#i was also gonna read through my monologues but just haven't found time to do so yet - might just before bed if i've the energy

[la-cocotte-de-paris]

♡ Little things I've done to mark Edwige's birthday ♡

♡ got up in the late morning (she had a rule -- once she was able to afford it, ofc -- where she didn't answer calls before 11am because she would go to sleep late and would then stay in bed till late morning. Also she just hated getting up early. Girl, same :P)

♡ listened to a reading by Edwige <3

♡ walked to the theatre (she apparently would only ever walk to the theatre when she was going to be on stage; she never took other forms of transport)

♡ attended a show at the theatre (fairly obvious from my previous point lol -- it was ballet but hey it was the only thing on today okay so i hope she liked ballet -- I enjoyed myself regardless)

♡ wore a nice outfit because she was a style queen

♡ expanding on my previous point, specifically wore high heels (my awesome burgundy cunty ones) because she liked wearing high heels (though perhaps not as high as the ones I was wearing but shhh)

♡ watched a film she starred in (i was planning on watching L'Aigle but changed my mind last minute and watched a comedy instead bc I needed something more lighthearted)

♡ drank a glass of red wine (French, naturally) in her name (okay, more than one glass, but I do small measurements)

♡ listened to some songs she enjoyed

[♡ bonus: i was also planning to smoke a cigarette in her honour too but it's late-ish now and idk if i want to go outside and smoke - I might have to smoke tomorrow instead (also tbh it's not exactly healthy so probably for the best)]

[brucewaynehater101]

I've had a brain worm enter my mind and I can't stop thinking about it warning it gets kinda violent

Imagine:

Evil alternate yj core four kidnap the og core four(I'm gonna use the hero names for the regular yj), the evil ones bring og back the their universe(the evil one) and torture them. (Evil versions are all displayed as pink)

Evil Bart locks Impulse in a freezing room and starves him almost lethally making him unable or simply too tired to use the speed force, keeping him just fed enough that he's not dead but instead just constantly hungry, keeping his body just above hypothermic ranges but too cold to actually use his abilities.

Evil Kon starts messing with superboy's DNA, while this doesn't cause much physical pain for Superboy it does absolutely fuck up his mental state, having someone unconsentually mess with his DNA in the same way he was created? It destroys him, more than getting fangs does, or growing three inches taller, or his hair growing in blonde, or having brown eyes does. Just the fact that this evil version of himself is actively making clones of them and fiddling with his DNA breaks him.

Evil Cassie is one I haven't thought much about, she might honestly just make Wonder girl listen to her friends suffering, or something like that(I don't know much about Wonder girl so if anyone has any recommendations for what to read to get to know her better I'd be so grateful).

But evil Tim....oh evil Tim starts immediately injecting Red Robin with all kinds of toxins, poisons, and drugs while monologuing(sounding like this song[nothing]...when he notices Red Robin growing a resistance to those injections evil Tim starts taking things. Non important organs, chunks of skin, patches of hair, while also starting to destroy Red Robin ability to outwardly express emotions. Like physically express emotions. He slices Red Robin's cheeks open so he's got permanent scars in the form of a smile, he fiddles with Red Robin's vocal cords so he can't raise his voice without being in pain, he surgically removes Red Robin's tear ducts yet comes in every two minutes to put hydrating eye drops in Red Robin eyes. Evil Tim doesn't want Red Robin dead or permanently blind no he just wants to ruin tim..

When they eventually escape, by Superboy getting tired and killing the evil version of himself before throwing the evil version of Bart through several walls and getting Impulse out then Getting Wonder Girl before finally retrieving Red Robin, they somehow find their way back to their original universe. Every single one of them gets hugged by their parents/mentors, Cassie and Kon are crying, Bart is still pretty cold and very hungry so he's eating and being absolutely covered in blankets while Tim is just standing there, Batman is asking him all kinds of questions and constantly repeating the question are you okay but Tim just emptily answers them. No emotion or inflection to his tone, he's completely monotone. After a couple of minutes the young justice end up all staying at Tim's apartment, every two minutes Tim goes to the bathroom and just kinda pours water in his eyes because of how dry they're getting, the other three immediately pick up on this and Kon runs to a store to get eye drops. They do this little routine of putting drops in Tim's eyes for a few weeks before one day as Cassie's getting ready to help Tim with the eye drops Jason climbs through the window, freezing slightly before walking to go grab Tim's first aid kit. As his fixing up whatever wound he has this time Jason questions what Tim and Cassie were doing as he found them with Tim sitting on the couch, head tilted back and eyes being held open by Cassie who's standing behind the couch with a bottle of something positioned over his eyes. Tim tells Jason that he's missing his tear ducts and Jason reasonably freaks the fuck out, cue batman being called and some emotional scene happens only for it to be broken by Cassie who straight up asks Tim if he'd like some artificial tears because both Jason and Bruce are crying but Tim can't. So he straight up just says "y'know what. Yeah, tear me Cassie." Making everyone laugh. A couple days later Damian is looking at Tim very intently and Tim questions him only to be met with ".. something looks different about your eyes." Only for Tim to wide eyed stare at Damian until he notices Tim's missing tear ducts. Cue crack/fluff with the rest of the fam

I ended that pretty weakly but I'm rlly tired and haven't slept yet so sorry if there are a ton of plot holes!♡

Holy shit. This was so dark, but all the colors are beautiful. I've been excited to answer this one due to how aesthetically pleasing it is, lmao.

Carrying on!

Might I say that Tim is just fucked. You really tortured poor Tim that I doubt he'd be able to express any emotions for a long time (not a criticism! Found the methods to be intriguing). Therefore, I think his loved ones would get used to his displays of affection changing.

Some days, even talking hurts. He just remains silent through both mental and physical blocks. Some ways he does this for YJ:

Bart's suit was remade with heaters and coolant that lasts for at least a week. He also hides a shit ton of calorie dense food on Bart and carries some for himself.

Cassie has access to YJ's vitals. When on a mission, she can glance at a screen that details how injured or safe her teammates are

Tim, after getting enthusiastic consent from Kon, reverses any effects. He also finds a way to prevent the DNA manipulation of Kon to his best ability (might not be perfect). He also includes a device that will get rid of all DNA substances Kon leaves behind (like blood, hair, skin, etc.) and gives it to Kon

Through science and magic and whatever, Tim's need to put eye drops in diminishes. He doesn't get them back, but he only needs to put them in every 24 hours or so.

