#i wanted to show you my thing

[reinbouxsworld]

twisted wonderland × kimetsu no yaiba (au!)

based on this post here.

I this this on a a japanese song only playlist and a wave of hiperfixation. So heres the context: Yuno (Yuu) and Leona were newly married and lived on his family’s land. On the night after the Town Below festival, Yuno returned home to find not only her husband’s family dead but also her younger brother, Grimm. Leona was the only one still alive, but as she tried to lead him down the mountain, she discovered that he was no longer human.

Silver, a demon slayer, confronted Leona. However, after witnessing him protect Yuno, he chose to spare the newly turned demon’s life, and send the couple to his master, Lilia.

Vil and Rook are the Tamayo and Yuuchiro of this universe. Vil lived more than 300 years only on serving face and hate, nonetheless showed kindness by helping Yuno and Leona after their encounter with the Demon King.

Ace and deuce are both slayers, one ranking above yuu. The three met during a mission, and the two decided to stick by her side from that point on.

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[australet789]

Some assholes on Instagram saying that Epic fans are "gaslighting" themselves about Odysseus being faithful to Penelope because of the Circe part and being pretentious about it and how we are stupid for considering The Odyssey romantic

Motherfucker

1. The Odyssey is an epic poem we all fucking know that? That it's a tragedy, technically comedy (comedy in ancient literature used to mean "happy ending", not funny stuff)

2. The Circe bit can be interpreted in different ways, as if it was fully consensual or not or just a transaction. There was still a difference in power dynamics, which was 100% mentioned by Calypso in the beginning, but if you choose to ignore that part if the same as saying some of Zeus' kids were ok to be conceived because the women agreeded to what A GOD wanted.

3. Obviously Epic!Odysseus is differente from Homer!Odysseus, but trying to say Homer! Odysseus is a horrible person that fully wanted to cheat on Penelope just because you want to defend ALEXANDER HAMILTON, i have bad news about you.

4. "The crew had to beg to go back!" I read the Odyssey too. As a child and a few days ago. They stayed on Circe's island to rest so Odysseus job as a captain was literally wait until his crew told him they were ready to leave, specially after what they have lived. Odysseus didnt force anyone to stay in that island, when the crew went "oh, sir, we miss our families, please lets go back now, yes?" Odysseus immediately said "ok". It literally felt like a father waiting for the kids to stop playing in the playground.

5. Homer!Odysseus is not perfect, at all (man killed his disloyal maids because he didnt want to deal with shit anymore, even if they also were coerced/raped by the suitors), but come with a better gotcha than Circe. You are just fixiated on the Telegony and it shows.

6. Idk what to tell you, but if you think renouncing a life with two inmortal godesses (one of whom offered you immortality), traveling for 10 years defying a God's rage, killing 108 men who wanted to marry your wife (and ruined your house), almost killed yourself when said wife rejected you only for her to go "haha i was just testing you, silly :)", have your literally marriage have a word created for you two specifically is not romantic... Idk go read Bridgerton

[shouyuus]

18+, pitfighter!vi brainrot, bc its girl-dinner time tw: sorta smut, sorta obsessive!vi, codependent relationship, not quite yandere but the vibes r kinda there, but still fluffy bc im me duh

pitfighter!vi who fucks you like she's trying to leave a part of herself inside you, who holds you so hard that the next morning, you wake up to the blue-tinted ghosts of her fingers along your hips and thighs, the dull blossoming bruises littering your neck and shoulders, rings in the shape of her teeth like strange, demented flowers (or perhaps like footprints) the way they trail along your skin, inked there for all to see.

pitfighter!vi who fights like she's trying to break everyone else in the same way she wishes she were broken herself, all fevered, focused rage, and none of the restraint. no patience, only the blunted sting of a punch well-aimed, an elbow to the ribs, a knee to the groin, spit trailing out the edge of her mouth, a grin crooked and bloody hinged between her lips bc she knows when she looks up and scans the crowd, she'll inevitably find you there, watching her with your wide, alluring eyes.

pitfighter!vi who thinks she knows the depths and widths of hunger, has seen and felt it all, growing up in the lanes, and there are so many different kinds, aren't there? the kind that aches dull and deep in the stomach, the kind that claws and roars open in her chest, the kind that tingles like spider-poison all along the length of her spine. still, she's never quite felt a hunger like this -- the kind that threatens to consume her from the inside out the first time she sees you, and at first, it might've been a wholly vindictive thing -- perhaps its because there'd been something in the shadow of your smile that reminds her of -- well, it doesn't matter.

