#i want all of their differences and visual traits to be things that they would find more prominent

[rxttenfish]

one of the things that particularly pisses me off about art discussions, either in how nowadays everything has to aim for more and more realism in art styles and even live action to be seen as "real art", and in dismissing more abstract styles of artwork as not "real art" and having no inherent worth, is that they explicitly do not consider realism an art style either. to them, realism is just a given of "good" art, not chosen but rather just default. which i hate, because you CAN pick realism as an intentional style and a purposeful choice to suit a narrative, and all this results in is no one noticing or understanding why you made that choice or why that choice works better than any other possible choice to tell the story you want to tell.

[ponett]

Do you have any advice for people making OCs/sonas? Yours are really well rounded and unique and I'd greatly appreciate the insight of someone who got a passion project off the ground!

So this is a very broad topic, and it varies a lot based on your own creative goals, what kind of characters you're creating, and where you want to use them. Creating an OC to be used in furry pinups is a little different than creating one for a dramatic story. But I'll try to give some general advice on how I do things for the types of characters and stories I tend to work with

Heads up: this will be kinda long lol

The germ of an idea

For me, I'll generally be inspired to create a character starting with a small number of core traits. These could be anything. A color scheme, a body type, a job, a hobby, a personality archetype, an outfit, a visual motif, a functional role in a story I'm working on, a noteworthy facial feature, a weapon, a relationship of some sort to an existing character, a single scene or joke I want to use them for. For furries and fantasy characters, species is usually one of the first things I'll have an idea for, which tends to get the ball rolling fairly easily since we have all sorts of cultural associations with different animals and fantasy creatures.

Any standout character trait like this that you find compelling can serve as that initial spark. The inspiration can come from anywhere, but it's often just a matter of knowing yourself and your own tastes. What do you like? What are the people in your life like? What really speaks to you in a character? What's an existing fictional character that you'd like to rewrite and take in a different direction? What's an aspect of yourself that you would like to see represented more often in fiction? It doesn't have to be something super deep or fleshed out right from the start, though. You can start with something as simple as "I want a black cat character" or "I want a character who dresses like an arcade carpet" or "I want a character who looks scary but is actually nice." Whatever it is, it's something that differentiates the new character from the ones I already have, because otherwise I'd just be using them.

Contrast

From there, you can start brainstorming other traits that might go with those core traits. Some of those may be traits that naturally complement each other. Continuing with the black cat example, maybe you wanna play into the common cultural perception of black cats and say that this character brings bad luck, or is associated with witchcraft. However, I often like to give characters contrasting or even seemingly contradictory traits, which can help elevate a character beyond a stock archetype. Real people tend to be a walking ball of contradictions, after all.

I've talked a lot about how I did this with the main cast of SLARPG. Melody is a fox, traditionally a crafty and untrustworthy predator, but she's extremely introverted and gentle. Allison is a bunny, but instead of being a meek and cuddly little prey animal she's an outgoing fighter who loves a challenge, and she has a muscular build. I think this kind of thing gives characters some fun flavor, and can be really effective for both comedy and drama. For an example from something I didn't write, take Senshi from Dungeon Meshi. He's a dwarf, and he embodies certain stereotypical aspects of dwarves - he's a short, buff man with a big bushy beard, he lives underground, he's stubborn and doesn't like elven magic - but he also goes against some of them. Instead of being an expert on mining and blacksmithing, Senshi is a culinary expert who has a deep appreciation for the natural ecosystem of the dungeon. He's a weirdo among dwarves for not caring about the wellbeing of his axe and for using his super awesome shield primarily as a giant wok. And that's what makes Senshi fun and interesting.

So going back to our example, instead of going with the stereotype, we could make a black cat character who has comically good luck, or who's superstitious and afraid of witchcraft, or who's an extremely rational person who always believes in science over superstition. Or maybe you roll with the bad luck angle, but instead make the black cat be the victim of their own bad luck in some interesting way. Maybe this black cat has terrible luck with love and can't hold down a relationship. Maybe this black cat is an aspiring speedrunner who consistently gets the absolute worst RNG possible in every video game due to their own bad luck. Maybe this black cat has accrued a horrendous gambling debt after a long losing streak and has loan sharks coming after them.

These are all just hypothetical examples, of course. I don't exclusively make characters with ironic contradictions like this. The idea is just to build on those core traits you started with in interesting ways, and that's one of my favorite ways to do so. But honestly, a lot of the time execution is more important than the sheer originality of an idea, and sometimes really putting your all into playing a trope you love straight is the right move.

Specificity

Regardless of what direction I take a character in past that initial seed of an idea, the key ingredient tends to be specificity. To give them specific details beyond the most stock possible version of that core idea you started with.

This is something I internalized from Tim Schafer, via a blog post in the behind-the-scenes backer material for Broken Age. Sadly I'm not sure if that stuff is still available, but I did save this particular post about creating characters since it really helped me, so I'll directly quote a chunk of that post here:

No two characters would approach a problem or react to events in the same way. At least, not if you’ve designed the characters well. If you’ve left them too vague or superficial, if they are merely functional elements in your story instead of individuals, then they might react in the same way. And that’s a problem. So to avoid that, I’m going to talk about one the most important parts of character development: specificity. Making sure your character is a specific individual, not a stereotype. A unique character, different from anyone else in the world. It doesn’t mean that they have to have wacky gimmicks, eyepatches and crazy accents. It just means they have to be specific. For example, let's create a new character. Let's say your story has a scene where your main character gets in trouble in school. So you’re probably going to need a school teacher. Imagine a school teacher for a bit. Do you see her in a little red schoolhouse? Maybe a bun in her hair? An apple on her desk? Thick black glasses? Let’s put a ruler in her hand for good measure. Done! We have our teacher character. She’s ready to be in the scene where our hero goes to school and the teacher sends her to the principal’s office for passing notes. Right? I mean, this character doesn’t have too many lines, so why develop her character any more? The problem is that this teacher is a very shallow stereotype of a teacher. She has no specific attributes that make her memorable. She’s the teacher you would get in a set of free clip art. She might not have many lines, but if all your supporting characters are this way, your story will be more bland than it should be. Even if this teacher is only onscreen for a minute, she should be unique and different from any other teacher in the world. Luckily, it's not actually that hard to make her so. You just have to ask some very basic, specific questions.

Tim goes on to explain how simple exercises like filling out character sheets with basic questions about your character (there are a million of these online) can help push a character beyond a stock archetype, even if it's a minor supporting character. Questions about where they're from, their likes and dislikes, their beliefs, their goals in life, that sort of thing. For minor characters especially, a lot of these details may never actually come up in a story, but just asking even a few of these questions and giving them specific answers helps you see them less like an archetype and more like a real person in your head. Maybe you never bring up your character's backstory or their favorite sport or what kind of music they listen to, but just having a specific answer for questions like that might help color the way you depict that character in subtle ways. It makes it feel like they aren't defined by just that one core trait you started with, and helps make the characters and world feel more alive, like there's stuff going on with them beyond the bounds of the story or the drawing.

It's a careful balancing act, though. It's easy for a character to feel like they're a collection of too many unrelated gimmicks and quirks. Again, like Tim said, these specifics don't have to make for the craziest, most original character ever, there just has to be something there.

