#i very much like that this is the first Tolkien I'm posting

[judgeitbyitscover]

Roverandom, story and art by J.R.R. Tolkien

Cover art title "The Gardens of the Merking's palace" (1927)

Watercolor

[astronicht]

Okay I'm almost done with Fellowship, here's an incomplete list of shit I noticed and thought was buck fucking wild on my first ever read-thru: medieval edition.

In literally the second line of the book, Tolkien implies that Bilbo Baggins wrote a story which was preserved alongside the in-universe version of the Mabinogion (aka the best-known collection of Welsh myths; I promise this is batshit). This is because The Hobbit has been preserved, in Tolkien's AU version of our world, in a "selection of the Red Book of Westmarch" (Prologue, Concerning Hobbits). If you're a medievalist and you see something called "The Red Book of" or "The Black Book of" etc it's a Thing. In this case, a cheeky reference to the Red Book of Hergest (Llyfr Coch Hergest). There are a few Red Books, but only Hergest has stories).

not a medieval thing but i did not expect one common theory among hobbits for the death of Frodo's parents to be A RUMORED MURDER-SUICIDE.

At the beginning of the book a few hobbits report seeing a moving elm tree up on the moors, heading west (thru or past the Shire). I mentioned this in another post, but another rule: if you see an elm tree, that's a Girl Tree. In Norse creation myth, the first people were carved from driftwood by the gods. Their names were Askr (Ash, as in the tree), the first man, and Embla (debated, but likely elm tree), the first woman. A lot of ppl have I think guessed that that was an ent-wife, but like. Literally that was a GIRL. TREE.

Medieval thing: I used to read the runes on the covers of The Hobbit and LOTR for fun when I worked in a bookshop. There's a mix of Old Norse (viking) and Old English runes in use, but all the ones I've noticed so far are real and readable if you know runes.

Tom Bombadil makes perfect sense if you once spent months of your life researching the early medieval art of galdor, which was the use of poems or songs to do a form of word-magic, often incorporating gibberish. If you think maybe Tolkien did not base the entirety of Fellowship so far around learning and using galdor and thus the power of words and stories, that is fine I cannot force you. He did personally translate "galdor" in Beowulf as "spell" (spell, amusingly, used to mean "story"). And also he named an elf Galdor. Like he very much did name an elf Galdor.

Tom Bombadil in fact does galdor from the moment we meet him. He arrives and fights the evil galdor (song) of the willow tree ("old gray willow-man, he's a mighty singer"), which is singing the hobbits to sleep and possibly eating them, with a galdor (song) of his own. Then he wanders off still singing, incorporating gibberish. I think it was at this point that I started clawing my face.

THEN Tom Bombadil makes perfect sense if you've read the description of the scop's songs in Beowulf (Beowulf again, but hey, Tolkien did famously a. translate it b. write a fanfiction about it called Sellic Spell where he gave Beowulf an arguably homoerotic Best Friend). The scop (pronounched shop) is a poet who sings about deeds on earth, but also by profession must know how to sing the song or tell the story of how the cosmos itself came to be. The wise-singer who knows the deep lore of the early universe is a standard trope in Old English literature, not just Beowulf! Anyway Tom Bombadil takes everyone home and tells them THE ENTIRE STORY OF ALL THE AGES OF THE EARTH BACKWARDS UNTIL JUST BEFORE THE MOMENT OF CREATION, THE BIG BANG ITSELF and then Frodo Baggins falls asleep.

Tom Bombadil knows about plate tectonics

This is sort of a lie, Tom Bombadil describes the oceans of old being in a different place, which works as a standard visual of Old English creation, which being Christian followed vaguely Genesis lines, and vaguely Christian Genesis involves a lot of water. TOLKIEN knew about plate tectonics though.

Actually I just checked whether Tolkien knew about plate tectonics because I know the advent of plate tectonics theory took forever bc people HATED it and Alfred Wegener suffered for like 50 years. So! actually while Tolkien was writing LOTR, the scientific community was literally still not sure plate tectonics existed. Tom Bombadil knew tho.

Remember that next time you (a geologist) are forced to look at the Middle Earth map.

I'm not even done with Tom Bombadil but I'm stopping here tonight. Plate tectonics got me. There's a great early (but almost high!) medieval treatise on cosmology and also volcanoes and i wonder if tolkien read it. oh my god. i'm going to bed.

edit: part II

[from-the-coffee-shop-in-edoras]

Someone asked me to expand a little on a topic that was buried down in a big chain of reblogs, so I'm doing that here--it's about the use of the archaic "thee", "thou", "thy", etc. in LOTR and what it tells you about characters’ feelings for one another. (I am NOT an expert on this, so it's just what I've picked up over time!)

Like many (most?) modern English speakers, I grew up thinking of those old forms of 2nd person address as being extra formal. I think that's because my main exposure to them was in the Bible ("thou shall not...") and why wouldn't god, speaking as the ultimate authority, be using the most formal, official voice? But it turns out that for a huge chunk of the history of the English language, "thee," "thou," and "thy" were actually the informal/casual alternatives to the formal "you", “your”, “yours”. Like tú v. usted in Spanish!

With that in mind, Tolkien was very intentional about when he peppered in a "thee" or a "thou" in his dialogue. It only happens a handful of times. Most of those are when a jerk is trying to make clear that someone else is beneath them by treating them informally. Denethor "thou"s Gandalf when he’s pissed at him. The Witch King calls Éowyn "thee" to cut her down verbally before he cuts her down physically. And the Mouth of Sauron calls Aragorn and Gandalf "thou" as a way to show them that he has the upper hand. (Big oops by all 3 of these guys!)

The other times are the opposite--it's when someone starts to use the informal/casual form as a way to show their feeling of affection for someone else. Galadriel goes with the formal "you" all through the company's days in Lórien, but by the time they leave she has really taken them to heart. So when she sends them a message via Gandalf early in the Two Towers, she uses "thee" and "thou" in her words to Aragorn, Legolas and Gimli because now they're valued friends and allies. And--this is the big one, folks, that was already alluded to in my previous post--Éowyn starts aggressively "thou"ing Aragorn when she is begging him to take her along as he prepares to ride out of Dunharrow. She is very intentionally trying to communicate her feelings to him in her choice of pronoun--an "I wouldn't be calling you "thee" if I didn't love you" kind of thing. And he is just as intentionally using "you" in every single one of his responses in order to gently establish a boundary with her without having to state outright that he doesn't reciprocate her feelings. It's not until much later when her engagement to Faramir is announced that Aragorn finally busts out "I have wished thee joy ever since I first saw thee". Because now it is safe to acknowledge a relationship of closeness and familiarity with her without the risk that it will be misinterpreted. He absolutely wants to have that close, familiar relationship, but he saved it for when he knew she could accept it on his terms without getting hurt.

So, you know, like all things language-based...Tolkien made very purposeful decisions in his word choices down to a bonkers level of detail. I didn’t know about this pronoun thing until I was a whole ass adult, but that’s the joy of dealing with Tolkien. I still discover new things like this almost every time I re-read.

[kenlvry]

LISTEN TO ME RN HEAT ME TF OUT STANS GANG + CRAIG DOIGN THE LIPSTICK TREND FROM TICTOK WITH READER

the lipstick trend with stan and craigs team

an, I AM LISTENLING ANON DONT WORRY. no idea what you mean by heat out though 🤨 , 17-18 and gn reader but use of her in tolkiens

kenny

he was the one who suggested it, it came across his fyp one day and he sent it to you "lets do this come over rn." "you asked, why dont you come to my house? 🤨" "why don't i cum in your mom" "HUH 😧" "im here."

you both definitely argue on what lipstick you should wear "okay but i don't even use pink lipstick" "well you should" "its light colour its not gonna appear" "well fuck 😒"

the process of kissing his face is wild, he would suggest to do his lips as the first place "KENNY HOW ARE WE GONNA DO THIS TREND IF YOU KEEP TRYING TO MAKE OUT WITH ME" "ITS NOT MY FAULT"

after like2 hours you finally get the lipstick on his face. now the tiktok was even harder he wouldn't stop laughing. you'd give up and he apologises while laughing

thank god you guys were able to finish it under 1 hour it turned out really good, at the end of the video he kissed you and you wanted to cut that part but he said keep it for like and its true the comments were all about the kiss on the last clip

kyle

okay he too wanted to ask you first but he was kinda shy and waited for you to ask and you did!! woohoo for kyle

