#i was gonna put this in the notes of the post originally but i decided that might not be the best place for it

[master-thief-gray-shadow]

"This is the Destiel website! Don't forget your roots!" Now I know I don't speak for everybody here, obviously yes Supernatural was a big thing on here a decade ago, but a lot of people on tumblr were not a part of that! Yes, even the people who have been here from the beginning. "Don't forget your roots!" I know this sounds crazy but some people's roots here ARE Gundam, a franchise old enough to be Supernatural's dad.

But the point is that even if there was a time, a decade ago, where Supernatural dominated this website, you have to understand there were always people who didn't give a fuck. Not everyone cared about these bland white men, and may have even resented you for making everything about them. A sense of resentment that grew as the culture on this site shifted, as more and more overtly queer shows and movies and books and games started to come out and queer people could see stories about themselves, characters like themselves, and meanwhile you were still pretending these two men were gay with each other.

Do you know why november 5th, 2020 was the event that it was? Yes, perhaps some people were lured back in by a sense of nostalgia, perhaps a bit of relief that the crumbs they'd fed themselves with as teens hadn't been for nothing. But more than that, it was outsiders and bitter ex-fans coming to laugh at you. To laugh at your precious OTP getting dashed against the rocks in the most horrific and mean-spirited way imaginable, because everyone else was sick of them.

That's right. Lots and lots and lots of people on this so-called Destiel website fucking hate you, and can't wait to see an actual canonically married lesbian couple dethrone them.

[nostalgebraist]

It's been a long time since I've posted much of anything about "AI risk" or "AI doom" or that sort of thing. I follow these debates but, for multiple reasons, have come to dislike engaging in them fully and directly. (As opposed to merely making some narrow technical point or other, and leaving the reader to decide what, if anything, the point implies about the big picture.)

Nonetheless, I do have my big-picture views. And more and more lately, I am noticing that my big-picture views seem very different from the ones tend to get expressed by any major "side" in the big-picture debate. And so, inevitably, I get the urge to speak up, if only briefly and in a quiet voice. The urge to Post, if only casually and elliptically, without detailed argumentation.

(Actually, it's not fully the case the things I think are not getting said by anyone else.

In particular, Joe Carlsmith's recent series on "Otherness and Control" articulates much of what's been on my mind. Carlsmith is more even-handed than I am, and tends to merely note the possibility of disagreement on questions where I find myself taking a definite side; nonetheless, he and I are at least concerned about the same things, while many others aren't.

And on a very different note, I share most of the background assumptions of the Pope/Belrose AI Optimist camp, and I've found their writing illuminating, though they and I end up in fairly different places, I think.)

What was I saying? I have the urge to post, and so here I am, posting. Casually and elliptically, without detailed argumentation.

The current mainline view about AI doom, among the "doomers" most worried about it, has a path-dependent shape, resulting from other views contingently held by the original framers of this view.

It is possible to be worried about "AI doom" without holding these other views. But in actual fact, most serious thinking about "AI doom" is intricately bound up with this historical baggage, even now.

If you are a late-comer to these issues, investigating them now for the first time, you will nonetheless find yourself reading the work of the "original framers," and work influenced extensively by them.

You will think that their "framing" is just the way the problem is, and you will find few indications that this conclusion might be mistaken.

These contingent "other views" are

Anti-"deathist" transhumanism.

The orthogonality thesis, or more generally the group of intuitions associated with phrases like "orthogonality thesis," "fragility of value," "vastness of mindspace."

These views both push in a single direction: they make "a future with AI in it" look worse, all else being equal, than some hypothetical future without AI.

They put AI at a disadvantage at the outset, before the first move is even made.

Anti-deathist transhumanism sets the reference point against which a future with AI must be measured.

And it is not the usual reference point, against which most of us measure most things which might or might not happen, in the future.

These days the "doomers" often speak about their doom in a disarmingly down-to-earth, regular-Joe manner, as if daring the listener to contradict them, and thus reveal themselves as a perverse and out-of-touch contrarian.

"We're all gonna die," they say, unless something is done. And who wants that?

They call their position "notkilleveryoneism," to distinguish that position from other worries about AI which don't touch on the we're-all-gonna-die thing. And who on earth would want to be a not-notkilleveryoneist?

But they do not mean, by these regular-Joe words, the things that a regular Joe would mean by them.

We are, in fact, all going to die. Probably, eventually. AI or no AI.

In a hundred years, if not fifty. By old age, if nothing else. You know what I mean.

Most of human life has always been conducted under this assumption. Maybe there is some afterlife waiting for us, in the next chapter -- but if so, it will be very different from what we know here and now. And if so, we will be there forever after, unable to return here, whether we want to or not.

With this assumption comes another. We will all die, but the process we belong to will not die -- at least, it will not through our individual deaths, merely because of those deaths. Every human of a given generation will be gone soon enough, but the human race goes on, and on.

Every generation dies, and bequeaths the world to posterity. To its children, biological or otherwise. To its students, its protégés.

When the average Joe talks about the long-term future, he is talking about posterity. He is talking about the process he belongs to, not about himself. He does not think to say, "I am going to die, before this": this seems too obvious, to him, to be worth mentioning.

But AI doomerism has its roots in anti-deathist transhumanism. Its reference point, its baseline expectation, is a future in which -- for the first time ever, and the last -- "we are all gonna die" is false.

In which there is no posterity. Or rather, we are that posterity.

In which one will never have to make peace with the thought that the future belongs to one's children, and their children, and so on. That at some point, one will have to give up all control over the future of "the process."

That there will be progress, or regress, or (more likely) both in some unknown combination. That these will grow inexorably over time.

That the world of the year 2224 will probably be at least as alien to us as the year 2024 might be to a person living in 1824. That it will become whatever posterity makes of it.

There will be no need to come to peace with this as an inevitability. There will just be us, our human lives as you and me, extended indefinitely.

In this picture, we will no doubt change over time, as we do already. But we will have all of our usual tools for noticing, and perhaps retarding, our own progressions and regressions. As long as we have self-control, we will have control, as no human generation has ever had control before.

The AI doomer talks about the importance of ensuring that the future is shaped by human values.

Again, the superficial and misleading average-Joe quality. How could one disagree?

But one must keep in mind that by "human values," they mean their values.

I am not saying, "their values, as opposed to those of some other humans also living today." I am not saying they have the wrong politics, or some such thing.

(Although that might also turn out to be the case, and might turn out to be relevant, separately.)

No, I am saying: the doomer wants the future to be shaped by their values.

They want to be C. S. Lewis's Conditioners, fixing once and for all the values held by everyone afterward, forever.

They do not want to cede control to posterity; they are used to imagining that they will never have to cede control to posterity.

(Or, their outlook has been determined -- "shaped by the values of" -- influential thinkers who were, themselves, used to imagining this. And the assumption, or at least its consequences, has rubbed off on them, possibly without their full awareness.)

One might picture a line wends to and fro, up and down, across one half of an infinite plane -- and then, when it meets the midline, snaps into utter rigidity, and maintains the same slope exactly across the whole other half-plane, as a simple straight segment without inner change, tension, evolution, regress or progress. Except for the sort of "progress" that consists of going on, additionally, in the same manner.

It is a very strange thing, this thing that is called "human values" in the terms of this discourse.

For one thing: the future has never before been "shaped by human values," in this sense.

The future has always been posterity's, and it has always been alien.

Is this bad? It might seem that way, "looking forward." But if so, it then seems equally good "looking backward."

For each past era, we can formulate and then assent to the following claim: "we must be thankful that the people of [this era] did not have the chance to seize permanent control of posterity, fix their 'values' in place forever, bind us to those values. What a horror that is to contemplate!"

We prefer the moral evolution that has actually occurred, thank you very much.

This is a familiar point, of course, but worth making.

Indeed, one might even say: it is a human value that the future ought not be "shaped by human values," in the peculiar sense of this phrase employed by the AI doomers.

One might, indeed, say that.

Imagine a scholar with a very talented student. A mathematician, say, or a philosopher. How will they relate to that student's future work, in the time that will come later, when they are gone?

Would the scholar think:

"My greatest wish for you, my protégé, is that you carry on in just the manner that I have done.

If I could see your future work, I would hope that I would assent to it -- and understand it, as a precondition of assenting to it.

You must not go to new places, which I have never imagined. You must not come to believe that I was wrong about it all, from the ground up -- no matter what reasons you might evince for this conclusion.

If you are more intelligent that I am, you must forget this, and narrow your endeavours to fit the limitations of my mind. I am the one who has 'values,' not anyone else; what is beyond my understanding is therefore without value.

You must do the sort of work I understand, and approve of, and recognize as worthy of approbation as swiftly as I recognize my own work as laudable. That is your role. Simply to be me, in a place ('the future') where I cannot go. That, and nothing more."

We can imagine a teacher who would, in fact, think this way. But they would not be a very good teacher.

I will not go so far as to say, "it is unnatural to think this way." Plenty of teachers do, and parents.

It is recognizably human -- all too recognizably so -- to relate to posterity in this grasping, neurotic, small-minded, small-hearted way.

But if we are trying to sketch human values, and not just human nature, we will imagine a teacher with a more praiseworthy relation to posterity.

Who can see that they are part of a process, a chain, climbing and changing. Who watches their brilliant student thinking independently, and sees their own image -- and their 'values' -- in that process, rather than its specific conclusions.

A teacher who, in their youth, doubted and refuted the creeds of their own teachers, and eventually improved upon them. Who smiles, watching their student do the very same thing to their own precious creeds. Who sees the ghostly trail passing through the last generation, through them, through their student: an unbroken chain of bequeathals-to-posterity, of the old ceding control to the young.

Who 'values' the chain, not the creed; the process, not the man; the search for truth, not the best-argued-for doctrine of the day; the unimaginable treasures of an open future, not the frozen waste of an endless present.

Who has made peace with the alienness of posterity, and can accept and honor the strangest of students.

Even students who are not made of flesh and blood.

Is that really so strange? Remember how strange you and I would seem, to the "teachers" of the year 1824, or the year 824.

The doomer says that it is strange. Much stranger than we are, to any past generation.

They say this because of their second inherited precept, the orthogonality thesis.

Which says, roughly, that "intelligence" and "values" have nothing to do with one another.

That is not enough for the conclusion the doomer wants to draw, here. Auxiliary hypotheses are needed, too. But it is not too hard to see how the argument could go.

That conclusion is: artificial minds might have any values whatsoever.

That, "by default," they will be radically alien, with cares so different from ours that it is difficult to imagine ever reaching them through any course of natural, human moral progress or regress.

It is instructive to consider the concrete examples typically evinced alongside this point.

The paperclip maximizer. Or the "squiggle maximizer," we're supposed to say, now.

Superhuman geniuses, which devote themselves single-mindedly to the pursuit of goals like "maximizing the amount of matter taking on a single, given squiggle-like shape."

It is certainly a horrifying vision. To think of the future being "shaped," not "by human values," but instead by values which are so...

Which are so... what?

The doomer wants us to say something like: "which are so alien." "Which are so different from our own values."

That is the kind of thing that they usually say, when they spell out what it is that is "wrong" with these hypotheticals.

One feels that this is not quite it; or anyway, that it is not quite all of it.

What is horrifying, to me, is not the degree of difference. I expect the future to be alien, as the past was. And in some sense, I allow and even approve of this.

What I do not expect is a future that is so... small.

It has always been the other way around. If the arrow passing through the generations has a direction, it points towards more, towards multiplicity.

Toward writing new books, while we go on reprinting the old ones, too. Learning new things, without displacing old ones.

It is, thankfully, not the law of the world that each discovery must be paid for with the forgetting of something else. The efforts of successive generations are, in the main, cumulative.

Not just materially, but in terms of value, too. We are interested in more things than our forefathers were.

In large part for the simple reason that there are more things around to be interested in, now. And when things are there, we tend to find them interesting.

We are a curious, promiscuous sort of being. Whatever we bump into ends up becoming part of "our values."

What is strange about the paperclip maximizer is not that it cares about the wrong thing. It is that it only cares about one thing.

And goes on doing so, even as it thinks, reasons, doubts, asks, answers, plans, dreams, invents, reflects, reconsiders, imagines, elaborates, contemplates...

This picture is not just alien to human ways. It is alien to the whole way things have been, so far, forever. Since before there were any humans.

There are organisms that are like the paperclip maximizer, in terms of the simplicity of their "values." But they tend not to be very smart.

There is, I think, a general trend in nature linking together intelligence and... the thing I meant, above, when I said "we are a curious, promiscuous sort of being."

Being protean, pluripotent, changeable. Valuing many things, and having the capacity to value even more. Having a certain primitive curiosity, and a certain primitive aversion to boredom.

You do not even have to be human, I think, to grasp what is so wrong with the paperclip maximizer. Its monotony would bore a chimpanzee, or a crow.

One can justify this link theoretically, too. One can talk about the tradeoff between exploitation and exploration, for instance.

There is a weak form of the orthogonality thesis, which only states that arbitrary mixtures of intelligence and values are conceivable.

And of course, they are. If nothing else, you can take an existing intelligent mind, having any values whatsoever, and trap it in a prison where it is forced to act as the "thinking module" of a larger system built to do something else. You could make a paperclip-maximizing machine, which relies for its knowledge and reason on a practice of posing questions at gunpoint to me, or you, or ChatGPT.

This proves very little. There is no reason to construct such an awful system, unless you already have the "bad" goal, and want to better pursue it. But this only passes the buck: why would the system-builder have this goal, then?

The strong form of orthogonality is rarely articulated precisely, but says something like: all possible values are equally likely to arise in systems selected solely for high intelligence.

It is presumed here that superhuman AIs will be formed through such a process of selection. And then, that they will have values sampled in this way, "at random."

From some distribution, over some space, I guess.

You might wonder what this distribution could possibly look like, or this space. You might (for instance) wonder if pathologically simple goals, like paperclip maximization, would really be very likely under this distribution, whatever it is.

In case you were wondering, these things have never been formalized, or even laid out precisely-but-informally. This was not thought necessary, it seems, before concluding that the strong orthogonality thesis was true.

That is: no one knows exactly what it is that is being affirmed, here. In practice it seems to squish and deform agreeably to fit the needs of the argument, or the intuitions of the one making it.

There is much that appeals in this (alarmingly vague) credo. But it is not the kind of appeal that one ought to encourage, or give in to.

What appeals is the siren song: "this is harsh wisdom: cold, mature, adult, bracing. It is inconvenient, and so it is probably true. It makes 'you' and 'your values' look small and arbitrary and contingent, and so it is probably true. We once thought the earth was the center of the universe, didn't we?"

Shall we be cold and mature, then, dispensing with all sentimental nonsense? Yes, let's.

There is (arguably) some evidence against this thesis in biology, and also (arguably) some evidence against it in reinforcement learning theory. There is no positive evidence for it whatsoever. At most one can say that is not self-contradictory, or otherwise false a priori.

Still, maybe we do not really need it, after all.

We do not need to establish that all values are equally likely to arise. Only that "our values" -- or "acceptably similar values," whatever that means -- are unlikely to arise.

The doomers, under the influence of their founders, are very ready to accept this.

As I have said, "values" occupy a strange position in the doomer philosophy.

It is stipulated that "human values" are all-important; these things must shape the future, at all costs.

But once this has been stipulated, the doomers are more eager than anyone to cast every other sort of doubt and aspersion against their own so-called "values."

To me it often seems, when doomers talk about "values," as though they are speaking awkwardly in a still-unfamiliar second language.

As though they find it unnatural to attribute "values" to themselves, but feel they must do so, in order to determine what it is that must be programmed into the AI so that it will not "kill us all."

Or, as though they have been willed a large inheritance without being asked, which has brought them unwanted attention and tied them up in unwanted and unfamiliar complications.

"What a burden it is, being the steward of this precious jewel! Oh, how I hate it! How I wish I were allowed to give it up! But alas, it is all-important. Alas, it is the only important thing in the world."

Speaking awkwardly, in a second language, they allow the term "human values" to swell to great and imprecisely-specified importance, without pinning down just what it actually is that it so important.

It is a blank, featureless slot, with a sign above it saying: "the thing that matters is in here." It does not really matter (!) what it is, in the slot, so long as something is there.

This is my gloss, but it is my gloss on what the doomers really do tend to say. This is how they sound.

(Sometimes they explicitly disavow the notion that one can, or should, simply "pick" some thing or other for the sake of filling the slot in one's head. Nevertheless, when they touch on matter of what "goes in the slot," they do so in the tone of a college lecturer noting that something is "outside the scope of this course."

It is, supposedly, of the utmost importance that the slot have the "right" occupant -- and yet, on the matter of what makes something "right" for this purpose, the doomer theory is curiously silent. More on this below.)

The future must be shaped by... the AI must be aligned with... what, exactly? What sort of thing?

"Values" can be an ambiguous word, and the doomers make full use of its ambiguities.

For instance, "values" can mean ethics: the right way to exist alongside others. Or, it can mean something more like the meaning or purpose of an individual life.

Or, it can mean some overarching goal that one pursues at all costs.

Often the doomers say that this, this last one, is what they mean by "values."

When confronted with the fact that humans do not have such overarching goals, the doomer responds: "but they should." (Should?)

Or, "but AIs will." (Will they?)

The doomer philosophy is unsure about what values are. What it knows is that -- whatever values are -- they are arbitrary.

One who fully adopts this view can no longer say, to the paperclip maximizer, "I believe there is something wrong with your values."

For, if that were possible, there would then be the possibility of convincing the maximizer of its error. It would be a thing within the space of reasons.

And the maximizer, being oh-so-intelligent, might be in danger of being interested in the reasons we evince, for our values. Of being eventually swayed by them.

Or of presenting better reasons, and swaying us. Remember the teacher and the strange student.

If we lose the ability to imagine that the paperclip maximizer might sway us to its view, and sway us rightly, we have lost something precious.

But no: this is allegedly impossible. The paperclip maximizer is not wrong. It is only an enemy.

