#i was actually having fun for once a so much happened

[karikitdemonrp]

Kari happily held onto Hawks, hugging him firmly but not super tight. "I'd like some water please." She chirped then looked at Core who nodded.

"Water would be nice please." He said with a soft sigh then looked at Kari who just happily clung to Hawks and chuckled, glad she had someone she was so close to and who she trusted so much.

The two walked through security, Kari clearly a bit nervous since she wasn't exactly used to it while Core wasn't as nervous. Not quite as at ease as Hawks but not as nervous as Kari.

Once inside Kari became more and more excited to spar, wanting to let loose and have fun with her many quirks while Core felt a wave of nostalgia, getting closer and closer to where he and Kari would be sparring.

"The game plan," Core hummed in thought. "Uh, honestly I was thinking you'd supervise me and Kari while we spar in the sparing area or whatever it's called and that would be it. Maybe best two outta three or something kinda like how I was used to back when I sparred with my cousins back before everything happened." He informed, thinking of how sparring used to go back then. "If I remember correctly it worked sort of similar to a simulation of a real fight or something, stopping short of causing actual damage. If one person couldn't make a move to get out of a situation they lost that round. It kept us on our toes, pushed us to think outside the box so we had the skills to either protect ourselves or to become great hero's when we got older if we wanted to become hero's. But it also helped us learn about our quirks quickly too which was really helpful." He looked up at Hawks with a slight grin. "That ok?" He asked nervously, hoping that they were able to do what he suggested.

Hawks touched down smoothly as the car pulled to a stop, his wings folding neatly behind him. "Glad to see you two are still in good spirits," he said with a smirk, placing an arm around Kari as she bounded toward him. "C’mon, let’s get you checked in. Wouldn’t want to skip the boring part and give the security folks something to do."

As they walked toward the entrance, Hawks kept Kari close, his hand lightly on her shoulder while glancing at Core. "So, future pro heroes, any last-minute needs before we hit the training grounds? Water? Snacks? A pep talk? You know, something inspirational about how ‘heroes rise through struggle’ or whatever they always put on posters?"

He grinned down at Kari and gave her shoulder a squeeze. "Or maybe you’re already hyped enough to take me on and show me what you’ve got, huh?"

Hawks held the door open for them, guiding them through the security check with an ease that spoke to how often he did this kind of thing. "This place is all set up for quirks, so you’re in good hands. But remember—no blowing up the training ground. I’m looking at you, kid," he teased, his golden eyes twinkling as he ruffled Kari’s hair affectionately. "Now, what’s the game plan once we’re inside?"

[supernovafics]

you and steve like each other but neither of you want to fully admit it

wc: 1k

a tiny bit angsty but overall very soft and sweet<333

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.

it was a teasing look mixed with barely any space. it was also the mix of way too many drinks and one joint passed around your group of friends that made you and steve practically inseparable. 

in normal circumstances, you two were already pretty much attached at the hip— always finding each other in crowded rooms or having your own whispered conversations when you were in big groups. but whenever you two were drunk or high, or in this case both, your closeness seemed to only increase tenfold. 

you weren’t sure whose decision it was to move to the kitchen while your friends talked and laughed in the living room. maybe you wanted to drag steve along as you went to grab a soda from his fridge, or perhaps it had been the other way around. you honestly couldn’t remember, and whatever you planned to get became long forgotten by the time you two had walked the ten feet from the living room.

now you sat atop the counter, hands settled in your lap as you fought the urge to run your fingers through steve’s hair that was surprisingly pretty messy for once. and that made you remember that the messiness had actually been your doing because you ruffled it at some point during the night— when he playfully made fun of you for being such a lightweight and the only thing you felt as if you could do in retaliation to his words was mess up his perfectly styled hair.

you let out an abrupt laugh at the memory. 

steve looked at you curiously. “what’s so funny?”

“your hair.”

he quickly pushed a hand through it, trying to tame the mess of brown. “that’s all your fault, y’know.”

“i know. sorry,” you told him. “i think it’s pretty cute, though.”

“you’re pretty cute.” 

you let out another soft laugh. “always the charmer, harrington.” 

“and you love it.”

you nodded instead of protesting his words like you would’ve done if he had said them to you when you were sober. “yeah… i do.” 

he moved closer to you then, stepping between your parted legs, and it was hard to not let yourself lean into him just a little bit. one of his hands settled on the side of your thigh and then moved up and found your hip. 

you didn’t know if it was you or him who leaned in further, but suddenly your noses were brushing and your lips became only breaths apart. it hadn’t even happened yet, but you were already imagining what his lips would feel like on yours; the softness of his mouth, and you had a feeling that he’d taste like the tequila you two had been drinking all night. 

but then he was slowly pulling back a bit. 

maybe logical thinking was hitting him in this moment, and the smallest part of you that was barely sober was glad because you knew just how much things would change if you two did kiss right then. 

you figured steve was going to step away from you then. and in response, you would jump off the counter and slip your hand in his and then you two would head back into the living room; putting an end to your random trip to the kitchen. 

instead, though, he leaned in closer, mouth fanning right against your ear as he softly asked, “can i kiss you?”

that was not at all what you expected him to say. 

so, logical thinking was actually not hitting him in this moment, you figured; and you could say the same. kind of.

you had to bite your lip to hold back your smile. “nope.”

steve pouted at you. “please?”

seeing the look on his face made it too hard not to smile that time. 

you almost just simply shook your head and told him no again, but instead, you turned your head and tapped your cheek. steve got what you meant immediately and leaned in to kiss your warming cheek. 

the action was pretty innocent and very childish, but it still made butterflies swarm in your stomach. 

“was that good enough for you?” you asked softly, leaning back a bit so that you could really look at him, placing your hands on the cool countertop. 

the hand that he had on your hip lightly squeezed. “for now.”

quickly, your mind changed and you were reaching out to wrap your arms around his neck, pulling him toward you and hugging him; you couldn’t let yourself kiss him, even though you really wanted to, so this was the next best thing. steve returned the embrace immediately, arms circling your waist and holding you tight. 

this was enough, you decided. it would have to be enough. 

steve hummed softly against your neck and you let out a giggle because of how much the action tickled. 

when your laughter subsided, you two simply stayed as you were; quietly holding one another and pretending that it was only you and him in his house right then. 

eddie’s voice from the couch suddenly broke the prevailing silence. “just kiss already! jesus christ!”

that was when you finally pulled away from each other— arms dropping and steve moving back a bit to give you some space; space that you really didn’t want. 

you both flipped eddie off with a laugh and then focused back on each other. you finally hopped off the counter and steve followed you as you headed back into the living room with everyone else.

you knew that aside from drunken moments like those, you and steve would never get that close to kissing one another, or even consider doing it; neither of you would ever have the courage to push your friendship into that entirely different place. 

maybe it was because deep down you both were scared of change, or maybe it was because you both wanted to protect the friendship you had. either way, you and steve were fine with toeing this blurry line instead of admitting the truth. it was easier that way, and a part of you loved it, actually. at least, that was what you kept telling yourself.

[cowboykento]

Omg your cowboy!kento has me strung up by my ballsack in the best way possible :) If your request inbox is open….i’d love a drunken cowboy!kento being all lovey dovey and handsy with wifey while she helps him stumble through the house and help him into bed please and thank you your highness 🙏🏼🙇‍♀️🙇‍♀️🙇‍♀️

ahhh!!! you’re so funny anon that made me giggle, also i loooove this request so thank u very much :3 love u lots

(i did in fact keep this sfw but minors should not be interacting with this account in general bc it is mostly nsfw so if you see this, feel free to read and then carry on pls and thx)

cowboy!nanami doesn’t go out to drink very often—if he’s going to drink, he’d much rather have a beer or a glass of wine with you and either sit on the porch or the couch, cozied up together. but every once in a while his friends will convince him to make an appearance.

you’d had a part in convincing him, as well, practically pushing him out the door and insisting that he would have much more fun once he actually got there and spent some time with his friends.

“it’d be more fun if you came with me, darlin’,” he tries as he puts his coat on, truly jealous of you curled up in bed with your book.

“i’m busy here, kento,” you raise your book for emphasis. “besides, it’s been a while since you’ve seen gojo and shoko, you’ll have fun! or at least you can probably get some free drinks out of gojo.”

he grimaces but comes over to the edge of the bed to give you a kiss, “whatever you say, sweetheart. i’ll be back by midnight. love ya.”

“stay out as late as you want, handsome. i love you too. text or call if you need anything.”

he hums confirmation before leaving you to your cozy bed and book.

you get a few texts from your husband throughout the night, just small updates or gripes about gojo that made you giggle. after a while the texts start to die down, and you assume kento’s finally loosened up a bit and is having fun.

around midnight, ever true to his word, you get another text from kento: “home soonbaby, lpve you.”

you smile at your phone—happy that kento had clearly had a good night—and shut your book to wait by the front door. it’s only ten minutes later when you see headlights turn into the driveway. you step out to the porch as kento… and gojo walk towards you.

at first glance it looked like kento was helping gojo walk, and you sighed thinking about having to clean up the guest room on such short notice, but as they stepped into the porch light, it was evident that kento was much more drunk than gojo, and he was being helped in.

before you can ask how this had happened, kento seems to recognize that he was home, and that you were waiting for him.

he looks up at you from the bottom of the porch steps, the stars shining in his eyes, “mm, hey pretty girl,” he slurs a bit, making you giggle as you step down to help.

“guess it’s been longer than our cowboy thought since he’s been out,” gojo chimes in as you slide under kento’s arm. “nanamin’s turned into a lightweight it seems.”

kento shrugs gojo away from him, standing mostly on his own but swaying against you a few times.

“thank you gojo, i’ll take care of him from here.”

“finally, he’s been begging for you since his first drink,” gojo laughs, sending you both a quick wink before heading back to the car.

you shift your attention to kento, who’s looking at you with a soft smile on his lips. (he’s been staring at you this whole time).

“let’s go inside, handsome,” you tell him, pulling him forward with you.

as you take the first step, kento pulls you back to him quickly, “can you gimme a kiss first?”

you can’t help giggling at the small pout on his lips, but you quickly oblige him, standing on your tiptoes and giving him a quick peck.

kento’s lips quickly shift into a soft smile as his thumb rubs the back of your hand. he lets you lead him inside easily now, following you almost without thinking about it as you take get him ready for bed.

you’re tempted to take a photo of him just to prove how cute he’s being—your fluffy pink headband holding his hair back while you wash his face. he’s coherent enough to help you as you take care of him, but the entire time he’s just looking at you with hearts in his eyes and the biggest smile on his lips.

you’re content with the quiet that’s settled between you, but every once in a while kento will break it to ask for another kiss. or sometimes he won’t even verbalize it, he’ll just give you a sleepy little pout and you know exactly what he means.

it’s so endearing to you to have your husband like this—he’s always sweet with you, but he’s just enthralled with you right now.

