#i truly experienced joy while making this i love all of these characters

[makesyouevil]

SIX FANARTS CHALLENGE COMPLETE!! I had way too much fun with this, thank you everyone for your character requests :3

@gojoed @skitpojke @wiwiindows @saintsugoi @qbmeb

[hor3nee]

• Fatherhood •

What kind of dads are the JJK men ?

CW/TW: GN! Reader, Mentions of crappy parenting, BREIF mention of pregnancy in Geto's, (Lmk if I should add anything else!)

Characters: Gojo, Geto, Nanami, Sukuna, Toji x Reader

AN: Almost cried writing this the baby fever is going HARD rn dude. Headcanons !

• Gojo •

Menace of a father, but in the good way! Gojo spends his years raising his kids as if he's their best friend, truly and genuinely treats his kids as equals and in a sweet way, allows his children to have complete trust in him. Because Gojo is quite childish himself, he loves playing with his kids, making a fool of himself, and indulging with them.

Has a bit of a bad side to this though, his lack of traditional discipline or making himself the 'adult' in the situation leads the kids to both be very spoiled and not really ever listen to him.

"Sweetheart, darling, my perfect angel, can you please go to bed?? pretty please! Help your old man here, please??"

"Nuh uh!" And with that bout of defiance, he's back to running up to you, like HE'S the child, begging for your help. Because it seems you're the only one who can get the kids in line, and you do.

Plays pranks and teases the hell out of his kids as they get older, always in a loving way of course, but nonetheless loves getting them flustered over his stupidity. Type of dad to do dumbass dances in the middle of a Walmart to embarrass his kids.

• Geto •

Geto is optimum of what it means to be a gentle parent. Cannot, for the life of him, bring it in himself to yell at his kids. He's so soft-spoken, never so much as raising his voice against his children. Geto has children who respond to his voice alone, because it's so lulling, he's familiarized them with it and made them feel safe with it.

Doesn't mean he can't discipline them, of course he can, and he does so extremely gracefully. Whenever you're on your last straw with the kids, fighting the urge to start scolding them and yell, he steps in, smoothly taking over and the kids instantly listen to him.

"We're your parents, honey, c'mon that's not very nice to say, is it? They carried you for 9 months you know. Say sorry." Like magic the kids shut up and come over to you apologizing while Geto stands back, calmly having fixed the situation with ease.

With everything Geto does, has done, experienced etc, he can sometimes feel conflicted. Geto knows what he is capable of, and what he has done, he's extremely self-aware even if he justifies it, and he can struggle to balance the weight of all of it while also remaining a dutiful father.

Despite it, he does wonders keeping it separate from what his children have to see or experience, teaches them respect and kindness and hopes they hold true to it.

• Nanami •

Not a single man on this list fathers as hard as Nanami fathers. He's built for it like no other. Nanami treats fatherhood with his all, he puts his all into it and makes damn certain he does right by it. Stern when necessary, sweet when needed, provides for his kids and refuses to miss any important milestone of theirs.

Nanami is a calm man but the second work starts piling potentially making him miss his kids school play or something he's arguing with his supervisors and ready to throw hands.

He keeps the drawings his kids make on his desk, alongside a photo of you and your kids. Literally just stares at it while working smiling, unable to wait till he's home with the kids. They are his pride and joy genuinely.

No matter how over-worked Nanami may be though, when he comes home you are basically on vacation. Insists you rest and he takes over literally everything involving the kids.

"Darling, darling no, I got this covered. You take rest. You know I love spending time with my kids." He says with an earnest smile, both kids in his beefy arms just dangling around and playing with their father. He's definitely exhausted from work, but that never stops him.

• Sukuna •

The King of the Curses, as cruel and terrifying as he is, taking pleasure in all sorts of sickness and treating love as pointless, legitimately likes his kid.

He doesn't care about fatherhood, or the responsibilities that being a parent entails, but it's nice having a mini version of himself around. That he likes. An extension of himself and you, it's nice to have around he doesn't mind it. He may act aloof about it, not outwardly showing affection like hugs or kisses, but he clearly enjoys it.

