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palms-upturned · 2 years ago

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I’m not gonna jump in ppl’s notes over this bc lord knows I do not want to have a debate about it but seeing someone say “I have qualms about people calling Jean ableist for trying to fire Harry and in the same breath saying Harry is unfit for cop work” is really getting to me. I am practically on my knees begging people to actually engage with what disco elysium has to say about disability and addiction and ableism and policing and social murder because it’s not even subtextual, it’s as blatant and hand holding as it could possibly be. The 41st is an awful environment for Harry not bc him being disabled makes him incapable of doing his job, it’s bc the job is fucking hostile to his existence. Like, no one is “fit” to be a cop because they shouldn’t exist, firstly, and even Harry himself will say as much in the Ruby bad ending. But talking about Harry’s case specifically, we know that this job is part of what landed him where he is to begin with.

From the start of day 2:

ELECTROCHEMISTRY — You mean why are you so tired? Too tired and *down* to even think? It *is* worrying, isn't it. You can't be a detective like this -- detectives need to be able to think.

YOU — Why is this happening?

ELECTROCHEMISTRY — It's just that your heart has finally pumped all the *speed* out of your system, buster. Time to get some more.

YOU — Wait. What *is*... speed?

ELECTROCHEMISTRY — Speed is a potent central nervous system stimulant. It kept you propped up all day yesterday despite your debilitating hangover. How else did you think you even got up from this floor?

VOLITION — You got up from this floor because of a holy vow you made sixteen years ago. With *me*. To wake up exactly 07:30 every morning until the day you die.

ELECTROCHEMISTRY — Don't be silly. There was no vow. You were high on speed. That was the only reason you got up. You can't *detect* without it, it's that simple.

YOU — No. I can take this. I am not going to go looking for speed.

ELECTROCHEMISTRY — Are you sure? Ready to live as this pathetic shell of yourself for days? Basically a week? Let's be honest -- two weeks, maybe three? You won't make it. Half the town will be dead by then. You will be fired.

YOU — That's a lie. I can do this without the speed. Half the town won't be dead... (Opt out.)

ELECTROCHEMISTRY — Suit yourself, slow, sad shell-man. See how you do without your spark.

And from this talk with Kim in Klaasje’s room:

KIM KITSURAGI — "Amphetamine -- does it make you a better detective?"

SUGGESTION — Be honest. He's not grilling you, he just wants to know. Ask if he's ever wanted to take it too.

YOU — "Honestly, it makes me the detective I am. Have you thought of taking it too?"

KIM KITSURAGI — "Maybe I should?" He lets out a little pensive hum, rubbing his shoulder...

DRAMA — It's not insincere. He's actually giving it thought.

KIM KITSURAGI — "Doesn't the... pupils and the gurning jaw, the sweating... doesn't it become tiring after a while?"

YOU — "I understand it's unbecoming but if I don't perform this job well I am nothing. It's the price I pay."

Harry knows that the cost of getting sober would be that the precinct would let him go. They’re not going to have the patience to deal with him slowing down from the combo of withdrawal and no speed to “keep him propped up.” Not when the reason that he’s stayed on the force this long and risen in the ranks is most likely because he manages such a massive caseload, as we find out from Kim:

YOU — "Is two cases a week a good case load, lieutenant?"

KIM KITSURAGI — "Huh?" He raises his nose from his notes. "Two *complex* cases to undertake is a lot, yes. You *really* have to push yourself. I would not suggest it. Lest you start making mistakes."

YOU — "Two cases a week appears to have been my load, lieutenant. I'm not sure I completed them though."

KIM KITSURAGI — "Two?" He raises both eyebrows. "That's a lot. I didn't mean to say you're making mistakes, by the way. That was presumptuous of me."

And later:

KIM KITSURAGI — "This next row -- the one that wraps all the way around -- is your number of closed cases. *Closed* is good. It means finished. You've got, let's see..."

KIM KITSURAGI — "Wow, more than 200!"

YOU — "Is that a lot?"

KIM KITSURAGI — "It's *quite* a lot, even for someone who's been on the force for nearly two decades. Usually clearing more than 10 cases a year puts you in the 90th percentile of *all* RCM officers..."

Despite the trouble Harry makes, he’s considered an asset so long as he closes cases. To the point where he wasn’t punished for drunkenly beating Burke unconscious and then injuring his knee so badly that he can’t walk anymore just because this allowed them to close the “unsolvable case” of Leslie and Burke. 41 and the RCM as an institution don’t care about Harry’s or anyone else’s wellbeing, they care about whether the pros of having him around outweigh the cons.

From the lazareth call with Gottlieb:

YOU — "Isn't there *anything* you can do for me?"

NIX GOTTLIEB — "What, you want me to do blood work for you again, tell you just how bad things really are *across the board*? You want another rundown of everything collapsing inside your body?"

YOU — "Yes. I want the truth!"

NIX GOTTLIEB — "You want the real, honest-to-god truth? Stop drinking, eat magnesium and vitamin D. Our station is not a retirement home. We don't have the funds to deal with *rock stars* past their prime."

RHETORIC — So it's political! You're being *neglected* because of political reasons...

NIX GOTTLIEB — "And no, I *don't* want to hear a *political commentary* on the topic. In fact -- I've got work to do."

If I were to quote every time Gottlieb was notably uncaring or said something blasé about how you probably didn’t have long to live, I’d have to quote pretty much every word of that dialogue. That’s the whole joke with Gottlieb. That’s just how it is dealing with doctors when you’re in Harry’s position.

From talking to Kim about Uuno:

KIM KITSURAGI — "We could take him to Remedie or Saint Batiste, but he doesn't have money for medical services. The Almshouse would turn him down..."

KIM KITSURAGI — "They don't do charity for people who're trying to kill themselves. Besides, he'll be dead in a few..." The lieutenant stops, listening to him.

RHETORIC — ... years? Months? Weeks?

“They don’t do charity work for people who’re trying to kill themselves” really sums up the absurdity of Harry’s situation and institutional responses to it. Harry isn’t seen as the kind of person in crisis who deserves intervention. He’s treated as a lost cause who deserves to suffer the consequences of his self harm, even though the unending crisis and the lack of response to it is what drives him to harm himself and hope that he “gets worse.” If he weren’t a cop, it’s unlikely that Kim would care about him any more than he cares about Uuno and Cuno’s situation. Harry’s job is killing him, but it’s also the only thing that gives him access to anything resembling a community or support network (at least at the start of the game). Again, that’s just the way it goes when you’re disabled.

From the second tribunal:

TRANT HEIDELSTAM — "Well -- here is my theory: What if this is an absolutely normal reaction to the world we're living in? What if this is *not* a significant anomaly at all, something to be explained, approached as a defect? Look at the sensory input here..." He gestures toward the scenery.

