#i wanna actually watch the shitty netflix adaptation

[skadream]

i need to consume more death note media than just the manga and anime. but first im gonna reread the manga sorry

[nostalgic-soda]

You guys ever think about how modern media companies are so simultaneously obsessed with childhood but also seem to not truly respect childhood? Like modern media is so nostalgia obsessed and it results in a constant never ending stream of shitty “dark and mature” reboots that are constantly shit on yet continue to exist. Craig McCracken literally confirmed he only is going back to his old IPs because studios rejected all his new ideas. But these studios never wanna see the properties as they actually were. They twist and morph these characters into unrecognizable shells with the same names and throw a bunch of violence and adult shit into the story to make it more “mature” but a lot of the times these properties already tackled actually mature themes. Shit like the powerpuff girls cw leaked script feels almost comical in how much it twists this beloved IP. But why does this keep happening? Because society. I’m being serious. Society presents the idea that adults need to grow up and put their childhoods behind them. That they can’t enjoy childish things anymore. That they have to be adults and therefore focus on work. It doesn’t matter if childhood things bring comfort, the “real world”, aka the adult world sucks and that’s what adults have to conform to. But it’s not that simple because nostalgia is a powerful emotion. So these adult reboots exist to serve as a compromise for adults who still hold onto their childhoods but want to appear mature. Studios prey on nostalgia but don’t understand WHY people feel the way they do. Reboots and live action adaptations can only superficially remind people of their childhoods. They can’t replicate the feeling one had as an actual kid. It’s not fair that so many people are shamed for “childish interests” when studios make bank of pandering to those childhood interests. Because people don’t really realize how valuable childhood actually is. Studios only care about it because it’s marketable. They know nostalgia is strong and they use it as a tactic for money. But a person’s childhood is extremely formative to their identity and media can play a large part in that. Like I’m not sure I’d be who I am today were it not for the shows and movies I watched as a kid. And yet I’m expected to put that stuff behind me, to be a real adult. But by society’s expectations I’m not a real adult. I hated how hopeless adult life was made out to be by people like my parents. How I had to suck it up and accept the stress. I want to have fun I want to enjoy life I want to feel good about myself. And that’s something that the proposed adult life never seemed to offer me so I find a lot of comfort in my childhood memories. That’s why I hate seeing them twisted into super edgy and worthless Netflix and CW trash. They just serve as a reminder of the hopeless world offered to adults. But it doesn’t have to be that way.

[black-rose-writings]

Rose watches Fate: The Winx Saga

Episode 1: How bad can it be?

I have not seen any reviews of the actual show, though I have come across some (not favorable ones) and watched the trailer, which left me with “that’s not good” vibes.

SPOILERS, obviously.

I’m gonna regret this so much.

Shit, I forgot it’s a Netflix adaptation.

Horror atmosphere? Okay.

Farmer cursing out sheep? Am I watching the right show?

Whooo, spooky magic portal.

Sheep gore? Ehm, alright.

What’s that, a werewolf?

Yep, it’s Winx. Starting out with a guy getting bloodily murdered off-screen by a werewolf. I’m disappointed and we’re only at the title card.

What’s that music? Not bad, but I’m not a big fan, either.

Oh, look, fat white Not-Flora, selling flowers to some bald dude in front of the school.

Aisha with braids. Yeah, I’m not mad at her, yet.

Stella looks like she’s thirty.

So does Musa. She looks bored. That doesn’t bode well.

Is that fuckboy Sky? I’m giving him a chance - but only one.

Was Bloom loking at him? Was that supposed to be disgust?

Wow, Sky, who wrote your dialog? On that note, who wrote Stella’s text?

Also... that’s one shitty way to insert yourself there, buddy. Was that supposed to sound smart?

Aaand patronizing. Nice. I’m losing respect quickly. And, if she’s gonna end up with you at the end, I’m gonna barf.

Nervous laughter, yay. WE GET IT, SHE’S NEW TO THE WHOLE FAIRY THING.

Not a fan of the word mansplaining being used unironically, but honestly, you go girl.

“Quit perving on the first years”, I’m with you on that, though I’m pretty sure that’s not a phrasing people would use. Also, who’s that? Riven? Brandon? I don’t remember the guy’s casting, they all looked way too similar.

Stella with British accent is... okay, I guess. Not a fan. Also... she looks way too old and way too fancy for this.

Also... had Bloom and Stella never met before? How did they get in contact? How did Bloom find out about magic? I have so many questions.

So, the Not-Faragonda gave her a Hogwarts letter. Okay.

Stella’s ring is like the first thing about this that I actually kinda like.

Oh, never mind. Not “Sword of Solaria��� - “Gateway ring”. And Stella hates being at Alfea. Oh, wow, so quirky.

Only 7 realms? Wow, they really shrunk the Magical Dimension down. I mean, I get why, but they could have left it vague.

Yes, yes, you desperately want to be Harry Potter, like everyone else for the last 20 years.

“The transformation magic has been lost” - I was disappointed already, but somehow, it got worse.

Cool, Tinkerbell was real and Not-Faragonda already knows, what kind of magic Bloom has. I mean, they said three months ago, so I guess that makes sense, but still.

Ooh, foreshadowing. She burned her house down, didn’t she?

“Magic can be dangerous, as you well know” - yep, definitelly burned her house down. Probably killed someone in the process.

"Trust the process” - so, is Not-Faragonda gonna be the villain?

“I’m here because you promised you can teach me control.“ “No, you’re here, because you had no other choice.“ Bloom definitelly killed her parents. And I’m getting major creeps from Faragonda.

That school looks like the X-Men amnsion. Am I the only one seeing that? Is this gonna be wanna-be X-Men?

Facetiming her parents, as you do. Nevermind, she didn’t kill them. Maybe someone else?

Jeez, girl, no need to be so judgy.

“Lady of the Flies, sweetie, don’t be sexist“ - I get the California stereotype, but that was very, very unnecessary.

Oh, they don’t know she’s in a magic school. Okay.

Not-Faragonda is a liar, get it.

And here come the Harry Potter references.

Can you tone the references down? Also, they have Harry Potter and Lord of the Flies in the Not-Magix. (And yes, I’m gonna be doing the “not” thing a lot.

Oh, they assigned Stella to Bloom. That’s disappointing.

And Not-Flora is quirky and can’t shut up. Okay. This girl is looking more and more as the exact opposite of Flora.

Stella was held a year, just like in the original show, calling it now.

“I have a cousin named Flora” - namedropping her doesn’t earn you forgiveness, lady.

Oh, yeah, Musa has mind powers, I forgot that one. Great.

Yay, big badasses, kicking each other in a dirty pond, how cool...

“She’s a ginge, they’re all nuts“, okay. “Amazing shags, though.“ Ehm, excuse me, what? I get that we’re all adult here, but like... I appretiated the virgin joke there, Sky. Not funny, but appreciated.

Is that supposed to be Codatorta? Is Alfea a bootcamp, now?

“Burned Ones“, huh? So, that’s the werewolf, thing? Okay, we have a big evil, now.

Whoa, zombies. And a traumatized drill sergant. Nice.

Is Sky smoking? Cause if so, I have no more respect for him.

Okay, who’s Rosalind? Bloom’s mom? (Please, no spoilers)

Not-Faragonda denying reality, as expected.

