it a "hiss."

While Crowley has issues with his anxious snake hiss, though, he actively likes to make the pleasurable sound the humans (and angels and demons) can make-- the ultimate in onomatopoeia. The word that is actually more his anti-hiss than his popped plosives:

"Mmm."

"Mmm" is derived from nothing more than the human sound of contentment. It's an often almost involuntarily hum of pleasure-- the human sound of satiation. There is no other history to the word but that and there has not been since beings began to exist.

Crowley makes the sound unconsciously but he also makes it consciously at times when speaking with Aziraphale because he knows Aziraphale likes the sound of it. Case in point: the very obviously intentional "mmm" in the Edinburgh phone call (and the heavy, exaggerated plosives emphasis on what followed it):

"Mmm" is also something of an etymology joke as well because, at last count, I think I had at least twenty-five instances in a note file here about intentional wordplay between Crowley and Aziraphale that focuses on frequently confused words and phrases (to founder vs. to flounder; whoop vs. whoomp; wittering vs. withering; to get a wriggle on vs. to get a wiggle on, etc..) which I bring up mainly because, especially when written, "mmm" is frequently confused with "hmm", and the etymology of "hmm" is pretty funny from a Good Omens perspective.

While "mmm" is a sound of pleasure, "hmm" is a sound made of consideration, a kind of pause in a sentence to acknowledge something that was spoken and to either suggest you're giving it thought or to show hesitation over what was said-- or, possibly, both. While "mmm" is a contented sound derived from the human body, "hmm" is onomatopoeia because it is imitative of a different, very specific sound in nature...

...it comes from the droning sound of buzzing bees.

To Crowley and Aziraphale, "hmm"-- the sound of hesitation and reflective contemplation-- is a sound of the insects that are symbolically the angels and that's amusing to them since the humans frequently swap it out with their signature sound of pleasure while Crowley and Aziraphale do not find much about Heaven very arousing.

Crowley's new favorite hobby in S2 is making dirty jokes that are going over Muriel's head-- some of which, like his handcuff innuendo while getting Muriel to take him to (literal) Heaven, are a bit on the surface. Others, though, like the frequently confused words wordplay of using "mmm" in protest of Heaven instead of "hmm" in the "mmm, bees" moment after successfully getting one over on the angels-- are examples of just wordplay jokes that Aziraphale would have found funny that Crowley was amusing himself with in the moment.

Crowley is definitely not the only one of the two of them amping up those mmms though. The only bee who has his attention is playing right back...

...and the mmm thing is not exactly new, either...

...like for him to mmm his way through an entire barbecued ox five minutes after this...

Original post that prompted this response:

[always-just-red]

A/N: Poured my soul into this a couple weeks ago, am dedicating it to everyone who's similarly torn between Sylus and their original LI- especially my fellow Rafayel girlies! This is not going to help! It's going to make it worse!! 🥰

Unspoken

Sylus x Reader 🩸 (implied Rafayel x reader)

Summary: You could fix all of this if Sylus would just resonate with you. Why won't he resonate with you?

Genre: Angst, so much angst, brace yourselves

Warnings/Additional tags: gn!reader, injury detail, blood, swearing, possibly not lore-accurate (I've taken some creative liberties with Sylus' healing abilities and MC's resonance for the sake of maximum angst, because I like to suffer!)

| Word count: 2k | Masterlist | Opt-in to my taglist here!

Disclaimer: Characters belong to Love and Deepspace. All work is my own, so please don't repost or plagiarise!

“Like the first, warm prickle of sunlight when you step out of a cold shadow.”

“Hmm?”

“That is what you said to him, right?”

Sylus’s eyes are closed, his head leant back against the wall and his whole body heavy with tiredness. He doesn’t move as he asks you the question. Doesn’t fix you with that suffocating, crimson gaze— like he usually does— and you almost miss it. There’s a pain to his tone, accentuating the gravel of his voice, and a part of you thinks it isn’t all for the injuries you’ve set about tending to.

If he was looking at you, you would see it, wouldn’t you? That flicker of melancholy that sometimes liked to betray the rest of him. Maybe that’s why he keeps his eyes closed.

You deliberate his words, trying to ignore the way he tenses as you press gauze to a wound on his stomach. They did feel familiar: a simile dancing at edge of your consciousness, just barely out of reach. It was hard to pursue the past with the present wetting your fingertips, fresh, hot, and red.

One clue: That is what you said to him, right? Him. Him? Who was—

Ah.

