#i want more lion turtle

[woodlaflababab]

Hot Take: The Lion Turtle wasn't that out of left field.

Was it a deus ex machina? Yes. Technically. But it wasn't like some sudden dip in writing or like this was unprecedented and had no basis or reasoning in universe. Hear me out. This is Long.

Let's go back to book 1, specifically the book 1 finale. At what point prior to that are we told that there's a spirit that can turn into a giant koi monster and wipe out everyone? We didn't even know about the whole Tui and La thing until we are in the midst of the battle and there is no viable solution. Aang as he is, does not have the ability to solve this problem.

However, Aang is the avatar.

50% of that is having all four elements. It means mastering diciplines, practice, it's skill that you gradually improve on, it's being clever with the tools avalible to you.

But the other 50%, that I feel is too often forgotten, is spirithood, or being the bridge to the spirits. Spirits are not tools. They're explicitly shown to be things that just kinda Do Shit, and Are There. They don't care about the human world for humans' sake, that's the Avatar's job. The spirits are unexplainable. (I am ignoring Korra) Dealing with the spirits isn't something you can learn. There's not really a special technique Aang learns on How To Spirit 101.

But as the Avatar, Aang has the ability to comune with spirits, to seek them out, call to them, ask them for help, and give them help in return. Part of being the Avatar is doing things no one else can, and again, 50% of that comes from having four bending abilities, and the other 50% is his connection to spirits.

The Lion Turtle is the earned pay off of Aang's actions. Aang, like in the Northern Water Tribe, faces a problem in which neither he, nor anyone around him, knows what to do, and just like in the NWT at the twelfth hour, he turns to the spirits. He chooses to find a place where he feels connected, and calls out. He opens himself to a world outside of human control knowing that, as merely human, he is not capable.

It's the same set up.

Aang faces a problem: Giant Invasion/Having to defeat the fire lord

He does everything he physically can: Takes down a dozen ships/Masters three extra elements

But pulls back when he realizes continuing this way will destroy him: Retreats and admits hes in over his head/Refuses to commit violence with the intent to kill because that means sacrificing his values and the last remaining shreds of his people's values.

(PSA: Taking care of your mental/emotional health is just as important as taking care of your physical health)

He opens himself up to other people for solutions: Yue is just like 'you gotta dude :|'/His friends mock him

He chooses to turn to the spirits: Brings it up with Yue and Katara and Yue brings him to the spirit oasis/ Leaves the others to meditate

[Enter Magic Meditation Here]

He Goes To A Weird Spirit Place: Spirit World/Lion Turtle Forest

Fucks Around for a while as he tries to figure out wtf hes supposed to do: talks to spirits and Roku/talks to the avatars and momo (best place of advice obvs)

Finds the spirit he needs to help give him info: Koh+Ocean Spirit/Lion Turtle

Is granted sudden new powers that can solve his impossible situation: Giant Koi/ Energybending

Uses that shit

Saves the day

The end.

And I don't think this is really a cheat for him either. Aang still gives his everything to trying to fight those ships, even after seeing how many there are. He still has to go through all the hassle of the spirits fucking with him.

With the finale, he still admits to Momo that he may have to kill Ozai. He still accepts that, if literally no other solution is avalible, he'll do it even if it means sacrificing himself and his nation. He still has to do the battle to subdue Ozai and still has to risk being internally fucked by bad mojo from Ozai.

He still has to prove himself. In my opinion, he has to prove himself far more in the book three finale than book one. Book one he just kinda takes out some ships and then chats with some spirits and then the Ocean spirit does everything for him.

In the fight with Ozai, AANG had to learn all four elements, HE had to learn the avatar state (even if it conveniently got taken as soon as he did and then given back at dramatic moments), HE had to face Ozai even without the avatar state, HE still tried to reason with Ozai to the end, HE still used the avatar state (apon being gifted with a poke in the back) to fight back, HE still decided to not take the easy way out, HE still commited to and accomplished taking Ozai's bending.

He earned his use of the elements

He earned his use of the Avatar state (prior to lightning bc they couldn't have Aang be op too soon jebdjsbdn)

He continuously believed there has to be another way

He sought out solutions.

And he still had to get ragdolled some to top it off.

And as to the other Avatars' advice, and the idea that he was selfish.

He followed the wisdom of all the Avatars he spoke to.

He was decisive: "No, I'm not going to end like this."

Justice brought Peace: the firelord being rendered powerless and stuck to suffer jail the rest of his life weak and helpless is justice

He actively shaped his own Destiny: he decided how he was going to end things and shaped his destiny and the destiny of the whole world

"Selfless duty calles you to sacrifice your own spiritual needs and do whatever it takes to protect the world": to which Aang says "I guess I don't have a choice Momo, I have to kill the firelord."

The Lion Turtle did not come out of left field and Aang earned/deserved his ending.

[hotsugarbyglassanimals]

i know im not breaking new ground for saying legend of korra is disappointing but so much of the series is genuinely off putting to me. the setting, the tone, how the narrative tortures korra it feels like

which is a shame because I love korra as a character (even if her writing isn't The best at times). but there are so many aspects of the show I don't like. fuck there's so many characters in the show I dont even like either

[iamdeltas]

I apologize for being a huge butthurt SU fan on main today.

It will happen again. Probably whenever another story driven cartoon's finale occurs and people use that to bash SU too.

Honestly the only thing making that a "probably" is that I can't think of any current story driven cartoons right now.

[millionsknives]

i don’t think i’ve rewatched atla since becoming a committed pacifist and i just finished what was probably my tenth rewatch and i have never loved aang more. i've seen it so many times but i still came away with a new appreciation for the way the end of the story was handled. aang is the only survivor of a genocide and he is clinging to the last remnants of his culture and religion, and everyone is telling him the only way to save the world is to kill the dictator whose regime is responsible for the genocide, but to do so would abandon the deeply held beliefs of his people. if aang goes against his beliefs and kills ozai, his people's way of life dies completely and sozin wins.

aang knows it would be wrong but he can't see another way out so he prays for an answer, and the universe hears him and the spirits send out the lion turtle, and the creator answers him. and here's the thing that i never put together before today: aang would not have been able to energybend ozai if he had given in and wanted to kill him. the lion turtle tells aang that only the incorruptible can bend another’s energy, or else they will become corrupted themselves. and i think that aang, because of his love for the fire nation as he had once known it, was never corrupted by personal hatred for the fire lord or the fire nation. he was able to expertly hold two conflicting beliefs in harmony better than any adult could, the belief that ozai is a horrible person and the world would be better off without him and that he's still a human being with a life that is sacred.

and i don't think it's a matter of selfishness like some people make it out to be. aang is not some immature little kid who doesn't want to kill because killing is for bad guys. he's an incredibly wise and spiritual person who was shaped by airbender beliefs and upholds airbender beliefs, and he can see beyond the scope of this war. the balance of the world depends on the existence of the four nations, and aang does not just represent the air nomads, he IS the air nomads. he's all that's left.

despite many people’s interpretation of the four past avatars’ advice, none of the past avatars outright tell him to kill ozai. they tell him to be decisive, to bring justice, to be proactive, to be sacrificial. but none of them tells him definitively to kill him. he doesn't disobey or ignore their advice, he follows their ancient wisdom while still staying true to his beliefs. yangchen actually comes the closest to outright telling him to kill ozai (even more than kiyoshi, surprisingly) but what she fails to account for is that aang is not just the avatar, he is the last airbender, and being the last airbender is far greater a burden than being the avatar. no matter what happens, once he dies, there will always be another avatar. but if he is not careful to preserve the airbender way of life, there will be no more airbenders. yangchen could sacrifice her air nomad way of life for the sake of her duty to the world because there were thousands of other air nomads to continue their traditions. aang has no such privilege.

and it's not that he doesn't want to kill, it's that he actually doesn't think he can do it -- both that he won't be able to emotionally bring himself to kili someone, and, prodigy that he is, he doesn't have the raw bending skill to overcome a comet-powered master firebender. and then it turns from 'i don't think i can do it' into ‘i can’t do it.’ and when the avatar state gives him enough power to actually do it, he changes the answer to ‘i won’t do it.’ he overcomes all the combined power of his past lives to say no, i have found another answer and i will remain incorruptible. to kill is to maintain the power struggle of the fire nation and to reject air nomad wisdom and without airbenders the world CANNOT be brought into balance.

the only thing ozai cares about is power, and that's what the entire fight with ozai is about, physically and ideologically, because ozai only sees power in terms of force, fear, threats, and violence. to ozai, aang (and his entire people) are weak and undeserving of life because they are largely pacifists, but he fails to see the magnificent power that the airbenders do hold, spiritual wisdom and mastery of the self and contentment and joy and harmony and a deep understanding of the world that a man like ozai could never obtain. to kill ozai would ratify ozai’s worldview that power as he defines it is the most important pursuit in the world and the only way to assert one's right to be in the world is to be cruel and violent like him. i think to ozai, becoming powerless might be worse than being dead. he wants power, or he wants death, and aang gives him neither. it upends everything he believed in. aang, the avatar, but more importantly, the last airbender, armed by his past lives' power and his people's love and the spirit world's blessing and the lion turtle's omniscience (and toph's mastery of true sight through neutral jing), ends the war 100 years to the day after the air nomad genocide, in the way that his people taught him, with power that goes beyond force and violence, with spiritual wisdom, with an incorruptible soul, with mercy -- mercy that is not weakness, mercy that brings justice.

