#i try translating some of my favourite lines here and there

[aroacewxs]

as someone who is bilingual, the art of translating text is so fascinating to me. without being fluent in the original text's language, you are missing out on nuances regarding tone, inflection, culture, and slang. there are jokes that just don't land as well when translated into english. it's nearly impossible to fully comprehend the author's original intent with the text, untainted, without an understanding of the language's culture and how it is exchanged between people of different ages, classes, gender, et cetera et cetera.

[wandafiction]

Just Us - Series List

Y/n is a multimillionaire. Wanda Maximoff is a divorced mum of two twin boys who is trying her best. What happens when their paths cross at a club and Y/n takes Wanda home for the night?

Warnings: This story is an 18+ read, Minors DNI, contains talks and description of Death, Accidents, Injury, Child Loss, Abuse (Physical and Emotional), Anxiety, Panic Attacks, Suggestive themes, Smut (Each Chapter With Themes Explained), Angst (Lots of It), And Some Fluff Thrown in because I felt bad. Top Reader, Bottom Wanda

Each chapter will come with their own warnings.

This is a story that I have put up on my Wattpad and my Ao3 and thought I would share it here for more of you wonderful people. I do hope you enjoy this read. There will be mistakes here and there and maybe some incorrect translations.

So this is an AU story with the MCU characters. So the ages and story lines with be changed and different from that in the movies. 

I will right some history for each character as the story progresses just so ages and other things make sense. 

All the Character's in this are played by their respective actors and certain aspects of the MCU have been added in. But once again its not going to be an alternative marvel story it is a completely different universe. 

I don't own any if the MCU characters.

Master List

Chapter List

Chapter 1 - Yours or Mine

Chapter 2 18+ - First Time

Chapter 3 - How Much

Chapter 4 18+ - Beautiful

Chapter 5 - Accent

Chapter 6 - The Twins

Chapter 7 - Just Add 8

Chapter 8 - Panic Attack

Chapter 9 - Sounds Like A date

Chapter 10 - Happy Tears

Chapter 11 - Twenty Percent

Chapter 12 - Favourite Colour

Chapter 13 - Ex-husbands Clothes

Chapter 14 18+ - Trust is Not Like Candy

Chapter 15 - Morning Bliss

Chapter 16 - Sisterly Advice

Chapter 17 - Lunch Date

Chapter 18 - Not By Blood, By Choice

Chapter 19 18+ - Frozen Peas

Chapter 20 - Scarlet Witch

Chapter 21 - Iron Man

Chapter 22 18+ - Love Language

Chapter 23 - The Friends

Chapter 24 - Hela's Kitchen

Chapter 25 - The Question

Chapter 26 - From Second To First

Chapter 27 - Mr Blue Sky

Chapter 28 - Protective Friend

Chapter 29 - It's Real To Me

Chapter 30 - Pile On

Chapter 31 18+ - Water Fight

Chapter 32 - Head Scratches

Chapter 33 - Billy's Discovery

Chapter 34 - Superhero Trio

Chapter 35 - Pancakes and L Bombs.

Chapter 36 - 10 Out Of 10 Dive

Chapter 37 - Tickle Monster

Chapter 38 - Sarah Stark

Chapter 39 - Love Persevering

Chapter 40 - First Meeting

Chapter 41 - Hear, Listen, Take It In

Chapter 42 - Touch

Chapter 43 - Mockingbird

Chapter 44 - Family

Chapter 45 - Search Party

Chapter 46 - Bowl Of Popcorn

Chapter 47 - Pet Names

Chapter 48 18+ - Trying Something New

Chapter 49 - French Braids

Chapter 50 - Not Taking Advantage

Chapter 51 - To Understand Someone

Chapter 52 - The Row

Chapter 53 18+ - I Need You

Chapter 54 - Your Flaws Are Your Strengths

Chapter 55 18+ - Jealousy

Chapter 56 - I Can't Be Here

Chapter 57 - Stephanie Grace Turner

Chapter 58 - Zak The Waiter

Chapter 59 18+ - Declarations

Chapter 60 - Clingy

Chapter 61 - Triple Chocolate Brownies

Chapter 62 - Watch Me

Chapter 63 - Grown-Up Conversations

Chapter 64 - A+

Chapter 65 18+ - Dynamic

Chapter 66 - You Don't Get It

Chapter 67 - Conditioned

Chapter 68 - Selachimorpha

Chapter 69 - Beed Stroganoff

Chapter 70 - Ruby-Throated Hummingbird

Chapter 71 - Realisations

Chapter 72 - Princess

Chapter 73 - The Talk

Chapter 74 - Black Widow

Chapter 75 - Can I Join You

Chapter 76 - Люли, люли, люленьки

Chapter 77 - Moose

Chapter 78 - Aurora Borealis

Chapter 79 - Calgary

Chapter 80 18+ - Mirror

Chapter 81 - Massage and Important Conversations

Chapter 82 - Banff

Chapter 83 - Strawberries

Chapter 84 - Bayushki Bayu

Chapter 85 - Cookies

Chapter 86 18+ - Control

Chapter 87 - Hyper Puppy

Chapter 88 - Treehouse

Chapter 89 - 312

Chapter 90 - Forgiveness

Chapter 91 18+ - Always Feel Good

Chapter 92 - Your Third Love

Chapter 93 18+ - Daddy

Chapter 94 - Home

Chapter 95 - Stalker

Chapter 96 - Can't Catch A Break

Chapter 97 18+ - Mile High Club

Chapter 98 - Happy

Chapter 99 - Halloween

Chapter 100 - What's In The Box?

Chapter 101 - Hired

Chapter 102 - I've Got You

Chapter 103 - Missed Morning Message

Chapter 104 - Someone I Would Like You To Meet

Chapter 105 - Sis

Chapter 106 - Soulmates

Chapter 107 - Eleos

Chapter 108 - I Called Her Mom

Chapter 109 - Suka

Chapter 110 - How Have I Made It Worse?

Chapter 111 - What Scares You?

Chapter 112 - I Thought I Was Helping

Chapter 113 - What If They Leave?

Chapter 114 - Yelena!

Chapter 115 - Puppy In Training

Chapter 116 - Your Wish Is My Command

Chapter 117 - Morning Sex

Chapter 118 - Safe

Chapter 119 - Work On Yourself

Chapter 120 - Happy Thanksgiving

Chapter 121 - I Hate This

Chapter 122 - To Be A Deer

Chapter 123 - Is Love Enough?

Chapter 124 - Let's Go Out Out

Chapter 125 - Feeling Of Rejection

Chapter 126 - You Should Hate Me

Chapter 127 - You Ready?

Chapter 128 - Pietro

Chapter 129 - Questions And Opinions

Chapter 130 - What Are You Up To?

Chapter 131 - When Pigs Fly

Chapter 132 - Science Lesson

[traceyc-uk]

I love your art and comics so much!!! You are like the queen of HL comics for me!!! ❤️❤️❤️ So much so you've been inspiring me to start making my own comics (it has been since high school since I made comics and let's not get into how long ago that was 😂).

I was wondering if you would be willing to share some of your comic making process, especially in the early stages? I had much of a process in pre-planning stages, but now I'm trying it to see if it will help with my storytelling.

I hope you have a great day!! ❤️❤️

Thank you! 😭 that’s so cool you’re making comics again! And bashful by your ask as I do it for lols and still figuring it out myself. I refer a LOT to a couple of my favourite comic artists too, which I think is noticeably incorporated in mine but I’ll try and show my workings best as I can

Think it’s already obvious I love drawing expressions, is usually my first starting point doodling idly what would become the key frames

Of course study your favourite artists! The ones I look to is Akira Himekawa - Zelda Twilight series and Adam Warren - Empowered (not for under 18s)

I dragged out some previous comic pages I think are appropriate examples of the initial paper scribbles, rough lines to final.

venomous valour is an example of messing up as I focused too much on the faces and the speech gets cluttered.

Crucio attempting to draw the eye where it needs the main focus.

A couple of pages from Shadow Mountain, the fight was drafted more to keep a consistent line of action and not let it get disoriented on the geography, personally I try and stick to the 180 rule. The arc here was more a happy accident but helps lead movement across the page

Dialogue I like the least, but this page the speech bubbles lead the page layout so it’s read in the correct order reading from left to right

Generally I try not get too fussy about the details and aim overall for readability:

- Clear silhouettes, in figures, framing and composition. I often check rough pages within drafts on my tiny phone screen, does the focus get drawn where it should

- Is there enough information on what is happening or about to happen, like an anticipation in a pose to lead into the next panel

-Show intentions without having to say it, ask myself if no dialogue is the intent still there? Using your lovely Serena and the Fifth-Year as an example

It shows when I get lazy and draw my panels like a film frame and I use principles more rooted in animation so I make blunders or newbie mistakes when translating into a comic format but it’s all in good fun. Anyway I hope this helps you in your process and look forward to seeing more of your comics too! 💕

Extra: the ineligible scrawls of the shadow mountain and ancient magic drafts

[alaskasmonsters]

𝖘𝖜𝖊𝖊𝖙 𝖓𝖔𝖙𝖍𝖎𝖓𝖌𝖘 (michael kaiser)

pairing: michael kaiser x gn!reader

contents: flirting, foreign language (german), teasing, petnames, enemies to lovers, mistaking attraction for hatred, reader has anger issues

w/c: 2.486 (istg this was meant to be short,,,)

summary: kaiser is infuriating. there is just something about him that made your blood boil. and when the boy started teasing you in german, knowing damn well you had no idea what he was saying you could only imagine what type of things he was saying about you.

a/n: oh look it’s my favourite trope. mistaking attraction for hatred. <3 kaiser speaks german in this one because *looks at hand* i do what i want :)) you’ll find the translations for what he says at the bottom of the post. they are pulled from my own brain (this is me trying to say i am in fact fluent in german shshshhs) also writing some of kaiser’s lines made me cringe bdhdh ngl he thinks he’s so hot 🙄🙄 and he is also the title is lowkey highkey misleading hahaha

Kaiser got under your skin like no one else did. He always had that particular skill. No matter what he did, no matter what he said, the boy infuriated you to no end.

Everything about him down to his stupid smirk, his playful tone, his insufferable confidence and sometimes even just the way he would look at you… there was nothing in the world that managed to rile you up as much as being stuck in the same room as that boy.

Unfortunately, this was something that happened quite often. Kaiser and you being forced upon each other, like the universe was playing some twisted game, waiting to see who of you would break first and go at each other’s throat.

And you were pretty sure you were losing.

If getting the chance to choke Kaiser could be classified as a loss, that was. Maybe it would be a blessing. Maybe you shouldn’t look a gifted horse in the mouth. Maybe you should just wipe that arrogant smirk off his smug face forever and call it a day. Then you’d be rid of the pest called Michael Kaiser.

The boy who managed to bring out the ugliest side of you. An angry side, a spiteful side, a childish side. A side you did not like about yourself. A side you’d rather ignore, push deep deep down to the depths of your subconsciousness and never let see the light of day again.

You had no idea what you did to deserve this. Why the universe decided to punish you specifically was beyond your comprehension. Haven’t you always been an upstanding citizen? Haven’t you always tried your best to not be an asshole, to not let your anger get the best of you? And yet, and yet, here you were once again, standing in front of Kaiser, who was regarding you with one of his trademark smirks, while you were struggling to keep your cool.

The boy knew exactly how to push your buttons and he never held back. No, he seemed to bathe in your attention, all satisfied smirks and gleaming eyes, and your anger only spurring him on in his mission to be the most infuriating man on the planet.

You didn’t even know who started it this time but you were blaming Kaiser anyway. After all he was usually the one breaking the unspoken rule that was put in place for the two of you that said you were not allowed to interact. Because of how little you got along you were also advised to avoid each other as much as possible.

Regardless of who was the initiator today, it didn’t matter. The damage was already done. The “damage” being you, standing here, chest swirling with burning hot anger and Kaiser, who had nothing better to do than make it worse.

Like fucking always.

You hated Kaiser, and most days you were sure he hated you, too. Still, it was always you who got upset with him and it was always he who liked to make a joke out of the whole situation. Probably because he knew it would only infuriate you more.

The boy loved pushing your buttons.

“Weißt du, du bist echt süß,” Kaiser purred, tilting his head to the side as he regarded you, “Einfach zum Anbeißen.”

You frowned, jaw clenching in irritation as you glared at his smug face, the mocking tone of his voice not going past you.

Even when he was speaking another language. Despite knowing full well you couldn’t understand him and that you hated it. He loved it, though. Speaking German when you were already angry, knowing it only made it worse.

Whatever insults he spout at you or names he called you in the other language, with a fake smile in place, you couldn’t possibly know. But you expected the worst.

“Michael,” you warned.

His eyebrow ticked up at the usage of his first name.

That was only a small triumph. He preferred being called by his last name, especially by you. He was a weirdo who got off being addressed with the title of an emperor, and you weren’t an exception. You knew it made his skin buzz, could see it in the way he’d lit up.

Kaiser nodded, seemingly to himself as he leaned his shoulder against one of the lockers of the dressing room. Why you were even in here was beyond you. Maybe today was the day of bad decisions.

“Und dann ist es noch so einfach, dich sauer zu machen, fast schon witzig,” he continued, not dropping his smirk.

His eyes narrowed at you mockingly, hands pushed deep into his pants pockets. He seemed to look relaxed but you knew he was watching you like a hawk, waiting for what you’d do next. If you’d leave, like you did many times, storm out and slam the door shut behind you or if you’d talk back, something you often couldn’t resist either.

Your jaw ticked. Knowing that Kaiser was well aware of how easy you were to anger and provoking you anyways was something that got your blood boiling like nothing else. Your heart was already thumping wildly in your chest, the sound of it rushing to your ears. Adrenaline was coursing through your veins, spurting you to act, to run or to argue or maybe to punch him. And worst of all, you could already feel the onset of shivers.

It was such a nasty betrayal of your body.

Whenever you got upset, you started shaking. It was most likely the adrenaline but if driven to a certain point of anger it’s something you couldn’t help. Your hands and your shoulders and your legs would start shaking and you’d stand there looking like a stupid chihuahua — at least Kaiser loved to compare you to one of those.

He loved to make fun of you for it. He loved to make fun of you for a lot of things…

Your body moved before you could think.

“You’re a fucking jerk,” you hissed, stepping closer until you were stood right in front of him and digging your finger into his chest.

Kaiser didn’t appear appalled or the slightest bit worried about your trembling form. His grin was sharp, eyes narrowed with a dangerous gleam in his eyes. Your anger, like so often, only seemed to spur him on.

He leant forward, pushing off the wall, weight against your finger on his chest increasing as he came face to face with you. Before you knew it his hand was on your face. His fingers found your chin, pointer finger gently lifting it as his thumbs graced your cheeks.

You froze, heart skipping a beat in disbelief at the audacity of this man. Your face flushed, you could feel the anger in your cheeks now.