Anyways, nifty and horrifying AU :)

[infamousjingle-horse]

I wasn't gonna do a reaction post this week for reasons that will probably become obvious but then I was annoyed at myself for not doing one yesterday, because I would have felt like SUCH a smartie pants for predicting that Ed was gonna fish up one of the bottles, and now I just have to hope that you will believe me that I did predict that in the privacy of my own mind (though I owe it all to that one post from weeks ago that was like "what if a fisherman found the bottles" so I can't really take credit but ANYWAY). But yeah thoughts below cut

This got kind of absurdly long whoops. Also I am inevitably going to say stuff that people disagree with but man I am begging you to be gentle with me. I am just trying to work through some of my feelings about the show and other people are going to have different feelings and that is FINE and nobody is under attack here and there is room for different opinions peace and love

Quick disclaimer: I haven't been reading a ton of meta or diving into the tag or anything, so if I say something wildly off about the fandom response at any point, it's based on vibes from what's been on my dash and I may have got the wrong end of the stick there.

I'll go ep by ep for the most part but this point applies to both eps, so I'll dive in first: I seem to be in a minority within the more active parts of the fandom in that I truly do not have strong feelings about Izzy one way or the other. I do personally feel that his characterisation in season two is not consistent with that in season one, HOWEVER 1) I have not expended a ton of mental energy on doing a deep dive into his s1 characterisation, so I'm willing to believe I've missed stuff [not actually convinced of this but don't care enough to put my foot down about it] and 2) it simply does not bother me. I consider Izzy to be a secondary character that they've decided to somewhat retool in between seasons, and I am basically fine with it. You know who else is different this season? Jim! It seems pretty obvious to me that the development of BOTH these characters is due to the influence of the actors, and honestly, that happens in TV. I DO understand people's frustration that a character who espoused views and behaviours that were fundamentally at odds with the whole moral premise of the show has been rehabilitated so easily, buuuut... I don't personally want a version of this show where Izzy's rehabilitation arc is given tons of screen time, either, so I am okay with just accepting it. ALSO, this s2 version of his character--while not necessarily feeling entirely earned--is considerably more fun to me! I'm really enjoying his bitchy little one-liners and his drag act and whatever. To make a comparison, I did see some complaints early on that Oluwande's relationship with Zheng felt rushed, but to me they fully sold it with their performances: it was easy to read between the lines that there had been a growing attraction between them for a while. Point being, I think we need to be okay with allowing some of the secondary character/relationship development to be elided, because it is not necessarily a priority to have it all put on screen in front of us.

Anyway, moving on to ep 6: I don't have a huge amount to say about the bulk of this episode. For the most part I really enjoyed it. I think Ned Low is a great send-up of the monologuing villain with a lot of psychosexual baggage, and I loved the way that was resolved. I'm probably the only person in the world who didn't already know this, but I looked up Hellcat Maggie because the name rang a bell, and she was a member of the Irish-American Dead Rabbits Gang in the 1800s, which was also known as the Mulberry Boys, and their enemies were the supporters of the anti-immigration Know Nothing party. Supposedly she used to file her teeth down to points. I am not making any of this up. [Bob Dylan voice] Go home and look it up on WIKIPEDIA*

Anyway: the party planning/coconut shack date, Calypso's Birthday and the Ned Low showdown all worked great for me. Some of the stuff--Ed shoving Stede behind him and begging Ned to torture him instead--was honestly a LITTLE bit tropey for my tastes, but hey, they're classics for a reason. I kind of think it would have been interesting to see the opposite dynamic (though of course we do see Stede trying to protect Ed in his own way later in the episode): we've already seen this kind of thing from Ed back in 1x09 with the British, so a role reversal might have been a bit more interesting to me (since this season has been so much about role reversal), but like this is a very minor niggle.

I think that Stede's disposal of Ned worked narratively and wasn't inconsistent with his character (I get the vibe that some people think it was?), and I think that Ned's line about Stede being a "pet" and Ed only liking him for his "bumbling amateur status" was some really rich stuff (and a callback to the QAR crew's description of Ed and Stede's relationship back in 1x06). And of course the whole "pet" motif has been running through season two as well: Stede's callback to doggy heaven, Ed's cat bell, even Wolf the bunny. There's something really interesting there, but I don't know if there's enough time left in the season to really get to grips with it?

Moving on to the sex scene: here I seem to be a bit out of step with my own small fandom circle, because I had mixed feelings at best about this. I've seen the argument that the show was obviously framing it as being romantic, with the fireworks etc.; I guess that's what bothers me about it, because to me it was so obviously... off. To be clear, I don't think it was in any way non-consensual or anything like that, and hey, the kiss, out of context? Amazing! But IN context--Stede has JUST had his first real kill, which has been framed by the narrative and the other characters as a big deal. Also framed as a big deal: Ed asking to take things slow in ep 5. Ed comes to Stede to "talk things through", and brings up his own most significant trauma--the death of his father (right after we saw a super quick flashback to some of Stede's own dad-related trauma)--and Stede cuts him off with a forceful kiss. To me, it feels kind of obvious that their first sexual encounter is being linked with violence and childhood trauma in a way that is not, like, fun or sexy or romantic TO ME, regardless of how the rest of the scene is shot and intercut (which is not me making a moral judgment on anyone else's feelings about this scene; just stating my own emotional reaction to it). IF the show wants us to find this hot/romantic, then it didn't work for me and I found it jarring. If the show wanted us to find this kind of destabilising and compromised, then it worked for me but I feel like we deserved better!

SO. Episode 7. I'm just going to be super upfront right at the top: this episode really bummed me out and I didn't like it. Not saying I hated every minute of it or that nothing worked for me, but overall I didn't enjoy it. I saw on the official OFMD Instagram account's stories a couple of days ago some footage from one of those preview screenings they did of these episodes in a cinema or whatever. The MC was like "how about those episodes!" and I remember thinking, "wow, the audience seems kind of weirdly muted". Well now I get it! I would have been too!

I've seen people saying that Ed panicking and running off to become a fisherman is a mirror to Stede panicking and running back to his wife in 1x09, which does track, but I actually think that the symmetry here is multivalent, and there are also echoes of 1x08, which for the record is my most hated episode of season one that I can almost not bear to rewatch--not because I think the WRITING is bad but just because it is a little bit too real for me, in terms of situations I've been in where someone I care about who supposedly cares for me lets the worst person in the world treat me really badly, picks them over me and then acts like it never happened and expects me to just be fine with it? I DON'T LIKE THAT!

