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gallus-rising · 3 months

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opening this with the obligatory "AUs are fun" and "you can do whatever you want forever" i'm talking about the canon relationship and characterization vs a very common fanon. so without further ado i present:

Dimple Was A Friend: A Friendship Manifesto

the fanon in question is "Dimple as Mob's Dad/Uncle figure". in general i'm tired of the fandomized “Found Family” but in this particular case it totally fucks over an entire series spanning character arc and removes the interesting nuance from Dimple and Mob's relationship.

one of Dimple's big hang-ups is that he thinks all of his relationships have to be hierarchical in some way, but broccoli arc’s whole thing is that he actually wants someone to respect and acknowledged him as an equal.

normal humans can't see spirits at best and are terrified of them at worst. most other spirits we see have degraded to mindless monsters. espers more or less treat spirits as animals, specifically as pests or pets. spirits are dehumanized to the point that Matsuo doesn't seen any problem treating Human Man Mogami like a particularly unruly pet. so if Dimple can't be treated like an equal then he can at least try putting himself at the top of the food chain. no one respects him as a person, so he'll make them respect him.

Mob is in a very special place re: attitudes towards spirits off the bat. he's grown up with the supernatural as a normal part of life and sees no significant difference between humans and spirits. at first is doesn't seen like he's treating Dimple with any sort of respect, but in retrospect it's exactly the sort of thing Dimple wants. Mob doesn't treat him like a pest, he treats Dimple like an annoying guy that's following him around. even as their friendship develops Mob doesn't treat Dimple as though he's become useful, he trusts Dimple like he would Reigen or Ritsu or any other friend in a dangerous situation.

but despite his newfound Friendship Emotions Dimple still hasn't broken out of his old mindset. there must be an inherit hierarchy to the world, and while he can't afford to lose his spot, maybe he can trust someone to be by his side.

Dimple himself repeatedly states in the broccoli arc he wants them to become co-cult leaders. he doesn't want Mob to join him as a subordinate or apprentice or anything like that, he want's Mob to join him as an equal. father/son and uncle/nephew relationships are inherently hierarchical! that doesn't necessary make them bad, but it's not want Dimple wants.

if we accept that Dimple is a father/uncle figure to Mob then the broccoli arc concludes with Dimple realizing he doesn’t want authority over people in a malicious way, he wants authority in a nurturing way. not only is that still an unequal relationship, nurturing is definitely not a word that comes to mind when discussing Dimple.

it also means we must accept that Mob sees Dimple as some kind of authority figure which is simply not true. Mob never treats him with that elevated level of respect and even gets confused that Dimple thinks their relationship is weighted in one way or the other. all in all the father/uncle interpretation is straight up out of character for both of them and downplays mp100’s emphasis on friendship.

and then it creates a second problem. since Mob & Dimple have been shoved into the Family Box that means by order of elimination Reigen is Dimple’s closest friend (or more commonly romantic partner) compared to Mob for most of the mange Reigen doesn't really treat Dimple with the same human-to-human attitude. he frequently makes jokes about Dimple being a like pet, which to Reigen is just normal snark, but probably hits Dimple harder than he realizes for reasons stated at the start.

hell during the separation arc Dimple took Mob’s side and was perfectly fine ditching Reigen even tho he didn’t really have to. he was even mean about it!

during this short exchange they're both antagonizing each other but i feel like it's notable Dimple only leaves after Reigen starts shit talking Mob. Reigen is right that Mob won't use his powers in normal day to day life and Dimple knows he's right. Dimple's been following Mob around this whole time watching life a perfectly average life. and then Reigen, no psychic defenses, charismatic guy with an established following, offers Dimple join him! oh boy is that an easy situation to take advantage of!! (and also of an example of how Dimple's started to lose sight of his "villainous schemes", but that's a whole other tangent lol)

Dimple only reaccepts Reigen into his social circle after witnessing him and Mob reconcile. by downplaying Mob and Dimple’s friendship Reigen becomes Dimple’s closest connection by default which is just not true for most of the manga, but, and i'm about to have a grouchy aromantic moment here, most people are fine with it because Shipping. now Reigen and Dimple can be Mob’s dads together :]

the power of Reigen being a fan favorite typically causes people to elevate him, sometimes even in scenarios he's not all that involved in, but please allow me to point out how amatonormativity plays into this particular reading 😒 Dimple Is Mob's Dad/Uncle doesn't always go hand in hand with ekurei of course, but i see it happen often enough to be a trend. even though a family-esque relationship should logically still emphasize their personal bond just as much as a platonic one, in this case it still typically comes with shipping, and by extension Reigen, tacked onto it.

mean aro moment over. if it sounded like i'm dissing ekurei i promise i'm not! i like it just as much as the next guy! it's just that, like all ships in every fandom, sometimes it gets pushed to the detriment of other relationships and even characterization.

but anyways. in closing: guys. they literally call each other friends.

that's it! thank you for reading my rant ❤

if you've made it this far i wanna peel back behind the scenes for a sec (because i've been trying to write this thing for so long orz) and let you know the term "Friendship Manifesto" is a play on ye' olde fandom Ship Manifestos, which i think we need to bring back in new and exciting ways. classic shipping manifestos. friendship manifestos. qpp manifestos? enemies manifestos?? should we bring back the term "drift compatible" or perhaps even the quadrant shipping system???? we're not taking proper advantage of this meta format. we need to have fun and go crazy with it.

#mp100 #shigeo kageyama #ekubo #dimple #*furious pecking*#boy and his ghost

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galadrieljones · 23 days

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Zabel Interview, Team Delusional Round-up, re: the past few weeks (months?) 💫

(Based on an ask from @natural-blue-26! This post contains spoilers, pertaining to the script leak. If you don't want them, turn back!!)

First, let me say that @twdmusicboxmystery has posted an excellent video covering this topic over at her youtube channel. This post is jumping off of that, with some additional takes and analysis by me!

Also, note that I wanted to wait to post or to talk about this too much publicly until today, as I think there are a lot of genuine shippers who might be let down right now. Not all c*rylers are unhappy, unruly people. Many are shippers just like us, and even though I don't ship it, I support them. I am only putting this in the Team Delusional tag, so anyone who sees this is seeing it either because they follow me, follow the tag, follow someone who follows me, or they went looking for it themselves. I am not making drama or inciting a "ship war." If you're here out of anger, I suggest you turn back. I am just going to go over what I see.

The Facts

There has been a recent spate of events that have lead Team Delusional to a rare and more than modest resurgence. Until now, we were mostly just working with templates and symbolism, with a healthy dose of informed meta and speculation: We were seeing how the season 4/5 template was beginning to unfold toward the Grady arc, which includes Carol in a major role.

BUT. Let's check in with what's been going on over the past six months. A lot of this new resurgence starts with Emily's multiple trips to Europe for TWD cons in the past six months, integrated with her (yet unrealized) insinuation that she has been in studio recording one or more songs that Beth sang on TWD. Massive financial burdens aside, these are unusual undertakings for Emily. While she has done many fan cons over the years, visiting Europe twice in a four month period is bizarre (as well as expensive). She also talked openly and excitedly in the panel at French comic-con about how cool it would be if Beth returned. Further, Emily's "re-recording" of "Parting Glass" and possibly other TWD songs was a fairly big announcement for us at the time, but we haven't seen any more on it since. Speculation went everywhere from "She'll be singing in a flashback in Daryl Dixon season 2" to "Her songs will be part of the soundtrack" to "She'll actually BE in season 2, singing, in the present moment."

A lot of these things, if they were spread out over a 5 year period, wouldn't matter at all. But the fact that they're all taking place in the six-month run-up to Daryl Dixon s. 2, when we've already been able to speculate her tenuous return based on templates and other tells, is exciting. It's been almost ten years to the day of Beth's *death.* Why now? The timing on all of this is very suspicious.

Now, a few weeks ago, there was a LEAKED SCRIPT excerpt, which was claimed to be the final scene of DD 2.6. In the script, we learn that Isabelle has died and is appearing to Daryl in the form of a hallucination while he fights walkers in the Chunnel. This was confusing for many reasons. First, we already know, given their ruthless advertisement of the fact, that season 3 is already being filmed in Spain. So why are they headed to England? Also, where the hell is Laurent? Further, Isabelle's death, while unsurprising to many of us, creates some new questions. Many members of a certain *other* ship were ecstatic to learn about Isabelle's death, as Daryl/Isabelle ship rumors have been rampant in the fandom basically since season 1. Forget the fact that the same ship FREAKED out over Daryl/Leah three years ago (a clear nothingburger). Any time another female character even comes into contact with Daryl, a notable portion of fans must make their "displeasure" widely known.

Moving on. Yesterday, an article came out summarizing a yet-unreleased interview with David Zabel in SFX magazine. You can read it here. In the interview, Zabel makes the following comment about "C*ryl":

"The obvious thing to do, and the easier thing to do would be, 'Okay, now they're falling in love and they're a couple.' But I always felt like that would be a mistake, because it would feel like you were going into the TV book of tricks," he explains. "To me, there was never a question that [their connection] was something other than what it is, and what it seems to want to be, and why it works so well."

Zabel then goes on to hint at a highly-contentious romance with Daryl and Isabelle:

"What happened in season one was that you could see a connection forming, for sure," he says. "We didn't manufacture that but we left room for it. A lot of season two is about the development of that and where that relationship goes, and that little surrogate family of Isabelle, Daryl and Laurent."

Now, the full interview doesn't come out until September 4, at which point, we may get a clearer picture of what's going on. However, it seems that Zabel is politely declining the "C*ryl as romance" narrative. In the quote, he uses the excuse of wanting to avoid TV tropes; however, he then goes on to say (in a portion of the quote that is being wildly misinterpreted among the c*ryl ship) that "To [him]," there was "never a question that [their connection was something other than what it is." He then equates "what it is" with "what it seems to want to be" and "why it works so well." The misinterpretation is coming with that second part. "What it is" = friendship. Zabel is clearly saying that c*ryl "seems to want to be" exactly "what it is," aka: a sacred friendship and nothing more. He's basically saying that this already "works so well," and so why fix what ain't broke? Why create a romance between two characters who are clearly just very, very good friends when he could go another, more interesting direction?

Certain c*ryl accounts have misinterpreted that section of the quote. They seem to think he's saying that the c*ryl ship "seems to want to be" something else, something other than what it is. But if you follow the grammatical logic of the sentence, you can see that they're wrong here. It wants to be what it already is, which is friendship. Of course, to c*rylers, what it already is = romance, but that isn't canon. There's no proof of this. In fact, there's more proof to the contrary, that they're best friends. They're family. Carol was married to somebody else, raised a child with him, still holds a contentious relationship with the other man, allowed Daryl to toil away in the woods alone for five years because she needed to stay with her husband...

In addition to factual evidence from the show, the C*ryl Friendship Campaign has been going strong on social media for MONTHS. In her video this morning, twdmusicboxmystery also goes over quasi-recent comments from Angela Kang which are UNSUPPORTIVE of a c*ryl romance. The notion that this perspective is coming out of nowhere, which some fans are claiming as a way of blaming Zabel for either lying or betraying his fanbase (and the actors), is, frankly, absurd.

