#i wanted to experiment with perspective and backgrounds

[who-is-page]

Wag Those Tail Feathers: The Wonders of Alterhuman Courtship

Author: Page Type: Essay Words: 1,065 Summary: Page's perspective on alterhuman courtship, as an individual who has been both on the receiving and giving ends of it.

[Part of the Sol System’s Alterhuman Writing Project for 2024. If you don’t want to see these posts, block the tag #inkedclaws]

As a polyamorous alterhuman, I’ve had the wonderful experience of being in relationships with people who have a variety of different courtship instincts— sometimes even all at the same time! Including my own instincts, it’s led up to some interesting realizations about the variety and diversity of expressions of love, and how wonderful it can be to be loved by an alterhuman (and to be an alterhuman in love, too).

My personal experiences, notably, revolve specifically around being nonhuman and this applies to a majority of my partners as well, which influences the flavor of this discussion. It’s been a wonder to be the target of a feathery mating dance, to be wooed with draconic jewelry and treasures, or to have my partner jump out with a meal, as proud as could be at displaying their hunting skills for a mate. It’s not necessarily just a nonhuman thing, either, of course; my orthohuman partner exhibits some similar sort of feelings and actions, too! Something which comes across especially strong in his hunt-and-gather supply-hoarding behavior in video games. But there’s something so especially intimate about having your alterhuman partner court you in a way unique to their species identity. It’s a beyond flattering form of trust, love, and affection.

And as an alterhuman who has targeted my partners, alterhuman and orthohuman alike, with my own affections, it’s also uniquely affirming to have your partners engage with your varieties of courtship for your species. There’s something incredibly special to have them try to learn your rituals and woo you in turn, even if they don’t have the same instincts driving them. It’s love with intention, a conscious effort to learn a language that’s typically foreign to them or which they might otherwise never come across on such a personal level. It may not always be perfectly executed, but the intentions behind them make them perfect regardless.

I’m someone who’s fully public about my alterhumanity. I don’t hide that I’m a dog and (luckily) no one especially seems to care in the day-to-day when I’m meeting up with strangers and acquantinces. But it’s become an important part of my dating life that potential partners need to not only be aware of my alterhumanity and accept it, but they also need to interact with it. You could argue that my spouse set the bar high for any potential future partners with how he took to my canine-ness and plurality like a fish to water, but I’m of the opinion that it’s something that should be the norm, not something so utterly unexpected by many.

Being able to engage in alterhuman courtship with your partner, as serious or as silly as it may fundamentally end up being, shouldn’t be something that you feel is utterly unreachable, that you yearn for but never feel like you’ll be able to reach. Alterhuman courtship is a wonderous experience; something that I think it’s not only important for alterhuman folks to be able to freely do with those they love most, but also to be on the receiving end of, too. It can be easy to default to the status quo in relationships, because of the societal pressure around us. Normativity around romance, sex, and even platonic affections is something that is constantly at play in the backgrounds of our culture and which embeds itself into our conciousnesses in unexpected and often invisible ways; and it’s difficult to dissect these without exposing ourselves to what some might list as “weird” or “unusual” urges and behaviors. But we can’t unpack the shame or embarrassment that might be holding us back from engaging with these urges unless we actually let ourselves acknowledge the collective, confusing feelings abound within them. We shouldn’t allow ourselves to shrug our shoulders and simply say, “I suppose I’ll never find someone who can accept me as my [species] and all that entails,” or to just resign ourselves to having to hide a part of ourselves away forever to maintain relationships.

We should toss these types of negative feelings aside and embrace our alterhuman courtship urges in earnest: that sometimes we’re not fully human, or we’re human a little to the right, and that inevitably makes romance, sex, and platonic interactions a little different for us than it might look for standard folks as displayed on a big screen. It’s not a failure on our part, and it’s not something that needs to be squirreled away due to internalized respectability politics. We can love ourselves and find love in others, for and by being ourselves. We can experience unique forms of love and adore those factors in others. This is, to me, a part of the territory that comes with being alterhuman or knowing alterhumans. It’s a part of what makes life wonderous.

In my partnerships, I love getting to bring my partners gifts. I love to bring them tiny treasures, small things from my system’s hoard, to pebble at them almost like a penguin would (sometimes including a silly little dance, of love!) It goes beyond standard gift-giving in the way that most of the people I’ve met would think of it, where presents that large are often reserved for special occasions like holidays and birthday. But it’s something I do year-round, to show my partners that they’re always on my mind, and that what is mine is their’s, too. I do the same thing with food; while normally incredibly food protective, both due to species identity and past food insecurities, I make the effort to share my favorite foods with my partners for the same fundamental reasons. To share my food, my bed, my life— and to have my partners recognize that as not just general displays of love, but as specifically displays of love intertwined with what I am, is something which displays a deep level of understanding and acceptance for my species. It’s something I’m grateful for beyond words, but it’s also something that I don’t want us as a community to accept as unheard of, or as just a one-off, lucky occurrence. Love like this is achievable and rewarding, both as a recipient of such alterhuman affections and as the giver. And we all deserve to experience it, in whatever form of love that we feel most comfortable with. Don’t tell yourself otherwise; don’t settle for less just because you feel like you have no other choice.

[memory-lane-and-back-again]

I do agree that fenx xin is really abrassive when speaking to mu qing and needs to apologise for saying things that hurt (however I do think he hasn’t actually figured out he’s said anything wrong yet) however I disagree that this has anything to do with jealousy.

A big part of feng xin’s postition is devotion above all else. He, unlike mu qing, prioritises ‘typical’ displays of loyalty over ‘atypical’ shows of it and does not comprehend the way mu qing thinks or acts.

Classic comparison is between mu qing prioritising choosing his mother over xie lian whilst feng xin chose loyalty to his prince over his lover and child. Xie lian ‘gets’ it (he doesn’t really but he ‘can’t force mu qing to stay’) but feng xin fundementally sees it as a betrayal.

This difference in perspective between feng xin and mu qing happens a lot but particularly when mu qing questions xie lian on anything; feng xin absolutely does not get why mu qing does this instead of blindly obeys.

I personally think this reflects back on a bigger look at class surrounding mu qing’s arc (and in tgcf) rather than jealousy because it’s not only feng xin that does this, it’s just feng xin that speaks out.

Xie lian and mu qing admittedly do not understand each other. Mu qing sees himself as a good deed ticked of a list whilst xie lian, born to want for nothing and raised with the security to foster an insanely altruistic to the point of self destructive ethos, cannot comprehend the ‘loops’ mu qing has had to jump through to even consider it a possibility. Being in a position where he wants for nothing (in his youth) has never had to play underhand, manipulate or use other people so literally cannot comprehend it.

The social gap between the two is only really rescued when mu qing dares to speak plainly to xie lian in book 8 after he is rescued. It’s really interesting how mu qing and hua cheng sometimes foil each other from their impoverished backgrounds to their talent with a sabre that is identified by xie lian.

Mu qing, sceptic at heart, interprets every action xie lian takes as double edge. An insecurity xie lian never really disperses fully because he doesn’t see it, experience it, understand it until his first banishment. By which point the stain to his reputation he experiences is so sudden and sharp that mu qing’s action to not stand by him feel like a direct betrayal and, ironically, he also misinterprets mu qing’s actions as a direct slight against him. [I am thinking specifically of that cultivation valley scene]

Whereas Hua Cheng trusts xie lian’s every action implicitly and unwaveringly. Unlike mu qing, who views xie lian’s kindness as tokenistic, hua cheng experiences how xie lian stands by his ethos even against striking adversity and interprets xie lian’s intentions far more accurately. Which in some ways is possibly easier for him because xie lian gains nothing except a bad omen from having honghong-er around.

Xie lian’s misinterpreation of mu qing’s behaviour relates back to feng xin’s treatment in a few ways. Feng xin was likely brought up with similar comfort to xie lian and, likewise, does not get how mu qing may have a steeply different world view and Anything feng xin percieves as a slight against xie lian he is going to criticise. Which fundamentally makes these two clash; unlike xie lian who is more open to dialogue once he’s figured out they aren’t on the same page, feng xin is far quicker to jump to conclusions.