“can i have another kiss, baby?” he asks as you cuddle up next to him in bed.

you brush his pretty blonde hair out of his face and give his forehead a kiss, which makes him frown. before he can even complain, you give him another right on his lips, and you can feel him smile into it.

when you pull away there’s a look of bliss on kento’s face, “love you so much, darlin’. y’re the best thing t’ ever happen to me, y’know?”

you scratch your nails along the contours of his chest idly, “i love you too, handsome, to the moon and back.”

this time kento leans in to steal a quick kiss from you, “i love you more, pretty girl.”

normally you’d give in and playfully argue with him, but before the words escape your lips you notice that kento’s eyes have fallen shut, and his breathing has evened out.

you smile to yourself—kento may have gotten the last word, but you had the joy of spending the rest of your life with him, so really, what more could you ask for?

cowboy!kento nsfw masterlist || sfw masterlist

[soo0hee]

Fun Time

Pairing — Chwe Hansol x afab!Reader

Summary — Visiting your brother you met one of his member. To bad that you liked to have a little fun... Requested by @cyd0129 , i hope you like it!

Genre — fluff

Warnings — none

Word Count — 1.1k

Rating — sfw

A/N — @tusswrites & @svtiddiess thanks for brainstorming this with me <3

Disclaimer: this fic is written and copyrighted by ©soo0hee on tumblr. do not rewrite or repost on any other plattforms without my permission.

ALL RIGHTS RESERVED!

Visiting your brother at his job was always fun. Watching him turn simple melodies and beats into full fledged songs that would maybe, possibly, end up on an album of their group always gave you a sense of calmness that you rarely ever got to feel.

And while the Universe Factory was almost like a meeting point of Seventeen members, you had never gotten to meet every single one of them. It was funny almost but Woozi had always been a little mysterious when it came to his family, so neither you, nor the members who knew about you were surprised about their producer keeping this detail to himself.

And Woozi wanted to protect himself from the chaos that was doomed to happen if you and certain members of his were to ever meet eachother.

To protect his piece of mind, is what he told you once over dinner at your apartment. You had cackled at his serious expression but accepted his reasoning knowing that you indeed could be a little menace if you wanted to.

With your from your brother requester personal lanyard dangling from your neck and bubble tea in your hand you walked through the lobby of the Hybe Building. It surprised you how well recognition system worked as you remembered last times visit where you had needed almost 20 minutes and a staff members help to actually get inside.

Walking up to the elevator with your earbuds blasting music straight into your brain, you took out your phone to text your brother of your incoming arrival when you noticed the text he had send you a bit ago.

Universe Factory is empty. Am in Studio 7. Meet me there? – received 2:31 pm

For a moment your brain blanked just as the Elevator arrived with a Ding.

The Universe Factory you knew where to find, Studio 717 however you had no idea. It was a practice room, that much you knew, but when it came to the location, you were absolutely lost.

Maybe you should ask someone? One of the staffs? No, they had already stared like you had frown to heads when you walked in with your own Lanyard! There was no need for you to receive those stares a second time.

So you pressed the Button with the number 7, hoping that the first number of the studio was the indicator of the Level you had to go to.

The doors closed and you went up just to stop at the second floor.

A familiar face appeared behind the door. A face that you had seen a million times already on press pictures, photo shootings or the group selcas Woozi loved to send you every then and now.

A few that had yet to meet you however.

Vernon was one of those members that you were being hidden from, until now.

The hip hop team maknae only nodded in acknowledgement, eyes fixed on the lanyard to verify that you had the right to be there.

He pushed the button to the 9th floor.

“You going to the finance department?” Vernon asked smoothly in korean.

An idea struck you that couldn’t passed up.

Fanning confusion you stared back at him and answered in perfect English with, “I’m sorry, what?”

It took Vernon a second to make the switch in language before asking again if you were going to the finance department. This time in english.

“Uhm, no. I was actually searching for the Studios… I have an appointment there.” You said without feeling bad for lying, internally groaning that your hopes of your destination being on the 7th floor had been crushed just like that.

“The Studios are on the 8th floor.” Vernon answered, eyebrow raised in suspicion.

That one you knew. But-

“And the practice rooms? I need to be in 717 to meet someone.”

Now that made the Rapper curious. 717 was their Practice room! What was a stranger like doing in their practice room?!

Admittedly, a very beautiful stranger, but a stranger none the less.

“Uhmm, I could take you? It’s where I’m headed right now! But only if you tell me what kind of business you have there.” He offered. You could clearly hear the teasing tilt in his voice.

You played along.

“I’m a new choreographer. They called me to take a look at a choreography for what I’m guessing is your group if you are headed there. Preparation for a new comeback?”

The elevators door opened on the 7th floor.

Vernon swallowed. A new choreographer meant changes to the already existing choreo and he prayed that wasn’t the case.

The elevator closed.

He hummed quietly, agreeing with the last part.

“Yeah, I’m from Seventeen. Vernon.”

“Nice to meet you Vernon. I’m y/n. Pleased to meet you.” You grinned and bit your lip to prevent laughing out loud at the dumbfound face he made.

Vernon on the other hand had trouble to keep his composure. Something about the way you smiled at him and the accent of your English had his ears heat up.

Once the Elevator opened again, he almost fled out into the hallway while you slowly followed with a snicker hidden by your head over your mouth.

“This way please!”

The member od Seventeen were known to be a magnet for chaos and this was proven again when you could hear the loud screams of who you guessed would be Seokmin and Mingyu behind the closed door.

Vernon snorted at the sounds his members made inside. Reminding him of a seal at times like this.

Like a gentleman Vernon opened the door and let you inside. There were only a few members of the group, one being your brother and almost none of the staff.

“Did someone know that we have a new chorographer?” he yelled in korean towards the guys, thinking that you weren’t able to understand him like this.

It was comical how fast all heads whipped around to stare at him.

Woozi groaned upon seeing you standing behind Vernon while grinning like a cat.

The few members who had recognized you smiled in amusement.

“Aish! Lee y/n! Did you prank him? Vernon-ah, this isn’t a choreographer. She’s my sister.” The producer sighed and rubbed his forehead.

“Ah Jihoon-ah, why rat me out so fast?” you complained with a whine.

Vernon, confused and a little dazed at the turn of events had to pick his jaw up from the floor. Stammering at you with a pout. Joshua patted his back while passing him.

“I see you have met y/n.”

“She- she’s not a-“

“All she is, is a brat!” Jihoon answered and slapped the back of your head gently with his bag slung over his shoulder, ready to leave.

“You’re no fun Jihoon-ah.” You called after him.

“Just come with me so we can get some food!” was the response echoing from the hallway.

You turned back to Vernon.

“It was nice to meet you, Vernon. I hope I’ll see you soon.”

With a wink and a flip of your hair you were out the door and gone.

The American slowly turned to Seokmin who didn’t bother holding back his laughter.

“And? What do you say?”

“Hyung…” the younger forced out star struck. “I think I’m in love…”

[colorquest]

~☆~

D: Okay so D: Michael. D: What's up with that hat?🔆

M: My hat...? D: Ah, the act of innocence, the act of ignorance... D: I. Have. Neeeeeeever seen you wear a hat before. D: It's so not your M.O. V: He's wearing a hat? D: Like, seriously. D: A backwards baseball cap? D: Did your mommy tell you it was cute like that or something? V: LOL S: Debbie!

M: *snort* M: You're too funny sometimes, D... M: But you're right, I almost never wear hats. M: This one just worked for me, you know? M: With the opening in the back and all. D: Can't even wear it properly.......... M: I know u_u. M: But yeah, I got this a couple days back when I went to that concert with my mama. V: So she did tell you it was cute, then? M: Ahhh... yeah, she did. V: hehehhueueh S: I think it looks very nice on you, Michael. M: Haha, you don't gotta tell me again. M: But thank you. D: WAIT. D: ..........That shade of purple............................... D: WAS IT THE DAGGERBREATH CONCERT?????????? M: Yeah it was! D: I thought I saw you putting up a poster earlier too, was that--🔆 M: I got that at the concert too, yeah! D: May I... see it... M: Sure, hold on, I think you'll really like this one actually.

M: See, they were premiering their new album, with the dragony album art and theme and all. D: WHAT THE HECK! D: LUCKY?! D: THAT SHOULD HAVE BEEN ME. D: THAT SHOULD HAVE BEEN MEEEEEEEEEEE WHO WENT! M: Remember I did invite you to come with, D. D: YEAH but nobody else wanted to come. D: And as IF I'd be caught hanging out with just you and your mom. D: Like, come on. M: Well uh, you know if you want... M: While I'm a little too attached to the poster to give it up, you could take this hat from me next time we meet up? M: I'm not feeling it too much anyways. S: What? S: Noooo! S: It works so well on you though-- D: "It's a DEAL my liege, I'll TAKE it!" D: That is to say, D: Uh, YEAH? GIMMIE??? M: Ahaha, oh, so you've listened to their new album already then? D: Of course, who do you think I am? D: Some kind of POSER? M: Well, maybe a... "poser with all heart, no soul~" D: "TAKE A SMOKE OR MAYBE TWO AND FEEL THE ASHES TAKE CONTROL!!!!!!!" V: BUH V: You guys and your punk metal. V: Can't you listen to something a little more upbeat, maybe? S: (I don't understand it either Vilmr, but let them have their fun!)

D: Vilmr, comments like that are exactly why you gotta start breaking away from Maja a little more. D: You're gonna end up sounding just like her if you're not careful. V: Lättare sagt än gjort! V: You try being yourself when you have to listen to THIS nonstop! V: Listen!

V: Nag nag nag, right?! D: Yeah okay but that doesn't mean you gotta start nagging too -_-. S: Yeesh Vilmr, it's no wonder you get so anxious, I'd die if my parents kept calling me like that all day. V: The caring guardian... V: She eats away at your psyche like no other. D: Okay well stop listening to your cell then. D: Like, put it away for a while, that's what I do. V: I can't just not have it on me Debbie. D: Sure you can! D: Give it to me, get some freaking peace of mind for once. V: Agh! V: ...Only if you promise to give it back when I ask this time. D: Psssh, totally. D: After the eclipse, of course.