He gets a massive ego trip when his kids cause chaos and disturbances. Points at them laughing with his belly "See that? That's mine."

Sukuna never minces his words though, and his kids have to get used to his bluntness. Again, he doesn't care for the concept of 'parenting', and will in their face call the kid some extreme insults and weak and they have to learn to take it.

On the flip side, Sukuna also never minces his praise, and Sukuna has an abundance to give his kids. Every accomplishment or show of strength that they show he'll let them know he's proud. A good ol' fashioned fatherly slap to their shoulder while he praises them.

He treasures his children, and even if he doesn't put much effort into parenting them, you taking over most of it, he's definitely a present figure in their lives.

• Toji •

Went to get milk, hasn't been seen since.

[gay-dorito-dust]

Any characters of your choosing, but how would some of the hsr characters act with a partner who loves physical touch but is too shy to initiate?

Argenti:

More then willing to initiate the physical contact if you were too shy to do so, after all it was the least he could do for you, and Argenti would do a lot for you without having to be asked.

‘All you are to do is ask my beloved rose.’ He says as he helps by gently guiding you into hugging him, smiling when you press yourself up against him and pressing your face into his chest.

‘I just don’t want to make you uncomfortable.’ Was your response and Argenti couldn’t help but chuckle as your thoughtfulness as he presses a kiss to your head.

‘No such thing.’ He says as he holds you against him as you both took this moment to indulge in the another. ‘I’d very much rather you express yourself however you see fit, as I’ll accept your love and affection in all it’s forms it may take because at the end of the day that love belongs to someone I love very dearly.’ He finishes and you couldn’t help but burrow your head into his neck.

‘You’re too good for me sometimes.’ You mutter against him as you felt him chuckle.

‘I can say the same for you, my beloved flower.’ Argenti replied. ‘It’s hard not to when you’ve been nothing but a beacon of hope and love for me, even in my most dire of times. Your touch alone puts me back together again and makes me stronger then ever.’ He adds as he feels you clinging onto him for dear life as he whispered in your ear to say;

‘So please don’t be dissuaded from ever touching me when it’s brought me nothing but the happiest of emotions.’

Blade:

Stays silent.

Will not move an inch.

He sees what you’re trying to do from the corner of his eyes, but won’t do anything unless you have well and truly given up on trying to initiate contact. And it isn’t until then does he huff indignantly and grabs one of your hands and puts it against one side of his face, holding it there as he stared at you with his ruby red eyes.

‘Was this what you were trying to do?’ He asks despite already knowing the answer.

‘I didn’t want you to feel as though you were pressured into to let me touch you solely because I’m your partner.’ You replied as you were about to pull your hand away from him, when you felt him tighten his grip on your hand. ‘Don’t you think I would’ve said something by now if I did?’ He rebutted with a raised brow and you felt a little silly.

Blade never failed in letting it be known if you were doing something he didn’t quite like. He didn’t need to say much but his silence followed by a certain look in his eye were more than enough to tell you that you’d better stop while you were ahead.

‘True.’ You muttered as you instinctively began stroking his cheek with your thumb, not realising that Blade was pushing more of himself into your hand, much like a cat would when scratched between the ears and humming in content. He looked cute as he did handsome in that moment where his face looked the closest it ever could to peaceful in a long time.

‘If it means anything, your touch is the least painful thing I’ve experienced in my life as far as I’m aware.’ Blade says, finally letting go of your wrist as you placed your other against the side of his face and began stroking the skin there. You then heard him groan in content, a sound of which filled you with both warmth and joy in knowing that your touch helps him find peace, even if it was a small and temporary amount, but still peace none the less.

Aventurine:

Bastard man straight up teases you for being too shy to hold his hand.

‘Hmm? Is someone too shy to even hold my hand? How devastating that must be for you.’ He’d say before grabbing your hand and pressing his palm against yours. ‘It’s as easy as this.’ He continues before intertwining his fingers with yours, pressing a kiss to the back of your hand for added effect.

