#milgram mahiru

[waivyjellyfish]

A lizard?

[noscomnias]

what if they were best friends and milgram never happened actually :3

[arcusnoel]

Milgram redraw :D

[kxro877]

NEW MAHIRU PLUSH!!!!!!!

[harukavoice]

made with the help of my friend @lovelymalachai !!!

[himawari-candyy]

she’s dancing 👏👏👏

[blueepink07]

Yuno: her struggling relationship with autonomy

(character analysis)

One aspect I have always loved about media characters is their attempt to be perceived as mature, despite their young age. Some succeed, others struggle to hide what they see as their childish side.

Yuno is no different in this context and I'm surprised that people don't talk about it enough.

Beginning with her age 18, it's truly a controversial age, if I may say. It's a confusing age, because you are technically considered an adult, but, at the same time, your mind is not fully developed to actually be one. In the end, you are still a child at heart and mind, despite the fact that you are legally an adult.

We don't know much of her home life and honestly I don't think it would do any good for me to make assumptions, since it's pointless in the long run and it would just lose credibility. However, one thing it's for sure based on Yuno's actions. She desires autonomy.

Yuno: Despite that, you arbitrarily assumed things about me and sympathized with me. Even though all I did was make a rational decision of my own free will.

I'm the one who chose, let you and you and you all in ~🎵

She highlights quite a lot with these phrases… She chose for herself, she is an adult who willingly decided to partake in compensated dating. Being called naive or innocent, two words that usually are used to describe little children, surely infuriated her… and she shows it.

It's funny now that I think about it. Fuuta also has the same problem, but his reactions are more childish, in the end, not doing him any justice. However, Yuno is no different. Of course, she does it in a more subtle manner, but she really does get worked up quite a lot when it comes to her being perceived more as a teenager than an adult. Her whole song it's literally about this idea. Yuno being infuriated that she is infantilized by the audience, making a sad backstory for her so they can dismiss the idea that there wasn't necessarily a big factor that provoked her to partake in compensated dating, but it's only her own free will.

I might add that the compensated dating itself is a way for Yuno to feel that she has more autonomy and she no longer needs to be treated as a child.

"An adult is a human or other animal that has reached full growth.[1] The biological definition of the word means an animal reaching sexual maturity and thus capable of reproduction." ~ wikipedia

Moreover, even the media promotes the fact that sexual content should strictly be watched by adults. And Yuno does end up having sex during some of these dates…

And if this idea isn't convincing enough… I think that Yuno likes to partake in compensated dating, because she knows the clients don't consider her a child. They are interested in her, in a way that makes Yuno feel satisfied with herself (at least, for a short period of time, when she is in their presence) she feels grown up and mature. She also receives money for her services, providing her with enough financial resources for Yuno to consider that she finally managed to complete one of the first steps of adulthood, to be financially stable.

Doing something that is not really socially accepted, again, can be considered as autonomy, because you do not follow the same rules that the society obligs. Yuno knows how compensated dating is perceived, but she still does it, because she thinks this action provides her "warmth".

The "warmth" that Yuno speaks about is a vague term to describe her desires. Based on her interactions, I would like to think that this term refers to genuineness and mutual understanding. Yuno, in the first VD, describes the society as being a place where "everyone eats each other". People need to point fingers at others who made a mistake, who did something that's not socially accepted to make themselves feel better.

Yuno: That’s right. You know those people who just wanna convince themselves, so they intrude in other people’s affairs even though it’s not their place—I despise them. That’s what I was saying. They only do that to make themselves feel better, don’t they? Those people don’t actually end up doing anything.

And you know what is interesting? The fact that Yuno finds more closure being in the company of some murderers. Why? Because they can also be considered some outcasts of the society that she pretty much dislikes.

Es: However, it also explains why you’ve given up. About yourself, human beings, even the whole of society, you’ve realised everything—that’s why your expression is so cold.

Teenagers usually have little power in our society. They can achieve great things, but have to go through more hardships due to the limited freedom. They need an adult to actually help them. That’s just how society is built.

Yuno's distaste for the society can explain why she has grown so fast, or, at least, thinks that she has matured enough. She was tired of the society inflicting on her rules that she, as a simple teenager, had to oblige. So, going into Milgram, starting to hear people crafting a sob backstory for Yuno, treating her like a child, despite the fact she has already done a few steps in order to sustain herself financially and emotionally as a young adult, it's truly insulting.