"kyle wanna do this" "OKAY" he insists on picking your lipstick and picks the ugliest colour like what 😐

to him there was no such thing as an ugly colour buy it didn't suit your face so no way.

the process of it was calm, he at first wanted to put on the lipstick for you but you looked like a clown has mans never put on lipstick??

he watches you as you kiss him and reapply lipstick and then kiss him again, he feels like a princess fr 🤭🤭

he hasn't seen his face yet so when you record and he saw his face he laughs out loud, "LMAO WHY DO I LIKE THAT??" "WDYM"

you would tell him to take off his hat which he refuses but you looked too cute, when it posted cartman was first to comment and you can already tell what he commented "ew gay" your followers defended you two though 🤭

stan

stan blushes internally when you ask him. "sure im down" DEEP DOWN HE WANTS KIDNAP YOY AND KEEP YOU TO HIMSELF

"what lipstick do you think matches me best, pink or red?" "id say my tip colour" "WHAT 😧"

he has to hold in the very urge to puke every time you kiss him because like you look so cute omg.

he looks in the mirror and is js like "damn, i did it". HE LOVES IT SOOOO MUCH YOU CAN TELL HE'S BLUSHING ONGG ‼️

he even directs you like "do here next, okay now here" its so cute 🤭🤭

when you record and the camera pans to him, he smiles and covers his face blushing bc he can't contain it. it was such a cute video and got iver 2 mil likes. cartman definitely commented "i bet you had to change your clothes 10 times"

cartman

"cartman lets do this" "what." "wdym? cmon its cute" "y/n no offense but that is the most gayest shit i've ever seen" " NO ITS NOT UTS CUTE" "my reputation is at stake if i do that be so for real" "okay I'm asking kyle then" "lets do it."

he actually been wanting to ask you for weeks now but doesn't know how so winwin. you take your absolute time picking your lipstick and he couldn't be more done with "hurry up this doesn't even effect anything" "shut up cartman if i use the right one people will ask what lipstick it is and i get views"

picking a lipstick was already a big deal just imagine the process "ew gay not on my lips" "cartman 😐" tbh he wish he could just make out with you rn but yk how mans is

now recording is even more a hassle "JUST SMILE IS IT SO HARD TO CRACK A SMILE" "NOT WHILE IM LOOKING LIKE THIS" the most he does is wipes your lipstick off and then he just gives a 🙄 look until the end of the video

the comments are just him getting teased at clydes commenting "NAHHH CAN'T BELIEVE HE AGREED TO THIS" kyles is "i can tell that this took a long time" and then wendys is "is that cartman or a clone of him". cartman is pissed af at the comment, he told you his reputation is at stake 😒.

he actually has it saved downloaded and also is his live wallpaper sooo.

butters

butters is the one who asked you this " um y/n can we do this? 😣" while twiddling his fingers, "OKAY"

he's all giddy and smily during the process, after every kiss his blushes intensifies and by the end of it he is just.. 🔴

even though it is the most simplest video ever he has to have a tutorial, he is asking questions for everything man, how do i wipe the lipstick, what do i do, do i smile when its on me , do i laugh??

you tell him what he thinks he should he and he starts kissing you bc rn the sexual tension between you two is intense (to him atleast, he thinks thinks hand holding is already intense)

everyone comments on how cute he is and yk how tiktok is so people comment "does he whimper" "submissive who?" and hes likw WHATTTTT 🧍

clyde

when you suggested this he nodded so hard his head probably was about to fall off. "clyde you wanna do this" "DO I???" ..... "well.. do you?" "i mean yeah it's like a way of- yes i wanna do it"

he loves any lipstick you wear so he lets you pick. after every kiss he looks in the mirror and kicks his feet giggling and you just stand there 🤨

he also tries to make it a makeout session like kenny, when you kissed on his lips he holds your neck and literally makes out with like cnon we have 9 more

when you first hit record and yk how the guy has to wipe your lipstick off, nah he grabbed you by the chin and slams his lips with yours "WHY DIS YOU DO THAT??" "its called content,you wouldn't know with your 9 likes and 70 views"

well you kept the clip and everyone in the comments were talking about it "need a boyfriend like you y/n" "why can't my boyfriend be like this" clyde is obviously gloating bc he had the idea.

tolkien

most romantic man you know, is the first to ask you. "y/n can we do this?" "OKAY BOO 😝"

"hmm which lipstick do you think babe?" "i think every lipstick makes you pretty, it doesn't matter if it doesn't suit you because in my eyes you look beautiful in anything ☺️" "what if i wore kim kardashians 2013 met gala dress" "might have to rethink what i said"

he smiles while you kiss him here and there, every once a while he kisses you back, it was such a cute moment for you two😝🤞🤞

when recording he looks at you while smiling during the whole video and it blew up fast because of that

"the way he looks at her" "wishing he was like this" "you got the bag that man is inlove", it blew in seconds fr

craig

"craig lets do-" "okay" "i didnt even ask you yet" "I'll do anything if its with you" "what if i asked you to have a threesome" ".....if its makes you happy idk.."

idk about you but i think he acts like he doesn't care but inside he is so happy you asked he's been wanting to ask you this but doesn't know how to start up the convo

he doesn't care what lipstick or where you kiss him, its just the way you press your lips on him and look at it then quickly reapply to do it again because it wasn't pigmented enough.

when recorded, he doesn't just wipe he makes you turn to face him by grabbing your chin, and he doesn't let go and just looks at you with those yk siren eyes.

people are simping over him ong "damn girlie share for us" "you mean OUR boyfriend" "tryna find someone as hot as him" and you are pissed fr he laughs at you cursing out the people, like bae dw my eyes only fo you 😝🤞

tweek

"tweek, wanna do this?" "but what if I can't remove the lipstick stain" "tweek what dw i have makeup remover" "WHAT IF THAT DOESN'T WORK 🤯🤯" "TWEEK"

okay so the lipstick may turn out ugly bc of how shaky he is but ITS OKAY BC ITS TWEEK DUH, "a-are you sure you dont want to redo this?" "tweek its fine"

he insists on redoing it the 2nd try turns our worse because he's even more twitchy because of how close you are☺️☺️☺️

his face is just red because he keeps wiping it off with his hands so you can redo it and its obvious too

recording it was so funny because you can't stop laughing at the smudge lipsticks

when posted the comments were so cute but... uh questionable some were "the way the smudges are so obvious 😭😭❤️" or "wishing my future relationship will be like this 🤭" and some were just "tip colour when?? 😜"

[sindar-princeling]

LOTR Newsletter 3 Shire Drift - FAQ

Hello everyone!

Just like last year: for those of you who are already familiar with The Lord of the Rings Newsletter, this serves as an announcement that I'm doing it again; and for those who aren't - an introduction to the project :)

What is LOTR Newsletter?

I'm one of the people who subscribed to Dracula Daily in May 2022, and immediately thought, "Hey, I can do this too but with XYZ!" - XYZ being The Lord of the Rings. Because the events of LOTR also have specific dates ascribed to them, we're gonna be reading LOTR as it happened.

When does it take place?

Because of the way the beginning of LOTR is structured (read: because I don't want to leave six-month-long breaks between the first entries), we're gonna start on September 15th - a week before September 22nd, when the main events start to take place. It's also the publishing date of the Silmarillion, but that's just a fun fact for my own enjoyment.

From September 15th to September 19th, we'll read the prologue, and the fragments preceding Frodo's departure from the Shire. From September 20th, we'll be reading according to the dates in the book until April 8th. Then we'll be reading last parts of the book - which are stretched over a long time - once a week, to once again avoid lengthy breaks in delivery.

The Newsletter will last from September 15th to May 26th.

Where do I go if I want to post/talk about something related to the Newsletter with other readers?

We discuss current (and not only current) entries in the #lotr newsletter tag, and we have a Discord server set by the amazing @k-she-rambles! (I really hope this time I managed to generate a link that never expires...)

How do I subscribe?

Since the original platform I was using (TinyLetter) was shut down halfway through the second year of the newsletter, I had to figure out an alternative way to execute this project.