[oraclemoontarot]

why people are jealous of you 𓂃⊹ pac tarot reading

from left to right, top to bottom -> pile 1, pile 2, pile 3, pile 4

•┈┈┈••✦ ♡ ✦••┈┈┈•

pile 1 𓂃⊹ ִֶָ

cards pulled: six of pentacles, five of swords, seven of wands, fool, nine of pentacles. oracles: snow leopard: self-reliance, polar bear: mystic, swan: grace, unicorn: infinite possibilities, days of winter, winter besom, devotional, Brigid's doll

For my pile one's, people are jealous of your giving nature. There is this kindness and grace to you, this lack of hatred and this purity. You may have gone through conflicts and hardship, but it has made you stronger and didn't keep you away from your goals. You are hardworking yet fun and full of adventure. People are jealous of your ability to have fun, to explore - this curiosity and acceptance of your inner child is what people wish they had the strength to accept within themselves.

You are also someone who appreciates life. You are grateful for all that you have, never wanting more. People may be jealous of you, but that word doesn't exist in your vocabulary and that may make them furious lmao. Pile one's you are such a sweet, warm, and kind person. It is hard to find someone like you in this world.

With the animal oracle cards, you are independent and probably enjoy your own company. Where everyone else may get bored staying home all day, especially on their own, you thrive in such an environment. Maybe your hobbies involve things such as art, reading, writing, playing video games, or something musical, where staying home or within your own company is where you're able to have the most fun.

Challenges are what make you incredibly strong, you are a dreamer and someone who has a strong potential to become a tarot reader too! There is something incredibly mystical and graceful to you. You see things most people may not even understand. You get people on deeper levels, but also yourself. There is so much wisdom and goodness within you, so much elegance, beauty and love. People who are jealous of you don't understand that. I feel like, only people who have so much negativity and hate would be jealous of you. They wouldn't appreciate your inner world and your good nature.

Extra messages + why people would be jealous:

'I must seek to befriend the hidden parts of self, the darkness that embraces the whole of who I am'

you completely understand yourself, you accept yourself for who you are, both the good and the bad. You are content with who you are and that is so, so beautiful.

'Sweep away ill intent while creating boundaries weaved with protection. A witch respects passages of safety'

because you have accepted yourself, you also respect who you are. Therefore, you don't let people with bad intentions close, your boundaries are clear.

'There's something so intimate when letters reflect the tongue, in times of introspection when I am at my most vulnerable and revealing all the lives in me'

doubles down on you understanding yourself, especially your inner world, and enjoying your own company.

'Thread by thread I weave my desires, working as one with the source of creative power'

you are so strong Pile one. Whatever you put your mind to, you can achieve. You have the knight of pentacles energy, the ability to take your time, moving with a steady pace towards your dreams.

pile 2 𓂃⊹ ִֶָ

cards pulled: hermit, three of wands, ten of cups, emperor, king of cups | Lynx: keeper of secrets, lion: higher calling, squirrel: always prepared, sea turtle: protection, snowdrops, winter woodlands, milk moon witch, dark days of winter

People are jealous of your ability to look within and come out stronger. You enjoy your own company and solitude, able to find the deeper meaning or purpose within your life. At the point you are reading this pac, you may be levelling up within your career or life, or you are constantly achieving. People are jealous of your successful nature, feeling closer towards envy. You may even have a good relationship with your family, especially your father, and feel content surrounded by those you care about - you may thrive in such an environment.

You are someone who creates your own future through your efforts, beliefs, and preparedness. You are someone who is able to work just as hard as you have fun. There is this playful and cheerful nature to you that is so contagious, just like the courage in your heart. The Lynx card is just like the hermit, 'in silence and solitude, you will find your strength'. There is so much confidence in your self, in your ability to make the right choices. You are also great at keeping secrets and seeing things in other people - either deception or their true selves. You work hard, yet you also have the ability to go with flow. There are so many layers to you and yet you are an incredibly balanced individual. You create your own path, your own rhythm and flow in life. And this is what people are jealous as sometimes they feel stuck on the path they were given, or clueless on the direction they wish to pursue yet, with you, you draw your own line on the map and follow it with so much perseverance and strength. You're unwavering, like a turtle which swims along the current of the ocean.

Extra messages + why people would be jealous:

'when all seems to stem from the unknown, hold firm in knowing all will be as it should'

you have this understanding and trust in your abilities, unwavering and strong in the path that you follow. People are jealous of you being someone unable to give up no matter what challenge presents itself.

'Take time to honour what you feel. Self-compassion is the healing balm you desire'

you accept your feelings, you love and trust yourself when most don't, and you truly understand who you are as a person. There is a sense of respect towards yourself that others wish they felt towards themselves.

'Watch as the tides turn in your favour, weaving the waters within and conjuring unspoken desire'

whatever wish, goal, or dream you have, you're able to achieve and fulfil. It's as though both luck and your skills are what lead you through the path of greatness, and this feels more like that of envy than jealousy of your life and achievements.

'I must seek to befriend the hidden parts of self, the darkness that embraces the whole of who I am'

Again, just like the hermit, you are able to accept both the good and bad traits within you, admitting that they are what make you, you. These shadow selves show that you are human, that you have flaws just like everyone else and you aren't ashamed of them. This confidence and love for yourself is what people feel jealous of.

pile 3 𓂃⊹ ִֶָ

cards pulled: ace of swords, page of swords, three of cups, two of pentacles, ace of pentacles, nine of pentacles, five of swords, lovers, seven of swords | fox: clever, tiger: fire, penguin: authentic, dog: friend, black bear, horned owl, casserole, cinnamon rolls

There seems to be a lot of jealous energy around you pile 3. This could be from people who you are around often, or those who you had cut off. You may have had conflict with a friend group of 3 or more people, and these friends may be the jealous ones, which their jealousy could have been the reason for conflict, tension, or the falling apart of this friendship.

The reason as to why people may be jealous of you is because of your communication skills. You are someone who is able to express their thoughts and feelings clearly, articulately, and may even be witty. There is likely this intelligence to you, especially a social and verbal intelligence. You may be incredibly good at forming connections and networking. The way you communicate brings forth opportunities that may lead to wealth. You are goal-oriented and always look towards the future and towards a new adventure. There is this humbleness to you, this gratitude, and people are jealous of what you have achieved and what you have. They're jealous because they see you as having more than them, about having the life they wish they had. This could also be skills of yours that they're jealous of.

You are also good at balancing your relationships with your life and work, you have so much love, warmth, and kindness to you. If you are in a relationship, they are jealous of that as well, as they see it as an ideal connection. Even with conflict, you are warm, understanding, and still value the people who you are tense with. It frustrates them. I keep getting this negative energy. This frustrated, irritated, and jealous person/people that don't seem to have an ounce of good intentions towards you. If they are ex friends and you were the one to end the relationship, I am so, so proud of you. You did well, even if it were hard, you deserve only good things and people to surround you, especially as you seem like such a lovely character with so much love around you.

With the oracle cards, they're jealous of your mind, of your intelligence. You always find a solution to problems that arise, you have a strong instinct and have a lovely heart. You have this fire within you, this drive and determination. You have so much passion and are unmoving from your path - bold and brave. You are also unafraid to be your authentic self, and people are jealous because they put on an act, lacking in confidence and bravery. You value relationships, family and all close connections, loving your uniqueness and constantly surprise others in a pleasant way. You may be loved by most people, simply because you are you. You are yourself and no one can change that. You are a true friend and a true companion. You are loyal, a protector, a happy and positive person, as well as having a lot of energy and enthusiasm to you. People really do want to be like you, they want to see the world and themselves the way you do. To have such drive, determination, and enthusiasm.

Extra messages + why people would be jealous:

'your existence is the resistance. All you must do is accept the power waiting you arrival' This relates back to you being your authentic self. You don't let anyone tell you who you are or who you should be. You being yourself is resisting against cultural norms and societal expectations. Could even be the expectations of your friends, family, and environment. You know your own strength and power.