Please note that I'm not saying that nobody should ship c*ryl just because it isn't canon. That would be silly. I ship non-canon ships all the time. BETHYL is a non-canon ship! I've written whole fanfics for Beth and Daryl (well, I've tried lol, but most remain unfinished). It's one of the funnest parts of being in a fandom.

What I'm saying is that c*ryl is NOT CANON. It never has been. And the people who get angry about this, who want to get professionals fired over this, who think that they're entitled to getting exactly what they want, lest the show perish, are wrong. They're doing it wrong. It's totalitarian and, frankly, obsessive. This is not how you be in a fandom, and my interpretation here of the Zabel interview in conjunction with the C*ryl Friendship Campaign is that they are TRYING to let this highly volatile and frankly unpleasant faction of the fandom down lightly in an effort to get them off tptb's AND the actors' backs. They don't want to deal with this shit anymore. And by the way, they're actually not leading anyone on. They've been insanely clear here, in their rebranding of c*ryl to a platonic ship, as to what's happening and what's going on, and while I really do feel for the good people who may feel let down by this, I am GLAD to see that the showrunners aren't going to heed the demands of one tiny, loud faction of a giant fandom, and that despite the haters, they're going to tell the story they want to tell.

ANYWAY.

Over the past 48 hours, things have gotten...weird. Zabel's interview dropped less than a day after the TWD Skybound social media accounts appear to have...posted a Bethyl edit out of nowhere. @sweetz1919 also posted early this morning, bringing together a few more Beth-related posts on either official accounts or *near* official accounts, which post promotional material, and which are followed by AMC TWD. One of these posts is a repost on twitter by Scott Gimple, who so rarely posts on social media, that any time he does, it's like a unicorn, symbolically notable and certainly important.

Now, pertaining to the Zabel interview, another wide complaint taking place in the c*ryl camp is that Zabel is likely LYING or he is being taken grossly out of context, because if c*ryl isn't happening, AND Isabelle is going to die, then how could Daryl POSSIBLY get his happy ending?

THIS is where Team Delusional comes in. Of course, we have our theories. Most people think WE'RE the delusional ones. And maybe we are! Lol. I don't really care. Most of our theories are crafted through a TON of hard, circumstantial, pattern-driven, and symbolic evidence, evidence taken from IRL sources, and hypotheses made after paying very close attention to what's been going on and making LOTS and LOTS of connections over a period of many years. Me, myself, I've only been here for four, but some of you guys have been doing this for almost ten, and for that, I salute you! As I said earlier, TD has been theorizing Beth's "return" in DD2 based greatly on symbolic and template-driven evidence alone for a while. A lot of what we're seeing now on social media is playing directly into our hand.

Emily in Europe multiple times in a 4mo period, including a trip to Paris, with her latest stint being just a week before "official" filming for season 3 was set to begin? Emily re-recording tracks from TWD? Leaked script pages in which Daryl mentions Beth specifically AND suggest that Isabelle is going to die? Romantic!C*ryl = not happening? HOW could Daryl possibly get his happy ending now? The rest is TD theory, ie: WHY we think Beth will come back to manifest Daryl's "happy ending." Speculation and theories on how she could come back, the connection to Spain/England/France, that's basically all we talk about lol, each of us with our own interests and niche perspectives, all arriving at the same point.

SO while there is still no proof that she is coming back, all of this is a Good thing, actually. For us. Because while everyone is looking around, freaking out, wondering what's going to happen next, we are seeing and able to read a LOT of signs that others ignore. And rightly so! There's no reason the rest of the GA needs to think that Beth is legitimately coming back. That would overshadow Carol's role in season 2, which is significant. It's just important that the GA REMEMBERS who Beth IS, that she was important to Daryl, and that hey, people used to really like Beth, and they liked Beth and Daryl together, and that was hopeful, and nice for him, and he hasn't had much "hope" or "niceness" since, and wouldn't it be nice if he could have that again...? All of these things are really there to do just this: let the c*ryl ship down easy, and remind people that Daryl once held a very strong connection to a woman whose life "ended" too soon, and who has really never been mentioned again.

While I really have no idea what's coming next, I wonder if we'll begin to see more astroturfed discussion on Beth's *death.* How weird it was, what the hell was going on at Grady, etc. If we don't see it in promotional material, we may hear about it in-show. Because if Daryl is casually mentioning Beth (along with Merle and Glenn) to Isabelle's ghost/vision in episode 2.6, then this likely implies that he's told her about Beth before, and that he's talked to her about what happened. It implies that Isabelle knows who Beth is, which would be a truly insane development, since he's literally never talked about her to anyone, including Carol, as far as we know.

So anyway, as usual, we should all just keep our heads down, chins to our chest, keep hope alive, but with a balanced sense of anticipation. We still really don't know what's going to happen, so it's important to be rational, but it also won't hurt to have a little faith 💫

#team delusional

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voonroo · 4 months

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Twisted Wonderland Mafia AU Introduction

⌐‣TWST MAFIA AU

Want more? Check out the masterlist↩︎

AUTHOR’S NOTE: This could 100% be expanded on if I actually ever get back into TWST. I'm working on clearing out some old works deep in the depths of my Google Docs and Notes app because I feel kinda bad for disappearing suddenly😋 This is actually from late 2022... Thanks to @justcallmecj for encouraging me to post this again.

The Night Raven District is a district full of criminal groups who will do anything to keep their city to themselves.

There’s the RSA District, which has, for years, been trying to reclaim property from the Night Raven District. No one knows what RSA stands for. However, it is thought to stand for the phrase Recover, Seize, Adjust, as it is the group's job to salvage stolen districts and cities from the unruly.

The Mafia Groups

Heartslabyul

A group of gamblers whose intent is to teach others self-restraint. Most often you will find anyone apart of Heartslabyul at night, or in a casino. There is always a member of Heartslabyul in the city's most popular places for a quick gamble.

A considerably notable pattern to identify one of these members is if they have the symbol of a heart, spade, diamond, or clover painted under or on the eye. The explanation for why it’s so easy to find them is that they don't hide, they aren’t doing anything illegal so they see no need to. Or at least the majority of them. It is effortless to become a part of this clique if you can withstand the harsh rules that come with it.

Savanaclaw

This pack is full of fighters. Svanaclaw does the most around the city pertaining to almost anything physical. Is someone getting a little too close to the district? They’re the first to do something about it. Most will jump at any opportunity to turn something into a challenge.

Numerous people in the group have fought for something or someone. Most likely being unsuccessful, but don’t speak of it. Or else you might be on the news the next morning, for these people aren’t known for their steady temper. To be a part of this club, you have to be physically strong and have vigorous will.

Octavinelle

Largely Octavinelle members are by the coast dealing with outsiders who don’t know any better. Those that aren’t? They oversee a lot of legal issues. Such as digging up dirt on others and using it for their own advantage. They're good with their words, many of which can get just about anyone under their thumb.

The captain of Octavinelle owns a pub near the docks. Though, he is pretty well known to be your typical everyday businessman. These people aren’t always the strongest, nonetheless, don’t get too comfortable. You never know when they’ll make you walk the plank and feed you to the sharks.

Scarabia

This party is one of the lesser-known groups. They are often found in the city shops during the day. You wouldn’t be any the wiser. Because the group is the smallest compared to the others, it’s hard to identify hardly anybody that’s part of the Scarabian folk. They’re onlookers.

It’s said they “help” the other mobs with some inside information. No one knows where they get said information, it is said that there is a particular person that can with just a few words. The leader of the Scarabia team is very in-depth with the local trades, they're able to get anything for a good price.

Pomefiore

Another community that isn’t well known. It’s difficult to get into the prestigious group of Pomefiore. You must be hand-picked by the crown of this cluster. This group is the most out and about in public. You secretly see the members every day.

Evidently, they are remarkably nice to look at and often speak with higher-ups. The director of this group is never seen without other group members especially if they’re ones that he himself, needs to whip into shape. They’re also good at covering their tracks and hunting others down.

Ignihyde

Ignihyde is the least-known group out of the big seven. These people work behind the scenes, in the backgrounds. Either covering up news stories or scrolling the dark web for more stockpiles. It is said that the supervisor of Ignihyde was the cause of a nasty computer virus, putting thousands of electronics out of service.

There is still no known fix to this virus. Or maybe there is, you just have to pay a hefty price. Only those of the best technicians or engineers are even considered to be given a role in this organization.

Diasomania

The most powerful body of the Night Raven District. You’d have to really fuck up to catch even a glimpse of someone from this group.

The boss of this body is fairly notorious. This troop has the strongest defense against just roughly anyone. If there’s ever a fight with Diasomnia in it, they will come out on top. For years this group has kept RSA at bay. No recent members have entered Diasomnia for years, the only way to get in is to have caught the eyes of a certain individual.

Word Count: 803

A/N: BSD MANGA SPOILERS I've raised from the dead like Fyodor in the latest bsd chapter

#twst #disney twst #twst heartslabyul #twst savanaclaw #twst octavinelle #twst scarabia #twst pomefiore #twst ignihyde #twst diasomnia #twst wonderland #disney twisted wonderland #twisted wonderland #twisted wonderland x reader #x reader #voonroo

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destinygoldenstar · 1 year

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I want to talk about THIS scene from the episode "The Forgotten Element" in Season 4

This was the scene that spawned many Evil Kai AU fanfictions.

(And like... I get it)

As a kid, I was always jaw dropped by this scene, but I didn't understand this scene too much.

Like, what was the point of this Evil Kai AU if it was for a minute and it was resolved so quickly?

They were building this up the entire episode and even before it, so was that all for nothing? Did it not mean anything? What was the point of this anyway?

And then it clicked with me WHY that was.

The problem was that I was only focusing on what's present in the moment and not all around it.

In the moment itself, Kai is holding the staff, it holds too much power, it corrupts him and spills all of is bottled up negative emotions about destiny and the Green Ninja, how he feels about it all being wrong, that he was somehow 'not good enough' compared to a child, and how he should've been the one with all the power all the glory and all the abilities in is veins.

"You had all the power, now it's my turn!"

"Nothing that I don't already feel!"

"I should've been the Green Ninja!"

That's straight up TELLING.

And it makes sense. Kai wanted to be the Green Ninja more than anyone ever since he heard of that prophecy. Ever since he was told he was the Master of Fire by Wu he went from 'do everything for Nya and be a parent' to 'I can be special and worthy in a way I couldn't ever see in myself'. And then it all turned out to be for nothing, Kai being 'special' was all a lie, and the prophecy went to this bratty kid that Kai was tasked to babysit. Then Lloyd would proceed to be very well recognized and Kai was just... the forgotten member that nobody understands the motives of. 'You wanted to take the place of someone who did something sacrificially heroic? How dare you. SELFISH.'

BUT WE ALL KNOW THAT.

This all sounds like a villain origin story that would happen in the season, right?