For the lovely people who joined the last edition of the newsletter, just a short announcement - I weighed all the pros and cons and decided to continue carrying out the newsletter the way I did after TinyLetter shut down.

For the new folks, a lengthier explanation: check out this post if you want to learn the details, but long story short: I can't send the newsletter as e-mails anymore, so instead I decided to provide you with a ready copy of the entire thing. I prepared formatted copies of the whole newsletter - September 15th to May 26th - as an .odt file, as a .pdf file, and most importantly as an .epub file, because I assume most of you are reading on your phones (if you don't already have an .epub reader, I use FBReader, and everything worked fine on my phone). At the beginning you'll find the whole table of contents with hyperlinks, so the navigation inside the document should be easy!

The MEGA folder can be accessed right here, and it's available for everyone!

In the folder linked, you'll also find a calendar file made by @none-ofthisnonsense that you can download on your phone and import into your calendar app so that all days when we read are marked in your calendar!

If you want to receive notifications about when there is an entry to read, you can also follow @is-today-a-lotr-newsletter-day and turn on notifications! This is a blog created solely for notifying you all when we're reading a new fragment of the newsletter, so all notifications you'll get will be about new entries, and nothing more. The notifications are meant to be the equivalent of sending e-mails.

Anything else I should know?

Please don't rat me out to Tolkien Estate/j, and have fun reading!

(And as a PS.: Thank you very much if you join - or join again! Last year was very tumultuous because of all the changes in the format, and I know the new way is not for everyone - but introducing more changes again felt like once more creating new chaos, so I decided to stick to a solution that mostly worked. I hope you understand!)

See you on September 15th!

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 琅琊榜/Nirvana in Fire.

Nirvana in Fire is a 2015 historical series best described as either a complicated succession drama set in the premodern Chinese imperial palace, or the story of a man who didn't die a decade ago and has decided to make it everyone else's problem.

And really, I almost feel silly giving my glib little summary, because Nirvana in Fire is so well-known of a property. It's a classic for a reason, and that reason is that it's legitimately very good. This show is what happens when you adapt a solid story, get a bunch of very talented actors, and throw a huge amount of money at it. It's incredibly popular and highly acclaimed, and it earned all of the hype.

Still, while I bet there are few people adjacent to c-drama stuff who've never heard of Nirvana in Fire, I'm sure there are plenty who haven't watched it. After all, it looks like one of those slow, serious shows with a lot of ponderous talking and no joy. If that's the impression you've been given, I could imagine looking at the 54-episode commitment and saying, I don't need that in my life.

I am here to tell you you're wrong. It is a banger of a show. It's tense. It's funny. It's heartbreaking. It’s exceptionally clever. It’s jaw-droppingly stupid. It’s romantic. It’s tragic. It has smart plots and bizarre subplots. And that's not even touching the thing with the yeti.

So in case you're one of those people who's heard of Nirvana in Fire, but has put off watching it for one reason or another, I'm here with five reasons I think you should try it.

1. Epic Shit

Did you like the Lord of the Rings? More specifically, did you really like the second Peter Jackson film? Great, then you're all set for this.

I guess I could have called this Game of Thrones without the dragons, but that's not actually the vibe at all. Game of Thrones is much more sensational and salacious, with all the blood and butts and what-not. The Tolkien comparison is more apt, I think, because Nirvana in Fire is equally about as wholesome as you can get in a property where dudes are still getting stabbed all the time.

This is a show about vengeance. And yeah, justice for the fallen, sure, that's fine too. But mostly it's about a bunch of good people joining forces to make sure the bastards who did wrong pay, with their lives as necesary.

The problem, though, is that these bastards are incredibly powerful, which means that a pure brute-force approach isn't going to work. Accordingly, this quickly becomes a story about the power of smart teamwork to exact retribution on some people who can (and did!) legally get away with murder -- and our heroes are some of the people with their necks most on the line if anything goes wrong.

Don't let the Middle Earth comparison fool you into thinking this is all epic swordfights. It's not. (I mean, for one thing, as well-funded as this project is, it doesn't have Peter Jackson Money.) The vast majority of the tension in the show comes from dialogue and slow, terrible realizations. The fight scenes are almost a relief from the nail-biting intensity of intimate conversations about getting a letter from somebody's ex-wife or returning a book.

All told, the show has that incredible almost-RPG vibe of going through all the little subquests and cutscenes you find along the way to defeat the final boss. The plot carefully unravels a multi-tendriled mystery told to you by people in incredible costumes. It doesn't get much more epic than that.

(Nirvana in Fire is also a cautionary tale about how you should be very careful with who gets invited to your birthday party.)

2. A chronically ill protagonist

Okay, right in the first episode, it is established that the main character has three whole completely different names and an old nickname. I'm going to call him Mei Changsu for the duration of this rec post, but let the record show that I could just have easily gone with one of the other three.

What you learn in that same first episode is that Mei Changsu used to be a palace insider, the cocky son of a noble family, only now nearly everyone he used to know thinks he's dead. Also, he's not far off from being actually dead -- he has an unspecified terminal condition that's mostly managed, provided he stays in his little mountain hideaway with his handsome doctor bestie and doesn't return to his old stomping ground and start kicking over hornets' nests.

So guess what he's about to do.

I have to make a note of how brilliant the casting is here: Hu Ge is an action actor! He is a kickpuncher of a man! And I think it's great that you can sort of see his frustration, as well as Mei Changsu's, at having to spend the whole series wrapped in countless layers of fabric and/or lying in bed while everyone around him gets to be the badass action heroes.

Mei Changsu's not faking it, either -- he's actually dying. He expends his energy where he thinks it's necessary, and sometimes that means he has to spend the following week in bed. He's constantly frustrated with himself for what he can't do anymore. He's racing a clock, and that clock is his own failing body. If he dies, the only hope anyone here has for justice dies with him.

He gets two love interests that the show treats pretty much equally. One's a lady general who wasn't even a love interest in the book. The other's the handsome prince who was initially going to be his textual romantic partner in same book, until the author hopped genres from danmei to general historical drama. I can't even call this a love triangle, because there's no competition. He just gets a wife and a husband -- in that he gets neither, because circumstances and his own illness keep him distant from them. He lies to both of then about his condition (among other things). He wants to be with them both and knows he can't be with either. And they in turn have to learn to accept what of him they can and can't have.

(Also, Nihuang (her) and Jingyan (him) are both incredibly gorgeous, which is exactly what bisexual genius Mei Changsu deserves.)

Obviously this isn't a perfect representation of life with chronic illness, largely because Mei Changsu is an incredily wealthy man who lives in a universe with what's basically magic medicine. However, I've seen the story's treatment of him and his condition resonate with a lot of chronically ill viewers, so even with the fantasy layer on it, there's definitely something there.

3. Dave

I have already told the story of how Meng Zhi became "Dave," but long story short, he's such a Dave that I legitimately forget his character's real name. He embodies Daveness. He's The Ultimate Dave.

Dave is an excellent fighter, a loyal friend -- and a terrible liar. He's possbly the only straightforward character in the entire show. When he's asked to be duplicitous, he's comically bad at it. Dave will never do a heel turn. I was misled at first by his semi-evil facial hair, but I have seen the error of my ways. Dave is pure lawful good.

And the reason I list Dave as such a selling point is that having a Dave means you always know what's going on. This is because Dave never knows what's going on, and he has no ego about that, so he asks questions, and other characters have to explain to him what just happened, and that is how you figure out what's going on.

It's an incredibly smart move on the drama's part, because some of the (very fun) schemes are so complicated that there's no way for you, the viewer, to understand them just by watching. Without the internal monologues and omniscent narration of a book, the machinations are opaque. You need things explained -- but why would the schemers explain their schemes? Well, Dave needs some exposition, so here you go.

So if you're worried that you might be left feeling stupid by a show where so many sneaky people are hatching so many complex plans, worry not! Like the good man he is, Dave has your back.

4. A Million Amazing Antagonists

If you like bad guys, this is a show for you. This show has brilliant bad guys all the way down. It has bad guys at every turn. It has bad guys for every taste. Welcome to Big Liang's Big Bad Guy Emporium, where we guarantee you'll walk out of here with a bad guy you like, or your money back!

(And yes, this set of pictures is also to say that their costume budget was entirely well-spent.)