TRANT HEIDELSTAM — "Look at the ruins, the neon, listen to the radio, the multitudes. The people. Live here for forty years... As a police detective, he's like a magnetic reader on the world-tape -- to borrow a known metaphor. Harry's been pushed *flat against it*. Total input."

TRANT HEIDELSTAM — "Hard-wired to the free market..." He nods confidently. "He just needed for it to end."

JEAN VICQUEMARE — "Okay, Trant, thank you. That's... absolutely meaningless. I'm glad we brought you. Will he or will he not be able to work in the Major Crimes Unit? Is he a cretin now? I want to know *that*."

TRANT HEIDELSTAM — "He is *not* a cretin. And he *is* able to do work -- if not in his previous leadership role, then as a line detective."

YOU — "Line detective is good for now."

JEAN VICQUEMARE — "For *now*?" He looks at you, then at Trant. "I misphrased my question. It should have been: Is he able to put his clothes on, and use the potty, or do we need to get him on a disability pension?"

Or, alternatively:

YOU — "He's wrong. I'm too far gone for work."

JEAN VICQUEMARE — "Agreed, Harry." He nods. "Just don't expect us to get you a disability pension. Cops who actually gave a shit are waiting in line. You're not gonna hog their seat."

Trant, who, notably, is technically a civilian consultant rather than a cop, (edit: and maybe even more notably, as someone pointed out in the tags, has had experience with addiction, too) suggests to Jean that Harry’s breakdown is a basically inevitable result of his circumstances and the systems that created them, and Jean’s response is that he doesn’t care and all that he wants to know is whether or not Harry can work or if he’s going to be “hogging” resources from other people who are more deserving of help because they “actually gave a shit.” He’s a mouthpiece here for the institutions that he represents and his ableism is blatant and heinous to drive the point home. He denies that Harry’s case is as serious as it is and accuses Harry of faking it, despite the fact that it’s happened (at least) twice before, and very recently:

JEAN VICQUEMARE — "I believe you *drank*. People do that -- you especially. What they don't do is forget their *whole life* because of drinking."

JUDIT MINOT — "But, Detective Vicquemare," she interjects. "He *has* blanked out before."

YOU — "I have?"

JUDIT MINOT — "Yes, a couple of times. After some of the more... serious benders." She pauses, remembering. "One was after the Two Drunks case, the other when we looked into that mural."

REACTION SPEED — The two cases... in your ledger. The Unsolvable Case and the Next World Mural. Those were recent.

And despite the fact that even Gottlieb doesn’t seem shocked about it:

YOU — "I've lost my memory. All of it."

NIX GOTTLIEB — "With all the damage you've been dealing yourself with drugs and alcohol, I'm not surprised."

AUTHORITY — There is no surprise in his voice. Only careless superiority.

DRAMA — It's hard to say if he doesn't believe you -- or doesn't care.

(Considering that Gottlieb’s PSY stat is so high (he’s even eating one of the PSY boosting candies during the call), along with his uncaring responses to all your other problems, it’s more likely the latter.)

Jean also won’t believe that you’re sober even if you haven’t touched so much as a cigarette for your entire playthrough, and even when Judit points out that he’s wrong, he’ll double down and say that it doesn’t matter because you’re going to relapse:

JEAN VICQUEMARE — "Even the insect -- I don't care. But you're an *alcoholic*. And you've been drinking -- again. I won't let my life unravel because of this."

JUDIT MINOT — "Jean -- I think he hasn't. I can see it on his face..."

ENDURANCE — The bloating *has* gone down since you woke up that morning...

JEAN VICQUEMARE — "Okay, so he's stayed clear for what? A week?" He sighs.

TRANT HEIDELSTAM — "It's tough. One of the toughest addictions to overcome. Comparable *only* to heavy synthetic opiates. Even morphine is easier to kick than alcohol -- statistically. The odds are against him. Especially at his age."

JEAN VICQUEMARE — He nods. "He's too old. He's been like this for too long. I've seen him try many times. It's a farce by now."

SUGGESTION — They're leaving. They're all turning away from you.

ELECTROCHEMISTRY — No. You can figure it out. *Replace* it! Replace the alcohol with amphetamine. Or GBL! Fuck it -- morphine! Graffito removal agent! Anything. It'll buy you time. All you need is time.

Electrochemistry brings up yet another facet of Harry’s struggles with substances, which is the idea that some of them may be replacements for alcohol. He doesn’t have time or space to try to quit in any way that is remotely healthy. What he has are substances like speed that keep him from collapsing from the strain of it all so that he can keep showing up to work, and other substances that might (he hopes) help him wean himself off the alcohol.

The game explores all of these different factors of Harry’s struggles with addiction and the circumstances that keep him trapped in them exhaustively (and the fact that Robert Kurvitz apparently was recovering from alcoholism during the development probably contributed a lot to that). The structure and culture of the RCM are hugely responsible for Harry’s situation. He’s mocked and berated for being an alcoholic and told repeatedly to get his shit together without actually providing him with the means to do that. Instead, he’s not only enabled but practically forced to keep using just so that he can show up to work at all and not risk losing the only support network he has (even if it’s the shittiest and most unhelpful network imaginable). As Luiga (iirc) said, Harry’s biggest tragedy is that he’s incapable of quitting the force. Many of the reasons for that are genuinely just due to Harry being a class traitor and an asshole, but it’s also true that even if he did want to quit, there is no safety net to catch him.

And then Harry comes to Martinaise, a town that has been “orphaned” by the RCM and neglected by Revachol at large, left mostly to their own devices. It’s not like policing doesn’t still exist in Martinaise, and things are pretty dire for everyone in the community, but at the very least you can see that it is a community. Isobel houses you for free. In Kim’s absence (and after Gottlieb stitches and ditches you), Cuno and Garte take care of you when you’re shot. Acele responds to your breakdown on the ice by saying it’s okay to cry and that you can talk with her about it when you’re ready. Idiot Doom Spiral and co run to your aid when they see you drive your car into the sea and invite you to come drink with them just to stop you from doing it again. Harry discovers that life, while very painful and bleak at times, isn’t necessarily hopeless for the marginalized. You can still find solidarity and support outside of the system.

Meanwhile, if Harry in the end has no one to vouch for him and hasn’t stayed sober, that system will abandon him, a well-known suicide risk with at least one bullet hole in him and severe amnesia, with the promise of nothing but getting served a station call slip. The point is not whether or not Harry “deserves” to be forgiven or even whether he’s a danger to himself and others (to be clear, he is). The point is that this is a system that doesn’t care whether Harry and people like him live or die. That is why, even in a “good” ending where Harry is welcomed back to the 41st, the work won’t be sustainable. It’s going to kill him because that’s what it’s designed to do. The miracle of Martinaise was the realization that he doesn’t have to die. There are people who will help to keep him on this earth. They’re just not members of the fucking RCM.