We see mu qing criticised far more times than feng xin is, but the one time feng xin is: for defending a child and hurting qi rong, he responds to breaking his own arm as recompense for his infraction. And he dubs it ‘fair.’ Notably qi rong does not have to be beaten to near death for doing the same to a child; mu qing opposes class differences like these whereas feng xin upholds them and xie lian doesn’t see the problem with them.

Another example is mu qing picking cherries. He is allowed to in theory but in practice is labelled as stealing them for him mother. Xie lian, instead of saying what he thinks, which is that mu qing is allowed to pick the fruit, uses his authority as prince and says mu qing is picked them for him because he think it makes mu qing’s life easier. In this case, xie lian’s support overlooks the bigger issue of classism that he doesn’t see mu qing struggling with.

To highlight further the differences in class that Feng xin and Xie lian have compared to Mu Qing; only mu qing is able to effectively handle money during the first banishment. And Feng Xin is no happier once mu qing leaves during xie lian’s first banishment. I do wonder if there is a subtle element of classism showing however in how they only begin busking once mu qing leave even though it was his idea (this hypocrisy of the upper class appearing more dignified than the working class whilst on show vs being just as, in this case, desperate for money as anyone else).

Another clue to how feng xin and mu qing differ is their interpretation of xie lian robbing. Mu qing sees it as dismissable whereas feng xin almost needs an explanation for why, because he does not see it as a viable solution to desperation. This is when I would timeline xie lian to begin to become aware of how ludicrously difficult his ethos is to follow for the common person. Again, he percieves mu qing openly acknowledging his robbing attempt as a slight against him (in a very mu qing fashin tbh) whilst mu qing doesn’t really grasp the whole integrity of it at the time.

I do think mu qing has a lot of internalised classism too that blooms as insecurity. The above moment parallels when mu qing gets flustered about his supposed theft of the golden foil (? Forgotten word). (Notably feng xin is far quicker to lose faith in mu qing for an infraction than he is xie lian.) Mu qing assumes he is going to be accused of theft because he is from a poor background and the poor always steal. Even when he really isn’t this insecurity permeates how he views himself to be viewed; he can never leave his background behind him and stand confidently as an equal with xie lian or feng xin even when they are all gods. He always views himself as lesser and a victim of their classism, even when he is the one actually projecting it onto himself.

His entire persona as a god exudes haughtiness and agonising superiority, from the tidiness and prettiness and prioritising of his own image, mu qing is desperate to be perceived as equal because he is overcompensating for feeling inferior.

But as feng xin notes, the sarcasm is a plaster being used to cover up a missing arm. If you want to be friends just say so, stop with the sarcasm. Feng xin is painfully idealistic in the sense that he genuinely just does not notice certain issues like with Jian Lan, it occurs to her that he cannot buy her out but he doesn’t even see bit trying as an option. Likewise, he doesn’t ever stop to think or try to empathise with mu qing’s perspective. But I personally interpreted the banter in book 8 as feng xin just kind of jabbing at mu qing like an equal, not recognising that what he is saying is actually riling mu qing up (he doesn’t even notice xie lian politely trying to tell him to shut up) because in his mind, he’s just making a point and there is nothing to be sensitive about.

In a way, Feng xin’s blindness to social differences crossed with mu qing’s hyperawareness of his perceived inferiority boils over into these two clashing badly because they constantly misinterpret each other’s intentions. I don’t think feng xin is intentionally being cruel but it kind of emphasises the idea that ignoring a person’s background and experiences is not the same as treating them equally. Xie lian gets this by the end but Feng xin does not. (Or if he does i have not read it yet)

tgcf fandom can we please start holding feng xin accountable for being an ass to mu qing for 800 years. like. he started most fights and was constantly on servant mu qing's ass who was just trying to survive but people always skip over it

[cloudinal]

long day

[kyurochurro]

exploring the woods with some little buddies!!🌿

[lotus-lamps]

im not late YOU'RE late (man whats with me and niko related celebration art and being late with it)

this did not turn out the way i wanted to but. oh well.

HOWEVER. I GOT A NEW APPLE PEN FOR CHRISTMAS. SO. INCREASED ART MOTIVATION AND ART CAPABILITIES LETS GOOOOOOOOO

also yes i AM obnoxious enough to put my watermark in the middle of the drawing. yes new watermark. old one was boring lol. plus i rarely go by cozm now

okay bye bye enjoy your break!

[silvermeww]

12. An unpopular character you like? (and why more people should like them)

asdfghjk THANKS FOR THE ASK I'M GIVING YOU SO MUCH <33 RN

Ooh, hmm, this'll be fun. there are so many examples in pokeani and honestly some are a little eh, but then I remembered how almost every comment I see about 'worse' characters seem to include Max and I just don't get it?? How can anyone hate him??

(fun fact, when I was first watching him - in dub mind you - I also really didn't like him much. but I was coming off from the end of the OG, which was pretty sad considering who we lost, and tbh especially in 4kids early seasons dub EVERYONE was pretty unlikeable. I think I hated almost everyone back in the early gens at some point lol; I can be real vindicative but I think watching the whole thing taught me to take my time before judging stuff :v)

But yeah!! I really don't get the hate. Oh, so he said that Ash sucked for getting 8th place in the Silver Conference - can we all remember that a) legit kid and b) he's seeing this guy lose to an evolved starter from his own region of the SAME type as Ash's. It's like watching a Venasaur lose to Meganium if you're from Kanto; you'll be feeling pretty patriotic and stuff too ngl, especially if you don't have any battle experience yet.

But he acts so smart - Yes, and?? I don't see anyone talk about how Gary was coming up in the first season spouting random facts only to lose in the prelims and get a lower place than Ash. Again, I wish that people remember that Max is the kid of a Gym Leader, who reads and watches Leagues to make up for not being able to watc the Gym Battles taking place under the same roof, who dreams of becoming as strong if not stronger than his father. He's going to have high expectations. He's going to think that knowledge is everything. He's going to show off as much as he can, to make up for the fact that he's the only one in the group who isn't a Trainer. And I love how he learns that you have to actually interact with Pokemon to learn what it's all about, that you can't replace experience, that you can still experience things now even if you are too young to start. There isn't a limit to going out and interacting with the world. He doesn't have to wait. He's allowed to make mistakes and own up and not know stuff and grow, now and in the future. In a way, he's learning the same things as May, and I think that's wonderful.

And while I wish that he could've gotten a Pokemon while on the journey (one that he could keep à la XY with Bonnie), I'm fine with what he had in Advanced. He got to see Gym Battles. He got to travel two (2) regions. He got to see different aspects of being a Trainer, as a Coordinator and as a Breeder/Doctor. He got the recognition of his father in the end and was able to get into the Gym business. He got to play and learn with so many Pokemon and just act his age for once, instead of having to grow up to make up the percieved difference (wrongly percieved, might I add). Dang it, he brefriended two Mythical Pokemon (Jirachi and that other Deoxys). I dunno, he's doing pretty well for himself. Sure he's snappish and remarks on a bunch of stuff, but AG is full of that (ugh Ash was on another level, especially in Hoenn) (we don't talk about flat Brock) and S1 Kanto was way worse.

Anyways everyone go out and appreciate this goober. He did not bond with this Ralts for nothing and I swear I did not cry in this ep just for everyone to hate him. His character growth was awesome and if we ever get a Chronicles 2.0 I need to see his journey (the kids that go with Ash legit get such powerful Pokemon I fear for the competition lol).

[ghostly-wisteria-tea]

I have this morbid idea, for 616 Marc to spread his "madness".

Like his new friends? I keep seeing how much they mirror Marc's own history of finding a purpose. And I have this funny prompt where it affected the familial relationship of all of them.

It's a weird turn, where things went to a bit dramatic. There is no magic or space mumbo jumbo. It's a bit more grounded than my previous posts.

Warning, it's a bit...not exactly hunky dory. It's actually pretty bad in a way. I'm weird like that.

Badr tried to stop Marc since it clear that Khonshu is not happy at both of them. But Marc roped him to ignore Khonshu's orders. This made Badr uneasy but he trusts his brother's word more, so he donned the suit again. Until he keeps falling on his face for no reason and the statue in his office suddenly cracks and exploded. Showing that Khonshu is not pleased with him even more.