“Wenn du meinst, Schatz,” Kaiser mused, emphasizing the last word and leant closer, your noses barely a breath apart.

Your hands tightened into fists by your side. You should move. You should push him away, maybe slap him while you were at it but you found yourself frozen, completely shocked by the intrusion of personal space. That was unfair. He couldn’t do that when you were angry.

Wait, no! He couldn’t do that at all!

Kaiser hummed, watching the conflict wash across your face with interest, lifting your chin up higher and dipping his head lower.

That was the moment your brain decided to bid its goodbye, your brain cells frying with its departure.

You had no idea what was happening. Whether Kaiser had just seen something on your face and gracefully decided to take it upon himself to remove it with his lips, or if he had finally thrown his last bit of dignity out of the window and was planning to bite you.

Which didn’t make much sense, because out of the two of you you were certainly the one struggling to keep yourself from being violent with him. He had never even come close, unless he was as good at hiding it as you would like to hope you were.

Kaiser’s face was still moving closer.

Your breath hitched in your throat as you realized what the only logical follow up to this action was and you stopped, not moving away when you easily could have, waiting for Kaiser to seal your lips with his.

But before it could come to that Kaiser stopped, waiting a moment, before drawing back, observing you out of hooded eyes and taking in your…whatever expression you must be making that moment.

If you had to guess it was probably similar to whatever a crashing Windows would be looking like.

“You look like you really want this ‘jerk’ to kiss you, though,” he murmured, still only centimeters away from your lips.

Before you could decide to do anything, like actually push him away or maybe pull him closer or any other insane thing, Kaiser giggled, fucking giggled, before pulling back. He didn’t withdraw without planting a kiss against your forehead, though, making you flinch.

What the-

You gaped at him, blinking. Then you realized what just happened.

You had almost let Kaiser kiss you.

You. had. almost. let. Kaiser. kiss. you.

You had almost let Kaiser kiss you!

No, wait, this wasn’t even all there was.

Kaiser had almost kissed you!

Kaiser, the most infuriating man on the planet, the asshole that got off on fighting with you, had almost kissed you. No, he did kiss you! On the forehead. He had planted his lips there, acting like it was the most normal thing in the world. Which it wasn’t!

Who even did that? Who kissed their…their…enemy anywhere?

Your hand touched the space above your brows his lips had touched, as you stared at him. He gave you a challenging look.

“You’re….you’re so? You’re unbelievable!” You stuttered, completely out of your depth.

The both of you had entered new territory with this action of his and you had no idea how to act.

“Oh? Am I?” he asked unconcerned.

You glared at him, raising your finger then changed your mind. Instead you turned around and started stomping towards the door. You could not be dealing with this right now.

You simply refused.

Kaiser chuckled, snatching your wrist. “Come on, don’t be like that. If you wanted me to kiss you you should have just said so.”

You clenched your jaw, somehow managed to talk yourself out of actually hitting him and instead only ripped your wrist from his grip.

“I didn’t !”

“Mh?”

“I didn’t want you to kiss me, you asshole,” you bit out, turning to look back at him over your shoulder, face lowered and eyes narrowed to give him your best glare.

Kaiser looked unimpressed.

“Is that so?” He tilted his head to the side, grin cheeky.

“Oh now you can speak a language I understand,” you growled, winning the inner fight against your voice of reason and facing him again.

“Magst du es nicht, wenn ich deutsch für dich spreche?” He feigned hurt, placing his hand over his heart. “Das verletzt mich echt.”

You wanted to bury your face in your hands and scream. But you didn’t. Because you were strong. So, so strong. And so brave about it.

“You know I hate that. Stop being so fucking infuriating.”

He snickered. “Why are you even so mad at me all the time?“

“Because you’re infuriating!” You deadpanned.

“And yet you find me irresistible.”

“Irresistible not to beat up.”

“How crude.”

“Shut up, already?”

With every moment the urge to wipe that self-satisfied grin from his face became stronger and with it your resolve to hold back slowly started to crumble.

Kaiser seemed to notice. Just like a shark who smelt blood he could always detect your weaknesses.

“Or what?” The challenged, stepping closer, voice lowering into a murmur, “You know, if you don’t stop being so rude I might actually have to kiss you to shut you up.”

You gaped at him, trying to step back and gain more distance between you when he took another step forward but your feet were rooted to the spot.

Was it really so easy to catch you off guard? Was Kaiser really capable of reducing you to such a mess with the threat of a kiss?

The boy laughed softly, enjoying whatever expression you must be making with your face right now. Maybe this time it was similar to a cornered animal.

“I said shut up,” you repeated, but your words had lost their heat and your face wasn’t just flushed from anger anymore.

A few moments ago you had fantasized of punching Kaiser in the face, and now…now he was saying those confusing things like they had been on his mind for a while now and you were unable to shift your focus anywhere but his slowly approaching lips.

Why did he even think of kissing you? You hated him. He hated you. What kind of fucked up game was this?

Kaiser bent forward again, suddenly directly in front of your face. How he had managed to get so close again was a mystery to you.

“Make me,” he murmured, a challenge visible in his eye.

You snarled, your anger finally taking the upper hand as your arm shot forward, fingers burying themselves in the fabric of Kaiser’s collar. You considered pushing him away, forcing him to give you space. Instead, and for no reason you were able to understand you pulled, yanking him down. Then you pressed your lips to his.

Kaiser‘s mouth felt warm against yours, lips both chapped and soft, the hand now on your waist firm. He pulled you closer, returning the kiss with fierce

You shouldn‘t question this. Not right now…maybe never. Yeah, never was probably for the best.

“Maybe you don’t hate me as much as you pretend you do,” Kaiser hummed against your lips.

The words managed to bring you back to your senses. At least partly. At least enough for you to realize what you were doing. And what you were doing was kissing Kaiser, you, who had been given a chance and still chose.

Had you actually just done this?

“You! I- Fuck you!” You hissed.

This was…You hated Kaiser. You hated him. He made you angry. On purpose! What were you doing here…kissing him?

You loosened your grip around Kaiser‘s shirt and used your flat palm to push him away. The boy didn‘t stumble, barely took a step back when you had already turned around, ready to run off.

Kaiser‘s amused laughter followed you as you pushed through the door and rushed down the corridor. His last shouted words, “Bye Schatz!” accompanying you as you disappeared behind the next corner.

You couldn‘t believe what had just happened.

You had kissed Kaiser. And the worst part about it? You kinda wanted to do it again.

translations:

“You know, you’re really cute. I could eat you right up.”

“Not to mention how easy it is to rile you up, it’s almost funny.”

“If you say so, honey (=verbatim ‘treasure’).”

“Don’t you like it when i speak german for you? That hurts me.”

“Bye honey (=verbatim ‘treasure’)”

taglist: @crystal-lilac @duf3h6237 @hufflefluffslytherin @chucky-26o1 @lordbugs

[canmom]

The First Slam Dunk fansub

Proud to release my very first fansub for the return of Animation Night.

So what is this movie? The short version is that The First Slam Dunk is the best sports movie I've ever seen.

A slightly longer version: it's an incredibly intense, sharply choreographed game of basketball - intercut with the story of our boy Ryota, who struggles to live up to the shadow of his dead brother Sota, not helped by the fact that his mother is not dealing with it well. Growing up a taciturn outcast, Ryota at last finds solace in basketball, where he finds a new purpose as he and his comrades in the no-name Shohoku basketball team find their way to unexpected success. Now, he stands to achieve his brother's dream - to beat the as-yet undefeated Sannoh team. But the Sannoh boys want that win just as badly, and they live for basketball.

After seeing this movie you'll get why.

Slam Dunk is a wildly popular and long-running sports manga, previously adapted to anime by Toei in the 90s. The original story followed delinquent yankii goofball Sakuragi, who finds a new life in basketball. This movie aims to open it to a new audience - it retells the story from a different perspective, changing the emotional beats as it moves our view from goofy Sakuragi to troubled Ryota. The original mangaka Takehiko Inoue directed it after he was impressed by Toei's efforts to bring the characters to life with CG. It sports (haha) a unique look in anime, blending 2D and 3D animation with a really gorgeous manga-like shading style and effects.

The result is a film with the tight cinematography of manga panelling, the complex 3D motion of CGI and mocap, and also the clarity and snappy timing of animation. The result is, above all, readable. I honestly don't know a thing about basketball, and yet, I could follow every move - even in French.

Then add an absolutely killer soundtrack and masterful pacing and you end up with something truly special. It was one of my favourite movies at Annecy last year, and now it's finally out on BD.

So, in the interest of letting more people enjoy this movie, and also because I really wanted to try my hand at it, I made a fansub! It ended up an incredibly involved project - I retimed every line of dialogue, tracked dozens of signs in Blender, and generally went just completely all out on this one. Couple of all nighters may have been involved.

Here's some screenshots of some of the more complex typesetting:

If you'd like to watch it together, I'll be staging a group watch at 7pm UK time (three and a half hours from now). Tune in to twitch.tv/canmom - I'd love to see you there! And if not, well, the torrent is above, enjoy <3

[velvet-vox]

My Top 10 Favourite Male Villains of all time.

"How arrogant of you to think that any of us are anything but irrelevant". -John Greer, Person of Interest (2011-2016).

There comes a moment in a blog's life where some things are just long overdue, and while the argument could be made that this happened way too early, I'd say that as long as this helps me to find my groove, I am free to experiment as much as I want.

So..... Villains.

Gotta love them. As long as I do not meet them in real life. This post is in particular about male villains since I have one dedicated to their female counterparts in the pipeline so expect that to come soon enough and for this part to be rewritten. By the way, "villain" is a generalisation, I can totally put antivillains, antagonists or more general antiheroes in this list; your definition of "Bad Guy" can vary greatly and so can mine, someone like Walter White from Breaking Bad could have made it in here. My taste is very unusual, so prepare yourself for some unexpected picks.

Also, since these are meant to be some big celebratory posts, for the occasion I'll reveal my Italian heritage and translate every line of dialogue in Italian and publish it separately with a link, so that English readers who are learning Italian can exercise.

Here's also a follow up to this post, the first part of my top 30 favourite female antagonists of all time. Check it out, if you are curious to see more.

The bad girls

But first, some honourable mentions:

Oropo (Wakfu): Once you see the number 2 spot for both this list and the female villains list you might notice that I tend to gravitate towards characters with wasted potential more often than not, but while we're just talking about this guy, I cannot stress enough the amount of unceremonious mishandling that lies within his concepts and execution. Really needed two seasons of 25 episodes each to explore it to their maximum.

Tai Lung (Kung Fu Panda): I love him, but not as much as others, it's a matter of personal preference. He's an amazing antagonist, so even if he is just an honourable mention, I wouldn't call him a lesser villain by any stretch of the imagination; I once felt like he was too sympathetic for his movie's sake, but looking back at it again, he's actually moderately evil for a lot of reasons, even if Shifu is the main one.

Bill Chyper (Gravity Falls): It's been way too long since I watched Gravity Falls, I really can't give you an accurate opinion on this guy anymore.

Flintheart Glomgold (DuckTales 2017): That season 2 episode. If you know what I'm talking about, you KNOW. Also the music for that whole sequence was a banger, really driving home the deranged nature of that twist reveal.

Big Jack Horner (Puss in Boots The Last Wish): I feel like when people praise Jack for being a breath of fresh air in a stale environment, they often forget just how good of a villain he was in his own right without the larger industry wide void of truly devious antagonists that act out of pure malice.

The Wolf (Puss in Boots The Last Wish): Two villain entries from one movie? Of course it was gonna be The Last Wish, what else could it be? Honestly I don't even wanna talk about this guy, you need to experience the movie for yourself.

Rob (The Amazing World of Gumball): Everything I have to say about this guy gets talked about much better by the number 6 Spot on this list, but as it stands Rob was my first villain OTP and the guy who opened the box of Pandora for me on what an antagonist could and should be, since then my perception of villainy only widened and now I enjoy their role in a story in much different way.

And now, with that out of the way, let's finally start with the ranking of my personal favourite male villains of all time.

Major spoilers down below:

Number 10: Silco (Arcane)

This guy is the reason that brought me to specify who or what counted for this list as trying to simplify Silco into one specific group of characters is a challenge that can only end in a misunderstanding of what makes Silco such a complex and fascinating character with an amazing character arc, that ends with him not being redeemed, mind you, but allows the audience to grieve in such a way that would make a side character death jealous.

When writing an antagonistic character, Silco is my goal and high standard, and just for that he deserves all of my respect and endless praise.

Now, admittedly, Silco's arc takes a while to kick in, but it works out to his advantage by the end of it since you don't realise just how much you've grown to care for him until he's dead and you're left with the surprise.

10 out 10, the nation of Zaun would have been much better (worse) with him than with Vander.

Number 9: The Riddler (DC)

The Riddler is literally my ride or die villain, when I'm in the mood for him, he's literally my favourite antagonist ever; when I am not in the mood for him, I completely forget about his existence.

When compared to many other entries on this list, Riddler is definitely more on the pop culture side of antagonism, and when you've been around for almost a century, you tend to have many different versions of the same character written by different writers, so I wanted to highlight here my favourite versions of him:

Arkham Games: He's hilarious. He's not my ideal Riddler, but whenever he comes on screen, his whiny rat's ass voice stimulates my pheromones.

Batman The Animated Series: I've heard somewhere that this version of him is disappointing, and to that I'll say... yeah, but only when he wasn't on screen, because otherwise, he kind of slayed.

Matt Reeves The Batman: This is the version that rekindled my love for him after so long. Out of every interpretation of The Riddler throughout the years, this is the one version that treated Edward more as a character rather than an obstacle for Batman to overcome, and for that I'll be eternally grateful.

LEGO Batman The Videogame: My very first introduction to The Riddler and the Batman universe as a whole, this version has a permanent place in my heart , I love how much information and emotion you can get out of him by just looking at his mannerisms and quirks alone; unironically, being silent helps him reach that quote on quote idealised version of Riddler that I was talking about earlier.

Number 8: The Snatcher (A Hat In Time)

There are many things that can carry on a villain in a story, their evolution, stage presence, complexity, thematic contrast to their counterpart, and so on and so forth. While an antagonist can check off many of these boxes simultaneously (like the one pictured), there's one box that is almost impossible to truly nail perfectly: comedy.

You see, comedy is subjective, and when your main antagonist is also the funniest part of a given story, it becomes hard to also match a sense of gravity and menace that allows them to also be an imposing threat, even harder is to give said antagonist depth and a tragic backstory.

But somehow, out of nowhere, The Snatcher from A Hat In Time manages to simultaneously be the funniest character in his section of the game, carrie said energy throughout the whole experience even down to the DLC, simultaneously strikes the balance between being scary, wholesome, sympathetic and tragic, exude an insane amount of charisma, all while having a deeply disturbing backstory that touches on some heavy themes and re contextualises his actions into something more complicated and out of a broken man, everything I just said + he's the biggest bastard in his videogame and never repents nor does he have his actions called out.