It’s not a “gotcha” to say that if Jean (and the RCM, and the institutions of Revachol on the whole) is ableist for wanting Harry fired, then saying that cop work is unsustainable for Harry is also ableist. I won’t even say what I personally think of that logic because I’m trying to keep the tone of this post polite. Jean’s dialogue during the tribunal is meant to parrot every bit of ableist rhetoric that the system is built on and that keeps Harry trapped in this hellish feedback loop. He’s a mouthpiece for the general culture of the RCM, just like Gottlieb is a mouthpiece for the shit that addicts and the disabled have to deal with from the medical system. He thinks Harry should be fired because he’s a drunk and therefor a lost cause. The truth is that Harry needs to quit this job because it shouldn’t exist and because it is actively killing him.

In one of Martin Luiga’s articles about the process of creating the game, he brings up the concept of social murder, which is a term coined by Engels:

When one individual inflicts bodily injury upon another such that death results, we call the deed manslaughter; when the assailant knew in advance that the injury would be fatal, we call his deed murder. But when society places hundreds of proletarians in such a position that they inevitably meet a too early and an unnatural death, one which is quite as much a death by violence as that by the sword or bullet; when it deprives thousands of the necessaries of life, places them under conditions in which they cannot live – forces them, through the strong arm of the law, to remain in such conditions until that death ensues which is the inevitable consequence – knows that these thousands of victims must perish, and yet permits these conditions to remain, its deed is murder just as surely as the deed of the single individual; disguised, malicious murder, murder against which none can defend himself, which does not seem what it is, because no man sees the murderer, because the death of the victim seems a natural one, since the offence is more one of omission than of commission. But murder it remains.

None of this is subtext. And all of it is intended to make players actually spare a thought for what it’s like for people in Harry’s situation in real life. For God’s sake, please engage with it. You have to try and understand what it means to be trapped in a life that is made unlivable and to know that your death will be ungrievable. That’s what this whole game is about.

Edit: I’ve seen some ppl say in the tags something like “yeah, I like to imagine a happy ending for Harry, but…” and listen. I am laying a very gentle hand on your shoulders. The point of this post was never to say that there’s no happy ending for Harry. The point is that the first step toward that ending is conceptualizing a life outside of the RCM. In Martinaise, he got a glimpse of what that might look like. Hell, in the bad ending, you can even say to Jean, “fine then. I’ll just live here.” There’s hope for him and for us. I promise.

#meg talks #disco elysium #i have been seething over this all day. sorry.#i’ll be nice and won’t tag any characters mentioned here

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disco-archetypes · 4 months ago

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VOLITION - I have bad news for you.

YOU - What?

VOLITION - You know these guys?

LOGIC - Who, me?

DRAMA - Yes, you. He's talking about you, you boring stiff.

VOLITION - You too.

DRAMA - Me? What did I do? I'm merely a master thespian...

VOLITION - These guys are compromised. She's got them singing along to her tune. The little bleeps and bloops you trust for info -- you can't trust them anymore.

YOU - Oh my god.

VOLITION - Believe it.

YOU - Which ones exactly are affected?

VOLITION - There's no way of knowing. At the moment I'm afraid it's best to assume...

VOLITION - ...*all* of them.

ELECTROCHEMISTRY - Bullshit, man, I ain't *compromised*.

VOLITION - *Especially* that guy. That guy's the most compromzised one in here.

ELECTROCHEMISTRY - No fucking way, man, I just want a drag of that sweet Menthol ziggie.

VOLITION - Really? Quick, tell me what's under her jumpsuit?

ELECTROCHEMISTRY - GLORY. TRUTH. SOFTNESS. PROTECT HER. SHE WANTS YOU.

VOLITION - I take it back. He's got it pretty bad, but this *next guy's* on another level entirely...

SUGGESTION - She likes you. The Crownhead is a boring condom. He's jealous. This is human nature.

#disco elysium #psyche #volition #suggestion #intellect #logic #drama #physique #electrochemistry #harry du bois #man i love it when your skills have a silly little conversation

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revalition · 1 month ago

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OCT 8 - VOLITION

Hold yourself together. Keep your Morale up.

I had to resize this image 3 times to get tumblr to take it... it is also past midnight here, but the day change doesn't really count if I haven't gone to sleep yet, so :)

Volition. My love. my favourite skill. please enjoy. I also drew the volitions of some of my mutuals!! because I love you guys and your volitions very much (holding them gently in my hands). hopefully you guys dont mind and I didn't mess them up too badly

anyway. uhm. I'm much too tired to write anything super coherent right now. please write tags for me or write comments so I can see them when I wake up haha

and! there is a LOT under the cut. like, way more than any of the other days. it is giant. be very careful expanding it <3

ok here goes... I'm typing shorter ones out and screenshotting big ones

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VOLITION - Stop, you're only making it worse for him -- you never help with *anything*.

- Rare volition being rude to other skills!!! it only happens under pressure, too

KIM KITSURAGI - "What else could she have done? Lie? She saw there was no way to lie and get away with it."

DRAMA - You would have caught it.

VOLITION - Like hell you would have -- remember?

- you tell him volition!!

SUGGESTION - What is *wrong* with you? Why did you ask to be connected to her? Who *does* that?! Act professional now.

VOLITION - *You* told him to do that stupid thing...

- rare volition callout!!

YOU - Can I trust that guy?

VOLITION - A little. They're all still of limited use, interpreting things to the best of their ability. Maybe they add flair or something? I wouldn't know. I don't add flair.

- this is one of my favs haha. you don't need flair, love, it's ok

VOLITION - Ouch.... That's like twenty points of pride-damage right there, buddy.

- This is after Sylvie turns you down to get coffee. (and you do suffer a point of morale damage haha). him calling you buddy is so funny. it's always mildly condescending too!

- here's the other two:

VOLITION - You're no titan of Volition, buddy. He's got you in a fork. Sit down or leave.

VOLITION - You're a little more moralist now, buddy. A little more *normal*. Even if you didn't want to be.

YOU - "Cryptid extravaganza? I like the sound of that."

KIM KITSURAGI - "And I *don't*. Just one."

VOLITION - Or he'll be *disappointed* in you.

ENCYCLOPEDIA - Whooh... tough choice there.

- volition knows it's truly the most terrible thing haha

VOLITION - An enormous expenditure of willpower to build up strategic semen reserves? You had me at *willpower*. Let's do it!

ELECTROCHEMISTRY - Life is all about pleasure... why deny it?!

- these two are hilarious. poor echem. but also volition, honey, nono...

- the game implies consequences when increasing your skills too high but you don't see it with all of them. Volition's one you don't really see much downside to, but you can just. Imagine it here. Him pressuring you to do something stupid, just for the sake of it being difficult. Surely that's not healthy??