Now he got a full-on mental breakdown and end up choosing to go to Wakanda and get some spiritual training from the head priestess of Bast.

T'challa noticed that Khonshu is acting more and more like how Bast would act so he contacted the head Priestess in his home, but she refused to leave. Saying that if they truly want her help, then they should put the effort to actually seek her than have everything given in a platter like they are babies.

Marc is still in denial about Khonshu firing them and is a bit upset that Badr left. Blaming it on Khonshu.

Reese's own studies start to get compromised as she is get more and more worried about Marc, and her parents start questioning her devotion to Marc. She doesn't realize as she is getting more and more distant from them. Her family chose to respect her privacy and they didn't say anything since Marc seams to be good for her.

At least, at the beginning.

Now they are noticing Reese barely stays in the house anymore and they can feel this uneasiness every time she leaves.

Reese fights back, defending that she is much safer with Marc. This results in a rift with her family.

Her father eventually got targeted by one of the angry gangs Marc pissed off. And Reese end up getting kicked out when she lost her temper and attacked her mother when the woman blamed Marc for getting her husband's legs broken.

Her mother though, didn't turn to a vampire. No one noticed as they are too busy trying to stop the bleeding from Reese's claws. This is another one of Khonshu's doing, but he didn't show himself nor demand that Reese's mother become a priestess. Just reversed the vampirism.

They just wave it off as being very lucky.

Reese eventually moved back with her parents. But there is a permanent cold wall as her parents now see her as less of a daughter and more of a stranger who can kill them anytime.

The only reason they accepted her back is that they Marc talked to them, and expresses his disappointment at them for making Reese sad. Though it's more like an intimidating threat since he is in a bad mood and is subconciously finding anything to get angry at. Even if he tries to be polite, there is an undertone of uncontrollable anger there.

To which Reese's actual father ask why Marc is acting more like Reese's father now, expressing how distant and disconnected Reese have become ever since she started working for Marc. Almost as if she don't see them as her parents anymore.

They tried to explain the attacks, threats and dangers they have been experiencing as someone manages to trace them after they saw Reese staying with Marc for months.

Marc tries to assure that he will do anything to protect them, but they don't believe him anymore. Especially after the news that he is no longer Moon Knight and don't have the protection of a god.

Eventually, they decided to move away as it is too dangerous for them anymore. And that Marc seems to be doing a better job of being a parent to Reese, so they just gave up.

They explain that Reese can go with them or stay with Marc. She chooses Marc and expresses how disappointed she is on her family for choosing to move. Calling them cowards.

Reese's parents remind her that they are ordinary people, not mercenaries and have no knowledge on how to fight. And as much as they love New York, they will just end up dead. Reese tries to reason that Marc won't let it happen, but then they point out that they can see that Reese is starting to have this semi-blind devotion on Marc. One that they are very worried about, but they know that they can't win against the Midnight Mission. And that they can't always depend on Marc for protection all the time like he is some god

It ends in a fight, but Reese was suddenly blown a few feet behind before she did a fatal blow on both her parents.

Reese then explode on how they are useless, ungrateful sh*ts. And how Marc is way better as he actually did something to help, giving her a job and helping her with her new powers, unlike her parents who only acted distant and expressed disappointment.

There is now a silent agreement that they will never talk to each other again as she pretty much rejected her birth family and chose a new one.

Then she realizes what she said to her parents, and greatly regrets it. To cope with that, Reese practically devotes all her energy to Marc. Mostly cursing her parents for not understanding Marc the same way she does, while trying very hard to not hate or blame herself. For both attacking her parents and saying those things.

Edit:She eventually dropped put of college to work at the Midnight Mission fulltime. Moving into the hotel, refusing to set foot on her old now empty house that only gives her bad memories of a life she left behind. And like Marc, she buries herself in doing Marc's work until it is starting to weight down on her as she refuses to make amends with her past.

And since she doesn't have the backing of a god, (or one she can just put all the blame on since she willingly accepted Marc's help by her own accord) she got in too far with a job that is too dangerous, went full Vampire crazy as a last resort, and eventually failed a mission that got more innocent people killed.

This mirror's Marc turning away from his birth father Elias and picking Khonshu as his new "father".

Soldier's mother's illness is getting worst, he copes by attaching himself to Marc more and more. Pretty much to a point of co-dependence that is getting eerily similar to Marc's unhealthy dependence on Khonshu.

He eventually decided to try and turn his mother to a vampire to stop the cancer. Though Marc told him it is a horrible idea, but this did not stop his anxiety. If anything, it made it worst since as a vampire, he is practically immortal while his mortal family/friends will all die and leave him. A fact that Soldier is still having a hard time accepting, and chooses to ignore it as much as he can.

By burying himself on Marc's work to forget his problems, just like Marc himself.

It reached a point that he start slowly having suicidal tendencies when he would rescue others. Since he can no longer die like a normal person, he would chase after death recklessly at the guise of altruistic behavior so that one day, he will die, be free of this curse that is immortality, and be at peace like his mortal family.

His mother eventually starts to ask if Soldier will keep staying with Marc, as she can feel herself dying and wants to spend the last moments of her life with her son. Soldier though, have grown way, way too dependent on Marc's presence and would leave before he got an emotional panic attack, saying that he can't leave Marc alone to suffer. When in actuality he is the one suffering inside as he stays further away from his emotional rock called "Marc Spector". That and he is still feeling guilty at the fact that his mother is dying while he is practically immortal.

Soldier's mother does explain that she is glad that Soldier have someone to look up to, but it seems that it is only creating a bigger rift between them as while Soldier was a henchman, he wasn't emotionally attached to his old boss. But now he is an emotionally dependent acolyte, and his mother can see it as her grandfather used to be a fanatical member of a doomsday cult in the mid-west.

She easily noticed that Soldier would sound like her grandfather when the man would talk about Marc. And this only alarms her even more as her grandfather once tried to kill his wife to "save" her. All she can do is pray to anyone listening, that her son will be safe, loose his unhealthy dependency and come back to his senses.

Someone is actually listening in the shadows.

Tigra's son starts to notice his mother's growing fixation on Marc, and feels a bit bothered at how her mother is trying to push Marc to be a new father figure to him. Even bringing the boy to the Midnight Mission one night to visit. William is just too polite to voice it out, but he can feel something wrong in the air inside the building, like someone telling him to leave. Yet everyone tries to act like it fine.

William is intuitive enough to see that they are all lying.

He is also seeing less and less of his own mother as she spends more time taking care of Marc.

Tigra hopes to get a solid relationship with Marc but it just won't reach that point of perfect commitment so she keeps trying and refuses to give up. But she doesn't see that she is slowly starting to leave her son behind in her endeavours.

William also tries to investigate about his father more, but Tigra changes the subject and tries to get him close to Marc. To keep them distracted as Marc is starting to get more anxiety attacks as the truth starts to officially sink in.

Eventually, William got tired of his mother constantly pushing Marc that he starts to cry at night. Wishing to have his old mother back, before Marc got her attention more. Creating this emotional rift where he asks to be dropped off at the daycare instead than stay at home. Hiding everything behind a smile but slowly breaking inside.

One night when he got tired of his mother pinning on Marc almost to a delusional degree. Even he is starting noticing this and decided to wandered into the streets just to get away. Deliberately getting lost for hours since he knows that his mother is too focused on Marc the entire night to even call anymore. Which got even worse when Marc died as Tigra practically became distant towards Wiliam. Choosing to be silent to avoid lashing on to her own son. But to William, it's like his mother was replaced with someone else.

William even nearly getting targeted by thugs. Said thugs would suddenly find themselves sucked backwards by a strong wind and get impaled with some metal rod stick that just so happens to be on the right spot.

William then found himself wandering back on his home unscathed, even though he really didn't know where he is going and was just following the lit streetlamps, unaware that he was nearly attacked.

Later in the day, street officers went to fix the streetlamps that were actually broken for 3 days straight.

[tpwrtrmnky]

hear them out

[ID: Three-panel Pills That Make You Green comic.