The build up is all there. The bottled up emotions. Skylor's influence. Chen taunting him in this episode about it and getting into his head about his parents, something that is VERY PERSONAL to Kai.

So if it ended up being just ONE MOMENT and that's it, then this was all for nothing, right?

NO.

Why? Because that's not what this aspect of the episode is about at all.

This was all NOT build up to Kai becoming a villain.

This was about Kai REJECTING that villainous side of him.

He's been 'on the villain's side' at the start of the episode when Chen decided not to enslave him.

Another motif of this episode is what gets said over and over again in the B plot of the episode, that being the prison escape from the Noodle Factory. "The power of positive thinking"

Kai is learning this as well, but it's his own personal battle to come to that. Part of being positive is being positive about yourself.

He's been scolded for being selfish constantly. Again, how dare he want to take someone's place, someone who was better than him in every way and they all knew it. These people are oblivious, they can't read his mind, they're misinterpreting his words, and for some reason nobody apologizes for that.

We've seen him be insecure of his own abilities. When he feels like he can't do something, he goes 'If only I had this ability'. An example being the Digiverse.

Part of the lesson there was that he had to allow himself to have the power he needed to get out of a tight spot. As an old fashion and a devoted brother, makes sense why he'd struggle with this.

And then when Chen gets in his head, it's the same thing again, he's selfish and he wants the power and that's all he cares about.

Everyone is saying you're selfish, therefore it must be true.

And this is the first time Kai ever actually CALLS THE PERSON OUT for accusing him of being one dimensionally selfish.

Yes he falters back when Chen mentions his parents, but that's still a notable step. (And he would continue to call out their accusations in Possession)

The episode consists of Kai being on the villain's side and playing the role of the deceiver. Him being smart by playing the emotions of Chen and Skylor rather than be a logical thinker. (WOW. An episode that doesn't make Kai dumb and instead makes him smart in a way that fits his character. That is sad how rare that's shown anymore.)

And to do that he had to convince everyone that he was on the villain's side and that he has turned.

So THIS moment is not build up to Kai becoming a villain truly, it's a test on this own side of him that he must acknowledge exists. How this way of thinking isn't healthy, it's petty, it's not worth it, and he shouldn't be lingering on something when he himself is capable of so much.

And then NO ONE EVER TALKS ABOUT HOW KAI WAS THE ONE WHO BROKE THE STAFF AND I DON'T UNDERSTAND THAT.

He could just grab the staff again and be corrupted again, and that's it. But HERE, there is no one paying attention to him to tell him what to do.

Which means this is all Kai's choice.

This is Kai CHOOSING to REJECT that villain inside him, and instead proceed to a more positive outlook, one that would benefit everyone.

That's countering all the selfish accusations more than anything else.

As a kid I was confused as to why there wasn't a scene where Kai acknowledged what happened when he was corrupted and how you go from that to 'Kai wants to protect Lloyd'

Him breaking the staff IS that scene. (It's just so fast that it's hard to see on a first couple viewings) He NEVER wants to see himself as that corrupted figure again, and is willingly choosing what role he wants to play now. That's the transition there from that Kai to Possession Kai. (Possession Kai = Best Kai)

This is one of my favorite episodes of the show because of how much justice was done here in so many ways.

#ninjago #ninjago tournament of elements #ninjago kai #kai jiang #kai smith

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thefaiao · 16 days

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Hi, firstly I just wanted to say that I love your art, especially with the way you use dynamism and angles in character sketches. It's really beautiful and I always look forward to seeing more black and white pieces from you.

I just wanted to ask, as a beginner artist whose been drawing on and off from 2017 onwards and hasn't seen much improvement, are there any resources or books you would recommend for someone still trying to grasp form and shape? Especially in creating 3d forms with line? I'd love to be able to draw characters in a similar way that you do but my cubes and cones never seem to come out correctly and humanoid shapes are even tougher. Thanks again for sharing your art.

Hello! Thank you very much for the compliments. Up until somewhat recently the B&W pieces were my favorite things to draw, so I get you. I did fall in love with coloring eventually though.

Alright, there are lots of things that can be done. I have had some classical training, and done human figure studies live, but honestly not nearly as much as I probably should have. You definitely should still do figure study as much as possible, especially in person. I'm just prefacing to say it may not get you to draw the way I draw I suppose, as its only part of what I've done to improve my drawing ability.

There are a few good resources to start with, notably the Loomis method, which a lot of artists use as a base. That's how you should use it too, ideally. It's not about copying his work exactly, it's about understanding just how the human body is proportioned, and adapting it from there. It doesn't have to define your thinking, it's just a good guideline. It's possible to structure a body quite differently than Loomis (and there are many many books for that), but the truth, which is, the proportions of the human body, is still there in all mindsets. Once you understand that, you can understand the reason for each approach, and even forego them to express something more unique, abstract and visceral.

The biggest thing you should do though, is always be observing the world around you, both online and offline. Figure studies are nice but they remove one of the most important things, and that is context. I find that people who will use those large libraries from people who pose professionally with bows and swords and the like will often draw technically impressive images, but they still feel like a fake pose. It doesn't feel like the person is holding onto the weapon like their life depended on it, or like they have a relationship with the object, that they pose and move in a certain way that reflects their personality. Live study with strangers helps rectify this somewhat.

Online you should also be following lots and lots of different artists! Don't limit yourself, pay attention to how they construct their drawings, how they go about things. It's important you follow a lot of people, see how they evolve. They are not only a point in time, they are also learning and evolving just like you. It's especially good if you can have artists friends to draw and share stuff with. I have a deep-seated belief that we draw art for others, to express ourselves to them, so they need to see it.

It may sound weird for me to say if you want to draw like me try to draw unlike me, but I'm just saying what I've done. I follow a lot of people and draw from a lot of places. Ultimately the main appeal of my forms is their dynamism and volume as you've said, but it's good to be versatile so you can always explore new avenues!

Now, you've done all these things, you are practicing them constantly. Now is the most important part. Keep drawing!!! Just keep drawing no matter what, no matter how bad you think it looks. You have to believe you have something to say, to express, no matter what. You say you haven't improved, but I don't believe you! Maybe you are faster, maybe your technique is better, maybe you have better habits, maybe you are a little more patient. There are a million ways to improve which don't even appear in the image. You have to keep drawing, NO MATTER WHAT!!! You have to believe you were born to do this and you will do it well, don't worry about what others think.

I can only draw such dynamic forms because I have kept drawing and masticating and elaborating this idea that is called my style. When you are drawing you are developing your own little language, and only when you are fluent you can start writing good books with it. Being fluent will take many years, you must accept that. If you take breaks, take breaks so you can keep drawing later. Take care of your health so you can keep drawing. You will only get to see your drawings become beautiful if you live long. To live a long and healthy life is to keep drawing.

That is my ultimate advice really, let that frustration build up, but keep drawing anyway. You will force yourself to find solutions to release that frustration as you do so, and improve. Maybe it's simple, but it's the only thing that is true no matter what. Don't worry about AI or whatever, none of that matters. Just keep drawing!

#talking

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ya-bug-boy · 4 months

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someone needs to make a subbottom or powerbottom Guzma x Male Reader since they always write him as a top, when He's obviously now nothing but a whiny loser. So, can I request hate sex with Guzma?

Bottom Guzma x Top Male Reader: Hate sex then fluff

One of Guzma's most trademark and notable traits about him is his immense ego and pride. Sometime going from bar to bar, acting like he's a big shot who owns the place, looking for some hot tourist who wants to fuck with an Alolan native. He's got a big dick, it's a waste not to fucking use it!

There's a new bar that opened up in Melemele Island. He's gonna hit the scene, looking for the right kind of trouble.

Turns out it's a LGBT bar. Alright, nothing wrong with that. Maybe there's a bi or pan girl he can find.

Until he fucking runs into you. You're right up his alley, flaunting your exposed chest in a loose buttoned up shirt. Usually it's Guzma buying a drink, dropping the hints, but he wasn't expecting to hear it from another dude! At first, he thinks it's cute that someone is into him like this so hard and heavy right off the bat but it gets annoying when you're the only person in the place talking to him!

At first Guzma brushes you off, thinks you're a bit too on the spot to be asking for sex like this but you bluntly point out that he's the same! You've seen him in other bars doing the same thing you're doing to him. You even make fun of him for the time he drank too much and had to be escorted out right before barfing everywhere. That pisses him off, he can't believe someone remembered that. He gets snappy with you, telling you to beat it.

You just grin and give him one last offer, saying it'd be the best dick of his life if he gave it a try. Before he can get a word in, intense music starts playing as drag queens come from a back room. People start cheering and you join the crowd. Turns out it was some kind of performance night.

Guzma tries to ignore you. Fine. Whatever! He can swindle his way into a girl's pants no problem.

Until he doesn't. The girls at the scene were already partnered up with somebody else. He doesn't remember there being this many lesbians but maybe he just never really noticed until now.

Damn it. Fine. Whatever. I'll just go get another drink, he thinks to himself.

He turns around to walk over to the bar, where he sees you smiling from a distance, sipping on an exaggerated silly straw. You've just been WATCHING HIM FUMBLE THIS WHOLE TIME?

Now he's pissed. Stomps over to you. Asks you what your deal is.

Plain and simple, you want to dick him down. You offer him a night at your place.

At this point, Guzma ain't too sure about he even likes anymore. Yeah he might fuck a guy in the ass every now and then but not the other way around!

But it was getting late and he hasn't made a score yet. It ain't like going back to his Hala's place smelling like booze is gonna win points with the old man.

He reluctantly agrees but demands that HE'S the one in control. You give him that much. So now you go home.

Guzma pretty much knows how to make people melt in his hands. But he's stiff as a board when you start giving him that kind of attention back.

You start by kissing him, to make him relax. You're back at your place, turns out you moved in here recently.

Clothes are removed eventually, Guzma didn't expect much but he wasn't expecting your dick to be as big as his. He always did kind of wonder in the back of his head what it'd feel like receiving it but he wouldn't necessarily say that out loud to anyone.

You stimulate him first, with a lubed up middle finger as you lazily trace circles on his asshole. His breath hitches and he glares at you when he sees you smile. Tells you to shut up but you haven't even said anything yet. You continue playing with his ass, gradually working your way up to push farther.

He makes a few groans and whines but nothing openly loud just yet. You work your way up to having three fingers in there, thinking that he's had enough.

You lube your dick and line it up to his hole, tapping your member twice on him. Guzma opens his mouth to protest but before he could, you slip inside. The head slips in with relative ease, you take in your time to push far enough to bottom out.

Guzma lets out a shaky breath, having held it, before finally letting out a loud, "FUCK-" when you piston your hips.

You go at a slow pace, this being Guzma's first time, you didn't want to ruin the experience. You're praising him, cooing at how well he's taking you, taunting that he likes this before he just yells at you to just SHUT UP and fuck him. So you give him exactly what he wants.

