#i want to knit more

[myriahkamm]

Another one bites the dust! Finished a knitted shawl for my grandma.

Variegated, worsted weight yarn (are we sensing a pattern here?); simple garter stitch pattern with eyelets around the edges. Took me a couple of weeks to finish (because life keeps getting in the way and taking up time, ugh).

I don't think my grandma will like the colors much (turned out a bit darker than I anticipated), but I've been wrong before.

On to the next (already started: simple wrist warmers for my sister-in-law to match the hat I made her).

[exercise-of-trust]

i don't generally bother posting the stuff i knit exactly from existing patterns but i finally wove in the ends on a couple frankensteined socks and figured i might as well throw them up here? they're very dumb but i'm fond of them.

for the first pair i made up a colorwork pattern for the feanorian heraldic symbol, and slapped it together with the pisqu sock structure and toe pattern, and a snippet of a mitten for the sole halves. the yarn is 100g of jamieson's of shetland that i got on the high street of fort william, as a treat after walking 100 miles from glasgow to get there, and i had... maybe 10 yards total left over? i had to cut off the long tail from my cast-on and use it to graft the toe closed on the last sock; it was nerve-wracking. if i did this pattern again, i'd probably put the toe motif in between the two heraldic lozenges, but the first time through i wasn't sure how the math would work out so i frontloaded them. ah well!

the second pair is the structure of an existing sock i've forgotten the name of (worked in the round from the tip of the heel to a hat-like shape with six sides; two opposite ones are grafted together to form the instep and the other sets of two open into the cuff and close into the toe), with the colorwork pattern from the gogink sweater yoke. i thiiiink you could do this with basically any colorwork sweater yoke, but i've only tried it with this one. if i did it again i'd add some short rows to the front side of the cuff; the construction sort of pulls it down so that the heel side of the cuff is higher than the front, and a couple short row rounds would probably level it back out. i like these because they neatly smash the cuff-down/toe-up binary and make everybody mad, and i am at all times an imp of the perverse.

[icterid-rubus]

Lydia Morrow has come out with my dream cardigan! It has optional bust and hip shaping, as well as a crop version, with button band or icord closure options. As with all her patterns, there is also a sliding pay scale to make it accessible for all who wish to knit it.

Lydia works really hard to make sure she’s putting out patterns that prioritize fat people—not just fat afab! Her husband tries on all her designs and they’re made so one can have a little, a lot, or no bust room. The project language reflects that, and it is described neutrally.

If you’d like to support her work without even buying anything, follow the ravelry link to the project to help it trend!

If ravelry is inaccessible for you, the pattern is available on her website as well.

[cellarspider]

I learned to knit last month, got myself a Ravelry account, and felt full of hubris.

Therefore, as a gift to a friend and fan of The Locked Tomb series, I made a modified version of the We Do Bones fingerless mitt pattern by litotes anteneantiosis.

I made a few rookie mistakes for certain, but I'm very pleased with the results. They're all washed now, and will be on their way tomorrow.

[e6b3ff]

knitted a capybara (*^-^)

pattern by @.mongaknit on youtube, i really like their knitting videos easy to follow

[justashamwithwastedpotential]

Solas: Vhenan, don't turn me into a marketable plushie

Me (lying): Okay

[strawberryteabunny]

finally finished knitting these socks! The cable pattern has bunnies in it 🐇

Yarn is from Juniper Moon Farm, Herriot Fine yarn in the color ‘timber wolf’ (75/25 baby alpaca/nylon). Needles are size 0 wooden needles from lykke. Bunny cables are from ‘Bunny Sock Hop’ by Ann Clark on Ravelry

[uncanny-tranny]

If somebody in your life offers to knit or crochet or, really, create anything for you, please be an active participant in the creation of the piece they are making. I adore making and gifting things, but nothing bums me out quicker than a person who passively just goes "okay," to my ideas about what I'm making them - it can send the message that they won't like it, or that they don't care, even if they're happy about my offering. The back-and-forth feedback is a great way to make sure that you are being gifted something that was truly worth the time, effort, expertise, and money that will inevitably go into the gift!

I know it's really hard to be an active participant, believe me, I'm an anxious ball of horror, but it will only do good for both parties to interact in this situation. It is a big deal to be offered a hand-crafted gift, but it's also something we want you to love and use, and that can only happen if you tell us what would make you fall in love with what we create.

[monocycle-of-fresh-cut-grass]

Said I was gonna draw her, maybe I'll do it digital some time later

Until we get an official version, this is how i imagine her

[ohmyoverland]

can I get some beginner knitting pattern recommendations (preferably free)? Ive made a scarf, practiced rib and stockinette stitches, and frankly don’t know what to make next.

[fatehbaz]

About the entanglement of "science" and Empire. About geographic imaginaries. About how Empire appeals to and encourages children to participate in these scripts.

Was checking out this recent thing, from scavengedluxury's beloved series of posts looking at the archive of the Budapest Municipal Photography Company.

The caption reads: "Toys and board games, 1940."

And I think the text on the game-box in the back says something like "the whole world is yours", maybe?

