#i want. kazui watch
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mukuberry · 4 months ago
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they should make milgram watches
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zabiume · 2 months ago
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orihime's confession to ichigo evoking the idea of time ["five lifefimes"] vs ichigo's pre-confession evoking the idea of time ["can you make time for me?"]...something about ichigo wanting orihime's time and orihime promising five lifetimes worth of it...something about both of them seeing time spent together as the biggest luxury life could give them...that they had ten whole years between the yhwach battle and the next time we saw them...ten years where they didn't battle anything and didn't rush off to risk their lives, just sat around and spent time together, talking about nothing and everything. and both of them valuing that so much because all they've ever wanted is the other person's...time
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good-beans · 9 months ago
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this is so stupid but i always have fun imagining the milgram characters watching their own/others mvs and seeing their reactions, especially for MeMe
That’s not stupid at all, thank you so much for the ask!! It’s sooo interesting to think about! I planned on just posting this drabble, but the more I thought about it, the more I started jotting down headcanons for everyone 👀 Of course there’s the initial disbelief and shock that Milgram can really do what it claims, but once they accept that, they’d have a lot of interesting reactions…
Es gets to watch the video first, then the prisoners are free to watch their own in the privacy of the courtroom/extraction room/wherever. Other prisoners can watch them only with explicit permission from the video’s singer. No one is allowed to watch Undercover except for Es. At first they spend hours looking at those final frames of themself flinching from the camera, hoping to jog any sort of memories, but eventually they give up on it. While actually watching it, they don’t mind the murder silhouettes. While sleeping, however, it has triggered more than one nightmare.
Haruka: He thinks Weakness is very pretty – he’s amazed seeing himself on the screen and hearing his voice, knowing he’s not that good of a singer. Even before his innocent verdict, it gives him a huge surge of confidence. Once he gets to know the others better, he gives them mv permissions, then stares intently at their faces to see their reactions as they watch it. AKAA scares him a bit, seeing his own intense emotions on screen, and he only gives Muu permission to see it. When he’s alone, Haruka pauses the shots of his mother, just to stare for a while.
Yuno: Laughs at the symbolism her mind used in Umbilical. She’s never shied away from sexual words/thoughts, so it's funny the video was as tame as it was. She thinks the song is fun, and isn’t afraid to show the others and sing snippets of it around the prison. Some days it’s too emotional for her to get into it, but most of the time she tries to display a confident attitude about it. After Tear Drop, she’s satisfied with her anger and more overtly sexual images. If anything, she feels too exposed by the shots of herself looking more vulnerable/sad. 
Fuuta: He experiences a solid mix of embarrassment at the gaming theme in Bring it On and feeling a surge of pride that he looks badass in the knight’s armor. He’s worried the warden won’t take him seriously with the video game obsession, but he absolutely loves the song and thinks it portrays his toughness and ideals well. He’s less thrilled with Backdraft, everything about it unsettles and embarasses him. He’s thrown by the shot of crossing out his own silhouette – he’d had self-harming thoughts, but wasn’t quite ready to confront them so blatantly yet. Like Haruka, he can be caught pausing the arcade shot just for a moment before turning the whole thing off and storming away.
Muu: She has mixed emotions towards After Pain. She hates seeing herself look so weak and pathetic, but it gives her a lot of hope that her story will be understood. She misses her friends, and seeing them again is bittersweet. She closes her eyes at the moment of the stabbing – she’s only gotten the courage to watch it through her fingers once. She watches INMF once, then refuses to look at it again from shame/horror. Despite Haruka’s begging, she doesn’t let him watch it, either. 
Shidou: He asks Es what they saw in Throw Down. Upon finding out his family wasn’t in it, he chooses not to watch it. He believes he already knows all about his emotions and crime, so there’s no need to go through that pain again. He’s tempted to watch it when he’s confused about Es’ verdict, but still holds off. He does watch Triage when informed his family is in it. He spends hours in front of the screen by himself. Only after seeing that one does he watch Throw Down, though he’s still left confused about Es’ decisions.
Mahiru: Absolutely loves TIHTBILWY. She thinks it perfectly describes her situation, and that the song is very cute. She lets others watch it, and unlike Yuno, feels like singing it 24/7. It reminds her of her bf, and she thinks that’s very romantic. Similar to Shidou, she spends a lot of time watching I Love You just to look at her boyfriend. She shows it to everyone, just to show him off and talk about him, even if she does skip over the beginning and end each time.
Kazui: He is very similar to Shidou; he refuses to watch his videos until T2, assuming it would be too painful to watch something he already knows and wishes to avoid. Unlike Shidou, seeing Hinako is far too painful, and he regrets watching it and seeing her so happy on their wedding day. Though maybe he’s still waiting, and hasn’t seen any of the videos yet…
Amane: Magic makes her worry more than anything. She fears she’s poisoned by unnecessary vainness since so much of her video involves cute things, colors, outfits, animals, and is set up like a tv show. She’s also worried that Es and the others will really see her as a child because of how cute the whole thing is. She prevents herself from watching it too many times, but buried under all her fears, it gives her a surge of pride seeing herself so talented and pretty and the star of the show. Purge March only reaffirms her confidence in her crime – the video brings up some awful memories, but it shows her as a leader, a warrior, a hero! It brings her comfort and confidence more than anything.