Slamming your hips against his, you watch Guzma's strained face as he clenches the bed sheets beneath him. He watches you with a hazy glare as his own dick bounces with the way you fuck him.

His own cock is just throbbing hot, it wants attention too, you tease. So you smother your hand with lube too, jacking him off as you fuck him. At this point, Guzma's changing his mind about the ordeal, not that he'd admit to you right now though. But to be fair, there's not a lot of thoughts going on right now when all he can think about is cumming.

When he cums, you don't relent, you drag him by the hips to the edge of the bed, fucking him hard. He finally moans, submitting his body to you until you finish too, pulling your dick out right before it shoots cum all over him.

With Guzma dicked down so nicely, you clean both of your bodies with a clean warm rag. He figures it's after care sex when you offer him a water bottle.

With the two of you laying down next to each other, you tease him if you're allowed to talk now. With a smirk, he says maybe, if there's something good to eat. Because he ain't gonna move outta this bed for the next couple of hours. In a joking tone, you tell his majesty that you'll order a pizza.

Yeah, okay, you were decent. You were alright in his books. But you're gonna get what's coming to ya, with you begging for his dick next time. You ask him if he wanted seconds immediately.

#yeee anon i got chuuuu #guzma x reader #male reader #bottom guzma #hate sex #if there are any Guzma rpers out there please for the love of god message me #i need him

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angstywaifu · 6 months

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You Think I Wanted This? Dain Aetos x Reader

Prompt - “You think I of all people wanted to fall in love with you?” by @fw-gt

A/N: For a prompt for a character I never thought I would write, I am honestly really happy with this. So I hope all you Dain girls like this. Pre Warning though, there is no happy ending. This is just Dain angst. So enjoy if thats you thing? As always requests are open if you want to suggest anything.

Masterlist

It was so hard to keep my focus on Devera and Markham who were talking about one of the current issues on our borders. I could feel his eyes on me and the bruise and cut on my eye. My squad had come back from our RSC interrogation training late last night. We had been told to let our injuries heal naturally if they weren’t life threatening. So here I sat in battle brief, with my squad, with very visible and notable injuries.

Most of the other riders had ignored it after our arrival back at formation this morning. But not him. I had felt his eyes on me as soon as I had taken my place in the rotunda. Had felt them in the corridors as our squads crossed paths. And I knew if I looked to my right I would meet the sandy brown eyes of Dain who sat a few seats away with his squad mates. His squad had yet to be taken for interrogation training. But we had seen enough come and go to know what it entailed. Knew from the injuries the other second years had returned with what awaited us. And yet I had felt his eyes on me all morning. I knew I wasn’t the only one. A few rows behind me I knew my closest friends were watching him as well. Probably wondering why Dain was watching me like a hawk.

Dain and I had become friends somehow. Somehow he trusted me unlike the other marked ones. All the others he kept his distance from. Somehow that one challenge had changed everything. The challenge where we had gone all out as it was one of the last of the year. We had ended up sending each other the healers quadrant, both being deemed a stay over night. We had also been the only cadets there. The joys of giving each other concussions and a mender not being available to heal us fully till the next day.

With only each other for company, we had begrudgingly talked to each other. We had then stayed up till the early hours of the morning talking till a healer had told us off and demanded we get rest before being mended in the morning. From there it had spiralled. Late night sparring sessions, catching each other in the library while we studied. Keeping our new found friendship secret. Mainly for Dain’s sake than mine. I would definitely get a talking to from my friends, but Dain would have it far worse if his father found out he was friends with a marked one. A child of the rebellion.

But recently our friendship had changed. Something more teetering at the edges. Our library catch ups turned into study sessions in one of our rooms, our sparring sessions having a little extra tension when one of us managed to pin the other underneath us on the mat. I had started getting feelings for Dain. Very strong feelings for Dain. I would get jealous any time he doted after Violet, protecting her. But then my heart would do cartwheels whenever his eyes met mine. And my eyes would wander whenever I could see him during sparing and challenges. Admiring the way he handled himself, and honestly the view. Dain wasn’t as built with muscle as Xaden and Garrick were. But the amount he did have suited him perfectly.

I had fallen hard for Dain Aetos, as much as I had tried not to. I had fallen for someone that was considered my enemy. And I had to put a stop to it. Or at least get through the next year and a half where we would most likely get posted far away from each other and I would never see him again. Just another year and a half. In the distance the bell rings across the college, signalling the end of classes and the start of lunch. As I had been too out of it to unpack anything for the class I quickly grabbed my bag and rushed down the stairs. Away from Dain’s eyes. Very glad my spot in the room gave me a quicker escape than Dain who I had glimpsed fighting against the crowd to get to me.

I headed for my room, hoping Dain would head directly to the dining hall where most of the quadrant would go. Where I should be going seeing as I had slept through breakfast this morning. But clearly Dain knew me better than I thought. I had been so caught up in making it to my dorm room to change before challenges that I hadn’t heard the fast approaching steps. A yelp escaping my lips as a hand grabs my jacket sleeve and drags me behind a pillar. My eyes meeting the sandy brown eyes of Dain. His eyes are frantic as they take in my face properly. Focusing on the deep blues and purples around my eye, and the scar that extended from more fore head, narrowly missing my eye before ending halfway down my cheek.

”You should go see a healer.” He says as his eyes meet mine, his hand still grasping my jacket sleeve tightly.

”Not allowed to.” I say numbly as I cast my gaze away from his, feeling my cheeks starting to flush under his intense gaze.

I see his eyebrows furrow in annoyance, a slight tick in his jaw. “But you’re hurt. They can’t stop you. I’ll take you.” His hand releases my jacket as he goes to grab my hand.

I step backwards, his hand hanging in mid air where it went to grab mine. “I don’t need you to baby me like Violet. I’ll be fine.” I snap at him.

I hate myself as the words leave my mouth as he recoils. He had confided in me about his situation with Violet. From the kiss they had shared at Threshing, to the fights they’d had since she had arrived. He had confided in me about that, opened his heart to me and let me in. And I had just thrown it in his face. I knew he was just trying to help. But something in me had reared up at it. Telling me to shove it away. That I didn’t need his help. Didn’t need his pity. Didn’t want the help his name would bring if he took me over to the healers.

“I’m not trying to baby you. I know you’re different to Violet. But you’re hurt. You need healing.” He pleads to me as he steps towards me again.

”If I was out in the field I wouldn’t get healing. They’re just preparing us for when we leave.” I take a step back. I see the pain in his eyes as I step back, my words pushing him away. Maybe this was my way out. It pained me to do it, but I had to distance myself from him. Push the feelings I had away. I couldn’t be with someone like him. It would never work. Him the Colonels son, and me a marked one from the rebellion. A reminder of what happened. Our friendship would never leave this quadrant. “I don’t want your pity, and I don’t want healing the rest of my squad wont have available to them. I don’t want the privileges that come with your name.”

I go to push past him, my only avenue of escape. I had hoped my words would numb him. Stop any reaction he would have to me walking past him. But his hand reaches out and grasps my hand, spinning me around to him, his other hand cupping my cheek. His eyes go with with shock at the contact. I want to pull away, but its as if something is holding me there. Something willing me to not move. A connection. No. A presence? What was it. Whatever it is lets me go after a few seconds, Dain releasing his hold on me as he stumbles back. The shock still evident in his eyes. As if he has been told something he can’t quite believe.

”You love me.” He suddenly blurts out.

I stand there in shock as my own eyes go wide. How the hell did he know I had feelings for him? Wait. Did he say love? No. I just had strong feelings for him. Feelings I needed to get rid of. Feelings that shouldn’t exist. Feelings I was trying my best to get rid of by pushing him away. Feelings I had not told him about. But somehow he had know about them. Dain’s hand the had cupped my cheek still hovered in mid air as his eyes darted between it and me. Could Dain read my thoughts? It’s then I realise he has never told me his signet. That the patch on his uniform indicates classified. A mind reading signet that could only be activated by touch would definitely be one they would allow to stay. And one they would keep secret.

“No. No I don’t.” I tell him as I shake my head quickly.

”No you do. But you don’t want to.” He says with a sad tone to his voice as his eyes focus on me.

I swallow nervously as I stare back into his eyes. My suspicions confirmed. Dain could read thoughts at touch. And I had been practically screaming mine in my head as I had tried to push past him. I knew he hadn’t done it on purpose by the way he was reacting. But hard to ignore something when it is practically being yelled at you.

”You think I of all people wanted to fall in love with you? Gods I tried not to. I tried so hard.” I feel wetness on my cheek and realise I’ve started crying. “But I did. I fell so fucking hard for you it wasn’t funny. And I shouldn’t have. But here we are.”

”You make it sound like a bad thing.”

”Because it is Dain!” I yell, not caring who hears us now. “We shouldn’t even be friends. I should have ignored you that night in the healers quadrant. But I didn’t. I should have pushed you away when you sought me out after. But I didn’t. I didn’t because I didn’t want to push you away. But I should have. I should have ended this before I fell fucking fell for you.”

Dain just stares at me in shock. I swear I see some tears in his eyes as well. But unlike mine they dont stream down his face. He manages to keep his emotions in check.

”What if I fell for you to? What if I was dumb enough to fall for you to even though I knew I shouldn’t be?” He takes a step towards me.

I shake my head. “There is no what if, because even if you did Dain, nothing can come of it. This doesn’t end well for us in any scenario.”

He reaches out and takes my hand in his. He knows I will try to pull away as he links his fingers in mine and holds on tightly. “What if it did?” He asks softly, leaning down to rest his forehead on mine.

I close my eyes, not wanting to stare into his eyes that I know will have me succumbing to my emotions. I needed to push him away. I couldn’t let him in. I couldn’t go down this path. It only ended in heart break. It would not have a happy ending.

”We know it doesn’t Dain. Someone like you and someone like me don’t work together. We would constantly be hiding it. I don’t want that.” I say softly, still keeping my eyes closed.

I feel his breath across my face as he sighs. He knows I’m right. And I know he would constantly be torn between who he is, who his father is and me.

”We could just have this. Have us while we are here. Where we can hide it. Enjoy what time we have.” His voice pleads to me.

My breath comes out shaky. His grip on me tightening in response. “I can’t do that. I can’t do this knowing there’s an end date. I can’t Dain.”

I feel him nod. His movement causing mine to move with his. He knows I’m right. I open my eyes to see his sandy brown eyes already staring into mine. So much sadness in them. So much emotion in them. I know mine reflected the same. I wonder if he could sense my emotions with his signet, or if it was just past memories. Either way it didn’t matter. Everything was out in the open right now.

”Can I have one thing before you walk away? Before we go and pretend we don’t exist to each other any more?” He asks.

I nod at him, and in an instant his lips are on mine. I don’t even try to push him away. I let my emotions take over. Let my body do what I’ve wanted to do whenever he’s had me pinned underneath him on the training room mats. I grasp his jacket and pull him as close as I can as I deepen the kiss. His lips parting in response. His arms wrapping around me so tightly I don’t know where he ends and I start. The kiss is urgent and passionate, both of us knowing this will be the first and last time this happens. We pour all our emotions into it before shuffling feet has us breaking apart. No one could see us behind the pillar, but we couldn’t risk it. I can feel the tears threatening to flow again, so I push past Dain with ease this time as he lets me pass. Not daring to look back to see if he watches me go. But I know he does. I feel his eyes on my back like I had all day, but this time for a different reason.