- I do think Volition has a lot of issues. I'll get into some more of them later though!!

- but just... Harry wanting to do something that *is* a test of willpower and Volition is completely uninterested. But the semen retention thing is okay? sigh

- and then after that, he's just like. nope. we're not going to not swear :)

- he's so stupid sometimes. also it's absolutely hilarious to me that you can pick the "..." option over and over and Volition will match it forever. You simply cannot out-will your own willpower. It's just not possible.

- I actually live for Volition being the singular voice of reason. Look at the others all chiming in!!

- this one too, Volition being the only one trying to stop it! Why are they all piling on?? Composure not you too >:(

- I had excessively high Volition *and* Pain Threshold in my first run and the two of them!!! PT gets very self destructive at high levels, so seeing the relentless push and pull of PT and Volition was so good.

- This line from the description -> "Cool for: Sane People, Well-Adjusted Cops, The Non-Suicidal" yes it's cool for them, sure, but it's incredibly!!! important for NOT these people! Because Volition doesn't make you sane, or well-adjusted, or non-suicidal. He's just the one voice of reason in there trying to veer you away from making irreversibly bad decisions.

VOLITION - She tries to hide it, but some *great doubt* is spreading within her. There is a crown slowly cracking above her head.

- I need to talk about this line. Just. Volition acknowledging the existence of Joyce's own Volition (which he refers to as a crown!!!) cracking! the *great doubt* spreading and cracking apart the crown! hghh I live for any and every depiction of volition cracking apart when morale gets low and this is absolutely one of them.

AUTHORITY - Weren't you warned to *not* go down this path?! And yet you *still* go and do it...

VOLITION - Just because you *can* doesn't mean you *have to* say everything that comes to mind. Back out before the situation escalates.

- these two's dynamic is very funny to me. I love when they work together (but I also love when they fight! fight fight fight!)

VOLITION - Don't ask, don't look, don't do *anything* here. Just go away. Get back to work.

- "Just go away" ugh my guy is fighting for his life here to get you away from the cigarette and alcohol counter in the Frittte

- hghhk Volition. this is a Challenging passive check too (the second one, to hang up). *one* chance, that's all he has in him. It's not possible at all in the dream, no matter how high your Volition stat is. It's just not something he can do. But here, with the distance of the payphone between you and possibly real consequences, he's able to manage one chance.

- (also did anyone see the post about the payphone conversation possibly being entroponetic crosstalk?? I could talk about that for way too long. but I am getting sidetracked)

YOU - "Yeah, I'm done talking about her. I don't want to think about her anymore."

RHETORIC - What a strange choice of words...

EMPATHY - Caustic, overflowing with negativity.

VOLITION - That can't be healthy. What's happening here? Why do you keep coming back to this window?

YOU - Nothing, everything's okay.

VOLITION - But it isn't. And you shouldn't come back to this anymore. This should be the last time. Stop talking about that damn window, please.

- this one too

VOLITION - Throw it away. Please.

- I need to talk about this. Volition dutifully directs you away from all the reminders of Dora. He does everything in his power to stop the final dream from happening.

- And I get it. He's trying to protect Harry. Because Harry isn't mentally stable right now and it could endanger the case. but... at least, when the final dream happens Kim is (usually) there when you wake up. And if all went well, you get to go back to your precinct, and take Kim with you. And Harry has support.

- If the dream doesn't happen... it will happen eventually. There are a million reminders in Martinaise in the span of a week, imagine what Jamrock is like. It's an inevitability. And then you're taking the chance that the dream happens at a time when Harry is much worse off. Maybe he's alone. Maybe Kim left, maybe he was let go from the force.

- The dream could happen at a better time too, of course. we probably all imagine harry picking up the pieces after martinaise and his life finally taking a turn for the better. and I imagine this is what Volition had in mind, by delaying the dream. Maybe it can be delayed for a long time, long enough.

- but it's a huge risk and I just... don't know if he's making the right choice here. keeping important information about Harry's past, which has shaped his relationships and life considerably, in a box so it can't hurt him

- yeah. anyway...

YOU - What if I don't want to ask questions?

REACTION SPEED - You're a cop, Harry. It is *unnatural* of you not to want to ask questions.

VOLITION - You don't have to. No one is forcing you to be a cop.

- Volition??? sometimes this guy makes no sense, he's so funny. I really think he occasionally just does something for the sake of being defiant

EGG HEAD - "Please. Please?" The young man smiles at you widely, bright and innocent as the summer sun.

VOLITION - His pleaful smile is disarming, but you can withstand it's glorious assault, if you just put your heart into it.

- why? why?? don't turn down egg head ever!

VOLITION - Alright, come on now. If *he* hasn't said anything about your lack of pants, no one will. You're only hurting yourself by not wearing them...

- this one is so funny. I love that he lets you know he *knows* you're trying to get a reaction and you're not going to get one!!

- yes volition, stop himmm

ELECTROCHEMISTRY - How very astute of you! This renders it ineffectual. You should look for a *whole* cigarette. Or better yet -- an entire pack! Strike that, a CARTON! Make sure they're all healthy and able-bodied, then smoke them all.

VOLITION - Or -- you could *not* do that. No one is making you.

- volition as usual trying to stop you from picking up bad habits... I just love the way he talks. he's not even telling you not to, just voicing his disapproval in a rather passive way

INTERFACING - Wow, the gods of mass production have made this alcohol container *laughably* easy to open. A child could have done it.

VOLITION - I don't know about this...

- he still doesn't outright tell you not to drink it... :(((

ELECTROCHEMISTRY - Fine. We're not worried... you'll crawl back to this bottle soon enough. We'll give you another chance. Booze *always* gives you *another* chance.

SUGGESTION - Yes, it's *merciful* that way. It's your friend. Come back to it, we're all rooting for you to.

VOLITION - Not *all* of us...

- he's the only one rooting for you to not drink it!! he can't stop you. but he is supporting you in the only way he's able.

VOLITION - No. You *can* stop. Just wade through the hell. Month after month. Year after year -- you against the nothingness. It's possible, because *time* is possible.

- He can encourage you!!

YOU - "I *will* stop drinking."

MEASUREHEAD - "THAT IS NOT POSSIBLE. THE GAME OF *SHAH-MAT* YOU PLAY AGAINST THE GUL'S TRICKS IS UNWINNABLE. THE DAYS, THE WEEKS, THE MONTHS WILL WEAR YOU OUT. THE OCCIDENTAL HAPLOGROUP IS INCAPABLE OF LONG TERM LUCID THOUGHT."

VOLITION - NO.

- volition!!! <3 that's all he needs to say.