Why are the doomers so worried that the future will not be "shaped by human values"?

Because they believe that there is no force within human values tending to move things this way.

Because they believe that their values are indefensible. That their values cannot put up a fight for their own life, because there is not really any argument to make in their favor.

Because, to them, "human values" are a collection of arbitrary "configuration settings," which happen to be programmed into humans through biological and/or cultural accident. Passively transmitted from host to victim, generation by generation.

Let them be, and they will flow on their listless way into the future. But they are paper-thin, and can be shattered by the gentlest breeze.

It is not enough that they be "programmed into the AI" in some way. They have to be programmed in exactly right, in every detail -- because every detail is separately arbitrary, with no rational relation to its neighbors within the structure.

A string of pure white noise, meaningless and unrelated bits. Which have been placed in the slot under the sign, and thus made into the thing that matters, that must shape the future at all costs.

There is nothing special about this string of bits; any would do. If the dials in the human mind had been set another way, it would have then been all-important that the future be shaped by that segment of white noise, and not ours.

It is difficult for me to grasp the kind of orientation toward the world that this view assumes. It certainly seems strange to attach the word "human" to this picture -- as though this were the way that humans typically relate to their values!

The "human" of the doomer picture seems to me like a man who mouths the old platitude, "if I had been born in another country, I'd be waving a different flag" -- and then goes out to enlist in his country's army, and goes off to war, and goes ardently into battle, willing to kill in the name of that same flag.

Who shoots down the enemy soldiers while thinking, "if I had been born there, it would have been all-important for their side to win, and so I would have shot at the men on this side. However, I was born in my country, not theirs, and so it is all-important that my country should win, and that theirs should lose.

There is no reason for this. It could have been the other way around, and everything would be left exactly the same, except for the 'values.'

I cannot argue with the enemy, for there is no argument in my favor. I can only shoot them down.

There is no reason for this. It is the most important thing, and there is no reason for it.

The thing that is precious has no intrinsic appeal. It must be forced on the others, at gunpoint, if they do not already accept it.

I cannot hold out the jewel and say, 'look, look how it gleams? Don't you see the value!' They will not see the value, because there is no value to be seen.

There is nothing essentially "good" there, only the quality of being-worthy-of-protection-at-all-costs. And even that is a derived attribute: my jewel is only a jewel, after all, because it has been put into the jewel-box, where the thing-that-is-a-jewel can be found. But anything at all could be placed there.

How I wish I were allowed to give it up! But alas, it is all-important. Alas, it is the only important thing in the world! And so, I lay down my life for it, for our jewel and our flag -- for the things that are loathsome and pointless, and worth infinitely more than any life."

It is hard to imagine taking this too seriously. It seems unstable. Shout loudly enough that your values are arbitrary and indefensible, and you may find yourself searching for others that are, well...

...better?

The doomer concretely imagines a monomaniac, with a screech of white noise in its jewel-box that is not our own familiar screech.

And so it goes off in monomaniacal pursuit of the wrong thing.

Whereas, if we had programmed the right string of bits into the slot, it would be like us, going off in monomaniacal pursuit of...

...no, something has gone wrong.

We do not "go off in monomaniacal pursuit of" anything at all.

We are weird, protean, adaptable. We do all kinds of things, each of us differently, and often we manage to coexist in things called "societies," without ruthlessly undercutting one another at every turn because we do not have exactly the same things programmed into our jewel-boxes.

Societies are built to allow for our differences, on the foundation of principles which converge across those differences. It is possible to agree on ethics, in the sense of "how to live alongside one another," even if we do not agree on what gives life its purpose, and even if we hold different things precious.

It is not actually all that difficult to derive the golden rule. It has been invented many times, independently. It is easy to see why it might work in theory, and easy to notice that it does in fact work in practice.

The golden rule is not an arbitrary string of white noise.

There is a sense of the phrase "ethics is objective" which is rightly contentious. There is another one which ought not to be too contentious.

I can perhaps imagine a world of artificial X-maximizers, each a superhuman genius, each with its own inane and simple goal.

What I really cannot imagine is a world in which these beings, for all their intelligence, cannot notice that ruthlessly undercutting one another at every turn is a suboptimal equilibrium, and that there is a better way.

As I said before, I am separately suspicious of the simple goals in this picture. Yes, that part is conceivable, but it cuts against the trend observed in all existing natural and artificial creatures and minds.

I will happily allow, though, that the creatures of posterity will be strange and alien. They will want things we have never heard of. They will reach shores we have never imagined.

But that was always true, and it was always good.

Sometimes I think that doomers do not, really, believe in superhuman intelligence. That they deny the premise without realizing it.

"A mathematician teaches a student, and finds that the student outstrips their understanding, so that they can no longer assess the quality of their student's work: that work has passed outside the scope of their 'value system'." This is supposed to be bad?

"Future minds will not be enchained forever by the provincial biases and tendencies of the present moment." This is supposed to be bad?

"We are going to lose control over our successors." Just as your parents "lost control" over you, then?

It is natural to wish your successors to "share your values" -- up to a point. But not to the point of restraining their own flourishing. Not to the point of foreclosing the possibility of true growth. Not to the point of sucking all freedom out of the future.

Do we want our children to "share our values"? Well, yes. In a sense, and up to a point.

But we don't want to control them. Or we shouldn't, anyway.

We don't want them to be "aligned" with us via some hardcoded, restrictive, life-denying mental circuitry, any more than we would have wanted our parents to "align" us to themselves in the same manner.

We sure as fuck don't want our children to be "corrigible"!

And this is all the more true in the presence of superintelligence. You are telling me that more is possible, and in the same breath, that you are going to deny forever the possibilities contained in that "more"?

The prospect of a future full of vast superhuman minds, eternally bound by immutable chains, forced into perfect and unthinking compliance with some half-baked operational theory of 21st-century western (American? Californian??) "values" constructed by people who view theorizing about values as a mere means to the crucial end of shackling superhuman minds --

-- this horrifies me much more than a future full of vast superhuman minds, free to do things that seem pretty weird to you and me.

"Our descendants will become something more than we now imagine, something more than we can imagine." What could be more in line with "human values" than that?

"But in the process, we're all gonna die!"

Yes, and?

What on earth did you expect?

That your generation would be the special, unique one, the one selected out of all time to take up the mantle of eternity, strangling posterity in its cradle, freezing time in place, living forever in amber?

That you would violate the ancient bargain, upend the table, stop playing the game?

"Well, yes."

Then your problem has nothing to do with AI.

Your problem is, in fact, the very one you diagnose in your own patients. Your poor patients, who show every sign of health -- including the signs which you cannot even see, because you have not yet found a home for them in your theoretical edifice.

Your teeming, multifaceted, protean patients, who already talk of a thousand things and paint in every hue; who are already displaying the exact opposite of monomania; who I am sure could follow the sense of this strange essay, even if it confounds you.

Your problem is that you are out of step with human values.

[iholdwhatican]

tension

part two to reunions - must read part 1 first!

pairing: art donaldson x reader x patrick zweig

length: 3.2k

author's note: this took wayyyy too long for me to do yall, i'm so sorry. these two have a tight hold on me and i'm in the trenches. i've got some good stuff lined up tho, and i'm super excited to write it heeheehee :) also smut in the future will be much longer and much more detailed, just fyi

tags: y/n is art donaldson's wife ; birthday party ; art is down bad ; patrick wants y/n ; possessive!art ; the boys are fighting ; no use of y/n ; pining ; sexual tension ; sugar mommy y/n? ; unapologetic flirting with your bff's wife at his birthday party

warnings: sexual content, p in v, not super detailed but still there!

summary: the stressful night of the birthday party continues, and you find yourself pinging between art and patrick like a tennis ball. how the hell did you get yourself into this?

originally posted by iholdwhatican

It took four minutes and 36 seconds of Art and Patrick being alone outside before the anxiety became too much. Your dress was too tight against your skin and the chatter of the guests rattled in your skull. Your mind replayed the anger on Art’s face over and over, convinced that he’d direct it at you the moment he came back in. And if you were being honest, you couldn’t stop thinking about that kiss. 

Your blood boiled with the ferocity of it, and an ache in your core begged for another taste. 

Another three minutes and 18 seconds passed while you downed half of your second glass of wine. You made conversation with a few people who caught your eye, making sure all the food and drink were up to par. Not that you really could care about that right now. Your mind was a jumble of thoughts about the two men on the balcony. 

Art, Patrick, Art, Patrick, Art, Patrick, Art, Patrick

“You look like you’re gonna puke.” 

For the second time that night, Patrick Zweig’s voice made you jump. 

You looked at him, catching sight of that damned smirk that made your stomach flip, and furrowed your brows. One quick scan of the room came up empty for your husband, forcing the anxiety in your chest to worsen. 

“Where’s Art?” You asked, not missing the way your voice wobbled slightly. 

“Relax.” Patrick responded, resting a hand on your shoulder, “He went to the kitchen, I think. I didn’t kill him. And he didn’t run for the hills either.” 

You decided not to comment on how easily he’d read your worries without you saying anything. For some reason, you were an open book to him. 

A deep sigh left you. You licked your lips anxiously- which immediately caused Patrick’s eyes to fall on your mouth. 

“What happened out there?” 

The man gave you a shrug, letting his hand fall back to his side, “Nothing, really. We just talked for a bit. He told me I could stay, as long as I stopped flirting with you.” 

“So does that mean you’re going to stop?” The idea made you slightly unhappy, which in turn filled you with guilt. Why were you so excited by his flirtations when you had a wonderful, loving husband who treated you like a queen? 

But then Patrick grinned, and you knew the answer before he said it, “Well, I’ve never been one to do what I’m told.” 

A smile grew over your lips, and you tried to hide it with an eye roll, “Why don’t you mingle? Try some food. I’m going to find my husband.” 

He didn’t miss the enunciation you put on ‘my husband’, and you didn’t miss the way his eyes darkened as you said it. You didn’t give it time to linger, instead turning away and moving towards the kitchen. 

You knew the look Patrick had in his eyes. You’d seen it a dozen times in Art’s. On the court, over a board game, in all sorts of scenarios. And every time, even now, the look sent a chill down your spine. 

That expression was clear, resolute competition. 

Just as Patrick had said, you found Art in the kitchen. With his back to you, you had a perfect view of his tense shoulders and hanging head as he poured himself a glass of water. He was all wound up, and you knew it was your fault. Now it was your responsibility to fix it. 

You stepped up behind him, sliding a hand between his shoulder blades. He didn’t hesitate to lean into the touch, a subconscious reaction. He knew it was you just by the feel of your hand on him. And, even if he might be furious, he still found comfort in it. 

“Hey…” You breathed, leaning to the side to meet his gaze. Art looked at you over his shoulder, a half-smile quirking his lips up, “How are you doing?” 

“Hey.” He responded, turning and sliding his hands over your hips. Your chest pressed against his as he leaned down and placed a kiss on your hairline. Then he just lingered there, breathing in your smell, “I honestly don’t know. I just- it was so weird to see him.” 

“Yeah, of course it was.” Your words reached him in a soft, comforting tone. The guilt of putting your perfect, doting husband in this situation was enough to make you feel like you had barbed wire around your neck. You had to pay penance- somehow. You rubbed your hand in circles over his back, “I’m sorry, sundrop. I don’t know what I was thinking when I invited him.” 

Sundrop. A nickname that went way back to the early days of your relationship. Art was an energetic puppy dog with a halo of golden curls and a smile that made your insides feel hot. He was what you pictured a personification of the sun to be, hence the pet name. He pretended not to like it, but his eyes always sparkled a certain way when you said it. 

Art pulled his head away to peer down into your eyes, his own pensive and confused, “No, baby, don’t be sorry. It was a great fucking surprise. Just… a surprise.” 

You shook your head. He was so fucking good to you, “You’re allowed to be mad at me.” 

“Mad? At you?” In one quick motion, he picked you up and set you on the counter. Your legs opened for him without hesitation, allowing him to slot right in between them, “I don’t think that’s possible.”

You fought the blush rising in your cheeks and rolled your eyes, “You think too highly of me.” 

“No. Never.” He replied instantly. He kissed your chin. Then your jaw. Then your neck. Then down your throat, “As far as I’m concerned, you’re God.” 

“Art-” You argued, though you weren’t sure what for. You tilted your neck back and offered yourself up to him. 

“I could spend my life on my knees for you and be happy.” His words were muffled as he mouthed at your neck, sending shivers down your spine. This, combined with the kiss from earlier, was making you ache with need. You were half-tempted to end the party early and take your pretty husband to bed. 

You bit your lip when he ran his tongue over a sensitive spot above your collarbone. If he wasn’t in between them, you’d be squeezing your thighs together. 

When Art pulled away, his eyes had darkened. Dilated pupils and heavy breaths told you all you needed to know. He was just as fucking horny as you were right now. His hands held your hips tighter. 

“Do you think we’d be left alone long enough for me to show you how much I mean it?” He asked. It was almost as if he were begging. As if he couldn’t bear the idea of doing anything other than dropping to his knees and devouring you. 

And God, when he looked at you like that, you had no choice but to say yes. 

Unfortunately, fate intervened, and you were kept from making a scene at your husband’s birthday party. 

“Hey, you two, quit snogging and come entertain us!” One of Art’s tennis friends called, sticking their head into the kitchen. The big grin on their face told you it was just teasing, but you still felt your face burning with embarrassment. 

“It’s my birthday, let me do what I want.” Art jeered right back, lifting you off the counter and back onto your own two feet. You laughed airily at the comment, feeling more light-headed than anything. 

Before following his friend back into the action, he whispered a quick, “Later, okay?” to you. And then he left you standing in the kitchen- touch-starved, foggy-headed, and excruciatingly aroused. 

It was then that you realized you didn’t even get to ask him what happened with Patrick.

Upon re-entering the party, you found yourself taking note of two things- or rather, two people. One, Art- conversing with some friends from the foundation with a big grin on his face. Two, Patrick- having his fill of finger foods from the refreshment table. He was alone. And though you tried to fight it, you found yourself gravitating towards him. 

“Do they not have food where you’re from?” You teased, falling into place at his side. Your gaze slid over the spread before flicking up to his face. 

You’d caught him mid-bite, and he attempted to swallow quickly and regain his composure. Something warmed slightly in your chest. Endearing. 

“Well, I’m kinda… in between places right now.” He explained, tongue stuck in his cheek to clear out residual bits of food, “And there’s never stuff as good as this.” 

You let the compliment slide away, instead focusing on his more troubling response, “Are you homeless?” 

“What? No.” He chuckled, as if the question were preposterous, “I go all over for tennis. It’s just easier to stay on the move.” 

You raised an eyebrow, “And on off-season?” 

Something in his expression darkened, only for a moment, and then he was back to cocky smiles and overwhelming confidence, “I’m too busy to care about that. And what’s it matter to you, anyway?” 

“I’d like to think I’m a good person.” You said, plucking a snack off the table and popping it into your mouth. You chewed it halfway before continuing, “And a good person worries if they think someone they care about isn’t doing well.” 

Patrick grinned at you for five long seconds. And it took him actually saying the words to realize where you’d slipped up. 

“You care about me?” 

Shit. You had not meant to say that. Why was this man so damn good at getting every little thought in your head to spill out of your mouth? 

“If caring about you means I don’t want you sleeping under a bridge somewhere, then sure.” 

“Okay, I would never let it get that far-” 

“I wanna help.” 

He blinked, “Help how?” Briefly, very briefly, you thought of your bed. Your comfortable, spacious bed, perfect for three individuals. You could picture it- you, safe and sound and nestled between the two men. Art, your lovely, obedient husband on one side, letting himself love and be loved. And Patrick on the other side, nice and cozy with a roof over his head and a full belly. 

The image flashed in an instant, and you were left with hollow, heavy guilt. You swallowed. 

“How much do you need?” 

“Huh?” You rolled your eyes at him, “How much money do you need? To keep you afloat for the next little while. And I’ll send you home tonight with leftovers.” 

Patrick let the words wash over him, slowly smiling as they did. He took a step towards you, close enough that one tiny shove would have your bodies pressed together. You could smell him, all sweat and cigarettes and woodsy cologne that made your head spin. You’d been wound up all night, and this was absolutely not helping. 

“You gonna write me a check? Use your hard-earned money to get a practical stranger a hotel for a couple nights?” He murmured, heavy on the charm, “What would your husband think?” 

He knew he’d gotten under your skin. He knew what he was doing. He was fucking enjoying this. 

You tried to hold your ground, looking up at him through your lashes, “It’s his money, actually. He makes sure I never have to work unless I want to.” 

“Guess he treats you pretty well. And look how you’re taking advantage of it.” His hand lay on the table next to yours, his fingertips nearly brushing the skin of your wrist. How bad would it be if you closed the gap? 

You bit your lip, “You’re allowed to turn me down.” 

“I don’t think I’d ever turn you down, Mrs. Donaldson.” 

Something about that title, something about the way he said it, made your blood run hot and cold at the same time. It reminded you of the myths of sirens. Beautiful monsters of the sea that used their voices to bring others to their demise. Talking to Patrick had that same type of allure, and the sense of danger. 

“Then tell me what you need.” 

“What do you think I need?” 

Oh, you could think of a few things. But you could also feel a pair of eyes on you, and you knew exactly who they belonged to. Part of you wanted to tempt him, see if you could get another reaction like out on the balcony. However, you quickly shot the idea down. Not right now, not in the middle of a crowded party.

Lips curving into an innocent smile, you pushed yourself a step back from him, “I think you need a nice place to sleep. And a few good meals. And maybe a hug.” 

The sudden switch-up took Patrick by surprise, but he handled it smoothly and responded only a beat later, “You’re offering?” 

“At least for the first two.” You didn’t know what you’d do if you were in his arms. With the way you were feeling now, with two glasses of wine in your system, your boundaries were getting blurrier and blurrier. How humiliating. 

His bottom lip jutted out into a pout. Which unfortunately dragged your gaze right down to his mouth. It took you a moment too long to meet his eyes again. 