(The use of appeals to science/progress in imperial narratives probably already well-known to many, especially for those familiar with Victorian era, Edwardian era, Gilded Age, early twentieth century, etc., in US and Europe.)

And was struck, because I had also recently gone looking through nemfrog's posts about the often-strange imagery of children's material in late nineteenth- and early twentieth-century US/Europe. And was disturbed/intrigued by this thing:

Caption here reads: "Game Board. Walter Mittelholzer's flight over Africa. [...] 1931. Commemorative game board map of Africa for a promotional game published for the N*stle Company, for tracking the trip of Walter Mittelholzer across Africa, the first pilot to fly a north-south route."

Hmm.

"Africa is for your consumption and pleasure! A special game celebrating German achievement, brought to you by the N*stle Company!"

1930s-era German national aspirations in Africa. A company which, in the preceding decade, had shifted focus to expand its cacao production (which would be dependent on tropical plantations). Adventure, excitement, knowledge, science, engineering prowess, etc. For kids!

Another, from a couple decades earlier, this time British.

Caption reads: "The "World's globe circler." A game board based on Nellie Bly's travels. 1890." At center, a trumpet, and a proclamation: "ALL RECORDS BROKEN".

Same year that the United States "closed the frontier" and conquered "the Wild West" (the massacre at Wounded Knee happened in December 1890). A couple years later, the US annexed Hawai'i; by decade's end, the US military was in both Cuba and the Philippines. The Scramble for Africa was taking place. At the time, Britain especially already had a culture of "travel writing" or "travel fiction" or whatever we want to call it, wherein domestic residents of the metropole back home could read about travel, tourism, expeditions, adventures, etc. on the peripheries of the Empire. Concurrent with the advent of popular novels, magazines, mass-market print media, etc. Intrepid explorers rescuing Indigenous peoples from their own backwardness. Many tales of exotic allure set in South Asia. Heroic white hunters taking down scary tigers. Elegant Englishwomen sipping tea in the shade of an umbrella, giggling at the elephants, the local customs, the strange sights. Orientalism, tropicality, othering.

I'd lately been looking at a lot of work on race/racism and imperative-of-empire in British scientific and pop-sci literature, especially involving South and Southeast Asia. (From scholars like Varun Sharma, Rohan Deb Roy, Ezra Rashkow, Jonathan Saha, Pratik Chakrabarti.) But I'd also lately been looking at Mashid Mayar's work, which I think closely suits this kinda thing with the board games. Some of her publications:

"From Tools to Toys: American Dissected Maps and Geographic Knowledge at the Turn of the Twentieth Century". In: Knowledge Landscapes North America, edited by Kloeckner et al., 2016.

"What on Earth! Slated Globes, School Geography and Imperial Pedagogy". European Journal of American Studies 16, number 3, Summer 2020.

Citizens and Rulers of the World: The American Child and the Cartographic Pedagogies of Empire, 2022.

Discussing her book, Mayar was interviewed by LA Review of Books in 2022. She says:

[Quote.] Growing up at the turn of the 20th century, for many American children, also meant learning to view the world through the lens of "home geography." [...] [T]hey inevitably responded to the transnational whims of an empire that had stretched its dominion across the globe [recent forays into Panama, Cuba, Hawai'i, the Philippines] [...]. [W]hite, well-to-do, literate American children [...] learned how to identify and imagine “homes” on the map of the world. [...] [T]he cognitive maps children developed, to which we have access through the scant archival records they left behind (i.e., geographical puzzles they designed and printed in juvenile periodicals) [...] mixed nativism and the logic of colonization with playful, appropriative scalar confusion, and an intimate, often unquestioned sense of belonging to the global expanse of an empire [...]. Dissected maps - that is, maps mounted on cardboard or wood and then cut into smaller pieces that children were to put back together - are a generative example of the ways imperial pedagogy [...] found its place outside formal education, in children's lives outside the classroom. [...] [W]ell before having been adopted as playthings in the United States, dissected maps had been designed to entertain and teach the children of King George III about the global spatial affairs of the British Empire. […] [J]uvenile periodicals of the time printed child-made geographical puzzles [...]. [I]t was their assumption that "(un)charted," non-American spaces (both inside and outside the national borders) sought legibility as potential homes, [...] and that, if they did not do so, they were bound to recede into ruin/"savagery," meaning that it would become the colonizers' responsibility/burden to "restore" them [...]. [E]mpires learn from and owe to childhood in their attempts at survival and growth over generations [...]. [These] "multigenerational power constellations" [...] survived, by making accessible pedagogical scripts that children of the white and wealthy could learn from and appropriate as times changed [...]. [End quote.] Source: Words of Mashid Mayar, as transcribed in an interviewed conducted and published by M. Buna. "Children's Maps of the American Empire: A Conversation with Mashid Mayar". LA Review of Books. 11 July 2022.