Mikoto/John: The videos are distressing to both of them, and they spend all their time studying the others’ screentime. Mikoto watches in horror as John does things that line up with his spotty memories, and John panics seeing that his actions distress Mikoto more than they’ve reassured/saved him. John does end up watching his own scenes a few times – it feels incredibly good to appear in a way that Mikoto may finally notice him. He feels seen. Now, logically I think that MeMe would be the final tipping point in which Mikoto finally accepts the situation and his DID, but if I must stick to his canon denial, then I’d say he goes on a whole rant about movie magic andt the crazy things you can do with editing nowadays. He doesn’t have a good explanation on how Milgram found his home and knew so much about him, but he explains everything away as cgi or camera effects. Double manages to sway him a bit more, as he hears John speak so plainly to him. Just as the audience had some debate on who was apologizing at the end of Double, Mikoto and John wonder who is apologizing to whom. Though they both come to the conclusion it’s their own apology, they decide that if it was the others’, they’d accept it and forgive them.
Kotoko: She’s very pleased with Harrow, and is unashamed to show it to the others. Though she’d been able to watch a few of the previous prisoners’ videos, it still shakes her a bit when she realizes that Milgram really does have the tech to look deep inside her. She watches it just a few times – not obsessing over it, but not afraid either. Deep Cover, however, is a once-and-done sort of deal. She claims she’s not letting the others watch it because “they couldn’t handle such harsh but true criticisms about themselves,” but she doesn’t end up watching it anymore herself, either.
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iris-drawing-stuff · 1 year ago
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Sometimes I just get the most nonsensical crossover ideas.
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Doki Doki Literature Club! Milgram Edition
Does this make sense? No.
Was it fun to draw? Yes!
And that's what's important!
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tired-and-unjellied · 11 months ago
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it would be nice if Yuno was aro. It could be a story about feeling lonely as an aro person cuz of that lack of proximity, but she still wants to indulge in her sexual drive, and casual dating gives a level of intimacy you can't quite find in hookups, without the whole romance and love thing of romantic relationships.
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enanan-ami · 6 months ago
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Well. It was asked for Kazui Mukuhara cosplaying Ai Hoshino so... Here's that old man as Ai.
@sorayume24 Enjoy!!
Thank you for giving me something to do I have been in a car for 4+ hours and will be for another six.
-Mikoto ☁️
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quadrantbreaker · 1 year ago
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watxhed cat. that was cool. awesome. yeah
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explosionkatsu · 7 months ago
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Age doesn't matter Finale
Dad!Bakugo x F!Teacher!Babysitter!Reader
24
As the school week comes to an end, he eagerly looks forward to his weekend visit with his mother. Without fail, every Saturday or Sunday, he sets aside time to make the journey to his home. The time spent with her is precious to him, and he cherishes the opportunity to catch up on each other's lives, share stories, and simply enjoy each other's company especially now that he is looking forward to meeting his baby brother.
As Kazui walked into the living room, you couldn't help but smile. "You're early, Kazui-chan," you said, giggling as you tried to stand up from the comfortable sofa where you sat. "Okairi, sweety," you added with a smile, admiring his delicate features that contrasted his father's strong ones.
Kazui seemed worried as he threw his bag aside and rushed to your side. "Dad will scold you again," he warned you, concern etched on his face. "Please don't move that much, Mom."
"Don't worry that much, dear. You are all overreacting," you playfully pushed him but gave him a hug which he returned happily. You could feel the warmth of his embrace and the softness of his hair, as well as the gentle beating of his heart.
"We just don't want you to move that much," Kazui said, as he looked up at you. You couldn't help but notice how much he resembled his father and felt a pang of bliss.
"Oh, shush. I'm taking care of myself. Don't worry, okay?" you giggled, finally releasing Kazui from the embrace. You could see that he still looked worried, but you didn't want to trouble him further.
"Fine, fine," Kazui chuckled. "Have you eaten? Do you want me to prepare you anything?" His voice was soft and soothing, and you couldn't help but feel grateful for his care.
"I'm fine, dear. How was school?" you asked, taking his bag from where he threw it. You slightly bend down to grab it, feeling its weight already, and wonder how he managed to carry it around all day.
Kazui saw this and just took his bag before you could take it, making you pout. "It's pretty annoying," he scowled. You could see that he was tired and wanted to rest.
"Why is that?" you asked, curious about what was bothering him.
"A bunch of extras are clinging to me. I hate it," he replied, his eyes rolling at the thought.
Hearing this, you laughed out loud. "You have no idea how... how," you couldn't even continue your sentence, as you were still laughing.
Kazui looked at you weirdly.
Almost right on time, Katsuki walked in holding a bunch of groceries. "I'm back." He called out. As he turned to look at you, an eyebrow raised, seeing his son. "You're early, brat."
"And you're here," Kazui said raising his eyebrow, eyeing his Dad from top to bottom. "Are you supposed on patrol today?"
"Unlike you, I get to take a leave from work, brat," Katsuki smirked still holding the groceries.