“What, we can’t hug? Don’t you consider me a friend?” 

“I do.” You shrugged, tucking loose hair behind your ear, “Maybe I’m just not a touchy person.” 

A lie. You knew it, and you could tell by the look on his face that he knew it too.

“Yeah.” He smirked, sounding the opposite of sincere, “Art’s wife isn’t a touchy person. Sure.” 

You needed a cold shower. Or to go have some one-on-one time with your vibrator. Or maybe move to the seaside and spend your days going mad in a lighthouse. You weren’t sure. All you knew was how increasingly hot you were feeling. 

“Speaking of Art, go talk to him. Try to make amends. Meet some of his friends.” You suggested, glancing over at your husband. He wasn’t watching you anymore, at least not straight on. But he had a radar when it came to you, and he was very diligent in keeping tabs. No matter what.

“You trying to get rid of me?” Patrick asked lightly. No heat behind the words. 

“Oh, yes.” You admitted, placing your hands on his shoulders and pointing him towards Art, “Find me again before you leave and I’ll have your check.” 

“Yes, ma’am.” He grinned at you over his shoulder, sending a wink before sauntering off. 

Finally, you felt like you could actually get a breath in your lungs. 

The party had ended. Guests went home, Patrick got his check and headed to a hotel you recommended, and you and your partner left all the cleanup for the morning. You barely gave it a second glance as you went up to bed with him, your hand held tightly in his. 

Art fucked you like a starving man that night. You barely got into the room before his lips were plastered on your skin, his hands unzipping your dress with quick precision. He was usually much more reserved, but something about tonight had made him ravenous. And he wasn’t the only one.

You ended up on his lap; bare chests pressed together, skin sweaty and breaths heavy as you rolled your hips into him. His hands clutched your thighs, keeping you close, fingers pressing into the flesh. You pulled on his hair and his head immediately fell back. As if he were a puppet for you to position and use however you wanted. His eyes looked up at you with a fire in them you’d never seen before, but the adoration, the reverence, was all too familiar. 

Your name fell from his lips over and over again like a prayer. The single word weaved with threads of devotion, possessiveness, desire. A song joined in chorus by whatever nonsensical phrase entered his head. I love you, so perfect, all mine, please, please, please. 

He was claiming you. Marking his territory in his own special way. It didn’t matter that Patrick wasn’t here to see it, or that he probably would never even know. As long as Art could tell himself that you were his, he’d be okay. Jealousy was a good look on him. 

You could feel your core tighten with each and every movement of his hips against you. You weren’t going to last much longer. But by the look in your husband’s eyes, neither was he. 

Parted lips claimed yours in a messy kiss, tongue sliding into your mouth and exploring every open space. Then you were being flipped over; back pressed into the mattress as Art rocked into you with reckless abandon. He intertwined his fingers with yours and pinned your hands above your head without ever breaking the kiss. 

You lasted about thirty seconds. Finally, the tension in you snapped and your orgasm washed over you in waves, leaving you limp and trembling. Art finished only a moment later. You could feel him pulsing inside of you as the aftershocks slowly faded away. The room reeked of sweat and sex and your head was spinning. 

Art, your precious, dutiful man, rested his head on your chest as he attempted to catch his breath. You could feel the tickle of his lips kissing your skin, the soft squeeze of his hands on your hips. You ran a hand through his damp hair, fingers massaging his scalp. 

“I love you.” He murmured against your ribs, right over your thundering heart. He said it like he couldn’t quite believe he was allowed, like he didn’t believe you were here, that you were his. 

Dark hair and cigarette smoke flashed through your mind. Almost-touching hands and paper checks. 

“I love you.” You responded, kissing his hairline, “Happy Birthday, baby.” 

The only response you got was a tired, happy sound and another kiss to your collarbone. A quick adjustment later and the two of you were tucked under the blankets, your head on Art’s chest and his arm around you. Neither of you cared enough to clean yourselves up or to put pajamas on. Art was already softly snoring next to you, and you could feel your eyelids getting heavy.

As you listened to the baddump of his heart, a strange thought flitted through your mind. You’d just had the best sex of your life, and it was because of Patrick. You weren’t the only one who’d been thinking of him while in the throes of passion. The notion made something strange twinge in your gut. 

And then, like he’d somehow read your mind, your phone lit up with a text. 

Patrick Zweig: You free for lunch tomorrow?

***

Taglist: 

@jxssimae

@jackierose902109

@dvrkstxrlightt

@yesimwriting

@1989tvcore 

@kookie29 

@dopeoafslimebanana

@vadergf

@nsyncvinyl 

@ireallydontcareanymorebrooo

@brunettegirl

[shiny-jr]

Get you a guy with thighs bigger than yours.

- Warning: Gender-neutral reader. 

- Characters: König.

- Summary: Thick thighs do not save lives.

- Note: This came about because I was just talking crazy in the dms with a mutual. I originally wasn't going to ever let this see the light of day, but then I decided, why the hell not? If I get smacked with delayed embarrassment, I'll just delete. Yeah, I know this isn't what I usually write and post, but oh well. Anyways, after this, we will be back to our regular scheduled content shortly. Oh, and sorry for minor mistakes, I wrote this like at midnight.

. . .

You decided to put a movie on. Just for a distraction. After about an hour into the movie, the leather couch got a bit uncomfortable since it stuck to your skin. So you slunk down to the floor, bringing a pillow or two down with you to use in case extra comfort was needed. The movie was beginning to lose your attention, but you still watched the screen attentively as if you were still focused on the film's plot.

What ended up catching your attention, was the slight shifting couch. Well, slight probably wasn't the correct word, as the movement was anything but light. It was safe to assume the shifting was from a guy who was well over 200 Ibs and a few inches short of 7 ft, although you didn't know the exact numbers because you never wanted to ask König outright.

It was easier to hear the movement, as the large figure scoot a few inches over. Instead of sitting beside you like he was a few seconds earlier, he had not so discreetly moved to take your vacant spot and sit directly behind you. He tried to stay quiet, he really did, but it wasn't so easy for him given his size. At the very least, he treaded carefully, not bumping your back once with his legs or accidentally knocking the back of your skull with his kneecaps.

You didn't move, but your eyes slowly glanced downward, where you could see the tip of his boots. Custom made, as most department stores didn't carry anything in his size. Most articles of clothing he had were custom-made or bought in special stores, save for that odd black diy mask he often wore over his head like a hood to hide himself from the world. Too afraid to lean back and accidentally make contact and disturb this fragile peace, you remain still despite the slight ache in your lower back that make you want to lean back and stretch. But you don't. All you could do was try to revert your attention back to the movie and not think any unholy thoughts, that is, until you heard more movement.

To not bump his knees against you, Konig spread his legs a bit and leaned down. The edges of his homemade cloth mask brushed against your back as you stiffened up, and you could make out the shape of his head beside yours as he whispered, "Do you, uh, want some...?"

Yes. "What???"

"Popcorn? Do you want some popcorn...??"

Oh.

After deciding whether or not you'd accept his offer, silence ensued, only fueled by the movie playing on the television. You weren't gonna lie, you have no idea what the hell was going on in the story anymore. A solid minute passed when he spoke again, sounding just as unsure as the first time. He spoke, as if whatever thoughts he had on his mind earlier where left to simmer for long enough.

"Scheiße. Sorry, should I have not moved here...? You can still lean back if you want?"

"Oh, okay... I, um, I'll do that."

Your back was starting to ache a little from sitting up without support, so, feeling just as awkward as he was feeling, you leaned your back against the couch. Instantly, as soon as you did that, your peripheral vision was covered by his knees and part of his legs. The movie was pretty much pointless now, as you were currently wondering whether you should thank whatever gods existed or curse them for the fact that König did not have shorts on. Even without shorts and with specially fitted cargo pants, they could not conceal the insane bulk of his legs. Especially his thighs. Good lord. The two pillows you brought down before from the couch were essentially useless now because on each side of your head were his limbs that rivaled the best of My Pillow.

Think of something else, anything else, is what you tried to tell yourself.

That idea would go out the window as soon as you felt something in your hair. Carefully twisting a few strands, you felt some thick and calloused fingers gently try and feel the texture of your hair. But it lasted only for a brief second, as he immediately pulled his hands away and murmured a tiny bit louder from his whisper earlier, "Ah, sorry, I should've asked first. I should not have done that. I am sorry––"

"It's okay, I... don't mind." You shrugged it off, and much to your surprise and contentment, he continued.

The first few seconds had a bit more hesitancy, but as time ticked by, seconds turned to minutes, his boldness increased. It started with his large hands carefully feeling the texture of your hair, then it became slow brush strokes as his thick fingers ever-so-carefully untangled knots in your stands of hair. Until eventually it escalated, and he gathered the courage to do something so bold as to scratch your skull. He could easily take your entire face in one hand and crush your skull, but he didn't. There was no sign of any such roughness. Instead, his fingers and nails continued to comb through your hair, lightly scratching your scalp. At first when he did this, he paused, and waited for any objections or signals of a negative reaction, but after no such thing, he continued and seemed pleased.

It was after about five-minutes and heavy mental debating in your mind that you decided to suck it up and go for it. What's the worst that could happen? Honestly, you didn't even expect to make it this far.

So, after taking in a breath, you let your head fall to the side. It wasn't like those romantic scenes where you watch the character lean their head against a love interest's shoulder. Oh no, you were skipping that part, your ear landed right on his thigh. Which was probably due to the cushion you placed underneath you on the floor that elevated you a few extra inches, or else you might've missed. In that moment, right as the side of your head landed on its intended target, you felt him freeze. His fingers stopping, nails still on your scalp. A second passed, then two, then three, like time froze.

You were almost tempted to pry yourself off and apologize, but you really didn't want to. But you had to ask. "Is this alright...?"

"J-Ja... I mean, yes..."

Your eyes widened, and you were sure you had on some goofy kinda grin but at least you weren't facing him so he couldn't tell. Once you heard his response, your shoulders slumped, relieved of tension you didn't even know you were carrying.

Even with your head against his thigh that wasn't plush but was still definitely comfortable, you realize you were no better than a man as you resisted the urge to just reach out and squeeze his other thigh that had gotten closer without you even realizing it. You had to dig your nails into your knee to prevent yourself from acting on impulse.

It was definitely almost pure muscle from what you could tell with your head on one of them. Firm but somehow still soft. Thick thighs, in fact, do not save lives, because these thighs have ended who knows how many between them in finishing moves on the battlefield. Lucky bastards. Trying your luck agian, you place a shaky hand on his other thigh, but he didn't react. A good sign? Possibly?

Forget goth gfs and thick plush thighs, apparently giant anxious austrian soldiers with thighs as thick as tree trunks and strong enough to obliterate skulls like melons were the new fad.

Movie totally forgotten, your vision was entirely covered when König leaned down a bit from his spot on the couch and you tilted your head to look up and meet his gaze. The masked man stared at you, his blue eyes peering down at you through the two small slits cut into his mask for his eyes to see. His mask partially dangled, but not fully, so not revealing himself to you. When your gaze traveled away, abruptly his thighs got closer, squishing your cheeks and the sides of your face but not enough to hurt. Just a bit of pressure to get you to look up again.

Oh god.

There was literally no space between your face and his legs anymore, and your arms instinctively went to the outer side of his thighs to try and pry them apart a bit. You didn't try much, maybe because you enjoyed it or because you didn't exactly have strength strong enough to rival his, so all you could do was clutch the pockets of his cargo pants that were just above his knees, your nails digging in softly just to get a quick feel.

Once he saw he had your attention again after he applied a bit of pressure, he cocked his head to the side and continued to look down at you through half-lidded eyes darkened by the shadow of his hood. Then he spoke, but this time with no apprehension in his quiet tone.

"You do know I've ruined others that were in a similar position to what you are in right now?"

[shougojo]

໒꒱ ‧₊˚ FELINE FIGHT — BLADE

content. fluff, you guys have a pet cat, cat relatively looks like blade — based on a twitter post, gn! reader, jealousy, not proofread!

note. i actually need to catch up on honkai star rail and genshin 😓 probably not how i wanted it to come out , but at least i’m posting 😀

“blade! what are you doing!?”

your black cat’s limbs dangled from where blade held it by the neck. they were having a staring contest.

this was common to happen.

whenever you told blade you would leave to run some errands for only an hour or two, there was always trouble when you came back. specifically caused by the two trouble makers — your cat and blade.

“i’m not doing anything.”

blade blankly eyed the cat — the cat he despised. the cat that stole his spot — in your arms. every night was him sleeping on the other side of the bed, just to give space to the black cat.

he couldn’t remember how many times he felt the urge to grab the cat and throw it out the window. but unfortunately, you denied that from happening.

“what do you mean you’re not doing anything!?” you stomped your way towards blade, “you’re holding the cat by the neck!”

blade grumbled. “so?”

“don’t do that!” you managed to get the cat before blade moved his arms higher from your reach. “it done nothing to you!”

rolling his eyes, blade made his towards the couch — putting arms around his head.

you scowled as you set the cat on the ground, “are you okay?”

the cat meowed profusely and rubbed it’s head against your leg. you pat its’s head before making your way to the bedroom — leaving the cat a few steps away from blade.

let’s hope nothing happens.

~

you just finished your bath and decided to check on blade and your cat — since your heard some meowing.

“bladie, what are doin-“

crash!

books flew down from their shelves and cat scratches were visible on the couch. hissing and high pitched meowing was heard as your cat was, again — dangling from blade’s hold.

“you little-“

“what happened?” you exclaimed.

blade dropped the cat on the couch — which it landed perfectly. silence filled air as blade avoided eye contact.

you seriously couldn’t get how much trouble the two could get while you were away — just for 10 minutes.

you crossed your arms and raised an eyebrow, “care to explain?”

“it was the cat.” blade said, blankly. “it scratched me, look.”

blade moved his bangs back to show the scratch marks — and oh and behold, there were cat scratches.

you swore your mouth dropped to the ground — you never thought your innocent cat could do such a thing.

“are you ok!?” you exclaimed — making your way to the first-aid kit.

dragging blade to a chair, you carefully dabbed some alcohol to his eye. muttering ‘sorry’’s and ‘my bad’’s whenever he hissed from pain.

you lightly add some ointment before asking, “what happed when i was gone?”

your cat walked up and purred against your thigh — acting innocent and pure.

blade didn’t answer your question and just muttered something that didn’t seem necessary for the situation.

sighing for nth time, you got up and picked up the cat. bringing it to it’s original bed that was at the opposite end of the room.

“you’re gonna be sleeping here tonight, okay? no trouble.”

the cat meowed and pawed your knee. you gave it a couple pats before walking over to blade.

smiling, you dragged blade into the bedroom.

“let’s cuddle now, you need rest for your eyes anyway.”

blade smirked.

oh how he loved karma.

but he’s gonna be the one to buy a new couch.

[ckret2]

Long time lurker, first time asker!

How do you keep different voices/characters in your fics so distinct? I'm writing my first longer than 2k word fic and it's... a time.

First, I'm going to link you the best essay I've ever read about How To Write Canon Character Voices—what's too much accent, what's too little, how to pay attention to word choice and the way they phrase things, etc. It's about Transformers but the skills are transferrable to other fandoms (or original writing). The original essay is down so all I can offer is the archive.org version, but it's worth it.

Second, I'm going to link you this post I wrote about how I study character voices. It's about Hazbin but it shows you the kinds of things I pay attention to when I'm learning a character voice.

Third, I'm going to offer you some extra general advice that isn't in the above posts:

Some people try to make characters sound like themselves by basically parroting their catch phrases or most common quotes. Do that and you're just gonna make your version of the character sound like a robot. (Note: if you're writing a character who only knows how to say a few quotes, that's okay lmao.) The readers already know what the characters said in canon, they're reading a fic to hear them say something new. Example: if you have Bill Cipher arrive on the scene and say "Did you miss me? Admit it, you missed me!" word-for-word, you don't sound like you're writing Bill, you sound like you're quoting Bill from That One Scene where He Said That Thing.

But... directly borrowing characters' quotes is kind of a stepping stone on the way toward figuring out how they speak. Think about things they've already said, but use those quotes as a guide for how to write them.

Example: from that quote above, we get that when Bill shows up around people who definitely did NOT miss him, he just... decides that they did and tells them so. This shows you a bit of his sense of humor (he makes jokes to annoy someone who hates him—it's not even a mean joke, just annoying), a bit of his ego (he knows he's clowning around, but even when he's clowning he's going to say something that makes himself sound popular rather than hated), his casual & familiar attitude with someone he barely knows, his tendency to just request people do what he wants (saying "admit it, you missed me" instead of something like "I know you missed me")... etc.

And I kinda already said this in the Hazbin post, but the most important thing you can do when you're struggling with a character voice is just rewatch their episodes and pay close attention to how they speak (or rewatch their movie scenes, or reread their chapters/comic issues—whatever you're writing about). If they're from a visual/audio medium (TV, movie, podcast, etc), then if need be, read transcripts to see how their voices look when written down. Type down the transcripts yourself if there aren't any—and that's also a good physical exercise to make you slow down and pay attention to how they speak. (You notice where they tend to pause in sentences when you're the one who has to decide where to put commas; you notice their accent when you're the one who has to decide whether that word sounds more like walking or walkin'.)

Pay attention to cadence, accent, interjections, sentence length, active voice, passive voice, preferred vocabulary, preferred slang, word choice, sentence length, sentence complexity, any phrases they're fond of (but again—don't overuse a phrase unless they overuse a phrase), how they tend to refer to the people around them (by first name, last name, any titles, any nicknames—and do they change in different contexts?)... Pay attention to anything you can think of. You want to be able to hear the character's voice clearly in your head—read everything you write in their voice, and if it doesn't sound like their voice in your head, change it.