Panel 1: A tall purple person and the green person are sitting on stools by a table. In the background is some kind of bar desk with a plain person, a crimson person with a triangular torso and a sky-blue person with cat ears standing around it.

Purple: "Yeah so I don't really identify as transchromatic OR cischromatic actually"

Green: "Oh! uh-"

Panel 2: Zoom in on a perspective shot of purple on the left and green on the right. Green has a box above their head saying:

"Dialogue choices: -Semantic argument -Deny their lived experience >Hear them out" with "head them out" being selected.

Panel 3: Zoom back out to the same scene as the first panel. In the background another green person with a slight gradient on them has met up with the sky blue person.

Purple: "Yeah so when I was a kid they put me on pills that make you green, 'cause they'd diagnosed me with Unwanted Purple Syndrome. Thing is I actually did want to be purple once I thought about it, so I had to take purple pills."

Green: "Oh I get it now"

Purple: "So I think binary categorisation is a bit reductive about how I got to where I am now"

End ID]

Start - Previous - Next

[the-nameless-ramekin]

🤧🤧🤧 THIS IS EVERYTHING TO ME 

genuinely at a loss for words and pumping my brain for actually coherent English things to say JAHSJKHKH so there's just brain dumping in the tags 👇

Tumblr can't deal with all of my tags RIP so here's more things I included that got thanos snapped:

this has had more cultural impact than the renaissance. not even my partner on our wedding day could move me to this degree.

not me not realising your two accounts were the same person LMAO 🤡

genuinely am so overwhelmed by the sheer prowess, beauty, intricacy of this masterpiece. bias aside (being my story and also my existing love for your art) it's just objectively the most visually stunning thing I've ever seen

I will blast my current story with copious amounts of leorook in honour of you

how tf did it take me an hour to type everything out + wrangle Tumblr

i drew a thing for this beautiful fanfic by @the-nameless-ramekin >:3c i 100% recommend this fic for people who enjoy crying (and beautiful writing in general!!) anyway hey rame...it's ao3 user bachstreetsolo o(-( i love your writing (i cried!!)

keep reading for rambles and alt images 🌟

fun little detail (kind of) - i gave each character clothes in a hue close to their partner's hair colour...vil's was a bit hard to work in but she has a bit of white in her hat. also sorry for having the opposite of same face syndrome

honestly i think this might be the most detailed piece i've done? even my rook birthday art wasn't this intense omg. i aim to do more detailed pieces in the future 💥 i can't keep doing flat backgrounds forever...i'll keep improving 🔥 and seriously read the fic it's crazy good

[spielzeugkaiser]

Day 5: Lambert + hug - Lambert deserves a hug from his brother!!

I really fought this one, because the sketch was too visually uninteresting for me, but I also didn't have the time today to colour it or do a background. I tried to work with the framing? I'm honestly a bit bored right now of how my art looks, but I have not yet decided in which direction I do wanna push myself. For the last few years my focus was mostly on the storytelling aspect, which is still important to me, but I feel that didn't lead to me improving on the art side of things. Overtime I want to get more perspective into these prompts, and experiment more with style, but time is still rare. We will see how it goes!

[reidalert]

IT’S OKAY NOT TO BE OKAY | spencer.reid

| spencer reid & fem!reader 3.1k words

| content: a case has you feeling helpless and guilty, and no matter who consoles you, nothing helps. maybe all you need is to take a break, but what if the break is being risky with dr. reid?

| warnings: mentions of death/kidnapping, flashback to the case, reader feeling vulnerable

| author’s note: i haven’t written in a longgg time and boy does it feel good to finally get these words out of my head. it feels like a privilege to get my writing spark back & i can’t wait to share all my ideas with you. i hope you enjoy reading <3

| masterlist

feedback and comments are highly appreciated!

You have thick skin.

Well, that’s what you say to anyone who asks if you’re okay.

But after today? After this case? You’re not sure if that’s true anymore. You don’t get affected easily, not when it comes to blood and gore. You’ve homed in on keeping your reactions and feelings at bay when it comes to that… but what happened out there? It’s made you feel helpless.

You knew from the minute JJ briefed you back at the BAU that this case was something you hadn’t dealt with before. Even Agent Hotchner had asked if you wanted to sit this one out.

But you said no. You wanted to get more experience to become a better profiler and a better agent. And it came at a cost.

You feel like an outsider. Like you’re watching yourself from an outside perspective as you go through airport security. The endless whir of machines and planes landing and taking off in the background do nothing for the thoughts racing in your mind.

You’re the last to be cleared and you know the others are watching you. Their eyes burning through your skin and doing what they do best. Profiling.

You don’t meet their gaze. You know as soon as you make eye contact with one of them, they’ll be asking you questions and it’ll make you torture yourself about whether you’re fit for this job. So, you make your way through the long and endless corridors until you’re at the gate for the jet.

The dull whirring of the jet engines helps you zone out. The leather seats are a cool comfort to your heated self.

Logically, it would make sense to let them know you’re not doing okay and that you need some time to yourself. But who are you kidding? You’re a thick skinned woman who can do anything… so you’ve made them believe.

You’re sitting on the farthest seat in the jet, right in the corner away from everyone else. You can’t deal with the questions you know they’re going to ask you.

But apparently, that doesn’t stop Agent Hotchner from taking the seat opposite you.

“I know what you’re gonna say.” You break the silence but continue staring out the oval window. The city lights below turn smaller and smaller as you progress through the flight.

“And what’s that?” Agent Hotchner asks. You’re not happy he’s here, invading your little self-pity bubble, but you do appreciate the way he keeps his voice quiet.

You shrug. “That something has upset me. Or that I’m too in my head about this case. Along those lines, anyway.”

Agent Hotchner regards you for a moment. You can feel his eyes staring at the side of your face as you purposefully stay looking out the window.

Because you know the second you make eye contact with him, he’ll see what’s going through your head. And he can’t.

“I gathered something was wrong.” His voice is low, a nice baritone that doesn't annoy you. “I know when someone in my team is different. And you’re different.”

You fight back the scoff that’s threatening to spill. “And what is that supposed to mean, Agent Hotchner?”

“Just…” he sighs. You’re very similar to Spencer Reid; in a way that you both struggle to admit when you need help. “If something is bothering you, I am here to listen.”

“Who says something is bothering me?” You kind of regret asking that question as you know damn well he’s about to go into an explanation of how he can see you’re upset.

He sits up a little straighter, hands clasped over his crossed knees. “You’re avoiding eye contact with me, your knuckles have turned white from how hard you’re gripping the arm rests—”

“That’s nothing—”

“You’re interrupting me. You don’t like being analysed as it makes you vulnerable. You haven’t eaten anything in the past,” Agent Hotchner checks his watch. “Six hours. Your stomach is warring against your emotions and you don’t like that. You’re sitting in a corner trying to push yourself away from other people.”

“Okay.” You bite out, now finally giving in to looking him dead in the eyes. “You’re a great profiler. No need to showboat.”

“I’m not showboating.”

You roll your eyes, “Sure seems like it.”

A minute or two pass in silence. Agent Hotchner is still staring at you and you feel incredibly small under his gaze. “What do you want me to say?”

“I don’t want you to say anything.” He fixes his shirt cuffs, acting so nonchalant as if he didn’t just profile one of his team members.

You grit your teeth. “Fine. Today messed with my head. That case was… it was wrong. So wrong that I can’t stop thinking about how I could have helped that family.”

Agent Hotchner leans forward, gently placing his hand upon your own on the arm rest. You feel your grip loosen and you fight back a grimace at how cold his hand feels against your warm one. “It’s not your fault. We all know we could have done something different out there, but sometimes the unsub takes a surprise route. Things like this happen and it’s unfortunate, but don’t blame yourself.”

You shrug again, avoiding eye contact once again. “Yeah.”

He stands, pulling his suit jacket to fit more comfortably. “If you need to talk to someone, come to my office.”

You only offer a silent nod in answer.

“Oh, and Agent L/N? Stop calling me Agent Hotchner, Hotch is just fine.” He offers a small smile and you shake your head, going back to staring out the window until your eyes feel too heavy to keep open.