"Now, now, you two." You stepped between. You that these two would start a fight, and also knew that your husband would spar with Kazui. "Katsuki, just put those in the kitchen, Kazui, go freshen up." You said, arms crossed.
"You're lucky your mom's here, brat." Katsuki grinned.
"I will beat you this time if Mom is not here." Kazui scowled as he headed to his bathroom.
" I swear to god, these two." You shook your head while watching.
---
Katsuki moved around the kitchen with precision, expertly maneuvering the pots and pans. The aroma of the delicious meal filled the air, making Y/n's mouth water in anticipation. Her heart swelled with gratitude for Katsuki, who always took care of her, especially now that she was pregnant with their second child.
As Y/n gazed in awe at Katsuki's impressive culinary skills, she noticed Kazui finally making his way down the stairs. His feet made a soft pitter-patter sound on the wooden steps, the noise echoing through the entire house.
When Kazui reached the bottom of the stairs, he couldn't contain his excitement and immediately sat down next to Y/n, eager to converse with his mother about how his training went at school.
At the sound of his son's footsteps, Katsuki turned around and caught sight of Kazui, a small smirk spreading across his face.
As he observed the scene unfolding before him, he couldn't help but feel a sense of joy welling up inside him. The bond between Y/n and Kazui was a beautiful sight to behold, and it filled his heart with an indescribable warmth. Watching Kazui interact with his mother, chatting with her calmly and genuinely, and tenderly placing a hand on her belly to feel the presence of his soon-to-be little sibling, stirred deep emotions within him.
As they all gathered around the dinner table, the room was filled with the sound of laughter and animated chatter. Y/n's laughter was infectious, and Katsuki and Kazui engaged in a lively conversation about school. Y/n couldn't help but smile as she watched her husband and son, bantering, and particularly relishing Katsuki's teasing, which never failed to bring a smile to her face.
At that moment, as they shared a meal, Y/n couldn't help but feel overwhelmed with gratitude. She was grateful for the love of her husband and son, and the little one growing inside her. As she looked around the table, her heart filled with a sense of contentment and a deep appreciation for the beautiful life they had created together.
She never imagined that her life would turn out this way. The journey seemed full of confusion and pain in the past, but in the end, everything worked out wonderfully.
A great husband and a great son.
He may be a little older than her, but age doesn't matter in love, right? 
-
1k words only. Its been a while, I'm sorry. But here is the finale. This is a bit rushed but I know you guys needed closure for this story lol. I do hope some of ya'all still liked this.
And for my other fanfics? It might take a while for me to update since I got a job now, its tiring but I really want to get back at writing. So, yeah.
Enjoy!
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onigiriico · 1 year ago
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Kazui audio drama (t2) - English TL
[ links: Spotify / Youtube ]
I cannot believe my hs philosophy class came in handy as I was translating this. Thanks Milgram your references never fail to astound me
Aaanyways you know how it is,, feel free to send an ask or hit me up on Twitter if you’ve got any questions or other feedback re: this translation etc 💪 (<- sincerely hoping that Twitter DMs still work these days)
⬇️ translation under the cut ⬇️
(door opens)
E: I’ve kept you waiting, Kazui.
K: It’s been a while, Warden-kun.
E: Yeah… It has been.
K: Things have gotten pretty tough inside the prison, but… well, you’ve probably heard all about that from the others already, haven’t you?
E: Yeah… I heard that you protected other prisoners from Kotoko. I owe you my thanks.
K: That much is only natural. However… she really is strong, isn’t she? I mean, I’ve experienced some fights myself, but [going up against] a woman like her was a first.
E: Hm… Is she strong enough that even you can’t stop her from doing harm?
K: Well, in cases like this, it’s generally the heavier person who ends up winning. After all, if she really does have proper killing intent, I can’t afford to let her injure anyone. It’s difficult, isn’t it.
E: Is that so…
K: I was afraid that it’d come to this from the very beginning. There’s a lot of young kids here, too. It’d be hard for anyone to keep a decent mentality in a situation like this.
E: …You’re pretty rational.
K: I wonder. Maybe it’s because I’m used to violence. Even so… I couldn’t make it for Shiina-chan. I feel responsible for [what happened to] her.
E: …
K: Well, rest assured, though. As long as I can move, I’ll be protecting [the others]. After all, it’s pretty much just me who can fight her on equal terms.
E: Mikoto, too.
K: Ah… yeah. Like back when he went out of control, right? I can’t quite read him, though… If both of them were to attack us, it’s possible that we’d suffer a total defeat. 
E: A total defeat…?
K: If that happens, this prison game would probably come to an end as well. All of that depends on your judgment, right, Warden-kun? Who will be forgiven by you and who won’t be…
E: What are you trying to say?
K: If at all possible, I would like you to choose a method that will not get any more people hurt. That’s what I’m saying.
E: So you’re telling me to forgive you?
K: (laughs) Oi, oi…! Don’t look at me like that.
E: I’m the Warden. If I forgive you, I forgive you. If I don’t, I don’t. There’s no other factors to it.
K: (sighs) Wouldn’t it be okay? I mean, this situation with prisoners being hurt wasn’t what you wanted either, was it?
E: …
K: Just pretend that you’re looking at our sins, and make your judgment with the protection of the prisoners in mind. After all, nobody can read your mind – so that much craftiness would be fine, don’t you think?