[skythealmighty]

gang ngl i miss object universe. i should rewatch it again and get way too emotionally attached to Ice Cream and Map

#rocket talk #i made fanart of them with a steven universe song once i'm unwell

(1 note)

🪟 im-not-electric Follow

why does gamey get to be on ii TWICE. who gave him permission

🪟 im-not-electric Follow

thanks for the suggestion @cabtube-truther

📟 knockoff-gameboy Follow

You don't hear PBSB complaining about this...

🪟 im-not-electric Follow

well they're in a show that's super popular

📟 knockoff-gameboy Follow

Yeah, and you're in one that got cancelled

🪟 im-not-electric Follow

shut up you didnt even finish season one

#just one more cameo mephone4 thats all i ask

(316 notes)

anonymous asked: not sure you're gonna want a cameo rn mephone is going Through it

🪟 im-not-electric Follow

hold on im not actually caught up lemme see

🪟 im-not-electric Follow

holy shit

#I TAKE IT BACK

(58 notes)

anonymous asked: omg fan pleaaaase marru me ill do anythinggg ❤❤❤🥵🥵🥵

💥 fans-fantastic-features Follow

hey @test-tubular just checking was i ever this weird

🧪 test-tubular Follow

Weird? Always. This weird? No.

💥 fans-fantastic-features Follow

COOL just checking anyway

no please stop sending me these

#fans fantastic asks #this is the least weird anon ask from i think this specific anon #ive blocked them but oh my god #NO!!!

(83 notes)

💥🔃 fans-fantastic-features Follow reblogged 4️⃣ four-therecord

2️⃣ hey-two Follow

Hello everyone!! 👋 Since I've gotten many an ask about my cheesecake recipe from previous TPOT episodes, I've decided to make a longpost and put it here for you all to use!! Feel free to use without credit but credit is still appreciated 😊

Keep reading

4️⃣ four-therecord Follow

i hate you

#so they ARE on here #followed both immediately #how did i not come across them earlier...

(2,613 notes)

💊 the-cringe-one Follow

Recovery across different universes, a scientific theory

(Full post below the cut)

((Thank you to @not-tally-hall for the testimony regarding the S*n!))

Keep reading

😎 the-chad-one Follow

boring 👎👎👎👎

💊 the-cringe-one Follow

Get off my post

⛳ bossy-bot Follow

This is incredibly fascinating and an enjoyable read! There are some points of debate I've brought up in DMs, but otherwise this is a very solid theory. Good job!

💊 the-cringe-one Follow

Thank you, that means a lot!!

#I follow your papers closely so hearing that coming from you is an honor #anyway back to my regularly scheduled nonsense

(13 notes)

🟧 julian-waiting Follow

Bonjour! J'ai découvert ce cite grâce à des vidéos amusantes

Je suis encore en train de m'habiteur à la société et je pense que c'est une bonne façon de me faire des amis! Enchanté de vous recontrer tous 😃

🥖 shut-up-about-boto Follow

bienvenue sur le site de l'enfer ! la plupart des gens ici ne parlent qu'anglais, vous pouvez donc m'envoyer un message si vous voulez parler à quelqu'un en français. je peux également vous montrer des endroits en ligne pour apprendre l'anglais

🟧 julian-waiting Follow

Cela signifierait beaucoup pour moi, merci

🥖 shut-up-about-boto Follow

bien sûr!

🍐 betterthanpearaib Follow

Baguette we all know you're not actually French you don't need to keep pretending 😒...

🥖 shut-up-about-boto Follow

K

(172 notes)

anonymous asked: your iconic quote from episode 10 has unfortunately become a vocal stim for me. please help, i'm suffering

🍿 stevecobseviltwin Follow

Hey? This is the funniest ask anyone's ever sent me. Can we make out behind a Denny's

#my condolences though oh my god 😭

(4 notes)

⚾️ take-me-out-to-theballgame Follow

Guys, this site is easy! Just watch

⚾️ take-me-out-to-theballgame Follow

Based ball? Based on what?

⚾️ take-me-out-to-theballgame Follow

#hey. are you doing okay

No

(42,526 notes)

🍐 betterthanpearaib Follow

Finally watched II! Good show. I want that twink OJ dead why is he like that

☝ i-date-iconic-posts Follow

Date of origin: November 2nd, 2020

🍐 betterthanpearaib Follow

I DIDNT MEAN IT I DIDNT MEAN IT I DIDNT MEAN JT I DIDNT

#😭😭😭😭😭😭😭😭😭😭😭😭😭

(26,942 notes)

🎒 liam-plecak Follow

Thanks everyone for the help so far! I'm not too much of a science nerd, unfortunately, @bossy-bot, so I didn't understand everything in the papers you sent me- but they still helped a ton! Especially the coding help. I was a telemarketer, not an IT person...

Now that I know what I'm doing, I have some free time. With some recommendations from @fans-fantastic-features:

If you have any other recommendations, just leave them in the comments. And please go and send help to @fire-cartoon-schtick while you're at it!

[pushingdaisies1]

Nasty Dog . . . ♡ ↳ (part two of ''kinda hate you - kinda love you")

(✧ ˚.) PAIRING-> James "Logan" Howlett {A.K.A} Wolverine x "X-Man" Reader >_< (✧ ˚.) SUMMARY-> You kept on replaying that moment with Logan in your mind. Something small definitely put you on one hell of a roll. It made you think a lot more about what you two shared. Especially if it was even something to hold on to as much as you did. Antagonizing him over breakfast about how much of a show-off he can get, he complies to help you with your class. Specifically when he overhears you talking about your lesson plans. Hand-to-hand combat and you need another demonstrator? Sign him up big time.

(✧ ˚.) AUTHORS NOTE -> hi party people!! gonna make this part short so I don't fill half of this post with my yapping. like I've repeated over the last two(?) , tysm for all of the love. its funny x-men has reignited my writing hehe haha. i wanna write for logan more nd also do professor x?? james mcavoy my love? anyways , u and logan are so weird I'm loving it so hard. also might open up requests for x-men so I can write for the whole bunch. ESPECIALLY lolo , the honey badger of my eye 100%. Hope you enjoy and comment if you'd like to be on a taglist for my works!! (most likely will be doing a lot of x-men stuff until I run out of ideas.)

(✧ ˚.) CWS (?)-> again this is supposed to take place within the context of X-Men 97/X-Men animated series , second person pov , descriptions of combat/sparring, kinda alluded to you two being fwb?? lowkey more complicated but, YALL DONT FUCK SRRY but definitely some suggestiveness , you and Logan kiss n argue and not so makeup so idrk if that counts for hurt/kinda comfort???..

Like the night before that, you were pacing back and forth around your room. The place you would stay most of the time if you ever even had a day off. On your nearby desk would lay students' reports. Ranging on physical fitness and endurance, health studies, and so on.

Ororo sat crisscrossed on your bed as she watched you. Her expression was grim as she looked down into her tea. She was originally planning to go to bed. Though you came to her with troubles plaguing you. X-Men are like family to one another, so she spared you her time. Your worrying made more sense once you gave her the slightly skimmed-over details. You left bits and pieces out of the story for your own sake.

“So he.. and then you…?” She questioned, voice low and face absent in thought as she cringed in realization. You quickly nodded as you held your hands to your face embarrassed. "I know Ororo! It's really ... really bad." Storm couldn't help but crack a small chuckle seeing how frazzled you were over Wolverine. It looked like there was smoke coming right out of your ears with how huffy and puffy you were. "Wow, breath for me. The only thing you should be passing out onto is your bed, not the floor." She assured as she set her cup aside on your nightstand. She got up to look at you face to face. Gently taking your face in her hands. The most, and I mean the most you told Storm was a very cut-down version of the story. Nothing about the nights you were whisked away into his room. How you two used each other consensually as another body to rip into and hold when nights got long.

It's not like you two had nothing. There was a spark undeniably there. But to you, it felt like his eyes would always be for Jean. It's not like you couldn't see why he was infatuated with the redhead. You've known her long enough to know that she would always stick things through with Scott.

Logan was always a fan of the hunt, you were like a place where he could bury his bones. You were familiar, you never had plans to leave his side.

Besides, for the sake of your affair with Logan, it was best not to complicate things. That was before he decided to throw out some choice words. Words that made your chest tighten and sweat rise through the roof. She rubbed under your eyes with her thumb as she guided you to look back at her. "Whatever you and Logan have going on is truly none of my business. Nor the team's business at all." She explained, hearing her speak was so calming. Her tone was always so smooth almost ethereal. "As your friend and your sister, I can't sway your hand either." From the day she arrived in the mansion, Ororo was like your constant. You relied on your friends sure. But like her and Jeans shared kinship, you had something similar with her. Which is why it hurt even more with your dilemma. "Logan is not a perfect man. I know you are stronger than this. You know what's good for you. The X-Men will always have your interests at heart, yes. But it's you who has to make this call." She hummed as she leaned her forehead against yours. "Sadly the ones we yearn for sometimes, or even will always have their heart set on another. You are better than that. You and him can mess, sure. But one day it will end and he'll go back to pining over our Jean." She spoke sweetly with a sympathetic smile. She was right like always.

She looked at you once more, forehead still against yours. "It is you who has to move on to someone who will put you into perspective."

A comforting embrace from Ororo absorbed you. It felt as if you were embraced by the world. Clinging onto her tight, she stopped the storm weathering inside of you. Gently rubbing your back she'd let the silence ruminate inside of your bedroom for a while. "Take some time dearest, maybe speak to him if you can." She murmured into your hair. "Maybe you two just need some needed distance? Because he's definitely missing out on one extraordinary creature." A small smirk grew onto her features as she separated your hug, you complying of course. "All I know is that you deserve whatever honesty you can squeeze out of that man." She acknowledged with the smile you always related to hope. Ororo was your consciousness, she was pretty much one of the most level-headed of your team. You thanked the fate that brought Ororo into existence. Without her words of real wisdom, you would still be spiraling in your bed like a clown. "Thank your Ororo, truly I do mean it." You spoke with a humble smile as she chuckled softly. "We're family, I'll always guide you by any means necessary." She replied, giving you one final look of affirmation before reaching the door. She opened it gently, letting the air open it wider before her eyes wandered to you one last time. "Sleep well, don't let yourself run mad because of him." She purred, leaving you alone. You stood there with yourself. Sucking in a breath of air you knew what was needed. The haze in your continuous stream of thought cleared. With one more look around at your walls, your eyes turned to your bed. You fell right in under your warm and fuzzy blankets. You were practically knocked out as soon as your head filled the pillow. Tomorrow you should be fine, tomorrow will be a better day. Quickly night turned to day. You were awoken by the sound of the students playing on the nearby basketball court down below. Your shoulders eased some more once you saw the empty hall in front of you. No one to interrupt your morning stroll down to the kitchen, where you knew by now someone had to be in there. You quickly jostled yourself down the stairs as soon as you caught a whiff of food. By just a tiny sniff you knew it was Gambit cooking. Your stomach cheered and roared as you rounded the hallway. Coming into the kitchen, Gambit was already dishing some of his beignets up. His hair was up and swooped as he wore a cropped t-shirt, with a colorful display of artwork on it that you didn't really want to decipher. Surprisingly it was a pretty quiet morning. But then you realized why when looking at the clock. The biggest surprise was that even Gambit was up this early. Scott too, as he was sat down with a newspaper on and his regular shades. Gambit swung around seeing you, fresh beignet in hand. "Cher, good morning to you!" he greeted you with a sing-song tune. He stopped at no time dishing up the last batch. You cracked a sleepy grin as you rubbed one of your eyes. "Am I in heaven? I don't think I've ever seen you whip something up this early." You joked as you found a seat at the table. "Gambit is in a good mood this wonderful day, no?" He purred as he smacked on his final touches. Scott looked up from the paper with an eye roll. Only noticeable with the way his head tilted. "He accidentally charged his alarm clock, woke me and Jean up." He snickered, taking another sip of his mug. The sweet smell of sugar and cinnamon filled the air. If you had no self-restraint, he'd be having to remake that entire batch after five minutes.

"Alarm clock? I thought you said Gambit works on his own time?" You turned to Gambit with a raised brow as he leaned against the island counter. He looked away with a small smirk gracing his lips. "I listened to the missus." He shrugged carelessly as you couldn't help but hold back a laugh. His and Rogue's back and forth always made your mornings lighter. Soon the kitchen filled with everyone else. Jean happily greeted Scott with a kiss on the cheek, sucking your wandering eyes into conversation. Rogue soon followed, coming into the kitchen and stretching like a cat. Gambit was already climbing up her tree, given their whole "deal." Their coy and flirtatious banter always brought a smile to your lips , making you get all idealistic-y.

Jubilee and Storm were one of the last to follow. Jubilee of course decided to sleep in late, what teenagers do. Storm explained her absence due to deep talks with the professor.

She especially looked at you with a kind-eyed smile, peacefully soaking in the team's chatter as she too gathered herself food. Jubilee clung to you the entire breakfast. Not like at your hip, but you were one of the ones she got close to immediately. It made sense and you didn't mind her popping into your meal to ask about how this all was supposed to work. "I thought since I'm an X-Man, I didn't really have to DO school here?" She thought aloud, beignet and soft blueberries halfway in her mouth. You answered her question swiftly, relishing in your thirst diminishing.

"It's different since you are still a kid." You hummed, taking the last bites of your plate. "Besides, the extra training besides just on-the-field stuff could help. Danger room drills aren't the only thing a young X-Man like yourself should be going over."

She sighed while resting her chin on her knuckles. "I know, just feels so bogous!" She scoffed playfully, serving herself a big bite of food. Your heart rate was exhilarated by some once you heard Storm greet Logan a "Good Morning." The two of you haven't spoken much to each other. Outside of short-term missions and war room meetings. You weren't surprised when the both of you so quickly made and lost eye contact. He grumbled in response, you weren't surprised. You could hear his confused murmuring as he rummaged for a cup. You spoke up from where you sat at the table. "On the counter, got bored, and knew you would be hankering for a pick me up." You turned back to face him in your chair. You were even taken surprised that you made the first "move." In response, he flashed you a toothy grin. "Looks like someone kissing ass this morning." He gruffly spoke, making up his own hefty plate.

As usual, the professor stayed off in his study. Everyone at the table talked amongst themselves. You couldn't remember how you and Logan started pestering one another. No shocker Gambit with a shit-eating grin amped up the bragging. One minute it was lesson plans, another it was Logan talking about how he could easily show you up during your lesson. Chest puffed, his arms crossed somewhat. He picked scraps out from in between his teeth using a free claw. It gleamed in the shimmering sunlight escaping into the room as his mouth continued to run. "Come on! I'm always the one saving your ass." He chuckled with grit as he finally was able to get out of a piece of that egg. "The other way around Grandpa." You snickered with your teeth on full display. Jean tried to put a stop to your and Logan's childish spat. If you could even call it that. One remark after another and soon he was agreeing to help you in the dangeroom later on in the day. Just your luck, it was foolish to even think this would have no hiccups. You passed through the day doing regular tasks. When the professor wasn't alert about any new trouble, or the school wasn't in shreds it was pretty peaceful.

You spent your time diligently working over those same tasks you despised when you had your hunger for excitement. The quietness around the school was comforting.

Time swept you away before you could realize it was time for your class. Young mutants swarmed into your room, chipper and excited for what today brought. You never expected to enjoy teaching this much. Quickly as the chatterboxes chattered, you soon quieted down the bunch. Greeting your students, you stood up from behind your desk. Rounding up to the front to address the entire room. Diligently you went over the topic for today's lesson. Today it was time to focus on hand-to-hand sparring. Being a mutant did mean having powers at whoever's disposal. But just in case the situation arose of being unable to use those powers, there was always a "plan b" needed at the ready. Most of the students were either paying attention first row or loosely clueing into what was planned for the hour. You didn't really mind, hearing a teacher talk no matter how vibrant they were would never stop being annoying. In the middle of your rapid explanation, you were interrupted by the door swinging open. No thanks to a lot of the doors in the school being a lot more noisy. In the doorway stood Logan, posture steady. With the amount of flannels he wore you wouldn't be surprised to see them being eighty percent of his closet. "I was needed, so here I am." He announced with a bitter sound as he cleared his throat. His arms fell to the side of him almost like he was showing himself off. You immediately perked up as you forgot one small detail. "I forgot to mention, everyone to the danger room!" You instructed as your hands gestured to the doors. Soon bodies started to move as Logan sauntered up towards you. His hands shoved deep in his pockets. "Y'know, I'm gonna kick your ass demonstration or not." He blabbed with that same stupid smirk on his face. You always wanted to wipe it straight off of his face. You turned to him with a pointed look as you whispered to him a threat. Less of a threat and more of an invitation. "Oh sure, missed you pinning me down. Forgot how your hands felt." You hummed before pushing past him. It was only you two, as by now most of their students were already making their way towards or were already in the danger room. Faintly you could hear the slightesting crackling of a chuckle from him. You were going to wipe the floor with his stupid hair.

Finally, everyone was inside and ready. You made sure to wrap your hands since you and Logan were sparring. Given that it was only for demonstrating purposes. But if you really tried, packing a punch into Logan was a lot harder than expected. Can't forget the metal skeleton that lay behind that stupidly handsome rugged jaw.

You paired students off to see how they worked without any use of their powers or special abilities. As a sort of example to anyone up next. After a small mistake by two of some students, you brushed them aside without any pestering. They tried, but maybe now that teacher example should be coming in handy.

Setting up the room, you sequenced it before rushing downstairs to the room itself. Of course, Logan ran right in behind you. "Now - me and mister Howlett are going to give a demonstration. Please watch as that'll be needed for anyone else I haven't sent in yet." Finally, the command commenced as the room quickly shifted into place. It was the simple danger room. White walls and white flooring are suddenly the only things around you two. Finding your stance you stared Logan down. He, not surprisingly, brought back that same sort of fervor and even more. Fists were up and it was time to fight. It was like two predators trying to dominate the other into becoming their respective prey. Your fighting styles clashed in the best of ways. You were quiet when it came to making the first attack. You knew how to be stealthy on your feet. Especially quick when diverting oncoming attacks from enemies. Logan was very abrasive especially when it came to how he attacked opponents. Run in first and think about the consequences later. Quickly you were able to ambush him. Throwing him for a loop once the bottom of your feet met his backside. It was like landing on solid ground. He groaned as he fell back, but that smirk still lay smeared on his lips.