HORRIFIC NECKTIE - This is it. I'm gonna hit the ground and burn away now. Most of the people in this yard are gonna die -- if not all. Probably you too. It's a COMPLETE DISASTER.

PAIN THRESHOLD - Get ready for a world of pain, man.

VOLITION - No. Not a disaster. Weave this into the story of you. Walk out of its *ruins*. Save those who still can be saved -- *I'm* on your side.

ESPRIT DE CORPS - And the lieutenant too. And the men behind your back, drawing their weapons... you can live. You can get out of this.

- hnngh. this one is among my favourites too. my amazing 1 int run also had 1 motorics. at this point I had failed the rhetoric check to save ruby, failed the logic check to save lizzie, and now failed the spirit bomb throw too and was about ready to cry. Volition's quiet reassurance was very important to me in that moment. EdC too, and I did save Kim.

HAND/EYE COORDINATION - Your hand trembles as you scratch at your cheek... oh no, that's not how a grown man shaves!

YOU - Leave it for now.

HAND/EYE COORDINATION - Thank god, I would have cut your throat.

VOLITION - The centipede is exaggerating -- people don't actually cut their own throats when they're shaving. At least not accidentally.

- centipede!!! it's such a funny nickname. alternatively

HAND/EYE COORDINATION - Your hand trembles as you scratch at your cheek... oh no, that's not how a grown man shaves!

YOU - This isn't sharp enough. Scrape harder.

HAND/EYE COORDINATION - Stop, for crying out loud! You're gonna cut your own throat.

VOLITION - There's no way to salvage this.

- these guys are hilarious. why is volition even watching this mess? 'there's no way to salvage this.' ??? I'm not even sure if he's referring to you or H/E... he must be so tired.

ENDURANCE - You feel like you're about to faint and fall off the swing. Your hands get clammy and the air tastes sour to breathe.

HALF LIGHT - Oh god, Harry! Oh god, Harry, what did you do...?!

VOLITION - No! Just nope. Say no to this, Harry.

- more of this!! >:( of volition trying to just avoid anything painful. wake up man.

LOGIC - Everything is so pretty and red -- you and Leo look like brothers as you glance around with similar childlike wonder.

VOLITION - Keep it together, no need to show your wonder.

- why? :( it's not hurting anyone. legendary difficulty passive for volition, high levels of volition are sometimes questionable. I love collecting all these instances of volition making weird suggestions. it's like when people point out really weird things Kim does, that you don't really notice as weird because he does it so calmly and confidently.

VOLITION - Huh... no, Mr. Conclusion. You're always kind of limited in your analytical abilities. That's not *her* fault. But still...

- volition: you're kind of limited in your analytical abilities... meanwhile logic and viscalc and ency calling you stupid and brain damaged lol. vol is so gentle about it!!

- then again...

VOLITION - ...no? He's not going to show up? I'm sorry, your lie detection isn't working. It's not her doing, he's just totally inept. It looks like you're also an idiot. But that's not her fault.

- lol.

RHETORIC - This is good. Clear the air first -- between you two -- then move on to questions.

VOLITION - No, it's not good. It's the opposite of that. This will let her dictate the terms of your...

RHETORIC - Shush. I can't hear what she's saying.

- no. don't ever cut off or shush volition ever again

- >:(

YOU - No-no-no-no...

INLAND EMPIRE - Yes, yes, yes, yes.

VOLITION - No-no, we're not starting with that. Not now. Not this time. This thought is over.

- volitionnnn... ily. my own volition also cuts off dangerous lines of thought for me. I think he's got to be constantly vigilant, in order to be so good at it. must be exhausting :(

YOU - "Can't promise that. I might attack him again." [Leave.]

KIM KITSURAGI - The lieutenant groans, but doesn't say anything.

VOLITION - That's right, you *should* do it again! It's the *last* thing he'll be expecting.

- uhm. not sure that's a good idea!!

VOLITION - You're too weak to say 'no' now. Waking up is the worst part. Maybe somewhere down the line you could decline...

- referring to declining the speed. all volition fails are very sad

VOLITION - Yes, look at yourself. What do you see?

YOU - Just a sorry stack of shit...

VOLITION - Yeah, didn't even know they stack shit *that* sorry.

- beautiful, rare volition scolding you!!!! after you disregard his advice and don't apologize to kim after the church fail. he's on your side, but he also knows he needs to tell you that this wasn't okay.

VOLITION - First the investigation, now this... how many more things do you have to fuck up?

- this one too! same scenario. this is a difficulty 16 (Godly) check...

- yes this again. it just needs to be in here. the volition panic attack. if this volition passive doesn't fire, you take no volition damage. it's completely self-inflicted :(((

PAYPHONE - The headset lands in the cradle with a clank. There it sits -- still warm from your hand. You have no idea what just happened.

(heal 2 endurance and 2 volition)

- if you hang up the phone before dora picks up!

VOLITION - He subdues the feeling. Dusts himself off and moves on. So should you. There will be other chances.

(heal 2 volition)

- if Kim misses getting a picture of the phasmid

HORRIFIC NECKTIE - The necktie is guiding you through this. It's your spirit animal, both your nemesis and friend. Suddenly a feeling of ease brushes through you -- you're fine again.

(heal 2 volition and 1 endurance)

AUTHORITY - That... was the most honourable thing anyone has ever done, Harry.

(heal all volition)

- very special incidences of healing more than 1 volition at once!! the fact that healing/damaging morale is just directly called heal/damage volition in the variable naming is. yeah. I think about it constantly. does it hurt him? I think it does. and he never says anything about it (unlike endurance!) he just bears with it quietly.

VOLITION - In honour of your shit, lieutenant-yefreitor. Which you kept *together* in the face of total, unrelenting terror. Day after day. Second by second.

INLAND EMPIRE - DETECTIVE

ESPRIT DE CORPS - ARRIVING

AUTHORITY - ON THE SCENE

- obviously this one has to be in here. funnily enough, in my second playthrough I had 2 PSY but everyone had been bumped up enough that they all fired except authority... I ended up throwing a point into authority and retrying the dialogue so it could be complete haha

VOLITION - What? I thought you had your shit together! This is nearing a complete meltdown! Stop it!

- volitionnn :( if you don't stop you have a panic attack, so I guess he's only trying to help

- this is too funny. volition honey, you absolutely do add flair too

YOU - Oh, you mean Cuno?

VOLITION - Ding, ding, ding! We have a winner!

- yup, absolutely no flair. Super. Tip-top!

VOLITION - These guys are compromised. She's got them singing along to her tune. The little bleeps and bloops you trust for info -- you can't trust them anymore.

- it would be a crime to not include the bleeps and bloops in here! why does he call them that?? haha

- rare instance of volition not being able to stop the disaster!

INLAND EMPIRE - Your surroundings are undisturbed. While you slept, you were alone. Now that you're awake -- you're still alone.