E: Hmph. That’s a very “you” kind of pretentious solution.
K: It’s the most natural conclusion, isn’t it? Do you think it’s a sin to lie in order to protect people?
E: That would be Kant.
K: Kant?
E: A philosopher who stated that lying is inherently a sin, no matter the circumstances.
K: Huh…
E: Apparently, even if your friend is being chased by a murderer and the murderer asks you about their whereabouts, you shouldn’t lie, according to Kant.
K: That’s ridiculous. If you can save someone by telling a lie, that’s what you should do.
E: However… You killed someone with your lies, didn’t you?
K: … Ah… You forgave me, didn’t you? Aren’t you being especially strict towards me?
E: Am I?
K: Mmh, it’s obvious. You said you would figure out my murder by watching the footage of my mind. Is this the result of that?
E: You were unfaithful, right? That’s stupid.
K: Hmm…
E: The reason I forgave you was because I was lacking details. I still don’t understand your true feelings or how things got to that point, either.
K: I see.
E: It was extremely hard to understand. Even with all of that poetry, though, your self-absorbed nature was more than obvious.
K: Ohh my… That’s quite the sweeping generalization, even though you forgave me.
E: It’s a personal dislike of mine. People who act based on their sexual urges like that, that is.
K: It’s personal?
E: Yeah. That’s right.
K: That’s strange. I did think that, despite being neutral as a Warden, you had some things you dislike, but…
E: …
K: Isn’t it unusual to openly reveal a personal dislike as a personal dislike?
E: You’re splitting hairs.
K: Seems like you really disliked my crime… I get it! Maybe it was because you’re so young, which is to say… …
E: Hah? Stop staring at me so openly. It’s disgusting.
K: …
E: …! (punches him)
(clattering)
E: (sighs) Now I feel better.
K: — Ow…! What are you doing all of a sudden…?!
E: It was an instinctive reaction. Don’t take it personally.
K: Would you stop just punching me in the face without hesitation? … (sighs) Anyways… that’s how it is, huh? That’s how it is…?
E: Hah?
K: I didn’t even consider this a possibility… Personal impressions sure can be scary.
E: If you say any more things than this that I don’t get, I’m hitting you again.
K: Geez, cut out the hysterics… Hmm, if it’s like this, that explains some things, though. I don’t have kids, but I’ve heard that this is what it’s like.
E: Hey. Stop blabbering on while looking like you know it all. It’s obnoxious.
K: Hahaha! But you know what? You’re wrong.
E: …? What are you talking about?
K: You’re wrong.
E: …
K: You said I was unfaithful – in other words, that I cheated or committed adultery of some kind.
E: Yeah. That’s what I deduced from your footage.
K: It’s not true. It didn’t even turn into infidelity. It didn’t turn into anything like that. For me… In my case, you see.
E: … You’re married… You’re a married man, aren’t you?
K: Hm? Yeah, that’s right. Oh, right, I never told you, did I?
E: You’ve taken off your ring.
K: … Right… I did take it off, huh. Right…
E: Yeah.
K: Mh. … I do carry it with me, though. See? – I was forgiven. My feelings were validated. So… maybe that means that I don’t have to do this anymore? Thanks to that, I was feeling better when the second trial started… I really do feel sorry about that. Towards my wife.
E: If that ring is a symbol of punishment to you… There really is nothing that could possibly be more cruel towards her.
K: Mmh.
E: Marriage is something that both partners want equally, isn’t it? It’s something you can’t do if only one person wants it. Deciding to treat it as a punishment all on your own… You’re making a mockery out of it.
K: I really am. Ah… She must have thought so as well. My wife, that is.
E: I’ve said this before: You’re a liar. Those lies have killed a person.
K: (sighs)
E: I forgave you. While I wasn’t sure yet, I thought that it didn’t seem like you killed her directly, and with all sorts of things taken into consideration, I judged that your murder was not a sin. However. That doesn’t mean that I’m praising your nature as a liar.
K: Yeah. I believe you’re right about that.
E: In short – between love and hate, [I would say] I hate you. Remember that.
K: … I get that.
E: Huh?
K: I despise myself for lying, too. Being a liar, you see – it’s painful.
E: Heh. Then just–
K: So I’ve tried to change! I’ve tried to change. I have tried to stop lying to myself and others!
E: …
K: I’ve confided in others. I’ve tried to be myself! I’ve tried to just be the way I was born!
E: …Hey, Kazui–
K: It’s not my lies that killed her. She’s dead because I stopped lying to her! If I had just kept lying- She wouldn’t have died…!
E: Kazui…
K: I can’t live unless I lie. That’s how I was born… I’m pathetic, aren’t I?
E: (sighs) I really can’t seem to understand you.
K: …
E: Just when I thought you weren’t letting out any of your true feelings and cleverly hiding your actual emotions… Now here you are, drowning in self-loathing like this.
K: (weak laugh) An old man in unstable condition… that’s not something you’d wanna see, is it. Sorry about that.
E: You know, about Kant…
K: Ah, the one who said you shouldn’t lie even if your friend might get killed.