Let's go back to SLARPG as an example, where I combined broad character archetypes I liked with more specific personal elements that I felt like I wasn't seeing enough in the fiction I liked. Melody is riffing on the common idea of the reserved healer character in the RPG or MMO party and the shy girl archetype, but she's the main hero instead of a supporting player in another person's story, and she's also a fat bisexual trans woman who draws a lot of little details from my own life. Her interests, her relationships, her opinions on things, her personal hangups and dreams, these all set Melody apart from other fantasy healer characters and define her as Melody Amaranth. Specificity!

But it doesn't always have to be super deep, especially if you just want some characters to draw for fun and aren't planning on writing a story with them. Take my fursona. I've always loved dogs, so I made my fursona a dog. I chose a Samoyed in particular because I think Samoyeds are the cutest, and I hadn't seen hardly any anthro Samoyed OCs at the time. I leaned into the breed's signature fluffiness to help my fursona stand out from other canine OCs. She has simple identifying traits like being fat like me, wearing glasses like mine, and having a hairstyle kinda like mine (when I tied my hair up in a bun, at least). And there you go. Fursona achieved. She's not a wildly high concept character, but she doesn't need to be

Anyway I realize that this is mostly about the writing aspect, so here's a few quick bullet points about designing a character's appearance:

Face and body type variety are good, but personally I would say lack of body type variety is worse than same face syndrome

Knowing some stuff about shape language is good, but you don't have to be completely beholden to the "circles are friendly, squares are sturdy, triangles are scary" shit. I'm generally more interested in using repeated shaping in different parts of a character's design as sort of a shape motif. Melody's body, hair, and tail are all made of round, swooping shapes, for example. (This is more applicable if you're designing cartoonier characters as opposed to realistic humans, obviously.)

Knowing some basics of color theory is also good. I like using complementary and contiguous color schemes on characters and generally try not to use too many distinct colors on one design. Black and white and grey and various browns are good as neutral colors to balance out the colors of the rainbow, and gold can be a nice accent color

A small handful of identifying accessories can be fun, but don't rely on those to make a design stand out. Ideally your character should still be identifiable even when not wearing their default outfit, or even in silhouette

Aaaaaand I'm gonna call it a wrap there! This is a huge topic, so hopefully this helps with at least some of the basics! At the end of the day, though, don't beat yourself up if you can't sit down and force yourself to come up with the most crazy awesome OC ever. Just have fun and be yourself!

[sboochi]

Listen, I like the idea of human!Star as much as the next person, but that's the point. I like the idea in my head.

To be honest, if this was the direction the creative team had gone with, I probably wouldn't enjoy it to this level. So it can stay in my head.

Anyway, I liked the movie! More opinions down below.

People are acting like it's the biggest disgrace ever happened to the animation industry and it feels..... so over-dramatic?? The movie isn't perfect, of course, but chill, have y'all forgotten about the emoji movie???

Also reading some people's comments feels like they don't want anyone to enjoy the movie, which sucks. I mean, I checked the tag here and it was An Experience.

Personally I liked:

Asha's little friend group! "But they don't have a real personality" boohoo the httyd and big hero 6 gangs didn't have more than 1 trait and nobody ever complained this much

The visuals were gorgeous. I guess this is personal taste but I LOVED the watercolor-esque backgrounds

I liked the songs, especially At all costs and This wish. I don't have a problem with the lyrics because I haven't listened to the soundtrack in English, but I've never really cared about lyrics anyway

Magnifico was a delight (evil arc my beloved)

There are a few things I would have handled differently, but again, it's taste:

Please let us have a protagonist with a very different personality from the usual Disney Heroine. Give me shy, give me nerd, give me sassy

I was hoping the queen's decision to side with Asha would be harder to make. I would have showed her struggle with her love for Magnifico and her people, I want the d r a m a

Poor Asha's mom deserved better

I know it's frustrating seeing all this negativity, but I think it'll die down with time. People were shitting on Moana and Zootopia too, at first. Hating this movie with passion is just the latest trendy opinion (you know those. You've probably seen them on tiktok)

(Please note I'm only talking about Wish. The "Disney the company" topic is too big for one post)

TLDR Wish isn't perfect, people just like to be mean. You're allowed to like it, whether others agree or not

[mauesartetc]

A while back I got a comment that demonstrated a misconception as to what the character design process actually entails, and I thought it had real "teachable moment" potential. So let me make this perfectly clear:

Drawing a character is NOT the same as designing one.

Let's say I wanted to draw a guy. No backstory, no defined personality traits or preferences, no details about his current life, just doodling some random, generic guy who popped into my head.

That's just a drawing.

But what if I decided to flesh him out more? What if I wanted his appearance to reflect his lifestyle and inner life as well? Here's where the note-taking comes in.

And now for the visual research:

I thought the bodybuilding angle would provide a fun contrast with this guy's profession. The mental image of a huge, burly dude working on a clock or watch with tiny, precise movements just makes me smile. Perhaps I could give him small, nimble hands that would suit his line of work.

Now that I have a better idea of how Mikhail's face and body will look, it's time to establish a pose.

Of course, I never expected to employ all the personality traits I started out with inside this single pose; those were just a jumping-off point. No one drawing will ever be able to encapsulate every single facet of a character, unless they're extraordinarily flat and generic (see also: random guy I doodled at the start of this post). If I wanted to write a story with this guy, I'd have to figure out how all the traits play off each other and how they'd cause him to react to different situations. There would be a lot more note-taking and development involved, but for the sake of keeping this post (somewhat) brief, let's just focus on visuals for now.

On to color!

I decided to give Mikhail a carnation in his pocket (for its round shape), specifically a red one, which represents deep love and an aching heart. Thus, the flower needed to maintain its red color for the symbolism to come through.

For some reason I initially pictured this guy wearing a pink shirt (perhaps as an offshoot of the "romantic" angle), but I wanted to try some different colors inspired by the 70s catalog pages I found. I ended up really liking the contrast of the cool blue shirt with the warm red pants, and that option made it into my top three as a result. I lined them up next to each other to compare them, and in the end, blue won out over pink. I think it also reflects the "colder", more cerebral, less-emotional parts of his personality well (namely "systematic", "stern", and "callous"- one from each column!). Just goes to show that you shouldn't get too attached to your first draft, as better ideas are just around the corner.

I then lightened the blue of the shirt so it wouldn't compete so much with the rest of the outfit, and wouldn't be quite as loud and "in your face". Mikhail strikes me as a bit of an introvert, so the calmer, quieter blue is a better fit. I added a darker belt and watchband and de-saturated the flower just a bit to make the values feel more balanced, and I think we've got it!

Let's see the final result!

Y'all, I was not expecting this process to make me emotional, but there's something special about fully realizing a little guy you've spent hours working on. All of a sudden you look at him and go, "Oh my god, there he is. That's him." This man wasn't even a twinkle in my eye a couple weeks ago and now I'd protect him with my life.

And the thing is, the only reason I'm calling this design "done" for now is that I basically just brought it into existence to make a point. But if this dude were attached to a larger story, he'd be nowhere near finished. I'd have to make a ton more iterations and go a lot more in depth with my research than I did (especially with the Armenian cultural stuff). Overall, though, I hope this quick project properly highlighted the difference between a single drawing and a more fleshed-out character.

Later!