So yeah, listen, I always felt like Ed leaving with Jack at the end of 1x08 and then immediately coming back was kind of a double beat, or even a triple beat. We already had him threatening to leave and then changing his mind in the previous episode, and then we have STEDE leaving in the following episode, so I always felt like it sat a little bit oddly for me. I do think it's an important and enlightening episode in terms of Ed's character and in revealing some of the underlying issues in their relationship that they need to address (plus giving us yet another flavour of toxic masculinity), but I don't know, it has always bugged me a little bit even beyond the fact that it is just too personally painful for me to enjoy.

Slight detour here--I'm gonna bring it back--to say that, while I am more glad than sorry that we have had so much BTS and promo stuff for the finale, it does create a little bit of a sense of inevitability to proceedings that undercuts any dramatic tension? Like, I feel like we can fairly confidently put together the beats of at least the first act of next week's episode. Those being: Ed has left, he is in a rowboat, he realises that Stede is in trouble--under attack from the British no less!--and heroically turns back to save his true love. So--basically the end of 1x08 again.

As much as I have been enjoying the narrative symmetry thus far, it's in 2x07 that it starts to feel forced, for me. While I can totally buy that Ed starts to regret the sex for all the reasons I mentioned above (though to be clear I don't think he regrets it until later), and that he's uncomfortable with Stede getting drunk and rowdy and playing into a pirate archetype that Ed wants to leave behind (all of this ALSO mirrors/reverses Stede and Ed in 1x08 btw), the idea that he would decide to leave forever to be a fisherman? This is the same guy who spent the first three episodes of the season totally inconsolable because Stede left him, and regained the will to live because of a vision of Stede? And now he's just voluntarily leaving forever because of one conflict? I... guess this accords with Ed's previous behaviour in 1x08, but again, that's always kind of bugged me. I don't know, man, I know they need to set up the big romantic beach reunion scene, but I feel like they could have had Ed go off fishing to clear his head after an argument instead, and that would have felt a bit easier to swallow for me. Sure, not as dramatic, but more believable.

So, this brings me to something about the show that I am starting to find a little bit disappointing, which is that... I feel like it keeps undercutting moments of tenderness and queer joy! It didn't bother me so much in season one, I think just because the show was such a breath of fresh air in so many ways. But now, having committed to being the queer pirate show and playing into that in the marketing and kind of rebranding the whole identity of the show as being a queer love story (which is always WAS but wasn't initially marketed as), I kind of feel like there's a promise inherent in that. And yet again and again I feel like we're getting the rug pulled out from under us. Like--Stede's beautiful love confession in 2x04 being immediately mocked by Anne and Mary (I know people love Anne and Mary but honestly it was getting a little too close to Calico Jack territory for me at times). Like the sex scene feeling (to me) weirdly compromised. Like Ned Low attacking the Revenge before Ed and Stede can dance together! Like Ed deciding to cut and run, AGAIN, at the slightest sign of trouble. And I know it's going to get resolved next week, and I feel like the release schedule for this season (not to mention only getting eight eps obviously) has been to its detriment. I understand why they felt like they needed to put out episode three in the first week because our guys don't even share the screen until then, but I think 2x07 MIGHT have felt a lot more palatable if it had gone out with the finale instead. I also think 2x03 and 2x04 going out together might have felt like a more natural pairing, and would have meant that I was not overwhelmed with misery after the first three eps (actually I still would have been overwhelmed with misery because of stuff in my real life but like, LESS so maybe). Although getting to savour the 2x03 end scene for a whole week was pretty great, and ditto 2x05, so maybe I don't know what I'm talking about.

Anyway. 2x07 felt really off to me, primarily in the characterisation of both Ed and Izzy, but also somewhat in the showdown between Zheng and Stede. I could understand it more if I felt that s2 had done a lot of work to establish that Stede is straying towards playing into a toxically masculine pirate archetype, but I think there are really only two times (prior to this ep) where this happens: the (dream sequence) opening of 2x01 and the third act of 2x06. Otherwise, we've seen him being really good at customer service, embracing the "tender" label from Zheng and fitting in with the Red Flag girls, counselling Lucius, saving his crew after the mutiny despite his heart being broken, bonding with Izzy, serving cunt in a cursed new suit, defusing the situation with Ned (until he didn't)--basically Stede has been really GAY this season? Like I honestly felt like THAT was the way he had swung, not towards performing violence and hypermasculinity. So Zheng's dressing down, while maybe working in the context of the scene or even the whole episode, doesn't feel well-integrated into Stede's season 2 arc to me.

Look, I'm going to leave it there. I know this is long-winded and rambling and I fully lost track of time and missed the window to use my Early Bird chest on Duolingo. I doubt anyone will read this whole thing. I just needed to get some stuff off my chest I guess.

*Anyone on Dylan twitter gets this reference!! There's tons of crossover between tumblr OFMD fandom and Dylan twitter, RIGHT? Anyway it was a thing he said in the outro to 'Goodbye Jimmy Reed' at a concert the other night. It was funny because of his dramatic delivery of the word 'Wikipedia' followed by him immediately running out of momentum and mumbling "Wikipedia" again with zero confidence. It was some nice late-career Dylan stage banter. I went to see him around this time last year and man this R&RW tour is great, even though I saw it in a pretty bad venue. The best time I ever saw Dylan was at the Brixton Academy, he played the intro to 'London Calling', it was electric. The first time I saw him was at the NEC arena in Birmingham and it was kind of a letdown but I have fond memories of it anyway, I went with my dad. I was talking to this bartender the other week about seeing your heroes live and honestly it made me realise that I haven't been to any live music in way too long! I'm happy to say that I got to see Bobby Womack perform live right before he died--actually technically I didn't SEE him, you see I was volunteering at Latitude and the bar was perpendicular to the stage. However I COULD hear him. One time I saw Nick Cave live and a woman standing behind me fainted on me! It was pretty stressful but I'm still glad I can say I saw Nick Cave live you know what I mean? The dream would be to see David Byrne but I doubt I could afford it... maybe it'll happen who knows

[kob131]

All this talk about the fate series you’ve engaged in has piqued my interest. If I were to dive into the series with no knowledge about it whatsoever, where would you recommend I start? I’m a huge mythology fan, so I’m sure I’d just eat it up. Speaking of which, I learned a bit about the legend of Cu Chulainn that makes me especially interested in him. In the original Celtic folktale, he goes to Mag Mell (the Celtic afterlife), and meets a priestess named Scathach, who gives him an indestructible spear named Gae Bolg (it’s Gaelic for “belly dart”). The spear is so heavily barbed that when it’s shoved into a creature, he only way to remove it is to use a bladed weapon of some sort to literally carve it out of them. As if that wasn’t bad enough, it’s also poisoned. Celtic folklore is wild.