Oh, the bald guy is Not-Flora’s dad. Okay.

Oh, look, the... wanna-be evil fairy? Definitelly and “arsehole”, as she says.

What a polite way to say “Fuck off”.

Calling her mum a basic bitch is... very classy. You’re very quirky, very relatable and not like the other girls, we get it.

Are Stella and Sky dating? I know that’s gonna cause drama and I hate that already.

The hell is that? A fire Patronus?

So, what did she burn, exacly?

She looks so happy at the baby flame.

She’s got that evil look down.

And now she can’t stop. Shocker.

Bloom is quirky and doesn’t like her mom. That’s... the exact opposite of the relationship they had in the show.

And I hate that character assasination of Vanessa. What the hell? Why can’t a female lead have an awesome relationship with her mom who loves her? Why is Mike such a doormat? I fucking hate this show and I’m 30 minutes in.

I was close. She almost killed her parents.

Yep, definitely a changeling. I was gonna write it here, but I forgot to pause and she said it before I did.

“Someone’s been lying to her” - shot at Not-Faragonda with creepy music in the background. Yep, bad guy, through and through.

Seeecret tunnel. Seeecret tunnel.

Is Not-Faragonda wearing sweatpants? I mean, that’s her choice, it just seems odd.

Yeah, bitch, strangle the dudebro, he deserves it.

I have just realized I can’t tell Riven and Sky appart. I’m not sure, if that’s saying something about me or the show.

Ooh, drama, what did Sky do? I don’t want to know, cause my respect for him is already at zero and I’d hate to hate the obvious love interest.

Ooh, she left the door open.

She’s supposed to be 16. The only one I’m buying being 16 for a second is Flora. The others, hell no. I kinda hoped they had aged them up, but no, 16 it is.

Secret hideout, nice.

Is that Daphne? Nope, that’s a fire zombie.

*insert every horror trope ever*

Fire zombie steals the ring, cool.

Oh, look, Not-Faragonda comes to save the day, yay...

“Where’s Stella?“ Getting laid, apparently.

Silva? Is that the Not-Codatorta? Okay.

Oh, the drama... end the suffering already.

Oh, it’s Riven, who’s smoking, not Sky. I said I can’t tell them apart.

Great, now I hate that fangirl, too. Ew, smokers.

Aand... that’s the first episode.

Honestly, I had the feeling this was gonna be the Last Airbender movie for the Winx series and... yeah, I was right. Not terrible on it’s own (though not very good, either), but become infinitely worse, when you know the source material.

[guccifloralsuits]

hi we were talking about books yesterday and i was wondering if you have any good fiction recommendations? 😇😇😇

Yes, I have so many! I broke them down into relative categories, so there’s a little mix of everything. Please read the actual synopsis before diving in though, as some have major trigger warnings.

Books considered “classics”

Their Eyes Were Watching God by Zora Neale Hurston: a book which I come back to in hard times of my life. There’s something so…necessary about this story. Prose style was great. I would rec this book to every person I know.

Mrs. Dalloway by Virgina Woolf: I read this when my life seemed to be changing faster than I could keep up. Beautifully written. Came at a time when I needed it.

Wide Sargasso Sea by Jean Rhys: written as a prequel to Jane Eyre and a modernist masterpiece honestly. THE original meditation on the ideal of a Manic Pixie Dream Girl

The Color Purple by Alice Walker: you’ve probably heard this name from the adaptation. Let me tell you. This book deserves all of its acclaim. I think I’m gonna re-read soon.

Pride & Prejudice by Jane Austin: this is super mainstream for The Literary Circles but it’s for good reason, this book is just? Fun? An honestly enjoyable read? plus when I was taking my SATs way back when they had an essay section, I could use this book for literally any prompt they gave

Wuthering Heights by Emily Brontë: this book is wild. Everyone is a messy bitch who lives for drama & I love it. I just finished it and omg

The Bell Jar by Sylvia Plath: my emo teen- girl rebelling ass ate this shit up back in high school. Is this book overrated? I don’t care. I love it for nostalgic value anyways

The Handmaids Tale by Margaret Atwood: startling beautiful lines. I have almost half this book underlined. A popular read in recent times, with good reason.

A picture of Dorian Gray by Oscar Wilde: I fundamentally disagree with everything written in this book. That is exactly the point. About being gay & sinning. I would not recommend this as a ‘light’ read though. Easy to get swept up in Wilde’s sharp wit & not catch the intentional malice behind what he says, underneath.

One Hundred Years of Solitude by Gabriel Garcia Marquez: I just. Love this. That’s all I have to say. Yeah.gif

All The King’s Men by Robert Penn Warren: The nihilism of Oscar Wilde but set to a political backdrop in the 30’s with stylistic prose akin what you’d read from Hemingway. Probably not for everyone’s taste. But right up my alley in terms of political intrigue. If ur a stuffy English Major with who likes books about corruption, you’ll like this.

Popularized books that are worth the hype they had:

The Glass Castle by Jeanette Walls: there’s something so…engaging about the way this is written. It’s pretty much about kids who have to act like adults for their shitty parents. I couldn’t put this down though.

Dark Places by Gillian Flynn: as with all her novels, this gets dark. This gets ugly. An absolute thriller, & I can’t recommend her books enough. (You might know her from Gone Girl & Sharp Objects. This story follows similar tone). Honestly I rec anything by Flynn.

The Princess Bride by William Goldman: you’ve probably heard of or seen this movie. Well guess what? the book is even better.

YOU by Caroline Kepnes: aka the adapted Netflix series where dan from gossip girl plays plays joe, who is basically Dan but Unhinged. But like, the books are great. “Hidden Bodies” which is the sequel to this is even better, in my opinion. Just plz don’t romance Joe cus you saw penn badgley in a Netflix poster & were thirsty 4 him

Lesser Known/underrated books which could use your love:

A Thousand Acres by Jane Smiley: A reimagining of King Lear, set on an Iowa farm in the late 1970s. Powerful and disturbing

The Gold Bug Variations by Richard Powers: specifically for classical music lovers. Basically a long meditation on supernal mysteries of music, specifically Bach’s intricate Goldberg Variations (you’ll wanna have the Glenn Gould recording to hand), & those of the DNA molecule (especially as a code to be broken) It gradually dawns on you that the two couples listening to the music and studying the molecule are themselves engaged in something strangely molecular and musical. You won’t always understand this book, but it keeps taking your breath away.

Ella Minnow Pea by Mark Dunn: did I buy this book solely because of this tumblr post? Yeah. But it was easily one of the best decisions I’ve made. The way he manipulates letter-language is wild. Woah. Highly recommended.

The 100 Year Old Man Who Climbed Out of the Window & Disappeared by Jonas Johnson: a 100 year old dude escapes his nursery home a steals a suitcase full of drug money then goes on a giant crime spree. HIGHLY entertaining. We stan a King

The Sellout by Paul Beatty: probably the greatest satirical comedy written within the last 50 years. I said what I said.

Children’s/teen/YA books you should absolutely read

The Phantom Tollbooth by Norton Juster: wonderfully creative, beautifully told. Takes abstract constructs and turns them into concrete beings and landscapes in amazing, engaging ways. Please read this. One of my all-time favorite books. Takes the protagonist, Milo, on a fantastical adventure borne through boredom on what he though would be another average day. Seriously. I love this book. So much.