Without getting too far into spoilers, I will say that the basic situation underlying the whole series is this: The emperor has done a lot of bad things, and he has enlisted a bunch of people's help in hiding those bad things, so much so that many of those other people have done even more bad things the emperor didn't even know about -- and then everyone has gone to great lengths to cover those up as well. Our protagonists spend the whole series unraveling this colossal shitshow and bringing people to task for their crimes.

So really, if you're going to spend 54 episodes taking down the baddies, they've got to be baddies you love to see taken down. And these are -- in part because all of them have crystal-clear, rock-solid motivations for their actions. Nobody here is a moustache-twirling comic-book-villain baddie. They're all bad for reasons that are very understandable in their individual contexts. And not a single one of them is going to go down without a fight.

5. World's Best Mom

(Sidebar: The fact that four out of five of my reasons to watch the show are individual or groups of characters should be your strongest indicator that this is an intensely character-driven story.)

This is not a Dead Mom Show. Okay, some moms are dead, but mostly this is a Moms Are Alive And Often Cause Problems Show, which is a lot of what makes the palace drama so delicious. But there is one Good Mom who stands out above all the rest: Consort Jing.

Played with perfect grace and devastating politeness by the stunning Liu Mintao, Consort Jing is a skilled doctor and excellent baker who starts the show with a low-level status among the women of the palace. She swallows down all kinds of mistreatment because she's not in a place to oppose it -- and when she can retaliate, it must only be through soft power. She loves her jock son with all her heart, but because of both their relatively poor positions in the hierarchy, she doesn't get to see him all that much. She wants to be an asset to him, while all the time she has to fear becoming a liability.

She is also the smartest person in any room that she's in, unless she's in a room with Mei Changsu, and even then it may be a tie.

There are lots of great characters in the show that I could have highlighted here, and plenty of them are women, but Consort Jing in particular never ceases to impress me. She is trapped in a gilded cage, married to a man who [lengthy list of spoilers that are traumatic to her in particular], and held hostage by how every time she even looks like she's out of line, it puts both her and her boy in danger. She's the most vulnerable of any of our good guys. Kind of like Wang Zhi, she's got to be clever or she's dead.

Consort Jing is not part of Mei Changsu's original plan. She figures out his plan and makes herself part of it -- and entirely remotely, as she and he aren't even in the same room until episode 40 or so. She puts herself in great danger to make sure he succeeds, not because it will necessarily do her any good, but because Jingyan needs him. This woman has been captain of the Mei Changsu/Jingyan ship for like twenty years already.

Oh, and did I mention her outfits?

I love you, Consort Mom.

Are you ready to watch it yet?

Get it on Viki! Get it on YouTube! Get it on YouTube but in a different playlist! (And also maybe get it on Amazon? Not in my region, but maybe in yours.)

I will warn you that it does take off running -- I think I saw someone say it introduces nineteen characters in the first episode? I was worried that I'd be too innundated by situations and flashbacks and names to be able to follow. By the second or third episode, though, I was rolling with it. So if you feel like you're struggling at the beginning, stick with it a bit. See if you don't feel it start to click.

...Man, reading over this post has left me going, oh, but I missed that! and that! and that guy! And yeah, the truth is that there are just so many great things about the show that limiting myself to only five (and being limited to only thirty images) was tough. I'm sure that people reblogging will add their own must-see elements.

Truly, this is a show that deserves its reputation. It may not be for everyone, but if this is the kind of thing that you like, it is a shining example of that thing.

Besides, you have to love a production where everyone was clearly having just a whole lot of fun being big ol' costumed dorks.

[elswing]

i hate posting discourse it's pointless and doesn't do anything for me except prolong my annoyance but i'm Tired™ and feel like shouting into the void. apologies to my beautiful feanorian mutuals please look away i love u

i neeeeeeed everyone to stop claiming they like elwing if their characterisation of her is completely made-up biased bullshit that paints her as an immature and disdained ruler (?????) who couldn't balance her responsibilities with the husband she married too young (at 22. practically a child bride honestly) and the children she never wanted (where. where does it say this). she's clearly such a bad mother that she abandoned them at first opportunity (she knew the feanorians were more than capable of killing a pair of twin boys because they literally already did that. that's very much a thing that already happened. to her brothers) and it was her selfish nature that made her soooo eager to flee (she had no reason to think ulmo would save her it was literally a suicide attempt. she wanted to make sure the deaths of her people and presumed deaths of her sons weren't in vain by ensuring they never obtained the silmaril)

like i'm gonna touch your hand as i say this. it's okay if you hate her! just don't pretend that you weren't thriving in the 2016 era of silm fandom where everyone pushed all their male fave's negative traits onto any other woman in a 5 mile radius to grab Poor Little Meow Meow status for war criminal #1 #2 and #3 to then turn around and spout the exact same (factually untrue) sexist rhetoric concealed under seven layers of buzzwords just because it's the year of "unlikable and complicated female characters" like buddy who are we talking about here. have you perhaps considered making an oc?

and i'm NOT saying i want the whole fandom to mimic my exact opinions and thoughts about elwing i realise that one of the best parts of the silm is how divisive it is and how you have so much wiggle room to come to your own interpretations because of how VAGUE the source material is but i'm genuinely convinced everyone's just parroting shit they saw in ao3 fanfics where maglor is secretly lindir and the premise is elrond sneaking him into valinor and elwing yells at him for slaughtering her people. TWICE. and this is framed as a category 5 Woman Moment so elrond disowns her and calls maglor his real dad

(eärendil misses this entire ordeal because he went on a voyage to save the world that one time and no one's let him live it down since because the whole fandom as a collective decided he did this because he's a terrible dad and not because the whole continent was at war and about to be wiped out and maybe he came to the unfortunate but reasonable conclusion that leaving is the best thing he could do for his family if it meant there was a chance his sons could grow up safe in a world that wasn't ruled by Fucking Satan so now his whole Beloved Sacrificial Lion: The Thin Line Between Doomed and Prophesized Hero™ shtick is tossed out in favour of.... *checks notes* Guy Who Forgot To Pay Child Support? oh and they're a lot louder about this because he's a man so no one can call it misogyny that's why no one ever goes the #girlflop #ILoveMyBlorbosNastyAndComplicated route with him and he gets dubbed as that one asshole who just wanted fame and glory even though that goes against the general themes for tolkien's hero characters. and tolkien loved that dude to bits that was his specialist little guy so you can't seriously tell me you think that's what he was trying to portray???????? is that seriously what you think he was trying to portray????????? babe????????????

also there's a BIG difference when it's a character that's only named in one draft and doesn't exist in the rest or gil-galad who has like three and a half possible fathers but ELWING??????? the only possible way you could be coming to these conclusions is if you read the damn book with your eyes closed. FUCK.

[leidensygdom]

AI bros from hell

Hello! Do you have a bit of your time for a story on AI bros and clients from hell? I bring a really fun one!

I met this guy at a con I was tabling at over a year ago, before AI was a thing. He said he enjoyed my art, and inquired me about whether I did book illustrations. I said yes- He was specifically interested in my bigger pieces, the fully rendered and detailed ones. He agreed to send me later a DM to discuss specifics.

For two weeks, he kept DMing me on details about his book, what he wanted, etc. He wanted full illustrations for inside the book as well as a cover, all of them fully colored, painted and rendered. He also wanted illustrations in this style to post on social media to promote the book. I had warned him that something like that would be costly, but he insisted that he needed this to be the best of the best.

Now, I was getting bad vibes from the guy. I shit y'all not, his instagram handle was "The next tolkien". I wasn't however gonna refuse a job opportunity. Now, he finally asked for prices: He had reassured me he was willing to pay fairly for this. Since he's a starting author, I gave him my non-commercial quotes, which are much, much, much lower than the standard for book illustrations. I mean "if you search for how much this costs on google, the lower prices are x5 times more expensive than what I offered".

The guy, upon receiving that, just ghosted me. Immediately unfollowed, didn't reply me with a "sorry, I can't afford it" or "sorry, i was expecting to pay $10 for a full rendered full background several-characters-picture". Nothing.

The other day I decided to search what he was up to. He's now released... THREE books for this series. There's a single review in the first one. Not even written, just a stars one. Also, notably, he had a webpage put together promoting the book, and. Yeah.

All the art is AI crap.