Oh boy...

Gonna tag @avalonblue12 since he helped me out with Fate a bit in the beginning.

So...I'm going to offer two quick suggestions and expand on why this question has haunted this fanbase for so long.

If you want to get into Fate the purest (and best in my opinion) way possible, try this guy's Let's Play of the first route of the visual novel (THE HOLY GRAIL WAR - Fate/stay night - 1 [Prologue] - YouTube) Or this one if you don't like commentary (Fate/Stay Night Visual Novel Fate Route Day 1 Part 1 (No Commentary)(English) - YouTube) Be warned, the visual novel does not have voiced narratin and is in Japanese.

If you don't care about spoilers or such, try Fate/Stay Night: Unlimited Blade Works by ufotable.

But in truth, you can start just about anywhere that isn't Hollow Atraxia, Fate/Extra: Last Encore or Fate/Extella because many entries assume you don't know the basics and these are direct sequels.

I suggested those above because they pertain to the original Fate/Stay Night, whose influence is felt throughout the whole franchise.

(More below)

So...why is this question such a hard one to answer for Fate fans?

Well, Fate is an infamously dense series that has a lot of interconnecting elements and ideas along with a deep magic system. Meaning that you can get the general idea easily...but things are so much better when you have knowledge of the series. For example, a certain character in Fate Apocrypha (a spin off) is rather compelling and engaging but with knowledge of one of the heroines in FSN, it adds another layer to her character.

So, I would recommend getting in through the Visual Novel somehow...but the visual novel is a huge time commitment and it might not be to your tastes. So you'd think there would be an anime or something to watch right?

Well, there is...with two problems.

1- Ufotable has only adapted Heaven's Feel and Unlimited Blade Works, the third and second routes. Fate, the first route which acts as the primer as well, only has an adaptation by Studio DEEN and it's kind of divisive.

and 2- The animes all have one issue- They don't have the inner monologue of Shirou, the protagonist. This is important because a lot of what is needed to understand Shirou is IN his monologues. Without them, it becomes very easy to misunderstand Shirou. To the point that the divide around him is basically between those who have and haven't read the original VN.

So while you can get in however you want and it is VERY MUCH worth the investment- getting the best introduction is hard.

"Well, how did you get into Fate?"

The doujins.

... No, really. I found some FGO doujins (ironically enough, based on Fate's Scathach) and I got interested in the series so I kind of just...flailed around until I ended up on the other end of the series. I still don't know how it happened.

If you're still reading this, even if I turned you off- I'd like to say what I think is Fate's greatest strength. And I believe that it's Nasu's writing. Or rather, the bittersweet way he writes. It really pulls on the heartstrings while making you feel satisfied by the journey.

I really do hope you try it out, as I can't recommend it enough.

[ererokii]

What Goes Around Comes Around

T. Shouto x Fem! Reader (inspired song fic)

Song: What Goes Around by Justin Timberlake

Warnings: angst, cheating, like one scene of sex (very small scene), characters are 18+

Italics mean flashback

Word Count: 3k

A/N: This is my first fic and my first attempt at writing angst so I’m sorry if this is quite shit and of course it had to be my boy (pls forgive if there are typos). Also big shoutout to @shoutodoki and @shoutosplaything (also thank u for beta reading gabbi) for letting me tag them!

Don’t wanna think about it

Don't wanna talk about it

I’m just so sick about it

I can’t believe it's ending this way

Just so confused about it

Feeling the blues about it

I just can’t do it without ya

Can you tell me is this fair?

14 days

It’s been 14 days since the last time you saw Shouto Todoroki. You refused to acknowledge him as the man that you once loved but deep down inside you knew that you still love him. Everyday your thoughts kept haunting you as if it was a song that kept repeating itself without your permission.

Was I good enough?

Did he not love me anymore?

Could I have known before it happened?

Could it have been fixed?

Maybe I wasn’t putting enough effort?

You thought that your relationship was perfect. Like every other couple, you had your ups and downs. To something as silly as leaving the dirty dishes there or something as serious as miscommunication. Regardless, that was the best relationship you’ve been in for a while. Thought Shouto was the one to be. The one you would spend the rest of your life with. You guys were the It Couple. All your friends would always compliment on your relationship. Soulmates. That’s how everyone described your relationship with Shouto. A bond that could never be broken. The universe bringing two people together to forge the most perfect relationship. That’s what everyone used to say.

Tonight, just like every night you stared up at the ceiling refusing to let sleep take over your body as all you saw was Shouto when you closed your eyes. Laying on the couch, you stared up at the ceiling like you were in a trance, unmoving. The blanket lazily hangs off of the couch as you refused to shield your body from the cold. The unfinished dinner stayed on the granite counter in your kitchen, the half-empty wine bottle laid untouched on your low table. How pathetic you thought to yourself as you let out a weak chuckle and sat up slowly, running a hand through your messy hair. A bang like knock to your door startled you, making you turn your head quickly and could have sworn you almost gave yourself whiplash. “Who in the hell..” you mumbled and stood up, wiping your sweaty palms against your shorts as you made your way to the door, stopping in front of it. You let out a deep sigh and fixed your hair quickly to the best of your ability.

“Who is it?”

“Y/N.”

You let out an indescribable noise as you quickly covered your mouth. Why was he here? What does he need? Is he drunk? Millions of questions raced through your mind. Even with the door separating you two, you could still feel his intense gaze burning holes right through it.

“Y/N please open the door. I just want to talk to you and explain things.”

“There is nothing to talk about Todoroki” you snapped and leaned your forehead against the cool wood. He internally cringed whenever you used his last name. It sounded so foreign to him whenever the word escaped your mouth that he honestly forgot what it sounded like.

“Please all I ask of you is to let me explain”

You let out a low groan and unlocked the door quickly, opening it with force that even Shouto was surprised you would agree to face him.

“Explain?! You’re gonna explain how you oh so magically or you tripped and stuck your dick in another girl’s vagina?! Cause if you have an amazing explanation please be my guess and enlighten me.”

“Y/N come on don’t act like that..”