[ozzgin]

I can't get your yakuza headcanons out of my mind, Daitou's got me in a chokehold and I'm not complaining, like--

in regards to that doodle you made to show height difference between reader and the boys [I love your art btw (●♡∀♡)] - I can't picture myself in reader's style, I'm currently going through my goth phase in my 20s lmao; picture a big bitch with tattoos and messy hair who's listening to nothing but 2000s hits and screamo bands - so I'd like to request a headcanon of how Daitou would react to a gender-neutral reader like this :D I also like to incorporate the idea of them once being in a famous band that he's a fan of! (sorry if this seems like a lot, I have a huge imagination hehe)

but if he's more into the cute and helpless type, I'll just walk my ass out the door and yeehaw my way into another yandere's arms ✌😔

That's on me for not drawing the reader inserts as cartoonish cinder blocks :') In truth I'm a little bit embarrassed seeing how many likes that doodle has gotten, it was something I put together in a hurry and the clothing was meant to be baggy, shapeless, with not too many folds for the sake of simplicity. I myself am more of a pilgrim goth, just to emphasize the randomness of the choice.

Drawing reader inserts always leaves me a little anxious. If I use a light shade of gray, will people think I'm excluding poc? Will plus sized readers feel like they've been disregarded? What about masculine readers? As someone who's demiromantic I always struggle taking appearance or gender into consideration, because to me it has no influence whatsoever. Which is hard to express when you want to offer blank slate visuals as an extra to the story.

What I'm trying to say is that all of my characters would like you for who you are. Sure, they find your looks cute, but it's not the defining reason. Maybe you have similar traits to them, maybe you're the complete opposite and they find it intriguing. You could be a buff man and Daitou would be just as grateful to have someone who isn't afraid of him. I usually stick to a female reader for bigger stories to avoid messing it up long term, but in the grand scheme of things it makes no difference. I always imagine reader to be a shapeless blob that provides the dialogue I need for the story mood. There's no concrete preference or type for any of my OCs. I mean, ideally you'd like them back and not hang them upside down above a BBQ pit but I feel these are sensible requirements (?).

And now for the actual headcanons since my ramble is over.

First encounter is comically awkward but for reasons you’re unaware of yet. You’re obviously used to people staring at you (more so in a country like Japan), so you were expecting the curious glance every now and then. On the other hand, being under scrutiny, from a man even more unusual looking than you at that, is odd. Mildly uncomfortable. You’re shifting yourself from one leg to another, hoping to be done with the introductions soon.

On his end, Daitou is anxiously fidgeting and trying his best to focus. He’s seen this face before and he can’t shake off the familiar feeling. Where the hell…He obviously can’t downright gawk at you, and he isn’t sure how to politely formulate a question. After several sheepish peeks, it finally dawns on him: weren’t you part of that band he really likes? No, what would the chances be? Then again, how many people out there would look exactly like you? Is it rude to ask? He has no idea. He resumes his mumbled description of the apartment and hands you the papers to be signed.

Back at his place, he finally digs through his merch and sprawls out the available clues. “I didn’t know you were into this kind of music”, Kazuya comments as he looks over the man’s shoulder. He’d come over to ask about the new tenant. “I’m pretty sure it’s them.” He concludes, confidently placing his index over a CD cover. “Huh? Who? The tenant?” Kazuya holds back his chuckle. “Why would a celebrity show up for a shady apartment offer? You’re tripping, man.”

“I’m sorry, this is getting ridiculous.” You finally exclaim, annoyed by the persistent stares of the now two men facing you. You’re standing in front of the apartment building, arms crossed, huffing at the tall scarred man and his blonde friend. “No, I’m sure of it. Even the tattoo is the same.” Daitou turns to whisper to Kazuya, oblivious to your complaints. In turn, Kazuya lightly elbows him, mouthing something about being rude. “Just ask them, man.” He adds, this time louder. “Ask me what??” You groan. “W-were you…um…in this band by any chance?” Daitou manages to blurt out, searching his pocket for the CD case and ceremoniously laying it under your eyes.

Ah. It finally clicks and you exhale, relieved. You confirm their suspicions and show them some backstage photos to solidify your claim. You ask Daitou if he wants an autograph or something, then swiftly scribble your signature on a piece of paper and hand it out to him. He holds it with a wide, childish grin. “You’re a weird one, you know? You could’ve just asked. I guess I didn’t expect to find a fan in the wild, especially here.” Daitou carefully folds the souvenir, eyes lidded with nostalgia. “Oh yes, it’s great. Drowns out the screams.”

[sabahs-stuff]

Manifest appearance change. (Weight loss/gain)

(Success story)

❏First and foremost, Yeah, I know you shouldn't let go of your manifestation. Like detaching from your manifestation bla bla..

However, I have noticed that actively affirming appearance change is difficult for me because I love looking at my reflection in the mirror all the time. And I've to constantly remind myself to affirm. Every time I affirm, one of my inner voices started stating the opposite.

I weighed 47kg (I'm 5'3; I know it's the ideal weight, but I wanted to gain a little more). It was difficult for me to eat more. I believe it was about April 14 or 15. I decided to quit trying to eat more. I started to joke that I was gaining weight without eating,"are u kidding me? I'm eating nothing and also skipping dinner these days, so how tf am I gaining weight?" Some of my friends even laughed at me.🙂

Then, out of nowhere, my sister began complaining that I had gained weight, then few days ago I went to the doctor for a checkup, and they also measured my weight, it's 51KG now. Mind you, I skipped a lot of meals and wasn't eating at all. It was during the Mercury retrograde. I was quite depressed and saddened also someone so close to me died. But it took me like 10 days to gain 4kg. If that's not shocking idk what is.

So, this is what I did (•_•)

Reminder : "If you could make yourself believe that you have the exact appearance you desire, it would change"

Every time I ate, I told myself, "I should be dieting." And look at what I'M doing. I should start working out before it's too late. And that is all. Then I didn't even affirm anything during the day, ( I believe that if you make your brain believe that you're prettiest little creature on the planet and your existence is a service to the humanity then that's how it would be. And my toxic trait is that I believe my presence is a blessing to the humanity.😂

every time I looked in the mirror, I said, "Wtf? I'm gaining weight . "Shit, I need to diet." And trust me when I tell you at that exact moment your brain is going send you a thought "Stop lying; you're still skinny bitch"

But don't forget that you get to select what happens in your reality. If your mind wants to offer you lemons, make lemonade.😂

I said, "Yes, that's correct. If I want to lose my weight I need to affirm I'm still skinny" and I kept on saying "I need to lose weight or I'll gain more weight" just tricked my brain into thinking that I'm chubby and attempting to manifest becoming skinny. And I didn't focused on the end goal; I wasn't obsessed with it; I didn't give a damn about it, but whenever I noticed a little change, I freaked out as if something terrible had happened. And believe me when I say I freaked out it was Oscar worthy😂

I Remember, the first thing I noticed was that my arm was looking a bit chubby. I was screaming and even fake crying, 😭 "Damn this is embarrassing, I need to work out, I'm gaining weight." I then searched and downloaded weight loss workouts online.

Trust me I was living the moment 😂. literally living in the end. It was easy at the time because my brain was literally blank. I had no feelings or emotions, so I fed my brain whatever I wanted, and it ate every thought I gave it. I'm happy with my weight now.

I'm now 51kg this is just a photo I saved from Pinterest but this is my Desired type-

Here are some tips:

Your appearance is constantly changing with your affirmations and beliefs. So don't doubt whether this is going to work or not. 

Your manifestation will take time, depending on you and your beliefs.