E: From his point of view, if your friend dies because you didn’t lie, there’s no causal connection between the two… or so I’ve heard.
K: I don’t think so, though…
E: Even if you don’t lie, your friend might survive. And if you do lie, your friend might end up dying on a different occasion. That’s the reason why you’re supposed to always tell the truth.
K: …That’s convincing.
E: It’s not really.
K: Yeah, it’s not.
E: It may not be, but… I thought that for someone who has failed in their attempts to be honest, it might be a [saving] grace so they won’t end up doubting honesty in its entirety.
K: …
E: I still don’t know what happened, but… isn’t it okay to be proud that you made an effort to be honest in the first place?
K: … You’re so kind all of a sudden.
E: I just said what I was thinking. And besides – I forgave you. I made it as if your sin wasn’t a sin at all. And yet, you don’t seem the slightest bit relieved.
K: I know right.
E: Everyone else seems more or less liberated by the fact that they were forgiven.
K: That’s right.
E: Just from that… I understand that having your feelings approved of by someone else can have a major impact on the development of one’s personality.
K: …
E: However… You have not forgiven yourself. That’s why you can’t change.
K: …
E: Alternatively, even if your lying self was forgiven… it would still do nothing to help you.
K: …Aah, you really are impressive. You think so much.
E: I am watching over ten troublesome prisoners, after all. Even if I don’t want to, I’m being relied on.
K: I haven’t forgiven myself… even if my lies are forgiven, it won’t resonate [with me]. It might just be both of these. All the lies I’ve told are tying me down. Ever since I was little, I’ve never truly opened myself to anyone. But in the end, people can’t be saved if they don’t [open up]. And by now, it’s gotten to a point where I can’t do it by myself anymore…
(machinery whirrs, bell rings)
K: I did think Milgram would be able to force its way past that, though.
E: Is that an attempt at provocation?
K: You didn’t manage to reach my sin.
E: …
K: Even though I want you to… Milgram isn’t so great after all, is it?
E: …Heh. Don’t push yourself too hard, after all that whining from earlier.
K: Ha. [This is] the wish of a liar who’s reached a dead end – come and figure out my lies, Milgram. And, Es… please, free me from these lies.
E: Yeah. Leave it to me. – Prisoner no.7, Kazui. Sing your sins.
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a-star-that-burns-brightly · 6 months ago
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What Your Favorite Milgram Ship Says About You!
if you saw this posted earlier, no you didn't ^-^ Disclaimer: Everything in this post is a joke. Politely, please do not turn it into a genuine ship discourse post. Would you really do that to me? a silly little guy who simply wishes to be silly?
Haruka/Muu: You are constantly in a trenches defending your commonly misinterpreted favorite characters with your fucking life.
Haruka/Fuuta: Your ideal relationship dynamic is the "His pronouns are they/them!" meme, with a side of Doomed Yaoi for flavor.
Yuno/Kotoko: You think that both of them would be fixed if they just kissed a girl.
Yuno/Mahiru: This is the same joke as Yuno and Kotoko, but with the added factor that you desperately want your future partner to take you out to a cute cafe.
Fuuta/Mikoto: In every fandom you join you, without fail, start shipping the first two male characters with a somewhat interesting dynamic.
Fuuta/Kotoko: You would let a woman physically abuse you if she looked hot while doing it. It's alright, this is a safe space.
Fuuta/Yuno: You are severely disappointed in the lack of male tsunderes.
Muu/Rei: You are a firm believer in the inherent eroticism of a lesbian situationship.
Muu/Yuno: Your ideal relationship dynamic is just…girls being friends. Gals being pals. Besties, historians would say.
Muu/Es: Your favorite romance trope in fiction is when the usually calm and serious one gets flustered and blushy over their crush
Shidou/Mahiru: You are a firm believer in the inherent eroticism of saving someone's life, and your ideal relationship dynamic is MEN 👏 GETTING 👏 PEGGED 👏
Shidou/His Wife: You have on at least one occasion called Shidou a malewife. Shidou/Mikoto: Your favorite male character in any media you watch is always the older working man who doesn't look like he's gotten a day of sleep in his life and also probably gets called a sopping wet cat.
Mahiru/Kotoko: Your ideal relationship dynamic is that one scene from Class of 09 ("you wanna be sexed up abusive lesbians?").
Mahiru/Fuuta: You think that every anger issues-riddled boy needs a ray of sunshine to balance them out.
Mahiru/Mikoto: You are a firm believer in the inherent eroticism of horoscopes. Mahiru/Mikoto/Fuuta: You fucking eat slice of life college AUs like they're a full course meal.
Mahiru/John: You like the dynamic of Mahiru/Fuuta, but you like John more. Kazui/Hinako: You just want good things for Hinako, and really, who wouldn't?
Kazui/Shidou: You just want good things for Kazui, and really, who wouldn't?
Kazui/Mikoto: I think you just want to fuck Kazui.
Kazui/Fuuta: Oh you REALLY want to fuck Kazui. Kazui/Shidou/Mikoto: You are a firm believer in the inherent eroticism of smoke breaks.
Kazui/Mahiru: Your ideal relationship dynamic is Team Mom / Team Dad.