Suddenly the words are your own, at the tip of your tongue, because you're saying them in a memory. You were with Rafayel in his studio, reunited and safely returned from the N109 Zone. He had been holding you close, telling you he’d missed you and that he’d been waiting forever; he was so, so bored. You’d smiled fondly. Laced your fingers through his and resonated: wanting to lose yourself in his power, wanting to forget there was any other kind of warmth. He had sighed softly. The sensation was usually buried beneath blood and battle; you’d forgotten how intimate it was.

Then he’d asked you what it felt like.  

“You heard that?” you say to Sylus.

He hums a little. “Not directly.”

“Sylus.”

His name evokes a faint interest, or perhaps it’s the way you said it: chiding, stern— like you were just getting started. His right eye opens, regarding you warily. “Mmm?”

“We’ve talked about this.”

“You’ve lectured me, sweetie.” He leans back again, eyes closed. “There is a difference.”

You resist the urge to wring his neck, especially when it’s bared as invitingly as it is now. It feels calculated. Deliberate. You can almost imagine him lying there, anticipating the fatal vice of your hands. It was what he always seemed to want: to drag you into sin with him.

“I wouldn’t have to lecture you if you actually listened to me,” you reason, releasing a breath. “You can’t keep spying on me, Sy.”

He hums again: this time sceptically. “Can’t I? But you say such pretty things to him, kitten. It’s like watching a melodramatic film. I’d hate to miss it.”

“You’re jealous.”

“Maybe,” he admits with a half-hearted chuckle. “Then again, maybe not.”

You don’t know what to say, so you pretend it’s because you’re busy. Sylus’s hastily rolled up shirt has slipped downwards, catching the edge of his wound, and you lift it delicately, your fingers skirting over skin. His jaw clenches. His hands fist. His mouth is a tight line and you’re not sure what it’s holding onto more carefully: a short hiss of pain or the rest of his confession.

There are always things he isn’t telling you, but he comes closer to it at times like this, when you could do anything to him— cut his throat, collect on so many bounties— and instead you’re just… nice.

It’s the reason he doesn’t call when he’s slumped somewhere after a shootout, his Evol exhausted and his strength draining from half a dozen wounds he can’t quite heal yet. It’s the reason he lay here for who knows how many hours before you found him, rolling his eyes as you rushed to his side, because Luke and Kieran couldn’t keep their mouths shut.

You want to shout at him— want to scold him for being so goddamn stupid— but you don’t. Here you are instead, humouring him and playing nurse, when a simple resonance would suffice. He’d tried to force it before, but now, when you had thrust your hand into his and willed him to take? He’d snatched his hand back. Insisted on bearing his pain ‘the old-fashioned way’.

He was so fucking stubborn.

“What does it feel like with me?”

Sylus’s voice is gentle but his eyes are sharp— cutting into you like a blade striving for bone. It’s an unintentional violence, a jarring: I know what you’re thinking, but I’d rather hear you say it. Kindred spirits; he sees your mind and your heart and then looks at you like it isn’t a weapon. Like you should be grateful for the knife at your throat because you can trust the hand that’s holding it.

“I don’t know.”

“Oh, please,” he scoffs, “if you can conjure up a metaphor for your little artist, you can do the same for me.”

Something is stoked in you, and though you bite your tongue, your careful fingers slip for a moment, pressing into the tender skin at the edge of his wound. Sylus grimaces— hisses— though you could swear there’s a hint of a smile on his lips.

You’d sinned, hadn’t you? “You really wanna know?”

He nods, his eyes on you again. It’s your hand on the knife, and he trusts you implicitly.  

“It’s like… the ocean, I guess.”

“Inspired.”

“Shut up—” you flick his forehead— “just listen, ok? It was overwhelming at first. Zayne, Xavier, Raf… They’re all so powerful. But you? It felt like you could drown me. Like you wanted to drown me.”

Sylus is quiet. You’re running an antiseptic wipe over the smaller scrapes on his stomach, but he doesn’t flinch.

“It was consuming,” you carry on as you work. “Frightening. There was so much of it- so much you- filling my lungs, trying to take my breath away. The entire time I could feel how fathomless it was. I knew if I stopped fighting it I would sink, and that I would never, ever stop.”

You can remember it vividly, especially when you’re as close to him as you are now. Though there’s no more dark energy, twisting around you, dragging you closer, you can still feel its grasp. You can see it, too, when you look up at him: hunger, burning red.

It isn’t a command anymore; it’s a longing.

And you both know you can’t give him what he wants.