Es: This is just popular belief, but the law is also something the people have decided. There’s nothing, which can satisfy every single human being, now is there?

Yuno: That’s right.

However, even after all these, that doesn't mean she doesn't actually struggle with this new found autonomy that she craves.

I actually think that this autonomy is the cause of most of her suffering.

As I stated before, compensated dating is something that she decided to partake in, in order to prove her independence. She thinks that what she has chosen for herself is healing, helping her. But, if it's that the case, then why do we have these scenes?

It's difficult to admit that one of your decisions was actually… Quite wrong. Especially, when it's one of your first one's as an official adult, in the very first stage of your life when you finally have enough independence.

“Cognitive dissonance is what we feel when the self-concept — I’m smart, I’m kind, I’m convinced this belief is true — is threatened by evidence that we did something that wasn’t smart, that we did something that hurt another person, that the belief isn’t true,” said Carol Tavris, a co-author of the book “Mistakes Were Made (But Not by Me).”

She added that cognitive dissonance threatened our sense of self.

To reduce dissonance, we have to modify the self-concept or accept the evidence,” Ms. Tavris said. “Guess which route people prefer?”

So which one does Yuno prefer? To convince herself that what she is doing makes her happy.

Yuno: Despite that, you arbitrarily assumed things about me and sympathized with me. Even though all I did was make a rational decision of my own free will.

Yuno: I’m not pitiable. My family gets along super well. And I’m not particularly struggling for money. I decided, of my own free will, to do it because I felt that it was necessary for me.

Sometimes, considering how many times she mentions it, for me it feels like Yuno tries to convince herself that what she is doing is good for her.

But you know what is funny to me?

She is good at making herself enjoyable for others as well as giving somewhat good advice:

Mahiru: My birthday…… the day I was born……But was there really any reason for me being born? Lately I’ve started to wonder that. Do you ever think about stuff like that, Yuno-chan?

Yuno: Eh? Not really. I mean, Mahiru-san, you’re really the romantic type, right? Not that I have anything against that. But isn’t it a bit much to think that everything in life has a meaning? If it makes you happy to think like that then go ahead, but if it doesn’t, then isn’t that in itself meaningless?

Mahiru: : ……you might be right. I’ve always just lived my life like this, so I don’t really know.

Yuno: We’ve all just gone through a bunch of things in life that happened to lead us here. It’s nothing more than a coincidence. Definitely not fate or anything. Probably. Even if there isn’t a meaning, you can still be happy that it’s your birthday. That sort of thing’s all you need in life really. So happy birthday, Mahiru-san.

Mahiru: ……no, I’m fine. As long as I don’t move too much I don’t even feel any pain. Sorry for making you worry.

Yuno: Oh, really? That’s good then. Mahiru-san, if there’s anything you want then just ask. It’s not like it’s a huge burden, I can just ask for it along with my own stuff.

Mahiru: Ok…… I’m fine for now. Sorry, for making you worry. Ah, Yuno-chan…… Today’s your birthday, right? Happy birthday.

Yuno: …Haha, thanks. Thank you, but y’know. Is it really ok for you to be saying that to me when you’re in that situation?... you really aren’t suited for Milgram, huh, Mahiru-san.

Amane: What is it… Kashiki Yuno. Don’t sit so close to me. Go away.

Yuno: Sorry for barging in when you’re getting into your worldview thing. But Mahiru-san’s finally managed to get to sleep. Humour me with some small talk while I take a break. By the way, Amane. Have you ever wished you were never born? I’ve thankfully lived a pretty fun life so far, so haven’t really. But you seem to be struggling with something. So I kinda wondered if you thought like that.

Amane: ……I don’t think that. Being born into this world is the first miracle any person experiences, and is something to celebrate. Even if after birth I was put through trial after trial, the value of that will never disappear.

Yuno: Hmm. Ok…happy birthday, then. It’s good that you were brought into the world, I guess.

But Yuno has a big, and I mean a BIG tendency to self-destruct, not intentionally.

Wanting to be independent comes with its own downfalls. At the beginning of the trial, Jackalope states that Yuno has distanced herself from social interactions. So much so, that we have never seen her actually confiding to someone else, in any of the portal timeline translations. She might have her reasons, either minimizing her problems, and using her energy to help the ones she deems to have worse than her, or, this is simply her nature to bottle up her own sadness. This again might also be the cause of her wanting autonomy and proving to herself and others that she is mature enough to manage her emotions.