And about mental health, I would post about it later, but it's important.

The more you visualize, the faster it will become a reality.Visualise everything; literally, everything you want, VISUALIZE 🙌 stay in your head

The amount of things I changed and manifested in my life is crazy; it's different for each person. But it took me a year to fully understand manifestation. So give yourself time. Spend time with yourself; the better you know yourself, the better you'll get in manifestation. Best advice: talk to yourself (in your head, of course, or others would think you're crazy, lol 😹.)  gossip with yourself; if you want to be tall tell yourself that you're tall and stick to it refuse to let go. ✊🏻

Hope you like it. It's my first ever post but clearly not the last 😉 feel free to ask any questions. 🩷

[craigslisthorses]

Hyperkalemic Periodic Paralysis (HYPP)

Breeds with HYPP; Quarter Horses, American Paint Horses, Appaloosas, and Quart Horse Crosses. HYPP "An inherited disease of the muscle, caused by a genetic defect. A mutation in the sodium channel gene. Sodium channels are pores in the muscle cell membrane which control contraction of the muscle fibers. When the defective sodium channel gene is present, the channel becomes “leaky” and makes the muscle overly excitable and contract involuntarily. The channel become “leaky” when potassium levels fluctuate in the blood. This may occur with fasting followed by consumption of a high potassium feed such as alfalfa. Hyperkalemia, which is an excessive amount of potassium in the blood, causes the muscles in the horse to contract more readily than normal. This makes the horse susceptible to sporadic episodes of muscle tremors or paralysis." GENOTYPE HYPP Positive= H/N and H/H

HYPP Negative= HYPP N/N HYPP horses with H/N genotype means they are heterozygous carriers, carrying one copy of the HYPP gene. If you bred a mare who is H/N to a stallion who is N/N, you would have about a 50% chance the foal is H/N as well. However if you bred an H/N mare to an H/N stallion you will have about a 25% chance the foal being N/N, a 50% chance it will be H/N, and a 25% chance it will be H/H. HYPP horses with the H/H genotype means it is homozygous, carrying both copies of the HYPP gene. 100% passing the HYPP gene to it's offspring. I made a thing in case it helps the visual learners out there

IMPRESSIVE (but not really) Let's talk about the QH stallion, Impressive. All horses that have a HYPP positive gene of any kind, all descend from this horse. Impressive sired 2,250 foals and they estimate he has around 50,000 living descendants. No dilution of lineage will remove HYPP, as it is a dominant trait and will show whether you are 5 generations back or 2. HYPP SYMPTOMS HYPP varies in severity, it's not always equal and every horse may have different reactions. HYPP can be confused for tying-up or even colic, they may have difficulty breathing, muscle tremors, sweating, weakness, tremors. In more severe cases the horse may collapse from paralysis of the muscles in the airway and can result in sudden death. Not every horse who is HYPP positive may display symptoms, making this disease sometimes hard to detect. IS IT CURABLE? No. HYPP may be managed with diet and certain medicines for maintenance but it cannot be cured. H/H positive horses have poor prognosis and can be much more difficult to manage. VIDEOS OF HYPP ATTACKS CW: Horses in distress, videos may be hard to watch for some. Video 1 Video 2 Video 3 Video 4 Video 5

Sources (and if you want to read more); AAEP , UCDavis, Tri-State

Is there anything I forgot? Anything to add? Just covering the basics of this disease and what it does to these horses.

[amerricanartwork]

Scavengers!! Which one is your favorite?

But yeah, here's a collection of some (female) scav sketches from the past few days, partly as as general studies of scavenger anatomy (man, I love that Disney anthro anatomy for these things)! Figured I'd try my hand at drawing scavs since I've actually never drawn them seriously before, and practice making/compiling anatomical studies for fictional characters. Quick thanks to @everyscavever, whose posts I used as direct references on scav designs!

And here are some other notes and headcanons for this down below!

In addition to general anatomy, with these sketches I also tried to focus on exploring designs for female scavengers specifically, since the overall scav design always struck me as pretty masculine with the large chests and top-heavy rhythm, and because I haven't seen many more feminine looking scav characters. However, for verisimilitude's sake, a bit of a design challenge, and because I really like the general scav design, I still wanted to keep the overall anatomy/proportions the same and retain that mangy, feral, yet goofy appearance that I find iconic to scavengers!

Thus, I headcanon for females the limb proportions are the same, the horns are slightly smaller and less ornate on average, and the shoulders, though still wider than the hips, are less so compared to males. Otherwise, my depictions of female scavengers likely won't be that visually distinct from the males, besides the more visible eyelashes (which to me, is a design trait simple enough I think I can get away with it on almost any creature with eyes, especially with my relatively cartoony style).

I find the scavenger design pretty nice in this regard, since it's humanoid enough that I feel I can add a bit more human-like sexual dimorphism without it looking too uncanny or too different from the general species design. In contrast, slugcats are so simple and animal-like in their physiology that I feel the most I can do is just draw visible eyelashes when I want a feminine appearance, lest I risk overcomplicating the design or making something that doesn't look believable given the setting and canon slugcat designs. Of all the RW creatures, however, I actually think iterators would have the most human-like sexual dimorphism since they're very humanoid visually, but I headcanon it's for very different reasons that I'll explain later.

But anyway, that was a lot. I hope you like these scav sketches!

[kociamieta]

do you have any character design tips. i’ve always loved character designs but lately i’ve felt like they’ve been lacking interest and life. what are your processes for designing a a character? they always look so lovely and get me intrigued into their story by design alone! love your work so much <33

ahh i wish i had some sort of clear, empirical answer for this!!! i think a big part of it is building up your visual library and finding the things you enjoy drawing (or just seeing in characters).

the closest thing to a process i could think of for myself would be finding something to base the character on - a phrase describing them, or some traits i'd like them to have, or an object/symbol/anything to incorporate in the design.

it's basically a game of association to me. i want someone who's x or y, what could that look like? what would happen if i combined these two together, and so on.

i find that i have the most fun (and enjoy the results the most) when i just let myself be self indulgent, haha. pick a couple of things i enjoy and play with them without overthinking. the angels and star people etc are pretty much just that:

having characters in the same setting allows for some pretty interesting things, too. you have a set of rules to mess around with, other characters to contrast (or not) with another [i think this is why creating fan characters is fun - the rules of a world are already set, now you get to experiment!!].

so, for the example above - all the star people are overdressed, but i wanted to try out something more laid back than a gown or ornate armor. this person still has the same elements the previous two do, just in a different configuration

of course, it's good to draw things outside of your comfort zone, but sometimes focusing on what's fun to you can be a nice source of inspiration. the familiarity makes the whole process easier, and who knows, you might get something new out of it

[blakeswritingimagines]

Kink List With Jamie Drysdale

A = Aftercare (What they’re like after sex)

He's all smiles and warmth. He loves caring for the person he's been with – making sure you’re hydrated, fed, and maybe even cuddling up for a nap together if it’s been a long session. He just feels so good and warm inside after being with you.

B = Body part (Their favourite body part of theirs and also their partner’s)

His favorite body part of his is definitely his legs – He has long, toned legs that he loves to show off. As for a partner, he really loves your eyes. He finds it so enticing and powerful to look into your eyes during sex.

C = Cum (Anything to do with cum basically… I’m a disgusting person)

He usually releases inside of you when you're engaged in lovemaking. He prefers this method as it gives him the opportunity to truly connect with you in a deep and intimate way, while also being satisfying and fulfilling for both of.