Which makes sense. My guy was very on his high horse about how fantastic of a writer he is, but I guess art isn't really to be compensated fairly. When he saw the "art stealing machine you just pay a subscription for", I'm guessing he was very excited.

So, uh, here's some of the marvelous pictures he generated of the characters, which surely tell you about how great the book is. AI is theft, so I don't give a f*** about reposting it.

I have a lot of opinions about creators who write, draw or make music, who are more than happy to use AI for other stuff- Album covers made with AI, writers using AI crap for book illustrations, artists using AI-made music. It feels like you're sh*tting in any other artistic field and showing how little you respect anyone but yourself. Like, I'll be honest, I don't have interest reading a book from someone who considers that other forms of art aren't real or worth any money. It just tells me you're devoid of any interest for art or humanity.

As an ending note, his instagram description is "More closer to god than to human", which does add to the clownery.

[forgeofthenine]

I was just thinking about requesting head canons about the bachelor's with a reader who speaks another language (and honestly, my personal headcanon is that elvish sound like gaeilge/Irish) and the Zevlor headcanon that was just posted convinced me to send it. So here it is. What do the boys think of a partner that speaks another, non common, language?

Hi Wisteria! I'm always happy to see another request from you :)

Personally I love hearing fantasy languages, Tolkien's elvish and it's portrayal in LOTR come to mind. That was definitely something on my mind while writing this, and even if I didn't specify I definitely wrote this with the idea of the reader speaking some form of elvish or celestial in mind. For anyone wondering, the Zevlor headcanon mentioned in the ask would be the 'accidental turn ons for the bachelors' <3

The bachelors with a partner that speaks another language

Dammon

So, I feel like all the tieflings have at least a basic understanding of infernal, Dammon included

He loves calling you by pet names and endearments in infernal

The day you do the same but in a non-common language is the day this man simply passes away from happiness

He completely paused the first time he hears it, before teasingly asking what else you're hiding from him

Dammon loves hearing you speaking another language casually, just like how he speaks bits and pieces of infernal

Over time he starts to pick up on translations of the things you say and will sometimes respond in infernal as a joke

Other people get very confused when they see you two speaking completely different languages to each other, especially if he explains neither of you actually know the other language

Dammon does it specifically to confuse people, sometimes he also says it's a special language for you two

He loves listening to you and could happily do it for hours

Zevlor

Not going to beat around the bush, Zevlor is extremely turned on every time he hears you speak another language

It just fuels something in him, he doesn't even really know the specifics, just that he finds it incredibly attractive

You can tell his full undivided attention is on you every time you're speaking something other than common

If you really want to tease him, lean in behind him and murmur something in his ear

His breath audibly hitches and his whole body does a system reboot right in front of you

Zevlor will absolutely encourage you to speak in another language around him, and picks up on translations quite easily

You'll even hear him saying the occasional word in the language too, the little smile he gives you afterwards is just too sweet

Over time he calms down a bit more, but hearing you never quite loses it's spark

It's always something Zevlor is going to be drawn to

Rolan

Rolan drops something the first time he hears you speaking a different language, it's probably a book that finds itself on the floor

I feel like he'd be pretty fluent in infernal, this man is incredibly smart and is always learning

He's shocked and intrigued when you speak a second language though

As much as he doesn't want to admit it at first, he'd love for you to teach him how to speak the language

In return he'd happily teach you infernal, and Rolans actually a very good teacher

In the end I can see him having some sort of schedule so you can both learn the new language

He insists on learning through exposure too, so common ends up becoming a rarely spoken language between you both

Cal and Lia have a ball of a time teasing you both, in return Rolan will talk to you only in a language they don't understand while around them

He really loves getting to hear you talk in another language, and hearing you teach it is even better

[ofstardustanddreaming]

mythological form

preference summary: bg3 characters reacting to you, their s/o, who has some kind of superpowered battle form that they take on in combat while protecting them. you have the design like a giant half-beast form (like Chimera Falin from Dungeon Meshi) and they get like 10x as powerful as you already were.

content warnings: none

fandom: baldur's gate 3

characters: gale, astarion, wyll, halsin, karlach

gender neutral reader

requested by: @tolkien-fantasy

a.n. - i think this is my sign to watch dungeon meshi on netflix, i've been meaning to cause it looks so good lol. (or if anyone wants to info dump some of the show to me, i'd love to hear the lore, it looks super cool from what i have heard/read about this character/show.) i'm also sorry these are coming so late, i thought i'd have more time this week! all of the posts are coming soon after this one, within the next couple days!

Gale: Gale's so attracted to you, oh my god, the camp won't be hearing the end of it. I headcanon that he's so in love with someone who's a protector, who would come in to help him whenever he seemed to be failing, loving that you're so selfless to help anyone in a fight. The moment you take your form in battle for the first time, he certainly wasn't expecting to see what you transformed into. He loved that you could take form that would be beneficial to a fight. He's awkward about asking to see your Chimera form again in private, but he's curios. He can't help that, his personality needing to know about this new transformation. He's asking you a lot of questions about how your transformation works, if you were born like that, what magic it could be anything and everything under the sun he can think of that you might have the answers for.

Astarion: Astarion is a bit more prideful when you initially help him, although he'll admit to being starstruck at your form. He tends to stick next to you in battles though, and you always fail to hide a smile from him when he does so. He scoffs at you when you do smile, but you know it's a defense mechanism. Slowly, over time, you both get closer and he's more likely to ask you questions about your form. He does think it's pretty badass that you become much more powerful in this form. (He finds you stunning in either form, he just really thinks your Chimera form is ethereal to see.) He'll stroke over your form gently, wanting to see what you felt like. Not in the sexual sense, he just wants to take in every part of you. Sometimes he ponders if he'd feel better about himself if he wasn't a vampire, and if he was more like you. (You help him convince himself that he can be a protector too as a vampire, he's not defined by his past.)

Wyll: Like Gale, Wyll consistently talking about you to the camp, very enthralled by what you can do. He loves when you give him advice, strong in more ways than just the battlefield, something he loves a lot. He values wisdom in strength, and loves that you tend to think before you attack, which he thinks is important in someone who has considerable brute strength. One of his favorite things to do is fight with you side by side, loving to see the showcase of wisdom and strength coincide with you. You very much let him have his moments in battle, as he extends the same kindness to you, you're both very much capable on the field. But, he very much appreciates when you step in to help him, thinking your kindness and willingness to help those in defeat makes you a well rounded person, and he's perfectly content to seeing what you can do, really loving your form.

Halsin: He loves that there's someone like him that also transforms into some other form. Although, in his biased opinion, he thinks you're much, much cooler than him. A giant being that can kick ass on the battlefield? He's sold! He's willing to help you find questions to your origins if that's what you're looking for, but if you know everything about your being, he's very curious. He has a thirst for knowledge and he wants to understand his partner on every level. He'll ask a lot about you, wondering how your values are impacted by your being, like how his values around nature are impacted by him being a druid. He loves seeing you on the battlefield, the two of you always a great match against anyone who thinks they can take you. You're both a menace to deal with and the camp is very glad you're both there to help fight.

Karlach: She thinks it's the raddest thing ever, wanting to always wrestle with you in your Chimera form. Karlach wants to use her leftover energy from a fight with you, something you also really enjoy. Where you both go at it with one another with the adrenaline, your match that always ends in laughter. She knows you wouldn't actually hurt her, as she would with you, but you're always a little more considerate, considering your form. When it comes to fights, she's glad that she can count on you to help her if she has many people surrounding her. Granted she is strong enough herself, but she loves having reliable people around her, like you, to help her when the going gets tough. She's loves having another strong s/o, and would never feel threatened with them being as strong/stronger than her.

[echo-bleu]

Psst what if Caranthir’s “red face” is from a lupus butterfly rash?

HELL YES anon I see your vision

Disabled Tolkien characters series

Assorted headcanons under the cut:

Elves, especially in the Years of the Trees where their conception of disability is... nearly non-existent (I have loads of headcanons about that and I'm writing a whole fic) don't really know about the immune system and autoimmune diseases.

Caranthir starts having symptoms very early in childhood, at first mostly anaemia and some joint pain, and skin issues. His butterfly rash is near-constant, though much worse during flares. Nobody flags this as a single issue, especially since he's also having other troubles (he's autistic, and he has pretty severe IBS-like symptoms).