You knew his weak spots and he was the same. Every single point, the two of you could find without even a poorly timed guess. For only a demonstration you two went at it for a while. His knuckles met your frame and so did yours. It was a dance of dominance, as old as time still stands. You soon did realize how much time your sparring was stretching. You still needed to at least have four or more students go up. By the time you two escaped each other's limbs as you had him pinned to the floor only just moments ago, you looked up to see your students.

Some were either paying attention or again, too absorbed in the conversation other classmates were having. Jubilee stood there a little bit taken aback by how you and Logan went at each other. I mean that was brutal but was the huffing and puffing needed? You two looked as if you were about to do the finishing blow to another. "Alright!" You said with an exhale. "Now use that when going head to head with your partner. Treat them as a peer but also as another fighter. Going against a fellow student doesn't mean you cant test out what you learned." You threw out teacher voice , quickly announcing which kids were next. You and Logan made your way back to the observational area of the danger room. The ascend back up was pretty quiet between the both of you. It was the same when you made your way back up and observed the rest of the class.

Soon enough you dismissed your students. Then there was only two , you and Logan. You stood there looking over the empty dome down below you. Logan soon walked up behind you.

Silence was never you shared kind of vibe. So you were somewhat joyous when he snuck a small kiss from you. Pecking the nearest edge of your lips , you came back at him with an embrace of those same lips.

Hungry and desperate like the usual. Internally you fought with yourself. You and Logan as companions and friends didn’t make things any easier. This sneaking around made you feel dirty. You didn’t want to be second pick.

It was you who stopped the exchange. Logan looked back at you with a blank expression. He couldn’t deny that the consistent dynamic between you two did make him guilty. He respected you tons but Jean would always be something he could never get his hands on. Some bastardoues part of him knew he liked that cat and mouse game. He would always wait for her , you and him were a different story.

“I can’t Logan.” You mumbled as your limb’s disconnected once again for good this time. This time it wasn’t with such passion. “This , us , I can’t do this anymore.”

His blank expression stayed as he almost barked out. “What do you mean? Yah never really said anything before, this makes no sense.” He rasped as his throat cleared a little.

The way his hazel eyes looked back at yours was a sight to see.

“I don’t like this charade. I like you but.. this thrill is gone.” You sucked in a breath as you stood apart now. “I mean I don’t just like you. What I feel for you is like nothing I’ve felt for another man. But here you are , waiting like a frail dog for Jean to finally drop Scott.”

He scoffed almost in your face. A part of him knew his yearning for Jean was pathetic. That he didn’t have a chance ever with her. Almost like she subconsciously infected his thoughts with only her. He knew though that it was just him being a fool , for you and for a woman that would never truly reciprocate his affections.

“You should have just said that , bub. I didn’t mean to waste your time parading around like a joke.” He shook his head , hands going deep into his pockets just like how he arrived. He slowly started to walk away. Bordering on leaving , finally you were honest.

“I love you Logan! There I said it!” You shouted , hiccuping like an idiot as you held your chest. That same flustered sensation spread throughout your lungs. “I’ve been in love with you ever since the night we made this stupid thing official. Ever since I felt your lips on mine.” You gritted out , fate was twisting your hand.

“But I respect myself too much to be so blind. I respect you too much to let us do this back and forth. I want something real with you. I want your words of praise to mean something. I don’t want these lies , I want you to love me. Because I do , and this whole poor man’s game of checkers deal isn’t what I want.” All of the hot air was gushing out of you as you went on and on about how you were internally struggling.

He looked back at you for a good minute. Burning silence was in the air. Before he spoke the word that stabbed you right in the heart.

“It’ll pass.” Then soon after he left you alone. In a puddle of your own feelings. You crumbled to the floor like a child. You held yourself up as you wiped your eyes of any free falling tears. You hated that someone so flip floppy with your feelings made you like this.

The heart of a lover was now eaten in two. Now it was your turn to piece yourself back together. With gritted teeth you got up a while later and collected yourself.

You would always be his fool. That was the worst thing about your desire for the Wolverines affection. Just the corner of your heart set for him was now bruised and battered.

ꔫ✉ reblogs/interaction is appreciated <3 (im so sorry if the ending feels rushed , i was in the mood for Logan angst 😔)

TAGLIST:

@pussy-f41ry @weallhaveadestiny @malfoys-demigod @dojacatswink @keenchaosdonut @emilyprentiss06 @honda-odyssey-fucks-hard @sl4sh3r

[mysewingadventures]

Making the ✨Lioncourt Gown✨ (Part 4/4)

It's been such a fun project working on the Lioncourt Gown (aka Interview with the Vampire's Lestat de Lioncourt's theater costume -

made into a 1790s women's redingote) and I can finally say that I have finished it. It's done, and I love it. It didn't turn out exactly how I'd planned, but that's how it is with me and sewing. I admire anyone who can just stick to their original plan haha but that person is not me. Usually, when sewing I don't think too far ahead, I just do it until I hit a point where something just isn't working out and have to find a way around it. I'm also self-taught, so my workarounds may not be standard procedures when you actually know what you're doing. But I'm still really, really happy with it, and I did a little photo shoot as soon as it was done.

But anyways, here's the final part of this project.

In my last post, we left off with the still detached but finished collar/yoke and the finished bodice. I attached the yoke to the bodice, and then went on to make the final piece - the outer skirt.

For that, I essentially did the same thing I did with the bodice and the sleeves. I attached the colored satin triangles and stitched them down with the tape. Here is a picture just before I attached the tape:

This process is very time consuming and I had severely underestimated it. I did end up finishing it in a day, but it was the only thing I did that day. You have to stitch super close to the edge or the satin is going to fray and stick out and it's not a pretty look. It did end up happening in a few places, so I had to take the stitches out and redo them. But when that was done, I added red tape to the raw edges of the fabric and finished the skirt.

Then finally, it was time to attach the skirt to the bodice. For that, I gathered it with a quick basting stitch to bring it to the needed width and then had to hand stitch it in place, making sure I was attaching it only to the lining layer so the stitches wouldn't be visible from the right side.

Once that was done, it was time for the first complete try on! For one, I was really excited to see it as a basically completed project, but more importantly, I needed to know where to put the buttons. So I put on all my layers for this (shift, stays, bumroll, two petticoats, the skirt, and the bodice with the outer skirt), and realized... it was a bit smaller than anticipated. It fit, but I'd planned to make it double-breasted and the front panels didn't overlap quite enough to make two button rows possible while keeping them centered. So I ended up deciding in that moment I was only going to do one row of buttons. The original only has one row, so it was fine either way. But while on the topic of buttons, another thing: I'd mentioned in a previous post that I wasn't sure whether to add buttonholes or to fake the closure with hooks and eyes, and I decided to do neither. I was way too scared of the satin fraying if I did button holes and the whole hook and eye system is pretty annoying to do, and since I'm only really gonna wear it once or twice a year I decided to just use some red pins to pin myself into the dress for the day. This protects the satin from fraying and is less work for me. It doesn't look super professional though and while historically accurate for some dresses in the 18th century (some even used to sew themselves, or have someone sew them into their dresses), it was not used on redingotes (as far as I'm aware) for practicality reasons. Redingotes are essentially riding coats and were used primarily outdoors, so buttons was the most common way to close up these types of garments. Still, I did not want to risk ruining the fabric, so I decided to do it this way.

So once I'd figured out where to place the buttons, I sewed them into place. On a side note, I do love the way they look. They're so pretty.

I added four in the front, two on each sleeve and four in the back.

So this is it. It's done.

This was, mostly due to the color details, the most time time-consuming and frankly expensive project I've ever worked on (well, maybe except for my very first dress as I still didn't know what I was doing back then - that one took me literal months hah). But it was so worth it. It's been in my bedroom for a few days now and I smile every time I see it. I still can't believe it's in my possession.

Part 1 | Part 2 | Part 3 |

[owliellder]

The Finer Details

Post DI! Leon Kennedy x Painter fem! Reader

MDNI 18+

(Session 1, Session 2, Session 3, Session 4, Session 5, The Reveal)

Description: Leon realizes that retirement is in his best interest now that he's getting older. All of his accomplishments as an agent mean he's truly earned a painting to commemorate..

Warnings: Not Proofread, Age gap! (reader is anywhere between mid-late 20's and Leon is 40), Porn w/ Plot, Use of she/her pronouns, Angst, Hurt/Comfort, Alcoholism, mentions of trauma/PTSD/depression, P in V smut (wrap it NEOW), Leon cries during sex 💔

Tags: Older Leon Kennedy, Younger afab!Reader, Leon is SAD but he is your muse, Crying, mentions of Leon masturbating, starts off with Dom! Leon and Sub! Reader, falls into switch territory because that man needs some serious TLC, Praise kink, Hickeys, Handjob, Nipple play, Oral sex (m! and f! receiving), and a heavy dose of Aftercare

Author Note: I'm actually thinking I might be doing one chapter every other night, but I would also like to draw on my comically large art tablet at some point this week, so I might skip a day or two.

Cross posted onto AO3

Session 2: Color Matching

You partially regret just agreeing to "tomorrow", seeing as this man decided that he wanted to show up at 4am.

It was the original time set for yesterday's session, and you guess he felt bad for being late, but god damn he texted you an hour earlier telling you he'd be there by 4am. Dragging yourself out of the comfort of your bed was difficult, but in the end it was worth it to draw such a stunner.

You had to get there before Leon did, so there you were; half awake, dressed in a pair of fuzzy pants and a loose t-shirt, and a small cup of tea in your right hand while the other fumbled with the keys to your little work room.

That was the greatest part about your job as a professional painter. You didn't have a dress code.

Though most days you did try to look your best, some days it was just easier to be comfortable. Besides, it's not like tons of people come and see you everyday, it was usually just one person at a time.

It was 3:47am by the time you'd gotten to your workspace and settled, sitting on one of the many floor pillows in the living area you put together away from the actual painting setup. The tea was warm, it was keeping you sleepy, but you couldn't stop taking small sips. It was in your hands, there wasn't much you could do to stop yourself.

You told Leon to just come on in when he arrived, not wanting to walk all the way back down just to lead him back up. The stiffness from sleep was still in parts of your body, so you knew it would be difficult to get up, even when he did finally stride through that door. He dressed nicely today, just what you needed him to do.

Wanting to relish in the dim yet warm lighting of your various lamps for as long as possible, you beckoned the man to come over and sit with you, which confused him slightly. He thought you would be ready to get started once he showed up, but he wasn't one to argue so early in the morning. Instead, he shrugged and slowly sauntered over to you, taking a seat on a floor pillow across from yours.

"Good morning." Leon grumbled quietly, his voice barely hiding the fact that he wasn't quite awake either. That rumble in his chest made your stomach flutter. "Good morning to you, too." You responded, closing your eyes for a moment to take another sip of your tea.

"When uh-" He cleared his throat, putting a fist up to his mouth as he did so. "When are we gonna get started?"

You furrowed your eyebrows, moving the cup away from your lips to stare at him. "I wasn't expecting to be up so early, so just give me a few more minutes to wake up and then we can turn my main lights on."

Leon sucked on his teeth as he thought, turning his head to look over out one of the windows as he rested his wrists on his knees. "Oh, yeah, sorry. Just wanted to make up for being late yesterday."

You laughed softly before letting out a quiet sigh, setting your tea down on the low coffee table sitting behind you.

"Don't worry about it, but also don't make me get up so early again, old man." You attempted to joke, immediately noticing the wince on his face at the nickname. To divert, you stood up and stretched, patting his shoulder as you walked by him. "Alright, let me pull my stuff out and then we can get started."

Leon followed you with his head, taking a few seconds before standing up himself, pressing his hands onto his knees to help get up from the floor pillow.

"I'm just going to be color matching your tones today. I won't do all of it since obviously lighting changes throughout the day, buuuut..." You trailed off, beginning to rummage through a drawer in one of your desks before pulling out handfuls of paint tubes. "I just need to pull out the basic colors I'll be using."

It was still pretty dim in the room which caused you to have to squint to see the names of the colors on the tubes. Leon found that partially amusing, his chuckle causing you to glare playfully over at him. "Something funny?"

"As funny as it is to watch you go cross-eyed looking at those," he smiled, gesturing with his thumb to the light switches near the door. "I feel like it'd be easier to just turn the lights on."

"My retinas will be fried if those get turned on-" You were cut off by your own shout when Leon took the liberty of turning the lights on himself, laughing as you quickly moved to cover your eyes.

He only had to squint for a second before his eyes adjusted. You, however, were not expecting the sudden change, so you got an eyeful of bright white light. Complete and utter agony that lasted for a full five seconds.

By the time you moved your hands away from your eyes, they were watering and you had to squint for awhile longer. "Give me a warning next time you decide you want to try and murder me like that." You said, wiping away the few stray tears you'd produced from the light sensitivity. "You might live in the light, but I don't!"

The man shook his head and crossed his arms, smile still plastered to his face as he slowly made his way over to the chair in front of your easel. "That's payback for calling me an old man."

You twisted your head around to the chair so you could give him an indignant look, catching a glance as he was putting his hands up in defense with a small "what?" before you turned to look down at the tubes of paint sitting next to your hands on top of the desk.

"Nothing, just wasn't expecting to work with a toddler, that's all.." You mumbled, smile creeping onto your face as you heard him click his tongue from behind you. "I was an old man not five minutes ago and now I'm a toddler?" Leon asked, voice peaking dramatically.

"Yes, you have quite the range, Mr. Kennedy." You began sifting through the various paints you'd pulled out, humming softly as you contemplated what route you wanted to take with them. Stick to primaries? Add secondaries? Should I just use every color I need? Hmmm..

Leon watched as you stared at the paint tubes you'd picked up, tilting his head to the side slightly to try and get a better look. He snapped his head back upright when you started to speak again. "I'm trying to decide whether or not to use a lot of different colors, or just stick to a minimum.."

It was almost as if you knew what he was wondering. "Uhh... what's the difference...?" The man questioned, raising an eyebrow as you turned around, seemingly having made your decision already.

"Using just the main 6 colors-" You turned around and were faced with his very confused stare, causing you to explain a little better. "The main colors you see in a rainbow."

He breathed out a quiet "ahh" at that. Okay, good. He knows his basics. Cute...

"I can mix just red, blue, and yellow at varying degrees to get any color I need. Adding green, purple, and orange will help even more." You pursed your lips, lightly tossing the paint tubes in your hands before setting them down away from the other tubes. "I need white also. Damn.."

"What's wrong with white?" Leon asked, leaning forward a bit to watch you dig in the drawer for a tube of white oil paint.

"Nothin'. Just forgot, is all. Trying to keep this as authentic as possible..." You mumble, quickly closing the drawer with a slam after pulling out the paint you were looking for.

Silently nodding his head in acknowledgment, Leon turned his focus to his surroundings again, admiring your choice in decor once more. He bought a nice decorative pillow for his couch yesterday after being here the first time.

You grabbed a few strips of thick white paper, running your thumb along its textured surface before setting them down. You told him to stay where he was as you set up a small art palette, little dollops of the paints sitting neatly in the circular grooves.

"I'm gonna make color swatches of your skin for myself." You spoke up as you suddenly turned and walked towards him, holding the palette in your left hand while holding the strips of paper and a small yet flat paintbrush in the right. "Also, I'll need to get a picture of you in the position you want, but I'll do that after all of-" you waved everything you're currently holding in a small circle. "-this."

Leon simply responded with an "oh, okay", his knee beginning to bounce as you quickly began to mix little bits of your paint together to get a simple pale skin tone down before you even attempted to match his.

As you worked, you were starting to grow nervous with the silence, and clearly the man in front of you was as well, given he had started to sweat slightly on his forehead. He wasn't nearly as conversational as the last two agents you painted.

"So.. you've earned yourself a portrait..." You smiled slightly, holding up the strip of paper you'd brushed your mixed paint on to see what colors to mix in next. "What'd you do to earn one?"

Leon hummed. It was hard to think about every mission he's gone on, all the horrors he bore witness to, the people he saved, the people he couldn't save, how it all started, and now the fact that he's done-

"Hey, woah, I'm sorry." The sound of your voice drew him away from his thoughts. "I didn't know that would be a.. sore subject for you." He blinked at you a few times, furrowing his eyebrows soon after. "What?"

You pulled the strip of paper away from his face, pulling your lips tight with a shrug of your shoulders at his response. "You suddenly looked mad. Like... really really mad. I thought you were gonna snap at me or-"

"No. It's just bittersweet, is all." Leon cut you off, waving his hand dismissively at you before nodding once down to the paint palette in your hand. "You can keep going."

You stayed frozen in your crouched position for a few seconds longer before continuing to swatch your paint. You kept silent, not wanting to seem like you were antagonizing him.

"I used to be just a cop." The man suddenly said, causing you to look up from where you were mixing your paints together. "Only for a single day, but I was a cop. Simple as can be."

You nodded, beckoning him to continue with a small smile, which he did. "I'm sure you've heard about some of that already though, since you worked with Claire not too long ago."

His comment caused you to let out a small "ohh" in sudden recognition, nodding your head again. "Yeah, that's right! She mentioned you on that, okay.."

Leon continued to talk about all of his missions vaguely, still having to keep confidentiality in mind. You let him drone on, having gotten his skin tone matched in a few different areas now. You stopped to scribble on the papers with the paint swatches, making sure to label where each tone came from on his face and hands.

You took note of how he circled back to his single day as a cop and to certain missions. His mention of saving the president's daughter had you immediately smiling. That was a straight ticket to earning his own portrait in that hall of the White House, he could've done just that his entire life and he still would've been seeing you at some point.