Coraline by Neil Gaiman: another beautifully creative foray into a parallel universe where something Not Quite Right lurks beneath a pretty surface. If you’ve seen the movie adaption - great. Still read the book. It’s absolutely worth it.

Love that Dog by Sharon Creech: technically free verse poetry from the perspective of a young boy dealing with the loss of his pet dog who has to write poetry for a class assignment from his teacher. This is…so good. Oh my god. Oh my god? Poetry for non-poetry people.

The Giver by Louis Lowery: Listen. I know you were forced 2 read this in primary English. I know you probably hated it on principle. But this shit was all that kept me going, when I was younger. It made me feel so understood, before I could define trauma or the meaning of depression. This book made me feel seen.

The Perks of Being a Wallflower by Stephen Chbosky: ya know what? Fuck 2013 tumblr for dumbing this book down into a basic ass Grunge Anthem. I have never seen a book so adequately grapple with how awful romanticizing trauma can be. This book goes into the horrible side of adolescence in a way that’s genuine, and in a way which doesn’t put trauma/mental illness on a pedestal. I needed that shit, when I read it. I still love this book today. The lines will stay with you forever, after you read some of them.

All the Bright Places, by Jennifer Niven: this was another one of those books that I read in an essential time, which lodged into me afterwards. About two teenagers who meet while standing on the bell tower of their school, both contemplating suicide. Highly recommend. Prepare to cry.

You didn’t ask for Poetry but I’m including some because I am poetry TRASH:

Rice by Nikky Finney

A Thousand Mornings by Mary Oliver

One Big Self by C.D. Wright

LOOK by Solmaz Sharif

Poetry for people who think poetry is inaccessible to them:

New American Best Friend by Olivia Gatwood

Our Numbered Days by Neil Hillborn

Depression & Other Magic Tricks by Sabrina Benaim

There are literally SO SO SO many books I could also add, but these are the ones that came to mind. Bolded ones are those I especially love. Happy reading!

[lumikinetic]

*flops down on sofa*

*exhales*

Tumblr gives me a lot of wild shit every now and again. Sometimes it's good, sometimes it's bad, sometimes it's hilarious, sometimes it's disheartening. And then yesterday came along and gave me the one-two punch of:

Captain Marvel being dolled up by the Russos instead of a jacket, S.H.I.E.L.D baseball cap and a Nine Inch Nails shirt, which is how she should be (not gonna talk about this, just want it out there that I'm pissed about it)

One Day At A Time being cancelled

ODAAT I'm gonna kind of touch on because it's not really what I want to talk about, but it did help me finalize the words for what I do, and that's capitalism in entertainment.

The most annoying goddamn trend in filmmaking (and of course in TV and Netflix/Prime originals) is companies caring more about their bottom line and less about making good content, and yeah I know this dead horse isn't just beaten, it's thrown into an active supervolcano but it really pisses me off and it's why I hate the new Star Wars stuff (well OK hate is a bit strong but they're uh Not Good) but I'll get to that. What corpos can't seem to get into their bloated skulls is that one cannot exist without the other. You need to put out good, quality content with value so that fans like it so they give you money so they increase your profits so you can make more content and so on. But somewhere down the line some fuckhead went "what if we just pushed out what we have?" and just kinda expected us to not take notice.

Now before the comments section gets all hot and bothered because I know some people on this site don't have the gift of reading comprehension, I know profits are important, I'm saying when companies shun good filmmaking for more money, they get lazy and all they can think about is profit and not how they make that profit, they don't care at all about using that money to make more good, valuable content.

One Day At A Time

I've never watched One Day At A Time but the fact Netflix just outright cancelled it knowing damn well what it meant to the people the characters are representing is just disgusting. And they have the fucking audacity to blame it on the viewership? I've seen hundreds of artworks, gifs and a video clip here and there of this show. I've seen precisely one (1) meme of 13 Reasons Why and that is literally it. I'm not following the tags for either. Plus, #saveODAAT has, last I checked, 350k tweets on trending or thereabouts?

So obviously the viewership isn't the problem, it's the racism and homophobia of cancelling a Spanish (? - again, never seen it), LGBT+ focused show that a lot of people quite happily and positively connect with when a crap show about suicide and Friends gets to stay on. It's just ugh. Cancelling a show like this then paying something like $100mil to keep Friends. I was going to expand on the shitty capitalism here but tbh that's it, Netflix are making bad decisions and like I say, I'm only going to touch on it because it's not the main part.

Star Wars

Go watch the original trilogy and it's clear George Lucas was trying to create and do. He was trying to make art. The key difference between that and modern SW to me is BB8. Look at C3PO and R2D2 and already you can see they belong. C3PO is a translator droid and I'm not sure what exactly R2's job description is but it's obvious he does some kind of pilot assistance for X-Wing fighters. I never understood people who said R2 never did anything, because they obviously haven't seen Star Wars. You get that this is an R2 unit, right? Like, there's more than one out there and they have a job they were specifically built to do, it's just this one particular R2 unit who had to carry the message? Anyway, I'm derailing. R2 and C3PO have functions and they're clearly not new, they've been used for a long time. Then you look at BB8 and instantly it's like "this is a toy. This so called character was designed to sell toys". And then he was. He's a toy, he's on bags, notebooks, pens, clothes, everywhere. Disney is less concerned about making a Star Wars movie and more about making money off of the Star Wars name.

Into The Spider-Verse VS YA Movies

YA movies tend to suck because they were adapted from books and we all know how that pans out but the reason I'm using YA books specifically is because my mind jumped to The Hunger Games. I couldn't tell you a single fucking thing that happens in those movies. They're so dull and dead and forgettable and the characters are borderline unlikeable but you know which one I do like? Catching Fire, for one reason and one reason only: Jena Malone as Joanna Mason. Save for Haymitch, she's the only character I liked because those two are the only characters with any kind of charisma or life to them. They made an at most halfway decent attempt overall at recreating some otherwise really great books and they made a big show out of it, hiring some pretty well known names. And I'm not disparaging their performances, it was just what I call, ever since Suicide Squad came out, the Harley Quinn effect, in which good actors get given a good character and perform them really well and, through no fault of their own, fuck it up because the character was written poorly and no matter how well they act, if the script doesn't change, the performance will always be shit. The same for Divergent. And Percy Jackson. And Fault In Our Stars.

Then outside all of that you have Perks Of Being A Wallflower which is just a great, heartwarming movie because the characters feel like people and the brightness isn't turned way the fuck down in post and you actually want to be invested, and they're not afraid to have a colour palette beyond a splash of pink here and blue there and red there. Plus, Ant-Man as an English teacher. THEN you go watch Spider-Verse and oh hey. I can actually see the movie now. And I mean see it. They do not slack off when it comes to visuals. Even by animation's standards, everyone is so expressive and alive and... animated. Sorry, I couldn't get a better word but they are! When you look at Miles in comparison to Katniss in terms of writing and performance, the difference is just startling. The only times I can think of where Katniss shows any kind of emotion in the first movie is when she slams the knife in the table and Rue's funeral and I had to think about that. Without thinking for Miles, already I've got "who's Morales?", the scene where Uncle Aaron teaches him the shoulder touch, the scene where Miles spray paints in the subway, that scene in the alley, the moment in Olivia's office when he just freezes after she says she can't wait to watch Peter in immense pain Like That and made all the wlws melt in their seats. You get the idea. So what's the point for this section? Well, as simply as I can put it, Hunger Games was made with money, for money. Spiderverse was made with love, for love. Spiderverse cared about people who read comic books and paid more than enough tribute to the art forms people think of as lesser for no goddamn reason other than elitism and proved for the thousandth time that it is something that can be used in filmmaking. They were trying to make art. Hunger Games and most other YA novel movie adaptations saw a preestablished fan base they could exploit for money. They were trying to make money.