#fourth wing #fourth wing fanfic #the empyrean #the fourth wing #dain aetos x reader #dain aetos #dain aetos fanfic #dain aetos x oc

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thefandomenchantress · 21 days

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A Very Long Morgie Analysis

Warning: As the title says, this is a very, very long post. You should fear that keep reading button. /j

So I watched Descendants 4 with pretty low expectations a week or so ago, since I heard a lot of people criticizing the film. I’d watched the first three Descendants and thought they were a very fun kind of over the top, and figured that this one would be similarly kinda cheesy but hopefully in a charming way.

The first time I watched the film, I liked it. While I thought the beginning of the movie’s plot dragged slightly only for a far too hasty conclusion, I figured that with a supposed part 2 coming, things could possibly wrap up nicely in the future. That was my mindset throughout almost the entire film…Until suddenly Morgie got a scene.

This is a post mainly for people who’ve seen the film, but just in case I’ll explain the scene. Morgie, son of Morgana, is assigned as look-out during the villain heist. He then makes an amusing comment about what the signal should be if he sees Merlin, and no one answers him. We leave his character for a bit before coming back when Merlin returns to his office, about to catch the villains. Morgie does his signal as planned, and when Merlin looks at him, he hides behind a branch as though that’s going to do literally anything to hide him.

By the end of his little dose of screen time, I was quite amused and wondered how I hadn’t really noticed him earlier in the film, since his character archetype seemed right up my alley. After a day or two, my curiosity peaked and I decided to watch the movie again, but this time pay lots of attention to him whenever he was in a scene. I both wanted to appreciate his character more as well as reevaluate the movie after my first viewing, wanting to decide if it really was ‘bad’ like people said it was (spoiler alert: I had fun watching it the second time as well, while it is flawed it’s a fun movie and I like it and I will die on this hill—).

On my second watch, I realized that Morgie is surprisingly pretty well-characterized for a character that doesn’t have too many speaking lines. And I really wanted to hyper-analyze his character and all that, so now I’m making a very long post about it. I really just need to ramble for a bit because for some reason I have become deeply fixated on this character and NEED to blurt out all my thoughts.

So without further ado, how about we watch this movie for a third time and point out every single little thing about Morgie and appreciate it? Let's go!

(There's also my theory about how the new and old timelines work below all the movie analysis, in case anyone just wants to see that).

YAY HE SAID HIS FIRST LINE WOOOO!!! After a whole 48 minutes, the best character has finally entered the movie /j.

Now on to actual thoughts and stuff. Morgie's first ever words in this film are, "Son of morgana", which, from an out-of-universe perspective, can be easily explained by the movie needing us to know who he is, since he's one of the two completely unheard-of characters in the villain gang.

But Uliana, notably, only has her relation to Ursula mentioned after her verse. So the "son of morgana" line didn't have to be the first thing to ever be said by him, but it is.

That could just be because it flows best from a music standpoint, but in-universe, I think it could possibly represent how Morgie got into the villain gang in the first place.

You see, while I was trying to dig up all the Morgie information available before I made this post, I found these blurbs:

(From an official Descendents book, 98% sure it's called "Descendants: The World Of Auradon: Royals And Villains").

Notably, Morgie's entry says he isn't the most well-liked in the group. But in that case...How is he still in the group??? The villain gang don't exactly seem like the types to keep someone around just to be nice. So here's what I think the reason is.

Uliana wants to be the most feared person at the school. She wants to surpass even her sister when it comes to being mean and scary. And that means that her gang has to be mean and scary. And when she hears that the literal son of Morgana--Morgana, in this universe, seems to be a very powerful sorceress who almost took over the world--is attending her school, she knows that having him on her side will definitely give her more of a powerful, evil image. Afterall, if the son of one of the most powerful villains was willing to follow her, people would think that she must be very mean and scary.

Of course, she needs people to know that Morgie is the son of Morgana, so I wouldn't be surprised if she asked him to mention it the first chance he got, and he listened to her.

This was all a very long way of saying that Morgie says this line first possibly because Uliana told him to, since having evil, scary people on her side makes her look better. And it's also interesting that the first words he ever speaks are about his relation to someone else, not his own character, unlike all the others in his group.

But we're not done with this shot yet! I also want to add that the Son of Morgana's name is Morgie, which means that Morgana has joined the long, long line of Descendents villains who basically just name their children after themselves, (probably because they view them as a sort of mini-me). I wouldn't be surprised if his name was actually Morgan, though, and Morgie's just a nickname.

Also, something I noticed is that, if you look at the book-pictures above again, Morgie's paragraph is in past tense, while Morgana's is in present tense. Morgie's being in the past tense makes sense, since we know that in the future, the villain gang in Rise of Red no longer exists, all of them being their own solo acts. But Morgana's paragraph being in present tense means that she is still alive, powerful, and presumably still wants to take over the world. So I guess that means she's technically a candidate for antagonist in the next movie. But I'll get back to speculation about that sort of thing later.

Now we can finally talk about the next moment, haha.

(Morgie is the one singing the line here)

The first time I watched this I didn't catch that he called Uliana hot but--Yeah, he did. Which means that he either thinks she's so hot he must declare it to random strangers, or Uliana specifically asked him to say that she's hot. Either way it's kind of hilarious.

I am genuinely unsure as to whether they are trying to get us to ship Morgie and Uliana because:

-On one hand, we've got Morgie not being well-liked, and him "desperately wanting Uliana to like and respect him". Which seems to imply that, at least to some extent, she does not like or respect him, or at least not as much as Morgie wants her to.

-But on the other hand, we've got Morgie calling her hot, staring at her longingly, and Uliana calling him 'honey' later in the movie. Disney what do you want from us--

Personally, after reading that Morgana is cruel person who doesn't care about innocent people and who's first priority is world domination, I guessed that Morgie probably didn't have the most loving upbringing. It could've possibly been something like Red's, where his mother could be 'kind', but only if he did what she said and helped her take over the world and all that. In this scenario, Morgie tries his best to follow her lead, but most of the time still doesn't do well enough to satisfy her and fails to get much validation or love from her. When he goes off to school, he tries to get validation and love and respect and all that from Uliana instead.

But that interpretation sort of implies he sees her as a stand-in mother figure, which makes me think that no, them being a couple doesn't feel quite right.

But it's not like that interpretation is canon or anything, it's just something I came up with. So it can't prove that he has no romantic interest in Uliana and that's why he's so desperate to please her. But I did want to share my thoughts on that matter, so here you go. :)

Aside from Morgie getting hit by Uliana's tentacle and falling over being really funny, there is something else interesting that this moment made me notice.

I read somewhere that a character being lower in frame than another, or lower from a high angle in general, can symbolize them being less powerful. And I noticed that there are a few scenes where Morgie does crouch or appear at a lower angle than the other villain gang members, which reinforces the idea that he isn't the most powerful/well-liked member and is at the bottom of the totem pole in the group.

I don't know if I'm reading into that too much, and I don't know a lot about film-making techniques so maybe that's not completely accurate, but I thought that was interesting.

There's nothing too important about this one, I just think that all the villains frowning or glaring while Morgie goes :D is really funny. He looks so head-empty in this moment.

Morgie uses 80's slang confirmed!!

Also, Uliana lets Morgie call her Uli. Considering the fact that Uliana says her full name (Uliana) is what will strike fear into people's hearts, her letting Morgie use a semi-cute nickname is fun. It proves they're at least a little close, since she didn't sock him in the face for calling her that, especially in public. She cares a lot about her image, so her not minding definitely seems to imply she cares for him at least a little bit.

I don't have much to say about this one, I just think it's amusing.

Though the fact that so much of Morgie's dialogue can go unheard/unnoticed without captions on or on a first viewing is interesting. I couldn't actually hear the 'wicked' line, I'm just trusting the captions. And both this line and the last he says while not on-screen, which seems to put the other's reactions in more of a spotlight than what he's saying.

I suppose this is part of the reason I found Morgie harder to notice and keep track of when I wasn't putting my undivided attention on him. Throughout a good chunk of the movie, he's treated as nothing more than Uliana's lackey. Him not having too much to do besides follow her is true to his character, though. His entire role is all based around doing anything to gain her affection. He cares about her more than anything, and sometimes that leads to him not being a character of his own. Which is pretty cool, if done purposefully.

Hm, I've noticed that Morgie's main ship in this fandom seems to be Hook and him, and is this one moment the reason for that? I've heard people say they have chemistry on-screen, but after watching the movie a few times, they only have a few close moments from what I can see. This and introducing Uliana are probably where their friendship is most prominent. Hook and Morgie definitely seem the most dedicated to Uliana, so they are similar in that regard. And the ship is cool, don't get me wrong. I suppose I just wonder if there's some sort of logic behind it, or if it was more of a "ah yes two conventionally attractive men it's shipping time" situation, haha.

This is an interesting frame, because Uliana is suffering as she's turned into a...uh...flamingo-squid-human hybrid? And you'd think that Morgie, since he cares so much about her, would be the most distressed. Instead, in this moment he seems to be smiling (not sure if you can tell as much in this screenshot, though). This could mean a few things:

As stated in the Descendents book, Morgie is rather dense and still hasn't realized that Uliana isn't fooling around anymore and is in genuine distress.

He is happy Uliana is in distress because that means he gets to help her, and she will feel grateful for that and like him more in result.

As shown later in the movie, he likes animals enough to even learn how to mimic the sounds they make, so he's just happy that two of his favorite things are being combined, haha.

Some sort of theory about him secretly not being super loyal to her, though there's not much of a case you could make for that other than this moment in particular, as far as I'm aware.

I'm not sure which one I believe, though I think I'm probably leaning towards the first one, even though possibility 2 would be quite interesting. After all, he looks very visibly worried when she falls into the fountain later, so him just not realizing at first probably lines up the most.

Not too much to say about these two moments, besides the fact that they once again showcase how desperate Morgie is to please Uliana. First by him being the first person to try to help her (but he fails and falls over, which he seems to do a lot). And second by him being the first to sprint out of the courtyard after her. Though it seems Hook caught up and got him to stay with the others to cut off Bridget and Ella at the other side, since we don't see him running behind Uliana anymore in the next shot, and then we see him standing beside Hades after we move to the fountain scene, implying he went the way Hades did instead.

(Side note, I think that Morgie's the one who shouts 'Uli!' but the captions just say student so maybe not, I can't tell).

Okay, so, the captions claim that Hook says this line, but not only can we see that Hook has his mouth shut as he pushes branches out of the way, not speaking, the voice also sounds way more like Morgie to me. Originally, I was going to use the nickname Uli as evidence that it was Morgie, but then I remembered Hook also calls her Uli earlier in the movie. So I guess I can't prove anything, but I'm 99% sure this was a mistake on the caption-er people's part.