D = Dirty Secret (Pretty self explanatory, a dirty secret of theirs)

He has a very kinky side that only a select few know about. He enjoys exploring new things in the bedroom and he has a weakness for power play and light dom/sub dynamics. Even though he's a top athlete, he likes feeling powerless and vulnerable at times, so it's exciting for him to experiment with that in bed.

E = Experience (How experienced are they? Do they know what they’re doing?)

I would say he's pretty experienced in the bedroom. He really enjoys sex, and likes to experiment and try new things. He's had his fair share of experience and he's confident in his skills. But, he's always open to learning more and improving himself. He believes that good sex is all about communication and being comfortable with you.

F = Favourite Position (This goes without saying. Will probably include a visual)

Generally speaking, he's a pretty open-minded person when it comes to sex positions. He enjoys switching things up and exploring different avenues of pleasure. Some other favorite positions of his include prone bone, doggystyle, and modified doggy.

G = Goofy (Are they more serious in the moment, or are they humorous, etc)

More serious at the moment, but he can certainly add some humor if the situation calls for it. He likes to make sure that you are nothing but comfortable and he can lighten the mood by saying something playful or funny if needed.

H = Hair (How well groomed are they, does the carpet match the drapes, etc.)

The carpet matches the drapes perfectly, he likes to keep himself well-groomed and maintained down there, and always makes sure everything is clean and tidy before he gets into bed with anyone.

I = Intimacy (How are they during the moment, romantic aspect…)

He's very much a romantic person at the moment. He loves to hold hands and kiss, he loves to whisper words of affirmation and how much he cares for you and wants you to feel good. He loves to make eye contact and have intimate conversations, he loves the physical closeness and connection. He loves giving attention and affection, it's definitely one of his strongest traits.

J = Jack Off (Masturbation headcanon)

He likes to imagine different scenarios and scenarios with himself or you in order to stimulate his imagination and create an experience if you can't help him out.

K = Kink (One or more of their kinks)

He's a pretty kinky and open-minded person, and he's always open to exploring new things in the bedroom. One of his favorite kinks is definitely being dominant in bed, and he also enjoys incorporating elements of role-play and different power dynamics into his sexual fantasies.

L = Location (Favourite places to do the do)

Anywhere and everywhere, he's not really picky about the location, as long as it's somewhere private and comfortable. Some of his favorite places include the bed, the couch, the shower, or even a little bit of outdoor adventure if you can convince him.

M = Motivation (What turns them on, gets them going)

A lot of things turn him on and get him going - He's a very sensual person, so he's easily aroused by physical touch and physical stimulation. He also really loves it when you are vocal, and he loves the sound of your voice, especially when you're expressing your pleasure. He also gets turned on by visual stimulants - seeing your body and seeing your face as you enjoy what he's doing is always a big turn-on for him.

N = NO (Something they wouldn’t do, turn-offs)

Something he wouldn’t do is engage in anything that involves harm or degrading treatment towards you or himself. I think that’s a pretty hard line for him, and he wouldn’t be able to do it even if it was your fetish. He’d also never want to do something that puts your health or safety at risk.

O = Oral (Preference in giving or receiving, skill, etc)

He's really versatile when it comes to giving or receiving, but he definitely leans more towards giving. He loves being the one who is controlling the action and delivering satisfaction to you. As for skill, he's definitely an enthusiastic and talented lover

P = Pace (Are they fast and rough? Slow and sensual? etc.)

He's actually pretty adaptable – He can be fast and rough when the mood calls for it, but he's also really good at being slow and sensual. It really just depends on the mood and what you want at that moment. He's pretty good at reading people and reading the room, so he's pretty able to switch between these two modes and hit it right each time.

Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.)

Quickies can be hot and exciting, but he definitely prefers proper sex over quickies. Quickies are great for when you're in a hurry or just want to get each other off quickly, but when you have the time and space to explore each other more fully, it's such a different experience. He would never turn down a quickie, but he definitely prefers taking things at a slower pace and really enjoying the process and connecting with you on a deeper level.

R = Risk (Are they game to experiment, do they take risks, etc.)

He's definitely game to experiment - He loves trying new things and pushing boundaries in the bedroom. He's always open to exploring different kinks and play styles, and he's always up for a bit of risk too.

S = Stamina (How many rounds can they go for, how long do they last…)

How many rounds he can go for and how long he lasts can vary a lot, depending on a bunch of factors like his energy level and how excited he is. But I'd say on average, can usually go for around 2-3 rounds, with each round lasting anywhere from 15-30 minutes.

T = Toy (Do they own toys? Do they use them? On a partner or themselves?)

He does own some toys - although he's not really an expert in that department. He definitely uses them on you, and sometimes on himself as well when he's away. In terms of using them on you, he usually incorporates them during foreplay to help you get warmed up or when you want to take things up a notch. For himself, he sometimes uses them to satisfy his own needs when he's feeling a bit more impatient.

U = Unfair (how much they like to tease)

He loves to tease. He really enjoys driving you wild with anticipation and letting you feel like you're slowly going crazy with desire. He loves being the one in control and seeing how much he can push you before you're really begging for him and desperate for release.

V = Volume (How loud they are, what sounds they make)

I'd say it really depends on the situation and the vibes you've got going on. If you were really turning him on and hitting that spot juuuust right, he can be pretty vocal and make some loud sounds. On the other hand, if you're going slower and taking your time, he might be a bit more subdued.

W = Wild Card (Get a random headcanon for the character of your choice)

He really likes it when you tell him how good he is in bed. In a way, it's not that wild, but still, something about it just really drives him wild. It makes him feel so confident and empowered, and the way you say it - just with so much passion and desire - is such a turn-on for him.

X = X-Ray (Let’s see what’s going on in those pants, picture or words)

His cock is 7.5 inches long when fully erect, with a girth of around 4.5 inches at the base and a head that is always leaking precum when he's ready to go. It has a perfect curve and a thickness that only gets more impressive as it stiffens up. The glans are always covered in precum and have a deep vein running down its length. His cum is thick and white

Y = Yearning (How high is their sex drive?)

His sex drive is actually pretty high, probably higher than average. He just really loves having that close, intimate connection with someone and experiencing all the feelings of pleasure that come with it. I'd say he has a pretty active sex life.

Z = ZZZ (… how quickly they fall asleep afterwards)

It depends on the situation, but usually, after you've had sex, he likes to cuddle up with you and stay up for a little bit, just enjoying the closeness and the after-glow of the moment. He finds that it's a nice way to come down from the high of the experience and savor it before finally falling asleep.

[aclassitag]

Announcing Krem Week!

#kremweek2024 — 22-28 July 2024

background art credit: @freischutz [link to original post]

*text prompt list under the readmore

This year will mark 10 years since the release of Dragon Age: Inquisition! In celebration of that anniversary and the game that gave us our first trans character, here is a prompt list - and dates - for any who would like to participate! All sorts of creative content is accepted so long as they are not A/I generated. (See examples below)

*If you want to portray Maevaris Tilani instead, that is also fine!

Please read the guidelines!

If you have any questions, reply to this post and I will do my best to answer :)

Prompt list:

1 — Anniversary 2 — Euphoria / Expression 3 — Casual / Formal 4 — Family / Love 5 — Respite / Fight 6 — Play / Satiate 7 — (Free space!)