but the first time she kisses you (in the crush of bodies on a crowded dance floor, the music too loud, the bottom of her boots tacky with spilled drinks and blood and whatever else), you'd run your thumb along the line of her jaw so gently, traced the lines of her face with a touch so soft it ran a fissure through her car-alarm heart, and when she'd pulled away, you'd smiled as if she'd given you something other than just the jagged, broken bits of herself.

later, you'd told her that you still appreciated it then. bc it looked like that was all she could afford to give; and she gave it to you anyway.

pitfighter!vi who does not think she will ever get enough of you, and still, the more she gets, the more you give, the deeper the hunger grows. it yawns open inside her, huge and dark and cavernous, carving into her the more that it's fed, and by the gods do you feed it -- the way your head tilts back to allow her access to the smooth expanses of your throat, the darling, moon-lit landscape of your bare chest and shoulders, the way you're so pliant beneath her, your trust pouring from you like drink. and she drinks. and drinks. and drinks.

drinks till she's head-dizzy and heart-full. drinks till her vision blurs but for the sight of you, the shape of you so familiar to her waking moments it does not shock her in the least the first time she wakes up in the morning to the after-images of you in her dreams.

pitfighter!vi who, for the first time in her life thought she had lost all direction, but now -- she feels like at least there's still someone worth protecting, worth fighting for. and she knows, she knows it's not entirely healthy, how much and how hard she falls for you, knows that perhaps it is not the best thing for a woman like her to make someone like you the still-point of her turning universe, you, who manages to shine despite the grime that collects in the city around you. you, who is softness made into an act of defiance, who, one night, curled against her side, told her that there's a certain vindication to smiling in the face of a world who would love nothing more than to rip the joy, bleeding and raw from your throat.

"it's not always easy... actually," you laugh, the sound sweet as spring water as it trickles over her skin, "it's really fucking hard but... why not do it anyway?"

"what, be happy?" her own voice is low and cracked from the fight earlier that night. but you'd kissed a line down her throat and told her that you loved it when she moaned.

"yeah. if the whole world wants us sad and angry... what bigger fuck you is there than to be... happy?"

pitfighter!vi who lets you draw the dark lines down her cheeks, but they're neater than she'd done them herself, who kisses your fingertips when they're stained with the black of her hair-dye, who laughs fully for the first time in... she doesn't even remember how long, when you lean forward and trace a tiny mustache with the leftover ink on your fingers right over her mouth. who sinks into the sound of your laughter like a warm bath, letting it soak into her sore muscles, unspool the tension coiled in her shoulders, the rictus threatening to settle in the set of her knuckles.

she lets you sooth over the harms and hurts that had followed behind her, nipping at her heels like disobedient dogs her whole life, lets you kiss her brows and pull her behind you as you point at the new graffiti art that wasn't there the week before.

pitfighter!vi who has always had a fierce love for zaun because it's her home, but has never stopped to consider just how beautiful of a place it is until she meets you -- and it is beautiful, an angry, pulsing, rebellious beauty, raw and dripping with shimmer-soaked ichor. a beauty carved of disparate limbs and desperate parts, one that is hard-earned and well-fought, the same beauty found in the darkest hours of night, right before the morning dawns, the same beauty she finds reflected back at her when she sees her blurred reflection in a pool of spilt blood on the fighting pit's arena floor.

zaun hums to the tune of debauchery, and for the first time, she's with someone who allows her to be greedy, allows her the breadth and width of wanting so freely. and she thinks it might be spiraling into a full-blown obsession, the way she can't go three seconds without thinking about you, wondering where you are, what you're doing, what you're up to. and you always tell her, tell her about the flowers you saw growing from a crack in the sidewalk, the shaft of sunlight hitting a shard of broken glass in just the right way, how sometimes if you close your eyes and listen, the ticking and clicking noises that run like a baseline thrum through the entire city almost sounds like birdsong.

pitfighter!vi who can't say she's ever fallen properly in love (she thinks that perhaps, once, she got real close), but wonders if this is what it feels like, to feel the void of your physical absence like the itch of a phantom limb, so she does everything she can to keep you close, glares at people if their eyes linger too long on you as the pair of you walk down the street, doubles down on her training regime so that she can fend of anyone who even breathes wrong in your direction.