Rambo

This was a weird one, yeah. Don't worry I was confused too when it popped into my head. I saw the original Rambo a while back and what I liked about it (and Apocalypse Now) is it wasn't a war film where the USA charge in and hooray everything's all right, this movie grabs your shirt and says "hey. Vietnam did something to these guys and they're not OK. Probably they'll never be OK". Then I watched the Rambo reboot that came out in like 2011 or something and I remember thinking "OK so now he's just this dude? Who lives in Thailand... And what, that's it?" There was no scene to show his psychological state today. Nothing to acknowledge his PTSD. They just thought "hey! Let's make Rambo but this time, just give him guns and and yelling and spray some blood!" The reason I kind of ended this train of thought quickly is because I realised that, let's be real, the main body of Rambo's audience just want to see Sly Stallone kill some fools. But yeah, the fact that they just ignored John's mental state in place of mega violence is such a glaringly obvious move to just appeal to violent teenage boys.

The Auteur

My favourite director is Wes Anderson and my favourite movie is The Grand Budapest Hotel (though Panos Cosmatos seems to be eyeing these titles with Beyond The Black Rainbow and Mandy, I haven't watched them yet). Quentin Tarantino, Spike Lee, Wes Anderson, auteurs always stand out even though their movies are all the same, and I think the reason they're so successful is because that specific style is so much better than most other mainstream cinema. I'm not saying that those other movies are bad, I love them and will watch them again and again but I'm saying Wes Anderson could make a short movie and it would be better than most Marvel movies put together (don't talk to me about Captain Marvel, I haven't seen it yet. Gonna see it this Sunday). No matter what you think of these directors, you can instantly tell the difference between these movies that they care about and the passion and hard work they put in and Disney pumping out their 400th reboot.

It Keeps Working

You guys wanna know the thought that keeps me up at night? Someday they're going to make a Fortnite movie. You guys wanna know why it keeps me up at night? Because it's going to be popular. Yeah, obviously not at the box office, because it'll be a videogame movie and those are worse than book movies, but it will be popular for no apparent reason. And what pisses me off is that Fortnite's popularity is only because of the battle royale mode, which has now essentially become synonymous with dying franchises and it just adds another layer to the lack of creative effort and the movie will just be Hunger Games with guns. Exactly the same as what I said at the start of this rant, there's a really noticeable shift from making content to jumping on whatever bandwagon is passing by because you know it'll make you money. Yeah, you have to spend money to make money but that doesn't mean you get complacent in what you spend your money on or if you spend money at all because when you cut corners, consumers can see that shit.

Anyway I'm done complaining thanks for having the willpower to pay attention to my dumb opinions.

[sol1056]

This is what my inbox looks like, now. One ask after another, and none of them happy. Are you paying attention, @dreamworksanimation​, @voltron​? Because this is what a dedicated and loyal fandom looks like when it gets tired of its loyalty being rewarded with nothing but contempt. 

Do the EPs themselves even care about their story anymore? Because at this point it feels more like they just warped it into a personal vendetta against the higher ups after they were forced to change their original vision. Trying to reinforce that their ideas were right, instead of adapting like professionals.

And then re-litigating their position in every interview, too, along with being really noisy about their animosity for the character they were forced to keep. 

More behind the cut.

If they had time to include pointless scenes with a space wolf they could have, idk, maybe used that screentime for some character development. But then again that requires basic writing skills and not copy-pasting your series together.

In twenty years of fandom, I have honestly never seen a hatch job of a season quite like S7. It’s one for the books, certainly. 

I still find it sad how many groups from different sides of a fandom can actually give a damn about its characters, story, world, and pacing while the actual writers themselves couldn’t even give a shit.

The EPs should’ve stuck with storyboarding.  

How could they disappoint so many fans? Every corner of the fandom is disappointed at VLD. When I started reading metas, I was certain the story was getting shitty just because of nostalgia, but now? After S7? To me sounds more like spite. "We can't do what we want so we'll make it shitty because we're children that don't want to listen to our bosses."

My own boss would string me up if I were to boast about a full do-over when the product was already in the can. She’d draw and quarter me on top of that, if I also publicly specified what the clients almost got, but didn’t.  

The only way I would watch a VLD spinoff is if JDS & LM were not producing it. I know that there would probably be lots of logistical complications that would come with that, but personally I just cannot sit through another show where the plot development is as nonsensical as VLD's currently is. I don't see how new writers could do worse tbh. If Netflix does a spinoff I hope they keep the same art team and animation studio but get new EPs, writers, and directors.

Agreed, but at this point, DW’s lost a lot of good faith from me. She-Ra’s been knocked right off my to-watch list. If this is how DW execs manage their projects, I’m not willing to risk falling down this rabbit-hole again.  

I felt uncomfortable when the season came out, and they started patting themselves on the back for choosing not to give Shiro a happy ending. I hope these EPs never get another show.

I’ll be keeping a careful eye on IMDB in the future. From other conversations, I know I’m not alone. I see those two names pop up, and it’s an immediate and flat no. Once was enough. More than enough. 

Petition to fire the EPs and everyone responsible for changing the story 2/3 parts in and violating everything it stood for and disrespecting the characters and the audience, and hire a new capable and respectful staff to rewrite the series from the point where everything was changed. An (actual) apology from DW and the story rewritten to be what it was supposed to. They owe us that.

Or find whomever did S1/S2, and put them back in charge. I’d be willing to forgo a formal apology, if DW just made clear they were fixing things -- whether that’s the staff or the story. Just do something.  

I wanna know the part DW played in this. That interview cleared up that DW didn't object and the EPs didn't have to fight. So did they go to DW with THIS specific storyline? 4 dead gays, 1 resurrected just to suffer, 2 evil ones? And that's what they were OK with & greenlighted? Or did the EPs go with 'just Shiro is gay & there's 3 more queer characters' and they got the OK and wrote and animated the rest themselves and showed that? Because "DW didn't find anything wrong morally" (as they said) is very different between these two cases.

That’s the statement I’d like to hear from DW: just where do they stand on that? Because you’re right, there’s a huge difference. Did the execs think they were okaying mild LGBT representation, or did they know and approve a double whammy of Bury Your Gays? Or did they know and figure controversy was better than silence? It’s a matter of degree.

Who's really to blame for how VLD is handled story-wise? The EP's or the higher ups at DW? Assuming that the DW execs get the final say, then they're the ones that okay'd the clone storyline and making Keith the BP for good while Shiro is turned into a side character.