D: Hey what the heck are those lights outside your window? S: Oh wow, look! S: Sky lanterns, how pretty! M: Oh! M: I guess we're not the only ones celebrating the eclipse around here then, huh? M: Haha... D: We're not celebrating the eclipse okay, we're not cultists. D: I mean I'm not at least. D: Michael. M: Wh! D: I just wanna see it happen, it's on my bucket list you know. S: I wonder what the lanterns are really for...? M: Well, I do have a neighbor or two who are a little more on the moony side... M: Maybe that's them? M: What is it about an eclipse that's so special for some people, I wonder? S: It's like, symbolic, right? S: Like the moon represents a god, or... V: Ah, I know this! V: It is not the moon that represents a god, it is the essence they bring. M: Oh? V: Yeah. D: Oh boy, here we go... V: So basically, the reapers of the moon, the "cultists," they believe that this eclipse will um, awaken their god. V: And that god is just like, just a person right now, and nobody knows who it is, but it's someone out there. V: When this eclipse happens, it is supposed to awaken them. V: That person will be ascended to godhood, or so they believe. V: And then that god will release an uncontrollable wave of darkness across Theia.

D: Yeah so, evil cult shit. V: No, not evil. D: DARKNESS Vilmr. D: Darkness is always the bad side. V: Debbie, maybe it is you who needs to open your mind. D: Oh, what next, are you gonna tell me Varth Dader was a good guy? M: Is it like, the darkness would make us appreciate the light better, or something? M: I'm struggling to understand how that'd be a thing to... celebrate. V: Well according to the reapers, once the darkness sets in, their counter-god of light will also awaken. V: Then that god will release a wave of light around the world. V: And then the world will be in perfect harmony. V: So I think the eclipse is supposed to represent like, the wave of darkness. V: And then after it's done, it gets light again, and that represents the balancing out? V: Maja could probably explain this better than me. S: Wow, that's actually pretty beautiful to think about :o V: Ja, sure. V: But most believers end up drugging themselves to death somewhere down the line. V: Something about their souls becoming part of their god's essence. S: oh M: Jeez, that's intense. V: Yeah, there's a lot more nuance to it but I don't know all the details. M: Wow. M: Uh. M: ...Maja isn't thinking of-- V: Nej nej nej, she's different. V: She sees this all in a different way. V: Though it is hard to not worry about what might happen around the world, as a result of their beliefs...🔆 D: Hey uh sorry not sorry to interrupt this super duper interesting talk but, D: Are you guys seeing the stream?

D: It's getting so freaking close. S: OvO M: Fifteen more minutes until it starts! S: I'd love to be there in person, that looks so pretty. M: Well we should mark down the date five years from now to see the next one then. V: And hope that it is not happening above forbidden land. M: Oh yeah, that too, haha.

🔆

[lemonisntreal]

TONE DEAF :: Rosita and Norman <3

The first in a [hopefully] series of redesign + headcanon posts where I give you my take on a character for my AU

I'm grouping the two together because a] a lot of fluff headcanons I have, they share [because they're literally husband and wife]. And b] if I made an individual post for every single character, I... would go insane. So yeah. A bunch of characters are gonna get clumped together.

[FULL MASTERPOST HERE [yet to be made <3]]

HEADCANONS // BACKSTORY ⬇️

Me and the bad bitch I pulled by being autistic [also autistic]

Both of them are the same age, mid to late thirties.

In terms of general intelligence: Rosita has gifted IQ, while Norman is at genius level.

I know. I know Norman seems kinda dim in the movies. But guys [LMAO]. "I know it looks like there's nothing happening behind those eyes, but...... he can make entire computers!"

He's so smart yet so stupid. He's that kind of character. Like he can do all of this super impressive shit, and is super talented and can do math like BOOM done, but he's also kinda a "deer-in-the-headlights" when it comes to life [I LOVE HIM 👹]

Both of them worked hard and have their college degrees almost completely paid off at this point because of the scholarships they earned.

Rosita has a degree in engineering, Norman's a computer scientist.

They're both in STEM, it's just that Rosita likes to handle more of the mechanical aspects of things while Norman's better with the technical stuff, which I think is cute af.

Yin and Yang <3

This dynamic is just how they are too. How they act. Like for example, Rosita can be very to-the-point-

She's very much a problem solver and will get right to it once she understands what she's doing. Like yeah, she often takes a very methodical approach to it [see the scene where she's got all the papers laid out to try and learn to dance- very new territory for her], but once she learns, she gos all in. And EATS.

Norman's gotta have a plan before doing anything, meanwhile. He has a morning routine that can't be interrupted or else his whole day and mood will be thrown off. He reads through a recipe twice before even starting. That kind of stuff.

He's a lot more hesitant to even try.

A lot of people find Norman boring. But Rosita is enraptured by every word he says, she LOVES his long spiels about hyper-specific [and often mundane] things.

AAAA--

Norman is also a closeted DORK. He ran a tabletop games club in highschool with a couple other of his geeky ass friends [he's still into D&D to this day and has introduced Rosita to the game too]

[she's fun to play with, but super competitive. This goes for ANY game, actually, not just D&D. She'll kinda accidentally turn everything into a "contest" due to her inability to not do her very best] [it's mostly inspirational, not annoying, if that makes sense?]

I also wanna say Norman was in a weird amount of drama that he didn't want to be in at this time. Like all of his friends had falling-outs, and he was just always caught in the middle of it.

He's afraid of confrontation [UNLESS IT'S FOR HIS WIFE] [HE STANDS UP FOR HER RAHHHH] [this is gonna happen when I get to rewriting Sing 2, he's NOT just gonna take Crystal calling his WIFE "mommy pig"]

They're sooo "excuse me, he asked for no pickles"

Norman and Rosita technically met in high school, in Junior year when Norman first moved to Calatonia.

WHICH, he and his family did this because this was a point in time where laws having to do with the rights of animals were VERY flimsy, and Calatonia was one of the first and only safe places at the time-- for Pigs especially, actually.

The 3 Little Pigs is deadass CANON TO SING. So Pigs were/are actually a marginalized species in this universe.

[[during the warring period that I have yet to really talk about, they were often victims of the anarchy and poaching, so stigmas and insults around them still exist to this day]]

[[[[see Jimmy Crystal]]]]

So anyway, they "met" in high school- Norman totally crushed on Rosita from afar whenever he'd catch her in volleyball matches-

Rosita had a major tomboy phase throughout high school, slowly falling out of it during college [still only saves dresses and skirts for special occasions really]

[[Fun fact, Rosita is also sapiosexual [attracted to intelligence] [Roxanne Ritchi ahh] ]]

[[Norman is bi]]

They actually got introduced to eachother and had a proper arc when they went to the same college [which might've been a college in Redshore actually? But I'm not 100% sure on that headcanon. It would line up since Rosita's "wanted to perform in Redshore since she was a little kid" and Redshore is obviously a massive city with a lot of notoriety. Idk though- and it's not really that important to the story anyways]

Norman and Rosita had plans together- they were gonna make it big and live freely. Things were looking up with the lawmakers, who were finally repealing a bunch of nasty stuff that was put in place during the war times. And the two had hope that their dreams could actually be accomplished.

Rosita, who was originally gonna play it safe and become an engineer, was now thinking about attempting to become a performer [which Norman has supported since the beginning, he LOVES her singing, and often tells her that she's "better than some of the people I've heard on TV!"]

But. Life got in the way...

Present day, Norman works in Redshore at Crystal Enterprises. He's the head of some sort of organizational team- not really working on what he loves at this point.

And this is because of their children, who were a very sudden appearance in their lives [which is why we see so much struggle in the chaos at the beginning of the movie in this AU]

Rosita stopped everything, and Norman grabbed the first high-ish paying job he could, spending all his spare time on clocking in overtime hours.

The kids are all adopted, and there's only 6 now: Oldest Caspar [13], twin boys Mickey and Moe [11], middle child Kelly [9], little bro Freddy[8], and Zoey the sweet baby sister [6].

They became foster parents after the death of Rosita's sister [this hc is kinda subject to change, but this is the story rn. I'll specify on this later ☝️]

So Rosita's kinda put her life on hold for these babies. She's such a great mom to them, and they love her and Norman so much

But some of the older kids [Caspar specifically] are kinda in a rough phase since they feel like she resents them [which she doesn't], or that she isn't their "real mom" [which she IS]

This is like an E plot in the story, but definitely's gonna get at least a little bit of focus.

Rosita and Norman's marriage is falling apart just a little bit due to burnout, but it'll get better <3 [I can't do anything tragic to these two they're too sweet]

Norman snuggles up to Rosita in his sleep. Rosita starfishes LMAO

They wake up entangled. This is normal.

"Pig piles" are also a thing- there have been several nights where all six children "had nightmares" and so the family of 8 all slept in the same bed.

Norman has the best bond with the two girls out of all the children. They immediately latched onto him to be their level-headed dad.

Rosita can carry two kids at once easily, and often "relocates" them like this :>

She's probably the strongest out of everyone in the troupe if you don't count the potential Meena has. She solos.

She's constantly taking notes on everyone and everything around her. At the theater, you'll catch her tidying stuff up she spots out of the corner of her vision while you're having a conversation with her [she's still listening]. She knows everyones favorite foods, and allergies, and their preferences in things, etc. She's the most attentive and considerate out of all of them [the mom]

She may have a touch of OCD.

She gives the best hugs.

Rosita is also a FANTASTIC cook [not even a headcanon, I'm pretty sure the entire fandom agrees on this one] and often bakes stuff for her sweet-toothed children [and husband]

This is actually how she initially connected with Caspar, who refused to eat or speak at first when they were all placed with Rosita.

Cinnamon rolls.

Kelly will only eat the frosting off the top, and has ruined an entire pan before by doing this.

Rosita actually isn't the biggest fan of chocolate, small detail.

Idk why she just strikes me as not being an enjoyer.

Loves vanilla though. People are furious when she answers "vanilla" with zero hesitation to the chocolate vs vanilla question.

Norman is kinda a hopeless romantic, or at least really enjoys the aesthetic of it [in a sweet and not shallow way ofc], and goes all out every Valentine's Day: balloons, flowers, the works. He's learned that Rosita prefers strawberries over a box of chocolates, however. Has a tradition of getting a fruit basket for her <3

They also have a tradition from all the way back in college, where they go out to eat at specifically the in-universe equivalent of Olive Garden [which was the fanciest thing they could afford at the time] and eat a shared giant plate of spaghetti.

Norman loves coffee. Insists he likes it black but actually prefers a good 50:50 ratio of creamer and coffee.

Norman is also ☝️ lactose intolerant LMAO

[[or would be, if traditional milk was widely accessible/a thing. I say "lactose intolerant" but what I really mean is he's allergic to most milk substitutes- like nuts and soy [gives him tummy ache, not anaphylaxis] ]]

God, parenthesis are carrying me so hard rn.

Stopping here because I'm tired, but I could go ON about these two omg-

Normita forever rahhhh <3

[burningcheese-merchant]

Xcuse me but I forgot very important questions about BS parenthood.