who can't help pouting every time you pull away to do anything -- to grab another bag of snacks, to ask the bartender for another drink, to listen to something loris is saying -- she has to tamp down the urge to pull you back, to meld you to her side and never let go.

pitfighter!vi who starts to get more strategic with her fights, who saves up money now bc she wants to take you out to dinner, or just buy you nice things once in a while. who spends way too many hexes and cogs on a bouquet of fresh flowers, ones that aren't tainted or bred with the faint, sickly shine of shimmer, and she thinks its all worth it to watch the smile break across your face like dawn over a brand new day -- brilliant, blinding.

she blinks, watching with a fond smile as you fuss over the flowers in your tiny apartment, the space small but cozy, everything neat and in its place. you put the flowers into a tall, slightly chipped glass mug and set them by the window, admiring them from this angle, then that.

"y'like them, angel?"

you nod, grinning as you throw your arms around her, "i love them, vi! i love them so much!"

"good. i'm glad you like 'em. just..." her voice trails off; you cock your head.

"just, what?"

she shrugs, "ah -- just, i always thought it was sad getting flowers cause... they'll wilt someday, right?"

but when she looks back at you, still caught up in her arms, you're still smiling. and there's a fox-fire glint in your eyes that makes something in her stomach twist hot.

"well, there's one kind of flower that won't wilt that i wouldn't mind having here all the time..."

vi blinks, a dry heat creeping up the back of her throat, her heart a wild, fluttering thing caught beneath her cage of ribs.

"yeah?" her voice is hoarse as she swallows around the hope pooling on her tongue like blood. "and what kinda flower is that?"

you lean in, your breath a whisper along her parted lips.

"violets."

pitfighter!vi who moves in three days later, with nothing but some old clothes and her punching bag, which you'd already made room for (somehow) hung up from one of the high rafters in the kitchen, next to the tiny dining table tucked into the corner. who spends the next three days fucking you on every available surface (and some unavailable ones, like against the fridge for instance), telling you that it's only right to christen things now that you're officially living together.

who doesn't bother to wonder if things are moving too fast, and dives in head first because that's the only ways she's ever known to how to do things. who thinks, blithely to herself one night, the warm shape of you curled next to her, sleeping so soundly it almost breaks her heart, that you're probably the first good thing she's ever gotten stuck on -- and she's gotten stuck on a lot of things (fighting, boxing, the guilt, the shame, the anger, the world-ending sorrow of losing it all). its one of the things vander had always warned her about.

"you get into things too hard, kiddo -- gotta learn to pace yourself."

but she doesn't care, because hard's what she was raised on, and it's how she plans on loving you, god, if it's the last thing she does, right or wrong, so be it.

pitfighter!vi who still has her bad nights, still drinks a bit too much sometimes, but at least you're always there to keep her from going too far. and you're the only one who can pull her back, the only one she'll listen to when you tug the drink away from her hands and slide it down the bar towards loris, who'll eye it for a second before downing it and settling up the tab, nodding towards you even as you sling an arm around vi's middle to lead her out of the bar.

who still wakes up screaming some nights, her eyes wide and unseeing, scrabbling at you, tugging you into her if only to bury her face in your shoulder, her whole body wracked with dry-heaving sobs.

"my sister used to think there were monsters under the bed, and make me check down there every night before going to bed," she murmurs, her face inches from yours, her words soft and ever so slightly slurred.

you brush your fingers against her cheek, a comforting, repetative motion -- back and forth, back and forth, till her lashes flutter shut.

"guess she was right... but the monsters never wanna stay under the bed, do they? it's like they always... wanna come out and play..."

you let out a breathy laugh, "or maybe," you offer, your voice low and soothing, "they're just as scared as you are. and they're just looking for someone to scare their own monsters away."

pitfighter!vi who is still not good at slow, but sometimes, when she kisses you, she wishes that had the power to hit pause on time, just so she could stretch out the moment and kiss you forever. she thinks that she'll never be good at patience, but sometimes, when you tell her just gimme a sec! when she's waiting for you to get ready before going out to dinner at jericho's or just for a round of drinks at the bar round the corner, her leaning against the doorway watching as you put the finishing touches of your makeup on yourself in the kitchen mirror -- she thinks she'd give you every last second of the rest of her life if you ever asked her to.

pitfighter!vi who, recently, has really, really started hoping that someday soon, you'll actually ask her to.

taglist: @traiitorjoe @rizzscary @wetcat020 @alex-thegiraffeboyy @nanasemo @saturnhas82moons @unear7hly @drsnowrose @grantaires-waistcoat @isab3lita @ally-all-around @starrysetup22 @lipsent - join the taglist

[colourmornings]

Quick note on Charles's speech for fic writers or anyone interested, really.