“Why is there so much paperwork?” Your voice comes out all agitated as you rifle through a stupid amount of folders and loose paper.

Emily peeks over the cubicle dividing and raises an eyebrow. “You okay there?”

You sigh, slumping down onto your desk chair, spinning until you’re facing her side of the cubicle. “Do I sound okay to you? Who in their right mind decided to give me the goddamn paperwork for that goddamned case?” You glance around the wide room, trying to find JJ; this has to be her doing.

Emily purses her lips, “Doing paperwork isn’t that bad, Y/N. I mean, I guess there’s a lot but it’ll make the day go by quicker.”

“Oh, please.” You scoff, feeling yourself grow more annoyed by the minute. You know you need to get yourself in check, but the past 24 hours have ridden you like the Grim Reaper is taking jockey lessons in Hell.

“What’s got Little Miss Thick Skin so angry today?” Derek Morgan walks up to your desk, a hot mug of coffee in his hand. A brief thought had you biting your lip— it’d be wrong to spill it on him.

“Don’t start, please.” You rest your elbows on your desk, hands holding either side of your face as you stare at the paperwork. The names of the family you couldn’t save stare right back at you. Your stomach drops and you’re not sure how long you can stay in this office.

“Hey,” Derek places his mug on your desk before crouching down to your eye level. “What’s wrong, girl? If you don’t want to do the paperwork, I can take it off your hands. No big deal.”

You shake your head, “Don’t bother. I’m fine.”

Derek watches your face and you turn your head to look at him. “If you start profiling me, Morgan, I swear to God that coffee mug will end up in a place you really don’t want it.”

Derek chuckles and raises his hands in mock surrender. “Okay, girl. Just tryna help ya out.”

“Yeah, well, I don’t need help. I’m fine.” You scoot your desk chair closer and grab the closest pen, tapping it against the top of your desk to distract you from the fact you have to relive this case just a day later.

You don’t catch it, but Derek and Emily share a knowing look. They’ve seen this before. It’s not hard to notice someone you spend days on end with is struggling.

Derek grabs his mug and pats you on the shoulder. Emily sinks back into her cubicle and makes sure to keep an eye on during the day. If she finds you with smoke coming out of your ears, she’ll go get the fire extinguisher.

Your hand cramps as you write your final notes. The computer screen has turned too bright for your eyes and a headache begins to form behind your eyes. It’s been a long day.

Clicking the pen closed, you lean back against your chair with a deep sigh. You close your eyes just to rest them for a brief moment and scenes from yesterday plague you.

It’s like you can’t escape.

Your heart rate picks up speed. You’re not sure how it turned into a game of cat and mouse, but you’re adamant on putting a stop to it.

“What does he think he’s doing?” You’re standing with your palms pressed against a conference table in a police station in Washington. The projector casts a live shot of the news— a helicopter is chasing after the unsub in a car. The family you’re trying to protect is with him.

“He’s trying to flee.” Agent Rossi says, so matter of factly that it has you turning your attention to him instead.

You squint at him. “You saw this coming, didn’t you?”

He gestures to the screen. “You didn’t?”

“No, I did not.” You grit your teeth, moving so you’re now standing up straight. “I predicted he’d do something out of the blue. We all did. But we didn’t know he was going to kidnap them. That wasn’t part of his game.”

Rossi shrugs, “I’ve been in this job longer than you have, kiddo. It takes experience to know something like this. Don’t blame yourself.”

“What?” You let out a disbelieving scoff. “Listen here old man—”

“That’s enough.” Agent Hotchner cuts through your words, ending your little spat with Rossi. “We’re all here to do a job. So let’s do it.”

Faint footsteps sound behind you. You’re not sure who’s still in the office, but considering how late it is, there’s only a few people that come to mind.

“Hey, what are you doing here so late?” That all too recognisable voice makes your heart swoop. Spencer appears in your line of vision, his man-bag crossed over his torso. He looks ready to leave. “It’s nearly 7PM.”

“Oh.” You glance at the clock mounted on the wall. You didn’t realise that you were doing the paperwork for the Washington case for nearly 10 hours. “Guess I lost track of time.”

Spencer regards you for a minute. “Everything okay?”

“Huh? Oh, yeah. I’m fine.” You offer a weak smile, not trying to be bitchy to him like you were to the others earlier. You make a mental note to apologise to them tomorrow.

“It’s just— nevermind.” He shakes his head.

Your brows furrow, “No, what is it?”

“Ever since we got on that plane yesterday, you’ve been hostile.” Spencer rocks back and forth on his heels. “I know you don’t like to be profiled, I don’t either, but I know something is wrong.”

You twist in your chair, facing your computer screen with your hands hovering over the keyboard. You don’t want to talk about it, you just want to figure it out on your own.

“Y/N?” Spencer says your name and you look at him over your shoulder. His eyes all sparkly, his cheeks smooth, his lips… perfect.

You blink slowly. Your head isn’t in the right place, but your heart (and hormones) are.

You internally say fuck it and reach for the strap of his man-bag to pull him down to your level. Your breaths mingle and your eyes dart in a triangle from one eye to his lips to his other eye. And lo and behold, the triangle method actually works because Spencer leans in and you feel his lips ghost over your own.

And nothing.

He just stays in that position. Hunched down in your grip, lips mere millimetres away from your own and he doesn’t finish the job.

You breathe in a deep sigh, your senses being filled with his scent. “Why aren’t you kissing me?”

“I— I think it’s because I know you’re not yourself. It feels wrong.” Spencer's breath is minty as it fans over your cheeks and neck. You want to say something snarky, but you know he’s right. “I do want to kiss you, though. I’ve wanted to kiss you for a while now.”

You lean back a little, your eyes staring into his pretty brown ones. You don’t see a sign of a lie and your heart skips a beat. “Would it help if I admitted what’s going on? Would you kiss me then?” God, are you really that desperate to get kissed by Spencer Reid? Yes. Yes you are.

Spencer lowers into a crouch, one hand grips the armrest of your desk chair, whilst the other splays across your knee with a gentle squeeze. “If it helps you, then it’ll help me. Talk to me. Let me inside your pretty head.”

You reach out for his tie, fiddling with it to help your nerves. “You know I don’t like talking about how I feel, but this is something I can’t keep to myself anymore.”

Spencer nods, his hand on your knee giving you another squeeze. But this time in a reassuring way. That’s your go ahead sign to lay it all down.

“That case we did. The family where we couldn’t save them, where I couldn’t save them, keeps replaying in my head and I don’t know what to do to stop it.” You take a breath, your fingers still playing with his tie. “If we got there sooner, I know we could have stopped him from hurting them. From killing them. I feel like if I did or said something right or helpful, I could’ve saved them. I hate feeling like this because I know it isn’t my fault, but I just can’t help but feel guilty.”

Spencer stays quiet, letting your words sink in. “You’re right, it isn’t your fault.”

You sigh, dropping his tie and moving your attention to his face. To his lips.

“I wish I could go back in time and help.” You admit, feeling a small weight lift from your shoulders.

“I wish for that, too.” Spencer admits as well. Both of you find comfort in knowing you feel the same. It makes feeling like this just the little bit easier to deal with. “Thank you for sharing how you feel.”

You let out a small laugh. “Thank you for not dismissing me.”

“I could never dismiss you.” Spencer’s voice is soft and warm. His fingers slowly trail up and down your calf, sending a shiver through your body. “Would you like that kiss now?” The smirk on his lips has your stomach flipping and you want nothing more than for his lips to be on yours.

“I would very much like that kiss now.” You smile at him, leaning in and already feeling your body succumb to him. When your lips meet, you sigh. You’ve missed being able to be physical with him; it’s hard trying to stay colleagues when all you want is to be wrapped up in his arms.

Spencer lets his hands travel— up your thighs, round your back, cheekily up the hem of your dress. You moan lightly into his mouth and he swallows it.

Your hands grab for his collar to deepen the kiss. “More.” You mumble against his lips and he complies. Spencer bites your bottom lip to elicit a gasp from you so he can dive his tongue down your throat with ease.

You feel yourself involuntarily squeezing your thighs to quell the ache forming between your legs. God, you’d do anything to take him home with you right now.