Does he teach the kids more things besides fighting? Is he a cool dad, stoic dad, protective dad or "over-the-moon" dad? Does he gives romantic advises to his son? Does he let his little beast princess play with boys her age? Does he dreads the day when she falls in love? (I have the headcannon over my own BurningCheese fankid that whatever girl/boyfriend she gets they need to AT LEAST be able to put up with him in battle)

Yay, more questions from my buddy Almellow 🗣️🔥🙌

Spice is 100% "over-the-moon dad" when they're babies. It's a pleasant surprise to many to see him so genuinely bubbly and smiley (not to Golden, though, she knows his soft side by now and is just happy to see him enjoying being a father). It's really cute. (I like the concept of hyper-masculine men being soft and loving towards their families ok)

As they grow up, he becomes a mix of all those dad modes, really. Mostly Cool Dad, because having your kids look at you like you're larger than life is just the best. (He's also not the best at disciplining them a lot of the time tbh. He wants to indulge their foolishness, it's more fun. He ends up acting like a child himself, wanting to have fun with his children. And then they all get chastised by Golden together after they break something lol)

He's less protective than you'd imagine him to be; not because he doesn't care, but because he really does have that much faith in their strength right from the get-go. It's actually Golden that's the overprotective one, at least when they're little; he had to coax her into letting them start their warrior training because she kept wanting to push it back and making excuses to do so. (She just can't bear the thought of her little ones getting hurt. She's lost so much already. If anything happened to her children, her little gems... Spice is the one to convince her to have faith in the kids and let them do things. Of course they'll get hurt, she and him get hurt all the time still and they're adults. But they'll be fine. They're tough. They have to nurture that toughness, not stifle it. They can't protect them forever... But they don't need to. The kids can stand on their own two feet. He's never doubted either of them for a second, for any reason. She shouldn't, either.) But make no mistake, Papa Bear is alive and well, just dormant. Only coming out when necessary. You want to see the old Burning Spice? You want to see the Beast of Destruction again? Hurt those kids. Harm a single hair on their heads. Make them cry, make them bleed. Knock on that devil's door enough and Burning Spice will answer it, and he will greet you with that axe of his and that fiery, seething hatred that once consumed his soul and helped burn away countless others'.

Burning Spice trying to talk to his son about love is a really amusing thought lol. I don't think he'd go out of his way to do it until he actually notices his son expressing some form of interest in someone, then it's honestly 50% Lighthearted Dad Mockery™️ and 50% Actually Trying to Teach My Son How to Be Smooth™️. Pepper Jack is having less than none of it, this is all embarrassing as hell, he doesn't want to hear a damn word from his father's mouth (he's a teenager by this point, what teen wants their dad to try to coach them on how to flirt lol). He tries to shut Spice down with sarcasm (Jack is the KING of backtalk and smartassery when he's a teenager, he's a damn menace) or just questioning his wisdom in general. He likes to bring up how annoying and gross Spice and Golden always are (unapologetic PDA constantly lol). He's already forced to witness what "love" and flirting look like, he doesn't need his father pouring salt in his wounds

(Jack once made the mistake of going "didn't you used to be weird and creepy towards Mother" once, as a sort of "gotcha". It made Spice genuinely upset and angry and he tore Jack a new one that lol. Jack felt bad (and kind of scared. Spice never really gets truly angry with the kids, but Jack has seen him get angry with others, and... Oh Lord) and apologized, promising he wouldn't say anything like that again. Things were cold and awkward between them for, like, a week. And then Spice got over it and went back to annoying his son like usual lol)

As for Matar Paneer... She's his princess. His little girl. His little flower. (He has nicknames for both of them lol. He really does love them very much.) She can play with who she wants, so long as she's happy and no harm comes to her (but again, he believes in her strength wholeheartedly and expects her to kick ass if trouble comes by). But... Oh. When she's old enough to date... Poor Spice, he's so miserable lol. He would unironically own and wear this shirt:

If Burning Spice is saying he'd gladly go back to prison for something, you best believe he's being sincere lol

It's Golden that has to step in here. Before, he was the one soothing her worries; now the roles are reversed. She needs Spice to understand that Paneer is a becoming a young woman and she has the right to pursue and be pursued if she wishes. It's ok to care and worry, but he has to let her live and grow. (She's her mother and has always been a girl's girl, she knows what's up and will always be 100% in Paneer's corner in this regard.) Spice once asked her to have more faith in them, now she's asking him to do the same. (And, of course, he can brutally murder whoever hurts Paneer, if that really does happen. But he'll have to wait his turn, because Golden already plans to do the same ☺️)

And yeah, of course Spice teaches them stuff besides fighting. He's happy to do so. He teaches them how to meditate (he gets back into that after he reforms. Jack picks it up a lot faster than Paneer does lol). He teaches them to make the traditional Wild Spice dishes he still remembers how to do himself (he lets the other spices teach them the rest). He... teaches them about history. About the Wild Spices' history, and about history in general. He sounds so... somber when he talks about things like that. It's strange to them. They're used to seeing him act lively and wear that sharp-toothed grin he's always got. But it must mean that what he's saying is really important, right? He wouldn't look and sound like that if he wasn't being serious, right?

[cryptid-killjoy]

Everything was going wild. Everything seemed fun and pretty typical until they couldn't decide if they should try and cover up the body or not. The Laveaus weren't the types to let a little crash and burn disrupt their fun. It was all part of it. Anywhere else they understood the usual rules though. They knew the aftermath murder code. Autopilot had a way of taking over. Still, if they could get away with not doing things the methodical way they'd take the out.

Scout was focused on her phone waiting her dad's answer out. Grinding someone down and eating them up was a messy and time consuming task. If they could get out of it they'd like to know for sure. Logic was telling them maybe in Feral where rules were lax it might just be okay to not go through the usual precautions. They also didn't want to do anything wrong and upset their hosts either. They just weren't used to the Feral rules, if there were any.

While all these converstions were going on between Koda, Chip, and Dale, and Jetsam not giving two shits all hovered over the stranger digging one of their eyes right out of it's sockets. Old habits died hard. He might have been dead but he noticed they were a cool color and couldn't help but want to harvest them as if he might add them to the collection he didn't have anymore. Maybe he'd start a new one?

"Weenie-balls." He was laughing. "That's the name of my new collection. I'll get a new set every Halloween. Keep 'em at your place, Chipper."

Scout broke in, "I can do it. I can keep them for you, Dad." She was trying so hard to be a part of it still wanting to be a part of his life as she watched Jet shove the wet thing into Chip's hand.

Then there was Koda who was trying to hold up under Chip's arm since he'd just been through a wreck. Chip was also still in slow-mode. Zombie-ish mode. His reflexes weren't back. He was looking at Scout like he wanted to respond but nothing was coming out. Jetsam took his silence as a yes because his hand held onto the eyeball unable to do much more quite yet.

Then there was GoGo. She came in and Dale was gazing at the sky when she came in out of nowhere and Smack!

Incoming.

Thack!

"Hey?!"

GoGo went off. She was practically barking at him. She kept going.

Dale's sore arms went up trying to protect himself but it was too late. She'd already hit him before he managed to sheild himself at all. A bloody third WOMP.

"Damn it!" Dale's body rolled and cringed away ready to jump up and ... and do... do something... he wasn't sure what... stop her he supposed but she stopped herself as he managed to roll over onto his side.

Scout stared at her as Dale managed to push himself off the ground holding his ribs, covered in the dismembered arm's splattered blood, and got his feet. It happened so fast. It had every hair on the back of her neck standing straight up. Then GoGo even yelled it out. Something about loss. It was bone chilling.

Once Dale was on his feet he limped over, red faced, wide eyed.

Dale's initial reaction was anger. Pain and anger.

Then he saw her face.

Okay, maybe he was still angry, but fuck. Then he just pushed through the pain, stormed through it actually. He hadn't wanted to move at all. The adrenaline had made him jump up and next when he saw her face, he rushed forward and forced a hug on her.

"Fuck you. Are you trying to finish me off, GoGo?"

Damn, the hug hurt. Yelling hurt. Breathing hurt. He didn't care. He squeezed her in.

"Fuck you so hard."

He groaned over her shoulder, "You push me away. I'll squeeze harder. So fuck right off. I'm staying here."

All Scout could see was the fragility of human life, something she wasn't anymore. It was scarier than it used to be. It was the sort of subject she never thought about until her family fell apart. They used to feel so indestructible. Thomas built it back up so strong. She wasn't sure what this feeling was watching her brother and GoGo. Next to them was her zombie bit brother touched by death who caused the crash. Next to them was her actually dead parental who she'd been dying to see for years now, missing him, and conflicted feelings were still stirring. She watched him not pay attention fully focused on gouging out that second retina from the socket.

Before she could get much deeper in those thoughts her phone went off and Thomas's text came in. It shook her back to the present.

"Okay guys. Dad says it's not a big deal to just dump it here. GoGo's probably right. We can just blame it on a zombie. Looks like we don't have to take the time out for disposal here. We're good guys." She said taking the lead on the situation which under normal circumstances would have been a much bigger situation had they been anywhere else.

Jetsam stood up with his second eyeball in his hand grinning, "Told ya guys. Fuck it all." Then he kicked the corpse's eyeball-less head.

She saw Koda looking behind him and she gave him a little peace sign with her fingers, bursting the bubble with her tongue. She watched her own rearview mirror and playfully moved to swerve next to the VW, her open window meaning that she could reach across and ruffle Dale’s curls.

After that, GoGo sped on ahead, feeling her groove the same way that Kuzco did when he had a guitar in hand, the same way that Valerie did with a microphone, the same way that Delta did when she had her wings out, the same way Frank did as he kicked at a suspended reporter, making his body sway on the hooks while he read.

GoGo had been a girl who fell in love with cars, a real engine geek, and didn’t have much love left over for people. Not even her family. Once it was clear that they weren’t going to understand her, that they were going to try to dictate her life as if she was anyone else, she had given up on them. They became roommates. They didn’t do family dinners, or going out together, or even celebrations of birthdays.

It had taken a while for the Laveaus to permeate through that. It wasn’t even as if Go-Go had big walls up, the way that Elsa did, trying to protect herself or thinking that she was protecting others. She just hadn’t even realized that there was a door that they could even knock on. But it had opened and - now, she couldn’t imagine a world without them, the same way she couldn’t imagine a world without cars.

Loud music coming out of stereos, the noises blending together during the split seconds that they were near one another. Her eyes would dart over to see who it was, and would make faces over at Scout if it was her, and then would chuckle to herself. Her heart was beating with the engine, almost feeling like they were one. As she went up in speed, plowing through a zombie or two, only flipping on the windshield wipers as her reaction, she thought to herself, ‘This is better than masturbating.’

Unlimited speed. No cops. No sirens. No one telling her to slow down. If someone got in the way, hit them. This is just what the Autobahn must be like.