To get on with the actual scene, Morgie compliments Uliana in an attempt to comfort and please her, though it doesn't seem to work like he'd hoped it would. Other than the last scene of the movie, this is probably the only scene that remotely shows that maybe she doesn't like him as much as some of the others, like the book claims. But more on that later.

I had a hard time getting a good frame of it, but I wanted to point out that Morgie kinda froggy-hops on the first two stones in this scene, before jumping across them normally. Whether he stopped because he realized the others weren't doing it or because he simply remembered that he is Not A Frog, I found it to be a fun detail and wanted to point it out.

Pfft, he's so eager to participate, his worryingly excited vocal delivery never gets old to me here. You could also argue that this is another lower-in-the-frame moment, since he sort of crouches and then rises up here.

It's noteworthy that Morgie is the only one of Uliana's gang to not come up with his own idea for a way to get revenge on Bridget. Which at first glance seems like a strange choice, since all the members getting individual lines is a chance to characterize each one a little bit more. And that's especially valuable with a character like Morgie, since most kids probably don't know a lot about Arthurian legend and therefore Morgana. And Morgie's not even actually her, he's her son. Meaning in his limited screentime, they really need to put the effort in to make his general personality clear.

But the fact that Morgie just copies someone else's answer does characterize him. Like I said earlier, at least to me, Morgie seems a lot more eager to participate in the conversation than to come up with ways to punish Bridget for what she totally definitely did. In fact, he begins to climb on top of the rock-thingy to jump off it and excitedly repeat Hades' idea before Hades even has a chance to finish his thought (he's still on "we could"), meaning Morgie was probably going to excitedly parrot whatever Hades said no matter what it was (or maybe that just happened because the actor didn't have enough time to climb up, jump, and say the line if he waited until Hades finished speaking but shhhhhh).

This would imply that Morgie doesn't really care as much about evilly getting revenge and whatnot as much as he cares about getting to be included in the conversation and following what the others are doing. This may be getting into more headcanon-y territory, but Morgie seems to crave the love and companionship of his friends, and I think this scene sort of demonstrates his want to do what they deem as good and acceptable and what will make them happy rather than come up with anything on his own.

I suppose that's one thing that makes his character morally grey to some extent. Sure, he doesn't seem to take as much direct joy/satisfaction in torturing Bridget, but he still cares far more about his friends' approval than her well-being. As long as his friends are happy and want to keep him around, Bridget and anyone else's happiness doesn't matter.

I have no idea why they put in a random shot of Morgie jumping in the middle of the song, but it's really amusing to me so I'm happy they did. I just needed to mention this really quick, I find the hard cut to Morgie dramatically jumping off something way too humorous not to.

Off-topic, but since it's sort of implied Morgie likes animals at the end of the movie, I like to think he feeds this guy sometimes, and when asked why he'll say sadly, "No one comes here besides us anymore, so he hasn't been able to eat any innocent people in a long time :(" like it's this terrible, tragic backstory. Idk I just think it'd be funny. Anyway, back to your regularly scheduled programming.

Ah yes, the scene I keep mentioning. The one that made me go, "woah, he's funny and has a discernable personality :0". The one where he asks what the signal should be and all that.

This scene finally shows us what the Descendents book from earlier kept claiming, that he wasn't the most well-liked among their evil clique. When Morgie talks, Uliana rolls her eyes in exasperation and walks off, not answering his questions. And the others follow suit, ignoring him.

For most of the film, Morgie seems to be on even ground with the other members, and at first, I thought maybe that wasn't on purpose and they just wanted to shove this in at the end, like how most of the ending was rushed. But now I'm thinking that maybe the reason Morgie isn't as well-liked is being shown throughout the scene, revealing why it's only more obvious now.

You see, Morgie's easily excitable personality fits in when Uliana and the gang are all just messing around, like how they were laughing and making jokes at someone else's expense earlier in the movie. Morgie just has to cackle evilly behind Uliana and be supportive. But when they try to do more 'serious' evil things, like this heist, his attitude doesn't translate quite as well.

Uliana wants to be taken seriously as the threat, and I assume the other villain gang members do as well. They want to be evil and scary and tough and all that. But Morgie doesn't really have a more serious, threatening mode. Well, he does, like when he's trying to be threatening during his introduction. But when there's no bystanders to impress, only his friends, the real Morgie isn't the serious type. He's still energetic and excitable, even in situations such as these. And the others find this a bit grating, since they want to be real villains. They don't want all of this to be childish or a game, they want to be taken seriously as villains. They want to be real villains. And Morgie's demeanor isn't as cut out for that sort of environment. Or at least his natural demeanor isn't, and he has trouble reading when they want him to be more serious.

Side-note: I swear I love every line this character delivers, something about the way he talks makes my ears happy. So I just wanted to point that out really quick.

"Ah yes, this extremely small branch will guarantee that no one will see me! >:D" I find this very funny. I want to say this isn't very smart of him, but I mean it works and Merlin doesn't see him so you can't argue with results--

Anyways, Morgie impersonates a few animals and hides behind a small tree branch. I thought about screenshotting all the animal noises but they're pretty straight-forward and for this you just need to acknowledge that they happened, so I didn't.

Morgie is the son of Morgana, and presumably has the capacity to be an extremely powerful magic-user like her. Which means there are a lot of cool magic things he could be doing. So I think the fact that we are directly shown that shape-shifting and mimicry are the skills he focuses his energy on the most, is important. Well, I suppose it's possible he isn't using magic to mimic the animals, but I've always assumed he is. And even if he isn't, the fact that even in scenes where he's completely alone he's still mimicking something else is rather telling.

...

...Oh, wow, we finished analyzing the actual movie! Yay! Time for one last thing, then!

Apparently, there was a deleted after-credits scene where Morgie finds the sorcerer's book. Unfortunately, I couldn't locate the original post, which supposedly came from Morgie's actor. It's not that I doubt it's real, I don't know how someone could fake this photo, but I would've liked to see it and know what he said about it.

(Warning, a lot of this gets even less objective than it already was, and most of it is just me theorizing with varying degrees of evidence to back my statements).

So what implications does this photo have? Well, it confirms my suspicions that Morgie being forced to stay behind wasn't for nothing and was setting up something else. I heard there was a lot of cut content in Rise of Red, and the fact they thought the 'Morgie barks like a dog scene' was important enough to keep over other things seemed telling.

If there was a scene dedicated to him finding the book, then him finding it must somehow be important. But in that case, I'm guessing we'd have to assume that Morgie can open the book. After all, if he can't open it, what's the point of him finding it? And it sort of ruins the original timeline, too.

If Morgie can't open the book, then that means all of the villain gang couldn't open it. And in that case, how would they prank Bridgette in the original timeline? They couldn't, because none of them would be able to read the recipe and give the cupcake to Bridgette.

However, if Morgie can open the book, then things make more sense. I wasn't sure if I was going to share my whole theory here, but so far I haven't seen anyone have the exact same idea as me (though I haven't read every Morgie post out there, so it's possible), so why not share it?

What if the thing that changes the timeline isn't that the villains were able to get the book without getting caught by Merlin, it's that the villain gang knew Morgie could open the book?

Let me explain.

Let's start with the fact that I don't think we often acknowledge, at least in my experience, how random of a choice putting Morgie in this movie was. They could've chosen any classic Disney villain to be in this movie, yet they chose Morgana. A character who has never even shown up in any Disney project, besides a live-action film and Sofia the First. They could've chosen to round out the pirate trio from the second movie and added in Gaston, or chosen one of the core four's parents from the first movie, or picked literally any famous character from any Disney movie ever. And yet, they decided to go with not just Morgana, but the son of Morgana.

And personally, I think that if Morgie really was just a throwaway character, they probably wouldn't have gone through the effort of making a whole new character instead of just choosing an already established one, like with Hook, Maleficent, and Hades. There has to be a reason they did this, right? Anything Morgie did in this movie could've been accomplished by anyone, since his only large contribution to the plot was being a look-out and failing.

And there are two things I realized. One, that being the child of a villain basically gives you automatic redemption arc privileges in this franchise. The core four, the pirate trio, and Red in this movie are all proven to be good deep down in the end, and we're supposed to see them as heroes. And for some reason, they decided their new character couldn't just be Morgana, it had to be the son of Morgana.

My guess is that they want to be able to push the "Oh their parents taught them that being evil is right but deep down they're a good person" angle they did in all the other movies with the Descendents. Especially since it would parallel Red, who's basically the main character of these movies, even if Chloe is at a close second.

The second thing I noticed is that even if you read just the first paragraph of Morgana Le Fay's Wikipedia page, it says that a significant aspect of her character is her unpredictability when it comes to being good or evil. She has the potential for both, and since they seem to have decided to just make Morgana evil in this universe, I'm guessing that trait is being handed down to Morgie.

They needed a morally ambiguous villain who could open the book in order for the timeline to work properly, and choosing a villain we know is 'evil' thanks to their movie, wouldn't allow that. So obscure villain's son it is.

Alright, so if we assume my logic makes sense and isn't just incoherent rambling, Morgie can open the book. How does this tie into the way Chloe and red changed the timeline? Here's what I've come up with:

In the new timeline, Red and Chloe steal the book for the villains and the villains take it, opening it in front of them just to brag and getting frozen. Red and Chloe take the book and, assuming that Uliana and her friends can't go to the dance, leave the book behind off-screen. In the deleted scene I think they left it...Is that their room? I genuinely can't tell, but Morgie finds it. Possibly via following them after seeing them leave the building, since we know that the trip from Red's room to Merlin's office is in direct eyeline of the tree.

But even though Morgie found the book, the prank isn't enacted in this timeline. If Morgie can open the book, why is that? After all, he could just do the prank for Uliana, right? Well, here's what i think happened:

Uliana and the gang don't know that the book is enchanted so that non-good people are unable to open it. That's why they try to open it without a second thought. Which means there are two possibilities going forward:

Morgie did indeed follow Red and Chloe back to their room so he could get the book back for Uliana, and overheard their conversation about how the book proves Red is a good person and won't turn out like her Mom, etcetera. When he finds it, he's aware of what could happen when he opens it, unlike his friends.

Morgie doesn't know about the enchantment on the book when he finds it, because he didn't follow them or couldn't hear them through the door or something else.

Both options, for my theory, garner the same outcome, it's just that things take slightly longer to happen.

If we go with the second option, Morgie is unaware that opening the book with no side effects means anything and after he opens it, he decides to show Uliana and the others the book whenever Merlin gets the spell off of them and all that. But when they do meet up, Morgie asks how they got caught before he shows them anything. And Uliana's answer would be something along the lines of, "That stupid book was enchanted and froze us in place! Only some goody-two-shoes could open it without that happening" (she would know because she heard Chloe's explanation of the spell when her and Red were talking). And Morgie takes a moment to process that...Uh oh, wait, that didn't happen to him. Why didn't that happen to him? Cue Morgie having an identity crisis as he realizes that the book doesn't seem to think he's a bad person, even though that's what he's supposed to be. He's the son of Morgana. He's part of a group that knows their actions are bad and they don't care. His entire motivations are around getting his mother, Uliana, and whoever else to give him validation for being good at being a villain.