HALF LIGHT - Get the fuck out of here. Fuck this place, fuck this world, fuck this life, fuck this body -- just fucking go.

SAVOIR FAIRE - The sheets are stained red. Your blood's been running again. Keep it together. Just get out of here and finish this fucking thing.

VOLITION - Harry... I know there's not much to say -- but if nothing else, just remember that you've made it this far. And it's just a bit farther now. Let's finish this.

- this is just. it's awful, if you have the final dream all alone. but at least you have volition with you

DICK MULLEN AND THE MISTAKEN IDENTITY - Dick Mullen was made to crack skulls and solve cases. It's who he is. He could no more stop being a detective than a tiger could cease to be a predator in the night.

VOLITION - You're no tiger, though, Harry. You're a man. It's your curse to have to choose.

- I like this one.

ELECTROCHEMISTRY - That sugary black rum stain on the counter makes you teary-eyed with joy. It's almost touching how syrupy and sticky it is. How long have you been up already?

YOU - Not now.

ELECTROCHEMISTRY - Oh *excuse me*, do you have something better to do than lust for sweet syrupy rum and lemonade? With a twist of lemon? Maybe lime? Maybe who cares, just rum?

VOLITION - Yes, you do have something better to do. Stop drooling over that stupid rum stain and go. Before it's too late.

- this is a challenging (difficulty 12) check! it's very difficult to resist the sticky rum stain I guess

YOU - Give up.

LOGIC - There we go. Your mind is a relaxed muscle. It's so nice and easy to give up, isn't it? On the downside -- you have no idea what you were supposed to do now. I could have *debriefed* you.

VOLITION - Blissful idiot -- say something. You've stood there for too long.

- blissful idiot

VOLITION - Don't be an idiot and say it. In this day and age, of all times. It won't end well.

- once again, volition pushing you away from the bi-curious thing. :( he just wants to keep you safe, but it comes at a cost.

- you can't just wrap harry in bubblewrap, volition. he'll never grow

- volition absolutely saving the day here. do NOT say it harry! authority's advice is SO hit or miss

VOLITION - It's time to leave it be. You're about to make a child cry. Are you proud of yourself?

YOU - Damn right I am! Proud as the Lion of Serber.

VOLITION - Excuse me, I'm not sure I heard that properly...

- volition ily. he has to deal with so much.

VOLITION - Should we? He's *nice*. I don't like *nice*.

- this is so funny. he's very suspicious.

VOLITION - Look at it, detective. And be ashamed. Until you make it right by *legally purchasing* that raincoat, I'll make sure you feel guilty every time you see it.

- YES YES conscience volition!!

YOU - Close the carabiner.

SLEEPING DOCKWORKER - The sleeping dockworker has little to say about your actions. He remains silent.

VOLITION - You're not 100% clear what you did here was *right*, but to hell with it...

- only sometimes!!

VOLITION - I can't restrain this one. The need to *cop* is too strong. You just need to ask it.

- why are you trying to restrain copping??? this guy, sometimes. he's so stupid (affectionate)

VOLITION - That's it. I'm calling it. Kim is beyond compromised.

- uhm. volition completely overcompensating with the compromised skills is quite funny. once drama wakes up, he does it too

VOLITION - See? It's oddly moderate. Probably compromised.

- oddly moderate now means compromised??

- this is it. this is volition's only comment on this disastrous authority fail. he makes no attempt to stop it!!

VOLITION - Being Cuno's pig has a steadying effect on your hand. Go with the flow, man...

- volition's so silly sometimes

DAMAGED LEDGER - You feel that thing in the back of your head? That little voice, that quiet scream? You already felt this was a bad idea, but especially right now it's even worse. Try as you might, you can't read it now.

VOLITION - You've got *business* to deal with first. Talk to the Union boss first, at least... I can't stop you for long, but there's just enough of an excuse now.

- Volition fighting for his life to stop you from reading the letter :,(

VOLITION - If it's possible, then by pure willpower alone. You are going to have to become... a psycholocomotor.

- that is *not* a real word but we love you anyway vol

LOGIC - Is that how it is now? We should just try all good things *twice* and then give up? By that logic...

VOLITION - Not you too...

- he's all alone out here :(

VOLITION - Someone's been a very busy boy. Good on you...

- thank you...?

VOLITION - *Very* off. Just let her go. Listen to me for once...

- for once?? :((( but if you try...

VOLITION - I can't help you. I am totally useless. Everything I've said is lies. I want the exact same bad things you want. To stand here, like a pillar of salt, saying...

- this is probably one of the saddest lines. all the skills falling apart in the dream is awful, but volition might be the worst. it's also very important that volition *does* want the exact same thing you want. He wants to drink and smoke and think of dora and die. And he chooses to resist it anyways. To be the only thing standing in your way. But it's to the point where it's all he knows. He knows that he has to resist the things he wants, and will occasionally take it too far. Keeping Harry (and himself) from things that will make them happy. In the setting of the game, Volition keeps things together and on track. But once Harry is back in his normal life, it will become very much a double edged sword I think. Luckily(?) it will self balance a bit, where if Volition prevents Harry from being happy then he'll lose morale, weakening volition, and then vol won't prevent harry as much and it'll balance out. hopefully.

VOLITION - Despair creeps into you, getting fat on your weakness. Whatever noble intentions you once had as a police officer -- it's eating them all up now.

VOLITION - Nothing you can say would make you feel any better now...

- 😭 I hate this, I hate the volition death. the endurance one is really painful too, but this one's painful in a different way. Volition isn't getting back up from this. the awful newspaper clipping saying you go to live under a bridge... that's what happens when you let volition die?? if any of the other skills (except endurance) drop to 0 you can just raise them back up, but vollll.... ugh.

VOLITION - Listen... It's okay to take a few minutes to yourself. Sit down and have a breather.

ENDURANCE - You need to rest. Your body is aching. Getting in here has taken something out of you. Have a seat.

- our two health pool boys encouraging you to take care of yourself <3

YOU - "Kim, can *you* see it?!"

KIM KITSURAGI - "I can see it."

VOLITION - Four simple words -- thank god. If he can see, then you're not insane.

- this one is obviously very important.

YOU - "I've finally gone insane..." (Put your head in your hands.)

[...]

VOLITION - My god... maybe you *are*.

- if Kim and Cuno aren't there, and your Volition is really low, you get this very sad fail. :(

VOLITION - True, you ought not love ruins and hell -- and the fading scent of apricots.

- I like this one.

WASHERWOMAN - "I *can* wash it for you," she says after looking the jacket over, "but it's going to take about a half an hour. Think you can stay put for that long?"

VOLITION - Hell yeah!

PHYSICAL INSTRUMENT - No, we must run around ceaselessly. It would be torture to stay put.