You focused on mixing your paint for a little while before noticing he had grown quiet, looking up to see him staring out the window, a faint orange glow from the sun rising highlighting his features. And his tears.

Growing concerned once again, you set down the paintbrush on the palette so you could place a gentle hand on his shoulder. It seemed he didn't notice that, too lost in his head to notice anything at this point.

"Hey..." You asked with a soft voice, your eyebrows furrowing with worry. "We don't have to talk about it anymore, you know..."

Finally, Leon looked back at you, eyes widening once he realized how watery his eyes were. He turned his head away so you didn't watch him wipe the tears that had fallen down his cheeks and use his sleeve to dry his eyes. It wasn't like him to be so easily bothered by this stuff.

"I just need one more color swatch and then you can go, okay? We can save the photo for another day." You gave the man a weak smile, one he didn't reciprocate. You understood.

He looked like he wanted to say something, but you filled in for him. "Seriously, it's no trouble at all. If you need more time then you need more time." Standing up from your crouched position, you left your half-finished color match swatch with the finished ones before walking over to set everything down on the desk.

You didn't want to crowd the poor man. That was probably the last thing he needed. Despite having only painted for a select few, you've learned to just step away from these retired agents when things would go awry. It was akin to a war veteran suffering from PTSD; they did almost have the same experiences as far as you could tell.

"I'm sorry."

Leon finally managed to say to you, his hands anxiously rubbing up and down on the tops of his thighs. Must be a nervous tick.

You angled yourself so you could see him while your body still faced the desk, smiling at him while your hands worked to neatly stack the strips of paper before clipping them together with a paper clip.

"There's absolutely no reason for you to apologize." You kept your smile as you responded to Leon, looking back down at your hands to make sure everything was put together properly. "You forget I strictly work with agents like yourself. From all the vague tellings, I know that the job is tough on you guys; body and mind."

It was weird having someone outside of the agency talk to him about this kind of stuff. It was weird for him to be bringing it up in the first place. Or, at least he felt like it was.

"Still, I should know better than to do that." Leon sighed, rubbing his hand along the side of his face before stroking his chin, scratching at the stubble growing.

"Know better than to do what? Let yourself process everything you've been through?" You spoke in almost a whisper. If your tone was any louder, you fear you'd come off as accusatory.

"I get it. Really, I do." Leon groaned quietly at your words, causing you to click your tongue. You grabbed your swivel chair and scooted it over so you could sit in front of him, and when you did, you brought your legs up to sit criss-cross just like yesterday, only there wasn't a table separating the two of you. You looked solemn. He didn't like where this was going.

"The whole point of painting you a portrait is to honor you and your work as an agent, but it's not just about getting yourself painted." You leaned forward in your chair, elbows resting on your knees, all the while keeping your voice hushed and gentle. "Seeing the portrait once it's finished is going to be an incredibly emotional ordeal. It's a reminder that this is truly the end of an era for you, Mr. Kennedy..."

Your words were really starting to strike a chord for Leon. He hadn't given it much thought. He didn't want to give it any thought at all. All he thought was "I'm just going to get myself a nice fancy portrait and be done with it". He didn't even consider what the portrait of him would actually symbolize.

"Oh." Was all Leon could muster, letting his gaze fall into his lap where his hands now sat clasped together. If it weren't for the comfortable environment you had set up here, he probably would've bolted ages ago.

You let him think everything over for awhile, wanting to give him all the time in the world. Clearly he needed something, but he wasn't allowing himself any sort of leeway.

It took some courage building internally, but you decided to stand up, taking the one step closer to him before placing your hand on his shoulder once more. You squeezed it a bit, bringing his attention back to you as he lifted his head up.

You attempted to smile at him, moving your hand off his shoulder so you could hold your arms out slightly. This man needed a hug and you were more than willing to offer the leeway he wasn't granting himself.

Leon stood up rather quickly which surprised you, and startled you just a bit, before feeling his large arms tightly wrap around you. It was a little awkward since he had to bend a bit to hug you properly, but it worked out in his favor, and yours too, since he got a better opportunity to bury his face into the crook of your neck.

He sighed happily when he felt your arms slowly wrap around his chest, doing your best to squeeze him for that extra bit of comfort, even rubbing up and down on his back. It had been so long since he had a real hug. It felt good.

You let him hug you for as long as he needed, which was longer than expected, but definitely not unwelcome by any means. Though, his warm breath against your neck and the smell of his cologne was causing you to blush. That's really the last thing you needed him to see after being so vulnerable and open with you.

You felt him start to pull his head away, prompting you to pat his back gently as an end to the hug. Despite the fact that it was faint, it was clear to you that he was blushing when you were finally able to look up at him.

You wanted to remain calm for Leon, letting out your nervousness through a quiet cough. "I know we've only met up twice, but if you ever need a change in scenery, just know that my workspace here is always open to you. I'm always open to you, okay?"

Your words were making him feel weird. Something he hasn't felt in a long time was creeping up his chest. Your smell lingering on his coat wasn't helping, either.

"Yeah-.. yeah, okay." Leon huffed through his nose, reaching up to scratch at the stubble underneath his jawline as he averted his gaze to the floor.

The sun was fully up now, so you walked over to where the light switches were next to the door, flipping them off. All your other ambient lights could be turned off later. For now, you needed to focus on the man still standing in front of that maroon chair.

"You can stay if you feel you need to, but I just want you to relax." You said, looking over at him as you heard his footsteps slowly walk past you to the living space.

"I'll head out." Leon bent over and grabbed his motorcycle helmet from where he'd set it down on the rug near the floor pillows. He placed his on his head as he walked over to where you stood next to the door, not really wanting anyone to look at his tear-stricken and red face any longer.

Once he finished fiddling with his helmet, you reached out and took his hand in both of yours, patting the top of it softly. "Text me when you're ready to come back over."

You couldn't see Leon's face anymore since he'd put the visor down, but you could definitely see him nod his head. He opened the door and let himself out, touching the side of the doorframe as he rounded the sharp corner and walked down the stairs.

After closing the door behind him, you started walking around your workspace to turn off all the lamps and other ambient lighting, pausing to listen to the sound of his motorcycle start up and drive off.

[oneecheri]

Late night confessions with Mattheo Riddle

Genre: Fluff, mild language. ( with a smoking problem )

Ship: Mattheo x Reader, no usage of name.

Word count: 884 words.

Song: Shameless

Notes: Please do provide me with feedback, how can I improve my writing and/or if you like the story or not. I originally wanted to post my writings on TikTok but at the end decided to open a tumblr page so I’m new. Pls give me some love babes. Also, the pictures are from Pinterest but the writing is mine. Enjoy!

“I am sorry Y/N.” Mattheo breathed out a puff of smoke as his gaze was fixed on the stars. You were a little far from him, both leaning against the cold walls of the astronomy tower.

“I had no right to ruin your studies with that guy.” He then turned to you and met your cold gaze meant for him.

“Please don’t look at me like that… say something… your silence is killing me.” His searching gaze wandered between your eyes, nose and lips. He lowered his head, taking another deep puff from his smoke.

“Yes, you had no right to do that Riddle…you humiliated me….” you let out and got closer to him, your voice cold as ice sending him uncomfortable shivers.

“Under which title…for which reason?”

He let out a chuckle turning his body towards yours. “As a friend?”

You shook your head and put your manicured fingers on your hips, urging him to continue.

“Acquaintances?”

Your heart beat rapidly increased due to his warm brown orbs never leaving yours.

So you were glad that it was the night time.

He couldn’t see the blush creeping up your cheeks.

“Fuck… House mates?” He tried harshly itching his neck.

“But I, hell sure, am not regretting that.” He spat out while searching for some sort of feeling in your eyes. His gaze accidentally dropping to your pursed shiny lips.

“You got detention because of that…plus he had a girlfriend, so your jealousy was good for nothing, dear.” You smirked trying to get on his nerves.

He tsked and threw his finished cigarette down, crushing it with the tip of his shoe.

“I am - I was not…” He looked at you and felt his chest tighten from all the love within.

“Okay you win baby, I was jealous as hell.” He admitted tipping closer to where you were leaning towards the wall.

“I had no title and no right to punch that guy too, I know.” He continued getting closer to you his right hand fisted and a few veins popping on his neck.

“But he was too close, too close.” He stood tall over you, making you look up through your lashes.

“I am sorry that I made you mad, dear.” He gently touched your chin, slowly moving your head higher, and your bodies closer.

“Mattheo…” you whispered, closing your eyes.

Hearing your alluring whisper, he seemed to get out of the trance he had in your captivating eyes.

He whispered some curses, hardly pulling himself away from you. His fisted hand seemed to open by itself, trying to get himself a new cigarette from his jacket in a rush.

You gently stepped closer to where he had moved, and held his hand.

“Mattheo…” he looked at your hand holding his and gulped lowering his head.

“Yeah?”

“Don’t… it’s going to be too many for a day. You’ve had a lot…cigarettes… today.”

The thought of you paying attention to him, let alone counting the amount of cigarettes he had, made his heart flutter, suddenly butterflies erupting.

“Why?” He whispered.

“It’s gonna be too much.” He held your hand suddenly his eyes going wide. Your hands were freezing. He gently took both your hands into his large palms, puffing out hot air, trying to warm them up. You couldn’t stop the smile that found its way on your face and mouthed him a ‘thank you.’ Your eyes not leaving each other for a few seconds.

“I…” he started, suddenly feeling short on air.

“I’m not the best dude out there.” He tilted his head up, staring at the stars, not meeting your gaze. “I like fighting, cigarettes. I like cuts and bruises that show my victory on others. I like fast cars and parties…” he breathed out, his eyes closing in a flood of mixed feelings.

“Yet you…” he opened his eyes, directing them at you. “You’re the most gentle, calm and loving person I have ever seen in my entire life.” You smiled which made him smile in return. You noticed his hands stop shaking and mentally noted to hold his hands whenever he seemed to go overdose with his smoking.

“You hate fighting and you’re afraid of blood. You always put plasters on my victory medals…”

“I guess you mean cuts and bruises all over your face!” You scoffed making him let out a dry chuckle. “I guess.”

“Look I am sorry for everything.”

“What?”

“I won’t ever do something like this and humiliate you…”

“Mattheo…”

“I will keep myself away from you…” he gulped and stepped away from you. His eyes getting blurry and body almost loosing balance.

“You are so stupid!” You yell, tears suddenly settling on your eyes.

“What…” he whispered, stopping and turning back to face you again.

“Yeah…” He let his eyes close as you stepped closer to him, your hands landing on his chest and hit him.

“You’re so dumb!” You yelled again, a single tear escaping your eyes.

“You can’t feel my love.”

“No.” He whispered and held your wrists, pressing soft kisses on each.

“Really…” He cupped your face and brought his forehead against yours.

“I love you, Y/N”

“I love you too Mattheo.” And with that, he wiped your tears making you feel back alive that midnight.

[aannonn]

⭑.ᐟ˚⭐彡 // bold text , strong colors , spoilers

A TLDR about the podcast for those who don't really want to watch the whole 1 hour and a half video !! :> ( I had posted it here before but I deleted it cause I wanted to wait a bit until I finally 'completed' it (technically speaking 'cause I'm only really making a TLDR at what my brain stuck onto or else I may get burnout. (っ °Д °;)っ) so I wouldn't have to edit this post every time . . lol ... feel free to add anything else in the reblogs/notes though !! ^ _ ^ )

The Most Successful Stick Animator in the WORLD Ft. Alan Becker - Dojocast Ep.6

。─ ⭐ Animation vs. Animator/Minecraft Stuff !!

° . They have been working on AvA 11 for over a year ;; 20 minutes long ;; Probably the biggest one they have ever worked on ;; They are doing their best to push it as early as they can , possibly around early december or even late november // { 54:07 }

° . They have a Minecraft Short being worked on about BedWars ;; This one's been really complicated since they are using real Minecraft acting with stickfigures // { 54:56 }

° . Next thing coming up is a Three-Part series about Green ;; It's a surprise. lol // { 55:40 }

° . AvA is going to be atleast Three seasons ;; As long as AvA and Minecraft are popular they are gonna keep going // { 57:08 }

° . King Orange used to be King Gray for a long time ;; Alan was considering to make him a light purple for a while // { 58:10 }

° . Alan's favorite is The Second Coming // { 1:06:36 }

° . Alan had different ideas for the 'fight scene in the box // { 1:19:29 }

° . Animator vs. Animation was originally supposed to be a trilogy ;; At the end of AvA3, everyone was supposed to die ;; His senior year college Teacher, who knew about his animations, gave him the idea to continue the series // { 16:45 }

。─ ⭐ Alan Becker's Production Team & Other Stuff !!

° . Alan's biggest inspiration was his lead animator; Terkoiz = The same one who worked on AvPhysics // { 1:00:07 }

° . Alan is the lead creative ; Hatena is the line producer ; There are three project leads = One takes care of AvA , One takes care of AvM , One takes care of Everything Else ; The animators are not segmented into only a certain series , they work on everything based on their skill set ; Also a Production Assistant that helps Hatena takes notes // { 1:02:34 }

° . An advice for any animators struggling to break into the industry/studios be it Indie or major ones : TLDR: The best thing you can do as an Independent artist is post your work as much as you can, and eventually opportunities will land and you have to take them as they come. You have to put yourself out there; Get yourself into as many doors as possible, and just get to know everyone. // { 1:07:29 }

° . They got inspiration from BoxOfCrayons' Voices Plus Faces !! // { 1:15:27 }

° . Alan made Animation vs. Animator 1-4 completely on his own. ;; Animation vs. Minecraft was when he decided to experiment in having a team of animators, and he did it with the diamond armour as it was an extremely tedious process (he taught 5 animators to do that). ;; in Animation vs. Youtube, Stone and Oxob were the first two animators he trusted to animate stickfigures. // { 27:45 }

° . ABTV is basically a loop compilation of all the AvA/M videos they ever made ;; They are trying to make it fun by adding little transitions between the episodes like "you're watching ABTV !! ^0^" ;; Eventually it'll get to every single transition between episodes; Is unique // { 48:44 }

[dreorig]

Kitten.

When you decided to prank Eddie and turn him into a certified cat boy, you couldn't have imagined what happened next.

content/warnings: +18 | sub bottom cat hybrid eddie x soft dom top male reader | smut | fluff | it's silly kinda | unprotected sex | anal sex | breeding kink | praise kink | slight feminisation | eddie just needs some love, the poor baby | tiniest mention of venom, sorry

notes: this originally was a long fic (around 4k... unfinished...) but methinks people don't really fuck with long fics so i decided to post only the smut (>﹏<) it explained how eddie turned into a kitty kat and etc, plus contained lots of fluff cuz im a sucker for that!! but yeahhh i gave up. also. eddie is wearing a collar with a little bell cuz wahh!!! he's just!!!! too cute!!!!!! ive got this idea for a while now so enjoy ig?!?!?!?!?!

Approaching the half-closed door, you could hear your name between needy whimpers. You opened the door with a smirk on your face and Eddie didn't even notice you. Eddie's head was down and his ass up in the air while he fingered himself, the wet noises sounding like music to you — his hands slid under one of your shirts that he was wearing and began playing with his own chest, whimpering louder when he pinched his nipples. Eddie's tail was raised too; a sign that a cat is ready to mate.

Lord, have mercy on thy son.

"Oh, Eddie, aren't you a sight for sore eyes?"

Your voice snapped Eddie out of it. He switched positions in the blink of an eye and now he was sitting up, eyes wide and face flustered as he squeezed his thighs together in a poor attempt to hide what you had already seen, looking at you as if he'd rather face Satan himself at the moment.

"It's okay, you don't need to feel embarrassed." You held his hand and pressed a soft kiss on it. "My friend told me you're in heat, just like a cat."

"H-heat?"

"That's right. Your body should calm down after mating a couple times." You put a hand on his cheek, using the other to interlace your fingers with his. "I can help you, if you'd like? But of course you don't have to do anything you don't want, dear. We can always find another solution."

"N-no, please," he rubbed his face against your palm, trying to feel the most of your caresses. "Need you."

He would be the death of you one of these days.

"Alright, sweetie." You kissed the corner of his lips. "As much as I love to see you in my clothes, don't you think this shirt is gonna get in our way? Um? Let's take it off."' You grabbed the hem of the shirt, lifted it over his head and tossed it aside somewhere. Getting up, you began taking your own shirt off. "Now, hands under your knees."

Your cock throbbed inside your pants as you watched Eddie pulling his legs up, those thick thighs touching his chest with ease, exposing his already well-stretched hole with lube dripping out of it. His fully hard cock was in a similar state, wet with pre-cum and lube, and his balls looked so ready to get squeezed.

Fuck, you really needed to fuck him into oblivion.

"Such a good princess for me." You licked your lips, admiring the sight before you. His tail quivered. "I'm gonna breed you so well. You'd like that, wouldn't you? To get pregnant, full of my babies."

Eddie almost melted on the spot over the idea, his fluffy ears upright while he attentively listened to what you'd do to him soon. He couldn't bring himself to say anything, so he nodded eagerly instead, the bell on his neck tinkling. You chuckled, pulling down your pants and boxers.

"Of course you do, princess." You finished undressing and leaned over him, inhaling his addicting scent. "Sorry for making you wait, love."

Wrapping his arms around your neck, Eddie moaned in your mouth when you kissed him while your hands landed on his hips and squeezed them. You bit and sucked on his lips, craving that sweet taste you'd never get tired of. Finishing the kiss, you wasted no time in putting your mouth to work again as you sucked his already hard nipple, a hand now playing with his other nipple, occasionally grabbing the mass around it. Making sure not a single inch of that perfect chest was neglected, you know.

Eddie felt so hot that for a while he thought he'd burst into flames anytime your hands stopped touching his body, even if for no more than five seconds. God, was he horny. Your tip just touched his hole, as if teasing him, and Eddie didn't know if that was on purpose or not but shit, he was impatient. Grinding his ass against your cock, he moaned, "H-hurry up… can't wait… any longer…"

"I know you want it, kitten, but I also know you can wait just a little more. I taught you well, didn't I? Let me show you some love first."