Charles uses tag questions, where he ends a sentence with a question, doesn't he? I see a lot of "innit" thrown at the end of sentences, which is right, sometimes.

There is unfortunately grammar. First off, if the main verb is negative, the tag will be positive, and vice versa.

When the main verbs in the sentence is a form of "be" or a modal verb (must, could, would, have, will, can, do etc), he's going to repeat that same form at the end of the sentence. An exception to this is a positive main verb of "I am" in which case the tag will be "aren't I?"

"[You're] Not going back to hell, are you?"

"I wouldn't wanna be dead with anyone else, would I?"

"No, we're not going anywhere, are we?"

"Well, I can't see where you're pointing to, can I?"

"We don't want a repeat of the infamous puppy debacle of '94, do we?"

He uses "innit" a lot less than people think, I think. It took me a while to find examples of him saying this, I ended up having to search a transcript. It follows the same rules as above, except the subject is always a thing, or the pronoun "it," and the main sentence is positive, so that the tag can be the negative "innit" (isn't it). *Edit* "innit" is not used as a question! It's mainly used to reinforce a talking point! (Thank you @elizabear). While the other tags are like rhetorical questions, this one is flat tonally and can end with a period, too.

"Boxing's a gentleman's sport, innit?"

"Magical void, innit?"

"That's the injustice we fight, innit?"

When the verb is not one of those above" he uses a form of "do."

"Well, that sounds a lot like you, doesn't it?"

"Wanna keep things professional, don't I?"

Charles also ends a lot of sentences with just the word "yeah."

"Psychic thing makes case work go a lot faster, yeah?"

I am usamerican, but I have a masters in Linguistics. People who actually use tag questions, though, please add on or correct me!

[paintedcrows]

they make me feel unwell

(continued: Stan & Young Ford)

[theonewhowails]

cult trait: good die young

[a-scary-lack-of-common-sense]

Eldritch/not-entirely-human Grunkle Stan stories have been eating away at my brain, so I have a silly little concept of Mimic!Stan.

He and his Mystery Shack are both mimics that lure tourists in as a literal "tourist trap" to gather and devour them! Since the house is alive, it raises a few (read: several) child safety concerns that lead to a LOT of rules to be created for Dipper and Mabel to follow when they eventually arrive, such as:

Be careful not to get lost in the winding hallways! The Mystery Shack is bigger on the inside, and you don't want to end up in the wrong areas.

Don't go through randomly appearing doors, they may eat you.

If you think you feel the walls around you breathing and the floor beneath you shifting, no, you don't.

If you think the walls feel a bit damp, you're imagining it.

Watch your fingers around windowsills! You wouldn't want to lose any of them.

Don't linger too long under the doorframes; it may start feeling like they are slowly constricting around you.

[p4nishers]

i cant get over the ball being so CLEARLY all for crowley i can't get over aziraphale trying to woo him with a WHOLE FUCKING BALL because that's what he knows that's what romance IS for him because he's been wanting to dance with crowley ever since dancing was invented and he's so stuck in time with the way he dresses and talks and he still thinks a dance is the high of romance AND HE MADE A WHOLE ENTIRE FUCKING BALL FOR CROWLEY JUST SO HE COULD DANCE WITH HIM like now it's so fucking obvious he gave away his BOOKS without a second thought and it was all for crowley he organised a whole JANE AUSTEN THEME BALL just so he could have an excuse to finally dance with the love of his life and i can't get over this i'm shaking my fists and pacing up and down he did not give a single fuck about anything other than dancing with crowley and HE BARELY TOUCHED OTHER PEOPLE'S HANDS WHILE HIS WHOLE FUCKING PALM WAS PRESSED TO CROWLEY'S AND i need to lie down

[smoosie]

"It's Viktor Donoshortenmyname."

+ extra part for comfort

[turtleblogatlast]

One of my favorite headcanons is that Leo grew up watching telenovelas with Splinter.

It just works so well - his bits of Spanish that he spouts randomly, his showy way of apologizing, and, of course, his love for dramatic betrayals all point to this being a very real possibility.