'become the shadow that watches, keeping quiet while moving intentionally'

this could be focused more so on the people who are jealous - to be aware of those around you. To watch, to observe, to make note of possible red flags. Be careful of who you trust and who you let into your life. It is important that you protect yourself as these people are like shadows that you may not notice. They are quiet but their intentions are there.

'trust in the flavours that led you here, an unexpected alignment. Let it move you in ways that capture your soul'

People are jealous of your experiences, the way they shaped you into the person that you are now. You have so many things to talk about, so much to share, so much you have lived through and will continue to experience. There is so much depth, strength, and resilience to you.

'warm my heart; all-deserving comfort readies my heart'

You really are a warm, welcoming, loving, and kind soul. You wear your heart on your sleeve, a comforting presence open to love and connections. It is important that you know and appreciate that side to you as well as it is so, so beautiful. So precious and sweet.

pile 4 𓂃⊹ ִֶָ

cards pulled: two of cups, emperor, two of swords, knight of cups, magician, ace of swords, five of pentacles, fool, eight of cups | black jaguar: old soul, butterfly: rebirth, swan: grace, lion: higher calling, arts and crafts, Angelica, river rocks, bathing ritual

People are jealous of your ability to create meaningful and lasting connections/relationships. You have this ability to be like the emperor and the knight of cups, there are two very different sides to you that creates a sense of balance. The emperor is one of authority, confidence, strength, and a protector. They are like that of a pillar within relationships and are great caretakers too, you don't bend or break for any or anything, and you even communicate in such a way - as well as communicating with clarity and intelligence, having such an intricate way of words. The other side to you is one of romance, innocence, gentleness, and this sense of childlike wonder. There is this purity to you and this excitement, adventure, and energy. It's as though you are like an old and new soul in one. You know your purpose, you have a strong value of people and relationships, but you also have a creative, romantic, dreamer side too, with so much emotion and sensitivity.

Even when you feel alone/lonely, or if you're struggling financially, you have this optimism to you, and this drive to get out of such feelings and situations. You don't let the negativity of your life or surroundings bring you down, you don't dwell or stay at a standstill, you find ways to leave it all behind in search for something great.

You really are that of an old soul with the black jaguar oracle. You move through life with this confidence and grace, you know what you want and you don't lose sight of it, turning your dreams into reality. You are constantly changing, growing, transforming, and reinventing yourself. You are open to change and the good that would come out of it. You love and appreciate the journey and, once you arrive at the end of it, you have so much gratitude and are humble of your achievements. There is also this beauty, wisdom, and elegance to you, like the swan, you grab others attention and respect/appreciation of you. You have this dignity, like royalty, you carry yourself well. You have courage to face hardships, you don't live in the past, able to let go of things that no longer serve you because you know your worth. You really do value relationships, finding contentment and strength in them.

Extra messages + why people would be jealous:

'nothing exists without the essence of spirit. May it be whispers or chants, your energy is what brings life to all that you create'

you may be an artist or creative, someone who has such a strong energy and puts a lot of effort, character, and life into whatever you do. There is passion, authenticity, and something deep and real to you.

'the bells have rung far and near. Underneath feathered wings, my dear, you have nothing to fear'

You protect your health, heart, and mind well, as well as those around you. You are a protector to people you care about and yourself. You are a pillar, a source of strength, and you don't let others worry or fear things.

'go with the current, dear one; find peace in letting go. Let life wash over your soul and welcome your becoming'

You are likely someone who goes with the flow, you don't let things hurt you or people to not treat you right. You leave situations and relationships that do not serve you, you let go when it is necessary so to protect your peace and yourself. This is what lets you to grow into a strong character.

'with you, water spirit, I wash away what no longer serves me and drink in spells that call for healing'

Similar to the one above, you are good at healing yourself, about not letting past hurts affect the you today. You cleanse your heart and mind of pain and troubles, and you let yourself feel only what you know you deserve - happiness, positivity, love and light. And that is truly beautiful and what others who may be struggling or have negativity in their hearts would be jealous of.

[drenched-in-sunlight]

i don’t think it’s talked about enough that the reason there’s a Godwyn ending where he becomes a Lord (not a God) is because symbolically, he was mirroring Godfrey in more than just name.

Godwyn’s alive body sprouting fish tail and scales isn’t just a random design choice, it’s a reference to Confucius' The Book of Rites, where it’s stated that the subjugation of the Four Divine Beasts will grant the person who tamed them different kind of control:

- Dragon -> control over animals with scales (specifically, FISH. See?)

- Qilin (Lion) -> control over beasts (think of how the Hornsent coveting the power of the Crucibles via the lion dance ritual. The “lion” in lion dance is Qilin in the native language of Asian countries that celebrate that tradition. And it’s why Godfrey’s symbol is a lion, why lion imagery plays such important role in Elden Ring world)

- Phoenix -> control over birds

- Turtle -> control over the heart of men (this might be a reach but Miquella’s connection to the Carian family and thus, the Turtle Pope could be a nice parallel to this)

in Godfrey’s cut dialogues, he said “Dearest Marika is precisely what I must take back” and “Dear Marika, do not fear. I am returned.”, and even without all that, The Talisman of Lord’s Bestowal stated that Godfrey accepted his duty without any sign of wavering, even taking Serosh upon his back so he could conduct himself as a Lord worthy of her. Bro, he loves that girl, he passed Messmer’s vibe check with flying colors.

For Godwyn to be a fruit of such a loving union, i do think Godfrey instilled in him a sense of duty to protect his Mother, and there’s his own love and devotion to her as well. Leyndell Knights all use Dragon Cult incantations and buffs - the kind of power that is only available to them because Godwyn befriended Fortissax (which is why i said that move has an ulterior motive to it).

All of that brings me to this main point I’m trying to make: does Godwyn really that devoid of agency?

I see it’s a popular interpretation in the fandom that oh Godwyn was just a symbol, he had no voice, we never knew what he wanted, etc etc… Do we really not know though?

Sorry for slapping another fandom on this, but this is really relevant to my understanding of Elden Ring as a story, even with the base written by a Western author, was developed by a Japanese team of storytellers and designers:

The concept of soul - body and body snatching etc etc exists a lot in Asian media, and there’s always a general consensus that the body remembers even as the soul perishes. What is Godwyn’s body is doing? The game specifically states that his body is alive. He only perishes in soul.

He was infesting the Erdtree’s roots, spreading Death around like free real estate. If he wanted to let go of life, of his Mother, his body should have just let go on its own. But no, he was tenaciously clinging to the Erdtree, to Marika.

Even Fortissax remembrance stated that despite its best effort, it could not fight back the Death within its friend. If Godwyn really, truly wanted to embrace a true death, would his body just let Fortissax fight alone in an uphill battle like that?

Then there is the DLC revealed that Godwyn’s personal knights were in LoS to find and guard his cadaver surrogate, specifically for the Age of the Duskborn. Their helm stated that their loyalty to him is unbroken. So will they just go and do something that their Master would not want?

These Knights are literally an elite circle that was bestowed the most precious of jewels in Godfrey’s time (the +3 medallions), they aren’t merely good, they are the very best. They are Godwyn’s inner circle the same way the Fire Knights are said to be the ones who know Messmer best.

Even if you think Fia and Those Who Lived in Death were just taking advantage of Godwyn’s death… her endgame goal technically did not even succeed. She wanted to be Mother to TWLiD, but the ending very much shows that the Mending Rune was returned to Marika’s womb. It’s her who would birth Godwyn a second life, so the True Mother™ to TWLiD… would actually be Marika 💀

Like, am i the only one who saw this as some real crazy 4D chess Uno reverse move from Godwyn? Oh these ppl wanted to get rid of him then took advantage of his body? Fine, he would take that challenge and run a mile with it. If Age of Duskborn came, it meant Ranni didn’t succeed, Fia didn’t actually get to be Mother of TWLiD, Death - the very thing that Marika tried to seal, would now be something within her control, because Godwyn is its Lord now. Exactly like how the Dragons’ power became something wielded in Marika’s favor in the end. Thanks to him.

In the Duskborn ending, bro, the God would still be Marika. It’s the only possible new Age involving a demigod that doesn’t get rid of her. Even if it utilize heretical powers to get there.

And the crazier thing? This is not the first time Fromsoft did this, btw.