Not confiding in someone else for a long time can cause depression. Something that Yuno might be struggling with during trial 3 or she is already struggling with it a bit.

Furthermore, it's interesting that Yuno admits disliking behaviors that she deems childish. For example, she doesn't like the way Haruka and Muu behave, because they are ignorant of the problems in prison and have a really childish way of thinking. Amane's hate towards Shidou, might be often wrongly interpreted as a simple child's tantrum. Kotoko's actions, responding with violence to violence, it's again, an aspect often deemed as childish and immature.

Yuno: Really? If you ask me, Kotoko is someone I would never want to make my friend, though. She’s the type who picks a conclusion from the very beginning and won’t actually talk with you.

Yuno: Well, I guess it’s arbitrary who one gets along with. But Mahiru-san in particular is something. I think both her body and mind are at their limits. Also, Mikoto-san was also attacked but apparently it ended up in something of a draw. That guy was strong, huh—how unexpected. Also Haruka and Muu-chan have become kind of bothersome. And additionally, Amane-chan and Shidou-san too, huh.

Lastly, her second MV also shows her desire of autonomy in Milgram, not only through lyrics, but through visuals too.

Beginning with her door, it looks a lot like a medieval castle door.

Her room, the way it is designed, especially the bed and the chair, also resemble a princess' room.

However:

Despite the important role that princesses played in courtly life, they had limited personal freedom. They were often kept under close guard and were rarely allowed to leave the palace or castle where they lived. This was done to protect them from danger and to prevent them from engaging in political activities that might undermine the authority of the king or prince.

Medieval princesses had little to no autonomy most of the time. Their life was dictated from the start, having the only purpose to be betrothed and give birth to children.

That’s why the design choice is intentional. Yuno feels like a princess trapped in her pretty room (the MV is quite claustrophobic, the only outside elements being a few memories), exposed to the world (the many windows imply this), the voices that keep demonizing her.

That’s why the scene where she starts breaking things in her room is so important. It serves as a sign of rebellion, to show that she is not the perfect, helpless princess that people like to portray her as. She is an adult who makes bad or good decisions, who thinks for herself. She is proud of her autonomy and is tired of constantly proving to others that she is not capable of taking care of herself.

[holidxyy]

hi mappi hi hi mappi

[mrgoodenough254]

Uhhhh

[levienjoyer]

06

[a-star-that-burns-brightly]

Actually on the topic of Mahiru's wonderful woman wrongs, I cannot get over her Trial 1 VD. It is such a perfect example of how she crosses other people's boundaries, especially Es' Like, she flirts with them. Just straight up flirts with them, even after knowing their age, even after knowing that Es themself is not interested in romance

(x) Mahiru: What's your name? Your age? Es: It's Es. As for my age, I'm...15, I think.

11 Minutes Later...

(x) Mahiru: Eh? Does that mean you'll always keep your eyes on me? Es: What? Well, it's my duty after all. Mahru: [Gets Excited] Es: What is it? Mahiru: My heart skipped a beat.

(x) Es: In order for me to understand all of you, I have to acquire knowledge from various fields, and that's not exactly a bad thing in my book. Mahiru: Really? I...I love studious people as well~! Es: Shut it. < clearly uncomfortable Mahiru: You're so mean. < ignoring the fuck out of that fact

Like... excuse me ma'am? Even amongst those who criticize Mahiru's actions, or just straightup do not like her, I rarely ever see this brought up, presumably because it's an uncomfortable thing to acknowledge. And like...I get that, but I also don't think it's fair to Mahiru's character to ignore that she did in fact do this, because it's such a great show of how she, to put it bluntly, does not give a shit about other people's boundaries and will push and push and push even though they are uncomfortable. Just like she did with her boyfriend.

(x) "What do you think? I know it's not the type of question you want to be asked" "I can't help myself because I want to see your cute confused face, I'm sorry"

[waivyjellyfish]

MILGRAM but this is Undertale AU

Mikoto & John desighns made by @yaraneechan

[onigiriico]

Mahiru audio drama (t2) - English TL

[ links: Spotify / Youtube ]

Another voice drama, another translation! 🎉 As always, if you’ve got any questions, find a mistranslated line, etc etc, feel free to head to my ask box (recommended) or my Twitter and I’ll do my best to get back to you! (Also definitely do listen to the drama if you get around to it because the VAs do an incredibly good job)

⬇️ translation under the cut ⬇️

(door opens)

E: …!