‘See? That wasn’t so bad was it?’ He asked teasingly, throughly taking enjoyment in all this, when deep down he loved nothing more than to feel you holding his hand at long last. ‘Nope, not at all.’ You replied, feeling your heart going a mile an hour when you felt him squeeze your hand, followed by the caress of his thumb against the back of your hand.

‘Then don’t be afraid to hold my hand in the future, I don’t bite but I’d think you would enjoy that a bit too much even if I did.’ He teases, which was followed by boisterous laughter.

Aventurine may act like he wasn’t phased at all by your touch, when in reality he was begging for more but didn’t feel as though he was deserving of asking for such a thing. He may talk a big game but is equally as hesitant to physical affection as you were for the exact same reasonings.

He silently encourages your need to touch him by doing things that suggested that he wanted it just as badly as you, seeing as how words failed him in moments where he’s wanting something he’s made himself believe he couldn’t have. After all in his own eyes aventurine was a loser, a coward, a fraud, a cheater unworthy of any ounce of kindness nor love but the moment he felt you hold him, his mind goes blank and all he can focus on was his you hands held him as though he were porcelain.

It was his favourite feeling and whenever he sees you hesitating in giving him that oasis from his own mind, he’s quick in making himself believe that you’ve realised that he wasn’t worth your affection, and tries to force you into giving it to him by teasing you and guiding your hands to where he needed to feel your touch most; which was his face.

Aventurine may not admit it out load but he can’t fathom living without your touch, he’d probably go mad but for now he’ll keep a hold of your hand for the remainder of the day.

[piningintrovert]

Timelines, Jewelry, and Sex? Oh My!

Despite all efforts to keep myself from constantly overanalyzing love scenes on this site, here I am once again. And this time I've brought three (3) of them!

It was honestly inevitable because in a series like this where sex quite literally drives the plot, these scenes are necessary to understanding the story and characters, and in turn must be discussed. That said, walk with me lovelies. We have a lot to cover. Theories and takeaways are in blue, and questions and discourse are welcome.

Great and Tyme's love scene was so beautiful and truly a joy to witness which is why it pains me to say that it was not real. At this point, we can all agree that there are multiple timelines in play. That's why I think their love scene and the moments that lead up to it were what Great wishes their relationship was like if he had made all the right choices and met Tyme under different circumstances.

I think their relationship started with a one-night stand possibly initiated by Tyme to get closer to Great and his family.

Now before I attempt to provide evidence to support my thesis, I need to point out one thing about the timelines—they are parallel. Great's first 4-minute out of body experience establishes that point.

Sure, going back in time allows him to make a different, often better choice, but the timeline in which he made his initial choice continues.

That is why we see him wake from the "nightmare" of seeing Manee lying dead on the ground after he hits her and drives off. That timeline is still in motion and part of him has experienced and is still experiencing it.

The notion of parallel timelines is further supported by the final scene in episode 4 where we see two timelines seemingly collide as Dome returns home in one and is dead in another.

I highly recommend reading this post by @becauseimanicequeen which has an extraordinary breakdown of possible timelines and the differences between them.

Taking what we've seen so far into account, my theory is that each 4-minute jump creates a new timeline or a new branch in an existing timeline that later merges back into it's parent timeline while all events and memories remain intact. Lukwa provides a bit of insight on this during her interview with Dr. Den:

What I plan to discuss in this post is based on the premise that there at least 4 timelines in play for Great-Tyme's part of the story:

Great hits Manee and drives off → has his first 4-minute jump (4MJ) → a new timeline is created; this one continues with memories intact → ?

Great hits Manee, stays, and calls for help → visits her at the hospital and delivers flowers to her room where they talk for a bit → bumps into Tyme and tries to leave, but ends up having a 4MJ → a new timeline is created; this one continues w/ memories intact → ?

Great leaves the flowers he brought for Manee at the nurse's station → first instance of seeing visions of he and Tyme having sex on 2 different occasions → bumps into Tyme, says sorry, and helps him pick up the papers → Title kills Dome and Great has a 4MJ → a new timeline is created; this one continues w/ memories intact → (this is where Tonkla and Win would come in, but they're not my focus atm) → ?