The sounds of gunshots weren’t even unwelcome. They echoed through the empty streets, with no one looking out windows, or running for cover. They would be heard up from the tower, where Frank and Delta were busy, but weren’t bothering them much either. As long as it wasn’t pointed towards them, or their people, Frank didn’t give a fuck. He was too deep in … well, a fuck.

She would have kept going when Dale was out of the window, but realized a moment or two later when there weren’t any more headlights in her rearview mirrors. Curiously, she turned her own car around and encroached on the scene. She had her own window down and climbed out through her window, exactly like Dale had been sitting when he had been ejected.

It was rough seeing Dale laying on the ground, like a piece of roadkill. It was rough seeing Chip behind the crumpled hood of the car, the windshield broken, pieces of glass. It triggered something in her. She couldn’t move for a moment. It felt like she was underwater. She could just about hear the garbled voice of Dale talking to Scout, and Chip’s eyes being open as Koda got him out of the car.

Tadashi. The outline of him, the silhouette, against the fire as he had run in like he thought that he was fireproof. Like he was immortal. Like he was a goddamn hero. The situations were different but the feelings were the same in that moment, a clenching around her heart and her stomach, a sense of loss. Everyone was, thankfully, preoccupied with the twins and the body and texting while she had her moment or two of panic before she felt like she was able to breathe again.

She wasn’t thinking the clearest though. She climbed off of the car door, walking around the glass-littered ground, the blood-soaked asphalt in her bare feet, and approached Dale, still on the ground. The panic was still in her eyes, the tenseness of her bones, all of it. And what she did was lean down and gave Dale’s head a smack.

“You don’t get to come close to dying, do you hear me?” She said, and then realized that her own little hand was barely going to do anything to Dale’s head, not through those curls anyway. She took a short march towards the dead body, picked up an arm that had been driven over, detatched at the shoulder, and then used that arm to hit Dale again. “You stupid, egg-headed shitpuddle!”

After hitting him a third time with the arm, she threw it down and then ran her fingers through her hair, pushing it out of her face to try to calm herself, taking deep breaths. “I’m not losing another friend,” She said in a quieter tone this time. It was only then that she seemed to realize what she had done. That there was a detatched arm beside her that had been attached to a body only seconds ago. She leaned down and then wiped her hand on Dale’s shirt because she wasn’t going to do it to her own dress.

While this was happening, Scout’s phone would get a text. Thomas was paying attention to his drunk wife, but also to his phone because he had meant what he had said when he offered to pick Ches up, all she had to do was text. Same with Scout, but that went without saying.

‘If Chip doesn’t want to eat it, I’m sure just tossing it into a sewer or something is fine? Just don’t leave a big mess.’

Go-Go was coming down from that short-lived panic attack. It hadn’t gone full blown, just enough for her to go full-throttle rather than her more subdued self. She was a bit embarrassed so decided to gloss over what she had just done rather than address it, and move onto the next topic.

“If anyone asks, zombies did it?”

[acourtofthought]

After reading the series for the second time, I've come to really dislike the narrative that Feyre is a better friend to Lucien than he is to her. When that's just not the case.

He's helped her or tried to help her on multiple occasions, throughout the books. UTM, him trying to get Tamlin to let her train and be a part of things(which I honestly feels like it gets so overlooked because he was fighting with Tam using his words, instead of physically). Even when they left the Spring Court.

Meanwhile, Feyre used him in her plot to get back at Tamlin and with Ianthe. With no care at what would happen to him afterwards. The way she acts with him when it came to Elain(i mean I get it she wants to protect her sister. But Lucien has never once gave any reason to believe he would harm her or anyone else). And then in acofas, after the war was over and everyone was recovering and dealing with trauma, including Lucien, she makes fun of the one good he has in his life at the moment, the band of exiles.

I'm sorry but Lucien is a way better to Feyre than she is to him.

Ps. Sorry for my random rant/ask lol

I also do not agree with the narrative that Feyre was a better friend to Lucien than he was to her. I see so many people say, "but Lucien even admitted it!!" Lucien is a martyr. He literally feels responsible for Jesminda's death and doesn't blame the lesser fae in the Autumn Court for blaming him for Jesminda's death. We as the reader know there was nothing he could have done to stop Jesminda's death and he should not be carrying that guilt around though he does it anyway. Likewise, just because Lucien said what he did to Feyre it doesn't mean she was actually a better friend. If you really think over the series, when was Feyre ever a truly good friend to Lucien? She didn't bother going back to the room to check on him when she knew Tamlin used a pulse of power against him. She never bothered to ask him how HE was after what happened UTM. Feyre only focused on her trauma and while I can completely understand that, it's very one-sided for her to believe Lucien should have been responsible for helping her after UTM (more-so than he did) while she didn't bother helping him after UTM. They both experienced horrible things and I'd go as far to say that Lucien experienced horrible things for much longer than Feyre had. For all the times someone debates whether Lucien could have done more for Feyre, at the end of the day he never sought out to use Feyre. But at the end of the day Feyre did set out to use Lucien even knowing how abusive / dangerous Tamlin could be, even knowing that Ianthe had SA Lucien previously. At the end of the day Feyre and Rhys used Elain, his own mate, as a pawn to manipulate Lucien. I do think that as of SF they've begun rebuilding their friendship but I will never be convinced that throughout the series Feyre was a better friend to Lucien than he was to her.

[mediumtires]

How do you think your Christian and Toto would be seen/treated by the press? I know in 7 Years you mentioned that after the outing they were hunted (knowing the British press this is very realistic)

This was actually so fun to think about that it inspired me to put words down in a little notes doc. 🙂

.

They’re not seen much anymore. Spotting them out in public, together nonetheless, has become a rare occurrence. It’s instant money.

That week in November, the paps cash in big time.

First, there’s Monaco. They’re rarely ever seen in Monaco anymore, and then that week, on a random Monday afternoon, they step out of the Hotel de Paris together, shoulders brushing, and it’s pure gold. They have to wait for their car - a bloody AMG ONE - and they stand outside chatting with another couple for at least three minutes, laughing, touching. Talking, looking at each other. That’s the stuff that brings the money. When the car pulls up, they have a brief friendly tussle over the keys. Toto wins. Christian climbs into the passenger seat, and when the car pulls away, they get a clear shot of his hand on Toto’s thigh.

That same day, they get more shots of them in the evening, and again - pure cash. The jacket Toto was wearing that afternoon is now on Christian. They’re holding hands. Unlike before, they’re most likely unaware that they got caught. Where they were keeping things fairly lowkey in the morning, a somewhat professional air to them, that night they’re unfiltered and easy in their intimacy. There’s a brief kiss Toto smothers to the side of Christian’s face that has him pull away laughing. It’s hard to capture their emotion and connection properly, but then again, it translates pretty easily into solid cash.

Spotting them once out and about is pretty decent money already. But then it’s the Vegas Grand Prix, and they’re suddenly walking the paddock together on a Wednesday night and Toto gives the cameras a cheeky “Viva Las Vegas” with a wink and a smirk, all while Christian is laughing at him from the side, one hand grabbing for him to pull him along. The cash is in the small moment where their hands intertwine and lock together and the cameras are getting HQ front row access to exactly what the people want to see.

The next day, they get a bunch of good shots of Christian Horner outside the Mercedes motorhome, smiling wide with the silver star in the background. Cha-ching. Later that day they’re seen having lunch together. They leave the track together, get in a car together. Some lucky bastard finds out which hotel they’re staying at and gets a few good shots of them, hand in hand, getting out of the car and walking inside.

It goes on like this the entire weekend. There was nothing from them for months, and then suddenly it’s like a flip switches and they’re spotted so much that the prices actually start to go down. Not by much, but by enough.

And then the unthinkable happens. A bunch of them catch them on Sunday night, when the race is already done and dusted and the crews are packing up, behind one of the motorhomes, kissing. And not just a quick peck goodbye before they leave for the airport. They’re full on making out. Hand on arse and everything. It’s a fucking goldmine.

Suspicious but who cares. People like them, they don’t just go from never being seen to making out in plain sight. People like Toto and Christian, they have entire staffs behind them, making sure this sort of thing doesn’t happen. Especially given the unfortunate incident that one time in Singapore. So it’s suspicious. But again, who cares when all of them can already hear the cash rolling in. With stuff like this, it doesn’t matter whether it’s fabricated or not. What matters is that the people want to see inside; they want glimpses of what happens behind the scenes, behind the carefully illustrated facades. They want to be part of that special kind of intimacy, the kind that’s between two people and no one else. Wanting to be part of it is what makes them pay, what makes them buy cheap magazines and subscribe online. They want to see whether it’s real, what’s real about it, what’s true, they want to be the judge of it.

And if Christian Horner gives them the finger when they’re done, claps Toto Wolff’s arse on the way back, what’s that to them. They’re getting fucking paid for it.

[martialartslover7]

Weird Wednesday Headcanon: Outside of Team 7, Neji, Shikamaru and Kiba sympathize the most with Sasuke's fall from grace after the Five Kage Summit.

Alright, this is another headcanon of mine that can be written off as "mental", but hear me out, this has so much potential.

I'd like to think that, outside of Team 7, Sasuke wasn't just closely acquainted with Naruto, Sakura or Kakashi, but also:

Neji (whom we even got a small teaser hint of a rivalry between him and Sasuke for, which sadly, never came to be, because Byakugan VS Sharingan is a question in the community, that truly needs answering)

Shikamaru (shogi rivals, nuff' said, the only guy, that managed to corner Shikamaru at his own game, I mean, Sasuke is meant to be a genius too, so, why not?)

Kiba (just being around him, Sasuke's IQ just automatically decreases, but in a fun way, like Renji and Uryu from Bleach, considering, Kiba had lived most of his life, surrounded by moody, dominating women, and he might be Sasuke's "stay-in wingman", when it comes to Sakura, or they would just talk about how tiring women can be, but they do manage to get best results out of you with their motivation, and he would be way easier to handle for Sasuke, because unlike Naruto, Kiba ain't braindead)

These are the three main players, but if you want, you can also put Choji and Rock Lee into the mix, considering that, later down the road, Sasuke's and Choji's daughter would end up becoming besties, and if Might Guy wouldn't survive the war, he and Lee can become the new Kakashi and Might Guy, the next generation, if you will. And this is ironic, because...

...just by coincidence, who else was sent to get Sasuke back, to prevent him from defecting to Orochimaru? Ah yes.

But now, I get to the meat and bones of this thread. And that being, the reason why I believe personally, it was a wasted opportunity to not give Sasuke more personal allies that sympathize with his actions, after he joined the Akatsuki.