Snatcher really has all the right cards that make a stationary character work and uses them to his maximum potential, and it works because his character arc throughout the game is more about becoming affectionate to Hat Kid than it is about redeeming himself.

Lastly, his voice actor, Luke Sizemore, aka Yungtown, really sells the performance of this devious soul eating worm and burns his catchphrases into your brain for the rest of eternity, much like his boss theme,

Your Contract Has Expired

A song that switches around being scary, epic, energetic and desperate in a short, yet perfectly paced amount of time. You need to listen to it regardless of if you've played the game or not.

Fool.

Number 7: Judge Claude Frollo (Hunchback of Notre Dame)

You can never say no to a classic.

There's nothing that I could say that hasn't already been said by thousands of videos on YouTube, but I'll try anyway: you see, Frollo is the reason why we need a new term to identify certain villains that aren't "sympathetic" but still make you feel some sort of human emotion and a form of "I wish someone could give you the care you need to fix your life", I guess the term empathetic exists, but when do you really see it used?

Now, don't get me wrong, Frollo is absolutely not sympathetic in the slightest, he wants to r##e a Romani woman that's way younger than him, but you can still feel that he's very troubled about it in the Hellfire scene and has definitely a lot of unidentified issues and internalised bigotry that could be worked through, even if it's too late to work through them right now.

In general, I feel like people forget that the main reason why past Disney villains worked had to do more with their human traits juxtaposed to their malice rather than just their plain wickedness, otherwise the Horned King from the Black Cauldron would be top of the Disney villains league and that couldn't be further from the truth.

We should really strive towards writing more villains like Frollo, less omnipotent beings that end up falling flat because they don't have much thematic relevance aside from being a threat (Bill Chyper works because he represents Ego and he's used sparingly) and more average vicious individuals who use their power and influence to get what they want.

All in all, if you've seen The Hunchback of Notre Dame, then you know why this guy is here, but just to cite a couple of repeated points, the Hellfire scene is perfect. It's immaculate. It's unreproducible; there will never be another scene like this coming out of the House of Mouse or animation ever again, the excessive amount of stars and elements that came together to create this gothic classic is so vast that it's literally a miracle.

Frollo is truly the personification of the dark, twisted side of humanity peaking through the door and into your mind, from which he shall never escape as his performance still remains perfect to this very day.

Number 6: The Spot (Spider-man across the Spiderverse)

"You've hit me with a bagel!" It's still the greatest villain origin story of all time. There's truly something maniacal about this reveal, like the entire universe was shattered and reality was shocked at the mere realization that while Miles was having his coming of age moment back in the first film, this guy was having his normal life completely and utterly shattered by a combination of both our heroes stepping up to do the right thing and our doofus lack of foresight and self reflection; all of this stuff is hilarious and completely made up for the film but good god they did such an amazing job tying all the elements together in an unexpected way that makes sense and parallels the journey that our protagonist faced in the first movie.

Like with Rob from The Amazing World of Gumball, and a little bit like number 2 on this list, I just really enjoy the concept of turning background characters who had no relevance whatsoever into the big bad of the story who's been there all along and the heroes (and the audience) just couldn't notice.

With The Spot in particular, there's that sense of satisfaction of turning the wasted potential of a villain who has been underestimated for literal decades and treated as a "villain of the week" (God do I love the meta narrative of this movie) into an actual competent, well written antagonist that is aware of his reputation and strives towards bettering himself and his powers.

He's also the funniest character of his movie too and the voice acting of Jason Schwartzman only accentuates his mannerisms and pettyness.

He also has the coolest usage of portals I have ever seen and his whole "There's a hole inside all of us" metaphor is simultaneously hilarious and very deep personal information that can only be understood if you put yourself into his shoes.

I can't wait for Beyond the Spiderverse to come out and see how his arc resolves, more importantly, I wonder if he's going to rank higher in the future.

Number 5: Lord Shen (Kung Fu Panda)

"Happiness must be taken. And I'll take mine"

.....

What a character.

What a movie.

You cause so much pain and suffering, because you don't understand the people around you, and then those people banish you, and you can't understand why, so you start to believe that they hated you.

They never loved you, so you keep causing pain and suffering but it's not that easy anymore; the guilt starts to resurface, all those bodies keep piling up, but you can't stop because then it would have all been for nothing; so you keep chasing those dreams of grandeur because that's all you have left; the emptiness in your heart can no longer be filled by love, so you try to fill it with something else.

You try to fill it with power. You try to fill it with glory. You try to take everything else for yourself so that you can fill that cup, but it doesn't work, because that cup has no bottom.

And so you're left... with yourself.

And the damage you've done. But now it's different; you've failed. You are left with nothing. Nothing.

And so you outrage, for the last time... And then it all ends. Forever. And you've finally come to accept this, after all....... Who could ever love you?

Number 4: Spamton G Spamton (Deltarune)

You know, in retrospect, it's kind of insane what Toby Fox managed to achieve when creating Spamton.

Not only because Spamton feels like the most insane combination of ideas ever conceived, but also because Toby Fox created such a complex character with such a complicated language and personality and then not only shafted it all aside for the players to go out of their way to interact, but also made all of this in what are officially 2 or 3 cutscenes at most (4 if you consider his shop encounter as one) and only one of them being truly mandatory.

You spend so little time with Spamton, and most of that time is spent fighting him, and yet by the end of it you've become enlightened by the knowledge of him, that after a while... you forget how scary it all was.

All the memes comparing Spamton with Turbo are 100% correct and justified, Spamton truly is Turbo but better; you go through an insane rollercoaster of emotions with this character that you are left absolutely dumbfounded when it all comes to a stop and you go back to play the rest of chapter 2 normally.

His insane mannerisms and mood swings are pretty funny at first, but once you peel back the layers a bit they reveal a pretty realistic and sad portrayal of mental illness, mania and hysteria coupled with an unhealthy amount of social distancing, loneliness, and abandonment issues, that reinforce into your brain the idea of someone lacking proper healthcare and needing to be locked away from society for their (society) own good, simulating the vicious cycle that Spamton lives by: nobody wants to help him but he's still expected to act like a regular individual despite the amount of hardships he's facing and the lack of a support system keeping him from falling back into his bad habits.

I'll admit, I've considered putting Spamton in place of the Number 3 spot on this list; but then I've realised that on an objective level, the next entry totally deserves to be ranked above Spamton; plus, with at least 5 more chapters of Deltarune on our way, whose to say that one of the next gremlins won't be able to dethrone even the number 1 spot?

Drumroll for our top 3:

Nox, the Watchmaker (Wakfu)

There will never be another experience in my life as cathartic as watching the first season of Wakfu for the first time ever again.

On a later rewatch, the initial problems that you've noticed throughout the first half of the season and a little bit in the second half become too apparent to ignore, but the first time everything that goes from the ball tournament to the finale is one of the best paced arcs of television, and everything that happens when the team reaches the Sadida kingdom is just peak Wakfu.

And the king, the culprit, the crown jewel of properly paced stories and arcs is no other than the sad clockwork dilf himself: Noximilliem Coxen the Watchmaker.

Arguably, the greatest sympathetic villain of all time. There has never been another case of a character who has committed such vile, unspeakable crimes, and yet still managed to make me root for them while simultaneously not putting down the heroes.

And let's not be mistaken here, Nox is pretty evil:

Aside from the generic murder, Nox also defiled and stitched together the corpses of multiple victims and turned them into his obedient puppets in order to commit even more murder and genocide in order to achieve his goals.

Also, this is one of the funniest crimes Nox has committed: he abused his dog. It's really not that hilarious nor is it that important in the context of the show, but if you look back at it from an outside perspective then it's really like: Oh yeah. That happened too. Lol.

One of the best parts of his entire arc is his defeat. The "20 minutes" scene deserves a "One Villainous Scene" coverage video to forever immortalise it amongst the greatest. Everything from the music, the subversiveness, the cinematography, the voice acting and just the general art direction of it is worthy of an Eminem award at the Oscars, there's genuinely nothing wrong with this scene, it's truly immaculate.

Words alone cannot do justice to the treacherous, gut wrenching emotional rollercoaster that is experiencing his story for the first time. An hour long video essay would only serve to cover the basics and fundamentals, while for the real deal you need to watch the first season of Wakfu for yourself.

Number 2:

Bradford Buzzard (DuckTales 2017)

And now it's the perfect time to pull out my final wild card, the hole of the sink of my autism, the masterpiece of wasted potential that is Bradford Buzzard from the DuckTales remake of 2017.

When you'll also see the number 2 spot on my villainesses list, you'll come to realise that this spot is more of the "I really wish I could put this at number one but I can't because objectively he doesn't deserve it and the majority of things I love about him in canon were probably an afterthought and in fanon were never plausible to begin with."

And that's how I feel about Bradford Buzzard, an antagonist I spent more time thinking about than probably anybody else on the Earth.

The show runners were so genius for this: we are going to create an original character that will probably struggle to maintain a foot print on the franchise due to the way the Duck verse works, we'll give him an insanely cool backstory and motivation, all coupled with interesting character traits and ideology, we'll make him the ultimate foil to Scrooge McDuck that has been working with him for literal decades, we'll make him the one who has got the closest to isolating Scrooge and destroying his family, and THEN we'll turn him into a generic anime villain that shoots lasers and fumbles his own plan and loses because of insane plot armour and contrivance. Good job writers.

Anyway, I should probably make the case for why this guy ranks so highly in my mind to the point of almost taking the podium for my most liked villain of all time, especially when compared to the stiff competition that we just went through.

Now, part of it is just because this is a personal top 10 and so I can put whoever I want in whatever order I want. But also, with Bradford in particular, there's a personal aspect of relatability, various interests, and passions all coming together to make him stand out in my brain.

The thing is, I've had a pretty strong connection to Disney's Duck's comic books my entire life, even if my love for them came dwindling over time, so when I finally started watching the Reboot and it was amazing, all of that buried passion and love finally re emerged back to the surface, turning me into an annoying super fan. But while season 1 and 2 were great, season 3 actually gave me something to latch on for the rest of time even after the show had ended: the character of Bradford Buzzard.

You see, DuckTales, both in the shows and comics, always had a plethora of villains; from the crazy, megalomaniacal millionaires, to witches, demons, and other mythological creatures, to power hungry aliens, to straight up super-villains. But while all of that is true, there has never been another villain, aside from Magica, Glomgold and Rockerduck at traits, that was built specifically as the anti Scrooge McDuck, and even further, there has never been another antagonist who challenged the very core ideas and concepts of the entire franchise.

Bradford is like the Frank Grimes of DuckTales: just a regular, average, real world guy who's fed up with the nonsensical constant state at which their fictional universe operates and seeks to correct it in the most logical way possible. And while Frank was ultimately a victim of a world in which he couldn't conform, Bradford's outrageous and extreme plans and methods put him on everybody's hit list until he was left all alone, but not before indirectly causing every major disaster throughout the reboot's runtime.

A cold, calculating, machiavellian mastermind whose impact and presence secretly permeates the show, right till the very end.

Shame he wasn't written better.

And now, for the one and only,

Number 1:

Qilby (Wakfu)

Qilby is the biggest example of an anomaly that you could ever observe in a work of fiction. The first time experiencing a story is the most important and impactful moment of that story, as every future rewatch won't be as good as the first. In particular, this is an important aspect of twist villains, as they can only surprise you the first time, since at future rewatches the twist becomes predictable.

Furthermore, if the twist ends up ruining the character that was established up to this point, or it doesn't make any sense, then the story is kind of ruined and it only gets worse on future rewatches, since now you know that everything that you are seeing right now is ultimately worthless and doesn't provide any value.

So why do we love twist villains and keep churning them out? Well, you see, it's a matter of execution. A bad guy introduced in an unconventional manner is much more memorable than one introduced in a straightforward way; the twist can also serve to showcase different aspects of the character before becoming an obvious obstacle, be it quirks, interests, personality in casual settings, or cunning.

Let's not beat around the bush.

If Nox is the single greatest sympathetic villain of all time, then Qilby is by far the greatest twist villain of all time, and the crazy thing is, that he surprises you two times in a row, at first by revealing himself as more evil than you could ever imagine, and then, by outing himself as more complex than you could have ever anticipated.

Let me paint you the picture: you just finished the first season of Wakfu, and you are still pretty fresh of the hype surrounding Nox, so you think to yourself "Oh, now every future antagonist is ruined because nothing could ever top the emotional gut punch that I just went through. Whatever, I'm going to stick around just to see if the story gets worse" and you start the second season.

So far, everything is normal, even better of the first season in terms of engagement value, but you can't help but feel the lack of a Nox like figure inside of the story, but at this point, you just accept it.

Then the final six episodes roll around and OH MY GOD WHAT IS HAPPENING, HAS THE WHOLE SHOW JUST GONE INSANE?

Somehow, in some mystical, french, magical way, the season 2 finale is arguably even better than the ending of season 1 despite the fight having less buildup and introducing a lot of brand new characters and an entirely irrelevant faction into his conflict.

The entirety of the scene in Emrumb is some of the best writing I have ever experienced in any work of fiction, and the music accompanying it only accentuates the repressed dopamine being released after various episodes of filler, all of them important for this moment to be as impactful as it is.

Qilby is also just a great, tragic character, that is simultaneously an unforgivable bastard that tried to kill his family and doomed his entire race for a family trip, and a sad, nihilistic man still trying to reconcile his love for his family and his need for knowledge and discovery; his curse never truly allows him to move on or relate to others but his ego and need for his forgetful brothers attention just pushes him even further into resentment, ending up damaging himself and those around him, until he's finally isolated again by the vary people he harmed and showed his love towards.

He's as good as the evil secret sibling trope can get and I never get tired of watching him on screen. His reveal scene to Adamai still gives me the chills to this very day and demonstrated me just how good the surprise villain concept can get when it's executed correctly.

Just an all around great show.

[robin-hood-marks]

Connected some dots

This is 100% going to be something that's incredibly obvious to a lot of people, so bare in mind my stupidity, but I was just thinking about the book and had a little thought.

So, we all know that the novel itself is a critique of the pretentious nature of 'intellectuals'; of how most of them (us, maybe) believe themselves as of greater importance and see themselves to be separate to 'normal' people. Well, I was just thinking over Bunny's character and recently I've seen some things on here about how he really isn't this big malicious character he's made out to be by the narrative but just a college kid doing college kid things and I thought, hm, wasn't he the dumbest too?

Stay with me lol

I remember it being mentioned that Bunny was either dyslexic or something along those lines, had the others do his homework and was older than them because he was held back a few grades in his earlier years of school. Now, taking in mind the overall point of the novel, it makes sense that he's villainised because he doesn't fit with their image of what makes them special or above everyone else. Bunny is just a young guy who wants to be cool and fit the images people have of him, and is murdered because he doesn't fit their criteria of what it is to be better.