“But then I did stop fighting,” you continue, because you can at least answer his question. “And I could still breathe. I was still… myself.” You place a hand on his knee. “It doesn’t scare me anymore, Sy. It’s vast and intimidating, but it’s… exciting, too.”

You smile and give his knee a playful squeeze. “I wanna see how deep it goes.”

He’s stoic for another moment, an apathetic gaze dropping to your hand before lifting to your lips. Then he’s smiling too, leaning closer: “I want to show you how deep it—”

“Don’t ruin it.” You push him back to the wall.

He laughs, running a hand through his white hair, his eyes never leaving yours. There’s a place in his mind where he’s closing the distance again, and he doesn’t care if you know it. You feel the heat in your cheeks betraying you, so you focus back on the man’s injuries: the gash on his stomach has already bled through your bandages. It’ll need stitches.

You sigh, starting to peel back your previous work.

“Does it hurt?” Sylus asks. “Now that you’ve… stopped fighting?”  

You glance up, and he’s examining his hand like it’s a gun he hasn’t yet fired and so can't know the power of. He flexes his fingers, pale in the light. “A little,” you admit, thinking of Zayne’s ice and Rafayel’s fire. Resonating was always a trust exercise: it could kill you, could burn, and you had to be willing to let it. “But I can handle it.”  

Used bandages tossed aside, Sylus’s wound looks as dire as when you’d first lifted his shirt to find it. You lean back, lips pursed in bleak assessment; somewhere at the back of your mind, Zayne is insisting this is a job for a real doctor.

“That bad, huh?”

You huff in answer, exhausted. You shoot Sylus a look of defeat before gingerly offering your hand.

His eyes flit between it and you, and you have to give another nod of encouragement before he surrenders. He holds his breath— it’s slow— his forefinger gliding tentatively up your wrist, spelling a silent question, before tracing a circle in your palm. He closes his eyes. His long fingers spread yours and he’s claiming your hand with something between reverence and sin.

His touch trespasses delicately. His Evol doesn’t.

You bite back a gasp as power surges through you, dark and devouring. Your eyes snap shut and your hand tightens around his, not knowing if it’ll ground you or drag you deeper, not caring so long as there’s something in all this everything to hold onto. This could kill you— you would let this kill you, but it won’t. Your nails are leaving crescents in his skin and you know, you know, the world will burn long before you do.

This is different than the others. Better than the others.

Suddenly your hand is empty and the darkness is not a promise but a place where you’re alone. Your eyes flutter open, searching for an anchor. Your head is swimming.

“Are you alright?” Sylus is looking at you, his hand on your shoulder, steadying you, and it takes everything in your power not to grasp it again.

So empty. So alone. “I’m fine,” you manage, but your voice is shaking.

“Tch.”

He’s not a man who wastes his time, and he knows better than to push that particular lie. Rejuvenated, he sits up, stretching his arms and rolling his shoulders— reacquainting himself with the strength of his body. He’s imposing again. Looming over you, again. His wounds have all healed, and you watch as the stains of his blood lift and disintegrate, like embers on a breeze.

His hand moves to massage his neck, and he yawns as he lazily tips his head from side to side. “Enjoying the show, sweetie?”

You don’t really hear him. He chuckles, pulling his shirt back down before waving a hand in front of your face; you catch it in a heartbeat. “Stop it.”

“There you are.” 

He twists his wrist free, but then your fingers are around his hand, turning it over so you can get a better look. Your thumb traces thoughtfully over the marks you’d made. “Aren’t you going to heal—”

“No,” he smirks.

He wants you to ask him why, so there’s no way in hell you’re going to. You both have your secrets: some worn on the sleeve and others, clutched a little closer to the chest. What does it feel like with me? You turn the question over in your mind as you tidy up wet gauze and bandages. You had told him the truth, just not all of it.

Like how you don’t lose yourself in him, but feel more yourself than you ever have.

Like how every time it gets easier, but so much harder to stop.

“So,” you mutter, distracting yourself, “are you happy with your metaphor?”

Sylus mulls it over as he studies you, a faint glow in his right eye. There are also things he wants to say, but he’s thinking of you and the artist, locked in a wistful embrace in a cluttered studio, so he keeps them to himself. His gaze tells you what he doesn’t: that he will bear it with a smile, for you, and that he will hold onto it long after it makes his hands bleed.

“It was a trifle trite, perhaps. Though… sweet,” he purrs. “Who knew a kitten could be so eloquent?”

“Fuck you.”

“Mmm.” He grins as he looks at your marks on his skin. “That’s better.”