Guidelines:

Use the tag: #kremweek2024 (@ this blog is fine too) — If you want to portray Maevaris Tilani instead of Krem, that is also welcome! Please @ me so I can rb :) For non-Tumblr folks that somehow got here: You may post submissions, please link your socials. You may choose one of two prompts in a day or do both. You may also combine as many prompts as you want from any or all of the days into a single work, just mention it somewhere.

Types of content allowed:

Illustration and writing are the most obvious forms of art allowed, but they're not the only ones! Literary arts fanfics, drabbles, poetry, plays, lengthy headcanon/meta posts (for headcanon and meta posts, minimum of 100 words+) Visual arts doodles, paintings, graphic design, photoshop memes, photography, animation, tiktok skits, abstract, fiber arts (embroidery, knitting, etc), ceramics Audio art fanmixes(curated playlists), original or cover songs Other crafts are also welcome! e.g. culinary, resin, woodworking, etc etc ..essentially, whatever type of art it is, I'll accept it so long as it falls within rules and is related to Krem or Maevaris :) For things that are more abstract, do include an explanation of your thought process on how it relates to Krem. E.g. you made Krem's Seheron Fish Wrap or Rice Pudding, take photos of your cooking, and post that (with the explanation that it is Krem's recipes) - that's an acceptable submission! You're allowed to explore different mediums everyday! You don't have to stick to one form of art for the whole week. I will be attempting to schedule reblogs in the 'prime time' for engagement, and in the interest of fairness, things like headcanon posts, fanmixes, and WIPs will not take priority in that time slot over fully rendered illustrations or complete fanfics. They will still be reblogged, but scheduled for other time slots.

Content Rules:

No A/I generated content. (Specifically GenAI content) As above, any and all forms of art is welcome. It must be human made, and by you. The whole point of working off a prompt is to explore a creative process, anyway - do yourself a favour and just enjoy making something! It doesn't have to be pretty! No reposting of other people's works. This must be your own creation. Obviously, no transphobic content. No harrassing others over their specific headcanons - be it in regards to any trait or quirks that come with being a person. People come in all sorts of wonderful variety, please respect that. In addition to above: No whitewashing, racism etc. Please note that Krem is not pale-skinned in canon, and I will not be reblogging content of him being portrayed as pale. 18+ works need to be labelled. On this blog, its tagged as "#adult art". Please add content warnings as appropriate. (E.g. portrayal of binding with bandages should have a warning label of "cw: unsafe binding", etc.) If your post/submission is lengthy, please insert a read more. This helps readability on the dashboard. Progress / WIPs are fine too!

General tips:

First and foremost, do what you are able to! Don't feel pressured to complete a full week if you need to take care of yourself first. Some people work on the prompts before the week even begins, and only post it day of. You are not required to do this, but if you really want to fill something for each day, this helps reduce stress day of.

Mod things:

The mod isn't from the Americas, so due to timezone differences, there may be a delay in reblogging people's works. Either way I will not reblog the moment that it's posted in order to screen properly. Posts will be queued between 30mins-1hr apart, if there are multiple entries being submitted at the same time. All submissions will also be requeued after a week for later perusal :)

[mayakern]

as a long time fan of supergiant games and as someone who was obsessed with greek mythology as a child, i am EXTREMELY pumped about hades II. but also very curious about the new main character’s design. i feel like sgg (really, jen zee specifically) usually does a really good job of telegraphing their designs so that if you know the most basic things about a god, you can recognize them on site based on their design.

from the shape language to the posing to specific visual elements, they make sure that even at a quick glance the characters are not only distinct from one another, but have enough references to their domain and mythology that they are very recognizable.

i think demeter is one of my favorite indicators of this and one of my favorite hades designs over all. she’s not interpreted in the way a classic demeter is, and that’s part of what’s perfect. she’s been built at with little hints and references in other characters’ dialogue that paint her as critical, overbearing and not exactly trustworthy. and when you see her you’re like, “what, this is the goddess of the harvest?” with the absence of persephone and her casting the earth into famine, it makes sense that she doesn’t look bountiful, that her cornucopia (still the classic visual reference to demeter) is empty, her wheat frozen.

but melinoë is different. melinoë is a bringer of nightmares, a goddess of ghosts. her mingled heavenly and infernal heritage manifests in her primary physical trait: a body that is split down the middle, half white and half black. this is basically her most defining physical characteristic (the other being that she wears saffron, which is bougie as hell but not the point), but here is her design from the hades II trailer:

i see the saffron, see reference to her ghostly/undead connections, and there is an element of her half-and-half complexion with those black moon armor (maybe?) coverings on her right arm and leg. but when i first saw this design i thought she was an original creation (like zagreus*), not an existing god. i’m interested to see if this means they’ll be changing core parts of her mythology (and to see if that’s reflected in her design) and to see what direction she’s headed in but really this whole long post has just been building up to me saying

WHY DIDN’T THEY GIVE HER SPLIT DYE HAIR

PLEASE IT WOULD HAVE BEEN SO PERFECT

almost every visual interpretation of melinoë, even if they don’t split her body into white and black halves like a white and black cookie, gives her a split dye. and maybe they wanted to avoid what everyone else was doing, but i feel like melinoë is unknown enough that that isn’t really a big deal. idk. i just think it would be neat. that’s all.

(*yes i know there is a zagreus in greek canon that is the first iteration of dionysus and is the son of persephone and zeus but i feel like game zagreus resembles his mythological counterpart so little that he’s basically an original creation, and maybe they’re doing the same with melinoe! since she is also technically the child of zeus and persephone**)

(**depending on the canon it’s either zeus disguised as hades or zeus and hades are two aspects of the same being)

[cripplecharacters]

Hello! I need advice for writing a character with oculocutaneous albinism who’s a platonic love interest without descriptions of her coming off as fetishising albinism. Her name is Glass and she’s blind and an investigative journalist and will be a reoccurring character in the series. The MC is gay and he describes her very affectionately in the narrative. When she’s introduced he fondly points out (to the reader) a lot of traits about her including things related to her albinism like “slightly wavy snow white hair in a fashionable bob and striking dark blue eyes that gently danced back and forth. One eye was pointing slightly inwards as she tilted her head and smirked at him.” I got the “dancing eyes” idea from a short film made by someone with albinism and nystagmus. I’m going to try and describe other traits about her more, especially about her personality to counter this.

I also have a question that might be too specific? I’m planning on giving her a little brother with ocular albinism, OA. If someone has a daughter with OCA are they more likely to have a son with OA or are the two kinds of albinism genetically unrelated? I wanted to include him to have more then one blind character in the story. Thanks for your time. :) -Anon Blue.

Hi! We don't currently have mods with Albinism, so I'll try my best. I recommend our #albinism representation tag for resources made by people with it! :-)

If you don't put most of the attention of how she looks to her hair or skin color, I think it should be fine. It's okay to mention it - I mean, that's just how she is, would be kinda weird to fully ignore it - but don't make other characters or the narrator gush over her paleness or eye color every time she comes up. Change it up and praise her fashion sense (like you did with her hairstyle!), the shape of her nose, how bushy her eyebrows are, or how her gums show when she's smiling instead! Her appearance shouldn't be reduced to just "girl with albinism" - give her other visual traits! :-) For other descriptors, I would avoid making her "angelic" or "ethereal" because of her disability. Remember to not make it mystic or magical; there's a whole "Magical Albino" trope out here that you should try to avoid.