But according to this book, he's not one.

Morgie tries to play it off and decides not to show them the book. Uliana and the gang are all about being evil, and they are all he has. What if this was the last straw and they kicked him out of the group because they think he's not evil enough? He'd have no one left.

He's decided that he can't tell them about the book, but what if they figure out that he has it? As long as he has the book, it's a liability. So, he does the only thing he can think of.

Burn it to a crisp.

And with the book destroyed, the prank can't happen. The recipe that can turn Bridget into a monster is no more.

If we went back to those first two options and say Morgie knew about the spell when he opened the book, then everything is the same except the book gets destroyed sooner, the night Morgie's friends are still frozen and won't be able to catch him actively sabotaging their revenge plans.

So that's the new red-and-Chloe timeline. What about the old timeline? Well, in that timeline, let's say Uliana doesn't feel the need to show off and open the book in front of Red and Chloe, so they escape Merlin's office unharmed. That means they get to meet up with Morgie, and whenever they open it, they're around to see that oh, Morgie isn't frozen, that's weird.

And they can't know for sure why, since they don't know what the enchantment is or what its qualifications are, but they do know that Morgie can read the recipe and do the revenge plan, so Morgie is able to read the instructions and they're able to prank Bridgette.

And ta-da! That's how the timeline got changed! At least in my mind, there are probably tons of other possibilities, but this is the one that made the most sense in my head.

And with that, the post is finally finished! I'd love to hear anyone's thoughts or ideas on this! Despite this being an analysis, a lot of it is dictated, at least slightly, by my own opinions. Morgie is the centerpiece of the timeline changes for a reason, haha. With such a large fanbase compared to some other pieces of media I like, I'd love to hear what the masses have come up with and like or disagree about in this post.

Thank you so much for reading if you've made it this far! I can only imagine that if you have read all this, you're some sort of Descendents or Morgie super-fan, and for that you have my respect.

#hopefully 'wicked' actually originated from the 80's or i've made a fool of myself #bonus headcanon: since morgie seems to have snake theming i like to imagine he has snake-like traits #he WILL go lie on that rock in the sun for hours at a time and you can't stop him #descendants #descendents 4 #rise of red #morgie le fay #descendants morgie #descendants rise of red #descendants the rise of red #descendants theory

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am-i-the-asshole-official · 6 months

Note

WIBTA for telling a guilt-tripper to knock it off?

I'm part of a Discord server for authors, both aspiring and published. We chat about life, discuss story ideas, share snippets, look for beta readers, give each other feedback on our query packages—the usual. We're from all over the world, so sometimes time zones don't match up, and inevitably there are members who are more active and, thus, get a bit more attention

There's this one user—let's call them Kat—who used to be fairly active and had decent interaction from other users. Around December, Kat shared a bit of their writing to a critique swap—basically a Google Drive where we could look over each other's stuff and provide feedback. They uploaded a bit late due to their schedule (GMT) and didn't get as much critique as they'd hoped, which made them a bit disheartened and they commented as much in the server. I can't blame them, since feeling ignored sucks, but I feel like complaining about it in the general channel (we have a dedicated vent channel) was a bit gauche.

Regardless, Kat continued to be active, albeit posting less frequently. Notably, most of their posting seems to be either responding to group prompts or talking about their own writing. Rarely do they respond to someone else's comments—or, hell, even replies to their own! I've seen people inquire more about stuff they've brought up, and then they just never respond. People do interact with them; they just don't interact back.

About a month ago, they messaged the server talking about recovering from illness and coming up with a story idea, asking for people to look over their first few pages. Two people responded with sympathy and interest; as far as I'm aware, Kat never got back to those people. Usually in interactions like this, someone asks for feedback, another person replies to tell them they're interested, the OP asks to DM, and the conversation goes there; Kat straight up left them hanging. After that, they only sent a few messages—a couple of replies to group prompts (those rarely have interaction from other users, though I've made an effort to react or reply to interesting responses, and I've seen a few others do the same), and another passive-aggressive comment about being ignored.

Tonight, Kat sent a message to the chat in the general channel (again, not #vent) that started with, "Whatever I've done or not done that's made me a social pariah in this group to people I thought were friends who now ignore my questions or posts, at least have a modicum of compassion and heart this message..." They then continued, talking about losing someone close to them. I do sincerely feel for them, but I can't bring myself to interact with that message in any way. Not even the heart they want. Worse, I'm entertaining the notion of telling them that while I am genuinely sorry for their loss, guilt-tripping people isn't an effective way to garner compression.

Why I WBTA: Literally they're grieving, that's such a shitty thing to do right now. Besides, they are right in that people haven't interacted with them as much ever since they asked for feedback on their work that one time. I doubt this will help anyone, let alone them.

Why I might be a JAH (I know for a fact there's no world where I'm NTA): Responses have dipped because they aren't posting as much, and moreover, since they rarely respond to people at all, it's likely that we've all learned that it's not worth it interacting with them. Besides, if I ignore them, they'll just keep guilt-tripping even more, which also isn't helpful to anyone. And again—we have a vent channel. Why they came into the place where we chitchat about our weekend plans vexes me somewhat.

I dunno. It's a very damned if I do, damned if I don't situation. WIBTA?

What are these acronyms?

#aita #am i the asshole

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bp-zb1fics · 1 year

Text

A little crazy

pairing: overprotective bf shanbin x s/o reader

genre: university au on unhingedness (same verse as perils, and no, it's not lasik), fluff

tw/tags: established relationship, some stereotypical characters, hanbin has a few quirks, character study lowkey, unwanted flirting, unintentional flirting, pet names, intimidation, he's sweet but a psycho, drinking, getting a lil tipsy, lowkey stalker vibes but not really, for plot purposes we will find it cute, threatening, idk how to tag this pls tell me if i missed something

wc: 2078

summary: your boyfriend is legitimately the sweetest person ever…except when someone tries to make moves on you. Then he gets…well…

a/n my advanced birthday fic for hanbin! Bc idk why I thought it was today I must have hallucinated but also idk if I have time to post on the actual day bc of real life commitments lmao whoops I struggle and try my best. Shout out to Kara aka @boysplanetmorelike for sparking this lil idea~

Check my pinned for more fics~

It’s not like he was perfect, even if people liked to think he was. Well, yes he is very boyfriend. That’s why he’s your boyfriend.

You, of all people, can attest to the fact he isn’t perfect. You’ve seen his hair in the morning. He’s definitely not at his prettiest. Sometimes he becomes a little control freak. You know that. You’re the one who they call to get him before he makes one of the poor freshmen cry unintentionally and then ends up feeling guilty about it and apologising profusely for the rest of the day, your poor soft-hearted man. And some might argue that yes he has his little ticks but they’re only minor character flaws if they can be considered flaws at all.

If only they knew.

Those who have had the pleasure of getting to know Sung Hanbin on a more, well, personal level are probably the only ones who will ever know. Poor souls, really.

And perhaps it isn’t as effective to explain as it is to show what exactly one of his more problematic personality issues is. Let’s take one unsuspecting, innocent afternoon.

Perspective. You’ve just finished class. It’s a pleasant day. You decide to meet at one of the benches under the trees outside your building. His class finishes a bit after yours so you wait, scrolling through your phone, peaceful, unbothered.

Enter unfortunate victim. For the purpose of this exercise, he shall remain unnamed. We’ll call him Victim #444. Or well, that guy.

He’s your typical fuckboy. Good looking in a sort of lukewarm way, hugely overconfident, probably thinks he has a bigger dick than he actually does, a horrible flirt, we’ve all met that type.

You share a class together. That’s how he makes conversation. Otherwise, he might not dare to approach at that time. Your talk goes something like this.

“Hey, you’re in Choi-seongsaengnim’s class too right?”

“Yeah?” You look up from your phone and he’s just there. He takes a seat on the same bench without asking. Well, it’s public property but he’s a little closer than you would like.

“He’s such a hardass, don’t you think? Like sure, he knows the lesson but he doesn’t need to act like this is the only class we’re taking.”

“Well, I mean-”

“-Like seongsaengnim, come on, I have a life outside of trying to figure out what the fuck your lessons mean.” You can add self-absorbed and stupid to this one’s list of notable traits.

“I think-” And definitely not letting you get a word in.

“Speaking of, have you got a partner for the latest project? Because, you know, I’ve been asked but I’m happy to make an exception if you want to pair up.”

“Actually, I already have-”

“Let me give you my number so we can contact each other? Maybe meet up, you know? I’ve got a nice little place to myself on the other side of campus.”

Ugh, as if. He’s leaning in so close that you can smell his cheap cologne. Before you can get up from the bench, arms wrap around you from the back and a very familiar voice coos in your ear.

“Ahh nae sarang, sorry I’m late.”

You turn your head, leaning into him.

“Hi Binnie-yah.”

He beams at you before directing his stare at the other guy. And so it begins.

“Oh, who’s this?”

You’re pretty sure Hanbin knew who this was. He knew who everyone was and at least one notable thing about them because he was quirky like that. Well, he wasn’t known as the university’s social butterfly for nothing. And you don’t want to spoil his fun so you let the guy introduce himself.

“Ah, you’re taking that major, yeah? So Junho-yah is your senior, how is he these days?”

“Oh, ah yes, Junho-sunbaenim’s been doing well, I don’t really see him around much actually.”

And bingo. The guy starts squirming. Faster than it usually takes. Your boyfriend’s made himself comfortable even though he’s half-hunched over and resting his chin on your shoulder, looking at the other guy with an unwavering stare. Sort of the way a spider would probably look at a fly before, well, you know.

“Really, well last I heard from him, he was complaining about how disrespectful his underclassmen are…but you’re not like that, aren’t you?”

“Ah, no, of course not sunbaenim.”

You can feel Hanbin’s smile get wider, his eyes crinkling in a way that you find adorable but you suspect might not be as cute for your unfortunate companion.

“That’s good, keep up the good work. I can’t imagine how I’d feel if any of my underclassmen were being disrespectful. Ah well, actually I can….”

He pauses and you swear that the guy stops breathing.

“...and I can definitely say that they’ll be very sorry that they even tried that with me.” Hanbin continues cheerily.

Suddenly he walks over and starts patting him on the shoulder. The guy flinches back.

“So next time, remember to be on your best behaviour and keep being polite, hmm? Don’t be so obvious? Maybe try not to be so shameless, yeah?”

“Ah, yes, of course, sunbaenim. Actually I- I just remembered I- I have to go- ah- sorry to disturb um- excuse me-”

You watch as he does a roughly 90 degree bow to both of you before walking off quickly.

“Less than 5 minutes, Binnie, that’s a new record.”

And your cute boyfriend is back, pouting and grabbing at your hands and squeezing them softly. If you were anyone else, you would have gotten whiplash.