Amane/Anyone: https://youtu.be/wf9k3heENYc?si=xhcAjtzpnqOts-1f
Mikoto/John: You just want good things for John, which in all fairness, probably could've saved us a lot of trouble.
Mikoto/Kotoko: You either want one of them to put you on a leash, or you want both of them to put you on a leash. There's no in-between. John/Kotoko: You are a firm believer in the inherent eroticism of beating each other's asses.
Milgram/Therapy: You are the only correct person in this fandom.
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justhereformilgram · 8 months ago
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yo I watched the recordings of the live MILGRAM hallucination shows (t1 morning and t2 evening) and. It’s incredible?!
Notes:
Es: costuming is Perfect. So very stoic. Wonderful!!
Haruka - yo… Shun Horie… the emotion in his song is so intense and sad he sounds like he’s actually going to cry ):
Yuno - the voice drama and mannerisms were PERFECT, loved the switch up later on into coldness
Fuuta - he’s so tall HELP but his mannerisms were quite fitting, energetic and aggressive. Good vocals but that’s like. Well.
Muu - she sounds so happy and truly reminded me Muu is a whole schoolgirl
Shidou - yoooo the voice actor / actor went hard on him, especially in Triage. He’s really devastated about his dead wife and kids!!
Mahiru - sadness.. surely she’ll be there trial three if there’s another show
Kazui - so charming and his gestures during the songs are so incredibly fun!! The mask hand and the cigarette hand is so iconic
Amane - the voice is so cute! But oh my god Purge March. In the live version it’s so much more angry and desperate and aggressive, like a growl more than a song near the end. Incredible!!
Mikoto - idk how this guy does it. You can so clearly hear what is Mikoto and what is John. Interestingly enough, here, John sings the lines “All I wanted to do was Dream, know me as an honest man” when in the MV it’s the softer Mikoto
Kotoko - YEAAAAHHHHHHHHH she’s so cool
And some fun little gesture drawings. Kazui has the most because he’s so jazzy. Also he may be my favorite.
Edit: I FORGOT TO MENTION THEY SING UNDERCOVER ALL TOGETHER AT THE END!! it’s incredible
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mukuberry · 1 year ago
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This voting period really just feels like im watching a bunch of people force a gay man back in the closet
I know thats not people's intentions but literally how else is he going to take this guilty vote. "I just don't want him to think his lying was okay" he doesn't! And he's not going to think that! He's actively trying to stop lying! All guiltying him will do is tell him he should have kept lying and continuing his relationship!!
"I just want him to have some kind of consequence for what he's done" Was Hinako literally dying not enough??? Sure, he didn't love her, but he still LIKED her. They were friends, they lived together, he married her because he WANTED to love her! He is literally drowning in guilt because of her death, I think he's had enough consequences by now. He might not be wearing his ring anymore, but he still carries it with him, he is very clearly still grieving her death.
"Innocent votes have no effect on him" Yes they will!! It didn't do anything last time because we forgave him for the wrong reasons and because he absolutely hates himself. Assuming we're right about him being gay, which I'm pretty confident we are, having his 'true' self validated rather than his fake one will 100% have a bigger effect on him this time. Guiltying him will only make his self-hate worse and show him that only his false self is forgivable, so he should keep lying to be accepted.
I know most people's intentions are not to make him keep lying, but regardless of whatever intention you have, it doesn't matter how you want him to take it, you can not ignore how he will actually take it.
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milgram-tournament · 1 year ago
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MILGRAM Best Song Tournament, Round 1, Match 9 CAT vs. THE PURGE MARCH
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Propaganda for both options under the cut!
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Propaganda for CAT:
"You like jazz? Jazz is chaos within order. Got to love the whole band. Vibraphone, saxophone, trumpet, flute, piano, guitar, drums, bass… Go, rhythm section, go! The song sounds tender at times and aggressive at others as different instruments pop up at different times. Sometimes they follow Kazui’s voice (“follow the king of the masquerade”). Sometimes they get to be the focus. You have the chill piano one moment and the screaming guitar in the next.
You’ve got a lovely “jingle” (“Lie until it gets better…”) which occurs at the beginning, middle, and end. It fits the “newspaper ad” style of the video really well. Also at the very end, there’s one more line that gives the jingle an upward contour, giving a sense of finality. “Until you can meet the king of the masquerade.” You’re there now.
The two verses start off differently before they take on a similar melody. It feels like Kazui is talking to a different person in each verse.
The chorus is a beautiful façade the first time and a sinister truth the second time.
The opening for solos shows that this jazz song means business. I love how the saxophone and trumpet especially get in your face. And with the tacet on vocals, the walking bass really shines if you lend it your ear.
And the smoke break! Silence is golden. Glass click. Lighter. Huff.
As always, Kazui’s voice is super deep. He hits even lower notes this time around. He’s a fifth lower than the next lowest singers (Haruka and Shidou)."
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-Great instrumental choice. Kazui and jazz is *chefs kiss*
-Symbolism. THE SYMBOLISM. I can’t type out all my thoughts but ifykyk
-The almost comic like style of the MV is really appealing.
-Lyrics!! There is so much to unpack but it’s really cool.
-Kazui eating the dove… fricken iconic.