Before you get a chance to start undoing his tie, a loud and clear cough comes from your right.

You stop moving but Spencer keeps going. Trailing open mouthed kisses along your jaw and down your neck, you now get a perfect view of Hotch standing outside his office with his arms crossed. You can’t make out what his face is portraying.

“Spence.” You tug on his collar, but he thinks you want him to go further. You feel his tongue lick a stripe up the column of your neck and you have to fight back a whimper.

You’d die on the spot if you let Aaron Hotchner hear you moaning.

“No. Spencer.” This time you push at his shoulders and the look he gives you makes you feel bad. But if you let him carry on, both of you would never be able to be in Hotch’s presence. Ever.

“Are you okay?” Spencer brushes a stray piece of hair behind your ear. “Did I do something you didn’t like?”

You shake your head, your fingers quickly straightening out Spencer's tie. “I loved it. You were good, but, um…” your eyes drift off to where Hotch is still standing.

It’s as if Spencer was zapped by lightning. He shoots back away from you, and somehow manages to hit every piece of furniture around him. You want to laugh but this situation doesn’t call for laughing. You’ve been caught by your boss making out in the middle of the BAU.

“Reid, L/N. Care to explain?” Hotch moves slowly down the stairs, his aura too strong for you to look him in the eyes right now.

You twiddle your thumbs. “He was just helping me finish this file report from the case yesterday.”

Hotch looks at Spencer, knowing that he’ll blab the truth. “She was upset about not being able to save them and I wanted to help ease her pain and—”

“That’s enough.” Hotch raises a hand. “Since it’s past working hours, I’ll make a one time allowance for this behaviour.”

You have a big sigh of relief and Spencer lets out an audible groan of embarrassment. “Sorry, sir. It won’t happen again.”

“You’re right. It won’t.” Hotch checks his watch and frowns. “I’m late for something. Finish that report and I’ll see you both tomorrow. Behaving correctly.”

You nod your head and Spencer keeps his head down staring at the floor. You watch Hotch leave the office and you finally let out your cringing grimace. “I am so sorry. I didn’t know he was here. I thought he left already.”

“I can’t be mad. I got to kiss the prettiest girl in here.”

“Shut up.”

Copyright credit to @reidalert as of 2024-present.

[ham1lton]

QUESTION TIME?

pairings: (platonic) lewis hamilton x f1 driver!reader.

warnings: sexist comments. interviewers asking rude questions.

summary: being the only female driver on the grid means being the unofficial spokesperson for women in motorsports and you’re tired of it.

author’s note: a part of my newest series! i’m still actively looking for more scenarios and ideas regarding this universe! so if u have any thoughts or questions? let me know! i’d love to hear them <3

“do you worry that being more open and accessible to different drivers will lower the level of competition within formula one?”

the silence could be cut with a knife. everyone in the room looked at you expectantly, eyes wide as they waited for your answer. you took a sip of water as you collected your thoughts.

sometimes, when you were younger and karting, you’d wish that you had been born a boy. that might have been an unpopular opinion but you held it occasionally, although not for the reasons one might think. being a man would have meant that you would have been treated as just another driver rather than a novelty. no one else on the panel was expected to act like a mouthpiece for their entire gender.

taking a deep breath, you composed yourself before addressing the question. "i understand the concern about maintaining the high level of competition within formula one. however, i believe that diversity and inclusivity in motorsports can actually enhance the competition rather than detract from it."

you glanced around the room, meeting the expectant gazes of the reporters and fellow drivers. "by opening up opportunities to drivers from different backgrounds and experiences, we bring new perspectives and skills to the sport. this diversity can drive innovation and push the entire field to new heights."

pausing for a moment to gather your thoughts, you continued, "i don't necessarily think talent and competitiveness are determined by gender or any other factor. it's about skill, dedication, and passion for racing. embracing diversity not only reflects the world we live in but also strengthens formula one as a whole."

as you finished speaking, you could sense a shift in the atmosphere of the room. while your response might not have been what everyone expected, you knew it came from a place of honesty and conviction. and deep down, you hoped that your words would spark a broader conversation about the importance of inclusion in motorsports.

the room digests your response, slowly and steadily until another interviewer speaks up. "i get where you're coming from, but let's be real here. formula one is about pushing the limits, about being the best of the best. we can't afford to water down the competition just for the sake of diversity."

you respected his perspective, knowing that he always spoke his mind but god, if that wasn’t the worst way to word that. "i hear you," you replied, "but i don't see diversity as watering down the competition. if anything, it's about elevating it. different perspectives bring new challenges and force us to raise our own game. isn't that what racing is all about?"

he paused, considering your words. "i suppose you have a point," he conceded, nodding thoughtfully. "but we still need to ensure that the drivers who make it to formula one are truly the best, regardless of where they come from."

you nodded in agreement, acknowledging the importance of maintaining high standards in the sport. "absolutely," you agreed. "and i believe that by embracing diversity, we can do just that. it's not about lowering the bar; it's about expanding it to include drivers who might have otherwise been overlooked."

after a moment, lewis, who had been your unofficial mentor throughout the process of integrating into formula one, raises his hand. he had been listening to the whole exchange with a furrowed brow.

“i just want to echo what y/n has said,” he began. “diversity isn’t a threat, if anything it’s our greatest asset.”

he turned to address the room, his gaze steady. "we've seen time and time again how diversity helps drive innovation and pushes the sport forward. and it's not just about gender or race – it's about welcoming drivers from all walks of life and giving them the opportunity to shine."

lewis paused, letting his words sink in. "formula one should be a reflection of the world we live in – diverse, inclusive, and full of opportunity. and by embracing that diversity, we make the sport stronger, more competitive, and more exciting for fans around the globe."

you smile at that and grin at the interviewer.

“is that a good enough answer for you?” he nods and your remark sparks laughter in the room. after a moment, the interviewers target your peers and you take a deep breath. free at last.

when the interview concludes, you find yourself walking step by step with lewis, who smiles at you.

“you answered those questions well. i’m proud.”

“just followed the hamilton playbook.” you tease. “who knows? maybe i’ll be fighting you for that championship next.”

“i’d welcome the challenge.” lewis laughs, his eyes bright with amusement. “but seriously y/n, never underestimate the power of your voice and your presence in this sport. i always say that the goal is to leave the sport better than we found it, and you’re only in your second season and doing that. i have no doubt you’ll achieve great things.”

his voice is thick with sincerity and he places a warm hand on your shoulder before leaving. as he disappears, a young girl wearing your merch comes bounding up to you. she’s grinning wide with a missing tooth and when she speaks, her accent is thickly american with a strong lisp.

“y/n! hi!” she waves a massive poster in front of you. it has your name, your number and a message of support. “y/n you’re the coolest! will you sign my poster please?”

with a warm smile, you kneel down and grin at her.

“of course! i’d be honoured.” your assistant hands you a sharpie and you scrawl your signature in the corner of her poster. her parents taking a photo of the two of you and then with her parents permission, you sign her hat and her shirt. “thank you so much for all of your support. it means everything and more to me. keep cheering me on okay? i do this for all of you.”

“i will!” she beams. you laugh and pass your assistant her pen. “you’re my hero y/n! thank you!”

she bounces off and her parents wave while saying their thanks. your heart swelled up after that interaction, reminding you as to why you do this. why you deal with all those incessant annoying questions because it gives you the opportunity to help inspire the next generation of young racers.

as you stand there, you see a guy with a camera walking your way. your eyes widen as you make a sneaky escape. today has been filled with enough questions, you think as you hide out in gavin’s office.

[incognit0slut]

Much Ado About Nothing (Act I, Scene I: The Silent Agreement)

Ever since that night, you and Spencer have always been at odds, but there is one thing you both agree on.

Part warning: just two idiots bickering nonstop Words: 1,6k A/n: so nervous about starting this but welcome to the first part! It's a short introduction though I'm trying to make longer chapters in the future

SERIES MASTERLIST | MAIN MASTERLIST

Hate was too strong of a word, too intense and dramatic for the subtler, more nuanced disdain you felt toward him. It was more like a persistent itch you couldn’t scratch, a pebble in your shoe, or a fly that wouldn’t leave you alone.