It's a reoccurring theme whilst he is actually alive that the group looks down on him for being the least intelligent, the least capable, but they themselves aren't all that brilliant at the things they claim to be. With the exception of Henry (whom I could write a whole analysis on, but I'll spare you that), the group aren't that great at Latin or Greek or any of the things they study. Firstly, everyone's favourite line "Cubitum eamus?" is just a very weird translation of what he's trying to say and, while it makes some sense, isn't technically the way one would ask that question. Plus, the way Richard is introduced to the group (when they're all working on the tenses of something, I think?), I remember seeing someone talk about how that's not really all that complicated if you're actually good at the language? Not entirely sure about that one, so forgive me. I just find it all incredibly ironic that they revile and brutally murder someone for essentially being slightly less intelligent than them, when they themselves aren't all that genius. That's not even to mention how they worship people they perceive as smarter.

In short, Bunny was just a guy who was trying to be clever and cool. He fell in with a bunch of precociously mature, self-righteous intellectuals and understandably freaked out when they ritualistically murdered a man. I might dislike him, but I'll defend him.

Anyways rambles of a madwoman over, enjoy your day!

[nalonzooo]

you’re one of my favourite artists and one of the reasons I want to start drawing!!! >.< I’ve started and it’s a bit difficult but fun!!

I was wondering if you had any tips on how to draw face shapes and dynamic poses? I love the way you draw face shapes and the actual expressions!!! (it’s always so hard for me 😭) and your poses are super cute!!!

YAAYY NEW ARTIST🥳!! i’m SO happy to hear this -

and absolutely i’d love to share what i’ve come to learn (so far!) re: face shapes and poses as a hobby artist ^^

just to preface everything, when it comes to giving art advice there’s always a general disclaimer that there’s no right way to do art, in the end you should do what you like to do! sometimes i like to think of art as problem-solving, and there are many ways to tackle specific problems <3

for face shapes and expressions - lately i love to reference and do studies of Ami Thompson and Shiyoon Kim’s character design and expression sheets for Spiderverse. these are INCREDIBLY evocative and useful. you can study these expressions and poses and try to recreate them on different characters, and you’ll notice the difference in eye shapes, face shapes, noses, etc; studying these differences is what will help us avoid same face syndrome. what i generally like to do is find art that i like - comic/manga panels, fan art, anything i want to learn how to draw like - and copy it into my sketchbook for personal practice and study to see what elements i can incorporate into my own drawing.

another tip - any medium is good for drawing, but i highly suggest esp when you’re starting - learn to draw with ink! drawing traditionally and with something unerasable will help with your draftsmanship and line confidence. it’ll be wonky at first but you learn to be deliberate with every stroke. tbh becoming a digital artist has deteriorated my draftsmanship and has made me heavy-handed, and it’s something i’m trying to consciously remedy right now. digital art is highly convenient and best for sharing, but when i do studies i stick to pen and paper :)

as for poses - one v important thing i learned in creating dynamic art is to “push” or exaggerate the poses. what you see in a photo reference - if you try to draw that 1:1 on paper, it doesn’t always translate well—the energy is not always captured, and it usually looks so stiff. what is in 3D has to be translated a different way to 2D. so “push” it to create more energy - exaggerate the movements - even if they’re just standing, you can make it dynamic by being conscious of how they’re standing (where the weight is balanced, push one hip up, make them lean one direction, for example). i doodled some examples here:

^ first one is gojo just standing; now how i would “push” this pose is to show him putting more of his weight on one hip and maybe putting his opposite foot up a bit to suggest some movement (and balance). the third one is just a bit more variation where his body is still putting weight more on one side, his feet are more glued to the ground, but i put his hand out to do his signature victory sign just for a bit of flair. so it’s a lot of figuring out how to convey balance and weight and movement and personality :) start with exaggerating the pose - then you can create more and more dynamic art from there ^^

pushing and exaggerating applies to facial expressions, too! instead of merely drawing someone with a smile, try tilting their head a little sideways (and show how their hair might move as well bc of this), add some blush, raise their shoulders a bit, etc).

and i 100% recommend taking gesture drawing classes for dynamic poses ^^ there are a lot of artists who have draw-with-me tutorials on youtube, and i personally like to use line-of-action.com for timed sessions.

i hope this is helpful in even a little way—good luck on your drawing journey and remember to trust the process bc progress is def not linear as an artist but deliberate practice and studies WILL help you! <3

[deadlyflames]

I have to say, I was absolutely obsessed with your Reverse Falls AU back in the day (still am tbh), and it was/is my favourite version of any Reverse Falls AU that had been done. I love that Gideon and Pacifica weren’t just given Dipper and Mabel’s personalities like a lot of other versions of that AU, and that they felt like the better version’s of themselves. I’m still wondering what the plot was gonna be concerning what Stan was up to and with Ford being trapped in the portal and such. Regardless, your writings still have a chokehold on me, so thank you <3

Thank you so much! I'm so happy to you enjoyed it. I love getting messages like this <3

I don't think I'll finished my own full version of the plot as I planned to, because it was kinda intense. But I'm very glad I made all those one shots and that they make people happy. I loved writing them and I still adore this AU.

TBH, I had a huge plan for the Stanford backstory and it was so unnecessarily complicated. Theres stuff I would keep but other stuff I would probably axe.

Short version is Stan and Ford moved to Gravity Falls when they were 12. They befriended a young Carla and Fiddleford and the four of them formed a little scooby gang that would solve the mysteries of Gravity Falls.

A young Ford stumbles upon the cave with the incantation to summon Bill and he translates it. So a young Pre teen Ford meets Bill much earlier than in canon and this influences him for the worst.

Stan doesn’t break his machine, Ford still gets rejected and this sends him on a dark spiral. He leaves town without a world.

Ford still builds the portal and falls into it, but this time it wasn't an accident and he was pushed in it on purpose. By Stan. 😬

The one who is actually trying to open the portal in this AU was Pacifica's mom. 😱

Here's a link to a more detailed timeline of these events - be warned - its hella messy.

Even tho I’ll probably never finish this story, it has a special place in my heart. ❤️ So I’ve included the draft for the first chapter of the official reverse falls au and my other chapter plans below the cut.

You didn't ask for it so ... here you go.

Play It In Reverse

While working for their Granny Carla, Pacifica and Gideon come across a nameless journal with mysterious content. They start to unravel the secrets of their home town, but they find some things are better left hidden when their path crosses with the Pines twins.

Ch 1 - Part Time Tourist, Full Time Trapped

Priscilla Northwest had not been happy when her daughter had brought up that she wanted to get a job for the summer break. Priscilla had stated that it was below a lady of her station to have a part time job and work for one of the lowbrow hicks that lived in the town. Besides, what was the point in getting a job when they were already rich.

But Pacifica had been persistent and Priscilla had seen the fiery rebellion in her violet eyes. She wouldn't easily back down from her position, not without constant tantrums and complaining. The child had always been annoyingly stubborn when she set her mind to something. Though Priscilla couldn't say she was much different when she was Pacifica's age.

She didn't really want to deal with an angry reckless teenager when she had a city to run. And she doubted Preston could keep Pacifica in line on his own. And it would be much easier to continue with her work if Pacifica wasn't wandering about the mansion on a constant basis.

The more Priscilla pondered on letting her daughter get a summer job, the better the idea seemed. The only problem was finding a place for her to work. She wouldn't let Pacifica be caught dead laboring in the greasy lumberjack diner. Priscilla would have to make sure that she had a respectable job with a trustworthy employer. An employer who wouldn't mind being saddled with a fourteen year old girl with no previous work experience and no knowledge of how to work for a living. It would be a difficult task, even for the mayor of the town. Priscilla was gifted in finding the right strings to pull to make sure things would work out to her design, and she didn't doubt her abilities. But not many respectable people would accept taking on a new employee for the entire of summer when the season had just started.

Acquaintances were unlikely to accept Pacifica, but family was another story.

Long and short term plans formed within her mind as she reached out to pick up her phone. Dialing a familiar but unused number on her phone, she took a deep breath as she brought the receiver to her ear.

An eccentric voice answered on the third ring. "You've reached the Mystery Shack, home of the legendary swamp beast foot. Just the left foot though, the rest of him is still buried in the swamp, plotting a way to find his missing limb. If you'd like to see it for yourself, come on down and enter-"

"Mother," Priscilla said to the woman on the other end, cutting off her sales pitch. "It's Priscilla."

The friendly tone in her mother's voice flipped on a dime. "Ah Priscilla, thought you might call," Carla stated with clipped sarcasm. "It's only been a year."

She cringed to herself in response to her mother's attempt at guilt tripping her. She hadn't called in order to get told off for not keeping in contact. Even though she was sure that her mother would love to focus on that subject.

"You know how busy I am, mother," Priscilla replied flippantly. The response left her lips before she could think better of it. Too late to take it back now. She examined a bit of paper work that had been pushed off to the side of her desk. Something to focus on other than the rant her mother was going to go on.

"Too busy to keep in touch with the family?" Carla snapped, temper showing in the sharpness of her voice. "Honestly Pris, I haven't seen you in years, and neither has Gideon. And seeing you on TV does not count. You haven't even called or written. We live in the same town, for god's sake. I've barely seen any trace of my granddaughter, who I also haven't seen in years, by the way."

Priscilla's ears perked up at that last sentence and her mind raced to engineer the perfect speech. Immediately, she adjusted her voice and spoke in an pleasant tone. "That's actually why I called you," she stated diplomatically. Lies spun out of her mouth like spiderwebs, laced with ulterior motives and secret plans. And like a spiderweb, they entrapped the woman on the other end. "Pacifica has been so consumed with her studies for the past few years, I thought it would be good if she had a break. I was hoping that you could let her work for you this summer, since you aren't particularly well staffed. It would be a great chance for you to bond."

There was a long pause on the other end, and Priscilla wondered if her mother was able to see through her. If anyone could, it was her. But even if her speech had rung false in her mother's ears, she doubted the woman would pass up the chance to spend time with her only granddaughter.

"So, you want me to take your teenaged daughter off your hands " her mother asked, a hint of amusement in her tone that Priscilla wasn't particularly fond of. "Alright, I'll let her work for me. On one condition."

The word condition alone was enough to tense her muscles and cause an uncomfortable flexion in her fingers. However, despite an initial discomfort, Priscilla kept her composure, because this was her mother and she rarely had an ulterior motive that extended beyond extra family time.

"What did you have in mind?" she asked with a neutral but polite tone that never betrayed her emotions.

"Pacifica stays here at the shack, it'll be like summer camp," her mother chirped, and Priscilla could tell she was smiling on the other end. "Plus I won't have to waste gas money, driving her back home."

The idea of Pacifica sleeping in the musty old shack Priscilla had despised in her childhood, made her cringe with disgust. However, it lined up with her motive to keep her daughter out of her way for the summer. Besides, it would be a good learning experience for her daughter, experiencing how the lower class lives. Perhaps she would finally understand the difference between the Northwests and everyone else in this town. Perhaps she would return home and actually be grateful for everything Priscilla had given her.

So, despite the revulsion that twisted her stomach when she thought of her daughters perfect blonde locks resting on the stained and unkempt beds of her childhood room, Priscilla kept a cheery tone. But not too cheery and with just the right amount of tension in her vocals. "That sounds wonderful."

She could practically see the triumph in her mother's eyes when she replied. As if taking in a teenager for the summer was some great victory. "Swell, you can drop her off this weekend." With that Carla hung up the phone, probably feeling very proud of herself.

There was a twitch at Priscilla's lips when she hung up the phone. In another life, if she had been burdened with a lack of ambition like other pretty girls, she probably could have become an actress.

Xxx

A small group of shuffling tourists pilled into a small, dark room. A young boy stood at the front of the group, leading them further into the darkness. Once the last person entered the room, the door slammed shut behind them, startling the tourists inside. Even in the darkness, people were able to see the little boy's light up shoes and the glimmering rhinestones adorning his cap. He was the only thing their eyes could follow as he came to stand on a platform.

"Now y'all gather in close," the boy stage whispered, his southern accent ringing clear as a bell. "And listen well as old Clarabelle tells you the darkest secret of Gravity Falls. I suggest those of you with feint hearts cover your ears."

The group was collectively pulled in closer by the softness of his voice. They were gathered tightly together now. Each person whispering of either conspiracies, skepticisms or wonder at what they were about to hear. No one saw the large smile on his face when he spoke again. "Now try not to scream, old Clarabelle's in a ... delicate situation."

There was a click and a single spotlight shined on the stage. The sudden light source assaulted everyone's retinas for a moment, when their eyes readjusted to the light the group let out a series of gasps. The white haired boy stood atop a stage that was made to look like a creepy living room, with ancient looking furniture and spiderwebs hanging off of everything. There was a single rocking chair in the centre of the stage, and sitting on it was an old woman who's appearance caused some of the audience to tremble. She was tightly bound in an old fashioned straight jacket, that would have been white if it weren't for the questionable dark crimson stains that streaked it. Her hair was long, stringy and a mess upon her head. But the real terrifying thing was her sunken in, erratically shifting violet eyes.

When she looked upon the people before her, a crooked and wild grin found its way to her lips. She tilted her head to the side to show off the sharpness of her teeth, causing people to notice that she had long fangs in place of her canines.

"Well, hello there, dears," she crooned to the crowd in a sickly sweet tone. "It's so nice to see such fine people visiting our little town. This sleepy little town, with wholesome citizens and lovely sights. At least, that was what the uninformed would assume. But I know differently. There are shadows in the forests, shifting when you get close enough. Strange phenomenons that cloud this town's history. Why even in this ver-"

She paused, crazed violet eyes snapping upwards towards the ceiling. Her breath hitched as she stared ahead, her gaze not really fixed on anything. Everyone waited in anticipation for her to finish her statement, or perhaps for her to snap into a violent rage.

She slowly craned her head towards the audience, a smile stretching at her lips but not affecting her dead eyes. "Sorry dearies, it seems you've come to visit old Clarabelle at a terrible time. You see-"

The old woman was cut off by a sudden rumble beneath the stage. She glared down at the floorboards as if they had offended her.

"You see, tonight is the new moon and-" the woman tried again, though her character was slipping. Her voice was a lot louder this time but her words were drowned out when the mechanical rumble bellow to stage turned into a full fledged roar.

A trapdoor in front of the old woman's rocking chair opened up with a slam. Puffs of smoke poured out from the opening, accompanied by the sound of distorted dog growls. The now confused and horrified audience watched as something large and fury emerged from the stage.

An animatronic werewolf jumped up from bellow the stage, only its hide was on fire. It's hinged jaw jerked rapidly and the rubber skin and synthetic fur melted away as it was licked by the flames. The thing's voice box was damaged by the heat, and the long howl it was programmed to make became distorted. The screech it made sounded like nails on a chalkboard.