- I really really love him.

YOU - "By the way, I'm going to sing karaoke here."

GARTE, THE CAFETERIA MANAGER - "Absolutely out of the question."

VOLITION - You wait and see, cafeteria manager!

- volition will not be told no!!

VOLITION - No one can STOP you from finding the phasmid.

PHYSICAL INSTRUMENT - WHAT IS HAPPENING TO YOU?!?! Are you going to CRY now, son?

VOLITION - You heard the coach! This is weakness. It cannot go on much longer, or you will LOSE.

- these guys are great. coach!

YOU - Right. Activate Denial Mode.

VOLITION - You're not really an automaton, you do know that?

- oh, thank you for the insight volition

- even your most willful, imaginative skills know this scope creep was insurmountable...

DRAMA - But we *are* awake, sire! She has been forthcoming -- with sordid details women usually conceal! Most *shocking* details of the sexual kind! We are a bulwark, un-breached...

VOLITION - You've been breached, bulwark. You've been breached, like, a thousand times now!

- nooo poor drama (volition is right)

- Volition trying to reassure you after the Tribunal is very important.

- SO TRUE.

DRAMA - This may have been a *grave* mistake, sire.

VOLITION - Maybe. Maybe not. Mercy is rarely a *complete* mistake.

- I really adore this quote.

I think I'm going to leave it here. I haven't included some quotes that I put in other posts already but I might add them in later to have a comprehensive Volition post... But I've spent like 4 hours on this already so I'm giving it a rest for now :)

#skilltober #de volition #disco elysium #de skills #rev art

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heavensickness · 6 months ago

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Completely random things about Disco Elysium characters that I think about

Klaasje isn't Garte's type and he is probably the only one immune to her charm (she even manages to fool Kim)

Garte never takes a step back and even yells at the Hardie Boys and mercenaries. He doesn't give a shit if he dies.

Cunoesse sleeps outside at night

Cuno used to do his homework so he is not 100% illiterate

Cuno is locked out of his house by his father (his father keeps his key) so Harry breaking into their apartment might be the only way he could get in again

Smoker in the balcony says that Harry looks like he does belong in the Homosexual Underground. He even flirts a little

Egghead dresses like a boideiro

Measurehead can't get hard for his babe which he uses some of his racist bullshit to explain

You can touch the hanged man's penis for some reason and electrochemistry even urges you to

Kim intervenes when Harry is talking to Paledriver or Joyce only out of concern for him

When Harry sees Judit he immediately remembers her as the horse faced woman because that was probably what he used to call her before his amnesia, at least in his head

Similarly, Jean uses the words middle-class, bangable and fuckable while describing Dora in a deadpan tone even though he never met her because that was probably what Harry exactly said about Dora while he was drunk. The drunks in the fishing village also confirm that Harry said a "whore" fucked him over.

Endurance and physical instrument holds Harry's repressed toxic masculinity and possible misogyny, although you can become a feminist or grow out of those thoughts throughout the game. If you don't, they will repeat thoughts about how women are whores and they are all crazy.

Both in Harry's first dream and last dream, his subconscious focuses on Dora's sexual aspects: Warmth of her mouth, between her thighs, wearing a white gown that shows her figure etc.

Kim will still like your karaoke performance even if it was a disaster and he will even defend your performance against Jean

Jules Pideu will try to encourage you if you tell him you can't do this anymore

What Judit feels for Harry is just pity

If you make a "joke" to Cuno about Kim dressing in drag Kim will think something like "YOU are the one who looks like a hooker in those promiscuous clothes"

Jean will also tell you that you look like you have 20 STDs if you are wearing something "promiscuous"

Trant used to be a drug addict and so he understands why Harry can't just quit drinking

Ruby does not actually want to hurt Harry and Kim. She even decreases the intensity of pale emitter because she feels bad for them

Evrart will say "you are NOT an ultraliberal Harry, get the fuck out of here" if Harry says that he is an ultraliberal

Kim will yell "are you stupid??" so loud that Harry will lose a health point if he says that he is a fascist

Andre is "not twenty" and he is already balding

"Pigs" lady used to take care of the Hardie boys when they were kids

Titus says "some Hardie boys are queerer than others and that's okay", looking at Glen

Glen is probably gay but he is the one who reacts the most when Harry says that Ruby likes girls

You can give the working class woman a hug

Harry can ask Joyce if she wants to fuck but she will evade it immediately, saving both of them from embarrasment

If Harry goes on a date with Lilienne, one of his skills will say that this is as far as he could go in his current state & he should be sober for more than a year for something more. Which indicates that if Harry did not keep drinking/he has recovered, he could actually pursue Lilienne and they could be something more

Kim knows that wearing anal beads in public would not make a sound

#Almost none of these are tied to each other. These just live in my head for some reason #Completely random #disco elysium #Things i'm playing

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even-disco-baby · 1 year ago

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COASTAL SHACK — You wake to find yourself lying in your bed, still very much alive.

PAIN THRESHOLD — Barely.

ENDURANCE — Don’t be dramatic. Aside from a headache and dry mouth, you’re fine.

PAIN THRESHOLD — It’s a *bad* headache.

ENDURANCE — You’ve had worse.

Ouch… No thanks, I’m going back to sleep.

[Try to sit up.]

ENDURANCE — You try to push yourself upright, but your head and your heart pound with the effort and your arms feel weak.

…Look, I said you’ve had worse, I didn’t say you should push your luck.

ENCYCLOPEDIA — It’s the blood loss. A common side effect of getting shot.

YOU — Thanks. Very helpful.

ENCYCLOPEDIA — You’re welcome!

PERCEPTION (Hearing) — As you drop back down to the pillow, you hear a familiar sound. A shuffle of nylon.

PAIN THRESHOLD — You force your eyes open just a sliver, squinting. Despite how dim the shack is, that hi-vis orange is unmistakable.

The lieutenant’s jacket is laid over you, the sleeve of it nearly brushing your cheek.

ELECTROCHEMISTRY — You catch a faint whiff of Taiga Super Special.

+1 MORALE

Oh shit! I’ve always wanted to try it on!

Does that mean he’s out there somewhere *without* it? That mental image is just not right.

I wonder what he keeps in his pockets… [Snoop.]

INTERFACING — Blearily, you reach out and feel for the jacket’s inside pockets. Predictably, most of them are empty. Obviously, the lieutenant didn’t leave any of his essentials behind. His badge and notebook are nowhere to be found. Nor are his Astras.

But…

YOU — But?!

INTERFACING — But in his left breast pocket, you feel something small and flimsy.

PERCEPTION (Touch) — Feels like… photo paper.

YOU — [Pull out the photo.]

MIRACULOUS PHOTO — It’s you.

You, reaching out a hand toward the miracle— the Insulindian Phasmid.