Celegorm (starting to show symptoms of EDS, which they do know of because Míriel had it first) and Curufin (much more visibly/loudly autistic) are both a good deal more worrying to Fëanor and Nerdanel at that point, so Caranthir's issues tend to be, if not swept under the rug, at least not truly addressed. The parents are doing their best, but raising seven children is a lot, and Caranthir unfortunately gets all the Middle Child Syndrome.

(though in the Shibboleth, it's mentioned that Nerdanel named him Carnistir because he "had the ruddy complexion of his mother." Nerdanel with lupus, anyone?)

Once he's an adult, the symptom that bothers him the most is joint pain in his hands. His craft and his interests are in books, both writing them (he's a historian and economist) and bookbinding. He needs his hands.

Caranthir and Celegorm, because of their otherwise rocky relationship, swing wildly between curling up together for comfort and warmth during flares and shouting at each other because pain makes them both extremely bad-tempered.

The facial rash/lesions remains Caranthir's most visible symptom, and in a society where everyone is beautiful (especially his family), it's not an easy burden. Someone else made a wonderful post about this that I'll just link, rather than paraphrase.

[edges-of-night]

hi! I've just discovered your blog and I love it - from the url, profile pic, everything 😍 and most importantly your writing, it's so cute and you're able to write so many characters 🥰 as a fellow fic writer - I'm impressed 💜 can I request how they would first realize they love you, and how they would say it for the first time? No pressure, and thank you so much if you end up doing it. 🥰

- @wordbunch (sadly can't send asks from my Tolkien sideblog, so I'm on anon lol)

Thank you so so much for your kind words!! ♡ I’ve actually had this scenario in my “to do notes” already, so I’m very happy you requested it haha! Sorry again for posting so late, I hope you enjoy the read!

･ﾟ✧ Aragorn.

Aragorn is not someone to make the first step in romance, even if he is the one falling in love first. He’d probably realise it during the ranger job you do together, like looking for herbs or reading traces – where his hand brushed against yours! But Aragorn is very much the person to respond to a love confession of yours, after which he tells you that he reciprocates your feelings in a very romantic manner: “Me too. I am bound to you by honour and affection alike. If you would have me…”

･ﾟ✧ Arwen.

Arwen would fall in love with you after dancing together. It could be on a ball her father’s giving, or just the two of you under the moonlight, where she’d laugh of bliss. You’d notice a slight change in her behaviour afterwards, more smiles, stolen glances – but you could only be sure after she finally told you, “It is because I have fallen for you, melethel. And there is nothing you can do about it!”

･ﾟ✧ Boromir.

Boromir takes a casual approach to love and romantic relationships. This is why his love confession to you would be rather nonchalant, maybe over a lunch you’re preparing together over the fire. “I love you, you know that?” he’d say, all cool – as if he didn’t fall for you when he saw you fearlessly wielding a sword and shield during combat training…

･ﾟ✧ Elrond.

Elrond would fall in love with you so gradually he wouldn’t be able to pinpoint an exact moment of realisation. Maybe it would be over a book you’re reading together, or when he told you about all the ancient stories he witnessed himself – or a grand love story. And then he’d turn to you and say, “Are you aware that this is how I feel about you as well?” He’d be very tender and playful about it, but earnest at the same time. He is very considerate toward you.

･ﾟ✧ Éomer.

Éomer doesn’t fall in love easily. Maybe due to this lack of experience, he has trouble expressing his feelings after that one horseback ride you did through the rain, where he helped you out of your dirty clothes afterward. His love confession would be a tedious process, with lots of phrases like, “Don’t make me say it. I lack the words to tell you…” – before he eventually leans in for a kiss and quietly adds, “Forgive me. I hope this tells you all the same.”

･ﾟ✧ Éowyn.

Éowyn is always brash and joyous around you, so her love confession would take you quite by surprise. She’d pick “an old Rohirrim tradition” to show you, maybe a special exchange of gifts, a traditional dance routine etc. “This is how the people of Rohan express their love,” she’d tell you with a soft smile and hopeful eyes. If asked, she would tell you when she realised she loved you: during sword lessons, of course!

･ﾟ✧ Faramir.

Faramir falls in love with you as soon as he meets you. He’s always been like that, heart racing with as little as a soft look or touch of a hand. For this same reason, and Gondor’s marriage policy, he swallows down any confessions because he has little hope in his own feelings. But after months, maybe years of courting and mutual affection, he’d finally tell you, in some grand romantic spot he chose – on his knees – because he’d connect it to a marriage proposal!

･ﾟ✧ Frodo.

Frodo would realise he loved you on a warm summer morning, as you’re walking barefoot in the grass – and then not tell you. He’d keep his secret to himself (haha), just smile to himself and subtly check the way you’re feeling before confessing to you – probably while holding both your hands, because that’s how sincere he is! “It gives me hope to hear you say that, because I, too, hold you very dear and love you very much!”

･ﾟ✧ Galadriel.

Thanks to her powerful telepathy skills, Galadriel probably knows you love her before you yourself do. She knows all about your feelings – but nothing of her own. I like to imagine her as blissfully oblivious, right up until the moment you confess to her. Then something would click inside her, and with a blank stare ahead, she’d whisper, “I love you, too. I haven’t realised it until now – but I do.”

･ﾟ✧ Gandalf.

Gandalf would realise he loved you after you’ve said or done something incredibly smart, like maybe found the solution to a problem that he was unable to solve. It’d make his heart skip a beat, he even looks away with a blush! And then he’d despair trying to find a “suitable moment for courtship”, as the old ways suggested, full of ceremony – and probably end up telling you his feelings very casually over a cup of tea he invited you to.

･ﾟ✧ Gimli.

Your usually hard-shelled Dwarf gets very flustered when he says the three words to you – followed by some nervous babbling, like, “There! I said it first. And I mean it very earnestly.” The moment he fell for you was probably connected to seeing you in a new light: Working in the mines all day leaves little room for elegance, but after seeing you in your beautiful banquet outfit, Gimli was walking into walls for the next three days!

･ﾟ✧ Haldir.

Haldir has always dreaded falling in love. But when you smiling at him makes his heart skip about three beats, he cannot lie to himself any longer. He can lie to you and everyone else though, needless to say. Not that anyone actually believes his denials… But Haldir would only confess his love in a life-or-death situation, when he thinks he’d never get the chance again. Then, of course, he’d be as elegant and romantic as all Elves are.

･ﾟ✧ Legolas.

If you are near Legolas the moment he realises he loves you – on a scouting trip, for example, or during preparations for a ball in Mirkwood – he’d tell you right away. He’d give you an analysing look, with a smile dancing around his lips, and say something like, “How I love you right now! I love you very much, my dear.” Thanks to his royal training, of course, he’d respectfully draw back until you’ve made your own feelings clear.

･ﾟ✧ Merry.

While he’s usually rather easy-going, Merry would plan out his love confession (meaning: a speech!) step by step, including an outfit plan and meal schedule designed specifically for you. He is the thinking type, and when it comes to this, he tends to overthink. He’d include a line like, “From the moment I first saw you…” when in reality, he probably fell for you when you joined one of his shenanigans without any reservations, proving just how similar you two are at heart.

･ﾟ✧ Pippin.

Pippin strikes me as a very “love at first sight” kind of person. At the same time, he’s really casual and playful about it. He’d only talk about it in return of your confession to him, like, “I never thought about that! I fell in love with you the first time we met!” – and probably shower you in a million compliments in the process!

･ﾟ✧ Sam.

Sam would realise he’s in love with you while thinking of new poetry to write – because all he thinks about is you! Somewhen along the line, he’d lean back in his chair, starting at the dozens of pages he wrote about you – and then have the overwhelming urge to go up and meet you to tell you right away, in his adorably sincere and gentle manner ♡

[astronicht]

Hi! Sorry for bothering you, especially sorry if you've already said this somewhere and I didn't find this, but I'm curious and you seem to know a lot of cool trivia, so I thought to ask

is there like an anglo-saxon historical reason or something for why Théoden, when his title is used in the books, tends to be referred to as "Théoden king" rather than what my (admittedly non-native speaker's) language ear would say is the more common way of putting the title first and saying "king Théoden"? Or is this something that Tolkien just like, did, for some other reason of his own?