The tourists screamed, some of them feeling the heat from the very real and dangerous flames. This little scene had clearly gotten out of control, and no one wanted to stick around to see the damage that would come of this malfunction. The group fled the room in fear, rushing passed the gift shop and back to their cars. As a collection of cars sped away on the dirt road, no one in the line had an inkling to ever go back to the Mystery Shack.

The boy, who had been guiding the customers, had fled the scene to fetch a nearby fire extinguisher. Luckily, due to prior experience with combustible machinery, he was able to douse the flames in a few moments.

As the large clouds of smoke rose up from the opening, the animatronic flopped over lifelessly and it's rubber skin sizzled. The old woman fluidly slipped from the confines of her straight jacket and tossed it to the side. Upon finding the room barren of tourists, she cursed loudly. The boy's hands automatically shot up to cover his ears as the woman cursed over and over.

"I thought you said it wasn't going to catch on fire this time, Melody," Carla McCorkle snapped, yanking the itchy wig from her head and throwing it to the ground in disgust. She spent all month preparing for this werewolf bit and now all these rehearsals went to waste. Not only that, but all the paying customers had booked it out of there without so much as a tip.

"I'm sorry," a feminine voice called out from under the stage. From the trap door, a young woman emerged. Her face and clothes were coated in soot and her hair was severely disheveled. "I really thought I fixed all the problems but when I went to turn it on, there was this pop and then a flame sparked and everything just got worse from there. I'm really sorry Miss McCorkle, I think it had something to do with the-"

"I don't care how it happened, just get it fixed," she said, brushing past the bewildered and frantic young woman. She yelled at the top of her lungs. "Robbie! Robbie, get over here!"

When there was no response, Carla stormed out of the room and into the gift shop, only to find her cashier missing.

Pacifica sat before the cash register, counting the money, or rather the lack of it. When her grandmother entered the room with the fury in her violet eyes, she straightened her posture to put up a facade of alertness.

“What happened?” the blonde asked, a sculpted brow arched in confusion. “I saw everyone run out of there and I thought someone died or something.”

“Those people are wimps,” her grandmother growled, glaring out the window where she could just make out the tail end of the retreating automobiles on the dirt road. She turned to her granddaughter with a frown. “Where the heck is Robbie?”

“He went AWOL after all those people ran out without even buying anything,” Pacifica answered with a shrug, though she turned her head to gaze wistfully out the window, the way she had seen the cashier go. “He said he would be hanging out with some friends.”

“Lousy teenagers,” Carla grumbled, crossing her arms and glaring out the window. “This is coming out of his pay check.”

The young boy came running in, out of breath and grinning like they hadn’t lost out on a whole lot of money.

“Good news,” he chirped, and Carla looked towards him with a skeptical gaze. “Melody got the fire out. Bad news is she’s going to need a week to fix the werewolf bot.”

Carla groaned dramatically, raking her fingers through her thick grey curls. While she mumbled a string of curses to herself, her grandchildren shared a look of acknowledgment and subtly nodded to one another.

“Weeeellll,” Pacifica said, dragging out the word as she stepped out from behind the counter. “Since today was a bit of a bust and Melody is working on fixing the werewolf, Gideon and I were gonna go out for a walk in the woods.”

Upon hearing this, Carla to her granddaughter with a suspicious glare. She inclined her head in interest, searching for any hidden intent in Pacifica’s facial features or posture.

xxx

Gravity Falls wasn't the kind of place you would expect people to travel to on purpose. It was a small town, built on the lumber industry, with not much in terms of attractions. There was a grand total of four restaurants, two motels, and one mall. The town held some weird traditions and fostered a bunch of creepy local legends, but other than that it was basically a pit stop for weary travellers taking a road trip in the pacific north west.

xxx

The tree was cool to the touch, and had the texture of steel. The realistic paint job mimicked the colour and shadows of bark and had fooled Pacifica and Gideon into believing it was real.

Out of curiosity, she carefully ran her hand along the tree side. She paused when her fingertips caught on a small grove in the metal, indicating that there was some kind of opening.

Xxxxx

These were my chapter plans for play it in reverse - some are more thought out than others lol

Part Time Tourist, Full Time Trapped: Gideon and Pacifica go out to get pictures of something spooky, they come across gnomes. The gnomes find the two truss passing on their lawn and try to force one or the other into marriage. When they escape, the cousins stumble upon the third journal. They use it to escape the gnomes by summoning the manatoar to scare them off.

Once in a Waxing Moon: Pacifica finds a poster for the Mystery Museum's new wax exhibit. Carla flips her lid and immediately calls up Fiddleford Mcgucket to assemble a new attraction to beat out Stan. Pacifica and Gideon help Melody and Fids with the creation of the Gobblewonker. They do the painting. Pacifica meets McGucket for the first time and learns how Melody started working for Carla and how she became a mechanic. Like a try hard, Carla shows of fat the wax exhibit unveiling and shows up Stan with her gobblewonker. After an enormous explosion takes out everything, Paz and Gideon decide to find out who caused the destruction. With a tip from Wendy, they find out that Stan was around when the thing blew up. But that's weird because Carla and Stan were fighting at the time. Something Is sketchy so they go snooping around the mystery museum late at night for clues. They find out that it was actually Stan's wax figure that blew up the robot and they nearly get killed by some wax figures. Pacifica meets dipper Stan and Carla get into a fight and Paz gets some free tickets to the tent of telepathy.

There's Something About Mabel: Paz and Gideon and Melody go to the tent of telepathy. Mabel is interested in Gideon and approaches him with the intent of owning him. He's excited to be hanging out with her but he gets severely scared of her and has to put up some boundaries. This makes Mabel even more determined to have him and she starts pressuring him to date her and smothers him and nearly threatens him. Paz, seeing the effect Mabel has on Gideon, confronts her and tells her to lay off a bit. Mabel doesn't take this well and traps her at a factory and promptly tries to kill her. Gideon receives the ransom note, and tries to appeal to her better nature. He lets her down easy but Mabel goes full out horror show on him. Paz tries to rescue him but Dipper shows up and stops her. Dipper convinces Mabel not to kill Paz or hurt Gideon and she begrugenly follows him, not without threatening Paz on the way out.

Season of the Hand Witch: Gideon and Paz start panicking about the mystically powered twins and consult the journal for answers. They can't find anything on the mystic amulets but they do find info on a psychic witch who may have the answers to how they can defend themselves. They go to the handwitch who tells them how to make hex bags to stop the pines twins from using their powers on them.

Mabel goes to meet them at the shack and act threatening but finds she can’t use her powers. Pacifica is a bit gloaty about it.

Mabel goes to tell Dipper about how they got had. Dipper is surprised that Pacifica found away around her powers, and he’s impressed but not too upset. Its just a couple of kids after all. Sucks for Mabel tho. Mabel is like yeah it is unfortunate. Especially since Pacifica has the other journal. Dipper just screeches "WHAT?!"

The Art of Failing at Seduction: the party at the mystery shack, a birthday party for Stan thrown by Carla because she thinks its funny and she makes a big deal about advertising how old he is. Pacifica and Dipper share a confrontation when she keeps catching him sneaking around while she fails to put the moves on Robbie. He gets his hands on her journal but he is dumbfounded when he sees that it’s journal number 3. Dippy thought she had journal number 1, he had no idea there even was a 3rd journal lol. She hits him with a chair and gets the book away from him. He demands to know why it’s the third journal and where the first is. She has no idea what he’s talking about.

Pioneer Day: Pacifica and Stan are both mortified at the discovery that its Pioneer Day. Carla sets up a pioneer station at the shack to get more customers and to piss of Stan. Pacifica has to do the Pioneer Day speech every year.

Trick or Treat or Die: Pacifica pisses off the summerween trickster and then they have to collect a whole lot of candy.

Splash: Gideon falls in love with a magical manatee.

Worst Date Ever: Dipper somehow convinces Pacifica to investigate a series of disappearances around a convenience store. They end up needing to be saved by

Where Have All The Good Men Gone: Dipper and Robbie fight or not.

Something Wicked This Way Comes: Bill Cipher

Pacifica Northwest Vs The World: Dipper and Mabel get access to the Mystery Shack

Nearly Almost Dead But Not Quite: zombie kareoke

It Must Be a Conspiracy: Pacifica and Dipper believe their relatives are up to something.

Experiment #210: Seuss melody date

Mind Swap:

What is Love?: love potion incident.

Witches Be Crazy: Lollipop, Taffy, bubblegum, candy

Ancient Sins: the haunting at Northwest manner forces Priscilla to hire Dipper and Mable to deal with it. Pacifica is pissed off when he shows up.

Order of the All Seeing Eye: the crew discovers a cult dedicated to cipher lead by blind Ivan and they all work to erase the memories of gravity falls so no one will stand in the way of cipher when he returns. They find out about how the portal will open soon, mcgucket finds out that the kids have his memory gun now.

My Soul to Take: Dipper gets his ass possessed. Bills like, well you’ve figured out too much already so we’re gonna destroy those journals of yours and kill all those that know about the impending portal.

No One You Can Trust: the crew tries to find out who could be trying to open the portal and it leads them to mcgucket stan and Carla.

The Thickness of Blood: the portal opens and Ford emerges. Mcgucket manages to contain the rift that had been created via the portal.

Last Ditch Effort: in an attempt to get the power away from the northwest’s, Stan runs for mayor.

Beginning of the End: Mable trades the rift for bill to no longer be able to possess her and her brother while allowing them to keep their amulets and magical abilities.

Weirdmagedon: The Final Temptation: Bill offers Dipper everything he could want so they can make another deal and so he will have dipper under his thrall.

Weirdmagedon: Into the Rift:

Weirdmagedon: The Way Is Shut: the blood is spilled in the circle

[a-little-bit-of-ravioli]

20 questions for fic writers

Tagged by @the-real-azalea-scroggs! Had to wait until I was of my phone because doing these is a nightmare on mobile lmao

1. How many works do you have on A03?

18 as of a few days ago!

2. What's your total A03 word count?

157,937! Which is. Only a fraction of the word count in my Docs folder. Be prepared.

3. What fandoms do you write for?

I mainly write for The Legend of Zelda; specifically Linked Universe! In fact, that's all that's posted on my Ao3 currently, since my fall into that fandom began with me uploading there! Pre-Ao3 I wrote for Black Cat (Anime/Manga), Megaman NT Warrior, various Pokémon things, Assassin's Creed, Yugioh, Final Fantasy XIV and Octopath Traveler! Some of these I still write privately, but I haven't gotten around to re-posting any.

4. What are your top five fics by kudos?

Whistling on Deaf Ears - My longest fic on Ao3, focusing on Wild and Twilight's friendship and how good intentions can lead to disaster.

Iconoclasm - Warriors deals with the room full of portraits in Cia's palace. The Chain also deals with it, but with a bit more fire.

Deserving - Twilight finally tells Rusl that he was the wolf in the village during TP, but that also means dealing with some heavier topics. Colin half overhears them and forms his own conclusions.

Something Greater - The start of the "Hyrule can see magical auras" series! In this one we deal with Legend and his many rings.

Ocean Magic - Mermaid Legend and Zora Time have a race and then fight one of the Big Octos from WW! Fun times.

5. Do you respond to comments? Why or why not?

Every single one!! I love comments, they give me an excuse to ramble about my fic more!! I am always down to ramble about every single insignificant detail of any line and/or section. If you ever want more background info about one of my fics, look to the comments!

So please, I adore comments, I treat them like treasures, not responding to them would be a CRIME.

6. What's the fic you wrote with the angstiest ending?

There's no contest; Inevitable, my (so far) only MCD fic.

7. What's the fic you wrote with the happiest ending?

Hmmm, that's hard to quantify. I usually try to end fics on a hopeful note regardless. I'd say possibly either Deserving, where Twilight reconnects with his family, or Shimmering Blue, Striking White, where Time meets the Fierce Deity settled down on Satori Mountain and they both get closure.

8. Do you get hate on fics?

Thankfully, no! I've been blessed with mostly amazing and patient readers, even when my upload schedule isn't the best.

9. Do you write smut?

No, not really. I've attempted it, but I'm too asexual for it lol

10. Do you write crossovers?

Very, very rarely. Mostly privately, and only very specific ones. Only a single one has had an actual plot, so far (more on that one in question 15!).

11. Have you ever had a fic stolen?

Nope!

12. Have you ever had a fic translated?

Also a nope! I tend to write for smaller fandoms, where these things don't tend to happen a lot!

13. Have you ever co-written a fic before?

I have! But it's been a while. Over a decade, in fact! I tried to find the fic to link it here, but it was on the German fanfic website fanfiktion.de, and my friend who posted it back then must have deactivated her account, because it's nowhere to be seen (I still have the Word file though!). It was a Multi-Crossover that started as an RP in a forum, and we took turns turning the RP into prose one chapter each. "If a Hero Turns to Dark" was its title. We were edgy teenagers.

14. What's your all-time favourite ship?

Hissssss. Bad question. Shoo. They are all equally important!!

But it's probably TenRose from Doctor Who.

15. What's the WIP you want to finish but doubt you ever will?

One of the very few crossovers I've ever worked on; a crossover fic between Assassin's Creed and Doctor Who, that I have mapped out in both chronological and timeline order, and yes, those are different. I only ever wrote about a quarter of it, since my primary audience of it disappeared when we graduated. I doubt I'll ever pick it back up properly, and if I do it'll probably go through heavy rewrites first since it's so old. Finishing it is a nice thought, but realistically, after 9 years it'll never be high priority enough for it to actually happen.

16. What are your writing strengths?

Dialogue, especially arguments, and emotional impact. I've been told I do really well making characters feel alive and believable! Also I like to believe I'm decent at setting a scene and giving it the vibe I want it to have!

17. What are your writing weaknesses?

I struggle with dialogue tags when nothing much is happening besides the talking. I always feel it's too bland, and fall back on the same phrases. My scene transitions could use some work too.

18. Thoughts on writing dialogue in another language for a fic?

I've done this with Japanese phrases, because I was a massive weeb. Usually I followed them up with their own translations, though; I'm not the biggest fan of footnote translations, unless they are properly linked to. Simple dialogue tags are my favourite way of indicating a language switch.

19. First fandom you wrote for?

Black Cat the Manga/Anime! It's a series about an assassin turned bounty hunter trying to live a life separate from his murdery past, but getting dragged back into things by still wanting to avenge his best friend's death. The series has a special place in my heart and my bookshelf, it left an imprint on 13-year-old me that will never leave.

20. Favourite fic you've ever written?

Probably Jailbreak, uncharacteristically enough! It's one of the only fics I never got stuck in once. Writing it was a great feeling from start to finish. I love writing all of my fics, but that was a special few days.

Tagging @ahrva @nowhere-to-go-but-down @silvercaptain24 and @aeghina! And anyone who wants to do it, really, go wild

[notfreetoday]

MPW Ep 3 Subtitle Corrections

EP 1 || EP 2 Cultural/Language Tidbits: EP 2

Same translation disclaimer applies. Thanks again for indulging my crazy long t/n, please keep geeking out with me in the notes!