[queen-morgana91]

The fact that certain people dislike Aang because

"He's a pacifist" - he's a monk, guys. Horrifying. Also being a pacifist is a crime it seems. Killing people and starting wars is more cool

"He's childish" - he's 12 🤦‍♂️ he matured a lot during the series and he was forced to grow up quickly like the rest of the gaang. Let alone that most of the time is copyng mechanism, he's dealing with his trauma is his own way

"He didn't kill ozai" - ah yes, still missing the point of the series in 2024. He’s the LAST airbender of a genocided culture. The way this fandom don’t value culture is insane. Which character in this series was ever asked to fore sake their culture? yeah, no one. Aang isn’t wrong for preserving his, stfu

"He had it easy" - the GENOCIDE SURVIVOR had it easy, ok. The lion turtle didn’t give Aang an easy way out. It gave him a choice, after that Aang, the AVATAR aka half spirit, prayed for it. He said he would have killed Ozai if he had no other option and he almost killed him in their fight, but he decided to stay true to himself and to preserve his culture. Aang almost died to take away Ozai's bending, easy my ass. You wanted him to be a cold blooded murderer? watch another series

"He has no development/growth" - sigh. Did we watch the same series? some of you think that you have development if you change personality/beliefs 🤦‍♂️ Aang has a GREAT character development. He makes choices that push him in a way that allows him to move beyond what people, his past lives included, expect of him. He became far more mature and he accepted his role as the Avatar and his responsabilities for the sake of the world. The reason his beliefs never changed is because many characters pressure him to give up his core values which come from a genocided culture. The air nomads, who raised him. If the only way you know of character development/growth is them being forced to change their fundamental beliefs, you don't know what character development means. Aang is the Avatar the world needed and he put an end to the cycles of hatred

"Aang values his culture above other cultures" - lol no he doesn't. Not only Aang is extremely respectful of other cultures (if you talk about the sea prunes again, i swear) but he values his culture because.....again, it was genocided. He never hold it above other cultures, but uses his own to make his own decisions, which is different. Mind you, other characters in the series hold their beliefs above his and dismiss his (Zuko was one of them btw). The adults, like general Fong, literally forced Aang to use violence and the Avatar state. But sure let's ignore it

"He's too perfect/he makes many mistakes" - make up your mind. Not even his haters know wtf they're talking about

"He has a crush on Katara" - how inconceivable. Damn, i'm still traumatized. Also Katara has the audacity to love him back. Horrifying

And then the shipping reasons....yeah i'm not gonna bother here, braindead takes from delusional people

All opinions that i will never ever take seriously, sorry

Free Aang

[starlight-bread-blog]

The Good & the Bad: On Aang (Not) Killing the Fire Lord

I recived this asks forever ago, trurly sorry anon, but I'll keep my apologises for the end. I'd love to answer that!

If you're asking me, this is way better than """killing him""". Case closed.

Getting this cleared up: The show didn't say that Aang is morally superior for this. It was solely about staying true to himself. Not a moral high ground.

So when I hear people say it's problematic because it implies that sparing imperialistic dictators has some intrinsic goodness to it, (Ahem-Lily Orchard), I just can't agree. It was never about universal ethics, it was about Aang's culture and values.

Why Is This a Good Thing?

Aang loves his culture, and takes a lot of pride in it and its values. (See: in The Southern Raiders his first go-to to convince Katara to spare Yon Rah is his culture, rather than what such act would do Katara herself). He would have been ashamed if he had broken them. But right now they clash with his Avatar duties, with god-knows how many lives at stake. He needs to let go of his pride & shame, and become humble.

Just like Zuko humbling himself to the GAang before they accept him, or Sokka humbling himself to the Kyoshi warriors and Master Piandao, Aang could only speak to the the lion turtle after he'd given up, after he was humbled.

Even beyond Aang, it enhances the show's themes at large. A theme in A:TLA is paving your own path, and that you can do what you want despite the pressure. Your true destiny will come, you might be surprised by it, but it's yours and you're free to carve it.

You just have to keep going, to continue to do the right thing, and your destiny will find you. Things have a way of working out in the end, eventually.

Sparing Ozai serves the theme, thus the show overall. Everyone told him it's his destiny to kill the Fire Lord and end the war. But he didn't agree, paving his own path, his own destiny, and all was well. The pieces fell in their place.

It is s amplified by the fact that if you read between the lines, he actually did follow all the previous Avatars' wisdom besides Yangchen's.

Aang knew what he wanted from the start. He isn't going to kill the Fire Lord. People (rightfully) tried to pressure him, but in the end, he stuck to his decision.

Justice was served. Aang took his bending away and put him to rot in prison for the rest of his life. There's more than one way to execute justice.

"... and the destiny of the world". That's exactly what Aang did. He followed his own path (staying true to himself) while saving the world (ending Ozai regime).

So that leaves us with Yangchen's advice. The one he didn't follow:

This opens another layer to this. Why doesn't Aang take the advice of a fellow Air Nomad? The one he should relate to the most? Because despite both being Avatars and Airbenders, Aang is the last. They're not the same. Yangchen is speaking from a place of privilege. She can carry the weight of the Avatar and not worry about the Air Nomads. Notice the wording: "spiritual needs". But it's deeper than that. In her time, they were there, they'll preserve their culture and values. Aang doesn't have that.

He's Avatar: The Last Airbender. He has both weights to carry. The decision to spare the Fire Lord, while protecting the rest of the world, is embedded in the show's title.

There's also something so incredibly powerful in Ozai being defeated specifically with Air Nomad values. A 100 years ago, during Sozin's Comet, the Fire Nation started the war by genociding them. When it comes back, the Avatar, the last Air Nomad, ends the war and stops the next genocide while preserving their values. The Fire Nation isn't going to push him to taint (one of) the last living aspacts of the Air Nomads, and Aang is shouting it ��� in the very same day the disaster occurred.

(Additionally I view this as a land mark of his character development since Siege of the North. He used spirit powers for murder, now he's using them for mercy).

(A:TLA is also a show made with kids in mind. They may not be able to make Aang kill Ozai. He got his bending stolen and sentenced to prison for the rest of his life. That's a more than serviceable punishment for a show aimed at kids).

(Ps: If Ozai had died Zuko would never have found out where his mother is).

The concept is fantastic. Nothing wrong there. But now, it's time for the critisism.

What's the problem then?

Despite looking in internet forums, it's entirely possible that I missed some things. With that being said, the Lion Turtles could have been foreshadowed better. As I stated, I don't mind it. But as far as I recall, it was foreshadowed once in The Library, and that's it. (Edit: It's also foreshadowed in Sokka's Master and The Beach, but the point still stands).

The Lion Turtle is a twist, it subverted expectations, but that doesn't mean it has to be a deus ex machina. That's what foreshadowing is for. It's the literary device to making a plot twist feel believable. The result is many fans, including me, feeling as though it came out of no where, even though it didn't.

Overall, I love that Aang spared Ozai. It ties into the themes of the show and Aang's role as the last airbender. It makes perfect sense, it's rather beautiful. However, I do wish the foreshadowing was better.

And for Anon, to apologize for the wait, I dedicate you this meme:

[that-dreaming-dragon]

Putting this in poll format is me being silly. But I want to state a point that still crops up now and again.

If you feel you are/one of your ‘type is experiencing draconity, whether as a full dragon or just some sort of draconic, you are/it is dragon/draconic.

It does NOT matter if your/its origin is from fiction, from myth, local folklore, or a species you made yourself.

It does NOT matter if you are/it is a european, east asian, wyvern, zilant, yinglong, kirin, turtle dragon, lion dragon, and heck komodo dragon.

It does NOT matter if you are/it is humanoid or straight up portion of you are fully human.

You are/it is a dragon if you feel you are/it is.

(Alternatively, your alterhuman identitype is draconic if you feel it counts)

Some more rambling below

“But Ryuu, what constitude as draconity? Doesn’t it mean big and apex predator? Doesn’t it mean powerful? Doesn’t it mean it has to be winged with four limbs—”

Ok stop, just, stop. It’s like asking “what is human” or every variation of that. I met all sorts of dragon, seen many, and there’s far more example even within media and myth of this world and beyond. Many definitely don’t fit the “big, powerful, apex predator”. Heck, I’m a draconic shapeshifter that becomes hamster sized to potentially bigger than a airship, have no breath weapon, and I don’t even prey on other creature! Don’t even get me started on the wyvern discourse.

There are dragons that are like kami—things that invokes awe or reverence.

There are dragons that are “just a little creechur”.

There are dragons that’s wild and theriant*, some are sophont.

There are dragons big and small, colossal or microscopic, physical or purely incorporeal, made of flesh and bones or goo and light matter.

There are dragons in all sorts of biome, have all sorts of diet (yes, even herbivore), some hoard some don’t.

A box with a slanted nostrial and eyes, squiggly smile line as mouth, and it is definitely something draconic, because it is so.

Dragons with feather, fur, fin, frill, crocodilian, webbed paws, hooves, mechanical parts…

Well, you get the point.

A dragon is a dragon is a dragon. Regardless of the shape they took, the features they have, or whatever box you want to put a dragon in.