I have no idea, but we’re three weeks out, now, and no one’s getting any happier. The longer it goes on, the more it’s all going to be associated not with this one production staff, but the entirety of DW’s TV brand. 

If DW has their shit together (not allowing the EPs to kill Shiro which was smart), it looks like DW trusted the EPs but the EPs failed. If DW apologizes to us and fires the EPs for the many things they did wrong in VLD, and announces a sequel with competent and decent creators who will fix the series to respect the S1/S2 premise, I'd watch it.

I might, but I’d need to see the new staff’s IMDB credits, first. DW has lost the benefit of the doubt from me, after this utter destruction of a childhood favorite. And even then, the very first sign of a multiple-minority character being treated as the series’ punching bag? Outta there. 

[moistwithgender]

Curry watched anime: Summer 2018 edition

I guess I’m doing this now! I only really stuck to my Crunchyroll account, as I don’t have a HIDIVE or Amazon Prime sub, and Netflix doesn’t simulcast (I’ve been learning a lot of new terms over the last few months). I didn’t watch everything that was available to me either because I’m tired and etc you know me by now.

What’s that? You say I was supposed to be reading through old Marvel comics? You’re right, I fucked up. I’m juggling a lot of interests and I’m not the best at it.

I think the only show I watched that was on a non-first season was HeroAca and I’m not even done with it yet (and they immediately announced a 4th season, damn). Still, I’m 12 episodes in and it’s pretty good. Haven’t hit the absurd emotional highs of the first two seasons yet, but there’s time.

I watched the 12 available episodes of Angels of Death, and it looks like they’re gonna do an OVA for the last four episodes. I got in on this late due to low energy but I was intrigued because it’s an adaptation of those RPGMaker horror indie titles that Youtubers get famous off of. That’s almost deliberately aiming for my attention. This show is kinda dumb. Not because it’s edgy, I actually kind of enjoy that somewhat immature aspect, but because every time it decides to delve into western religion (which is a big theme, and all the characters are implied to be either American or English) it gets a bit confusing. I’m not sure if it’s subs being written with limited information (which it shouldn’t be, the game is out in multiple languages), or if the author just has a misinformed idea of how people talk about their faith. Rachel, a fourteen-year-old, talks constantly about her relationship with God, but specifically only in the context of what form of suicide is Breaking The Rules. It’s...interesting, but oddly so, and the episodes that revolve around a villainous priest and a witch trial are so vague and nebulously defined that I had no clue what any of the characters were talking about at any time. It’s also very clear they are staying true to the structure of the game, because there are many segments that feel like they lose their tension (or maybe their logic) when taken out of an interactive context. Anyway, I want to watch those last four episodes so I can form a full perspective, but I suspect that any upcoming twist won’t save what’s been established.

Cells at Work is really fun and I enjoyed the full 13 episodes, though I still find its overwhelming popularity surprising. There are shades of narrative, and plenty of implied worldbuilding (which is often my favorite kind), but this is mostly a series of notebook scribbles of someone’s OCs based entirely on making a comedic metaphor. It makes sure to stay this way, and all drama ultimately can’t last in the face of the the theme of “biology is funny.” On Reddit somewhere, a medical student was going through the show and pointing out all the surprisingly subtle details, like the Red Blood Cell with no sense of direction having a cowlick that represents sickle cells which have more trouble getting through the blood stream. Very clever stuff.

Asobi Asobase and Chio’s School Road are both hilarious and great comedic timing, but I still haven’t finished the latter. The former is about shitty schoolgirls who want an excuse to goof off, and the latter is about...mostly the same concept, but the main girl is a hardcore PC gamer who tries to solve IRL problems with her l33t skills. You have to take both with a grain of salt at times, especially if you’re LGBT. Asobase has some sketchy commentary on trans people, School Road’s lesbian is a pervert, and the shows overall swing with reckless abandon into lewd territory (imo said lewdness is often hilarious but ymmv). I think the main difference for me is that while I find both really entertaining, I’m actually growing fond of the characters in School Road? Meanwhile Asobase is an “Always Sunny” style comedy in that the characters are terrible and you should not imitate them (and also like Sunny you are occasionally made to wonder how self-aware the writers are).

Hanebado is about the most traumatic sport in the world: badminton. Or so you’d think, considering that this show turned the drama faucet on full-blast and then cracked the dial off at the start of the season. It’s extremely good sports drama, and really nicely animated, but there’s a subplot of Extremely Bad Parenting that did not reach an appropriate resolution, or at least wasn’t communicated properly to the viewer, and I saw a lot of people reasonably pissed off about it. 

Planet With was probably the show of the season for me, and was even the reason I got a Crunchy premium account. A (kigurumi) mecha show with shades of Gurren Lagann that hits every shonen trope you can expect (well, except for a tournament arc) and subverts it with nuanced maturity, which is what I came to expect from Satoshi Mizukami’s writing. After reading Spirit Circle, I’m convinced everything he writes is gold. Not enough people watched this show, and it’s a shame, because the nuanced take on the difference between justice and compassion is pretty relevant today. I’m currently rewatching this with my sister and hoping I’ll pick up more than I did the first time through. I expect to watch it a third time in the future.

Show of the Season: Planet With Runner up: Probably Hanebado

Shows I also watched that weren’t from this season: - Ushio & Tora (wasn’t really worth the dedication, unfortunately) - KADO: The Right Answer (Fantastic until the last couple episodes collapsed in on themselves) - Digimon Tri movies 1 & 2 (this is gonna be rough)

Shows I dropped: - Angolmois (it’s not a bad show but I didn’t have the energy)

Shows I missed but still wanna watch: - Overlord S3 (haven’t started this show) - Banana Fish (wanna read this first (also no Prime ;_;)) - FLCL S3? (haven’t watched any of the new stuff yet) - High Score Girl (COME ON NETFLIX) - Revue Starlight (it’s on HIDIVE) - Kakuriyo: Bed & Breakfast for Spirits

Shows I missed and don’t know what to think about: - Grand Blue - Happy Sugar Life - Island - Harukana Receive

[anythingstephenking]

Tony! Toni! Toné! has done it again

Did you know that Tony! Toni! Toné! has over a million monthly listeners on Spotify? Not bad for a band that hasn’t put out an album since 1996. Can you name a Tony! Toni! Toné! song that isn’t “Feels Good”? I can’t. Can you think of another band with three exclamation points in their name? I can’t. Do you remember when Panic(!) at the Disco removed the exclamation point from their name? I do. Do you remember when Ke$ha removed the dollar sign from her name? I definitely do.

The tangent to end all tangents, but we’re back with Danny (or more matured “Dan”) Torrance and his pal Tony with Doctor Sleep! I was so excited when this novel was coming out I pre-ordered my copy when it was announced. Then never read it. Whoops.

Since I started my King journey, I haven’t let myself watch any new King adaptations of source material I haven’t read, so I got to watch the movie for the first time too! Someday I will finally get to watch The Outsider. I’m actually on a bit of a roll - 5 books in the last month or so.

I ONLY HAVE 12 BOOKS LEFT! PRAISE BE.

King said that a lot of folks would ask him at book signings “What happened to Danny Torrence”? If I was King I’d probably says “I dunno man, he’s not a real person” so I guess that’s why I have no imagination. Instead of sparking annoyance with the insatiable requests of his Constant Readers, it sparked creativity, and that’s why King is king.