“No! You have no right to tell me how I should be acting! And don’t you fucking dare call me by my name. We aren’t formal anymore” You snapped and felt tears starting to form. You wouldn’t give him the pleasure to see you cry. Not again.

~~~~

The thought of marrying Shouto has been on your mind for the longest. Being in a relationship for 3 almost 4 years with him was amazing, you were deeply in love with him and you wanted to take the next step.

Recently you noticed a difference in Shouto’s behavior. He lost his loving touch. As time went on you noticed the bridge separating both of you as if it forbade you to meet in the middle once again. It started off small. He would come home later than usual. Yes being a Pro-Hero called for him to be out at unusual times of the night but this didn’t feel right. It wasn’t right.

“Shouto!” You called out from the front of your apartment, slipping on your shoes. “I’m going to be out for a while with Ochako! I shouldn’t be gone too long!”

Silence.

You were met with silence.

A frown formed on your face as you glanced at the man sitting down on the couch, staring down at his phone. ”Shouto?” This time you were met with a grunt. Least it was better than silence. “Did you even listen to what I said?”

“No. What did you say”

Ouch. That hurt.

“I said I was going out. With Ochako” you announced slowly, expecting that he would take notice this time. ”Uh-huh. That's cool.” he mumbled, not looking up from his phone once as a small smile formed on his face. ”Well..okay then I'll see you later then. I love you.”

Once again you were met with silence but this time he lifted his head up to meet your gaze. The look in his eyes looked unrecognized, something you haven't seen since the beginning of your friendship. ”Ok. Stay as long as you want.”

That was some of the red flags you should have taken notice of, but you were so blinded by your love for him that you didn't bring it up.

You told your best friend, Ochako Uraraka about the situation and she simply told you that you were probably overreacting and just needed to speak with the man himself. “Ochako you know he doesn't even acknowledge me anymore. He doesn't say ’I love you’, he's not affectionate anymore and always pushes me away whenever I try to have sex with him. Is it me? Am I doing something wrong?”

The brunette girl sitting beside you swirled the red wine in her glass as she stared down at it. ”I really wish I knew the answer for you Y/N-chan. From what it sounds like you just need to sit down and talk with him. It could possibly just be miscommunication.”

”What if he's cheating on me?”

”I'm going to have to stop you right there. Todoroki may be a bit dense at times but he isn't an idiot. If that were the case I would personally go down there and show him that he doesn't mess with the best girl around. In case you didn't notice, you're the best girl.

A weak chuckle escaped your lips as you took the final sip of your wine, relishing the way it went down your throat and left a tangy aftertaste. “Maybe I’ll buy a little something on the way back. Maybe some strawberry milk and soba noodles from his favorite place.”

“I mean you can do or you could just go straight home and talk to him without any bribery.”

A sigh exited your mouth as you placed your now empty glass on her white table. ”I really appreciate that you let me come over”

A smile tugged on her lips as she wrapped her arms around you, hugging you tightly against her smaller frame. “Of course Y/N-Chan! Let me know how it goes after!”

Then that’s how you found yourself in front of your door, reciting a small monologue on how you would approach the man. You opened the door quietly, staying put when you heard the soft creak of the door. “He should be home..” you whispered to yourself as you shut the door behind you once you entered your shared apartment. “All I have to do is approach and speak my mi-“ Black heels? When did you leave black heels here?

You didn’t. The only pair of shoes that were beside the black heels were your white slippers. You felt as if your heart dropped down in the depths of your body. It was a misunderstanding. It had to be.

You began walking towards your room, taking quiet steps despite feeling that your feet were dragging across the floor. He couldn’t. He wouldn’t. He wasn’t capable of doing that. Right?

Turning the corner to enter the hallway you stopped your motion and stared. Across the hallway was your closed bedroom door. It felt like a journey that hasn’t even begun. Before taking a single step towards your destination, you heard it.

“S-Shouto!”

That was it. The moan. The noise of skin slapping against skin and the creaking of your once shared bed where it was him making you feel that good. Him touching you in a way that no one else could feel his touch. It used to be you. Only you.

“No no no” you repeated like a mantra and walked over quickly only to stop in front of the door, hand resting about the door knob. You were hesitating, but why? You already had your answer. Was it because you were in denial? You thought this was a dream?

Taking a deep breath you grasped the knob and turned it, pushing the door open quietly.

There it was. The scene you always hoped you would never see. Your now ex-boyfriend, drilling some woman into your mattress. Your presence seemed to be ignored by them.

“Fuck baby you fuck me so good!”

“You’re so fucking tight” Shouto grunted and threw his head back and closed his eyes before opening them again, tensing up on once he spotted you standing right behind him. His hips stilled as his hands let go of the woman’s ass.

You couldn’t believe it and started shaking your head in denial

“Y/N this isn’t what it looks like”

“Oh? What is it then huh? I know I’m not fucking blind. I can see what is going on with my own two eyes.”

He got off the bed quickly and grabbed a spare sheet, placing it on top to cover himself up. “Please Y/N” he whispered. He sounded desperate as he reached to grab your hand while taking a step towards you.

“How long has this been going on.”

“What?”

“How long have you been doing this behind my back.”

“...6 months.”

The past 6 months seemed like a lie now. Every kiss. Every touch. Every ‘I love you’ was nothing but a lie. Now, you remembered all the red flags that were thrown your way but your denial got the best of you. The constant fighting, blowing you off on dates to go hang out at ‘Midoriya’s place’ or even ‘Bakugo’s place’. Coming home late even when he wasn't called for work. It all made sense now.

”Baby we can talk about this”

“No!” You snapped and pointed a shaky finger at him. “Do not beg me. I gave you everything I possibly could. I put in all my time and my energy for this relationship and for you to just..” you trailed off and covered your mouth with your hand, suppressing a sob from fleeing. ”You know...instead for future purposes. If you want out of a relationship j-just tell them. Don't cheat on them from behind. And don’t you dare call me that fucking name again.” You said as confident as you could but in reality it was the opposite of confident. Your voice was wavering, your once perfect mascara was running down your face mixed with your tears.

Shouto gulped and clenched the sheet in his hand. “I still love you Y/N.. we can talk this out please. Just give me a chance.” He whispered and looked directly into your eyes. Broken. Torn. Guilty. The look in his eyes seemed to stare right through your soul.

“If you really loved me, you would have never cheated on me in the first place. You would have come up to me and spoken to me how you felt instead of doing this behind my back… I’m going to leave. When I come back, I want you out of my apartment. Take everything you own and leave.”

Is this the way it’s really going down?

Is this how we say goodbye?

Shoulda known better when you came around

That you were gonna make me cry

Now it’s breaking my heart to watch you run around

Cause I know that you’re living a lie

But that’s ok baby cause in time you will find

What goes around, comes around

~~~~

You shut your eyes tightly as the memory and clenched your fists right by your side.

“I was drunk. I went to a bar right when you left to go visit Uraraka.” Shouto said as he took a small step towards you. It felt like the world was suffocating you.