Some other stuff I was recently looking at, specifically about European (especially German) geographic imaginaries of globe-as-playground:

The Play World: Toys, Texts, and the Transatlantic German Childhood (Patricia Anne Simpson, 2020) /// "19th-Century Board Game Offers a Tour of the German Colonies" (Sarah Zabrodski, 2016) /// Advertising Empire: Race and Visual Culture in Imperial Germany (David Ciarlo, 2011) /// Learning Empire: Globalization and the German Quest for World Status, 1875-1919 (Erik Grimmer-Solem, 2019) /// “Ruling Africa: Science as Sovereignty in the German Colonial Empire and Its Aftermath” (Andrew Zimmerman. In: German Colonialism in a Global Age, 2014) /// "Exotic Education: Writing Empire for German Boys and Girls, 1884-1914". (Jeffrey Bowersox. In: German Colonialism and National Identity, 2017) /// Raising Germans in the Age of Empire: Youth and Colonial Culture, 1871-1914 (Jeff Bowersox, 2013) /// "[Translation:] (Educating Modernism: A Trade-Specific Portrait of the German Toy Industry in the Developing Mass-Market Society)" (Heike Hoffmann, PhD dissertation, Tubingen, 2000) /// Home and Harem: Nature, Gender, Empire, and the Cultures of Travel (Inderpal Grewal, 1996) /// "'Le rix d'Indochine' at the French Table: Representation of Food, Race and the Vietnamese in a Colonial-Era Board Game" (Elizabeth Collins, 2021) /// "The Beast in a Box: Playing with Empire in Early Nineteenth-Century Britain" (Romita Ray, 2006) /// Playing Oppression: The Legacy of Conquest and Empire in Colonialist Board Games (Mary Flanagan and Mikael Jakobsson, 2023)

[buybricks]

guess im a knitter now

[mrvelocipede]

It's always interesting to go into a local yarn store and be mildly snubbed. I'm sure that by all outward appearances, I seem like an overly ambitious dilettante with delusions of grandeur. Although I was wearing the Et Sweatera, and the person at the checkout didn't even notice.

[journeyman-tier-fibercraft]

What if you wanted to knit but your body said "arthritis induced depressive episode ONLY" t-t

In my state of Not Knitting I've mostly been playing bideo wames but also decided to indulge in my favourite past time of reading multi million word Korean webnovels. One of said webnovels features a metric fuck ton of Hot Pink Yarn. And a man I'm very normal about knitting things for a man he's very normal about. Including a cardigan.

Do I in any way need a hot pink cardigan knit specifically to mimic the one from the novel? Absolutely not. But I Want It. (Also I've been wanting to knit a cardigan for like a year now and keep changing my mind)

In the novel, the yarn used is from a monster sheep that's later dyed hot pink. I'm not willing to use real wool for this, so instead I'm going with acrylic and got some of Hobbii's Fluffy Day in Deep Pink. Which is just an eye watering colour (canonically the hot pink yarn is painful to behold) and comes personally recommended from a friend of mine. I also got a roll of a glitter thread also sold through Hobbii in pink. Both to make the overall cardigan more obnoxious but also to give it more of a "this is wool from a monster sheep" and not just acrylic yarn.

As for the actual cardigan, it's described as a "Handmade Hot Pink Long Cardigan" "roomy and had big pockets" "(while a wip) an elaborate knitting pattern". There's enough wiggle room I can do basically anything I want with this. But my brain has latched on to the word "elaborate" and won't let go. So as soon as I get my hands on The Yarn, I'm going to swatch for this cardigan pattern published by Vogue Knitting.

It's quite possible this yarn does Not work for that pattern but I want to try it anyway just to suffer. And if it does work, I'll have to grade up the pattern, and potentially make changes to the length of the cardigan (I bought quite a bit more yarn than I thought I'd need just in case). But this pattern just Feels Right, the guy who knits is constantly wearing designer clothes so knitting an actual designer pattern is perfectly in theme. I've also been informed that the Fluffy Day yarn is incredibly warm so having a bit of open work would help with heat regulation.

If I complete this cardigan within the next ten years and have extra yarn left over I'll be sure to knit the matching hat (including a pom-pom), scarf long enough for several people to use, and fingerless gloves. All in hot pink so bright it's probably going to give me several headaches. Read S-Classes I Raised it's so good it'ssogood

[dribs-and-drabbles]

The Thai Communal Wardrobe item #8

The Thai 🤝🏽 Taiwanese Communal Wardrobe Item #5

Our skyy 2 x The Eclipse ep 6:

Step by Step ep 7:

Dangerous Romance ep 10:

Only Friends ep 12:

Wandee Goodday ep 4:

Wandee Goodday ep 4:

Knock Knock, Boys! ep 11:

The On1y One ep 6:

Sunset x Vibes special ep:

Peaceful Property ep 9:

Sangmin Dinneaw ep 2:

Sangmin Dinneaw ep 7:

Exclusive Love ep 1:

for @akkrosu and @lurkingshan 💙

[tarantula-hawk-wasp]

I love how knitted textiles look and color work is so gorgeous but every time I’ve tried to learn to knit (4 attempts at this point) I’ve wanted to chop my hands off bc the process feels so bad to me. I need to learn tho