If it fit, it will sit. It it doesn’t, it’s still going to sit, and break the box while we are at it.

*thiriant: the opposite of sophont, to be “categorised by instinctual, sensory thinking being more dominant”, by @paracosmic-gt

[mal3vol3nt]

the reason people get mad and upset over aang not killing ozai is because they can’t or are unwilling to understand what it really meant for him to be the last airbender

a lot of people don’t truly acknowledge what aang went through when they talk about him. it was a genocide. an ethnic cleansing. a GENOCIDE. and i think that’s because so many people are just incapable or unwilling to wrap their heads around how tragic and isolating and unchangeable something like that is.

i’ve seen countless people say they wish aang had found other airbenders hiding away somewhere. and while i totally get wanting that to happen for the happiness of the character (hell, even i have thought about how heart wrenching that utter relief would feel for him), i’ve also seen those takes associated with people saying they just find it hard to believe that none of the airbenders survived. that none of them were able to escape.

and that’s the thing that annoys me because genocide is a real fucking thing that has happened and IS currently happening in the world (just look at palestine, congo, sudan). it shouldn’t be so hard for people to suspend their belief into thinking it could happen in a fictional piece of media. this disbelief that a genocide can be real results in people being unable to fully sympathize with a character who is stated several times to be the definite, unchangeable sole survivor of his people’s genocide. and i’m not saying it’s wrong to want there to be airbenders who lived, but in canon it’s clear that none of them did. and the ones who did canonically escape were hunted and lured by the fire nation to their demise. and if we’re going to discuss characters and the intents behind their actions, aang’s character development is heavily, heavily heavily guided by his guilt and grief over his lost culture and people. but a lot of people still can’t wrap their heads around the canonical genocide he survived, meaning they can’t fully comprehend why aang would choose peace over a violent end. and considering atla is a western show with a largely western audience, its even more evident that this gap in people’s ability to understand and sympathize with aang is emphasized by their western intrigue toward violence. people don’t just misunderstand aang’s dilemma—they wanted him to kill ozai because seeing him do that would have been cool and interesting and satisfying.

but aang’s decision to spare ozai’s life was made due to his status as the last airbender. prior to meeting the lion turtle, i think it’s safe to say that he had resigned to what he had to do. that is to say, he was likely going to kill ozai despite the pain that was going to cause him. he was going to give up a part of himself, his humanity and the last remainings of his culture, to be the avatar the world needed. but he was then gifted the ability to energy bend, offering him, but not cementing, another option. aang still had the choice, and we saw in the fight that aang was so very close to killing ozai even with this new ability. but he couldn’t. because although killing ozai would have been a pretty justifiable thing to do, it would have fully finished off the air nomads. aang was the only living human who held onto their beliefs. if he were to push those values aside to end the war, the war would have ended the same way it started: with the death of the air nomads. and it may sound “cheesy” or overly dramatic or whatever to some people, but aang’s entire story arc has, arguably, been him trying to fit in a world that seemingly has no more room for the air nomads. not only is he 100 years in the future, but this future has none of his people around and war is everywhere. violence is basically required to survive. death is everywhere. greed has corrupted nations. everything the air nomads stood against made up this world, and aang, as the avatar, had no choice but to save it. for him to have given in to what everyone expected of him—violence—he would have ultimately eliminated air nomad values from the world. and the world would have not cared. aang’s victory would have been celebrated, but aang would have felt even more grief than before. he would have let himself and his people down. and balance would have never been achieved because the air nomads mattered. they were part of what kept the world going round. no matter how much the current world he was fighting for called for violence and death to achieve an end, the air nomads still had a voice through aang. they were still around because of aang. aang’s existence and dedication and love for his culture kept the genocide from being official.

and in my opinion, air nomadic values coming out victorious in a war that nearly wiped them clean (except for aang) is much more of a meaningful and satisfying ending than violence ending with violence.

and if you wanna call aang’s decision selfish, then fine. but i personally think it’s more selfish to expect a survivor of genocide to keep giving and giving and giving for a war that took his people from him until he has nothing left of himself to give. i think that is far more selfish. aang may be the avatar but he is also human. just as much human as his people were, and the leaders he was fighting against, and the millions of people he ended up saving, and just as deserving of having some sort of agency in the decisions he makes. call me crazy ig

[imthepunchlord]

If AtLA did get that season 4 the writers wanted, I kinda wonder if they would've revealed the origins of the Avatar and what they would've done; as LoK's take on the spirits and the origins of the Avatar and bending felt disconnected from what AtLA previously set up (at least for me).

As I never got the original show's answer, it led to me pondering it and I had a thought I felt makes more sense.

Based on AtLA and how spirits were, I thought that the Avatar originally started as a powerful spirit that was tied to nature, and had a fondness for humanity and how they connected to nature, strong enough that they developed bending. And similar to La and Tui, they mortalized themselves in human form to be amongst other humans, only they had the unique ability to bend all four elements.

And between being a powerful spirit that's tied to people and the four elements, and the devotion to be there for people, the Avatar Cycle just came to be upon the first death and the first birth, this spirit always becoming reborn in a new elemental nation, to grow up amongst the people it naturally cared for, having a new life to live, to have new experiences, and forming new friendships while also finding old friendships that will last lifetimes. And given the spiritual origins, can also work off the unique role the Avatar has between the spirit realm and the material realm.

I feel this thought makes more sense for the origins of Avatar and working more off AtLA's set up of spirits and the origins of bending.

And while I would vote the actual spirit be left a mystery, IF it had to be specified on what it was, I probably would've voted they were a lion turtle. Like, even in AtLA, they're set up as incredibly mystical and spiritual, and able to manipulate energy itself, and I think the creators even had the idea that people used to live on their backs before LoK confirmed it, confirming they did have a close connection to people.

Everything about them is kinda set up to be like, a precursor to the Avatar. Mindful, it's not a requirement, but that could be a potential reason why the lion turtle arose to help Aang in his time of need, how they sensed Aang was lost and in need of guidance and advise, the Avatar potentially was the soul of a lion turtle, and playing off the lion aspect, they are sociable and work as a team.

It's not a stretch to think a spirit tied to lions are open to helping another.

Either way, this is a thought I wanted to share as an alternative to LoK's answer for the Avatar origins as I just wasn't all that crazy about it.

[geegers22]

I’ve seen lots of conversation on here about Zutara shippers opinions on aang and mai and i thought I’d give my point of view.

I want to start by saying that I think there should be more of a distinction between disliking a character because they are a bad person and disliking a character because they are written badly. With that being said, I can confidently say that, with the material of the main ATLA show, I dislike Aang and Mai because they are badly written characters. Meaning, if their arcs were properly finished, I would have no problems with them. This brings me to another topic of how I don’t really ‘hate’ characters who are bad people if they’re well written but that’s a conversation for another post.

I need to point out that I didn’t start disliking Aang and Mai until they had their arcs undermined when Kataang and Maiko became canon. With the arcs they were going on, they had so much potential to be really interesting and I enjoyed their personalities.

When it comes to Aang, I had no problem with him as a character until season 3 part 2 when I started to realize that his world view (which is flawed based solely on the fact that he is young and there is no way he’s going to have a nuanced pov) was not going to be challenged. Aang should have had to give up katara. Aang should not have just had everything handed to him with the lion turtle and the pointy rock.

Then there’s the southern raiders which I would argue, if Aang’s arc had been completed, would not illicit as many conversations and arguments about it as it currently has. Because his actions in that episode make sense (Sokkas don’t really but again-that’s another story) because he’s a kid. This episode should have been a big decider of his change in worldview. The problem is that the creators decided his flaws didn’t exist and that he was perfect. (At 12 years old?!?!?)

Then there’s Mai. She’s a much smaller character but that doesn’t mean she deserves less of an arc. Mai is a character whose personality I love! (I’m all for gloomy depressed women!) There’s two ways Mai’s character could have developed, and I think both options are great, the problem is that Bryke decided to go in neither direction.

On the one hand, Mai could have been a representation of unlearning the propaganda she was taught in the fire nation throughout her whole life. I think this direction would make Maiko more believable, although I still don’t think they are a good couple because their personalities create a toxic dynamic and Mai’s story with Zuko is meant to represent that toxicity.

The second option would be to have her views not change, like we see in the show, and have her not get back together with Zuko. This is the more interesting path in my opinion because it’s more realistic. I don’t think the problem with Mai’s arc lies with her personal views of the fire nation, more so with her relationship with Zuko. As we have it in the show, Mai’s views don’t change. Therefor, it doesn’t make sense for her character or for Zuko’s for them to get back together like nothing ever happened.