Plus, it’s very cute to imagine a tiny Leo at his father’s side as they both gasp in shock when the show’s eighth plot twist in just as many episodes happens.

[poorly-drawn-mdzs]

Happy Birthday to Fallen London; My favourite British people beefing it with bats simulator.

[arcanegifs]

rewatch the show yall. it gets even better if you do.

[saragrosie]

As promised, incredibly stupid s4-5 drawings

[puppetmaster13u]

Prompt 266

Back on my Danny & Ras frienemies/rivals/maybe-lovers-nobody-can-tell-their-signals-are-very-mixed train. 

See, Danny has gone through time a lot. Often. It comes with being Clockwork’s charge-son-thing and honestly he finds it fun. And several times he’s used this time travelling to get some training in. Enter Ras, stage left, also a teen at the time and also learning swordsmanship from the same person. 

And they… utterly despise each other. They would kill the other for an apple slice, if the other one would die! But also, only they can kill the other, as it is obviously their right! 

And well, they keep running into each other. It has been a hundred years, surely the other would die by now? But of course their rival would live through utter spite. Probably to spite them specifically. 

The amount of times they have ended up sparring- trying to kill each other or not- the moment they see the other is actually ridiculous. But time is also passing. And… Danny understands, not having another to talk about things people are forgetting, or have already forgotten. 

How they ended up actually talking without a murder attempt was a long story that included a demon, a dragon, a pair of fae, some bandits, and a lot of alcohol, but it happened. And then it happens again. And again, and now it’s just kind of normal to share a drink after their spars, talking about things that no longer exist, and things they miss. 

Sure Danny can go back in time again, but he knows better than to do it willy nilly. He’s matured, he’s been an adult for a hundred years now, he knows there’s consequences for messing with time, even with Clockwork’s blessings. 

The first time they got married was technically for an undercover assassination. Well, Ras was there to assassinate someone, Danny was there to grab an artifact that should Not be in the realm of the living. And they got divorced after, it was fine. 

They just, also got married again when they met a few years later, for another job. And… okay, so maybe they have gotten married over a dozen times now and only divorced like half of those times. Half of those were for the bit or while drunk! 

And even if technically they’re married or shared a bed, it’s not like they're exclusive! As Ras’ daughters’ existences attest to (adopted in one case or not). They don’t exactly have a label for their relationship, despite others asking for one or trying to put a name to it themselves. 

Now Danny knows Ras isn’t exactly a good dude, or at least on the side of ‘good’ as he’s a literal assassin. But he also knows that good? Bad? Rather relative. He had gotten labeled as a villain when he was just trying to help all that time ago after all, and really who was he to tell someone else how to live their life? 

Which brings him to now, where he’s run into his old frienemy-rival and his youngest daughter. Who has a braindead teenager and a small toddler. Which is fine, really- but also, Talia dear, why are you using a brain dead teenager to guard your three year old son? 

…

Okay, Talia dear, Ras (Derogatory), why are you using your brain dead son and grandson to guard your younger son and grandson? Do you not have the Pits, which you were soo proud about Ras? Yes, he will spar with you, but for Realms’ sake, heal, what’s his name? Ah yes, go heal Jason and he’ll actually stick around for a few years, deal? Good. 

[introspectivememories]

been watching mashle and oh my god, the eugenics???? the way lance's parents were so ready to give up their daughter??? no second thought???? just "why did this child have to be born to us?"???? um everyone talking in mash's face about how non-magic people are inherently worthless???? the triple line dude fucking making dolls out of people and somehow no one??? is??? checking him???? and then when questioned immediately jumping into "well humans are little more than mindless beasts and i will become a creator deity and reshape the world in my liking!"????? the, um, corruption in the government??? the way this story is so clearly "h*rry p*tter if it was actually funny"??? the slytherin coded characters are blood purists???? they took out hufflepuff??? one of the magia lupus' mage's powerset was just big shuriken???? another one is rip off kisame???? lance is a siscon and the first thing mash says is "that doesn't make it better"???? lemon is genuinely so fuckin funny??? dot is incel-coded but like in a funny way??? dot says that lance is playing life on "easy mode" cause lance has a good face??? dot likes tea??? dot has good manners??? everybody only has one spell they can use??? finn ames is like if you transported is regular human into this stupid ass world??? i think the old man and the cop have explored each others bodies.