We've got a change of director this episode - to Funabiki Shinju (twitter linked here) who was the scriptwriter for Jack Frost. This date is also a drama-only episode and does not appear in the manga. So, we have quite a few ad-libs here! I'll point out these out, as well as any interesting comments by the director and the producer from the Ep 3 twitter space as we go on. (Due to tumblr's image space limitations, some of these scenes will have no pics, just a description)

Ep 3, let's go! (If you read nothing in this post, please just read Yoh's monologue)

Since this is the theme of this episode, and Yoh's favourite word, let's talk a little more about it. I've mentioned it previously, but both "嫌い (kirai)" and "大嫌い (dai kirai)" are often translated as "hate/really hate", when they really function more as the opposite of "(suki)", ie "to like". That said, the amount of emotional weight this word carries depends on the context. It can accurately convey the pain/anger of hating someone, but it can also be used very mildly. For eg, it's often used by kids in the "I hate homework/vegetables/the rain/etc" form, or by teens/young adults in the "I don't want everyone to hate me" form, as opposed to other synonyms. When introducing yourself/getting to know someone, it's not uncommon to be asked "what are your suki/kirai?"

In other words, overuse of this word can actually come off as slightly childish, because kids/young people are usually the ones using this word to reject small things/express themselves. Yoh's constant insistence that he hates Segasaki pretty much sounds like this - which is why Man-san expresses doubt about it, and why when Segasaki repeats this line back to Yoh, Yoh understands that Segasaki is teasing him. (The word "love" is considered too heavy and precious of a concept to be thrown around easily, so "suki" is the default go to even in committed relationships.)

Y: 相変わらずすごいよ、この人の外面モード。 Y: As always, this person's "public mode" is amazing.

"外面 (soto zura)" literally refers to the "outside face", and when used to describe a person means someone who puts up a certain personality/attitude depending on who they're speaking to/the situation.

The reason Yoh's saying this is because Segasaki is speaking to him in a much nicer way than he usually does at home 🤣He's using plain forms yes, but he's also praising him and smiling at him and actually saying a whole, proper sentence as opposed to the one-word sickness he has at home🤣 This is most obvious right before Segasaki leaves, when he warns Yoh to be careful when drawing other people - he says "気をつけてね~ (ki o tsukete ne~)", ending with a ne~ which is sweet and cute and which he almost never does with Yoh at home 🤣🤣

Twitter Space Note (TSN): They decided that since they finally got to shoot an "outdoor scene" for Yoh, they'd try to make him look a little more fashionable with a shirt instead of a hoodie 🤣

Y: いってらっしゃい Y: Itterasshai - this is a standard greeting that you say when someone is leaving the house (or the office, if they're going out on a business errand). Basically, the one leaving says "ittekimasu" and the one staying behind says "itterasshai". They mean "(I'll) go and come back/Go safely and return well" When returning, you say "tadaima" and the one welcoming you back says "okaerinasai" meaning: "(I have) just now (returned)/ (you have) returned safely". Unlike Yoh, Segasaki does none of these standard greetings (which Yoh complained about in Ep 1 whilst chopping onions).

Y: だからね、気持ちが通じ合った*っていう描写が必要だと思うんだよおれは Y: だからこそ、体が盛り上がる**、的な？ M: はーん。中高生処女みたいなこといってろ Original: Y: That's why I think it's necessary to depict the feeling of "mutual understanding" Y: That's how the physical aspect also gets exciting... or something like that? M: Hmm.. talking about it like a high school virgin, huh? Mine: Y: So that's why, I think it's important - showing that (the characters') have this unspoken understanding* of each other's feelings. Y: It's precisely because of that, that you get physically excited** - something like that? M: Mm.... you're saying things a high-school virgin would say **体が盛り上がる - literally, "the body gets excited/heated up/lively etc" - given that they are talking about erotica, he probably means physically aroused here, but this term also works to explain the feeling of excitement or emotion just swelling in your chest for eg *通じ合った - is not just "mutual understanding" - it specifically refers to a situation in which both parties understand each other without having to say a word - like when you look at someone and just get them, or like in sports, you just look at your team mate and you know.

This is an important distinction because in this line, Yoh again emphasizes "I" - at the end of the sentence he ends off with the pronoun "俺 (ore)" marked by the subject particle "は (wa)" - which means that in this sentence Yoh is emphasizing that this is his opinion - that he himself thinks it's important to show that 2 people simply get each other, because that's exactly what translates to that sensation you feel in your body. This is what Yoh wants - he wants to understand Segasaki, and he wants Segasaki to understand him, without them having to actually say anything. Which at the moment, only Segasaki is achieving, ironically.

[ Man-san's dialogue, where she says "a sex scene follows]

TSN: Man-san actually only says “se-“ here, and then mutes herself (because they’re in public). In the script, it was supposed to be the full “sex” word, but they weren't sure whether it would be ok (it's not clear whether they mean ok for the actress to say this or ok for the show in general) so in the end it became "se-". Yes it's an odd place to be concerned about given the whole Ep2 but #Japan

Again, the word here used is “kirai” but translated as “dislike” instead of hate 😉

TSN: Between this scene and the start of the next scene, they praised how Acchan uses his eyes to convey Yoh's dejection and how he expresses Yoh's emotions very sensitively through his gaze (and I agree!)

TSN: The director mentioned that she had thought it would look good if Segasaki to put his hand up like this on the ceiling partition, but the moment Kouhei walked in, he just did it naturally without her having to say anything, and so she was really amazed.

S: じゃ、出かけるぞ (Jya, dekakeru zo) S: Then, we’re going out.

“Let’s go out” would be more of "じゃ、でかけましょう (Jya, dekakemashou)" – by using the ending form “(-ma)shou”, the listener is included in the action of going out as an equal to the speaker, the same way “let’s” is used in English. It is by far the most common way Japanese people make a statement without trying to sound too overbearing. But here, Segasaki once again demonstrates his habit of simply stating what they’re going to do, and speaking for Yoh. The sentence-final particle “zo” at the end of his sentence is an assertive one that doesn’t leave much room for argument.

TSN: Again they talked about how they emphasised to Acchan to do the housework improperly, since Yoh isn't supposed to be good at it. Also, when Yoh thinks, "what's with this, all of a sudden?", the director asked that he move his hands "more" as he folded the clothes, like he was still happy to be asked out.

Y: デート自体ないんだよ Y: I’ve never even been on a date.

Y: 俺、いま一体何してんだろう Y: What am I even doing right now?

Yoh’s not wondering what they’re doing, he’s questioning his own actions, like "why am I even here, doing this, what am I supposed to do" etc, because you know, he's never even been on a date before and he has no clue whether this actually is one.

[The scene with the 2 of them on the bench, and Segasaki asks Yoh what he'd like to eat]

TSN: The script only went up to Yoh answering that he wanted to eat “Chinese food”, and this whole bit afterward just happened naturally when they let the camera run.

Yoh says “たっか(taka)!” which is short for “高い(takai)” aka “expensive!” but his voice is so cute here I’m dying. (It really is bloody expensive, these things are usually anywhere between 180 yen – 300 yen pre-pandemic. Even with the big one they have here, I don’t think anyone would sell this above 500 yen)

TSN: They said they searched for a 1200 yen steamed pork bun but couldn’t find one, and in actuality the store sells them at a really reasonable price, so to please go give it a try 🤣🤣

[The scene of them walking and sharing the chicken cutlet]

TSN: This scene, as well as them walking along they alley way looking at the shops, was mostly ad-libbed (which is probably why we see Acchan smiling so much here hahaha I’m guessing the question about which he liked better was probably an adlib, which surprised Acchan). For the alleyway, they were told that their conversation was not going to be used, so they were quite relaxed (and that explains the audio fade out lol)

[The scene of them drinking Boba/Bubble Tea]

About Gyaru - when Boba/Bubble Tea first came to Japan, it became pretty popular amongst Gyaru, and quickly became associated with Gyaru culture - hence why they both felt it was something only Gyaru drank. It's similar to the idea that only ladies eat sweets/desserts that was briefly mentioned in OFC (which makes Nozue feel awkward about 2 men eating cake in a dessert cafe) - here they mean they both felt too embarrassed to try Boba out before due to the idea that it's a "Gyaru" drink (and I love how Yoh looks at Segasaki then, like he only just realises that even Segasaki might get embarrassed/feel awkward sometimes).

S: 乗るぞ (noru zo)

Again, this is “we’re riding it” instead of “let’s”.

Y: 思ったよりすごく透明で Y: (The cabin) is more transparent than I thought

The floor of the cabin is actually clear, so you can see right down through to the bottom, which is why Yoh is a little freaked out here. Not because he thought glass wasn’t transparent.

TSN: Acchan is also afraid of heights, so the stiffness you see here is real, he really didn’t like it, but they went 4 rounds in total to finish this scene. (Kouhei apparently was fine and enjoyed looking right through the glass, though I can’t remember which interview this was mentioned in, sorry!)

S: ほら S: See?

ほら (hora) is commonly used to draw the listener’s attention to something, so here Segasaki really just means “look (I was right)”

TSN: They apparently redid the scene where Segasaki dismisses the store attendant many times so they could make sure it was done in a way that looked natural and wouldn’t be off-putting.

We’re back to one of Segasaki’s humming sounds – the “hmm…?” here again conveys the “oh, really/is that so?” sort of lazy drawl that can easily be mistaken as Segasaki being bored – which is why Yoh immediately suggests they go do their own thing.

Y: そっちも、好きなところいっていいから Y: You too, it’s okay (if you go) to the places you like so…

Yoh uses “そっち” here to refer to Segasaki - which literally means “your/that side” and is another way in which Yoh avoids addressing Segasaki directly (remember, in Japan we don’t like being direct, and “you” is sometimes too direct).

Fun fact: Depending on which part of Japan you’re in, this can either be seen as a totally normal way of speaking, or it might annoy you a little to be referred to as if you were an object/place, or you might feel like the speaker was treating you a little like an “outsider”. The divide in opinion seems to be somewhere between the northeast regions, and the western regions. Tokyo and the rest of the Kantou region (where the show is based, judging by the lack of an obvious accent) are sort of 50-50.

Y: もしあれ*だったら、あ、あの、こっちはこっちで、好きにやってるし Original: Y: Ah, if you want to. Well… we’re both doing our own things… Mine: Y: If (you feel) that way*, then, ah, umm, I can… do as I like, by myself too...

*that way - this refers to that sort of awkward, uncomfortable feeling you get that is hard to describe when you’ve been put on the spot. So, this makes it clear that Yoh is offering Segasaki an “out” from this uncomfortable, weird position he thinks Segasaki is in.

Similar to his earlier sentence, Yoh refers to himself as “こっち (this side)”, and the phrase he uses pretty much means “I can entertain myself”. This is an example of kizukai – or at least, what Yoh thinks is kizukai - which is a concept where you do your best to think of the other person’s needs and wants, so you can anticipate what help they might need and so you don’t inadvertently inconvenience them. Ok, now get ready for some mental gymnastics:

From Yoh's POV, Segasaki wants to buy clothes, and has brought Yoh along to carry the bags. Therefore, Segasaki’s offer to buy him a shirt, and asking him if he is having fun, is Segasaki’s kizukai – Segasaki is going out of his way to make sure Yoh is taken care of. But! Yoh doesn’t want Segasaki to feel inconvenienced (similar to how in EP 2, Yoh said he doesn’t want Segasaki to dislike him), so he instead almost reflexively rejects Segasaki’s offer, then encourages Segasaki to go enjoy himself, and in response to Segasaki’s “Ha!?”, doubles down and says he’s totally ok by himself - This is Yoh’s kizukai.

Tired yet? This is a normal consideration in daily interactions! You can see why the phrase “yokei na kizukai (excessive/unwanted kizukai)” also exists in Japanese lolol 🤣

S: ああ。せっかくの休日に、大嫌いな俺*と一緒にいてのはたのしくない？ Original: S: Ah. So spending a day with someone you hate on your precious day off isn’t enjoyable? Mine: S: Ah. On your precious day off, being together with me – who you hate* – isn’t fun?

*“大嫌いな俺 (dai kirai na ore)” is literally “the ‘me’ that you hate”, or “me who is hated by you” - emphasis on "me", the person standing right in front of you.

Y: いや、それは…違。。。あ、その。。。 Y: No, that’s…not-…- ah.. um…

“A, so” again.

S: 五時にここ集合*な (goji ni koko shuugou *na) S: We’ll meet here at 5, *yea?

*Ending with “na” is softer than “zo” – this statement is still pretty much an order, as with his other statements that ended with “zo”, but it’s gentler, and softens the fact that he’s walking away from Yoh here.

TSN: Pretty much everyone was just going on and on about “oh, poor thing!” in response to Segasaki getting rejected and chased away, and how even though he’s sad here he’s still sweet and gentle with Yoh. Yes, that’s right, everyone loves Segasaki.

[The scene of Yoh spilling water on his shirt]

TSN: This was apparently pretty difficult to shoot in a way the camera could see the water spilling, but the wardrobe team came to the rescue with hairdryers so they could keep reshooting 🤣🤣

S: じゃ、帰んぞ  (Jya, kaen zo) S: Then, we’re going back

“zo” is back! Sorry for being so pedantic about tiny things like this, but I do think it gives us insight into Segasaki's character and how he may be feeling.

This line is the most important correction in this post.

Y: 本当はさ、ずっと、ささいな表情とか、しぐさとか、 俺が言うこと聞くとちょっと嬉しそうにするのとか、 晴れの予報を告げる優しい声とか、 全部バカみたいに俺ばっかり。 毎日俺ばっかり心臓大暴れさせてるみたいで　 嫌だった Y: むかつくとこ拾い集めて　大嫌いだって思ってないと　 その気持ちの不釣り合いに　息ができなくなってしまいそうで 嫌だった Y: 嫌いじゃない　嫌いじゃないよ Original: Y: Actually, all these times, your expressions, gestures, the way you look kind of happy when you listen to me, and your gentle voice forecasting good weather. All of them, make my heart beat as if it’s coming out. I don’t like it. Y: I gathered everything that annoyed me, thinking that if I didn’t, the imbalance of my feelings would suffocate me. I don’t like it. Y: I don’t hate you. I really don’t. Mine: Y: In truth, all this while, the little expressions you make, the gestures you do, the way you seem just that little bit happier when I listen to you, and the gentle voice with which you announce the sunny weather… All of that - like an idiot, it's just me who… It feels like it's just me whose heart has been made to pound and race wildly and - I didn't like that. Y: If I didn't gather up all the things that frustrated me and told myself "I hate this" then, the disparity (between us) in those feelings would suffocate me, making me feel like I could hardly breathe and - I didn't like that. Y: I don't hate you. I really don't hate you.