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FIRST OF ALL the vocals????? BEAUTIFUL. His va put his whole pussy into this song and you can tell!! The way he sings the chorus is so damn addicting I'm so in love with him. His voice is more or less stable throughout the entire thing until the final chorus but you can hear the emotion peaking out which fits perfectly with Kazui keeping everything hidden. The way his voice turns into a sort of whisper during "all the things I wanna do that I can't say outloud"??? The way his voice starts trembling during "this feeling it's yearning to be satisfied"???? The way his voice turns into a sort of whisper AND starts trembling during "hey, if I said I liked-liked you, what would you?"?????? HEAVENLY! You can really feel how afraid Kazui is under his disguise and my heart breaks a little everytime I listen. Not to mention how absolutely powerful his voice gets at the climax!!!!!! It's insane!!!!!!! It's genius!!!!!! It makes me wild makes me crazy makes me eat my walls!!!!!!!!!!
THE SMOKE BREAK?????? What other song has something as powerful as that huh???? This isn't just a song produced by the milgram machine using his memories, this is HIS song and he is OWNING IT! The music builds up so much and gets so intense right before it, I can literally feel myself get tense and starting holding my breath right before he takes the break and everything relaxs… it's not just a break for him, but a break for the viewer. The song is spiralling out of control just like his life and his lies and he has no choice but to put it to a quick stop before its too much to handle.
THE IMAGERY IS WILD!!!!! He's a magician!!! Little magic guy!!!! Using tricks and lies to amaze and captivate the people around him! Trying desperately to magic his own feelings into something else! But it's all fake! It's all tricks and no matter how hard he tries he can never actually change himself into what he wants! But he's trying to convince himself the same way he's convinced his audience!! And when you're watching a magic act, are you there for the magician themself or are you there to watch the show?? The people in his life only cared for him when he performed for them, but they didn't give a drop of love to who he was a person! ALSO the transformation of the wedding ring to a cigarette to the dove at the end??? Makes me wild every single time! Right infront of his wife, he showed her that their marriage was something unhealthy for him that was slowly killing him from the inside. AND THEN he uses it to harm himself???? And then he turns that cigarette into a dove- a representation of love and literally TEARS INTO IT. He tears his marriage apart with his mouth!!! AKA HIS WORDS. makes me wild. Also fun fact Kazui says he started smoking because when he was younger it was "just natural for everyone to smoke" and that lines up with his reasons for marriage perfectly.
Kazui looks really hot in it. You should vote for Cat because Kazui is insanely attractive. What other reason do you need huh? Hot gay middle aged man.
Propaganda for THE PURGE MARCH:
"Despite the shorter length, the Purge March has several distinct sections in its structure.
It starts with a rolloff, and then… they don’t follow it. Amane isn’t here to follow the beat.
There’s the spoken-word intro and the upbeat first verse listing the tenets. The prechorus (“dou shiyou mo nai…”) has an amen break. The most-sampled four-bar drum beat. Well, there’s half of it. Is it supposed to mean something? Can I get an amen?
The chorus is so, so cheerful… unless you’re actually listening to the lyrics (“I’ll crush your throat too”) or watching the video. And it’s super catchy. 
The second part of the verse dials things back. Now we’re in reality. This is how Amane breaks her tenets. All the while, those tenets are spoken into both ears over the singing. Get some good headphones. She sounds different in each ear.
The music picks up again with the amen break as Amane happily strolls back home, and then-
Oh.
The somber second chorus, with Amane’s lower singing voice and mournful spoken words, leads into the final chorus, with new lyrics and a more forceful tone. The once-meaningless chanting now has real words. “You’re sorry? I don’t care! Please go ahead and die already.” You can hear Amane’s anger despite the cheerful melody. She harmonizes in the final phrase, as if to say “we’re in this together, me and my little color guard troop.” And finally, it’s just her. Speaking. "Oboetemasuka?" Accompanied by only a single drum.
She is both Amane Momose and not. She upholds the doctrines that she was raised with, but she can’t."
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"Purge March is geniunaly one of my favorite pieces of fiction both in and out of the context of trauma. Its fantastically directed and composed. The batton twirling is spetacular and energetic, the set and character design of Amane conveys a lot about the world she’s in and the story she’s telling. Purge March contextulizes a lot of Magic in both expected and unexpected ways (insert the entire cat symbolism thesis here) Purge March casts Amane in the role of a scary child. The glowing eyes, the framing of Amane as Above the viewer, the brutality and catharsis of it all. It seems tailored made to make you Scared of her. It’s a continuation of the cycle of abuse that we the audience repeated in T1 when we gave her that verdict. A red flashing warning sign about the Inhumanity and Monsterous qualities of Amane Momose. But Amane as a monster is fufilling and freeing. Again, its deeply cathartic. I would write more if I wasnt so sleepy at the moment but its just some Fantastic work overall. Purge March is also just fantasitic vocally and also hids electricity sounds in the instrumental which I think is evil and awesome."
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-Amane’s vocals and how they slowly get more and more off the deep end is both really sad and cool to watch.
-The symbolism of the marching band and the flags. Ifykyk
-The beginning where it sounds like a propaganda TV show… really shows just how far Amane’s thinking is rooted in her cult and how that’s shaped her perception.