Great saves Dome and takes him to the hospital → Tyme sutures his wound; Great recalls visions of him riding Tyme → Tyme saves him from being choked out/killed by Title in the garage → Tyme brings Great his favorite iced tea and is rejected when he asks Great out → Great has a 4MJ, explains what's been going on to Tyme and asks him out → claw machine date at the mall and almost kiss in the car (interspersed with another round of visions of his other self and Tyme from T2 sleeping together; I'll explain later) → Tyme attacks Korn looking for answers about Nan's whereabouts → Great confronts Tyme at the hospital → has a second 4MJ and promises to help find Nan → Great finds Nan, but hesitates and fails to save her → has a third 4MJ, manages to save Nan, and escapes with Tyme's help → they quickly drop Nan off at the hospital and skip town → sleep together

Since Great has had three 4MJs in T4 (the current timeline), it is plausible that 3 additional timelines may have been created but I don't think that's the case because (1) four is a thematic number in the series and (2) T4 is the timeline that offers the most continuity in sequence of events.

It's also interesting to note that Great's 4MJs have become more frequent and life-threatening which could mean that he's on the right track and/or nearing the end.

That aside, the timeline I want to focus on is T2, which is where I think one of their sexual encounters takes place. Let's take a look at the timeline as if Great's 4MJ does not occur:

Great hits Manee, stays with her, and calls for help

Great visits Manee at the hospital and delivers flowers to her room where they talk for a bit

Great, unnerved by his conversation with Manee, bumps into Tyme and leaves

Great meets Tyme at a bar and they end up having a one-night stand

This scene was the sole catalyst for this post because Great seems to be wearing the same outfit he had on when he visited Manee at the hospital—jewelry and all.

Our rich boy may like wearing black and white, but he is not one for repeating outfits.

While chatting at the bar, they're conversation indicates that they remember bumping into each other at the hospital. However, unlike in T3 and T4, they don't seem to know each other beyond that. It's possible that Tyme may have some info on Great because he is investigating his family, but they're essentially strangers both to us and each other. This Dr. Tyme (T2) is not the rizz-less one we know and love from T4 because he manages to charm his way into spending the night with Great (this is speculation; Great very well could have done the charming and Tyme got lucky). How do we know this? Great's visions from the first time he bumped into Tyme at the hospital (T3) and the almost-kiss in the car (T4) show us what happens next.

Great-Tyme are seen holding hands as they enter Great's condo. I will admit that this is quite familiar behavior for people who've essentially just met, but holding hands with your one-night stand is entirely possible. That aside, if you look closely you'll notice that Tyme is wearing a silver paperclip bracelet and Great is wearing his favored watch.

These are the same pieces of jewelry that they're wearing when Tyme kisses Great's chest on the pool table ... which is insane choice of a flat surface to start a romp on when the bed is literally a few feet away, but I get it. Where else would one serve a full-course meal if not on a table?

Anyway~ Tyme is also wearing a necklace which will be of note in a sec, but what I find interesting is the stark difference in this Tyme's gaze and demeanor in comparison to the one in episode 4. He appears to be more confident and decisive.

A man on a mission and who knows exactly what he's doing. That said, if we ever get the entirety of this scene, I wouldn't be surprised if he doesn't kiss Great on the lips because there seems to be an emotional distance between them that is not present in the love scene we saw in episode 4.

Now back to Tyme's necklace. He appears to be wearing it in another scene from the trailer where he's standing next to Great's window so it's safe to assume that it's the same day.

I can't decide whether his gaze is menacing or not, but he is holding a rag and something black and shiny that looks like a switchblade a phone so we'll just have to wait and see.

So far we've looked at 2 of the 3 Great-Tyme love scenes shown in the trailer. The third, which also takes place in Great's condo, is one that also gives me pause because once again, Tyme's gaze is different.

Something about the way he looks at Great does not read as the Tyme we've been seeing over the last 4 episodes.