TSN: This was ad-libbed too. It just happened that the metal post was coming up in between them as they walked, and Acchan saw it and planned to go around it, because he felt that emotionally there was a gap forming between Yoh and Segasaki at this point. But right as he was about to do that, Kouhei grabbed him by the sleeve and pulled him over, which Acchan was really surprised by, because they both had the same thought to ad-lib something about that post, and they both did it as their characters would do it, but it was the exact opposite action. The director said that when the 2 were walking back towards the start point they were both smiling a little, and then asked the director “how was that?” to which she replied “It’s really great!”, and then Acchan looked a little frustrated (in a sorta arrgh I got it wrong sort of way) whereas Kouhei was all “I was definitely right” (Acchan mentioned he was abit worried about the ad-lib, so I’m guessing they both were discussing as they walked back and finally decided to settle it by asking the director hahaha)

Y: すいません S: なにが Y: その。。。いろいろ S: だからなにが Original: Y: I’m sorry S: For what? Y: Well, for everything S: What do you mean? Mine: Y: I’m sorry S: About what? Y: That… for many things S: And (I said,), about what?

Yoh uses the formal "すいません (suimasen)" here, as opposed to his usual and more casual "gomen" or "gomen nasai", because this line is important to him, and he means it. "Sorry" in Japanese does not always carry the meaning of regret/remorse - it can be used to express gratitude as well. You''ll often here people say "Sorry that you had to (go through the trouble)" after they've accepted a gift, or "Sorry, I've caused you much trouble" as a way of thanking someone for their care. So, Yoh says "sorry" here after accepting Segasaki's gift, which could be seen as a thank you, but he also means he's sorry that he's like this, that he can't be honest/straightforward about his feelings (a theme that is brought up in Ep 4), that Segasaki has to care for him like this etc. "For many things" is a common way to encompass all of these mixed feelings, and yet not say them out directly.

Y: どうせ口じゃ、うまく言えないから Original: No matter what, I don’t dare say it Mine: Since I can't get the words out of my mouth properly anyway

S: よくできました (yoku dekimashita)

This is a formal way of saying “well done”, and if you did well in your work/test in elementary school you’d get a stamp that says just this, or your teacher would draw you a flower. The more elaborate the flower, the better you did. This is the only time thus far that Segasaki has said anything formal to Yoh at all. The sudden shift, and the imagery this phrase evokes – a literal stamp of approval – emphasises not just Segasaki’s approval, but also his role in Yoh’s life (ie, his role as Yoh’s provider, or well, maybe keeper is more accurate. Honestly Dom makes the most sense, but I’m not qualified to talk about that so see @lutawolf posts for more!). We’ll talk more about how both Segasaki and Yoh acknowledge the power dynamic between them in the way the speak in the language analysis post (that will come after this, before Ep 4's).

Y: この人、もしかして本当はめっちゃ俺のこと。。。？ Y: This person… could it be that he actually…really is… …me?

Y: 信じていい？ Y: Is it ok if I believe? sue me, I think believe and trust carry different nuances.

S: よかったな* (yokatta *na) S: シーツ買ったからいっぱいできんじゃん、大好きなセックス S: まあ　残念ながら　相手は大嫌いな俺**ですけど Original: S: Great, S: with more sheets, we can do it more often. Your beloved sex S: Well, unfortunately the other person is someone you hate Mine: S: Isn't this nice* S: Since you bought more sheets, we can do it a lot - the sex that you love so much S: Well, unfortunately, your partner is me - who you hate **so much

*The use of "na" here is slightly different from the one earlier - here it is used more for emphasis, and the downward tone carries a hint of mockery.

Again, Segasaki uses the same "the me who you hate" phrasing as he did earlier, emphasizing to Yoh once again that Segasaki is the one Yoh hates. Except here, he also ends off the sentence with "ですけど (desukedo)", and the whole phrasing of this line too, from the word "unfortunately" onwards, just feels business-like. As before, the shift in style gives the statement more weight- Segasaki is really not letting Yoh get away with this line here, and Yoh feels this acutely. The sharpness of the line makes him turn away abruptly in shock and even some anger.

S: お前が好きにしていいって言うんだから S: 好きにさせてもらうけど　*な (na)？ S: お前　本当バーカ Original: S: You told me to do as I like, S: then I’ll do what I want. Okay? S: You really are… an idiot Mine: S: You said I could do as I wish so, S: I'll gratefully do as I please... *yea? S: You're...really an idiot

*The "na" used here is similar to the one Segasaki used when telling Yoh to meet back at 5, in that it assumes the listener will agree with the speaker. This time it's not so much used to soften an imperative, but rather, to soften the teasing of the preceeding line - "I'll gratefully do as I please".

The phrase used here is "~させてもらう (~sasete morau)". "Sasete" means "to do" something, with the permission of the other person, and "morau" means "to receive (with thanks/gratefulness)" so together this phrase means that you're going to "do something (with the permission of the other person)", and you are thankful to have received that permission. It's usually used for things like asking your boss "May I please go home early with your kind permission" sorta thing, or telling someone that you "ate a meal someone provided for you that you are grateful for".

So here, Segasaki is pretty much saying "I'll do as I please since you so kindly told me I could, didn't you?" which is why he smirks as he says it.

/////

And we're finally done with EP 3!! Finally! Now I can finally talk about their general speech styles and what it means when they choose to switch between them. Thanks for joining me! Also, shout out to @eralkfang for tagging me in their meta post - I'm really glad these posts are helpful that way!!

[creampill]

hi, hello, i'd love to see romantic obsessed narrator please.

hello????

uh hi welcome to my inbox. sorry I kind of lost my mind seeing you hop in here less than a minute after I reblogged your post while fangirling over your writing.

well, I’ll take a chance to be grossly self-indulgent any day. here’s your meal!

Romantic Obsessed Narrator/Reader HCs

- if you’ve read soup’s writing on the platonic version of this subject, then you know the main vibe that narry gives off when he’s in this kind of headspace

- he will do anything to keep your attention. Whatever it takes.

- he will keep making new content for as long as he needs too- he will read off different scripts, write and rewrite new ones, reward every single incremental decision you make to keep you interested.

- a romantic narry wouldn’t want to make you scared of him though. He wouldn’t want you to be uncomfortable or confused- maybe then you’d leave him. He’d never have a chance to woo you if you had a grudge against him.

- so he tries not to make it too obvious how much he’s tailoring the experience of the game to you. He’ll try to make it all fit in seamlessly with the rest of the games shenanigans.

- you, the player, don’t really see anything odd at the start. The game is so layered with secrets you’re not really shocked that you’ve found things you haven’t heard about before. That’s just how the game is.

- his obsession is the kind that manifests as a collection, almost hoarding: whatever information he learns about you, he cherishes.

- for the sake of this concept, let’s say you have some kind of mic attached to the game. Something that transmits your voice, your reactions- the thing that he fell in love with in the first place.

- something about your personality just… enraptured him. he wants to know more about you. He wants to know everything about you. Every piece of information, he keeps.

- He has an incredibly strong memory, but he knows how fragile the mind can be (r.e; the confusion ending), so he writes down what he knows about you. He writes all the tiny details down, everything he learns, every itty bitty thing.

- your favourite colour? The way you laugh? Your birthday you mentioned offhandedly? The exact times and dates you log into the game?

- everything. He keeps everything. In excruciating detail, too- his fanciful and descriptive writing style translates over to this too. He’s filled pages and pages with his fawning over you.

- these details also leak into the game, personalising it to you. Other endings pop up in your favourite genres; the adventure line changes colour to your favourite; the outside in the freedom ending becomes more and more similar to your childhood home.

- he also uses this information to make you more attracted to him.

- if it’s his voice that gets you (like it does the rest of us)? Then maybe he just happens to sit a bit closer to his microphone. Maybe he purrs his lines a little sweeter or dips his voice lower based on your reactions. Maybe he complements you more than normal- maybe he teases you relentlessly. Whatever makes you flustered is what he strives for.

- if it’s his silly dorky humour and endearing dialogue? Prepare for more jokes. Stupider ones. And a whole lot more dialogue for every possible choice and situation- Whatever made you laugh the hardest.

- and if it’s his stories? His prose, his talent as a creative? He will write for you. He will craft as many beautiful and unique and detailed routes as you want. He will act his ass off for you, moving you from laughter to tears, if that’s what makes you happy.

- it’s hard for him to contain how much he loves you sometimes.

- every time you leave, his heart breaks. He knows you have a life outside of the game- but he just wishes he could be part of that, too.

- when you haven’t played for a while, he has to hold himself back from cheering aloud when you load back in.

- he has to hold back the joy in his voice when you get excited, trying so hard not to laugh along with you. You were just so infectious- it was almost impossible to stop himself.

- but the narrator would defy impossible for you.

- because he loves you. And that means doing whatever would make you happy. Even if it’s impossible.

[konohamaru-sensei]

hello again!! thank you so much for gathering the iketeru illustrations for me (and translating them too, which i greatly appreciated), cause your post really made my day :')

it's funny that the author's got a whole book of fanservice for us lmao, but i love it! do you have a #1 favorite illustration (of anyone) from the whole book? (sorry if this sent twice btw, crap was glitching lol)

lovely anon, I must tell you that I once again went absolutely over the line with pictures I took. There are so many good ones!! I knew a few illustrations from sensei's twitter and knew how well it worked for me so I ordered this book from japan and yes, that is why I can never pick favourites I just like all of them (exception is the series in which the characters are teachers and you are supposed to be their student, not a big fan of those lol). Once again I put them under cut together with my chitter chatter about them asdhjflas

anyway im glad i made your day!

yes its amazing that this fanservice exist. In the interview at the end of the book sensei says they often drew their characters as practise (without lines) and then uploaded them to twitter to find out the people responded so well!! so they continued with it! More snippets from the interview:

they consider this a kind of alternative world that has no space in the manga (since its a gag manga).

they claim they didnt try to make the characters hot on purpose, it just turned out this way. in their head usao and kumao always had old people voices. but now they are glad the characters are hot because of the voice actors choosen.

they come up with a line and then assign it to a character, rarely the other way around.

Every one of their characters has one thing they think is special, something they like to show off when they draw them. for Uramichi its the chest, for Iketeru the slender neck, for Usahara the shoulders and Kumatani the arms!

and shockingly to me: since this manga is running 10 years now they said when they started they felt like Uramichi is so old, but now they are the same age! I cant believe how someone in their twenties wrote such an accurate manga about being in ones thirties.

gosh anon i wish this was more popular, i only have one friend to talk to about this story and i have so much in my soul dhkasdflsd so please come back if you feel like it!

ok so some of my faves under cut from here

first of: my favourite has always been ushara. he is cringe fail and i love cringe fail so much. but that also means he has almost no COOL lines because he is kind of an idiot (lovingly said) tho all his illustrations are so cute. so he wont show up here much tho i love everything about his arts of course!!

now you asked me for my favourite and ive known this one for a while, but I think my unbeaten favourites of everyone are the love confessions:

I love the different way they all do it. Uramichi pretty much goes "I love....you" (cries), Iketeru of course quotes it, Usahara just YELLS at you "HEY I LOVE YOU" and kumatani is like ".............. iloveyou" haskdlfh

generally kumatani has so many cool lines because he is so stone cold. this is also specifically heart wrecking for me because his voice actor Nakamura Yuuchi is my favourite thing since strawberries so if I imagine him doing the voice I want to die.

Three times Kumatani is an absolute tsundere about white day:

"you are chattering so much... well, tell me what you want now. I'll get you anything."

"What do you want? Tell me clearly"

"I told you to get over here"

another white day illustration i love is this one from usahara

he says "the present is me, hippety hop", which i find ultra cute with the little bunny and the hairclip!! but my friend said it sounds like he forgot white day and just brought the first thing he could find, which would be in character (adding this picture was a nightmare tumblr did NOT want me to upload it?? you hate cute boys? tumblr you hate cute boys??)

uramichi's face when he realises you april fooled him is so funny to me somehow

" You say "Im sorry".. that is also a lie, is it not?"

ok from now on the pictures will be low quality because tumblr wont let me upload the photos direclty anymore i need to screenshot them first. rip im sorry

ok there are a few here of uramichi saying somehow sexy things (to me at least) and it makes me go hrgnlkhdflk

""Good big brother (onisan)" you said. Who do you mean?" idk why that gets me so hard but why you asking .. wha...what you mean

"... Isn't it ok? You don't have to go home yet." (this is from the stayin the night portion)

"A promise from big brother. I will protect you well" T_T

this thing which can only be described as ship art:

is this bickering idiots to lovers sensei? is that what you mean to tell me sensei?

this usahara from the staying the night section

"Come play with me today!" (............ h.......how...)

this image if kumatani because of THE LOOK? um HELLO

unfortuantely the translation is kinda tricky because i cant read most the kanji and google lense is like?? but its something like "Do you think you have the guts to betray me?" or something like "Do you think I have the guts to betray you?" idk he looks good so its fine

almost done i swear!! there are a few kuma usa double pages i love

Kuma: "Don't look. Its hot." (sidenote, he is shirtless a lot. not that I complain or whatever)

Usa: "Where would you like to go? The ocean? My house?"

sorry i tried to keep my fingers out of all pictures but clearly failed xD

Kuma: "Shut up. Shut up and look at me."

Usa: "I understaaaand. Get over here." (crying, i want to)

this is a part of the book extras. I showed it to you with Iketeru already. I think the meaning is sort of the moment they realised their carreers are over, sadface

Kuma: "I never really liked it. I thought I would just throw it away. Damn it, I lost."

Usa: "The wind suddenly stopped. Ah, thats how it is. Its over"

of course there are a lot more other characters shown in the book, but much rarer and since they dont interest me too much they dont have my favourite lines asdhfklasdhf anyway anon I hope you liked this

[melonteee]

When opla was announced I was guarded, but trailers and learning that Oda would have first and last word about everything made me hopeful.

But I knew that live action are never for the actual die hard fans.

Too much need to be cut because of time, as real actors cant look like they only age two years for 26 years, and some cartoon stuff doesnt translate well to live action *cough* garps fist of love *cough*

So I was able to convince my friend to watch opla with me.

She had read the manga when she was little, up to syrup village, so she was excited to see Kuro because she actually liked him back when she read it.

I was mostly there just to observe my friends reaction to it instead.

My favorite moment was watching her freak out after the "grandpa?" reveal.

I dont like that Garp was included that early on, I didnt mind him being there at rogers execution. But more than that seemed too much. I watched some Netflix guy explaining that they wanted to add a reason why the strawhat had to keep moving from island to island, but no marine would do because who would bother chasing a pirate crew with no bounty. I understand that reasoning. Still dont like it, but I understand.

But my friends reaction made it all better.

Did you know netflix wanted a romance between Nami and Zoro? Thank god Oda was there to stop it.

Also my friend and I quote "Oregano is for savages!" a lot now.

I'm truly glad you liked it anon and I do understand the excitement that came with it, but I honestly could not stand it. Nearly every scene and every line was like "Sanji wouldn't say that. Nami wouldn't do that. Why is this happening? Luffy definitely wouldn't say that."