When it comes down to it. Both Aang and Mai had their arcs sabotaged because the creators rejected Zutara. Even without Zuko and Katara getting together these were the wrong decisions. Both characters had potential to be well written, but in the end, the creators chose the path didn’t allow that to happen because they just couldn’t kill their darling. (Kataang)

Sorry for rambling, this is kind of just my take on the whole “Zutara shippers hate Aang and Mai” take.

[tossawary]

I still think that the ending of "Avatar: The Last Airbender" was poorly foreshadowed, specifically the lion turtles and the energy-bending. (Not Aang not killing Ozai! I like that part! It suits the themes, it suits the characters! That part is fine. I am glad that the last airbender found a way forward that respected his people and beliefs.)

Like, I saw ATLA when it was originally airing and I thought these things kind of "came out of nowhere" at the time. I have heard the arguments to the contrary over the years and I have never really been persuaded by them, while at the same time personally agreeing that the lion turtles and the energy-bending absolutely do fit the world and lore! They are fitting elements! They work! I like this ending at the same time that, in my personal opinion, I think it was poorly established.

I think that the story BEGINS to establish lion turtles and energy-bending well enough. We meet both many other spirit beings and bending-capable animals earlier on, including the Moon and Ocean Spirits who apparently gave the world water-bending. S2 introduces Ty Lee's chi-blocking techniques and Guru Pathik teaching Aang about chakras. There are also a handful of lion turtle easter eggs in the background of some episodes, the most prominent perhaps being on a scroll in Wan Shi Tong's library.

But the story then jumps from these various establishing elements all the way to "lion turtles are real and not extinct and telepathic and can also energy-bend and Aang has suddenly mastered this new art well enough to take someone else's bending away permanently, and these relatively new elements are going to resolve the main conflict of the show". It feels like "1+1=3" to me. I think that last jump in the story is too big. Like, we're REALLY close, but I personally needed another 1 in there somewhere to bridge that final gap and get to that 3.

(Includes some fic ideas / suggestions on how to maybe add to strengthen the foreshadowing under the cut.)

The fact that a lot of people, especially more casual viewers, were really confused by the way all of these elements suddenly came together at the end says to me that, no, the foreshadowing that WAS done (there WAS foreshadowing, I cannot rightfully say that it all came completely out of "nowhere", but it) was not good enough. Or maybe I should compare it to someone presenting me with all of the necessary ingredients for a cake and then telling me that it IS cake? Yes, all of the right ingredients are HERE, I agree, this COULD be a really great cake, but... you still have to mix it all together in a bowl and then put it in the oven to bake to get that specific cake. It's not quite cooked yet.

(Okay, wow, that sounds kind of mean. Maybe I should compare it more to a missing stair? We have MOST of the staircase, I just need one last step to get to the Deus Ex Machina at the top. To be clear: I don't think a "Deus Ex Machina" is inherently bad. I often like them a lot. I just wanted a little more foreshadowing than the stuff that is already there.)

In storytelling, there's this technique casually called "The Rule of Three". (And yes, of course, rules were made to be bent or broken depending on what story you're trying to tell, but usually, these rules exist because they are effective.) This rule is also sometimes known as "Introduction, Pattern, and Payoff". (It has other names, but that's how I remember it.)

Very loosely, this rule states that an important element of the story must appear at least three times. 1. It must be introduced / established in the world. 2. It must appear again to remind the audience that it exists / and establish a pattern such that the audience begins to expect it to appear again later. (And is hopefully excited for it.) 3. Payoff. The element returns in an important way, probably to resolve part of the plot. The previous two appearances have acted as foreshadowing for this ending.

There's also a "Rule of Two" version of this general storytelling technique. Like, "If this special crystal can zap the bad guy and save the day, we have to have shown or at least told the audience that it can do that BEFORE the big final fight scene."

In regards to ATLA, no, I don't think that a scroll in a library or a statue in the background of some scene served as adequate introduction and reminder for the existence of lion turtles, so it didn't necessarily feel like a payoff for me that they solved the main conflict. (It's the "solved the main conflict" that's most of the issue for me. If the lion turtles had just appeared in another episode as a random cool thing like those sea monsters by Kyoshi Island, I would not have cared.)

I actually think that the establishment of other spirits like the Moon Spirit and bending-capable animals like sky bison and dragons can serve as a decent enough "Step 1) Introduction". Though this does not establish that lion turtles specifically exist, we have established that powerful creatures similar to lion turtles exist. But I still needed a solid "Step 2) Pattern / Reminder" that would have established that lion turtles specifically exist and are important BEFORE one shows up at the end like that.

I think that there's at least one episode somewhere in Book 1 or Book 2 that could have been cut in favor of an episode where the Gaang meets and rescues a young lion turtle baby or something.

Maybe Guru Pathik could have learned his ways FROM a lion turtle? Aang could have gone to an isolated village somewhere (with more brown people besides just Guru Pathik?) where people are living in harmony with a lion turtle, or maybe even on the back of a lion turtle! That would be cool!

Concept: Aang encounters Guru Pathik living alone on the back of a lion turtle which doesn't talk to people anymore (Aang swims down to look at its face and it doesn't even look at him), because its kind have been hunted nearly to extinction and it's tired of violence. Guru Pathik learned his ways from his old teacher, who learned from his old teacher, all the way up the teaching lineage from a person who once learned from the lion turtle itself before it gave up on the world. Guru Pathik tends to this nearly empty temple on the back of a silent lion turtle who ignores him, because he will not forsake his teachings even when the world seems uninterested in hearing them and the old lion turtle seems like it could die any day now. The people in the fishing village on the shore think that Guru Pathik is crazy and most of them don't even believe that the floating island really is a lion turtle, it's just weird geography.

Guru Pathik could also have chi-blocking abilities! We could see him demonstrate them in self-defense! He could teach a few chi-blocking moves to Aang, who could later go on to use them occasionally in Book 3, and it would have been really cool to see Aang exploring non-bending skills. We don't need Guru Pathik to explicitly name energy-bending here, but I would like to connect him just a touch more strongly to chi-blocking. Like, he IS connected already by helping Aang clear chakras, which is kind of like a reverse of chi-blocking, but it would be nice to establish Guru Pathik as somewhat capable of the opposite but perhaps not liking to use the skill.

Aang really vibes with this dying culture of pacifists, but he still has to leave Guru Pathik before he can finish the training. Later on, he can encounter Guru Pathik and the silent lion turtle again, and he can confess to them how desperately he doesn't want to have to kill anyone, no matter what his past lives say. He just wants to STOP the violence and restore balance to the world without sacrificing himself. And THEN the lion turtle could wake up and gift him with energy-bending.

Or something like that! The foreshadowing doesn't have to be THAT heavy-handed, but SOME brief appearance by an actual lion turtle would have served as a better "Step 2) Pattern" to me.

Things like chi-blocking, chakras, water-bending healing, water-benders losing their bending when the Moon Spirit was killed, and even Zuko's spiritual turmoil serve as a good "Step 1) Introduction" to the concept of energy-bending to me. The ingredients are THERE. But again, I would have liked some clearer "Step 2) Pattern" that had actually baked the cake in regards to this being a skill Aang had specifically.

The above episode concept with Guru Pathik on the back of a lion turtle could have worked as a "Step 2) Pattern / Reminder" for energy-bending.

ANOTHER option would be to have Aang temporarily lose his bending at the beginning of Book 3, after Katara resurrects him with that special spirit water after Azula killed him at the end of Book 2.

I think Aang losing his bending for at least 3-4 episodes would have been really good for him / the show. So much of Aang's identity is tied up at this point in being the Avatar and the responsibilities of being the Avatar. Losing his bending, especially his AIR-BENDING, and his connection to the spirit world and his past lives would send him into a personal crisis. The Gaang could worry over whether or not a new Avatar has somehow been born or if the Avatar powers are gone forever. The characters could confront the fact that perhaps they've been relying too much on Aang as the Avatar and what they'll do now without the Avatar.

Also, it would be really funny if Aang woke up and picked up his glider to jump off that boat, then just fell into the ocean, and Katara needed to fish him out. (Which would then transition into the dramatic revelation that he has lost his bending!!!)

Katara could use her healing abilities to tell Aang that what's happened to him feels a lot like Ty Lee's chi-blocking. Katara would then probably try to emphasize with Aang, who gets angry with her and says she has no idea what this feels like! Katara could then have a really good intimate scene with Aang over how scary it was when the Moon Spirit was killed, what it physically felt like to lose that spiritual connection, and how scared she was even afterwards about what it would have been like to permanently lose that connection to her people and her culture. Aang then apologizes to Katara and they resolve to find his bending again.

Aang then goes on some spiritual journey with his friends to reconnect with his bending and his past lives as the Avatar. Probably some partially internal spiritual journey with Guru Pathik's teachings. Katara and Toph could both talk about what bending means to them personally as different people, and also what it feels like to them as they interact with the elements of the world around them.