You mentioning nystagmus and strabismus is great! Those are often forgotten or ignored in characters with albinism because they're not seen as "pretty". I've seen some people describe their nystagmus as "dancing eyes" before too, I think it's a very cool of conveying it!

In general, a good way to avoid fetishization is to include the "boring/mundane" things. When you show the medical parts of albinism like the esotropia, avoiding the sun, having her use a white cane or a guide animal, or using Braille, the representation will be more informed overall and not just an "aesthetic" - which a lot of characters with albinism unfortunately end up being. There's a big difference between a blind journalist guided by a German shepherd who happens to not have melanin and needs a Big Hat, and an evil sniper with bright red eyes and mysterious powers. I hope this makes sense!

In case that Glass is Black, I'd recommend looking at the #albinism tag at @writingwithcolor - it's always good to make sure your descriptions don't come off as unintentionally colorist if you go into her skin color. Things like describing her as more frail or delicate (when compared to other Black characters) would be in poor taste, so look out for that intersectionality if it applies!

The brother with ocular albinism part; those two types are completely unrelated, and it would be incredibly rare (not impossible) for that to happen as far as I know. For reference, almost all OCA (1-7) and OA (1-2) types are caused by completely different genes. The only exception could be OA1 and OA3; we don't currently know what causes the third one, and there's a theory that it's just a different presentation of the first. But I'm not aware of anything like that for oculocutaneous albinism, so if Glass has OCA1 (as I'm assuming from the description), her brother would have OCA1 as well (as opposed to OCA3 or any other subtype) if anything!

One interesting thing that you could do to have him have OA that I never see in fiction is to have him be adopted. I know multiple families who had a child with a certain disability and decided to adopt a second (or third, or fourth...) one with it! I think it could be very cool and would make sense with him being the younger one. Here is an interview/vlog from a real-life family with six adopted blind kids, if you want an example of that :-)

Wanting to include multiple blind characters is a great idea - if adoption doesn't work for your story, he could have the same type of albinism as Glass or have a non-genetic cause of blindness, like CVI, Retinopathy of Prematurity, glaucoma, or a whole lot of other things!

A story about a blind investigative journalist sounds awesome! Good luck with your writing!

mod Sasza

[lemonjestercoffee]

so i said something about alicorns being funky in my last mlp redesign post yeah? well before i get into that-

the beautiful bride and the ugly ass groom

okay okay jokes aside here's Shining's real sheets and Cadance on her own

starting off with design choice notes

Shining Armor - his was like- really hard to figure out and i didn't really know what i was doing, but i did like the concept of him having lost a leg in some sorts of battle. one thing i did know what i was doing with tho was his armor, i never really liked the canon armor so i decided to take my own stab at it. decided to make it cover the more important areas better, added gambeson underneath, put a royal crest on it, and gave them a head weapon. yes the metal horns are on all species armor, it's there not only to protect real horns from oncoming attacks but also give all soldiers an emergency weapon if they get disarmed. the tassels would be colored differently depending on rank

Cadance - the only through i really had going into her design was i wanted her to have a cloud and heart motif, but i'm unsure if the way i handled it is the best. her cutiemark is meant to resemble a Mexican sacred heart because deity of love- like come on. i also wanna kinda change the color of the carnation in her hair to stand out more, but white carnations have a different meaning so it's fiiiinee

okay now what we really wanna hear about, what the fuck did i do to the alicorns?

i decided to tamper with their lore quite a bit, as i was inspired to by the Skyscraper Gods Au by Shirecorn. now mine is no were near as drastic as that au, obviously, but it did inspire me to come up with my own quirks for them.

i went more "alicorns are more like the elves of ponies but because they can only be made by some unexplained rare mystical intervention and live for fuck off long, normal ponies see them as demigods of sorts". i've even given them things like groups or locations that they act as patrons of and prioritize above other things, but that stuff gets a little rambley so imma not do that on this post

for the anatomy tho, i can talk. i'll be using Twilight as a visual example because she's the one i've drawn in all stages

so basically the concept here is pretty similar to the canon, but with some funky add-ons.

first up- when an alicorn ascends, not only do they gain the wings/horn combo and grow an inch, they also gain some other unique anatomy from the other species.

Unicorn- along with the horn, they also receive the ear tip tufts i gave unicorns. these actually have a purpose, they're sensitive to magic energy and allow unicorns to tell where magic is coming from. depending on the unicorn they vary in sensitivity but alicorns are by far the most sensitive Pegasus- along with the wings, the get some of the extra feathers pegasai have on their bodies, namely the ones on their ankles that are used for finer trajectory adjustments in flight. they also receive the sensitivity of their hooves that's used to pick up changes in cloud texture and sense their stability Earth Pony- earth ponies may seem like they don't add shit, but they actually give two very important things. the first thing is a strength boost, as they're stronger than the other two pony species by nature. the other thing is dense as fuck hooves. that sounds kinda lame but they have rock hard hooves that allow for them to dig into dense materials and have a kick with some real bite in it that the others just can't replicate and might tear their own hooves up trying. they also add the visible fluff in the ear canal. but that's just a dust filter and if isn't cleaned properly might actually be more of hindrance

it's worth noting- if you look at Cadance and Twilight side by side- that despite being given extra anatomical traits from the other species they will always look more like the species they were before ascension. this is mostly visible in the ears, tails, and hoof shapes -unicorns have long tails with hair only growing from the underside, basic ears, narrower hooves, and usually have long fetlocks as part of their culture. -pegasai have short tails that are completely covered with hair and have rudder feathers at the base, pinned back feathery ears with restricted movement, and really shallow hooves with no fur around them -earth ponies have medium tails with even hair growth around a third of the way down, basic ears, and slightly taller hooves with varying fetlock sizes.

second up- the only uniquely alicorn physical traits that they really have (aside from height) are their hair and beards. unlike normal pony beards that are made of the same hair as their manes, alicorn beards are made of coat fur and will grow a specific length each year that marks how old they are kinda like tree rings. due to this the alicorns don't try to cut them. the manes are kinda funky cause they start out at the roots as normal hair, but then become more "ethereal" after a few inches or so. they tend to start to become ethereal roughly 10 years after ascension

they do have one more weird trait but it's less noticeable and that's the thing with the patterns. when an alicorn is first ascended they gain an extra pattern on their legs, and that pattern gains a second layer around the time they start to get their ethereal manes. you can see it happening on Twilight's lineup.

there's also a bonus thing here that has nothing to do with alicorns as much as it does unicorns- but i like the idea of Unicorn tails (flesh/bone, not hair) getting longer with age. it's usually not too noticeable because they don't normally live long enough for it to be really noticeable compared to younger unicorns, but alicorns do- so former unicorns can end up with some long ass tails in their 1000's

that's all i really got now- if i added in magic and social stuff this would have been way longer. i'm done with my rambles

[levmada]

AOT MANGA SPOILERS!

i think what Ymir Fritz was after her whole life (and afterlife) was true love. or at least proof of it.