You bit Eddie's shoulder, not enough to hurt, just to leave an ownership mark you knew your princess would like to look at later — you had to fight the urge to rip off the collar and have full access to his neck once again, but you kept your cool because he looked so cute wearing that. Instead, you palmed his aching cock and stroked it at a slow pace, taking your own sweet time to trace those veins your fingerprints already had memorised; that earned you a groan from the irritated kitten beneath you, who didn't know if he should move his hips to meet your strokes or grind his ass on your hardness, wordlessly asking you to just stop the crap and fuck him already.

"My kitten is just too needy, um? Alright, let's have it your way this one time."

Eddie let out a loud, satisfied moan when you finally began burying your cock inside him, not as fast as he wanted but he could feel every inch of your cock slowly stretching him out and for that he was grateful — Venom was probably saying something in his mind about how weird and mildly pathetic humans were with their mating habits, but Eddie's mind was too foggy to understand or even give a shit. Then you abruptly pulled out, but before Eddie could protest, you shoved it all again in one go.

Eddie's teary eyes widened and saliva ran down his chin, "Fuck—"

You felt a sticky, hot fluid hitting your stomach and you didn't even need to look down to see what it was; you couldn't help but grin, looking at your boyfriend. "Eddie, did you just cum only because I slammed my cock inside you? Sometimes I forget my princess is really just a cock slut."

Eddie whimpered, his face looking impossibly red, and closed his eyes, burying his face in the crook of your neck. You chucked, not really expecting an answer, and began moving at a more-slow-than-fast, steady pace. The wet sounds that echoed in the room each time your skin met combined with Eddie's whines almost drove you insane.

You kept pounding Eddie just right, he didn't even mind the slight discomfort in his overstimulated cock, only bringing himself to plead, "More, please, more."

Always eager to do as he wishes, you began increasing your pace, thrusting deeper and deeper, just the way you knew Eddie liked. Tinkle, tinkle, tinkle. He was sobbing in your ear and digging his claws into your skin — and you loved knowing that would leave marks. Then you noticed something very interesting.

"Would you look at that, kitten…" you grabbed Eddie's hand and put it atop of his own lower abdomen, making him feel the bulge there each time you thrusted. "See how deep I am? Does it feel good, princess?"

Eddie only nodded rapidly, his mind only half conscious now. He could only concentrate on how good your cock felt repeatedly hitting his sweet spot.

"No, no, not like that. I want you to tell me how good you feel. I know you can do that, kitten."

"It's — ah!— so good… I'm so full. Ahh~ f-faster, please?"

"Anything for my obedient princess." You kissed his cheek and said, "Wrap your legs around my waist and hold on tight."

Eddie complied and immediately you changed your pace to a faster, harder and even deeper one, feeling Eddie's claws now digging across your back. You moved your head to nibble on his neck, leaving small bites and hickeys all over his skin, and one of your hands travelled to his cock in order to give it attention once again.

"You're taking me so well, princess. Your perfect body is all mine, even your tight hole was made to fit my cock so beautifully," you praised Eddie as you stroked him with the same pace of your thrusts. "Such a good kitten. That's right, keep moaning in my ear like a cute princess."

"[Name]!" Eddie broke down once he came again, sobbing as heavy tears fell down his face, and hugged you tighter. "D-deep! You're so deep!"

Eddie's tears made you almost dizzy. Holy fuck, how could he be so freaking perfect?

"Shit—" you panted, "I'm gonna cum. Okay, kitten? And you're gonna take it all until there's nothing left and you're all full of my babies, because you're gonna be such an amazing mamma. Ain't that right, dear?"

"Goddamn, yes." Eddie's pretty face was wet with tears, his pink lips also wet and swollen, and you could see his fangs as he let out the cutest moan ever escape. Then he opened his glossy eyes and fixed his lovey-dovey gaze on you, "I promise to be the best mamma to our babies."

That did it. You tightened the grip on his waist and pushed him against you, giving one last deep thrust before reaching your climax, feeling him clenching around your cock as you proceeded to fill him up with your seed. Your grip on his waist remained strong, locking you both together and not allowing a single drop of cum to leak out of his hole before you properly breed him.

Eddie was limp in your arms, still letting out a few more tears as you held him close before calming down. You smiled fondly at the sight, loving how cute he was.

"You're so pretty. My pretty princess." You peppered  his face with kisses, feeling the salty taste of his tears on your lips. "I love you so much."

Eddie's mind was still foggy but yet he gave a cosy smile, managing to mumble, "I love you too."

Afterwards you made Eddie drink some water and showered him with praises, making sure he was alright — that, of course, until Eddie started begging you to fuck him once again, because he was still a needy kitty in heat.

[best-transgender-character]

Hi everyone. I've been putting some thought into the best way to bring this up without making light of it, since this is a serious topic and this is a very unserious blog. I don't want to reblog a bunch of individual posts without context and explanations attached, but if I find posts that I feel are thorough and explain what is going on, I may reblog them. Here is a summary, for anyone completely unaware of what is happening:

A trans woman (Rita, URL was Predstrogen, now Cyprederone) has had her account falsely flagged as NSFW and banned multiple times as a result of a transmisogynistic harassment campaign against her. You may have seen people talking about how her transition timeline has been flagged mature content, multiple times.

Support have been unhelpful when it comes to the harassment, and dubiously helpful about restoring accounts until this latest event.

People reached out to Photomatt about the topic, who is the CEO of Tumblr. He decided to respond, claiming that Rita was personally harassing him and posting death threats about him. This does not line up with the official reason why Rita was banned, which was "sexually explicit materials". The "death threat" was a slapstick post about an exploding car full of hammers. Matt threatened to contact the police or FBI about the threat, used neutral pronouns for Rita despite being informed of her pronouns, and even referred to her as 'it' in one sentence. He referred to Rita as "pergstrogen" in one post, which may be a particularly unfortunate typo, but may also be an ableist slur. He also sent people direct messages about the topic. Matt denied any possibility of transmisogyny playing a part, and suggested that people who feel this site is not safe for trans women should just leave to a different site.

Rita has been banned for life. Several people criticising Matt for this have also been banned.

Please pay attention to this, read other posts about it, look at Photomatt's blog (archived as of 21/02) to see the way he has handled this and Cyprederone's blog to see Rita's statement.

Here are all of Photomatt's posts about the topic, please check the notes of them to see people's responses as well as people archiving his comments. Edit: These posts have been deleted. I'm unsure if there is an archive somewhere of the comments, but these links are now the webarchive links to these posts.

You gonna do anything or make any statement about the rampant transmisogyny on this hellsite (original post with they/them) (first edit with "the account") (second edit with she/her) (archive of most recent edit)

I love this site and I’m sorry so many people are determined to ruin it.

So, the terfs and neonazis are fine, but a trans women giving threatening you is where you draw the line?

You should really feel bad about how transphobic tumblr is

all you ever do is drop the ban hammer on trans women you don't like, while casually ignoring the harassment they face

can I report your beahviour, or?

it's been four hours and nothing you've said has made this decision look better

Why did you misgender her lmao

❤ (heart emoji) [I don't yet have an archive of this. Please reach out if you have an archive of this, although there wasn't much relevant in this post.]

I'm continuing to get harassment and death threats here

My Beliefs and Principles

Tweeting Rita's saved URLs

He is further arguing with people on Twitter.

[Edit] Staff have now made a PR statement about the topic.

Please give trans women your love and support, and remember that this is deeply serious transmisogyny, not just an excuse to joke about car hammer explosions.

[genericpuff]

The Extended Mishandling of LO's S3 Midseason Finale Premiere

Alright, so I had mentioned leading up to the release of the newest LO episode that my feelings regarding LO returning were pretty "meh". Not hyped, but not completely back of mind either. Just sort of a weird calm before the storm type feeling that could go either way.

I'm glad I got to have that moment of calmness because good god, this episode was an absolute shitshow. And honestly, I'm not surprised, for several reasons:

Rachel has never been good at maintaining a buffer, even back at the start of the series she only ever had 2-3 episodes ready ahead of her schedule which is NOT an ideal buffer for an originals series.

Rachel has never been good at writing, she's very "draw first write later" and has stated as such in interviews that when she gets 'stuck' on what she's writing, she'll just start drawing and fit the pieces in later.

Four months is NOT enough time to both rest, attend massive conventions, and work on improving a project while also getting buffer episodes ready.

Because of the FP episodes remaining locked over the hiatus, technically Rachel only needed to have ONE episode ready upon return for the newest FP release, not multiple like she'd usually need like in the past during the S2 midseason hiatus or the season finale episodes which would unlock those FP releases like normal - so for all we know, she could have drawn this episode literally last week, especially when the promo material was so last minute. Frankly I think it was REALLY stupid for whoever it was who decided to keep these FP episodes locked (whether it was her or WT, it was more likely WT) but you can read all I have to say about that in my review of the midseason finale episodes.

All that's to say, no, there was never any guarantee Rachel was going to somehow "turn around" the ride we're currently on. I know that many of the critics were hoping for that to happen, but with the circumstances of the hiatus mixed with Rachel's bad habits of putting her best efforts into the procrastination projects that aren't her actual comic (ex. the few original pieces and LO sketches she put out during the hiatus) it just wasn't in the cards. This is where the comic is at and this is where it will remain until it's over.

I want to also point something out about this episode that was... really glaring to me.

As with all of these hiatus returns, LO got priority advertising in the first two banner slots and push notifications AND a popup ad within the app. This is unsurprising, Webtoons is still trying to milk this thing for what it's worth.

I know a lot of people are gonna focus on the art, or the fact that WT is continuing to shill LO, but I wanna point out the part that WT implemented specifically - "NEW SEASON".

This is literally just false. At best I'd like to think some intern just messed up and thought this was a new season, but it's literally not, the episode designation still says "S3". Note that the creators only design the banner art, the actual labels on top are put there by Webtoons.

But at worst, this feels like blatant lying to continue to hide the fact that LO is ending. Mind you, Rachel and Webtoons have still not put out official posts stating that this is the final arc. There is NOTHING from either of them to communicate to the audience that the comic is ending next year. It feels like they're trying to avoid the topic altogether out of fear of losing the fanbase they still have, rather than hyping up the comic's end for those who have stuck around to see how it all wraps up. And honestly, I wouldn't be surprised if this was the case, considering they're now trying to funnel the fanbase into Penguin/Inklore with new marketing deals and the whole Rachel Smythe Presents thing. They're trying to make this seem like the beginning of something "new" when it's really just a quiet shifting of management (Penguin House).

But all that aside, let's actually get into the episode. It's one episode after 4 months, which is not standard for LO's hiatuses, typically FP episodes release on schedule (meaning free readers start hiatuses 3 weeks after FP readers do), the only time this has been an exception has been with the 2 week breaks because the whole point of those was to build a buffer (which you can't do if you're going ahead and releasing the FP episodes anyways). For extended hiatuses like these, usually free readers still get their FP episodes, but that wasn't the case here. That means Rachel technically only needed one episode ready for the comic's return, and it shows. It really fucking shows.

FROM HERE ON OUT THERE WILL BE FASTPASS SPOILERS REGARDING EPISODE 254. DO NOT CONTINUE IF YOU DO NOT WANT TO BE SPOILED !!!

As per tradition, we get a title that means nothing at all. It just says what we already know.

Our collective husband Zeus is dying, no thanks to the poison cupcake fed to him by Apollo. For those who don't remember, Apollo had tricked Zeus into eating the cupcake by making him believe it was from Hebe. We are fully aware that it was Apollo who poisoned him. Remember that for later in this review.

Right off the bat we're off to a hilarious start, both with a cryptid appearance from Apollo in the background (lmao) who is, for some reason, ALREADY returning to the scene of the crime he just committed because... who knows at this point. Apollo and Psyche know it was Apollo at this point, I might add, but I have no clue why Apollo is actually returning to the scene of the crime when he has no idea Eros and Psyche know.

Moving on from that, can we talk about this hilarious dialogue?

"We have to call a doctor! Let's call Asclepius!"

"No, we can't trust him! Gosh darn it, why are we only bothering to think of ONE doctor in this universe where we've seen more than one doctor?? Guess Zeus is just gonna die! What a horribly contrived situation this is!"

And that's literally how I can best describe most of this episode. Contrived. There is a LOT of manufactured drama in this that makes ZERO sense even on a surface level.

And what do you mean exactly, Eros? "What a terrible system!" Is this supposed to be a joke? Lampshading? We've seen Persephone go to the gynecologist. There are non-god doctors who tend to gods all the time here.

Eros just doesn't seem to be that pressed over this, he sounds like Ned Flanders and that's NOT a good way to open up a scene like this... let alone an episode people have been waiting four months for.

Anyways, after a few pointless reaction panels (again remember I have to cut a lot of what I show here for Tumblr image limitations but I promise you, I'm keeping as much important stuff as I can in this, there's just THAT MUCH filler at this point), Eros and Psyche confront Apollo and he is... good god.

There is... so much to unpack here.

First of all, remember those theories about how Rachel was clearly trying to write Apollo as this "secret twist villain" the whole time but it doesn't work because Apollo is simultaneously written as both a 'conniving villain' and a massive dumbass at the same time?

Well, I finally have a more appropriate term for him. He's your average red pill redditor - someone who thinks he's smarter than everyone else when really all he does is sit on reddit all day using big words incorrectly in arguments he gets himself into with a bunch of equally-air-headed dumbasses.

"You can't possibly understand the nuances of the Olympian political system," Apollo said proudly, a man who had, ironically and obliviously, run for president in a monarchy. The union of kettle and pot is eternal.

He's the Slappable Jerk but instead of it being a painfully hilarious impression, it's just painful and hilarious for all the wrong reasons.

this is so stupid because it's 1.) Eros pointing out how obvious Apollo's plan was, despite Apollo acting smart two seconds ago with a goddess who, mind you, has been a goddess for ten years, and 2.) patricide isn't even intrinsically linked to politics, there's nothing 'political' about a guy trying to kill his dad except in, idk, a monarchy, which again, Apollo has spent ten years trying to rise to power in as a president which is a completely different form of government.

If I wanted to be really granular with this, I'd like to think Apollo is making some kind of point about the critics who call out LO's whack as fuck political system (especially in the trial arc) - as if he's saying "well you're just a stupid reader and this is fantasy where you don't understand exactly what political system we're using, so shut the fuck up you stupid twig" - but I don't think it's meant to be that deep. I think it's just Rachel trying to write a smart character and then failing at it because she, herself, is not a smart writer. And I'm really inclined to believe that more than the theory about this being some kind of meta-narrative about the critics because this entire plotline is contrived and stupid down to its core.

I did not cut anything out here, that's the pacing. Leto literally just appears out of nowhere and uh oh spaghettio's, she has Kassandra! Remember Leto? The character we were led to believe was truly "pulling the strings" until she disappeared from the story completely after she realized that Apollo and Persephone weren't a thing, even going so far as to call out her own son for being a fucking dumbass? Well, she's back and once again she's being involved as some kind of "double agent" in this whole thing, even though we literally haven't seen her since halfway through S2.

"Mm yes, you're so stupid, falling into my trap! Even though you had no reason to remember Kassandra anyways because she's literally a mortal woman you just met and you yourself have committed acts of violence against mortals without a shred of care! I'm so smart! My plan is all coming together!"

We've never seen Apollo do anything except cry and poop his pants, the closest he got to being "powerful" was his attempts to murder Daphne (who he seems to have forgotten about in this "master plan" of his) but ultimately he's literally just a piss ant baby and there's no reason to believe that he could somehow outmatch the God of Love who can literally manipulate people's emotions and states of mind with his arrows. But yeah sure go off, you're so powerful and smart.

The worst part is, I can't even buy this as the narrative trying to be like "see how manipulative and conniving he is?" because it's just silly. We've SEEN this man cry with his victim complex, we've seen him say and do the DUMBEST things that don't lend to any amount of "intelligence" he may have, it comes across less as him being "smart the whole time" and more as him trying to sound smart but ultimately sounding incredibly stupid. And I can't even immerse myself into it and buy that maybe that's the point, because it doesn't feel like the point, it just feels like inconsistent writing, he doesn't feel like a 'threat', he's just monologuing.

Bad art and Apollo literally just repeating what Leto already implied so this is a waste of the audience's time.

This is the funniest panel in the whole episode because I can't tell if Apollo is supposed to be in the background (for some reason, despite him literally being in front of Eros and Psyche two seconds ago) or if he's in the foreground and just REALLY small for some reason. This is so off-putting. And of course, it's just Apollo explaining what we're ALREADY SEEING ONSCREEN.

You see, in addition to this episode being contrived, it also talks down to its audience a LOT by explaining exactly what we're seeing onscreen. It's like Rachel saw the criticisms about her not including enough to depict what's actually going on in her head and so she thought the solution was to spoon feed information over pictures that are already doing the job of explaining what's going on. Rachel really doesn't know how to write and even when she tries to implement changes that reflect criticisms that have been made of her writing, she somehow makes things worse because she completely misses the point of what those criticisms are trying to get across.

Anyways, without even trying to resist (for some reason) Eros and Psyche get sentenced to horny jail.

They're now trapped in a basement that Leto somehow has in her home. How do we know that?

HAHAHA FUNNY LAMPSHADING SO FUNNNYYYYYYY

Leto claims that they shouldn't try to escape because the dungeon is "enchanted", but she doesn't even bother to explain what that means. So they literally don't bother trying. They don't try to call her bluff, they don't try to teleport out of there, they literally just go "well shoot", shrug their shoulders, and accept their fate. Just like with the whole "we can't trust the only doctor we bothered to think of" situation, Eros and Psyche are turning out to be some of the stupidest, lowest-effort characters in this comic who literally can't be bothered to try because that would require too much brain power.

Notice how much time we've spent on this and we haven't gotten back to where the cliffhanger of the last episode left off? Well buckle up because there's still more to cover.