Aang could have some cool fight scenes where he dodges some random thugs using all of his bending skills (martial arts) without the actual bending, air-bending techniques, water-bending techniques, and earth-bending techniques, and then finally some chi-blocking techniques that Guru Pathik showed him. There could be some scene where Aang saves a kid from these random thugs and realizes that he can still do good in the world even if he's not the Avatar! Even if he's not a bender anymore!

There could also be some REALLY funny scenes of Aang trying to get Appa and Momo to teach him how to reconnect with his air-bending. Aang mimicking their movements and so on. (Sokka: "Is that... working so far, buddy?" Aang: "NO! They're terrible teachers!!!" Cue sad Appa bleating and offended Momo chittering.)

You could even do it in a cycle of sorts, where Aang reconnects with his air-bending first using Guru Pathik's teachings and his friends' help. (He is OVERJOYED.) And then Aang slowly regains water-bending and earth-bending over the next few episodes, culminating in him having to face his fears learning fire-bending again. I think you could accomplish this storyline by squeezing it into about 3-4 episodes, or else starting off with losing then regaining air-bending plus the Avatar state in the first 2 episodes of the season and then threading relearning the other elements in the background through later episodes.

ANOTHER option where Aang temporarily loses his bending is after the eclipse, because he has a spiritual crisis over the fact that he was resolved to kill someone and he really doesn't want to do that. I don't like this option so much because it feels a little too late in the season compared to kicking off Book 3 with the drama of Aang losing his bending(!!!), but it's an option.

See, if Aang temporarily loses his bending and has to find it again somehow, then the show could establish what this kind "energy-bending" and spiritual manipulation within a person looks like. If Aang has had to get his bending BACK, then it would better establish Aang then using this ability he has now practiced on himself to take bending away from another person. It's a pleasantly surprising twist that Aang figures out how to reverse a previously established energy-bending technique and successfully uses it against Ozai.

And then the ending, though arguably still in the realm of a Deus Ex Machina (which is cool), would feel more like "Step 3) Payoff" instead of "What just happened?" We needed to see more obviously that Aang was capable of ANY kind of energy-bending before it saved the day like that.

Anyway! This post became way longer than originally intended! I hope this has made it clear that I like both the lion turtles and energy-bending as concepts. I think there are many elements in the show that begin to introduce lion turtles and energy-bending as Aang uses it as things that COULD exist. I just think that the show needed some kind of additional baking step in the middle to establish a pattern and use those ingredients to foreshadow that specific "an ancient lion turtle teaches Aang energy-bending and Aang then uses it against someone else" ending.

[fishyfishyfishtimes]

What Is and Isn't a Fish: a List

A list of the animals I discussed in my fish essay, but for those who don't want to scroll through paragraphs of text to find out if an animal is or isn't a fish. Just CTRL+F your way through here!

I'll add onto here more animals whenever I get asked about them being fish. See my fish essay here!

Some notes before you proceed:

Yes, all tetrapods are fish! We are phylogenetically fish, as we are and our ancestors were lobe-finned fish! "Fish" in the phylogenetic sense is a paraphyletic group if you try to exclude tetrapods, so it is frankly impossible.

How come tetrapods aren't listed as fish then? Long answer, read my essay. Short answer, me and other fish accounts tend to operate on the morphological definition of fish, so does most of the world. Here I use the morphological definition of "fish".

Fish:

Jawless fish

Hagfish

Lamprey

Cartilaginous fish

Sharks

Dogfish

Whale shark

Chimaeras/Chimeras/Ghost sharks

Ratfish

Ray

Stingray

Skate

Ray-finned fish

Teleosts

Catfish

Eels

Moray eel

Seahorse

Sea dragon

Lobe-finned fish

Coelacanth

Lungfish

Not Fish:

Crustaceans

Krill

Shrimp

Crab

Crayfish/Crawfish/Crawdad

Lobster

Spiny lobster

Triops

Mantis shrimp

Barnacle

Isopod

Copepod

Shellfish

Mollusks/Molluscs

Gastropods

Sea snail

Sea slug

Snails and slugs in general

Sea angel

Sea hare

Sea bunny

Cephalopods

Octopus

Squid

Cuttlefish

Nautilus

Inkfish

Bivalves

Clam

Mussel

Scallop

Oyster

Chiton

Chelicerates

Horseshoe crab

Sea spider

Water mite

Diving bell spider

Cnidarians

Jellyfish/Sea jelly/Jelly

Coral

Sea anemone/Anemone

Siphonophores

Portugese man o' war

Echinoderms

Sea cucumber

Sea pig

Feather star

Sand dollar

Sea biscuit

Sea cookie

Brittle star/Serpent star

Sea urchin

Starfish/Sea star

Comb jelly

Lancelet

Tunicates

Sea squirt

Salp

Annelids

Bristle worm

Bobbit worm

Spoon worm

Giant tube worm

Bone-eating worm

Sea mouse/Sea mice

Feather duster worm

Christmas tree worm

Leech

Flatworm

Amphibians

Salamander

Amphiuma

Mudpuppy/Mud puppy

Waterdog

Olm

Axolotl

Siren

Frog

Toad

Tadpole

Caecilian

Reptiles

Sea snake

Water snake

Snakes in general

Sea krait

Turtle

Snapping turtle

Softshell turtle

Sea turtle

Terrapin

Marine iguana

Crocodilian

Crocodile

Alligator

Caiman

Gharial

Bird

Penguin

Seagull

Loon

Swan

Mammals

Whale

Orca

Baleen whale

Toothed whale

Dolphin

River dolphin

Porpoise

Narwhal

Beluga whale

Sperm whale

Pinniped

Seal

Sea lion

Leopard seal

Elephant seal

Walrus

Sirenian

Manatee

Sea cow

Dugong

Otter

Sea otter

Beaver

Hippo

Platypus

Muskrat

Water shrew

[mathmodder]

Ocean Life Mod by MathModder (In Progress)

What you need to know:

This mod seamlessly integrates oceanic creatures into your game map, spawning naturally in the vast expanse of the ocean. Featuring Whales, Dolphins, Sharks, Seals, and various accompanying effects, the experience is enhanced as some animals gracefully breach the water's surface while others elegantly swim near the shore.

How do I make them appear in the ocean?

If your world already has the sailing boat effect like in Sunset Valley, they will appear naturally, spawning little by little without crowding your ocean.

For worlds that don't have this effect, you may be adding the "sailboats" effect to the CAW to make them appear.

There is another way you can do it without needing to go to CAW, which I will explain in a soon-to-be-released video, so in your save you can manually place it without having to edit the world.

How many files will there be?

Will be a maximum of 2 to 3 files.

It is worth mentioning that some files maybe will need to be placed in the Overrides folder and others in the Packages folder, they will all be specified at launch.

Is this mod compatible with other effect mods?

Yes, it will be compatible.

Bugs:

Animals always spawn at sea level. In case your city is very flat in relation to sea level, some whales might occasionally leap high and appear on land, but this seldom happens as land surfaces in worlds are usually a few meters above sea level.

Release date:

Early January 2024 Early Access for Patreons December 2023

Here is the list of animals and other effects that will be included in the mod:

Kraken (From Island Paradise Expansion Pack)

Sharks (From Island Paradise Expansion Pack)

Great White Shark

Tiger Shark

Lemon Shark

Whale Shark

Hammerhead Shark

School of fish

Humpback Whale

Dolphin

Beluga

Manta Ray

Seal

Sea lion

Sea Turtle

Sperm Whale

Salt Water Alligator

Pilot Whale

Sting Ray

Reef Shark

Narwhal

Killer Whale "Orca"

Sail boats

Water buoy

All the submerged fish from diving spots from the Island Paradise Expansion Pack will appear in the shallow waters near the shore

Want to support? Be a Patreon and get Early Access! Math Modder | The Sims 3 Mods and MO-MO-MORE! | Patreon

If you have any questions, leave them in the comments and I will add them to this post!

[hotheadedhero]

Hi! I was wondering if I can request bayverse Donatello where he finally manages to have enough courage to ask out reader but because he took to long reader is already dating someone? I want the angstiest angst that you can make 😇 also can it be like a one shot?

AN: Oh, honey, you're singing my tune. Had to consult with my angstiest of demons for this one, so I hope it succeeds 😜 (Love your pfp btw <3)

Consequence of Dilatory Behaviour

Donatello x Reader

Warnings: angst

If anyone were to ask Donatello why he loves you, he wouldn’t know how to answer. At least, his words wouldn’t do him justice. The answer he could try and provide wouldn’t come close to demonstrating those reasons. You just seem to radiate this celestial vibrancy everywhere you go, and his calculative mind sits on pause just long enough for him to bask in this full-body wonder that comes with your presence. Day in, day out, you’re an entity with his heart on hold. 