(read ch122 for her full backstory (which is a masterclass in visual storytelling and storytelling in general) but...)

we don't learn a single thing about Ymir as a person beyond that she seems to long for love from the time she was a child.

also, she more than anyone (in the aot universe) knows endless, merciless suffering. from a very young age she knew the world was cruel.

that’s the reason in my mind that - after getting the power of the Titans - she didn’t rebel against the king. she didn’t run away. she did whatever the king asked of her because for once in her life she was wanted. even in this completely backwards and transactional way, all Ymir knows of love is this, even though it’s just slavery at its core.

so the king got married to her and she had her three daughters, who Ymir doesn't find love in either. it seems her children are more proof of her enslavement. Ymir doesn't even find that true love she wants in her own daughters. she's still miserable.

13 years after she got the power, there’s an attempt on the king’s life, without hesitation she protects him. she, effectively, is willing to face certain death to that end.

so we establish this. to Ymir, love = self-sacrifice.

i feel that Ymir finally reaches the end of her ability to "love" the king. this is her breaking point. her final misery among a thousand other miseries she's accepted from him.

she isn't loved. she was willing to give her life, and yet he doesn't love her.

after this rejection, she doesn’t heal herself. we know that in order to use the Titan powers, you have to have a goal (the way Eren learned to transform in The Spoon Incident and later, Reiner doing something similar to Ymir). but she was finished.

Ymir had the power to manufacture a dimension without life or death. the paths. and would spend 2,000 years there doing what she always did and obeying her “king” - the Eldian with the Founding Titan. she wouldn't serve her king directly anymore, but enslavement is Ymir's only definition of love, so that's what she will continue to do.

until she observes a true display of true love.

now (and this is interesting) this is where the concept of the Ackermans come in. i explain in this, this, and this post the Ackermans and the Ackerbond, which is important for understanding this post.

so first, why Mikasa? why would she specifically be the one to free Ymir?

at the time the chapter came out, people criticized Isayama and Eren not knowing how Mikasa was the key the giving Ymir peace. but think about it. Eren doesn't know the depths of Ymir's heart, true. he also got the same exact omnipotence Ymir had thanks to (1) possessing the Founding Titan and (2) effectively having royal blood thanks to the way he enslaved Zeke. Eren has the same exact knowledge that Uri or Frieda had.

but of course, Eren wasn’t BUILT to be god. he has no right to it. Grisha gave him the Founding Titan and he forced Zeke to use his royal blood. Eren says that he started experiencing the past, present, and future all at the same time. of course he wouldn’t know why it’s Mikasa.

what we do know is that the timeline of aot is linear, and can’t be changed. i talk more about that in my Eren character analysis.

the person to ultimately give Ymir peace was going to be Mikasa no matter what. how?

1: being an Ackerman means possessing Titan powers while being a human. would that not also mean that an Ackerman has a special connection to Ymir?

it's different from being a Titan shifter. the potential to awaken their Titan-like powers are their birthright.

2: I linked above my thoughts on the “Ackerbond”. but in a nutshell, Ackermans have the best of both worlds. made to be obedient “Titan-like” tools to protect the king. to be the strongest slaves. while also possessing the best trait of a human being, and that’s the ability to love (as Isayama conveys in aot). so a major trait in Ackermans, i think, is this enhanced ability and propensity to love one special person.

what’s so striking about this from what would be Ymir’s point of view is that, like her, Ackermans have the traits of a Titan like she did, but Ackermans CHOOSE who they are “enslaved” to. it’s not slavery at all. what a shock that must be to someone like Ymir, I mean right?

Levi and Mikasa have their respective moment of “a display of true love” towards their lieges in the series. i want to compare.

Erwin and Levi.

to be succinct, Levi shouldered the weight of Erwin’s sins. [i talk about it more here and in the second half of this post here]. Erwin puts not his life in Levi’s hands, but what comes after. someone putting their trust in their other even in the face of certain death, certain grief, is a major display of true love. (as Isayama conveys in aot that is.)

then, both despite and because of Levi’s love for Erwin, he was strong enough to end his suffering. to let him rest, even though he had the choice to bring him back. that is a major display of true love.

Erwin and Levi both sacrifice aspects of themselves for the other.

what do Levi’s and Mikasa’s moment both have in common?

the willingness to share the weight of their liege’s sins, their darkness, their shortcomings, their most vulnerable sides. that's unconditional love.

But Mikasa’s moment is even more special to Ymir.

Eren’s sins are obviously much more grievous and unforgivable than Erwin’s. that speaks more to how much value Mikasa’s “display of true love” has objectively. and, Mikasa wasn't able to "bring Eren back". (besides obvious plot reasons).

even though it was certain that Eren wasn’t going to be forgiven, that he would have to die, Mikasa’s love never wavered.

both despite and because of Mikasa’s love for Eren, she would be the one strong enough to end his suffering.

Mikasa and Eren both sacrifice aspects of themselves for the other.

Ymir had no one willing or strong enough to end her suffering.

Ymir believes true love is love enduring even in the face of certain grief through mutual sacrifice.

and that’s why she is seen smiling when Mikasa kills Eren. with that, Ymir is finally at peace.

[endivinity]

Hi! I'm the anon who asked you abt the TTRPG Deathclaws thing. I just wanted to thank you for the long and cohesive response and your take on the whole thing! I love worldbuilding and more specifically making animal variants and the reason i asked to begin with was because you inspired me a ton and i wanted to expand upon the ideas you have presented in your super cool blurbs--

But i think itd be better of me to try to respect your art and instead try to make something of my own instead of expanding on something of yours- even if my art of the things i have come up with will never be as visually amazing or indepth as yours. I really adore your art and creativity when it comes to creature designs- thank you for inspiring me.

Im sorry if you got any mean anons because of my ask.

Heya!! it's time to go on another tangent oh boy

I've also loved worldbuilding and creature design since I was a little kid who was notably bad at it due to being a child. I adored the trend for pokemon fusions and variants when they came through and I was doing them even before they were a huge trend - I filled out books of the things in high school! But not every artist or fanartist particularly starts on similar routes. Sometimes they don't have creative friends to essentially trebuchet their development into creature design early on.

It's not something I can pretend everyone has a penchant for and can just do on a whim - it takes a particularly malleable thought process to just decouple what is into what could be, and how far you can or even want to stretch that. But everyone has to start somewhere! I believe my journey of deathclaw designs started in 2016 as just a tiny scratch on the surface from 'what if they were different behaviourally' to 'what if they were different... visually' - when my only major inputs for design ideas were fallout 4/NV and skyrim, and it showed. Strong designs come from 'what is the purpose of it in this setting' and you reverse engineer traits shared by real or fantasy (and therefore a chain reaction of traits shared by real) animals - and you can only reverse engineer using what you know!

So - save the deathclaw variants as inspiration but also! Make a huge folder of things. Pad it out with a bunch of stuff. Build a visual library. See what other artists are doing with their concepts (this is probably also why monster hunter is so popular, because it has an ecological niche that makes it feel believable) and let that color the world you're trying to build. Let yourself go 'ok this artist did this. so what if I did something similar, with a different color scheme or scale type or animal part? what if it lived somewhere else, how would that affect it?' God knows the bethesda presentation of fallout is incredibly two dimensional and the worldbuilding needs all the help it can get

it's how you get insane premises for fics, AUs, and tabletop campaigns alike - by stepping off the beaten path and showing how much you understand the world when your concepts that fuck it up can still maintain a cohesive and believable presence in it. Though it's still a lot of effort to take any steps along this journey, which is why a lot of people don't like start u_u

So good luck, honestly, and keep being inspired by things!

(and don't worry, so far the anons have behaved themselves! mostly.)