Like, NO ONE can tell me, that the Uchiha weren't the only ones, who were under close observation within Konoha borders, by the elders. Sure, they were the biggest target, but it leaves you asking, especially in regards to those clans, who are either the strategist faction, or possess sensory type abilities: What about them? Wouldn't they suspect that something was going horribly wrong over there, at the Uchiha compound? Did absolutely NO ONE hear the screams, or blood splatters? I am just not sold on the idea that EVERYONE in Konoha blindly agreed to Tobirama's discriminatory policies, some had to know better than most. The select few, who weren't exactly fans of just distancing themselves from another clan, all because some frankly racist piece of garbage for a Hokage said so, along with the useless shitstains, that are the Konoha elders, especially Danzo.

And now, three people come to mind, where I truly felt like, they could have been there that night, when the Uchiha clan was being slaughtered, and they were either too late to stop it, or Itachi had knocked them out with his Genjutsu (which purposely contradicts Madara's propaganda about "no one in the village cared about the Uchiha, and only saw them as tools"). And ironically, they are probably the very select few of the adult shinobi, who weren't complete sub-human trash.

Hizashi Hyuga.

Shikaku Nara.

Tsume Inuzuka.

Just picture these three adults being the only ones, who caught on to what was happening, through not just the screams of terror, the smell of blood, or seeing through the walls with the Byakugan from Hizashi. But sadly, by the time they arrive, most of the Uchiha were already slaughtered. And right before they could even act to evacuate those, who may have survived, Itachi arrives, and knocks them clean out with his Tsukuyomi, not killing them, as their passing would just cause an uproar throughout the village, the following day.

And once Danzo learns, that three non-Uchiha, Leaf shinobi, were actually present that night, and they may or may not have caught a glimpse of who else was there that night, Hizashi, Shikaku and Tsume were forced to stay silent on the matter, as Danzo threatened them, through the lense of the ROOT Anbu:

"Dare to let a single word about last night's events slip, then your clans will be receiving severe repurcussions."

I mean, sure, it's kind of silly to try and silence three unrelated Leaf ninja into keeping silent, but considering how paranoid the elderly can be, especially Danzo, I wouldn't put it past him to actually go there.

And how convenient, because as the story progressed, two of these adults would wind up deceased. Shikaku died in the 4th Great Ninja war. One piece of the puzzle, gone.

Hizashi would actually be the first one to die, before all two of them, because the Hyuga clan was trying to mend their security blunder that one fateful night, when someone from Kumogakure tried to kidnap Hinata. But keeping in mind everything I just said, it just adds another layer to how corrupt this shinobi system truly is. Who is to say, Danzo basically bribed the Hyuga elders to sacrifice Hizashi, in place of Hiashi, because he couldn't possibly risk that one defiant Hyuga showing lip to the Hokage? Something to think about. Even if Hiruzen remains a useless piece of shit. You can never be TOO careful, right?

Tsume would probably be the only adult to keep on living, to tell the tale, and through her, does Kiba learn, how deep the rabbit hole with Danzo actually goes, and how Sasuke's hatred for the village MIGHT be """mildly""" justified. Especially if Neji and Shikamaru were to approach him about their own clan blunders, involving Danzo, right after his passing at the hands of Sasuke.

But especially Neji, man... If everything I said gets applied in practice, it would mean, outside of Naruto, he might also be considered worthy of facing Sasuke in battle, after the Five Kage Summit. Because, not only does he more than understand how it truly feels to lose family and loved ones, but also, how this entire shinobi system is essentially screwing over those, who were unfortunate enough to be born into families, that get treated like dirt by the government, that is supposed to protect them. Just imagine their exchange, while Kiba faces off against Jugo, and Shikamaru holds Suigetsu at bay.

"A slave to your own family... I really don't need another moral lecture from a man, who willingly decided to stick to his own kin, despite them viewing you as nothing short of cannonfodder. And yet, despite it all, you still side with them... Run, Neji. Run and hide with your insignificant existence weighing you down, before I tear you to pieces." --Sasuke

"No, Sasuke. You're wrong. If it's any consolation, I am more than able to sympathize with your current state of mind. As of recently, I had to learn the hard way, that you and I, at the end of the day, are not so different. Believe me, you're not the only one, who was royally screwed over by the same village that you once swore to protect. The only reason, why I am not defecting, is because I still have family left to protect... Which is something I cannot say on your behalf, as much as it saddens me to say this. You have every right to hate us. Especially considering, we believed the rumors first, leaving no room for you to speak up and defend yourself. I didn't come to lecture you. And I won't run... because I am going to make you listen." --Neji

Pretty epic, isn't it? I am sorry, Neji is just the GOAT to me, and anything to make him and Sasuke spiritual broskies, I am here for that. Just visualize how adrenaline-driven their encounter would end up being, if you add the Bankakyo Byakugan into the mix. This is how Neji's Bankakyo would look like (source by Aleister Brown):

And for context on what this eye gives Neji for busted abilities, which make him a more or less equal match to Sasuke, after he got Itachi's eyes implanted:

Left eye: Foresight (he can look 10 seconds into the future, to predict Sasuke's moves, before he could even pull them off)

Right eye: Timeskip (improves his Taijutsu, by basically freezing time all around himself, and teleporting, at anything his eyes can see for time)

And, to make it even, with the Bankakyo, you can even summon a chakra avatar, similar to the Susano'o called, Sarutakahiko, take a look:

And because it's me, this is the music that plays in my mind, every time I am trying to visualize their fight, with these conditions being met:

...and to end this thread on a more comical note, when I said, Sasuke's IQ lowers around Kiba, and I compared the two to Renji and Uryu, here is why. It's even more ironic when you consider, Uryu and Sasuke have the same seiyuu! Noriaki Sugiyama! Check it:

OK, OK, enough with that. Have a nice day.

Peace.

[maintitle]

I want to talk a little bit about the Morrigan/Mythal situation, because I've seen a lot of people talk about how Morrigan chose Mythal and chose that power and therefore this is her life and her ultimate evolution and generally just dismissing what happens to her after Mythal rejoins her as a natural evolution of the character, girlboss, ect. I don't want to be dismissive of that take because it can be one that is easily taken without reflection, but I do think it terribly misunderstands the nature of Flemeth and Morrigan's relationship and the methods by which she was very carefully raised.

So let's talk about Morrigan, how she was groomed and abused, and the training she took great pride in that was that was ultimately weaponized against her by design. Let's also talk about the great pains the game goes through in order to sidestep these issues, and by doing so leaving a much better story on the cutting room floor in order to make a very tepid story of parental forgiveness that misses the depth of their relationship entirely.

I'd like to say at the jump that the fusion of Morrigan and Mythal isn't a story I'm resistant too. I assumed this was the direction they would go and I truly think there was some fascinating storytelling to be had that expanded upon the themes already present in both. But I also think the Veilguard writers either misunderstand the exact nature of how Morrigan was raised, or needed to ignore it in order for Morrigan to serve as a vessel for Mythal in order to serve Solas' story (an issue I have with her use in this game in general, but that's for another post.)

The most revealing conversation that I think Morrigan has in regards to Flemeth is actually one that occurs very early in Origins. I think it's juxtaposition with other scenes is important;

Morrigan: "My Mother has been hunted from time to time, yes. My Templar fools like Alistair, which should tell you how successful they generally were. Flemeth made a bit of a game of it, in fact. The Templars would come again and she would look at me and smile and say that the fun was to begin once more."

Warden: "You really had no trouble with them?

Morrigan: "I am unsure. I was too young to understand, and perhaps 'twas bravado on Flemeth's part. Or perhaps she was merely amused. I will never know. Flemeth would warn them, once. 'Twas a warning they inevitably failed to heed." Morrigan: "And then the true game began. Often Flemeth would use me as bait." She giggles in amusement. "A little girl to scream, and run, and lure the templars deeper into the wilds and to their doom."

Warden: "Flemeth used you as bait?"

Morrigan: "'Twas a game, and I a young girl. If I didn't get to play, I would have been very upset."

This is a really important example, not just of how callously Morrigan was trained to kill when she was challenged at such a young age, but also because it exemplifies how Flemeth taught her. There's an assumption that Flemeth simply yelled and screamed at Morrigan her entire childhood, and that was true in places, but Flemeth was very crafty in how she presented the lessons that she felt were necessary for Morrigan to have.

A bit further into the conversation;

Warden: "Do you still think it was fun?" Morrigan: "I think that my Mother made it fun so that a child did not learn to fear. And I think it was necessary."

Interestingly, if you don't agree with this assessment, Morrigan ends the conversation very suddenly.

The point of highlighting both of these conversations isn't necessarily to outline the casual and cruel abuse, but instead to show how sinister Flemeth's teaching methods were. She treated a child with kindness and the warmness of a friend or Mother when it suited the needs of Morrigan's lessons, but when she broke out and did something that would endanger those teachings, she violently lashed out, as is evident with the mirror scene.

These juxtapositions are important when you look at who Morrigan becomes as an adult, and why she's sent away during the Blight at all. As we know, it was Flemeth's plan all along for Morrigan to offer the ritual before the battle with the Archdemon, but Morrigan posits that it's now her making those decisions and not her Mother. This is highlighted by the line;

Morrigan: "Some things are worth preserving in this world. Make of that what you will."

If we jump ahead a bit to Inquisition, this thought process is expanded on a lot more, in a lot more detail, highlighting the philosophy in Mythal's temple;

Morrigan: "There is... a danger to the natural order. Legends walked Thedas once, things of might and wonder. Their passing has left us all the lesser. Corypheus would squander the ancient power of the well. I would have it restored"

Inquisitor: "I wasn't expecting your answer to be so... romantic."

Morrigan: "Trust me. Your surprise is matched only by my own." Sigh. "Mankind blunders through the world, crushing what it does not understand: Elves, dragons, magic... the list is endless. We must stem the tide or be left with nothing more than the mundane. This I know to be true."

On a surface level, this can be seen as an evolution of who she was in Origins and what she believed then. I can see how that mistake might be made, and I can see how that thought process can lead to accidentally mistaking Veilguard's reply to it as being that same evolution. But if we look at the Dark Ritual, we see this is an opinion based within the philosphy she was always taught by Flemeth.

In order to expand on that, we can actually look to the comics, in the little-explored character of Yavana, sister of Morrigan.

I want to stress first we don't TRULY know much about Yavana. History implies she's a figure out of Antivan legend going back multiple ages, but it's sort of impossible to know if that's true or if it's even her and not a previous Witch Of The Wilds, or even a previous host of Mythal. I hesitate, therefor, to truly assume what her relationship with her Mother was like, however I will very carefully put forward that, based on what little dialogue we have of her, she may be a 'failed' daughter of Flemeth that Mythal deemed unworthy, as she knows about Mythal inhabiting her daughters, see's it as Flemeth does, and seems somewhere between disapointed and jealous in the fact that Morrigan seems to misunderstand that. (I'm not really here to run back the whole Origins possession versus Inquisition's and now Veilguard's 'a soul is not hefted on the unwilling, because frankly it doesn't really weigh in on the point being made here as much as you'd suspect, as you'll see.) But this assumption is questionable, and might be both wrong and not relevant to the issue, if perhaps fairly telling.