-The LYRICS. They work so well but it’s also creepy AF considering it’s a child who’s singing it.
-“So there is no second time, I’ll give back the judgment that you gave to me!”
-The overlapping part… gives me chills everytime.
-Building off the last point, the last “I’ll crush your throat too.” Ouch.
-“Remember MY cries, MY repents, MY words of “I’m sorry” that I said to you?”
-The song also does a great job of showing how much the guilty verdict messed with her.
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necroangelz · 7 months ago
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☆ ❛ STREAM ALERT !! ❜ NECROANGELZ is streaming ♡ ⁓⁓ Come watch ?
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❛ lie, until it gets better, follow the king of the masquerade. ❜ —- CAT.
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♡ NOW WATCHING : Kazui Mukuhara Layout And Graphic ☆ ⁓⁓ Enjoy the stream !!
—- event prize for @yansimdni
—- i hope these fit the theme uu wanted!
—- likes and reblogs are always appreciated. credits are mandatory. thank you for supporting the angelic streamer.
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plan-3-tmars · 6 months ago
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Approval Vs Demand in Milgram
> aka my interpretation of the clapping motif in backdraft and cat :3
We clap to show approval or appreciation, but sometimes, we also clap to make noise and put a demand on people. It's like Fuuta says, I think the clapping represents the "spectators" in both he and Kazui's lives - For Fuuta it's his fans and for Kazui it's his family, but I'll expand more on this later.
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The first time we hear clapping in backdraft is during the clip I showed you. Fuuta's fans clap for him when he arrives in the tunnel to 'serve justice', they approve of his actions. Through his shaky smile and the description of being "surrounded by the masses" though, we can gather that he might not be as comfortable in this environment as he previously let on. This big dramatic arrival may just be a persona put on to "impress those spectators"
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However, the next time we hear clapping the tone has changed. This time it's Future Fuuta watching Past Fuuta deliver the 'killing blow' to the girl. With hindsight, he knows this is the action that drives her to take her own life, and he is shown in clear distress. It's almost like he's fighting a mental battle between the demands his fans have for him to deliver justice once again, shown through their clapping, vs the added knowledge he now has that this action will land him a guilty verdict
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With Kazui, it's a bit different, as cat actually shows people psychically clapping during his wedding, though there's no sound. It's his parents, the mysterious brown haired woman and the bartender, clapping in approval of the ceremony.
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However, we know that this is all for show, quite litteraly in Kazui's head. His marriage is a performance and friends and family are the spectators. Therefore, I think the clapping during his wedding represents both approval and the perceived idea Kazui has of this being the right thing to do, lie and lead a normal life. Similarly to Fuuta, who had the idea of his cyber justice being the right thing to do, which was most likely only heightened by having an approving audience by his side.
In contrast, the clapping during the clip I showed represents a demand Kazui has come to learn to continue lying, most likely through his parents (father), and that what he wants to do, what is "yearning to be satisfied" is the wrong choice he should not choose. Kazui is implied to be drunk in this scene, staggering and clutching his aching head, and the clapping probably represents this mental battle of right and wrong, what the spectators wish and what He himself wants to do.
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He becomes increasingly distressed while trying to choose between the demand he has been taught to follow (represented by the overwhelming clapping) and what his intoxicated mind wishes to pursue (being his true self)
The similarities between the scenes where clapping is shown in both characters makes me think this is purposeful, a fun motif, and that the clapping represents approval to conform to the expectations others have set for you, and later pressure to continue doing so when you begin to falter.
For Fuuta, this started as approval from his fans towards his cyber justice, and ended in a battle between his past actions, encouraged by his demanding fans, and the hindsight he's now gained
For Kazui, it started as approval from his friends and family towards leading a normal and (traditionally) expected life, and ended in a battle between the demand he has perceived to continue being your grade A traditional husband, and the true feelings his heart wants to express.
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vincord · 9 months ago
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Oh, and you know, I love this moment so much too.
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The spotlight directed at him symbolizes the public, people, society (as you conveniently call it, in general), highlights Kazui, makes him the center of attention so that we look at him.
When people look at him, he can't be himself or show his real feelings. He needs to wear a mask, play a role that is convenient for others. As it was said in BoJack "You don't stop dancing, and you don't stop smiling, and you give those people what they want."
When he is in the shade and there is no light shining on him - people are not looking at him, he can exhale at least for a moment, to show/express what he does not dare in front of people
This scene takes place after a scene with him and Hinako, where both are hidden in the shadows and can show true emotions. Where he smiles at her when he's not in public. He smiles at her sincerely.
When he is so immersed in his thoughts that he does not even notice how the spotlight turns on. A sudden flash of light without any warning, aimed only at him at his vulnerable moment.
The rest of the stage behind him remains unlit. This is a single spotlight located directly above him and shining exclusively at him, specifically highlighting him for everyone else.
He starts violently, looks shocked and maybe scared. The way his eyes widen quickly in surprise, but his head rises relatively slowly, as if realizing that he needs to go through it all again.
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And after that, he is back on stage, singing again, being in the rays of light again. Because people are looking at him again and he has to perform.
It's such a short moment, lasting only a few seconds, but I just can't watch it over and over again.
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