Yes there is a reason! And you're very correct that it's weird in English, because Tolkien isn't writing in correct English (which would be King Theoden); he's writing in correct Old English and then directly translating it. lol lmao etc.

I fully admit I had to check this because I couldn't remember, but in Old English instead of King Theoden you say "Theoden king" -- in Old English that's "Theoden cyning", so Tolkien is keeping the word order and just translating the word for king. The best place to see this is in the Anglo-Saxon Chronicle in Old English. If you CTRL+F for cyning, you'll find that it often (though not always, it does just operate as a regular noun) follows a capitalized personal name. Here's an English version for comparison (though I think the English might be a synthesis of a couple versions of the ASE, while the Old English is just a single (oldest) version, so PSA that there might be differences between these the further you go in the text).

And please, don't think you're bothering me! If anything, it's much easier to find and reply to asks than a reply on a post, and I like this stuff!

[artist-issues]

I have loved reading your posts on various fiction from Christian perspective. I am wondering your opinion on when fantasy/"magic" fiction becomes too much? I used to encounter a lot of people talking about how basically -anything- fantasy was evil. I have struggled with scrupulosity OCD for many years now so I tend to think things towards a legalistic lens. I'd like to be able to enjoy fantasy again, while carefully discerning, so I'd love to hear what you think are the merits/limits of fantasy

Hi! First off, Jesus said: "These things I have spoken to you, so that in Me you may have peace. In the world you have tribulation, but take courage; I have overcome the world." When you're wrestling with scrupulousity, sometimes it helps to see or hear out loud the reminder that life in Christ is one that's supposed to give you peace, not constant worry about doing everything right--even if you've heard that before and you already know it, sometimes it can help to hear it over again from outside your own head. So there it is! 🤝

Next: thank you for asking me! I'm no professional. But someone did ask me this question once before. I am having a hard time finding it on my blog right now, otherwise I'd link to it, but I'll try to summarize at the end of this post!

EDIT: You asked me to talk about the merits and limits of fantasy and I got carried away explaining why fantasy fiction is not outright evil according to the Bible. I moved that to the end of the post 😅 here's what I think the merits are:

All of Reality, our world, our timeline, was invented by God. That makes Him the storyteller, us His characters, and reality His narrative. Just like any storyteller, He made up a system of rules for His world: rules like, "humans sink in water," and "humans can't be cured of sickness by touching other humans," and "the weather doesn't change just because humans tell it to." Then God, the storyteller, broke His own world-building rules. On purpose. He wrote Himself (Jesus) into the story as a human who COULD walk on water and COULD heal other humans with a touch and COULD tell the weather what to do, and it obeyed.

In fantasy stories, when a character can break the established rules of the created world, we call that "magic." We call it "magic" when the storyteller brings in a supernatural element to show that this character is special, powerful, capable, set apart from all the others.

So that's what I think the merits are. Fantasy stories have a special kind of closeness to The Storyteller Who Invented Stories, because of that very element of "make the rules then bring in rule-breaking specialness" that He uses.

That's where you get Gandalf, or even the Fairy Godmother, or of course Aslan and the Deep Magic.

The limitations to the genre, I would say, is that fantasy stories are very tempting for storytellers' egos. Because of Tolkien, there's this generation of storytellers who think that inventing a fantasy world with rules and races and magical systems and cultures and, to sum it all up, a whole universe of their own design, is the POINT.

They think the themes and the message of their story comes second to how thorough and clever they can be with their made-up magical systems, or fantasy-race-relations, or made-up languages.

Basically, in no other genre have I observed storytellers getting so excited to play god-of-their-own-clever-world than in fantasy. Then they forget that the important part of a story is the message, not the brain that's capable of inventing worlds and languages and cool-sounding names and ancestries. What they have to say basically gets lost in how flashy and cool they can be while saying it.

But that's another soap box for another time. Those are basically the merits and limitations, I think, broad-strokes.

On to the Biblical worldview for magic in stories below!

"Magic" is mentioned in the Bible. It's sorcery. Specifically, the Bible is telling Christians to stay away from "real" magic...which is basically just "trying to connect with spiritual forces to accomplish anything supernatural." We were created to have relationship with one Spirit: God. Anything outside of that is like a fish trying to breathe oxygen: it hurts us. So the Bible says, "no real magic."

But.

"Fantasy fiction magic" is not "a real live human trying to connect with real demonic forces and accomplish something supernatural." Instead, "fantasy fiction magic" is just "a real live human making up a story. Playing pretend."

The Bible has no commands, no rules, against that. Jesus told stories. His servants tell stories. We're made to tell stories.

And the Bible has no commands against telling a story that includes magic in it.

Think of it this way: God said "do not murder" right? But then in Matthew 18 Jesus tells a parable where one man tries to choke another man. There's attempted murder in the story Jesus is telling: but just because God disapproves of the act of murder, does not mean He disapproves of telling a story that features murder.

Sin being in a story isn't a bad thing. It's realistic, because sin exists. What really matters is whether or not the story treats the sin like sin, and not like an admirable thing. Because the point of all stories is to tell the truth in a compelling way. If the story treats something sinful like it's not sinful, that wouldn't be truthful. But if the story treats sin like it's definitely bad, then it's doing what God invented stories to do: tell the truth.

Now here's where you might say, "yeah, but most fantasy stories treat magic like it's a good thing."

Right. But remember: most fantasy stories don't have what the Bible calls "magic" in them at all.

When the Fairy Godmother in Cinderella says "bibbidi bobbidi boo," she's not calling upon demons to give her supernatural power (which is what the Bible is talking about when it condemns magic.) She's using a pretend superpower that the storyteller made up, on the spot, for the story. Her "magic" is not what the Bible calls "magic," so it doesn't even matter if it's portrayed as "good" or "bad" morally.

Fantasy fiction is fine. There is no reason, Biblically, for Christians not to read fantasy fiction if their only reason for it is "well there's magic in it."

There's nothing wrong with telling a story that has a supernatural element in it. It's only a story. As long as it's not real humans doing creation-worshipping or demon-contacting practices, in real life it's okay to write and it's okay to read.

Let me know if that makes sense!

[eri-pl]

Ok, so I have a very silly and probably barely applicable question, but what with Morgoth-canary and I think I remember a post where you said you had very strong opinions about Maglor's voice (I don't remember them, it was one of those "blink and it's gone" posts of my feed ! But I'd like to read them if you feel like it - although I don't know the first thing about music so it's just really sheer curiosity), so I was wondering if you had thoughts about Morgoth's voice ? What could Ainuric voices be like ? And did taking permanent physical form affect his voice ? Probably, right ? He wouldn't have been able to modulate/change it quite as much as before, maybe be stuck with a classically villainy "evil" one ? And then in the void he would have no voice anymore.

Ooooh! Thank you for this question, it's great!

First, Maglor. He is a bass. Well, not really, because I'm certain that Elves have wider vocal ranges, but his speaking voice is rather low, and his singing voice is varied, but can go super low, vibrations-in-your-bones low, and his songs are generally low on pitch. Like the sea. The sea does not squeek.

This is one of the headcanons I will argue about. I am rather strong in my opinions about Maglor. I would rather agree on "Maglor in the Darkness Everlasting"* than on tenor Maglor.

Oh, so now to the king of fools, lord of nothing, Melkor in his various iterations. Starting back when he wasn't such an idiot yet. Standard Morgoth content warning: we'll be doing a short recap of his history. No details, just allusions to events.

So, Ainulindale. which is my favorite chapter. Melkor was the greatest of the Ainur, which means, I think, he had a relatively wide vocal range, well wider than all the other Ainur.

But also, he was a little bint (word thanks to dfw), and taking into account all the band kid stereotypes… OK, tbh I know exactly one professional soprano, who also plays violin, and she's really nice and the only other things she's got in common with Melkor are the fear of spiders and cool hair. But, this being said, the personality stereotypes say that Melkor should be a soprano.

The Ainur's voices aren't gender-coded, I would say. If they even had the idea of gender at that point.

So, he can do many things, but he generally sings in a high pitch, because this makes everyone notice him.

Also, musically... so, this is that thing called chromatic notes. It's a think that jazz does (and I love jazz, I have mental associacions with jazz that would make tolkien chase me with an axe, but let's not digress). Like: when you compare Chopin to Mozart; Chopin is way more chromatic.