“A bar? That’s your excuse for cheating on me? Drunk for 6 months? Please. I’m not stupid. I know plenty of men that get ‘drunk’ and they don’t cheat on their significant other. I didn’t expect that coming from your mouth. You disappointed me. You let me down. You made me feel like it was my fault.”

“That’s because it’s not!” He suddenly yelled and you flinched slightly at the sudden change of his tone. He let out a deep sigh and kept going forward till he had you caged between him and the wall inside your apartment. “It was all me. I was stupid. I’m sorry for hurting you..I should have just came up to you and spoke to you how I was feeling. I’m sorry.” He whispered and placed his finger underneath your chin to make you look up at him.

You gulped and felt his intense gaze stare through you. His bi-colored hair tickling the top of your forehead. His face was close to yours, you could feel his hot breath hitting your face as he cupped your cheek.

“I’m afraid of losing you..I don’t want to lose you Y/LN” he whispered into your ear, smiling faintly when he saw you shiver. Even like this, he still had the same effect on you and you loathed it. “We can just forgive and forget.. I’ll make it up to you I promise just please forgive me”

You wanted to. You wanted time to go back and give you what you wanted. A meaningful relationship. Being with Shouto was on your mind everyday as if it was mocking you. You desperately wanted to be in his loving arms again, feeling his body on yours. Now that you were caged behind him, a low level panic started to arise in your body. Could you ever forgive him? How could you forget? What makes this different? What if he does it again?

“She cheated on you didn’t she”

“I’m sorry?”

“I said, she cheated on you. Didn’t she?”

His quietness was all you needed as your answer. You shook your head and looked up at him, stroking his scar gently with your thumb.

“And you felt if you came back to me thinking I’ll let you back huh? You think that because she cheated on you it’ll make us relate on a different level and make everything better right? How’d it feel? It felt horrible huh? Like your heart was being ripped into two then stomped on.”

Shouto growled faintly and gripped your shoulders a bit tighter, opening his mouth to say something but you interrupted him.

“No. I’m not done fucking talking. I cried. I cried and cried for your sorry ass. You and I are not feeling the same type of pain. I loved you. She didn’t. I..I still love you” you whispered the last part under your breath

Shouto sucked in air as he tensed up. Time seemed to stop as the earth stilled. No one said anything. You missed the silence with him. Under different circumstances you would have enjoyed it. “You..you still love me?”

“Course I still love you!” You cried out and pushed him off of you, walking towards him as he kept backing up with each step you took. “But I can’t be with you. Part of me wants to forgive you and throw myself at you but the other half is telling me you’ll just do it again.”

“You think I would do it again?”

“I mean you did it the first time. So what would make it different from the next? Todoroki you just.. you need to leave.”

He quickly reached for your hands and cupped them, holding them to his chest. “I can’t lose you Y/N..” he whispered

“You already did.” You said coldly and pulled your hands out of his grasp. “What goes around comes around huh? That’s your karma now. Get out. I never want to see you again. I want the guilt to swallow you alive.”

He stood there unmoving, hands grasping around nothing as he looked up at you. He cleared his throat before speaking. “I’m sorry. I hope we can start over again soon. I hope you can forgive me.”

You watched as Todoroki walked down the steps and into the dark night. It felt like a weight was lifted off of your shoulders but the hole in your heart was still wide and open. Closing the door till he was no longer in sight, you let your head fall against the wood, letting out a shaky breath that you didn’t know you were holding in.

“Goodbye Todoroki Shouto.”

Is this the way it’s really going down?

Is this how we say goodbye?

Shoulda known better when you came around

That you were gonna make me cry

Now it’s breaking my heart to watch you run around

Cause I know that you’re living a lie

But that’s ok baby cause in time you will find

What Goes Around, Comes Around

[creatikermit-ar-ts]

GUILT: A Plausible Option for the Next "Dark Side"

@alltimevirgilant made a post about how Guilt could definitely be the next "Dark Side", as it follows the lines of the plot of the latest episode (Selfishness VS Selflessness - so obvious SPOILERS AHEAD if you haven't seen it yet). As stated in the video, Thomas is a very empathetic person and with choices influenced by empathy, or, in fact, choices that sometimes are made without empathy in mind, often come with guilt. @/alltimevirgilant continues to explain how the idea of guilt fits into the character of Thomas in their post, so you can click here if you want to read that.

Now, I want to follow on from their original point because there are actually quite a few hints from the video that may allude to Guilt being the next "Dark Side" (and if not a new Side, then perhaps a possible video topic).

So far, we only know of one definite "Dark Side" - or, very simply put, a new Side that was not introduced in the same way as Logan, Roman, Patton or Virgil - and that is Deceit. Our first (and pretty much only) hint to Deceit that wasn't in his debut episode was featured in MOVING ON: Part 2/2.

Roman suggests lying to Thomas's ex, which leads to these responses:

[P: Now, Roman, lying is wrong.]

[T: Yeah, that's a side of myself that I would prefer not to feed into.]

Other than the obvious hints to a trait that at the time had not been introduced to the series, I think there is one other thing important to note. Yes, the idea of dishonesty is being mentioned (and when placed in the context of Sanders Sides, I suppose that this is the personification of said trait), but what I think is more important in helping to find future hints to possible "Dark Sides" is the fact that through mentioning deceit, they want to avoid it. Both Patton and Thomas (and I suppose Virgil too) are making the effort to make a decision that does not feature deception in any way. They are trying to avoid deceit because they believe it is a bad thing or that it is unhelpful, as well as possibly hurting Thomas and the people he surrounds himself with. They mention and hint at something that we now know as a "Dark Side", but they also mention the idea of not wanting to "feed into" that trait or use it as possible option for solving the current dilemma. Still with me? Simply put, when searching for hints of new Side that we do not know of, we must also search for how they (the characters - whether it be Thomas or one of the Sides) want to avoid that trait/aspect of Thomas's personality/decision making.

So, now we've covered that, on to the new video!

Starting off, we get the first mention of guilt, where Roman is responding to Patton's scolding on the idea of lying:

[R: I would have stayed in my room if I knew Dad was gonna take us on a guilt-trip.]

Notice how Roman is saying he would have "stayed in [his] room" if it meant he could avoid feeling guilty, or at least, the talk about something that could potentially make him feeling guilty. Our key word is there: avoiding. Roman wants to avoid guilt.

Next point, which I think is rather interesting! The next mention of guilt is further on in the video, and a little harder to find. Again, it stems from Roman, when he is placed at the witness stand and Deceit is questioning him.

[D: Can you spell your name for the court?]

And, of course, Roman spells it correctly.