Alright, lets actually talk about the book. We’re back with the Torrance family, and for an extremely traumatized family unit, they’re doing ok after Jack’s demise. I mean, the ghost lady from room 217 shows up in the bathtub every now and again, but that’s to be expected right?? The Torrances are living in Florida, stating that there’s no snow in Florida. But they know there’s like, a lot of resorts in Florida right? Presumably haunted by a lot of old biddies sending their food back to the kitchen and tipping their ghost waiters 2%.

There’s a little bit with Wendy, a young Danny and Dick, who’s still around and helping Danny manage his shine. Dick helps Danny lock away the lingering remnants of The Overlook by quite literally locking them in boxes in his mind. Ok sure, I guess?

But we’re not here to find out how Danny’s awkward middle school years were, and so we skip past the braces and straight into the alcoholism. Because of course. Like many flawed-but-heroic King characters, a grown up Dan Torrance has an alcohol problem. Given who his dad was, I can’t say I’m surprised. Dan says it’s a crutch to dim his shine. Genetics and quieting your clairvoyance - the top two causes of alcoholism in the United States.

Dan’s character isn’t any more interesting than the other alcoholics in King’s novels unfortunately. He’s fine; standard “I wanna get better” bullshit. To his credit, he does turn his life around, joining AA, getting a sponsor and settling down in one place for more than 10 minutes. He does shitty things but feels IMENSE guilt afterwards. I suppose remorse is a character strength.

Turns out Dan isn’t really the star of the show here, it’s Abra, a young gal with a very powerful shine who has never even had a sip of whiskey. We’re introduced to Abra as a baby in a terrifying passage about her abilities. As a baby, she starts crying and wakes both her parents from powerful nightmares that include the numbers 11 and 175. Her parents can’t soothe her and it gets so bad they take her to the hospital, where she wails until just shortly after 9:30am. It was September 11, 2001, and the numbers the family had nightmares about were the flight numbers of the terrorist planes. An infant, warning her parents through dreams. I mean, girl’s got it.

Abra grows up and does a bunch of other stuff that can mostly be considered fancy party tricks. She makes small connections with Dan’s mind here and there, but things heat up when we meet The True Knot.

So The True Knot are vampires that aren’t vampires. Because they don’t drink blood, they drink “steam” which is emitted from those that shine while they are tortured. Cool. It’s a new and refreshing take on typical vampire tropes, and they’re decent, other-worldly baddies.

Here’s where things go a little sideways for me. Abra manages to catch the interest of the True Knot’s leader Rose, and you can tell the remainder of the book will be a cat and mouse between the good guys and the bad. We learn that the True Knot has gathered much wealth and resources (as the undead tend to do with all the time in the universe) and they have footholds all throughout the US, including Jerusalem’s Lot and Sidewinder. Yes, the Sidewinder where the Overlook once stood. So how, in gods green earth, did these folks not latch onto a young Danny? His shine was powerful enough for a friggin’ building to attack him, but he somehow slipped past The True.  Someone asks this question in the book and I was not satisfied with the answer.

Plot holes aside, the relationship that Dan and Abra develop is quite charming, and because Dan’s a recovering alcoholic and Abra is 13, this is a romance free story. They team up, and the cat and mouse is amped up because we’re not just chasing The True through the streets but through their minds, with Abra and Rose popping in and out of each others brains like it’s nothing. It’s accelerated even further by the True catching measles from one of their victims. Now, I am looking at you, American Horror Story Season 5, for using this exact same plotline in Hotel two years later.

In the end, Dan gets his redemption arc, a new home, a career, 15 years of sobriety, a family. Abra gets… to live a normal life as a teen? I suppose this is the most important thing when you’re 13.

While a fun, page turning story (I think it took me 3 nights to plow through) there’s really not much to chew on here outside of the fast paced plot. I’m not saying that’s a bad thing. It feels to me highly personal retelling of the recovering alcoholic, with Dan fully duking it out with his demons and coming through on the other side. I’d imagine that the parallels with King’s own demons is not all that dissimilar. At times it does feel like reading an advertisement for AA.

At the end of the day, The Shining was a story of alcohol and isolation; Doctor Sleep is a story of sobriety and companionship. One ends well; one does not.

6/10

First Line: On the second day of December in a year when a Georgia peanut farmer was doing business in the White House, one of Colorado’s great resort hotels burned to the ground.

Last Line: “Until you sleep”, he said.

Adaptations:

I feel more and more letdown with every modern King adaptation I’ve consumed recently.

The new Stand miniseries? Hated it.

1922? Hated it.

The new Pet Semetary? HATED IT.

Lisey’s Story? Currently watching and hating it.

Dark Tower? COME FREAKING ON.

I’m trying to remember the last King adaptation that didn’t make me go “meh”. I suppose IT: Chapter One? Gerald’s Game was good too I guess. I absolutely adore Castle Rock, but Hulu cancelled it because they’re stupid heads.

I actually miss the “so bad it’s good” movies of the early years - I’d rather watch Cat’s Eye 20 times than have to sit through 1922 again.

I was anxious for Doctor Sleep because I love love love Mike Flanagan movies and he did a decent job with Gerald’s Game. Oculus and Hush are two of my favorite modern horror movies, and if you ever want me to jabber on for hours on end, ask me about The Haunting Netflix series.

Unfortunately, I filed Doctor Sleep into the “meh” column. It’s a hard adaptation; remember that the Overlook exploded in the book, but was still standing at the end of the movie. Dick dies in the movie, but he’s still kicking it in the book. The list of inconsistencies go on and on.

It’s like how David Yates had to clean up the whole patronuses-are-actually-animals thing after Alfonso Cuaron’s creative decisions in Prisoner of Azkaban. If you get that reference, you win today’s nerd award (TM).

So Flanagan had his work cut out for him and he does well at marrying the two parallel universe storylines. The most infuriating plot-hole in the movie was the fact that they let The Overlook rot after the Torrance family left? I mean, Grady killed his wife, two girls and himself, and the owners decided to keep on keepin’ on, but sure, they decided to pack their money-filled suitcases and close up shop when Jack Torrance bites it by freezing to death in the hedge maze? Sure thing.

But it wasn’t bad. It was just fine. It’s ok.

Would I recommend this movie to someone? Sure?

[dkettchen]

I’m taking a break from the MCU

at least from its new content

not just infinity war, but everything

And this is not about professional standards and boycotting their movies/supporting their more progressive ones out of principle, this is about my personal healing process.

As most of you know, Ragnarok brought back my depression, after being depression free for over a year.

After spending a quarter of my life on the MCU, it felt like breaking up with someone you loved. It felt like betrayal, it felt like having the person you trusted most stab you in your heart when they were supposed to win you back.

It wasn’t just the professional disappointment with Taika, as someone I looked up to, but rather the heartbreak, because I thought he of all people could be trusted with the thing I loved most. He as the person who made my favourite movie, to make a movie about my favourite superhero-franchise. 

Having lost the one part of the MCU that I cared about the most, I was forced to analyse the good and the bad of the genre, and I could no longer close my eyes to the idiocy and out-datedness of its flaws. It prompted me to emancipate myself as a creator rather than keep confining myself to the rank of only a fan, which is good, but it also means that I can no longer value the mainstream shitty version of the genre I love the same way I did before.