“It’s not my fault if I want you all to myself, hmmm?”

Did you mention that your boyfriend was a little off in the head? Not in the should-be-confined-to-the-mental-hospital way but that slight sort of insanity that possesses him when someone tries to go for his little brother (rip Gunwook) or his little sister or his close friends or well, you.

And everyone else? Everyone else was not safe. If murder was legal, literally everyone else would probably be fearing for their lives. Which is probably a good thing that murder isn’t legal. Those incredibly lucky bastards.

Take one of the freshmen trying to chat you up during a party. They’ve been incredibly nice all evening, pouring you drinks and asking you all sorts of thoughtful questions about the major. So yes, you’re very happy to answer and give them little tips on how to ace a certain project.

“And it’s honestly fine if you mess up a little on your first test for Hwang-seongsaengnim’s class, he’s very nice when it comes to students forgetting a few names so don’t stress too much about it and make sure to ace the extra credit he gives.”

“Oh, thank you so much sunbaenim. That’s so helpful, I’ll definitely try my best.”

You can’t help but smile. So cute. Maybe it was the alcohol but you remember how it was like being a wide-eyed, overeager freshman listening attentively to your own seniors.

“It’s really no problem. Ask me anything, anytime. Seriously, don’t be afraid if you need advice.”

You reach over to pat them, swaying just a little from the amount of soju running through your body. They’re awfully red as well. You wonder why.

“How are you getting home, sunbaenim? Do you live nearby? I can walk with you if you’re comfortable with that, I don’t think it’s too safe to be out at this time.”

“Oh it’s no worries, I’ll be taking them home.”

“Ah Hanbinnie, meet my new dongsaeng” you’re not too sure when he got here or even why he’s here but Hanbin’s incredibly warm and his hands around your waist feel so nice.

“This is my boyfriend.” You introduce him to the freshman. He dips his head in greeting as the other nearly tips over trying to bow. You make a concerned noise, making to catch the other but Hanbin firmly keeps you from moving, letting the freshman catch themselves instead.

“So nice to meet you, we’ll get going if that’s alright. It’s really not safe to be out this late, especially with someone you barely know.” You hardly register your boyfriend’s words but you’re not that drunk that you don’t know the smile he’s giving is about 95% fake and razor-sharp.

“Ah yes, get home safely, sunbaenim. I’ll find my way back so don’t worry.”

“Oh we won’t” You think you hear Hanbin say. Maybe. Could be your imagination. Because the next moment he’s nuzzling at your neck like a very spoiled cat, arms firmly holding you up as he guides you out of the bar and into the car.

“Nae sarang, you really need to take better care of yourself or I won’t want to let you out of my sight.” He says to you softly as he practically carries you into the passenger seat. It’s sweet, well the implication behind it is kinda creepy but you know he doesn’t mean it that way. (Does he?)

“You drove here?”

“Of course, I can’t let you go home all by yourself, can I?”

Like you said, there’s just a tiny screw loose in that head of his, considering the bar where you’re drinking is over an hour away from campus. You chalk it up to it being Hanbin. He can get a little paranoid on occasion.

And sometimes, he goes a bit psycho. A little. Not a lot. Still, according to Gunwook, it’s terrifying. You really wouldn’t know but you’ve seen it.

You’ve come to wait for his dance club to finish when someone collides into you. It’s not too hard but it still knocks you off your feet and onto the ground with a thud.

“Yah, watch where you’re going, huh? I have a performance next week and I could have injured myself.”

It’s definitely one of the newer members because you don’t recognise them. Before you can say anything, Seo Won, one of the veterans, is already helping you up and asking if you’re okay. The one that knocked you over huffs and is about to say something else when Hanbin calls their name sharply.

Your boyfriend’s eyes narrow and maybe you’re a little lightheaded from the fall but also from the way his shirt clings to his body and his hair weighed down by sweat. It’s kinda hot but you’re not admitting that out loud. Not now, at least. He calls the other member’s name again and gestures him over.

He speaks too quietly for you to hear anything. All you know is that the other’s face pales drastically and he bows several times, walking over and apologising to you before practically hightailing out of the room.

Hanbin’s all over you in a matter of seconds, practically lifting you off the ground. It’s not good for your heart. Seo Won quickly backs off.

“My poor sarang, are you okay? Do you need anything? Ice? Are you bruised anywhere? Let me check.”

You don’t ever see the person who knocked you over again. Ever. You’d wonder about it but you’ve learned that it was better not to question sometimes. Especially when Hanbin insists on carrying you around for the rest of the day and practically waits on you hand and foot until the bruises fade. And it’s just a bruise. You do admit to him later that maybe you find it attractive when he’s a shade pissed and sweaty. Maybe you both get a little sweaty after that. And later, when you’re rightfully tired and sprawled out on top of him, you think about it.

Really, you wonder what goes through his mind sometimes.

[cut scene]

Hanbin smiles, all teeth and no sympathy. It’s like the serial killer before the murder.

“You speak to anyone like that ever again and I can do injuring for you, understood? No, don’t talk, just nod if you’ve managed to get it into that head of yours, hmm?”

A nod. Hanbin likes it when they’re like this. Quiet and white-faced and sweating nervously.

“Now go apologise to them. Sincerely. Like you mean it. And then, get lost. I don’t want to see your face for awhile, yes?”

Another nod. They take one step back and make to turn around.

“Oh wait.”

They freeze.

“Remember. Sincerely, okay? And don’t think I won’t know if it isn’t.”

A final nod.

“Very good. Now go.”

They go. Hanbin sighs. God, you’re going to drive him insane one day. (He already is)

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utilitycaster · 2 years

Text

on Laura's characters

This has been rattling around for a bit, and I've notably been pretty critical of how Laura's characters have been treated by the fandom, and I think a lot of the discussion of Imogen, overlaid with the discussion of Vex during TLOVM, has put it into to focus for me:

Laura plays characters that allow her to explore a lot of very selfish or self-serving behaviors, as well as the dark side of selflessness. This is, in my opinion, one of the very last lines people are squeamish about female characters crossing - and it's across the board, too. People who are comfortable with supporting women's wrongs often balk at supporting women's uglier, smaller choices, particularly for women who are otherwise portrayed as heroic. Sacrifice is still seen in a lot of women-centric media as the greatest gesture, and works where women are unabashedly self-serving are harder to find. It's why Delilah's nonstop villainy in the name of love gets a pass, but few people look head on at Vex's petty cruelty to Keyleth.

Vex is an incredibly selfish person. She is also unique among Laura's characters in realizing this about herself, and not liking it very much. It's mostly sympathetic - what are D&D shopkeepers but opportunities to haggle and ask weird questions, and Vex's anxieties about money are very justified - but less so when it comes to her possessiveness of Vax. It's very understandable that she feels protective and possessive towards him, but that doesn't negate her unkindness. Vex pressures Keyleth to the point of tears at least once (granted, it was a difficult day for everyone) and pushes at Vax as well, to the point where it causes a small but definite rift between them. At worst, this selfishness - this desire to have Vax for herself - is turned into jealousy of Vax, rather than of Keyleth, so that it can be reframed as in the name of romantic love (which is considered a more acceptable form of selfishness than familial, but that's for someone far wiser than I to unpack). However, even when that doesn't happen, it's often glossed over. The same is true for Vex stealing the broom. It's fine if you disagree with the alignment change decision - I don't particularly care for it - and Laura certainly didn't deserve hate for taking the item of a character who would never show up again. But it is a purely self-centered choice. She wants to fly, she sees a way to do so, and she takes the broom of an ally and lies about it. There's no in-game justification for this being anything but selfish, and it says a lot about her character that she does it, but the things it says are messy and difficult. I don't think you can appreciate Vex's full arc without understanding that it is her pushing past this selfishness. Holding grudges is perhaps the most selfish act of all, of keeping all that hurt to yourself and never granting forgiveness. "Sineath" is about a lot of things, but that is one of them.

Jester is much less selfish when it comes to material things, but she is, especially early on, frequently inconsiderate or insensitive. It comes from a place that is devoid of malice, but definitely does not think through the ramifications for others. This shows up when she's dismissive of sums of money that are immense for Caleb but mean little to her, or her willingness to deface temples despite the risk. However, Jester is, far more, an exploration of the darker side of selflessness. What does someone feel, when they think they must constantly be a light to those around them? Where do their frustrations come out? We see that it weighs on Jester in how difficult she finds it to balance the responsibilities and demands of Artagan during Traveler Con, and again, when she becomes aware of the potential self-sacrifice needed in Eiselcross. Vex had to learn to let go of Vax and her grudges and her need for approval from people who would never give it; Jester has to learn to start taking and putting herself first.

And then there's Imogen. Vex and Jester's selfishness was tempered by their extroversion and empathy, which at times makes it easier to ignore. While they may have self-interests, and struggle to regulate what they do or do not give (in different directions), they do, in the end, like people on the whole. Imogen does not. It's understandable, given the stress they put on her, but her powers and her judgement mean that she is a lot less able to create boundaries between them and herself. As a result, when she lets herself become closer to people, she doesn't recognize when treating her friends as a sounding board might be hurtful or insulting to them. This comes out notably in her repeated consideration of the Vanguard's position. It's fascinating because it can be seen as her trying to understand other people, especially her mother and the members of the Vanguard we've seen. There is legitimate hurt behind Tuldus, Ludinus, Liliana, and Otohan's motivations; but the person to talk over this with is not Orym, whose husband and father-in-law were innocent collateral damage to these plans, nor Laudna, who was murdered by Otohan.

I think people really shy away from the dark sides of all of these characters. People tend to focus on Vex's competence, Jester's role as the heart and light in the party, and Imogen's trauma, without realizing these are all perpetuated by that exploration of selfishness and selflessness. But given how central this is to all three of these characters, I think this is also why the fandom is often so quick to turn on them - they do not want to face how much Vex cares about her father and Vax, or how what Jester needs is not unconditional support nor concrete instructions, but honesty and a willingness to listen, or that Imogen has the capacity to do great harm to those she loves and does so, but these are all major parts of those characters. Ignoring that is how people believe Vex's arc is underserved; it's not, but you can only see it if you are willing to admit who she is at the start. It's easier for them to consider a Jester frozen in the early part of the campaign than the far more emotionally mature woman she becomes because of what it says about selfishness.

Imogen is interesting, because I've actually seen far more arguments of her as a complete monster than those absolving her. If Imogen becomes more unsure at Orym's words and needs a complete lack of judgment to come around that makes her truly heartless and unfeeling, rather than someone who has an understandably if unintentionally cold and strange way of understanding thoughts vs. words. vs. actions. I suspect this is because both Imogen herself, and the fandom, have less of a grasp on Imogen as her own person. And, to be fair, this is true of the fandom's perception of Vex and Jester; they just had better in-universe senses of self. But I'm interested in seeing if the perception of Imogen shifts back to how it was prior to episode 48, which is a more consistent discomfort with the way she puts herself first.

#cr tag #imogen temult #vex'ahlia #jester lavorre

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