You didn’t hate him. You didn’t even dislike him all the time. But there were moments when you wanted to shake him, or yank his tie hard enough to shut his smart mouth. Because every time he started throwing around statistics and facts, he made it sound like you couldn’t possibly understand, as if you weren’t on the same intellectual level as him.

And right now was one of those times you wanted to wipe that smug look off his face.

“You’re wrong,” you argued, not breaking eye contact as you leaned across the cluttered map with pins and photos of various crime scenes. “The Unsub doesn’t fit the profile of someone who strikes randomly. Look at the pattern, the meticulous planning in each location—it’s obvious they selected victims based on specific criteria, not opportunity.”

Spencer scoffed, his eyes narrowing slightly. “The victims have nothing in common. Different ages, different backgrounds, different cities. How do you explain the randomness of the victims if it was planned?”

“It’s the chaos that’s planned, the seeming randomness, each victim is at a pivotal point. The Unsub is not just killing; they’re sending a message through the timing.”

“A message? Or is that just what you want to see?”

You frowned, not liking the condescending tone in his voice. “Reid, not everything has to fit into your neat little boxes of logic. Sometimes, you have to look beyond the obvious.”

“You mean baseless assumptions?”

“How about intuition?” you snapped back. “How about pattern recognition that isn’t immediately visible but becomes clear when you consider the psychological aspects?”

“You mean your hunches?

You gritted your teeth. “It’s not about my hunches. It’s about understanding the Unsub’s mind. They’re choosing victims who are at turning points in their lives for a reason. Maybe it’s symbolic, maybe it’s personal."

“Or maybe you’re just reading too much into this.”

Your frustration bubbled over. You knew if he weren’t talking to you, he might actually agree—No, he would definitely agree. You had enough experience working with him to understand his analytical style and to know that he valued well-reasoned arguments. Yet now it felt like he was purposely dismissing your perspective.

He wasn’t being fair.

“You know what? Sometimes I think you’d argue with a freaking wall if it meant you could prove a point.” To me at least. "Not everything is a textbook case, and not every answer is in your precious statistics.”

You saw him raise an eyebrow. “And you’d dismiss all logical analysis if it meant you could rely solely on intuition. How is that any more valid?”

“It’s not about relying solely on intuition,” you defended. “It’s about seeing the connections, the human behavior that your statistics can’t always explain.”

“But you’re assigning meaning where there might be none.” He gave you a pointed look. “Not only is that dangerous, you’re being reckless.”

Red. You were seeing red. Your retort was on the tip of your tongue when a sharp clearing of a throat suddenly interrupted. You both turned to see Hotch standing at the corner of the room.

"Let's redirect this energy towards something productive," Hotch interrupted, you could almost feel the weight of his stare. "Both of your insights are pointless if you keep arguing like this.”

“I wasn’t arguing.”

You rolled your eyes. “Sure, you weren’t.”

Your boss sighed, the kind of deep, exasperated sigh that seemed to pull the oxygen out of the room. “Just... work together. Please.”

The plea was simple, filled with the tiredness of having had this conversation more times than anyone cared to count. He then turned to leave and the room suddenly felt too big, the silence too loud.

You glanced over at Spencer the same time his eyes fell on you. But before either of you could say anthing, the door jerked open, and you watched as Derek sauntered into the room.

“Did you two fight again? Because Hotch asked me to babysit you.”

You scoffed. “Really? Those were his exact words?”

“Of course not, he asked me you needed supervision because you can’t stop sniping at each other.”

“Supervision,” you muttered under your breath, the word sounding ridiculous because it was the last thing you needed. “We don’t need supervision.”

“Exactly. What you both need is a babysitter.”

“We’re also not kids.”

Derek chuckled, leaning against the doorframe. “Could’ve fooled me. Given how loud you were, I half-expected someone to start throwing toys.”

Spencer was quick to defend himself. “We were having a professional disagreement.”

“A professional disagreement?” Derek mocked, pretending to be deep in thought. “That’s what they’re calling it these days?”

You huffed, crossing your arms. “Yes, Morgan, some of us prefer to call it that instead of ‘arguing like toddlers’.”

The grin spreading across his face was so annoying that you wondered whether you should’ve put your frustration on him instead. Derek pushed himself off the doorframe and walkes over to Spencer, casually draping an arm around his shoulders.

“Alright, Pretty Boy, let’s hear your side of this professional disagreement.”

Spencer shifted uncomfortably under his arm but managed to maintain his composure. “We were discussing the Unsub’s choice of victims. I believe the randomness is genuine, while someone,” he glanced pointedly at you, “Thinks there’s a pattern.”

Derek raised an eyebrow. “What pattern?”

You stepped forward, determined to explain. “Look at the victims’ timelines. They were all at critical junctures—new jobs, big moves, major life changes. The Unsub isn’t picking them randomly; they’re choosing people going through something significant.”

Derek nodded thoughtfully, removing his arm from Spencer’s shoulders. “Alright, I see where you’re coming from. And you, Reid, think it’s just a coincidence?”

“I think the Unsub might be targeting randomly to avoid detection. Patterns can be dangerous for them.”

You sighed. “Can we at least agree to look at both possibilities? If we cross-reference the victims’ life changes with significant dates in the Unsub’s background, we might find a connection.”

You held his gaze as he studied you. You were right, you both knew you were, but you could tell admitting he was wrong was the last thing he wanted to do. There was a tense silence as he considered your suggestion, his eyes flicking between the evidence board and you.

Finally, he nodded, albeit reluctantly. “Fine. We can analyze both angles and see if there’s any overlap.”

“See? That wasn’t so hard, was it?” Derek chimed in with a smirk, clearly enjoying the moment. “You know, you could’ve gotten more work done if you two still got along.”

Derek’s words hit harder than you expected, a bittersweet reminder of a time when things were simpler. He was right, of course. There was a time when you and Spencer were more than just colleagues locked in constant debate. You were friends—good friends, even. You could almost hear the echoes of shared laughter that had once come so easily.

You remembered late nights at the office, the two of you working over case files and tossing ideas back and forth. Back then, your debates had been lively, yes, but never tinged with the frustration and competition that seemed to color your interactions now.

And to make matters worse, Derek suddenly voiced out the question neither of you dared to ask out loud.

“You guys used to be inseparable,” he mused, glancing at the two of you with an amused smile. “Wonder where it went wrong.”

You knew he was joking, but his words carried an uncomfortable truth that you couldn’t ignore. You could also tell it affected Spencer because his eyes met yours silently.

You both were thinking the same thing. You were sure of it, because everything had changed after that night, that one night you wished to forget. That one night when you thought your friendship would change for the better, but instead, it turned into a moment of clarity, a freaking slap to the face.

The change was immediate, like the abrupt silence that follows a sudden, jarring noise. What had once been effortless and natural now felt forced and awkward. The distance between you grew. The ease with which you once communicated had been replaced by a strained formality, as if both of you were trying too hard to pretend that nothing had changed.

It was as if you had made a silent pact to never speak of that night, an unspoken agreement to bury it deep and carry on as best you could. Both of you were too proud, too scared to address the elephant in the room.

You looked away, unable to hold his gaze any longer. The weight of the unspoken words pressed heavily on your chest, and sure, it seemed childish to harbor such disdain at your big age, but you couldn’t help it. It wasn't just the loss of a friendship that stung; it was the betrayal of knowing someone so close could cause you such pain.

Because Spencer Reid had hurt you deeply that night, so much so that a small, spiteful part of you wanted to hurt him too.

[seawing-vibes]

Decided to fill out a template from @/falling-skyzz I feel normal about . The dragons ! List of characters & design & dynamic thoughts under the cut <3

Also If anyone else fills out thus template feel free to send me the post,, I would love to see other people filling this out!!! I love templates !!

Secretkeeper & Moon • I understand theres a lot of reasonable hate for Secretkeeper but!!! I find her & moon to be a very fascinating pair! To make a long ass thought short, I think Secretkeeper is the embodiment of “product of her environment & deeply traumatize & projecting”. I think she genuinely really loves moon but obviously expresses that through being “”protective””. But I think shes genuinely a character with a capacity for change & realizing the autonomy Moon has over her own powers. Also from the perspective of Moon I think her arc around her relationship with her mom could be really interesting, especially as Secretkeepers authority becomes challenged in Moons life & she has to confront the bullshit her mother has put her through. Overall very very interesting pair I think about them a lot.