The MCU has forgotten what the superhero genre is about, and my allegience lies with the genre not this franchise. 

I’m not giving up on what came before (don’t worry), and I don’t give up on the genre (never could).

I just don’t wanna watch these movies because I feel like I have to, like it’s a chore. I don’t wanna watch them because I’m supposed to be hyped about them, just for the sake of being hype, when there’s not enough there to warrant that hype. I don’t wanna watch them when they emotionally drain me without actually paying off anymore. 

I would love to support Black Panther, to support a diverse future for the genre (something I care greatly about, and try to work towards with my own work as well), but if that’s my only reason to watch it, that doesn’t seem right. 

And considering the premise of the storyworld, of combining native culture with hightech, and featuring a royal family as the protagonists, it has too many parallels with Thor. Different continent, same concept. I don’t think I’m ready for that. 

I’ve decided to take a break from franchise movies in general.

I am watching Black Lightning on netflix and I’m looking forward to the Spiderverse animated movie, that’s my superhero content for the time being. (EDIT: AND DEADPOOL I FORGOT ABOUT DEADPOOL) Because it has a freedom to it that the MCU doesn’t have anymore. 

The idea of the MCU was to have a bigger story world that’s interconnected between movies, to be able to tell bigger stories within it. But by planning it out from the beginning, it failed to adapt with the times, while everything on the outside was moving so very fast, and it failed to leave itself enough space to change. 

The idea of the freedom a bigger universe could give you was undermined by not using that freedom to do literally anything. After Avengers it seemed like they didn’t really know what to do with that new potential anymore. 

And Ragnarok was a chance to make something new, to do something daring and progressive (YOU HAD THREE QUEER CHARACTERS, that’s like half of your speaking roles come on) rather than continue to stagnate on their early-2000s level of mediocre inclusivity like they have for the past like 5 years, and they went and made it into the biggest mess so far (including some of the oldest and most outdated of tropes from big ol’ sexist patriarchal superman himself (more on that in that video essay I am STILL WORKING ON))

I’m taking a break from franchise movies, so I can focus on my own work, and the good non-franchise work of others, and maybe even venture out into some of my other favourite genres, beyond superheroes.

So look forward to that :)

[janiedean]

Look, the reason Asian-Americans get so upset about whitewashing in American movies when people living in Asia doesn't, is because Asian-Americans ARE AFFECTED BY AN ALREADY IMPOSSIBLY TINY MARKET FOR ROLES. It's based in a really long and shitty history of racism so of course people are going to be up in arms about roles for Asian characters being taken by white people that already have a huge pool of roles to choose from and nobody telling them that they're not good enough for them. 1/2

2/2 If you could almost only be cast as ‘sexy exotic woman’, 'evil martial arts villain’, 'mysterious oriental martial arts master’ or 'sexless butt of the joke’ you’d also be upset at roles where your people get to be heroes, romantic leads and main characters getting twisted around to cast white actors because they are supposedly seen as more 'desirable’ and 'marketable’ than Asian-American actors. So yeah, Japanese natives doesn’t care because it doesn’t affect them and their careers.

… I read this three times and I swear I tried to come up with a nice response, but I don’t know if it’d be nice according to you so whatever. Never mind.

These are all fair points but you know what’s the fucking problem?

That at least on here, y’all market this as **cultural appropriation** other than whitewashing. and you wanna know something? let’s just use g*host in the shell since I guess it was what kickstarted it.

‘g*host in the shell is a JAPANESE MEDIA FRANCHISE’

JAPANESE MEDIA FRANCHISE

JAPANESE MEDIA FRANCHISE

JAPANESE MEDIA FRANCHISE

where does it read japanese-american or asian-american? nowhere. so if you care about the **cultural appropriation** behind it, the japanese’s opinion comes before anyone else’s at any time because they came up with the franchise. it’s their stuff, not yours. and if they think that americans making horrid movies out of their stuff isn’t inherently problematic then you should listen to them for a moment, or the chinese, or whatever, but no, because whenever I hear this argument it’s all ‘but it’s about US and not about THEM’ when you’re… talking about things that… they created. now, there’s stuff and stuff - the netflix death n*ote movie looks like an americanized dumb clusterfuck but uhm I haven’t seen that many people complaining about it (is that because one of the racebends is that a character became black? who the fuck knows), but like if the show itself then is inherently racist or sucks then by all means complain, if it’s not and it doesn’t suck and y’all just out to complain for the sake of complaining (not mentioning what I’m thinking of but everyone who’s been around here understood it I fear) then idk ask yourself a few questions and give yourself a few answers.

because I’m honestly fucking tired of americans-anything complaining about X media being problematic because it’s not representative enough for *their* needs and blaming it on cultural appropriation when the people from that actual culture don’t give a fuck.

other than that:

Asian-Americans ARE AFFECTED BY AN ALREADY IMPOSSIBLY TINY MARKET FOR ROLES

point taken, and then why every time I see a show with Asian-Americans in it or with Asians in parts that are their ethnicity or the likes no one on this shit hole of a website gives two fucks about it? I mean, idk, THE THREE FIRST THINGS THAT COME TO MIND:

marco polo. one white character (and they hired an Italian to play an Italian you don’t even know how happy we were everyone on italian tumblr watched it), everyone else in the cast had Asian heritage if they weren’t Asian tout-court, it was done fairly well, people didn’t even speak English all the time, canceled after two seasons while every other netflix show in existence gets renewed for at least three or four and on tumblr everyone was crying about OMG THERE’S A WHITE MALE LEAD (wow, italians are white…?) and who cares if everyone else was not white and had a+++ arcs/storylines.

the great wall. lol this one was amazing, y’all complained for months about white-saviorism and whitewashing even if IT WAS DIRECTED BY A CHINESE DIRECTOR WHO’S BEEN IN THE BUSINESS SINCE THE FUCKING EIGHTIES WHO USED CHINESE ACTORS OTHER THAN NOT AND SHOT IN CHINA, when it came out I’ve seen one post (ONE) by someone asian-american who said that actually it was a good movie and didn’t do any white-saviorism and the main character was actually a chinese woman who saved the day and wow, it tanked and none of y’all went to see it. (but when tumblr went up in arms about mad max fury road you all went even if it was mostly white actors, but that one was a feminist action movie and this one… apparently was not because matt damon was in it. okay.)

fresh off the boat. I’ve see gifsets from that show maybe thrice from people of asian heritage (tho I think a few lived in Europe) and a few posts like OMG IT’S A SITCOM JUST WITH ASIAN-AMERICANS DEFYING STEREOTYPES IT’S LOVELY WATCH IT. okay, have I seen the whole of tumblr supporting it? blah. no. it’s still on the air so I guess people watch it so yay for them but like, where’s the support for it? idk. never saw it. most probably never will.

bonus: the 1*00 has actually more non-whites (including asians) in its main cast but everyone wanks about it and wants to quit it when they kill off white characters and fuck me if I’ve been lurking in that fandom for a year or so and I only see people talking extensively about monty when discussing a non-canon ship he’s part of when in theory both him and the other party are otherwise engaged (and both canon ships get ignored hahahaha but we all want more interracial canon relationships right?). now that show is hardly perfect when it comes to *representation TM* (like monty and his mom are both asian-americans but from two different nations originally but WHATEVER) but I mean, support what you have so they do better after maybe??

extra bonus: it’s not a role it’s a cartoon but pls also go after people in the v*oltron fandom who are fixed on thinking that if you have two asian characters they have to be related somehow? anyway, nevermind.