[R: R-O-M-A-N!] [D: Ooh, I'm afraid that's wrong.]

Deceit insists that Roman's name is in fact spelt differently.

[D: It's actually spelt W-R-O-A-M-M-I-N.]

Now, at first glance, it seems that Deceit is just messing with Roman, and, to a certain extent, he is. But, this joking doesn't serve Deceit's argument or point in anyway whatsoever. Nor does it really fit into the rest of the discussion or topic, so I think it has to mean a little more than what it does on the surface. Especially the way Deceit spells Roman's name. It seems rather specific, and certainly not just gibberish or random letters. So, I did some digging and found that when translated from Western Frisian 'wroammin' actually translates to 'remorse':

((Now, please keep in mind that Google Translate isn't always reliable, so this translation may not be accurate.))

Remorse is a synonym of guilt. We are missing the key phrase about avoiding said remorse and I think that this part could definitely be implying that Roman feels remorse rather than hinting at a new Side, but it is certainly too odd to be a coincidence. And it is certainly implying that guilt is playing a large part in this dilemma, whether just the emotion or a personified trait.

And the next mention of guilt is towards the very end of the video, where Thomas is giving his concluding monologue.

[T: Listen to your empathy because you might be sparing yourself some future guilt by doing good for someone else.]

This is very important because it is a concluding statement - it's the final decision. Here, Thomas is saying that empathy is a good thing to listen to and that you should allow it to influence your decisions because if you do you can avoid future guilt. Here, he is holding empathy as more important than guilt and shows guilt as a bad thing. Whether you believe that avoiding guilt and your actions taken in order to do so are selfish or selfless doesn't matter here. He has decided that guilt is bad a thing, and must be avoided.

But here's the thing, in both videos (for the sake of this argument) that we are going to assume hint at possible "Dark Sides" (MOVING ON: Part 2/2 and Selfishness VS Selflessness) decide that whatever trait they mention must be avoided at all times. The characters take one situation that is provided in the video and apply the exact same setting to any and all future situations. They say: lying is wrong and guilt is bad, so therefore they must be avoided. And not to mention, both of these principles, in fact, stem from Patton.

What I'm trying to say is that a "Dark Side" has always tended to come about or at least be hinted at when the rest of the characters are trying to avoid that trait. Even Virgil! The reason Virgil "lashes out" is because the others sometimes ignore him (paraphrased from EMBARRASSING PHASES).

Whether these mentions of guilt are to hint at a new Side or a future video topic (perhaps even the follow up video Joan was talking about? Empathy VS Guilt, maybe? haha), it's hard to ignore these subtle mentions or write them off as just coincidences. The reason for that being, is that guilt isn't actually brought to the viewers attention - or the characters', for that matter - until the very end, and even then it's not a large part of the video. Even though it's quite clear that guilt is playing a role in the uncertainty of the final decision and during the course of the discussion of the dilemma, none of the characters really outright say it. Perhaps this is why the video ending seems... unsatisfying, without sounding like I'm criticising the video harshly (it's actually my favourite episode to date) and why so many viewers found it hard to agree with the final decision. Because not all the points were really discussed (among other things that I'll talk about in other posts).

With the kinda cryptic post Joan made about the follow up episode and the original decision to name the episode Selfishness VS Selflessness Part 1/2, which was then scrapped to avoid confusion, all in the back of my mind, it's hard to imagine that this debate is over. Perhaps a follow up video won't link directly to this video, but I'm sure it will make reference to it.

And I think Guilt, whether as a Side or topic, is going to definitely play a part in it.

[movienotesbyzawmer]

August 26: Mission: Impossible III

(previous notes: Mission: Impossible II)

Another one I haven't seen since it first came out (fifteen years ago!), but I remember liking it. Other than the exciting new personnel in the cast and in the director's chair, I really can't remember any details about this.

The director is, of course, J.J. Abrams. He comes in scalding hot from his television work, most notably Lost, and is making his feature directorial debut here before eventually directing what is currently the top-grossing movie of all time in the US. There was reason at the time to expect an improvement over the spotty second entry, but what does it say that I can't remember anything at all… okay let's start it.

You know how movies often love to tease the audience by opening with a really really exciting scene that's supposed to blow your mind and make you go OH my GOD like HOW did we GET to this VERY EXCITING SITUATION and then they jerk it all away and start from the beginning, this movie begins with that. That and very "modern" shaky shaky handheld camera stuff. I don't like that handheld stuff but whatever.

After the credits it's clearly back to before-problem. Ethan is having a chill dinner party with his girlfriend who is not Thandie Newton but who is definitely being tortured by Phillip Seymour Hoffman in the opening tease.

That is subtly interrupted by a covert request to meet at a convenience store for some espionage and, perhaps less subtly, a lot of exposition. Very unnatural dialogue lets us know that Ethan is not in the field any more, he is a trainer, but one of his trainees is in trouble with PSH and will he help please. Also that was his fiancée not his mere girlfriend. That is a much more elite status. High stakes OMG.

Off to Berlin, and I'm reminded that the previous movie didn't do as much globetrotting; it was pretty much in Australia the whole time. I like location diversity.

The rescue of the played-by-Keri-Russell former protégé is not a stealthy one. They plant a bunch of blowy-uppy things around the rusty warehouse where they're torturing her and cause chaos to help them get to her and shoot their way out. There is no mask-craft so far.

After a cocky moment where Ethan demonstrates that being down to only one bullet was just fine with him, there's a cool shot where a closeup of Ethan has a nicely-framed surprise explosion behind him.

Much splody. So much splody. Maybe M:I3 is the one that should be remembered as The Splody One. There are rockets toppling wind turbines being negotiated by chasing helicopters. But the most suspenseful issue is that KR has a secret surprise blowy-uppy in her bloodstream. A race to maybe do something about it doesn't work and she dies. I remember predicting her death to my friends before the movie started, but it didn't make those friends like me any better.

Worth noting that J.J. Abrams is not wrong to apparently think we will think all the wind turbine imagery will look pretty neat.

Before dying, KR sent a postcard to Ethan, and not even in a normal way, in a "Hi is this Rollo Tamassy? I was given explicit instructions to let you know there is a delivery for you in dead Keri Russell's mailbox" kind of weird way. The postcard had a blank microdot hidden under the stamp. Feels slightly eye-rolly. Simon Pegg is now in the movie now, though, so that's cool.

Ethan had to have a serious talk with Julia about how serious his life is or something, and they get married like right there in a storage room! Then Ethan and the team go to the Vatican and do a heist there. It's an okay heist that involves seeming like bickering Italian van drivers and then changing into different costumes. No masks though. They still look like themselves. J.J. Abrams clearly told people, "why should I watch the other Mission Impossible movies when I literally made Alias".