This is why he commits any energy he has spare to making you happy. He wants you to experience the same joy he gets when you do as little as enter a room. He almost makes it his mission to get a good laugh out of you and when he makes you laugh louder than anyone else, he gets this sense of accomplishment. Either he’s imagining it or you genuinely find him that funny. In hindsight, you do share a similar humour. You share a special bond altogether. It’s how and why you’ve always been regarded as a coordinated duo straight from the get-go. Wash and Zoe. Vision and Wanda. Mulder and Scully. Wall-E and Eve. Much like some of these couplets, he desires to move past friendship and onto something more. He only wishes he had the grit to speak on it.

Donnie can’t even blame the situation on being a thinker. Yes, that’s true but he’s still proven to be a man of action. He was the first of his brothers to dive out of that plane without a chute. He blindly tested mutagen on himself without thinking about its ramifications. There have been so many near-death experiences that he’s willfully jumped into and, yet, this is the one instance that he can’t. Any time he entertains the idea, a nameless force pulls him back into a chokehold.

He’s living up to the stereotype that turtles are slow-moving. Slow and steady wins the race? Seems not. It’s hardly a race because he hasn’t even started running yet. This is a solo song he’s been singing to himself for the last year, which sounds unpleasant - hence why he never attempts to put it into words - but that couldn’t be further from the truth. You’ve given him so much without realising it: the gut of a lion, the tranquillity of ocean shores, the ease of being someone he can be around without any worries.

To put it simply, you’re poetry in motion. He’s always been a fan of literature but poetry has become a lot more appealing since you’ve been around. He still can’t quite explain why it is as magnificent as it is, why it feels like there’s something hidden deep beneath it that he hasn’t yet discovered. There are just so many beautiful intricacies to these words and how they paint pictures that illustrate the writer’s feelings. He spends some of his nights trying to put his own verses together, taking this inspiration and running with it in his mind, such as how you’re the comfort of dusk adorning the captivating light of a sunrise. Perhaps it’s best to leave it to the professionals.

One famous poet in particular has caught his attention the most. When he thinks of you, he thinks of a quote by Alfred Lord Tennyson, ‘If I had a flower for every time I thought of you, I could walk in my garden forever’. He can’t manifest this into reality and prove it, however, which is why he chose to make a flower out of spare metals. A garden can’t continue for eternity but a flower made out of unperishable materials can at least live close to such; something to personify his endless love for you.

An argument might be made that he’s obsessed and maybe he is. Or, less obsessed and more so enchanted to the point of devotion. Maybe he’s a hopeless romantic at heart. Although, he’s beginning to think it isn’t hopeless after all. As of late, your hand lingers on his arm just a moment longer than it normally would. You laugh with a more elongated chime. When you make eye contact, there’s this lazed glassiness that makes him warm all over.

You seem to be a lot merrier. Donatello has always revered you as a bright spirit but you’re extraordinarily more animated than usual. Whatever it is that has you so additionally elated recently, he’s become gluttonous for it. It feels selfish to be indirectly reaping the benefits of your happiness but he finds himself unable to help it, nor can he stop it. You always enrapture him with everything you do and this brilliant ray of sunshine you emit has him drawn in like a moth to a flame. His rose-tinted glasses have him convinced that it has something to do with him, so naturally he has to fly closer.

That’s right. After months of pining, he’s finally going to shoot his shot. First, he wants to add some final touches to the flower he’s made. It isn’t all that big - probably as tall as the width of his hand. All he’s had at his disposal is whatever he found lying around the sewer, so he’s put the effort into making it look as pretty as possible. Contrary to belief and despite his anatomy, he’s actually incredibly delicate with his touch. He has to be with the kind of work he does. The last little details are proudly set and, like clockwork, you come bounding into the lair and head straight for him. He’s quick to hide it in his pocket before you have a chance to see.

And as you stand opposite one another, you both blurt out, “I’ve got something to tell you,” in unison, Donnie somberly, you energetically.

The two of you laugh at each other and call a jinx before laughing again. Your elasticated smile makes the turtle’s face hurt with one of his own. What could possibly have you so fidgety with positive hysteria? He supposes he’s bubbling with a frenzy himself but he’s intrigued to find out why you’ve come storming into the lair.

“You go first,” he offers.

“Okay, okay, so I didn’t want to say anything just in case it didn’t work out but I’ve been seeing someone,” you ramble ecstatically. You only stop for a dramatic pause, to catch your breath, before excitedly proclaiming, “And now we’re dating!”

Seeing someone. Dating. The words make it to Donatello’s ears but the reality is that he’s now drifting. White noise blares so loudly that everything starts ringing. He can hear every breath that passes through his lungs, every beat of his hurting heart as it plummets to his stomach. His eyes shift out of focus and even you in all your magnificence disappear for the first time since he’s known you.

To be dilatory is to be slow to act. So absorbed in his procrastination, he failed to see this creeping possibility until it unveiled itself to him at the last second - the second he finally gained the courage to speak out. In this same second, he realises the source of your upscaled mood. Of course. That makes so much sense. More sense than him believing it had anything to do with him.

“No need to be so shocked,” he hears your voice again, followed by a laugh. “I’m not that undatable.”

“No, no! It’s not- no, just-” There might as well be an earthquake with how much his lips are trembling. He tries to catch himself before he falls, before you can catch onto the source of his stuttered mumbling. Donnie sucks in a breath along with a laugh in a futile attempt to lighten up. “I’m just surprised you kept it a secret this whole time.”

Your eyes shine up at him with your smile, so brightly that it stings his vision rather than enlightening him as it usually would. “I wasn’t going to take that chance and jinx it.”

“Congrats," he manages to breathe out. "I really am happy for you."

“That means a lot to me, D. Thank you.” Your fingers land on his forearm and he tries to keep it from shaking. Luckily, you pull away before his muscles convulse and wave your hands up. “But that’s enough about me. What was it you wanted to say?”

His hand clenches in his pocket and he can feel the flower’s metal creaking against his tendons. It wouldn’t be fair to say anything now. He could live with risking rejection because you could still be friends. He would have spoken his peace and things would resume as normal. Now? It only stands the chance of making things awkward. There’s no point in trying to dismiss your question either. He’ll only make himself seem suspicious and you’ll badger him for information. You have your ways and, unfortunately, he has a hard time keeping things from you when you get investigative.

Donatello pushes the middle of his glasses closer to his face and discourages your curiosity with a warm, trusty smile. “It’s not nearly as exciting as your news but I found a website for that movie you wanted to watch.”

“That’s great!” It seems you’ve taken the bait. “We can watch it tomorrow?” Your hands clasp together and you blink up at him sweetly. “I just wanted to give the news quickly before my next date tonight.”

“Sure. Have fun, okay?”

You nod intermittently and give him a quick peck on the cheek before darting off. As you take your leave, every step feels like a manifestation of you getting further away from him. It isn't as though you're disappearing from his life but you might as well be. He just can’t seem to get a hold of himself. How did the last couple minutes of conversation beat him down so much? How could he have been so foolish to let you slip through his fingers like this? If he were more straightforward, brazen, or charismatic as his brothers, he wouldn’t have dawdled on the idea. He would have just gone for it. He would have taken action. This could have been different. You could have been his. Or, at least, he could have let his mind be rid of these thoughts.

He takes the small flower out of its hiding place, now misshapen from being cramped up in his pocket and his deathly clutch. It still holds its meaning. His love for you shall remain eternal. The only difference now is that this undying love comes from a broken heart, missing pieces and bent out of place just like the little flower. The idea of throwing it away is marginally tempting but he’d feel too guilty, as if he was trying to throw you away. He couldn’t do that even if he wanted to. Even if would guarantee easing his heavy chest, he still couldn’t do it. You mean too much to him. You always will.

Instead, he gently places it on his desk where it will forever remain to collect dust.  Tennyson comes to mind once again with his arguably most famous quote of all, ‘Tis better to have loved and lost than never to have loved at all.’ He would like to take consolation in these words but it isn’t as though he had the proper chance to love you or show such. The rug was swept away from him before he even set foot. 

Donatello slowly descends onto his chair, staring at the flower, and in this moment, he thinks he understands the dark underlays in all of those poems he’s read. He reckons that the layer of mystery he was so fascinated by has finally revealed itself to him. His eyes fall shut and his head rests back, and he allows the silence to swallow him whole as he solely expresses to himself and only himself as he has always done this whole time.

Love breaches the stronghold of man’s chest, but melancholy is the derisive sensation of emptiness that comes with knowing this love has nowhere to go.