Design Note: Secretkeeper is duller in color than Moon & has less stars due to lack of moon light on the island! Also the scales around her mouth are almost completely black, making her mouth barely visible, giving her the name “Secretkeeper” as she “has no mouth to tell others secrets.”

Tsunami & Starflight • Just one of my fav siblings! This specific illustration is from the Arena Scene in Dragonet Prophesy! I really really love Tsu & Starflights dynamic of looking up to eachother & their development together just. So neat!

Design Note: Starflight has very few constellation marks in this illustration as he hasnt spent much time under moonlight quite yet!

Shark & Abalone • One of my more out-there ships! I based this on the thought that Shark was once close with Abalone (cough. Husbands.) and that relates to why he was willing to give Tortoise a lunch-break from watching the eggs. He already saw someone close to him die from being overworked to watch the clutch, he didn’t want to watch another dragon die from his sisters selfishness. I could write an essay on these two I swear

Deisgn Note: Shark is based on a tiger shark & abalone is based on real abalones! hes one of my fav designs here

Six-Claws & Ostrich • He’s just a sweet dad! the little we see of him he seems to really love her & vice-versa <3 they’re just neat

Design Note: Six-Claws is based on a king cobra & is a specific sub-“species” of hooded Sandwings ! Burn found his hood mutation & six-claws super interesting

Tamarin & Pike • My fav background friendship! They’re just fun. I like Pike just chillin out around Tamarin & describing flower colors to her to the best of his ability (she just likes to hear him ramble about a shared interest)

Design Notes: I updated how I draw Tamarins eyes to properly resemble a blind-born dragon ! Also Pike’s deisgn got some yellow in it and I really like it <3

Whiteout & Thoughtful • I just think they’re neat!! They just seem like a sweet pair love them

Design Note: none really! Just experimenting with a rando Thoughtful design that I tossed together for my “ships tier list”

Tsunami • Its just her :) my fav dragon <3!!! I definitely dont think she upholds the “princess” title once she gets older, her only link to the throne is by Coral insisting monthly visits but Tsu otherwise wouldn’t be any interesting in royal life I would imagine

Design Note: Shes caught a waaururrghh something im going bonkers I cant remember what fish that is and my reference photo seems to have dissipated into the cosmos

Anemone • I LOVE HER. SO MUCH ! Anemone haters BACK OFF!!!! Her relationship to her powers is so fucked man. Something you’d think would give her power & control is just a key by which others use to manipulate and abuse her like . Man :( shes literally never had any autonomy over her own identity & intermingled her powers into her identity So Much only for that aspect of herself to also be revealed to be a facade for someone else’s desires like. GUH I love her so much I hope shes having a good day I dont care what anyone says she deserves to be a brat and I support her for it

Design Note: none really! The stars in her talons are just metaphorical though

Snowflake & Snowfox • THE OGS!!!!!! MY FAVORITE PROBLEMATIC LESBIANS <3 Ahhh remember in the early days when they were considered the #1 most problematic ship because they were gay and also evil. I love the evil lesbians so much they’re so shitty sorry Darkstalker Snowfox should’ve been queen I would’ve loved to see that go down it’d be so silly

Design Notes: Snowfox is based on an arctic fox shedding into their summer coat!! I know its p . Away from canon descriptors of her but it was sm fun to illustrate so shhh <3 Snowflake is just grey & blueish per-canon but shes sooo fun. love her.

Okay thats all here are the individual illustrations now !!!!! Because why not !!! If these aren’t transparent its all over

[zntauri]

Love your art! What's your shading process / any tips? I really like how vibrant it is

Thank you!! also sorry this is a long post

I usually start painting the character after I already have a background, super sketchy or with a placeholder (a photo usually), just so i know what colors to use

I fill the character with a color from the BG or a similar color and use the multiply blending mode

then i paint the lights on another layer with the "add glow" blending mode (i also pick the color depending on the bg).

I add another multiply layer for anything that needs to be darker, like stuff under the characters clothes

I paint a line with a saturated color between the lights and shadows, for example i added a bright red for the cape and light purple for their skin (? this is subsurface scattering, it doesnt happen on every surface but i like how it looks so i use it on everything lol.

Then i paint the lineart a similar color to each part of the character or you can paint it all red and use multiply

that's basically it

some tips (these are just things that work for me)

I think is better to paint the lights, not the shadows. it helps to see the shapes of the thing/character you're drawing better (its what i did with lambert ⬆️)

Draw backgrounds, i think it makes every drawing look more interesting and its easier to decide the lighting for the character, if you dont want to draw anything detailed you can paint something simple and blur it

i really recommend to start with a thumbnail, experiment with colors, perspective, composition, etc. before actually starting the drawing thumbnails of this post

this tip is something that everyone has heard before but use references, real life references like photographs for perspective and lighting, 3d models for anatomy and perspective, paintings to see how other artists stylize objects, bgs or characters. use references for everything

this tip is super important for me: check the values of your drawing, (lower the saturation, with the lineart hidden) if it isnt readable/ doesnt look good in black and white it most likely wont look good with colors (this depends on artstyle and personal preference tho)

[madbard]

I just realized another reason I love Hozier’s music. It’s not just that the lyrics are complex, or the music itself is beautiful - it’s that Hozier is a musical liar.

Take Cherry Wine. This is a song about an abusive relationship, told from the perspective of someone very much in love with their abuser. Throughout the song, the narrator describes their lover’s cruelty. Lyrics like “I walk my days on a wire” and “open hand or closed fist would be fine” make the darker aspects of their relationship all too evident. At points, the song suggests that they are defending this relationship to someone else who cares about them (“it looks ugly but it’s clean. Oh mama, don’t fuss over me”) and even the more beautiful and seemingly romantic lines later in the song (“oh but she loves like sleep to the freezing”) have dark undertones (what else is sleep to the freezing but death?) Still, I often come across the song being used in a wholesome, romantic context. A lot of factors contribute to this, but I would argue that this song mainly gets mistaken for a romantic song because of how soft and gentle the music is - it presents as a sweet love song in every way except the lyrics. Even those lyrics are told through the lens of someone defending their broken and abusive relationship, deepening the lie. Our narrator wants to portray this relationship as something dark, yet also immensely beautiful and encompassing. The result is a song about the agony and pleasure of a broken relationship, disguised so well as a love song in every possible way that it gets mistaken for something romantic. (Even if you are aware of the meaning, there is still that deep urge to experience the song as something romantic. Just like the narrator, the listener is drawn in by beauty and the powerful idea of love, so much so that it can blind them to reality.)

Variations of this can be seen in Talk. In this song, the narrator makes their intentions very clear - they are sweet-talking someone in order to hide their own thoughts and desires (“I try to talk refined, for fear that you find out how I’m imagining you”). Despite knowing this, the sheer power of the lyrics (“I'd be the voice that urged Orpheus / when her body was found. / I'd be the choiceless hope in grief / that drove him underground. / I'd be the dreadful need in the devotee / that made him turn around, / and I'd be the immediate forgiveness in Eurydice”) overwhelms the listener. We know the speaker is putting on a show. We know they have ulterior motives, and likely don’t even believe what they are saying. But their words are so beautiful that we don’t care. The intense, almost mythic music in the background is so lovely and deep, it makes the lyrics seem genuine, because what lie could sound so astounding and true? In this case, the song about smoke and mirrors and empty talk becomes a love song because the narrator is just that skilled at lying.

Even songs like Too Sweet, sung by a narrator who refuses to be with someone unless they allow their standards to slide, become ‘romantic’ and ‘sweet’ to certain listeners - not because the lyrics are impenetrable, but because so many of Hozier’s narrators are unreliable. His songs spin sweet stories, lies so stunning that listeners are willing to deny what they know in order to experience the beauty of that untruth, the complexity of that space between what is real and what we want to believe.

And isn’t that more true to the experience of being a person, and loving other people, than the simple truths we often see in these types of songs?