M: It’s been a while, Es-kun.

E: Mahiru…

M: I missed you…

E: …Are you okay?

M: Ah… yeah. I’m able to move around on my own as long as I have this wheelchair, so…

E: Shidou told me about your condition.

M: Ah… mh. Is that so…

E: I didn’t think you’d be in a state for me to interrogate you.

M: It’s all thanks to Shidou-san. Ah… I think I should thank Milgram as well. For supplying us with the medical tools and the wheelchair and all that. I wonder if you’re the right person to say this to?

E: …

M: Why do you look so sad…?

E: Because… you suffered such major injuries…

M: … Ah, but this is… I think Kotoko-chan is the one who did it, so… you know? It’s not like it’s your fault. Um, so…! I’m not holding a grudge towards Kotoko-chan either. I’m sure she just thought it couldn’t be helped…

E: That’s…

M: Ah, no, um… I do wish we could put an end to this though… ahaha… ack–

E: Mahiru–?

M: Sorry… for making you worry. I’m fine! It doesn’t hurt at all.

E: It’s a horrible injury. There’s no way it doesn’t hurt.

M: It doesn’t!

E: Don’t lie to me! Let’s call Shidou right now–

M: I mean it. It doesn’t hurt. Compared to the way I felt when you didn’t forgive me… Not at all.

E: …!

M: Not at all… Nothing. None of it hurts. It’s not… as big of a deal. Ever since, I’ve always been hearing… voices saying I couldn’t be forgiven. Yours? Whose? I don’t know… I don’t know, but… I heard them the whole time.

E: Mahiru, calm down…

M: Was what I did such a bad thing? I just… had a normal relationship like everyone else…! That’s all I did! Why can that not be forgiven? Hey, why? Why? Why?

E: Mahiru!

M: Stop it!

E: …!

M: … Ah– I– I—I’m sorry…! If– If you touch me so suddenly, it makes me remember… how it hurt… and I get scared…

E: It’s fine. If you don’t talk, that’s fine too. Let’s just take it slow.

M: …Yeah… S-sorry… It’s– it’s not that I hate you or anything, you know?

E: Take a deep breath. It’s okay.

M: Uh… (deep breaths) I’m fine already...

E: Mahiru…

M: Hey, Es-kun? I was wondering why you didn’t forgive me… I’d like to hear the reason… straight from you.

E: From me…?

M: Yeah. I already said this before, but all I did was love someone. I don’t know what kind of footage Milgram presented to you, but… did it not look like that to you? What did you see? What… did you feel?

E: What I saw was… just you having fun. I’m sure you were in love. Your feelings of bliss were conveyed to me as well.

M: Right? It was really fun. Did it make you want to fall in love?

E: No clue about that.

M: You’re so cold. – So, how… does that connect to me not being forgiven…?

E: It’s true that the footage looked happy. But by selecting [you], Milgram is telling me that you’re a murderer. I can’t just take things at face value. What Milgram shows to me is each person’s mental imagery. It’s not like it supplies me with certainty or objective facts.

M: Umm… 

E: What’s wrong?

M: I’m not that smart, so could you put it in a way that’s easier to understand…?

E: (deep breath) There’s the possibility that you’re just framing the truth in a way that’s convenient for yourself. Meaning that it was only a happy relationship… in your own mind.

M: …!

E: …So, that’s what I deduced. So…

M: That’s… Aha. That’s a shock… This means that… you think of me as a liar, doesn’t it…? Did I do anything that made you think that?

E: …I’m the Warden. I get that this is painful for you, but I’m telling you my own thoughts.

M: Yeah… let me hear them.

E: I said that your love has killed someone, right?

M: That’s true.

E: Actions taken out of one-sided love, such as stalking… Someone dying as a result of something like that is a possibility, too.

M: …! Haha… That’s horrible…

E: Yeah. It is.

M: It’s not like you saw what I actually did, right?

E: Yeah. Not straight-forward, anyway.

M: Right…

E: Anyway, Milgram follows a three-trial system. This isn’t the final result. It’s only what I’ve seen up until now.

M: Yeah. – Him and I… we loved each other. Properly as boyfriend and girlfriend. We met in college… It was the first time for me, so I don’t know if it was good or not, but… I think we were just normally going out together. I thought it was fate. He said it was, too.