I could also rant about how everyone on here hates c*lint eastwood and forgets he made gran torino (which had plenty hmong actors and was not at all racist actually all the congrary but who cares), or letter from iwo jima ie the least american-centered war movie I’ve ever seen (from americans) with all japanese actors (or japanese-americans) entirely shot in japanese, but who cares. I could rant about how every piece of media I consume that has canon well-written minority characters (not just asian-american) gets thoroughly ignored seven times on ten on this hellhole of a website, which is a thing that happens whatever y’all say.

I could rant about a lot of things, but just the fact that you say ‘WHO GIVES A FUCK ABOUT WHAT THE JAPANESE OR THE CHINESE OR THE KOREANS THINK ABOUT ADAPTATIONS FROM THEIR OWN MATERIAL BECAUSE EVERYTHING THAT MATTERS IS HOW IT AFFECTS US AMERICANS’ is making me fucking want to punch a mirror because y’all are going like

and honestly, it’s US-centrism all over again.

is there a problem with asian-american casting? sure. so WATCH THE THINGS WHERE THERE ARE ACTUAL GOOD ROLES FOR ASIAN-AMERICANS, ignore g*host in the shell if that’s what you want (honestly I don’t even give a fuck about that movie, I haven’t read the manga and I don’t even know if it’s actually racist or not and I don’t care because I don’t want to go watch it) and put your money where your mouth is and go support the things that actually give you what you want, because if you don’t then you’ll get stereotypes forever because majors won’t invest money in things that they know won’t return that fucking money. marco polo tanked? see when netflix comes up with another show with the same cast again. I doubt it will in the next five years or so. but whatever, I really doubt y’all give a fuck when you can have a few nice witch hunt and go against stuff that is popular or rant about how appropriative i*ron fist is when the chinese don’t particularly care about that either and when they haven’t whitewashed characters that weren’t originally, y’know, white. but okay.

people are going to be up in arms about roles for Asian characters being taken by white people 

fair, except that I’ve seen people suggesting l*ucy liu for that role as well. lucy liu has taiwanese origins. the character is japanese. if you want r*inko kikuchi then you have a point, if you want someone who’s not originally japanese to play the characters because they’re asian so it’s all the same…. do I have to finish the damned sentence or do we all get where I’m going at?

you’d also be upset at roles where your people get to be heroes, romantic leads and main characters getting twisted around to cast white actors because they are supposedly seen as more 'desirable’ and 'marketable’ than Asian-American actors

yeah, and every time I see a show or movie where asian characters are all that, as stated above, they tank or no one cares about that show or no one cares about that character.

putting your money where y’all mouth is, again? or should I remember the times people wanted the 1*00 to get canceled because a white lgbt character got killed when at the same time it has representation for a whole bunch of other groups including a canon interracial gay ship that no one gives a fuck about and a canon interracial het ship everyone hates because both go in the way of the interracial fanon m/m ship? (one of which is asian btw but lol as if I ever saw anyone advise ppl to watch the 1*00 because monty is in it. btw he’s a main character.)

Japanese natives doesn’t care because it doesn’t affect them and their careers.

given all of the above this is just so - so terribly US-centric I don’t even know how to start to address it. hey, the japanese opinion about a movie made out of a japanese comic book/franchise is irrelevant because it doesn’t affect them. wow. almost sounds like, ‘we are pretending to care about your culture/your media being exploited by the americans (because yOU COULD TALK ABOUT AMERICANS REMAKING EVERYTHING IN AMERICANIZED WAY RUINING IT 90% OF THE TIME) but instead we just care as long as it affects us and if you disagree with us then fuck you’.

okay, then next time start fucking using the right terms. call it ASIAN-AMERICAN. CALL IT JAPANESE-AMERICAN. CALL IT CHINESE-AMERICAN. because whether y’all like it or not, japanese-american is not the same as japanese same as italian-american is not the same as italian, being american is part of your motherfucking identity and you have absolutely no right to impose it on others just because for some reason in the US there’s an identity culture that tends to reject the AMERICAN part of it and focuses on where you originally come from, and y’all pretending to be paladins of saving other cultures from so-called appropriation or from white people appropriating roles or whatever is honestly so ethnocentric I don’t even wanna know.

thanks and goodbye.

by the way, you know why everyone italian on tumblr watched marco polo with utter glee? because we’re sick tired of seeing that whenever an italian character is on any american media they’re ALWAYS criminals - like you have to hope they’re well-written criminals (ie: ASSHOLES) rather than badly written criminals, but guess why whenever they write well-written criminals the italian-americans go like OMG THAT’S NOT ACCURATE WE’RE NOT LIKE THAT (lol criminals are like that sadly) and then we end up getting cringy shit most of the time. and then when we get an actually decent character who’s not a criminal then there’s people like BUT IF HE WAS ITALIAN HE SHOULD BE A POC again superimposing american standards on us because lol obv. an italian character CAN’T BE PLAYED BY AN ITALIAN ACTOR BECAUSE HE’S NOT DARK ENOUGH ACCORDING TO YOU.

that’s all y’all sound when you complain about this shit and like idk if for people from asia it’s the same level of frustration or not but the moment you go like it doesn’t affect them it affects me when the franchise in question is not even fucking american you need to ask yourself how bad did your ethnocentrism get.

jfc.

also: I have to work in the afternoon and I already lost forty minutes replying to this thing while feeling progressively less inclined for nice discussion about the topic because I’m honestly sick fucking tired of US centrism on this blue hellhole so any wank coming out of this or whatever is not getting answered period because I have work to finish. bye for real now.

[lesbian-misa-amane]

I wonder what's going to happen when fans of the us death note try to join the fandom. Will there be a separate fandom? Will there be massive shit talking? Will most of the us version fans watch the real death note and realize it's so much better. Whatever happens, I'm going to watch it so I can shit on it. I can't believe the actor in every Jon Green movie is going to be Light. I don't understand.

I want to believe that no one is going to like this shitty movie, but I know that there will be people who enjoy watching it. So, when the time comes I really have no idea what will happen. I know that most of the fandom right now hates the idea of this movie, so I don’t think we’ll be too welcoming to the new fans who like it. That’s not to say we will all be assholes, but I’m definitely going to be very verbal of my distaste for this adaptation. 

I feel like, when the new fans do come, all we can do is give them the source material and hope they’ll be able to see how bad the movie is. Watch the anime, read the manga, watch the fucking relights, read LABB, watch the shitty live actions if you want, watch the 2015 (?) DN drama... Just like... enjoy the real DN stuff and not whatever the fuck this will be. 

But, it’s interesting that you bring up Light’s shitty actor. I’m not even surprised that Netflix is using him. Wanna know why? Because John Green’s fan base will watch anything he’s in. So, good marking scheme Netflix, I’ll give you that one. The rest of your adaptation is actual crap :)