INLAND EMPIRE — No. It said that *you* were the miracle… violent and irrepressible…

MIRACULOUS PHOTO — The phasmid unfolding its impossibly long limbs, its eyes fixed calmly on you, the foam and the sky and your small silhouette, wreathed in sunlight, reaching, reaching…

It’s a great photo.

EMPATHY — In his left breast pocket… The lieutenant keeps it close to his heart…

KIM KITSURAGI — “…You’re awake.”

COMPOSURE — You jump, nearly dropping the photo at Kim’s voice.

HALF LIGHT — He’s caught you red handed.

“I wasn’t snooping! It just, er, fell out of the jacket and I…”

“God, Kim, you scared me…”

KIM KITSURAGI — The lieutenant stands in the doorway in a white tank, his silhouette strange and unfamiliar without the bulk of his jacket around his shoulders. In his hands, jugs of clean water from the well. He sets them down by the door and then comes to sit at the table by the window.

“Sorry,” he says flatly, glancing briefly at the photo in your hands, then away. “How are you feeling?”

“Like death.”

“Like there’s a little guy with a sledgehammer knocking around inside my skull.”

“Okay, I guess. Tired.”

KIM KITSURAGI — “Mm. You’ve been sleeping on and off for a couple of days now… I’m not surprised. You were bound to crash eventually, after everything your body’s been through…”

He glances again at the photo, his expression difficult to read.

EMPATHY — He didn’t mean for you to find it, but he isn’t upset, either. Strangely, he almost looks a little guilty.

“…Thinking about changing careers, Kim? You might not make such a bad cryptozoologist.”

“…Pretty scandalous of you to keep a photo of me. Whatever will they say back at the precinct?”

“…Lena and Morell let you keep the original?”

KIM KITSURAGI — “They did,” he says. And then, somewhat awkwardly, “Sorry. I should have offered to let you have it. It was your discovery, really…”

HALF LIGHT — He’s almost scared to let you take it. He doesn’t realize it, but needs it.

“But it’s *your* photo. You’re the only reason we got a picture.”

“That’s true. Does that mean I can keep it?”

“It’s okay. Something tells me you need it more than I do.”

KIM KITSURAGI — He raises an eyebrow, but doesn’t ask you to elaborate. Just stares at the little piece of paper in your hands.

COMPOSURE — It stirs something in him. Something he doesn’t know what to name.

KIM KITSURAGI — “…You said something about having a vision,” he says suddenly, frowning. “When we encountered it, I mean. Something about the… *khm*… the fate of mankind.”

INLAND EMPIRE — He would not understand, even if you told him…

“I say lots of stuff. For no reason. I was probably just goofing.” [Don’t tell him.]

“…I did. The phasmid spoke to me about it.” [Tell him.]

KIM KITSURAGI — His eyelids flutter, processing your words. “It… *spoke* to you?”

“Um, no, I’m just kidding, Kim. Don’t worry about it.”

“Yes. Those few minutes I was just staring at her, we were actually speaking… She said such beautiful things… Beautiful, but scary, too…”

KIM KITSURAGI — The lieutenant’s mouth opens, as if to speak— and then promptly shuts again. His brows knit, lips pursed. He looks at you as if he isn’t quite sure what to make of you.

INLAND EMPIRE — I warned you. He cannot understand…

KIM KITSURAGI — But then his gaze falls back to the photo, and he seems to waver.

“…What did…” He pauses. Swallows. “What did it say…?”

EMPATHY — He is trying not to doubt you like he doubted the miracle held in your very hands.

“She said that our existence must be hell… The fire and the swirling glass and the agonizing awareness… It’s a madness unlike anything else on this planet.”

“She said that she loved me. That she would benefit from our closeness…”

“She said that there really was a Seraseolitic civilization! It’s waiting to be found… right beneath our feet… They really did exist. We just forgot.”

“She said that there was a nearly universal agreement between all other life on the planet that we will be the death of them all. We brought the pale with us… *We* shattered the face of god…”

“She said that we can’t forget anymore… We can’t look away… Or one day, we’ll blink, and find that none of this ever existed. How could that be? I didn’t really understand…”

“She said that the insects are all watching us, in awe of us. That *we* are the miracles… To be able to live like this…”

KIM KITSURAGI — The lieutenant’s lips part in surprise. “We?”

“Yes. You and me. We’re a miracle, Kim. Don’t you think so?”

“Yes. All of us. Humanity is a miracle. That we persist at all is a testament to that. Don’t you think so?”

KIM KITSURAGI — He does not answer. He does not seem to know how to.

EMPATHY — He wishes that he did.

ESPIRIT DE CORPS — Your faith is what’s miraculous, detective…

KIM KITSURAGI — The lieutenant leans over and rests his arms on the table, his shoulders hunched and small.

“What else did the phasmid say?”

YOU — “A lot of things.”

KIM KITSURAGI — “I’ve got time.”

EMPATHY — He means it.

YOU — “She said that when we die, the insects… they will bloom from us like banners, raise us up from the ground and carry us into the sky, all in our honor…”

KIM KITSURAGI — “Mm…” He looks out the window, the light glinting off his glasses and making it hard to see his eyes. “Is that a… comfort to you?”

“Yes. It’s a comfort to know that something is watching. They love us for trying, even when the trying isn’t enough.”

“No. It’s not about comfort. It’s just a fact. We’re horrors, but we survive. Any creature would admire that.”

“No. It’s scary. Is that all that this amounts to? The admiration of *insects?* I don’t know what to think of it.”

“Sometimes it is and sometimes it isn’t. Right now, I just know that I’m not ready to die yet.”

KIM KITSURAGI — He nods silently.

ESPIRIT DE CORPS — I’m glad to hear that. Truly.

KIM KITSURAGI — “Sounds like I missed out.” He gives you a wry little smile.

EMPATHY — And yet, deep down, there is a real disappointment that he doesn’t want to acknowledge. He wishes he could have heard her voice.

YOU — [Hold out the photo to him.] “Well… that’s what you’ve got me for, isn’t it?”

INLAND EMPIRE — You were born to detect her, precisely because no one else could.

KIM KITSURAGI — He looks at you, then at the photo. Then, he reaches out to take it back from you. He has no pocket to tuck it discreetly into, so he just holds it, his thumb creasing the margins of the paper just slightly.

“I guess so,” he says softly.

VOLITION — *That* is the miracle.

#disco elysium #harry du bois #kim kitsuragi #kimharry #harrykim #however the heck you wanna tag it #sorry more of the dora saga is coming soon i prommy #but i felt like posting this old one i wrote a few months ago #‘’how come they’re at the coastal shack but kim has the photo even tho he’s not around to take a picture of the phasmid in the bad end’’#well you see. i don’t know. 👍

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