What we DO know about her for certain is that she was raised by Flemeth, and at some point moved to Antiva in order to nurture and preserve the return of Dragons to Thedas. Her actual wording of this point, I think, is so telling of FleMythal as a character that I almost wish it wasn't hidden away in the comics;

This is, nearly verbatim, the same message Morrigan gives both in short in Origins before the Dark Ritual, and in much more detail in the Temple Of Mythal in Inquisition. I also find Alistair's response to this INCREDIBLY telling, as one of Alistair's great talents is seeing through people;

While I think the phrasing is very purposefully dismissive and flippant, I don't think the sentiment is totally off base. It actually leads me into the entire thesis of this post, and an aspect of this relationship that some fans and even writers seem to blatantly miss;

The preservation of the old magic is not Morrigan's dream. The preservation of magic is what Morrigan was raised to value most in the world by her abuser.

To illustrate this, let's look at Morrigan's arc in Inquisition, and what it's actually saying about her and Flemythal; The cycle of abuse.

Mythal's Temple is a story about Morrigan and the folly of pride, certainly, but it's also a character arc of a woman who was very carefully raised to HAVE that pride. This isn't an assumption I have made based on evidence, Flemeth outright says it in DA2;

Hawke: "Is (Morrigan) someone I should know?" Flemeth: "She's a girl who thinks she knows what is what better than I, or anyone." Chuckle. "And why not? I raised her to be as she is. I cannot expect her to be less!"

This is, to be, the smoking gun of Flemeth's entire method of teaching and parenting. She is incredibly adept at training flaws into her daughters, pride being the greatest of them. More than that, she's very talented at imparting just enough knowledge that they think they know everything, while also holding back vast amounts of it in order to stay in control.

The Temple Of Mythal is one of the crowning achievements of that. While you can't exactly expect Mythal to have known that's where Morrigan would end up (although Morrigan certainly questions if she knew it would happen), it really hardly matters if she knew or not. Morrigan was raised from birth in order to make the exact decision she made at the Temple. The preservation of what might be lost is such a core part of her being that she can't escape it... and more than that, she can't fathom it being a negative trait. To her, it's a holy calling.

I'm going to pull out the most direct conversation of abuse Morrigan documents now, not to pile on more evidence, but instead because I think it's a more effective conversation to use as juxtaposition of why she thinks that than I could make myself;

Leliana: They say your mother is Flemeth, a witch of the Korcari Wilds. Morrigan: They also say that washing your feet in winter makes you catch cold in the head, but we all know that is not true. But sometimes they are right and they are right in this. Leliana: You know the stories about-- Morrigan: Of course. You think my mother would let me go without telling me all the stories of her youth? Leliana: My mother told me stories too. She was the one who kindled my love of the old tales and legends. Morrigan: Hmph. my mother's stories curdled my blood and haunted my dreams. No little girl wants to hear about the Wilder men her mother took to her bed, using them till they were spent, then killing them. No little girl wants to be told that this is also expected of her, once she comes of age. Leliana: I... uh... I see. Morrigan: No, you don't. You really don't.

This is the environment Morrigan grew up in. She was exposed to Flemeth taking advantage of men, she was exposed to gruesome murder both as a game and in casual moments. Any attempt she made to take self-possession or grow as a person was aggressively curtailed and broken. This was a girl so afraid of her home life that, for many years, she spent as much time as she could living amongst the animals of the forest, and escaping her home life.

Now, imagine; This same abusive woman gives you positive reinforcement. You're a child, and you crave that attention like any child would of their Mother, and you know that reinforcement comes when you're an attentive and talented student. The closest you ever are with your Mother is when you're taking in everything she has to teach you, so it becomes the center of your life. Soon, it's not just a method by which to be close to your Mother, but a core tenant in your life. They stay with you as a fascination, as something you take pride in, as a holy crusade even as you escape your abuser and move on into a happier version of your life where you've grown and matured, where you've seemingly broken the cycle.

Now, imagine the discovery that those few, core, good memories you have were horribly tainted. The lessons you were taught were cyclical, a method by which to control you and gather that which she needs. Your life goal, your career, your passion was entirely made in order to benefit the abuser you've run from your entire life. Imagine who devastating that would be.

That's what happened at the Temple Of Mythal. That was the pride that Flemeth trained into Morrigan, the path by which she wanted her to evolve. She seized that opportunity, and that opportunity either tied her to her abuser forever, and/or told her abuser where she and her son was after years of protecting him from her.

Everything you know, everything you are, everything you've protected... is based on a lie.

Morrigan's character arc in Inquisition is her breaking that cycle. 'What Pride Had Wrought' is in reference at least partially to Morrigan's personal journey, where that pride, that passion, is something she recklessly seizes on because to her it is good and right and just and hers by nature, and it is that pride that was so ingrained into her by her abuser that she watches tear her son away from her and into the hands of said abuser.

In that moment, when she's faced by everything that her pride could lose her, she is forced to reckon with everything she has ever believed, and in the face of her greatest fear... she chooses to break the cycle of abuse. She chooses to assure that her son is safe.

The most obvious quote to be in this write-up;

Flemythal: "As you wish. Hear my proposal, dear girl. Let me take the lad, and you are free of me forever. I will never interfere with or harm you again. Or, keep the lad with you... and you will never be safe from me. I will have my due." Morrigan: "He returns with me." Flemythal: "Decided so quickly?" Morrigan: "Do whatever you wish. Take over my body now, if you must, but Kieran will be free of your clutches. I am many things, but I will not be the Mother you were to me."

This is obviously Morrigan's most famous line, but I actually am not sure if folks understand the truth depth of it; This is not only breaking the cycle of abuse and freeing her son of it, but she's also going against every natural instinct that was bred into her. This woman, the girl that was raised to lure men to their deaths for fun, who's most crucial life lesson was to do anything in order to survive... accepts she will never be safe again. She accepts the possibility of constant danger just to keep her son safe a day longer, a sacrifice her Mother would have never made for her.

This was a possible full culmination of her story. And Veilguard... sort of ignores the meaning of it by giving undo attention to Flemeth's head tilt.

I want to take a moment to preface this next section by saying that I was in no way resistant to the idea of Morrigan being possessed by Mythal in Veilguard. I in fact expected it and was excited by the possibility. There was a really brilliant way to handle the situation even within the parameters of how the game handled it, but the developers chose instead to dismiss this situation in a few lines so that they could instead focus on Mythal, and her relationship with Solas.

I don't want to outright insult the writers here. Veilguard was a game I greatly enjoyed. But I do want to say this because I find it deeply regressive, and I also find the decisions that were made were a symptom of this issue; Morrigan is not in Veilguard for her own character. Morrigan is in Veilguard because she is a convenient vessel through which to explore a character that has much more importance to the main antagonist. This is already slightly regressive because it's two characters largely only serving the plot of one male character, but I find it most troubling because the character they use her for is her own abuser, and by paying as little attention to that as possible while also barely using Morrigan herself as a character, it creates a very tepid story of parental forgiveness that... doesn't work as presented.

From her scene in the Crossroads after finding all of Solas' regrets;

Morrigan: "When I learned she intended me to become the next receptacle of an ancient god's soul, I feared naught would be left of my own. It inevitably came to pass on a deep night: I was awakened by the presence of a blaze of magic in the shape of a woman who both was, and was not, my Mother."

Rook: "I don't think I'd recover from that."

Morrigan: "Neither did I, at the start. Mythal's memories were both gift and burden, this blazing woman told me, but I must accept them of my own accord. The decision was paralyzing. What would it mean to become such a host? What would be lost if I refused? In the end, 'twas something in my Mother's voice which guided me."

Rook: "What was that?"

Morrigan: "Regret. Not the regret of a God, but of a Mother who knew she would never see me again. And so my mind remains my own. What I gained was knowledge... both Mythal's, and of those who bore her."

I think you can see where the problem lies, but let me reiterate:

Morrigan was a child of abuse. That abuse was calculated, both in how she treated her aggressively and how she gave her affection. Her methods of teaching, of raising a child, were there entirely to teach that child to continue on the legacy of Mythal. The preservation of magic was imbued very carefully into Morrigan and Yavana both in order to gather and save aspects of the ancient elves, and in order to prepare them to carry Mythal's soul. Pride was a weakness trained into them from childhood, and their lofty goal of protecting ancient magic was a weapon to be wielded in order to control them. This was a cycle Morrigan first discovered in Inquisition and began to fight against, because she wanted to break the cycle of abuse for the sake of her son.

In this game, Morrigan took on the memories of Flemythal... in order to preserve ancient magic that must be protected so that it is not lost. An instinct given to her by her Mother... in order to be used as a weapon... so that one day she would take on the soul of Mythal.

I want to be clear, I am not opposed to this storyline. I'm not going to yell 'That's problematic, you can't write that!' or 'That's a regression of her character!' because I think it's a fascinating direction to take both their characters.

The problem to me isn't that they went down this pretty natural path, the problem is they did it by... sidestepping any negative parts of how this would affect Morrigan. They sidestepped the fact that the reason she accepted her was largely because of something that Flemythal trained into her and weaponized against her, and the writing treats it as... a difficult moment that eventually brought her peace.

I think this is most exemplified in the aspect of Mythal's soul that remains in the Crossroads. As a concept some are saying it's arbitrary considering how Flemythal saved herself inside of an amulet in Origins/DA2, but I think that's lacks context. It's clear Mythal couldn't prepare this time, because she didn't expect Solas to murder her. Her soul, while saving itself, fractured into pieces. I'm definitely willing to defend that choice.

The problem, I think, is more that the fracturing is seemingly mostly used as a way to sidestep how Mythal's soul fully joining Morrigan would change this scenario. Morrigan's ultimate fear was becoming one with the soul of Mythal, so in order to avoid that they've attempted to only give Morrigan the memories of Flemythal while also seemingly leaving her unchanged as a character.

My issue with this thought process, first and foremost, is that it prevents them from exploring a much better story that has the chance of presenting a much better payoff as a story of an abused child coming to terms with her Mother. It removes the chance of Morrigan's possession being a major character arc, one that would further what she went through in Inquisition while also offering Flemythal a pathway toward an understanding with her daughter so that that ending could still be explored, in order to get to where they want to truly get to as fast as possible, which is using Morrigan as an agent for Mythal's forgiveness in order to fulfill Solas' character arc.