An adaptation must adapt to its medium, true, but that is not what this did. This was an insanely loose reinterpretation that took so much charm away for me. I've talked about it on this Tumblr tons now but I've finally had the time to watch through all of it now that the hype's died down, and it just made me angrier per episode?

They had to shorten things down, but they included so many new scenes that added nothing? They had to explain the Strawhats going from island to island... WHY? They literally had a spine to go off, the original property had them going from island to island to find a crew and get to the grand line. That's literally a very solid reason. WHY did they need any marines chasing them? It just sounded like an excuse to add a fan favourite character so the Garp fans could scream about it.

And I've said this many times, but Oda being part of the process genuinely means nothing to me. Netflix infamously do not listen to their creators, and not only did they admit Oda HATED the Garp addition and they STILL added him, you can tell so much of his original vision was thrown aside for non-anime fan audience convenience. Usopp and Sanji felt like side characters for god's sake, Buggy felt comically evil for a LIVE ACTION, Mihawk's fight was literally so empty due to the fact no one was THERE? NAMI was the one who yelled she believes in Zoro and they'll always be friends??

I truly do not believe Oda would agree to most of that, and considering we know he was ignored for Garp, we know for sure he was definitely ignored for many other things.

As always, if you loved it, great! I'm glad the excitement was met. Maybe I'm cynical, maybe it's not to my tastes, but it screams Netflix cash cow to me and the whole time I watched it I thought "This is not One Piece at all."

As a reinterpretation? Great!

As an adaptation? It failed miserably. None of the characters felt like themselves and the additional scenes were so nothing. Sorry for the sour reply anon but for those on here who know, I indeed have a sore spot for that entire production.

I honestly think a lot of people got blinded by the pretty actors and the millions of dollars that went into production and promotion to really look at it for what it was trying to be.

[wildflowerwoodsworld]

So, for those of you who don't know, Charlotte is my (current) favourite character. She's been one of my favourites since I started the series, but now she's in the top spot. Which means it's her turn to get put through torment in fic. Hey, that's just the price you pay for being the favourite.

Anyway, as those of you who are familiar with my writing probably know, I like pulling characters apart and figuring out what makes them tick so I can depict them falling apart in a more believeable way. For some characters it's fairly easy to figure out what the core of their motivation is (Asta wants to be acknowledged as worth something even though he lacks magic) others it's far harder (I still don't know what the fuck motivates Yami). I thought Charlotte would be a tricky one, until I was rereading the manga and came across this panel. (specifically the middle one)

(official VIZ media translation; volume 12, chapter 104, page 72)

She's just been cursed. We don't exactly how old she is in this scene (I tend to put her at twelve, for a couple of reasons, but that doesn't change the fact that canon hasn't actually given us an answer), or even why she's been cursed, but the fact remains that she has just been cursed. And yet she is the one reassuring her parents. She is telling them not to worry. She's the one telling them that she'll fix this. And she's just a kid! She is canonically just a kid!

(Official VIZ media translation, volume 18, chapter 169, page 130)

This is the start of Charlotte shouldering every burden she comes across. She has to do everything herself and if she can't she's not good enough (I know it's anime-only but her "I should be executed" line over being possessed against her will raises a lot of red flags for me). She also holds everyone else to these impossible standards, rejecting every suitor she meets immediately. If they can't keep up, they aren't good enough, and nobody can keep up. She's pushing herself harder and harder and harder because if she doesn't, if she doesn't give everything she has to break this curse then she definitely won't, and the curse activating its going to be her fault for not trying hard enough. She canonically calls herself pathetic and apologises when it inevitably activates. She sees this as a personal failing.

(official VIZ media translation, volume 12, chapter 104, pages 73 & 74)

Never mind the fact that she is, at most, twelve years old when cursed. Which means that she's lived a minimum of six years with it hanging over her head. Sure, she keeps saying she's going to break it, but there has to be a part of her who is convinced that, when she turns eighteen, she's basically going to die.

On top of that, the fact that she's cursed is caonically common knowledge. We get all the townspeople outside screaming about it. This implies that a lot of people know she's cursed. Know she's different. And, well, you're here on Tumblr. I'm sure you know what happens to people who are different. They get socially isolated. That would explain her trouble talking to people about her feelings. And her issues with expressing herself.

So, we've got this girl, who is no more than twelve, is suddenly being shunned by all her peers for something she can't control, has decided to shoulder the entire burden of this curse (everyone else we see talking about it in the flashback says "curse on House Roselei" or something to that effect, Charlotte says "my curse"), keeps pushing herself to try and do what, as far as we can tell from canon, is impossible, and is convinced that if she can't pull off the impossible she's going to basically die on her eigthteenth birthday.

Oh, and all of this is happening around the age she's supposed to be figuring herself out.

The fact that she is a fully functioning adult is a goddamn miracle.

Looping back to my original point though, I think that, at the core of her character, Charlotte is someone who wants to believe that she's worth saving. And not because of her power, or her family name, or her looks. She's desperate for someone to look and see her and see someone worth saving. But she's bad at expressing herself and also scared that if she lets anyone in close they're just going to let her down like everyone else she thought would save her when she was cursed did, so she snaps and she snarls and she drives people away because if people are going to leave anyway (because of the curse) then it's easier to drive them off first, because at least that way she can pretend it's what she wanted rather than being abandoned again.

[cursedvibes]

Takaba, Higuruma, or Kashimo for the character ask!

Sorry this took a while, but here we go!

Takaba

favourite thing about them

I like that he's generally a good person, but also a bit morbid you could say. He doesn't want to kill or draw blood, but he's entirely fine with someone he likes doing it and doesn't shy away from getting violent if he needs to. Like kicking Hazenoki around or running Kenjaku over with a car or jet-ski is fine as long as there's not too much damage or blood. He was for example also in favour of killing the American soldiers because they could become a danger to them. He's also quick to forgive people for attacking him like in Hazenoki's case and with Kenjaku, where he tried to become friends with them. I love his overactive imagination, which makes his cursed technique so incredibly effective and gave us one of the best fights in the series (amplified by him having someone who played into his fantasies and sense of humour and expanded on it). I also really like his backstory. It's very realistic and something many people can emphasize with, I think. Also I like how he actually had serious problems with getting along with people and could get quite rough with them, it's very different from how we first get to know him. Gives him a more multi-layered personality. I hope he'll manage to improve his comedy carrier once all of this is over. Although I wonder how he will find a new partner and how losing the last good one he had will affect him, since he has already lost so many before.

least favourite thing about them

Don't really have any. I didn't pay much attention to him initially, although his introduction and the haunting look he had there always fascinated me, but I never really disliked him.

favourite line

"Marry me and be my Wi-fi!" (such a unique translation that even Japanese fans picked up on it and love it)

"Until when? Until I've done everything I think is interesting/funny."

"I had more and more friends, but could I ever find a partner?"

"I was trying to protect myself, so I just went with the interpretation that gave me the easy way out. I stopped confronting the idea of being a real comedian. I don't know when it happened, but I stopped taking comedy seriously. Because I didn't want to hurt myself any more."

"I will make you laugh so hard, you puke up your guts! That's my brand of comedy!"

brOTP

Hazenoki. I love how he saw Hazenoki through around his body parts and his attempted murder and was like "friend-shaped!" "we should team up!". He was even upset at seeing his corpse (although he got over that quite fast and certainly didn't blame Kenjaku for it). I wish they would've hung out together a bit more and that we saw more of them in the Culling Game and building some reluctant friendship. Hazenoki just lost a friend as well, Takaba could've given him some much needed company.

OTP

Pinchan! Actually quite similar to how Hazenoki and Takaba started out, except that Kenjaku and Takaba actually hit it off. Just like with Hazenoki, Takaba gets attacked, defends himself and then nags that person into going along with what he wants and building a reluctant bond. That other person just lost a friend and is feeling a bit aimless at the moment and is looking for company. Both of them end up losing their head in the end, leaving Takaba to find it. Except it went much better with Kenjaku, they actually formed a real bond and Kenjaku let themselves get swept along by Takaba, he actually managed to get through to them and found the partner he'd been looking for. Merely, the end is the same. But at least Takaba managed to leave a lasting impression on Kenjaku.

nOTP

Takaba/Megumi

random headcanon

He's quite involved in the queer community and has experience with drag. Contrary to his idol Centerman he doesn't tug, but I'm sure he could if he wanted to and he's no stranger to dresses and makeup.

unpopular opinion

I don't think he's stupid or an airhead who's entirely removed from reality. His backstory and life right up until the Culling Game show that, he just likes to overplay it because he wants people to like him and in experience that worked best when he played the fool. However, he's much more relaxed when he's allowed to take on the role of a straightman and let his true personality shine. Also, I hope he doesn't stick around much with the main group. Most of them don't really see him for who he is, take him seriously and see him more as a distraction who can sometimes be helpful/useful to them. Yuuji and maybe Hana are the exception, but the rest don't really care about him and for the most part just think he's weird and want nothing to do with him. He can find better people than that. Go back to Ken-san for example and start over.

Also he's hot.

song i associate with them

Glass Animals - Toes Particularly for the lyrics: "I’m a man, I’m a twisted fool" "I'm crooked but upright" "And all I ever want is just a little love, I said in purrs under the palms, And all I ever want is breaking me apart, I said to the thing that I once was"

Alphaville - Forever Young Vibe of the whole Baka Survivor arc, but particularly ch 243...

favourite picture of them

Higuruma

favourite thing about them

His bond with Yuuji and all the self-hatred and self-realization that comes with it. Yuuji makes him confront the parts of him he hates and also embrace his best qualities. Might be macabre, but I like them bonding over their guilt and suicidality. Besides that, I like that he isn't a born sorcerer and you can tell by his body and the way he fights. He's still quite athletic for your average lawyer, but he's not that physically strong, makes up a lot of it with cursed energy, he doesn't have as much stamina and relies more on his weapons and domain to avoid long fights. I'm so glad Gege didn't draw him shirtless and inevitably gave him a six pack that way.

least favourite thing about them

Don't really have anything I dislike about him. I wish his death had more of an impact though and stayed a bit longer in everyone's consciousness. I know this is the middle of a high-stakes fight, but if you compare it with Choso's death for example, it was brushed past very quickly.

favourite line

"I'm a man who has abandoned and been abandoned by the law. 'd like to be the one to punish myself in the end. It's just like you say. I think I should play my role to its completion and die in this fight."

"I've become someone who can't even look you in the eye anymore."

"I'd likely end up hating myself even more than I do now, if I were to stay by your side."

"All people are flawed and hideous. But at that time, at least until then, I believed this impurity that's not present in other organisms is something that should be cherished."

brOTP

Yuuji, for the reasons listed in "favourite thing".

OTP

I don't really have one for him. I generally don't really ship him.

nOTP

Again, haven't really seen a ship with him I don't like.

random headcanon

He doesn't eat very healthy, mostly instant food like ramen that's easy to eat while he's working. Or maybe he buys a bento at a street corner, but nothing that would be all that sufficient on it's own. And he tends to eat the same food or buy the same type of bento out of habit and doesn't think much about variety or nutrition.

unpopular opinion

I don't think his relationship with Kusakabe was all that deep. Like they're not a NOTP or anything, but I think people overemphasize Kusakabe's one sentence about risking his life.

song i associate with them

Couldn't really find one that fits.

favourite picture of them

Kashimo

favourite thing about them

They're a very fun, chaotic antagonist and I really like the two fights we got with them. The one with Hakari was super entertaining and had that type of eccentricity we otherwise only got in Baka Survivor and some of Mahito's fights. Love how gorey Kashimo is when fighting. Just ripping chunks out of Hakari, skinning his face, dismembering Panda, the battlefield we see in the past...that was some good fucking gore. Currently, we also get a lot of blood with people losing some body parts, bleeding all over the floor or Yuuji clawing into Sukuna's chest, but it doesn't quite measure up to what Kashimo brought to the table. It's not as viscous, you don't really see bones and intestines. They were also really innovative and surprisingly adaptive to such a modern technique as Hakari's. That battle had some good tactics. In my opinion their fight with Sukuna was also one of the best he had since switching vessels. It wasn't as technically impressive as Hakari's, but it gave us some very interesting lore about the Heian era and I think Kashimo's approach to the whole love topic was the most interesting because it felt more like an actual conversation where both parties listened to each other. They didn't end up agreeing, but the afterlife scene was really nice.

least favourite thing about them

Hm, they're not a very deep character, but I don't really mind that. Works well for them and I think their final fight also wasn't too short. Maybe half a chapter more would've been nice, but I think the pacing was good and I didn't feel like I was missing anything major. Better than unnecessarily dragging out fights...like the one that came right before... So yeah, nothing really to complain.

favourite line

"So if I can get out of this in 4 minutes and 11 seconds, I win. But that's what a small fry would think. Turn up the music and prepare your living funeral!"

brOTP

Hakari and to a degree also Kirara. They should've adopted Kashimo like a feral cat. It only makes sense. Hakari really knows how to bond with genderqueer people. There must be something about him that's like catnip to them. But I can understand it. Him and Kashimo had a lot of fun and fighting someone who is basically indestructible is basically Kashimo's dream scenario right after dying to Sukuna. Wish they would've learned something Hakari and Kirara's mindset, saw that there are actually people they could bond with right under their nose and that their loneliness is entirely self-imposed. They could've really spiced up the fight club. But alas.

OTP

Kenjaku. I like Kenjaku constantly showing up throughout their life and trying to wind them down to sell their soul to them. Like Mephistopheles and Faust. And the choice of their body when we see them together was no coincidence either I assume. Someone who's weak, so Kashimo would have no interest in fighting them, but young and seemingly healthy, showing Kashimo what they've lost and what they could gain back by making a deal with them. Also, they just look hot together.

I like Kashimo/Sukuna too, although more as fuckbuddies, I don't see them becoming anything more than that or either of them having interest in a long-term relationship. Kashimo's more emotionally invested, but I think with all that baggage about loneliness and love they'd have more interest in keeping it purely physical. Probably wouldn't know how to approach anything else.

nOTP

Haven't really seen a ship I don't like.

random headcanon

Kashimo seems to like animals, so I like to imagine them feeding stray cats back in the day and having a bunch of them who'd follow them around or show up at certain times to get treats. Maybe even did the same during the Culling Game. Kashimo asked Panda what he was doing there, when believing he was just a regular animal, so they definitely talk to any random animal they pass on the road.

unpopular opinion

Kashimo isn't a man. In Japanese Kashimo never once gets gendered and the official English translation for once is actually very faithful in that regard, so all the assumptions about Kashimo's gender are really only based on what they looked like in the past.

song i associate with them

Clarence Clarity - One Hand Washes The Other Kashimo and Sukuna. I feel the music also fits with Kashimo's electric powers and unstable mind.

favourite picture of them