E: Is that so…

M: I’m not… a stalker or anything like that. Although from your point of view, it might seem that way.

E: Yeah.

M: But I’ve made up my mind. I’ll properly convey my feelings too. He’s dead. It… it might have been because of my love.

E: Mahiru…

M: But… I just normally loved someone. I don’t think I’ve done anything wrong. And besides, I… can’t live without love.

E: Why would you go that far…?

M: Because I know how precious it is to be in love. The moment you love someone, you realize the beauty of the world as it changes. To not forgive me means to take the act of loving away from me. That’s the same as not being alive. It’s the same as not being able to drink water or breathe. So… if this love isn’t allowed, then I don’t mind dying. Kotoko-chan’s acts aren’t a problem, either. I think she’s fighting for her own cause as well. So I don’t blame her. Because I also think that I… that my love isn’t wrong. I don’t want to be shamed for my love.

E: …

M: No matter what you think, it won’t change things for me. That’s what I’ve decided.

E: …I’m stunned.

M: Eh?

E: You’re impressive, you know. Without any flattery. I think you’re impressive.

M: Are you praising me?

E: I might be. To not resent anyone in this kind of situation, staying strong and even emphasizing with others… How can you do something like that?

M: Hehe… This is the power of… lo… ve…

E: Mahiru?!

M: I… I might’ve… gotten ahead of myself…

E: Your feelings have reached me, loud and clear. I’ll judge you in the second trial as well. 

M: That’s… good… (pained noises)

E: …I’m sorry. I’m responsible for the fact that you’ve ended up like this.

M: (coughing, heavy breathing)

E: It was my decision not to forgive you. I don’t intend to deny that. But… the fact that I couldn’t predict Kotoko’s actions was a failure on my end. 

M: (heavy breathing)

E: If I had known that it would turn out like this…

M: If you had known that it would turn out like this, you wouldn’t have forgiven Kotoko-chan?

(machinery whirrs, bell rings)

E: …Huh?

M: If you had known that Kotoko-chan would attack bad people, and you looked at her crime – would your willingness to forgive and your judgment have been changed?

E: …

M: This is the result of you doing what you believed in, isn’t it? The result of you working hard at your job?

E: Yeah.

M: Do you remember? Back in the first trial, I said I liked people who work hard.

E: Yeah… You did say that.

M: Because I told you that I like people who work hard… I’ll accept this pain, too.

E: …Ma–!

M: That’s why… no matter what the people around you might say, I think you should do what you want.

E: You’re– You’re the one… telling me that?

M: Yeah. Es-kun, you’re working so hard… You’re doing great.

E: …!

M: …Oh my… are you crying? Es-kun…

E: I’m not!

M: You’re putting up a tough front.

E: No way. – The talking ends here. Show me the continuation, Mahiru. In order for me to respond to your feelings, too.

M: Okay. It may be a bit late to say this, but… I’ll be in your care.

E: Prisoner no.6, Mahiru – sing your sins.

[kxro877]

I have no idea how this app work, but Mahiru shiina from Milgram drawing here! I also have an Instagram acc k8u7r7ox please support me there too if you like my art!💗

[himawari-candyy]

litle tiepnsy mappi nui photoshoot ft my neko atsume plushies because i thought they were cute 🐈‍⬛

below is when she was just a newborn mappi ☺️🧡

[blueepink07]

Since Amane has been voted innocent and considering Mikoto's high inno percentage, that means that all guilty prisoners during the first trial have been voted inno. So it had arised a question in my mind about the physical restraints.

Currently, Haruka and Muu are the only ones voted guilty, for Kotoko is a high chance to be voted guilty too. However, they all share the same inno vote from trial 1. Jackalope informs us in this video, before the start of trial 2, that the guilty prisoners are restricted by the first phase of physical constraints.

I had initially thought that the phases are corresponding to the number of guilty votes during the trials. However, considering that we don't have any prisoner voted guilty twice... Will Haruka and Muu (possible Kotoko) have the second phase of restraints and skip the first phase? I feel like if they don't do that we will never see how it would be the second phase of restraints (unless they plan something at the end of the third trial).

If the restraints are already restricting a lot of movement (I made a theory a while ago where I talked about how much incovience they cause to the guilty prisoners, so I will put the photos here, again)

I'm really curious of how they will handle the second phase of restraints... Would it look similar with those from Undecover, having their arms fully restrained...?