Imagine a more fleshed out version of this story, one where Morrigan had more of a presence within it. Over time, as you discover more about Mythal out through those flashbacks, you begin to realize something is... off about Morrigan. Her unique way of talking has slowly changed, her more sarcastic and poetic tone drips away in favor of Flemythal's more loose, jovial, sometimes playful but always pointed and aggressive tone. The player is prepared to pick up on that, but Rook isn't. Things eventually come to a head where Mythal has to reveal herself, likely as an aggressor similar to how she's handled in the Crossroads, and Morrigan is actually allowed to exist within this presentation. She sneaks through occasionally. The magic of the crossroads allows her moments of clear headedness. She reflects that she accepted her Mother's soul out of that fear, and that it's begun to change her, that she's scared of what she's losing, and even more frightened of how she's coming to understand her Mother. Conflict occurs and if you've reached Morrigan, she fights against Mythal's influence and regains control enough to fracture them just enough to have to come head-to-head, where you can guide them through decades of conflict to a mutual understanding or forgiveness through this bond they have, help Morrigan fully overcome Mythal, or help Mythal dominate Morrigan. Ideally, you'd have the ability to either remove Mythal's essence from Morrigan forcefully with an 'I reject you!' scene, or you can have your moment of forgiveness where the Flemeth side of Mythal removes herself from Morrigan, perhaps into the idol you use for Solas at the end.

But that's not what they did. What they chose to do, I think, is to sidestep a difficult issue, a problem this game does tend to have. I'm not entirely sure if they didn't quite grasp Morrigan's relationship with her Mother, or felt they were forced to gloss over it either because of the world state issue or their need to use Mythal, but the decision they came to is not an acceptable payoff to that story.

The truth of the matter is, this version of the stories' either inability to explore this issue in full or it's misunderstanding of it greatly hurts the characterization and misses a massive chance at more impactful storytelling. And that, to me, is the most damning creative decision of the entire game.

[groverapologist]

i only worked backstage but i can def give u some insight into that! our school plays were kinda a big deal, i worked on prop and makeup one year and was stage manager the year after. now the dressing rooms are gonna look very different for every school; mines turned the gym changing rooms into the makeup area. some of the actors did their own makeup; that was mostly people who 1. knew how to do the makeup 2. required very little changes that they could easily do 3. previously practiced doing the makeup and 4. were usually older students (my school had students from 6th to 12th grade, so we had a bigger cast than most lol).

i was the makeup manager. i was in charge of makeup designs and makeup application. again, our cast was pretty big, and everyone required makeup, so we had to be smart about it. for certain ensemble members, i had one makeup look that would be put onto every single one of them (they were meant to be cult-like, so it worked). for the other ensemble members who were meant to be more diverse and different and rebellious, i gave them an idea of what the looks should be like, then when our first practice came, i built on their ideas. i wasn't the only one doing this, we were maybe 4 people working on this. this is definitely going to differ based on cast size, how many makeup changes have to happen, how much time you have, etc. you also have to be creative in handling the makeup depending on these factors. a lot of factors come into play for show makeup.

we had walky talkies that we would use to announce when someone was needed between stage and backstage. the stage manager did most of that work, but the prop crew also had some.

for props, we had charts and photos for how the stage was meant to look like in every scene. we still memorised most of the scenes' important prop placements, which isn't hard when you spend multiple months working on one project, but considering some schools do spring, winter, and summer shows, i think it would be a bit harder for them to memorise, so charts and photos would be enough. we waited backstage and would change the scenes whenever the curtains closed and gave any smaller props to the actors when necessary.

i make both of these roles sound dramatic but they were actually so fun. most of the work came in training to get them done quickly, but once we were sure everything would be done on time, we kinda just... sped through it on the actual day? and we'd spend the rest of the time dancing and having fun backstage even though we had to be really quiet about it so as to not disrupt the actual show lol. silent dancing in the dark.

funny little story. we had a lot of vapers in our school show. they'd all keep their vapes with me when they went on stage. at one point i had six different vapes in my pocket which was insane 😭😭 i also try my best to be kind always, so i found that a lot of people would come to me when they were nervous and i was really grateful i could provide comfort. another funny story, our show was during ramadan, and my friend who was doing sounds and i are muslim. the show was maybe 15 minutes after prayer time, so we would stuff our faces with food, pray, then speed backstage.

for the second show, i was the stage manager, and i took a lot of director roles too and was basically given the role of "second in charge". there was the obvious job which was: i had to manage when people were on stage, surprise surprise! we used walky talkies again, but i was also often running around making sure everyone and everything were where they were supposed to be. had to work closely with the prop manager at a lot of points because... props are part of the stage? kinda necessary part of being a stage manager lol. there was less dancing for me that year because i had more responsibilities, but i was fine with that. i was again given "can you hold my vape" duties which was still very funny to me, but it expanded to phones, small items, lipstick, etc.

i spent a lot of time pre-show annotating the script to decide when every cast member should be in certain locations. we had the backstage area, the dressing rooms, the stage, and the room connected to the backstage area. again, the cast was big, and no matter how hard i tried, i would never have been able to get them to be completely silent which you have to be backstage, so i had to think about that well. i had two people helping me which i was sooo thankful for.

given i was "second in charge" and am generally approachable, i also had to deal with a lot of problems in the cast. if there was drama, or there were serious issues, i was often the one told about it. the biggest issue was when the director was making a cast decision that made a lot of people uncomfortable because the person cast was very rude and disrespectful. i had to manage that situation but could only do so much as second in charge. the director and i came to a compromise that made most people feel better. (ps. i hated the director. hated her guts soooo bad. hated her decision making so bad as well. hated how she always played favourites. ugh.)

the cast and crew are usually very close and friendly. i was friends with most of the main cast and most of the crew (not the director though. ugh). we hung out outside the show often. i will say the backstage crew tended to be less theatre kid-y, half of us were and half of us either just wanted the credit or were doing something they enjoyed for other reasons (someone who worked on tech ended up studying computer science, for example). at the end of the show we would have an afterparty where people would almost certainly get drunk, and we'd celebrate the weekend after (shows ran from friday to sunday, so we couldn't do much over the week lol). we'd go on karaoke and people would joke that the crew was meant to be the ones on stage, we had a picnic, we just had a lot of fun overall. i wasn't involved in any drama, but i know there was some both times (again, considering we had a whole classroom sized cast, i think that's kinda a given).

some certain things we did include:

not saying macbeth, obviously

mutually hating on the director (both cast and crew. some people liked her but the majority were three seconds away from clawing our eyes out cuz of her)

calming one another down when we were nervous (that included me being calmed down cuz i was on the verge as a stage manager 😭)

as someone said. no going behind the damn back curtains. i was the only one allowed to as stage manager and i had to be so fucking careful that i didn't do it except for once when i really needed to. there were lights and wires between the wall and the curtain and any movement would've been seen by the audience which is a no-no.

we had a common phrase which was "you know what the audience is meant to be seeing, they don't" which basically meant if you fuck up, the audience won't know: improvised and don't panic. the audience can't tell the difference between improvisation and script.

i had to deal with. a lot. of makeup smearing in between scenes and acts. sometimes had to redo the whole thing. hellish.

sometimes the cast would help the prop crew put everything in place when the curtains were closed and the cast were ready.

we had vocal and bodily warm ups, and the crew participated in them as well. wasn't necessary, but it was fun bonding.

we had a mic disparity so we very often had to give mics from one person to another. also hellish, would not recommend.

the prop people will be insanely specific about where things go. better to give them the prop and have them place it where they want than just put it where you think it should be backstage.

the crew loves messing around. we have a lot of gaps where we don't work. we will 100% take advantage of them and fuck around for a bit.

putting makeup on someone can feel. a bit romantic. not for the makeup ppl but. for the cast. i hated that people felt like that cuz. i was kinda just doing my job lol. had a cast member confess and another flirt and i didn't reciprocate either and it was hell!!!!!

theatre is known for having a lot of queer men, but it also has a lot of queer women and a lot of trans and nonbinary people. it's a very inclusive space (in small productions at least) which i personally loved sm as a queer woman myself

that's all i can rack my brain for rn, but i'm sure there's more. idm sharing whatever, so always feel free to hmu!!

PSPSPSPS!! Calling all theater kids!!! I wanna make Jason a theater kid but I was too busy being in marching band to join any school plays. I know plenty of Shakespeare, but only in a literary analysis way. Tell me ALL about your time in your school drama department

[moonhze]

yet another hart family update~

veronica and angel introduced a second child named rowan into the family

the family moved (again) to moonwood mill to be closer to angel's werewolf origins, due to ivy's werewolf side growing

bonehilda and guidry are a couple??

veronica and angel got married and had a lowkey ceremony at home

ivy became a teen <3

[floccinaucinihilipilificationa]

Hello may 31th anon! Look at that, another year behind us and a new one to come. Have a nice day! ₍՞◌′ᵕ‵ू◌₎♡

[zwoftt]

YESSUR U ALREADY KNOW YA BBG GOT THEM DORYM MOMENTS

(and other moments i like suspoose….))

everybody/npcs being obsessed with dorian and callin him good looking and stuff, he gets all bashful and orym silently smiles.

orym talking to dorian with such a soft voice when speaking of his opal experience. “i know that was a nightmare for you…” UGHH.

laudna suggests they all have funerals for each other. to say what they need to say. robbie and liam sharing a glance???

whenever dorian interacts with his dragon horse, orym always looks so admiringly at dorian.

the way orym remembered how dorian vowed to not abandon the big task in front of his father, and then repeating that they all are okay with taking on the weight- WHILE GLANCING TOWARDS DORIAN, who nods shortly after.

AGH dorian charming chetney!!! the sillies!!!!

just wanna mention how fucking amazing dorian was playing that music for all of the military/war camps. it shows his character so much. and everyone, including liam, was SOOO into it. the little things robbie chooses to make dorian do, because “there’s no other choice”. matt describing how dorian’s presence just uplifts the entire encampment….

dorian laughing when coming back from his small trip, all jolly and happy, positive about him and his friends and the journey ahead. orym making a surprised but ultimately happy face when dorian arrives.

”is this goodbye?” “no this is a go get em.” BADASS.

not orym’s family members recognizing and greeting dorian immediately. holy shit. sick. unwell. yelling. screaming.

braius dragging dorian away to have a secret conversation with him about the group HAHAHA

DORIAN GETTING JEALOUS? AGAIN, WHEN BRAIUS WANTS TO FUCK ORYM???? dorian also standing up for orym “he is the best of us”…

ashton and dorian chitchatting about opal, apologizing, and just bein dudes!!!! god they’ve come a long way!

so much is going on at the end of this episode. so much. this is going to be so chaotic, and i’m here for it. but also here for dorian storm<3 and what madness he’s going to bring to the upcoming episode of meeting the mighty nein!