So, Melkor doesn't do it. He sings his own dumb melody, which is in a dissonance to everyone else initially (which means it is chromatic in the context of the whole Music), but internally it is simple. It is fifths, lates I would say he just repeats one note on and on, just in many octaves. And the note is probably B. Or maybe G flat.

OK, in non-musical terms: imagine someone is playing a piano (in a normal, mostly-white-keys way), and someone else is banging on the black keys, and then only on all the Gb keys. It's loud but primitive. And doesn't fit until you go Chopin and everything becomes lyrical and so sad, and then he can't really break it, I can't explain it well.

TLDR: Extremely simple harmony, but loud and not in the normal key.

Also, I wanted to talk about power chords but I don't think you want another musical tangent. (They're not as cool as they sound, they're empty-ish inside but it kinda works in the context)

Then they all go to Arda and at some point begin speaking properly. Iirc it's only after the Elves, but I assume the Ainur did have some sounds associated with them even before.

So Melkor's general sound landscape would again be empty inside. Some very loud tones, because they feel majestic: thunder rumbling, ice grinding, earthquake and the murmur of volcano, you can feel it in your bones and it's terryfying. Some very high tones, because they are effective and hard to miss. Evil screeching. No middle tones, because he's an idiot he finds them boring. Empty shell, like an epic movie soundtrack compised by a first-year student of music school and played on a midi. All the trappings but none of the actual work.

His voice, during the Black Rider phase would be similar. Low and rumbling and terryfying, but everytime he gets emotional it becomes high-pitched and has this infuriating timbre of when people talk with a very tense throat. It makes him sound insecure. Because he is. And when beaten by Tulkas he screams like this.

Then we have the parole and I do hc that he actually meant to be better, only he imagined it like "I stop breaking your stuff, and messing with the little beings, and you start listening to me like you listen to Manwë (= you do all I want you to do)" and was not really interested in putting in the effort. So the whole idea broke at the first problems (the city is so pretty, not everyone likes me, Feanor).

Anyway in his Aman phase I imagine Melkor with relatively low voice, but not so low it's weird. He fits in the nornal Elven spectrum. Baritone? Getting higher with the pitch when needed, but rarely he would let his emotions show enough to go very high.

Also, the sweet manner of talking that Sauron had as Annatar or in Numenor, but not so self-deprecating. Less of a "I'm but a humble servant" and more of "I am pretty cool, hey, want to do cool things with me?" The general vibe of a bad boy in a teenage romantic drama. Elongated syllabes, using all the most recent and fashionable Noldorin mannerisns (sa-si all the way!). Also, a lot of whispering, when he spreads the gossip and what not. "Sexy voice" but with his lack of understanding and respect for bounduaries it often feels creepy.

Then he grows more and more sinister, more focused on revenge against the Noldor (well, Feanor) and the Valar. His voice becomes more like a low-key Disney villain. The pitch is unchanged, but the tone is full of suggestions of subtext. It's never clear, but a lot of insinuations are hanging in the air. this kind of slithery, musical intonation in a sentence, elongating of wovels, slightly question-like tone too often. (I can't give you a good example, Scar would be a good example, but only in the Polish dub)

Then he does the Ungoliant business and gets stuck in his Dark Lord form. So, I would say low, booming voice, but flat (=not many overtones, the voice sounds shallow). Loud and with echo, but somehow not as majestic as he would like it. And when he gets scared or lusty or anyhow agitated, he starts talking faster and in a higher voice and with clenched throat.

And he gradually deteriorates, due to Silmarils and general awfulness, and his voice becomes more raspy, more noisy. At the end it's impossible to ascribe a set pitch to it, just like to white noise. Still it doesn't have tones in the middle, but the highs and lows are a mess, and closer to each other, the lacking middle is more narrow. And he doesn't speak much near the end, he's not that interested in any communication. Especially after trying to talk (ekhm) with Lúthien ended like it did. His voice rusts.

And at the end it's just panicked screams that sound more like ….not even an animal. More like a mindless dark creature than like a person. Switching between threats and pleading and pure panic, always full of hatered and disdain. Loud but always so very flat.

And then, upon hearing all those screams, Manwë realizes that the brother he remembers is gone, and that he can't do anything about it— how can you do a reprise without one of the main singers? And even if you could, how can you be happy forever missing someone you love? He doesn't know. I don't know. I am sad.

On one hand the very idea of Second Music is so wonderful and answers so many questions and Aegnor and Andreth and Elrond and Elross and all that and more— and I can't imagine Manwë thinking about this idea and not thinking at the back of his head "my brother won't be with us" and not being sad. I am not saying it's not possible. Just that I can't wrap my mind around it. Or my feelings.

Yes, this is one of my attractors, one of the topics I usually land on. Because. Reasons. Which I will not ramble about because they are personal. But it does make me sad. A lot.

I have some scenes in my head when people Valar talk about this, Nienna obv, she doesn't get it either, many people would probably say she would get it idk

Anyway that's it. That's the post. Sorry it's not more concrete.

[marmota-b]

Regarding Boromir, his death scene, and redemption / repentance (book vs film)

A bit of a callback to my original post on the topic of redemption, and inspired by a post calling (correctly) Boromir's trying to take the Ring one moment of weakness. I think I've finally figured out (I was low-key aware of it, but never put it into so many words) why I like the book version of Boromir's last moments much more than the film version, and why it pains me the film version seems to be what so many people prefer and so many fic writers inevitably reach for.

"I tried to take the Ring from Frodo. I am sorry. I have paid." ... "Farewell, Aragorn! Go to Minas Tirith and save my people! I have failed." "No!" said Aragorn, taking his hand and kissing his brow. "You have conquered. Few have gained such a victory. Be at peace! Minas Tirith shall not fail!"

Emphases mine, obviously, but when I think about it it's quite telling in which order they tell each other the things they say, and of course how exactly they say them.

The most important thing here, though it is on both their minds and it is what connects them and what their personal motivation is, isn't Gondor. Yes, Boromir is very worried about the fate of his country, but the first thing he tells Aragorn is what he has done, and that he is sorry.

And the very first thing Aragorn tells Boromir is assure him that he did not fail.

It's not a question of warrior honour, the way the film states it ("You fought bravely. You kept your honour."). It's a question of the main conflict of the book, that between the Ring's temptations and the ability to see it as the evil artifact it is.

The film keeps framing a lineage / authority / responsibility conflict between Boromir and Aragorn that's finally resolved, but that's not at all the conflict that matters (or, really, even exists) here. What Boromir is actually saying in relation to Gondor is "I now recognise that what I tried to do to save my people would have actually doomed them, and I recognise you have indeed been much wiser in this than I from the start. Please keep doing that, I can't change what I did now because I'm about to die." And some of it is present in the film, definitely, but it's muddled with the whole issue of both Aragorn and Boromir questioning Aragorn's legitimacy. Which means in the film Boromir's death scene ends up serving us Boromir repenting his behaviour towards Aragorn and... I hope we can all agree that's actually not the point Tolkien was making with Boromir's death scene in the book.

One moment of weakness. Boromir immediately saw that what he had done was wrong, and tried to make amends the only way he could at the moment. He did not keep trying to pursue Frodo, except to apologise (which admittedly Aragorn does not know, but it's still inherent in what Boromir tells him here). Boromir let go of the Ring even after being very, very sorely tempted, and Aragorn can see that. That IS a huge victory. THAT is a huge victory.

And the film frames that main conflict as it played out in the breaking of the Fellowship... wrong. The film leaves us with Boromir the man who succumbed to temptation, and died for his sins, and Aragorn the man who did not succumb and lived, and Boromir submits to the latter. That's not what happens in the book. In the book Aragorn simply never really went through a full moment of culmination of long-term temptation like that. Aragorn recognised and respected Boromir as someone who had reached the moment of culmination of long-term temptation, succumbed, and saw the light anyway. Meanwhile Boromir thinks he's paying for his sin and basically doomed, so Aragorn assures him that no, it was just a moment of weakness and he has overcome it. (Oh, and what also happens in the book is that after a long period of temptation even Frodo succumbs, and lives.)

My main problem with the film version is that the films inadvertently downplayed the main conflict and main theme of the whole story and served up the wrong moral.