They shoot magic sticky pebbles near cameras to make them not work, this is important to their method, but I'm not sure how this is supposed to end, aren't they kidnapping PSH or something?

0:47:57 - Welly welly well, what have we here, they have the mask machine! We actually see it 3D-print a PSH mask, now we talkin

Ooh, and we also get to see a whole thing about the voice disguise technology, Ethan has a PSH mask on and he forces the real PSH at gunpoint to say a script to teach the tech thing his voice, but it's not ready in time when he has to say stuff in disguise and there is suspense there, I like it!

They successfully completed the heist of stealing PSH from the Vatican, even though we didn't see exactly how they transported his sedated body out of there but okay

"Whoever it is I'm gonna find her and I'm gonna hurt her", we're seeing PSH be a villain on a level that one really doesn't see very much.

Ethan responds to that by doing an odd thing that I guess would be described as "dangling him from the bottom of a plane that is flying up in the air and therefore scary". He's trying to figure out what "rabbit's foot" is, which we heard about in the opening tease. We still don't know what it is. I've known for fifteen years apparently and even I don't know what it is so

The next exotic location on our tour appears to be the bridges connecting the Florida Keys, and things get splody again! Rocket bombs destroy the bridges they're on plus also some of the vehicles that are around. Right before that happened we saw the secret video message that KR had hidden in that microdot pre-her-unfortunate-death, and it was the news that the spy executive we've seen a couple of times, played by Lawrence Fishburne, is secretly a bad guy. So the rocket-equipped military force that is recklessly decimating bridges and automobiles is probably under Spy Executive's direction. Kind of rash doing all this destruction.

Oh, I remember that shot! Ethan is running away from a car that is the victim of a rocketplosion, and the force of that throws him in a way you don't see very much, it was probably hard to make it look that good. There are other cool shots in this sequence too.

Oh I like this I like this… the bad guys that are under the direction of Spy Executive have apprehended Ethan just after he found out that PSH kidnapped Julia. He has 48 hours to do a "rabbit's foot" something for PSH in order to save Julia, but he's all restrained and has a strange mask on, but what I like is that Billy Crudup, who is Spy Executive's lackey, did a trick that required Ethan to read his lips. BC knows what's up and is helping Ethan, it's exciting.

1:21:53 - Ethan has escaped and met up with his crew (hey, we have hardly even seen Simon Pegg, what is up with that), and they're doing a heist plan, and it involves drawing skyscrapers on glass and the camera angle matches the actual skyscrapers and it's pretty cool especially when he's doing geometry and actual mathematic calculations to plan some kind of corporeal transfer between two skyscrapers.

That scene is followed by a very impossible-looking shot of Ethan on top of a Shanghai skyscraper; it zooms in from way far away and then circles him and stays on him having a conversation with Ving Rhames, all one shot.

Then a very exciting sequence, the one that was planned for so academically before; Ethan does a super crazy run off the top of the building, and the bungee thing he's attached to does cool looking stuff to get him to swing to the actual building that is his destination, but it's on a sloping thing and he slides down it and there are bad guys he has to shoot. His job is challenging.

I keep forgetting to note this but I do keep observing with satisfaction that the score is all orchestral and traditional, none of the neo-slickrawk of the last two.

Things happened so fast that I didn't quite comprehend how all of his leaps and swings resulted in him obtaining the "rabbits foot", but I guess the thing that looks like a cartridge-container for a pneumatic tube conveyer that has a thing with a radioactivity symbol on it is that. What even is.

The meeting to do the exchange of Julia & "rabbit's foot" is set up and pretty quickly we're caught up to the tease from the beginning. We now are enjoyably frustrated that Ethan thinks he gave them the "rabbit's foot" but dude is asking for it and it's like wut dood I gave it? That ends with PSH seemingly shooting Julia and BC showing up and clearly being in cahoots with the bad guys after all. And it was a fake Julia in a masky-mask, the real one is still okay somewhere. Masked-and-now-dead woman is someone we saw as PSH's translator at the Vatican and the expository dialogue that helps us know this is so artificial-seeming that it reminds us that elaborating on who that really was is kind of pointless and laborious.

This long monologue by BC, mixed too quiet again, also tries to explain his point of view, but I can't quite get it. He says something about the "rabbit's foot", are we supposed to know what it is yet? He mumbled something about a "middle eastern buyer".

1:44:45 - Somehow Ethan was able to get Simon Pegg on the phone after biting his way away from BC (SHHH NO TIME TO EXPLAIN), and then he gets to the top of a suburban Shanghai house and a shot is really cool showing that and it moves and follows him in a cool way, and then the subsequent shots of him running through the streets are cool, he's on the phone with SP who is telling him exactly which little city streets to turn into.

Just as he has found Julia and is maybe going to rescue her, he gets a big headache and we remember that he has the same mini-splody in him that killed KR, and PSH shows up, pretty bad news. PSH delivers his threatening dialogue in a vividly psychopathic way.

PSH's end is dumb, especially on paper. He turns is back on Ethan, who is easily able to jump him and fight him. The fight spills out into the street and a lucky car accident seems to fatally maim PSH while leaving Ethan unharmed. Meh.

The final resolution involves trying the idea they had at the beginning that didn't work with KR, where some kind of on-purpose electrocution death preludes the micro-splody death and then you just have to be good at reviving the person. And it almost doesn't work… but then it does oh my god it does

There is a very very pleasant shot of Ethan and Julia strolling through a Chinese village with a canal bridge and it really is nice looking and I want to go there and stroll like they are strolling.

But then they're back at HQ or whatever and oh, I guess it turns out BC was the only secret bad guy and Spy Executive was good enough and they're all on good terms and Ethan and Julia go on a honeymoon the end. Oh, and the final exchange cheekily reveals that we will never know what "rabbit's foot" was. Creative? Cop-out? Who's to say? (insert why-not-both gif)

So what's to remember about that movie? Was it indeed better than MI:2? I guess a little; there are several little annoying things from both of the first two movies that are absent here, so that's refreshing… but also some of the plot contrivances don't improve on what we've seen so far. Some very very very ambitious visuals! That's the real thing I want to make sure not to forget about this. The previous one had John Woo's signature visual style, but none of it matches the accomplishments of the cool shots in this one. I might have preferred a little more playfulness with the espionage stuff, but if I recall correctly the series doesn't really return to that form.

(next: Mission: Impossible - Ghost Protocol)