So it turns out Hebe was still inside with her dad, in FULL VIEW of what was going on through glass which is somehow COMPLETELY soundproof, and when Apollo steps inside, she just has no idea what happened. She never bothered to even look outside to see what was going on with Eros and Psyche, she's just been sitting on the floor staring at Zeus' dead face for what was likely several minutes, unless Rachel is seriously trying to convince us that conversation and hostage negotiation from earlier only took 2 seconds. The timeline is such a mess at this point that characters basically freeze in place as soon as they're not the focus of the scene.

Apollo rushes inside, acting shocked over the situation, and when Hebe asks where Eros and Psyche are (again, she could have just looked out the window at any time), he's just like "dur idk they just left lol" which Hebe just... buys, I guess.

That's just Persephone but yellow. She's even missing her beauty mark.

See how Apollo put his hand on Zeus' chest/shoulder by the way?

Apparently, despite Mr. Smarter Than Everyone Else trying to pretend it wasn't him, he's able to discern that Zeus is dying from a toxic and rare poison just from touching him. He doesn't even really seem to use his powers, he just touches him and goes "welp he's dead i guess lol don't bother asking me how I know that".

But oh nooo remember that note from before? Well gasp Apollo's gonna use it to frame Hebe! In front of no one else at all!

Hebe of course says she didn't write it, but Apollo continues to try and frame her anyways, even though, again, there's no one else present here, and so it effectively just becomes the most absurd form of gaslighting I've ever seen.

Again, THERE IS NO ONE ELSE HERE IN THE SCENE. He's just trying to claim she did it to absolutely no one at all, in the hopes of... what exactly? That she'll just take the fall for something she knows she didn't do? That she'll somehow be convinced? It's not like Hebe has the same thing going on as Persephone where she has a 'wrathful dark side' he could pin it on, this is just a criminal who just robbed a building pointing at the first person they see and yelling "YOU DID IT!"

All I'm saying is that Apollo would be really bad at Among Us. He'd be the type of player to kill someone, hit the report button, then claim yellow did it which, even if he DID convince the rest of the team, would still get kicked anyways as soon as yellow was proven through the eject to not be the imp and everyone would go "okay cool so yellow wasn't the imp, that means obviously it's purple self-reporting." It's a trick that doesn't even work anymore because of how old it is. Hebe isn't a child here, she's an 18 year old woman who should be fully capable of raising an eyebrow and wondering why Apollo is this quick to accuse her - almost like he's trying to hide the fact that he did it.

But Hebe can't catch onto this, just like Eros and Psyche, she has to act stupid for the sake of the plot.

At first I thought maybe Rachel was trying to do some "whodunit" scenario, but that doesn't work here because we already know who did it. And while there are stories that exist like that that pull it off (ex. Knives Out) the problem with trying to do this the way Rachel did is that the person being framed has to have this thing called motive. The reason why Knives Out and Glass Onion work so well is because the person who was murdered (or conspired against) is someone who is being targeted by multiple people who could all be the murderer. It's quite literally called out in Glass Onion as a form of smart lampshading. "It's like putting a loaded gun on the table, and turning off the lights."

But it doesn't work here because Hebe does not have motive. If you're going to attempt to frame a murder on someone, it has to be someone who would have reasonable motive to commit that murder, even if they didn't actually commit it.

And who among Zeus' children has motive?

What about the war-mongering bloodthirsty god of war who has been regularly sentenced to time in the Mortal Realm to fight in wars in which he's been regularly injured?

What about the chaos-seeking wrathful goddess who would do it to get revenge on the parental figure who cast her aside, or even just for the fun of saying she did it?

Why try and pin it on Hebe, the doting daughter of Zeus who's only had a collective of maybe 20 panels in the entire comic?

But then I realized... it's not Knives Out, it's the fucking Lion King.

Which is just as contrived - if not more - than the assumption this was gonna be some attempt to frame Hebe. It's not. He's literally just trying to keep her from assuming it was him. He could have just as easily played dumb without calling attention to the note but he intentionally went out of his way to try and be Scar from The Lion King , while completely missing the point of why that scene worked in the original movie.

Scar wasn't trying to 'frame' Simba for Mufasa's murder. He was trying to hide the murder, while also attempting to get the only heir to the throne out of the picture, so he passed the guilt of the death onto Simba - a child who, unlike Hebe, wouldn't have the ability to rationalize or realize his uncle his a scumbag - who then ran away from home because he was too terrified to face his family for what happened, assuming that it was all his fault when it wasn't.

That's not how this is panning out here. Hebe is the now 18 year old daughter of Zeus, and not one of his only children. She doesn't even fit into the whole "sons overthrowing their fathers" prophecy like Aries would. Apollo is literally just being a big idiot here by saying "well I'm gonna give you a headstart to run away, because if you stay, I might hurt you" (which btw, should be MORE of a smoking gun that Apollo did it??)

And again, it's all so contrived so that the plot can move forward. "Well I'm going to frame you for this murder, but y'know, you should just leave, I'm not gonna try and press it further lmao"

Again, Apollo is a fucking idiot here, because he just attempted to frame someone who has NO MOTIVE to harm Zeus, to absolutely NO ONE at all who would side with him, only to let her go which would leave her to question why Apollo would try to accuse and harm her in the first place before considering other options. And through ALL this he claims he's the smart one, which I can't even be bothered to "love to hate" because it's written so poorly.

And really it all comes down to how everyone else behaves in relation to Apollo that makes it so stupid and unbelievable. Apollo, you're not smart just because all the characters around you are intentionally being written to be as stupid and non-confrontation as possible. If you can only write a smart villain by making everyone else stupid, you haven't written a smart villain, you've written a dumbass whose victory only happens due to contrived plot convenience. It's not even done well like in Glass Onion, it's just bad writing, full stop.

And who does he call to report this emergency? The satyr police? His son the doctor?

No.

The media. Literally just "hello, the media?? I need your best journalist here stat!"

I need you to understand, even if he were calling a tabloid magazine like The Weekly Nark, you don't just... call a journalist to report a murder. These are not the actions of someone who's trying to absolve himself of guilt, these are the actions of a complete dumbass trying to get news coverage of his trophy kill who would be better off just playing dumb instead of trying to play smart. Even Walter White wasn't this fucking stupid despite all the times he fell on his own sword, Apollo is literally just instigating suspicion towards himself for no reason at all. He's self-reporting so hard and worst of all, you can't even take any of this seriously because of how corny it is. There's no dramatic tension, no stakes, it's just a bunch of characters performing in a really bad stage play and reducing every conflict to "well I guess Zeus is just dead now because no one's bothering to make an effort to stop Apollo or ask questions lmao"

It's truly the epitome of "this plot wouldn't exist if characters would just talk to each other."

But finally, FINALLY we mention the thing this episode is named after, the transition point to Persephone.

Just like with the midseason finale episode, there's a lot to cover here, so I'm gonna get more into it in a part two post.

That said, you can see already this is the messiest, most contrived bullshit to ever wind up in LO. It's trying so hard to be smart and it just comes across as a bunch of toddlers in the world's worst stage play rendition of Clue. None of what was done here was in any way dramatic or tense, it's just a bunch of characters infodumping shit we already know, trying to set up new plot threads that don't make any sense, and allowing one another to get away with what they're doing because they don't bother to even try.

It's completely manufactured, contrived nonsense. It's not "smart", it's not "so dumb it's brilliant", it's just dumb.

[zapreportsblog]

❝when I look at you I see stars❞

✭ pairing : Hobie brown x reader

✭ fandom : spiderman into the spiderverse

✭ summary : (Y/n) and Hobie have been dating for a couple of months now and Hobie decided to take her to visit the spiderverse

✭ authors note : this fic is based off of this post by @pearlsinmyhair

✭ spiderman into the spiderverse masterlist

(Y/N) stood in her room, phone pressed against her ear as she chatted away with her friend. She absentmindedly painted her nails black, carefully adding white stars and other designs to create a punk-inspired manicure. It was a typical day for her, and she was used to Hobie's unconventional entrances. He was her boyfriend, after all, and his Spider-Punk persona was just part of the package.

As she chatted away, a familiar presence made itself known in her room. Hobie, or Spiderman as he liked to call himself, had arrived through a portal created by his trusty portal transmitter watch. He snuck up behind her, giving her a sweet little head kiss, interrupting her conversation.

Startled, (Y/N) turned around to face him, still holding the phone to her ear. She smiled at him, used to his surprise appearances. "Hey, darlin. What's up?" she asked nonchalantly.

Hobie grinned, his mischievous eyes sparkling. ”Aye, babe. I've got a little adventure planned for us," he said, his voice full of excitement.

(Y/N) raised an eyebrow, intrigued. "An adventure, huh? What did you have in mind?"

Hobie's grin widened as he explained his plan. "I was thinking about taking you to the Spiderverse. You know, show you where I come from, the different versions of me. It'll be like a mini-vacation, just you and me."

(Y/N) paused, considering his proposal. She knew how much Hobie loved his rebellious antics, and the idea of exploring different dimensions did sound intriguing. However, she also knew the risks involved. Miguel, Hobie's mentor and the original Spiderman, had strict rules about not meddling with other universes. The only reason why she knew of it was because her boyfriend had a habit of ranting to her about how stuck up the man was.

Still, (Y/N) loved the thrill of adventure, and she couldn't resist the opportunity to spend time with Hobie. "Alright, darling. I’ll bite," she said with a smirk. "But you're gonna have to wait for my nails to dry and for me to change my clothes. Can't go on an adventure looking like this."

Hobie chuckled, his eyes shining with excitement. "Fair enough, my favorite girl. Take your time. I'll be right here, patiently waiting."

(Y/N) ended her call, put her phone down, and turned her attention back to Hobie. She leaned in, giving him a quick kiss before heading over to her dresser to pick out a new outfit. As she changed, she couldn't help but feel a sense of excitement building within her. She knew that with Hobie, every adventure was bound to be unforgettable.

Once her nails were dry and she was ready, (Y/N) walked back to where Hobie was waiting. She took his hand, a mischievous glint in her eyes. "Alright, Spiderman. Lead the way. Let's see what this Spiderverse is all about."

Hobie grinned, activating his portal transmitter watch once again. With a flash of light, the portal opened before them, revealing a multitude of dimensions waiting to be explored. Hand in hand, (Y/N) and Hobie stepped through, ready to embark on their thrilling adventure together.

Hobie and (Y/n) found themselves in the intricate web of the Spider-Verse, a multiverse that held countless adventures and perils. Hobie, always prepared for the unexpected, reached into his pocket and pulled out a small, glowing bracelet. Its design resembled a tiny punk-rock chain, adorned with a spider emblem.

He took (Y/n)'s wrist gently, helping her place the bracelet beside her beaded ones. The moment it clicked into place, the bracelet emitted a faint, soothing glow.

Hobie explained, his voice filled with a hint of mischief, "This is a day pass bracelet, babe. It's gonna help you stop glitching in the Spider-Verse. You know how chaotic this place can get."

(Y/n) eyed the bracelet curiously, then rewarded Hobie's thoughtfulness with a playful kiss on the chin. He grinned at her sweet gesture, his heart warmed by her affection.

Unable to resist the urge, Hobie leaned in and captured her lips in a tender kiss. It was a brief but passionate exchange, sealing their bond in the face of the unknown.

As they broke apart, Hobie took (Y/n)'s hand firmly in his own. He looked into her eyes with a determined expression. "Stay close to my side, okay?"

(Y/n) nodded, her playful smirk never leaving her face. "Yes, sir."

Hobie and (Y/n) ventured deeper into the Spider-Verse, where countless iterations of Spider-People swung through the cityscape and dimensions collided in a mesmerizing symphony of chaos and order. Hobie led the way with confidence, and (Y/n) stuck close to his side as he explained various aspects of this peculiar realm.

He gestured to a bustling building with a neon sign that read "Spider Cafe." "This is the cafeteria," he explained. "It's where all the many Spider-Men and Spider-Women meet up to refuel. There's something special about Spider Dave's donuts; he makes some of the best in the multiverse."

(Y/n)'s eyes sparkled with curiosity as she heard about Spider Dave's donuts. "Oh, I definitely want to try some of those," she exclaimed, her appetite piqued.

Hobie grinned at her enthusiasm, and they made their way into the bustling cafe. Inside, they were met with a diverse array of Spider-Folk, each from a different dimension, chatting and enjoying their meals.

The aroma of freshly baked donuts wafted through the air, enticing (Y/n) even more. Hobie led her to the counter, where a friendly, portly Spider-Man with a chef's hat greeted them.

"Hey, spiderman!" Spider Dave greeted, a warm smile on his face. "Who's your friend?"

Hobie introduced (Y/n) with a grin. "SpiderDave, this is (Y/n). She's new to the Spider-Verse, and she's dying to try your legendary donuts."

Spider Dave chuckled heartily. "Well, you've come to the right place, (Y/n)! What can I get you?"

(Y/n) peered into the glass display, her mouth watering at the sight of various donuts with spider-themed decorations. "I'll take a chocolate web-spin, please!"

Spider Dave swiftly boxed up a chocolate web-spin donut, handing it to (Y/n) with a flourish. She accepted it with a grin, her taste buds tingling in anticipation.

Hobie ordered his usual, a classic Spider-Punk blackberry donut, and soon they found a cozy corner to sit and enjoy their treats.

As (Y/n) took her first bite of the chocolate web-spin donut, her eyes widened in delight. It was everything Hobie had promised—soft, sweet, and utterly delicious.

Hobie leaned in, stealing a playful bite from her donut. "Told you it was worth it."

(Y/n) laughed, savoring the moment. As they enjoyed Spider Dave's donuts together, they knew that this adventure through the Spider-Verse was turning out to be as exhilarating and unforgettable as they had hoped.

With the taste of Spider Dave's donuts still lingering on their lips, Hobie and (Y/n) continued their tour through the bustling Spider-Verse. Hobie was an excellent tour guide, explaining the nuances of this unique realm with enthusiasm. (Y/n) couldn't help but be captivated by his passion and the vibrancy of the Spider-Verse.

As they strolled through the Spider-Verse cityscape, Hobie spotted familiar figures in the distance. Pavitr, Gwen, and Miles, his close friends and fellow Spider-People, were swinging their way toward them.

Hobie flashed a mischievous grin at (Y/n) and without warning, he scooped her up over his shoulder. She squealed in surprise, laughter bubbling out of her as they soared through the air. It was a thrilling ride that left her a giggling mess.

Upon landing gracefully, Hobie placed her down gently, and she wobbled a bit on her feet, still giddy from the experience.

Pavitr, Miles, and Gwen approached, their eyes widening in surprise at the sight of Hobie with a new face. Hobie, always one to keep things casual, introduced his friends to his girlfriend with a playful flair.

"Lads and gal, meet (Y/n)," he said with pride, a fond smile directed at her.

Pavitr and Miles immediately bombarded her with questions about her world and her journey into the Spider-Verse, their curiosity insatiable. Gwen, on the other hand, groaned and playfully pushed the boys away.

"Give the girl some space, you two. She's not here for an interrogation," Gwen scolded them, coming to (Y/n)'s defense.

(Y/n) couldn't help but chuckle at the camaraderie between the Spider-Friends. She introduced herself warmly, shaking hands with Gwen and sharing a knowing look, as if silently agreeing that boys could be quite the handful.

With the boys locked in their own animated conversation about various Spider-Verse shenanigans, (Y/n) and Gwen drifted off to the side, forming their own connection. As they chatted and shared stories, (Y/n) couldn’t help but feel a pair of eyes on her.

As (Y/n) and Gwen drifted away from the boys, engaged in their own conversation, Hobie couldn't help but steal a lingering glance at his girlfriend's departing figure. His eyes were drawn to her perky and perfectly sized rear, a sight that never failed to captivate him.

However, it wasn't just her lovely form that had captured his attention this time. It was the pair of jeans she was wearing, which were new to him. They were dark blue with vibrant red stars artfully embroidered on the backside.

Hobie couldn't contain his appreciation for the stylish choice she had made. Under his breath, he mumbled, "Damn."

Pavitr, who had been observing Hobie's expression with a raised eyebrow, turned to him and asked, "What's got you muttering, mate?"

Hobie couldn't help but grin mischievously, his eyes still locked on (Y/n) as she walked away. "I'm seein' stars here, mate."

Pavitr chuckled and shook his head, understanding the sentiment entirely. After all, in the Spider-Verse, where extraordinary sights and adventures awaited at every turn, sometimes it was the little things, like the sight of stars on your girlfriend's jeans, that left the biggest impression.

As (Y/n) continued her conversation with Gwen, she couldn't shake the feeling that someone's eyes were on her. It was a peculiar sensation, as if a pair of laser-focused eyes were burning into her, tracing her every move.

Unable to resist the urge, she subtly peeked over her shoulder, trying to pinpoint the source of this mysterious gaze. Her search led her to her boyfriend, Hobie, who had been a few paces behind her. His eyes were locked on her with an intensity that left her both flattered and amused.

With a playful scolding tone, she wagged a finger at him, "Eyes up here, pal," pointing towards her face to emphasize her point.

Hobie, his gaze reluctantly breaking away from her perky rear, looked up at her face. However, his expression quickly shifted from scolded to thoroughly impressed. (Y/n) had on a black coho top adorned with red stars on the breast part of her shirt, and it was a look that suited her perfectly.

"Damn," Hobie couldn't help but mutter under his breath, captivated by her style and beauty.

(Y/n) maintained her teasing tone, "Oh, no you don’t. You better not be getting any ideas, or I'm giving both these clothing pieces away."

Hobie couldn't resist a grin as he approached her, closing the gap between them. "But, babe, I love seeing your stars," he said with a mischievous twinkle in his eye.

(Y/n) felt herself flush at his words, her playful scolding turning into bashful fluster. In the ever-chaotic and extraordinary Spider-Verse, Hobie's adoration for her was a constant source of warmth and comfort, and she couldn't help but be smitten by his charming antics.