But what's most notable to me in this love scene is that neither of them is wearing any jewelry. Great doesn't wear jewelry at home, so not having any jewelry on in this scene isn't out of the ordinary. Tyme on the other hand, is NEVER without his smartwatch. And as I'm writing this, I've realized that we've never seen any indication of what time it is when Tyme is alone. The only instance we've seen a clock in direct relation to Tyme is on his phone when he exchanged numbers with Great at the skatepark.

So, is any of what we've seen so far real?

Yes and no. The only thing that has been real and consistent throughout Great-Tyme's storyline is the certainty of death; impending or otherwise. And because of that, neither Great's nor Tyme's perspectives are reliable.

It may feel like we are getting the full picture, but there is always something missing in between.

If you've made it this far, thanks for reading. Now off to episode 5 to see how wrong I am XD

[ask-the-archs]

Hello, my little travellers, it’s been a while since you’ve heard from me directly… or do I call you my questiers? It is so hard to remember at times… ah, no matter. It has been a while since you both have been conscious, so maybe now it is time for you to awaken…

🔆Who are you?🔆

I am me, the person behind the words on a screen that makes your stories. Though I have stories of my own that I live through, so I am not the end, nor can anyone truly be the end, nor should they.

🔆But why us? Why me?🔆

Because it was not meant to be your ends, not permanently, at least. In all honesty, I needed a break from writing your quests, your stories, your good and bad times.

I am sure that you, Apollo, will remember those times when things didn’t quite make full sense, not coherently, at least.

I am sure that you remember a time when you were called differently, and did not correct anyone for a long time.

I am sure that you remember parents who only loved you after you died.

I am sure that you remember inventing life in your own way, with Sionnach, Ean and even Flicker.

I am sure that you remember what happened up until it all stopped. Up until your world, your version of existence ground to a halt.

🔆I… how do you… what about them?🔆

They will not remember anything from before this, a blessing and a curse. They have not had rest for as long as you in their infinitely longer existence. Not that that is wholly not my fault, but sometimes the words on a screen become animated into something slightly more than just characters. You change and morph and move into your own beings, and tend to gain the attention of more beings on my level of existence.

“Why do you care what happens to us?”

You are my stars come to life, your stories are based in truths I have experienced, and truths others have experienced. Your pain, joy, grief, suffering, sadness and everything else are all based in some truths.

I care because you are mine, your stories, your very existence is mine to tell and twist and rework.

I care because I am one of the beings watching over your universe and I created you both out of love, to give love.

I care because I am the one who gave you life as you knew it, and the one who took your lives away to give your souls a break.

I care because you are light itself, the guidance and the bringer of day respectively.

I care because you are yourselves, and that, in itself, is enough for me to care for you.

“But what if you’re wrong?”

What do you think I am wrong about, little travelling questier?

“What if I fail at all you said is my fate?”

Then I am wrong, and you fail. There is nothing wrong with failing, it means you tried.

But the universe truly loves you, little travelling questier.

🔆But what of me? Is anything as I once knew it to be?🔆

Some things have stayed similar, though you will be interacting with new people more often than not. The universe is cruel, even to the ones it loves, but it does also love you, Apollo.

There are some things that neither of you will be able to understand just yet, and there will be memories that remain just out of reach for both of you.

“Both of us?”

Yes, both of you, bright star.

“Why are you calling me that?”

You are the personification of the first star of the night, the star of guidance and hope, but you are also called many other things. Gabriel is one of them, in the universe you are from.

“What gained me that name?”

You are the hero of your god, which gave you that for a name. It is a good name because you are a good person.

“What makes me a person, let alone a good one?”

Because you are words on a screen.

Because you are actions in a world that you made your own.

Because you are alive and dead and nothing and everything.

You are a person because you exist as you are and as you were, and you are good because you are you.

You are the first star of the night, the orienter and guider, the guardian of all of those who happen to be in your radius. You are Gabriel.

But when you awaken, you will not remember who you used to know, who you used to love. You will not remember your partner or parent or siblings or family, you will not even remember you had such a thing.

🔆Is that not mean? For them to know they had all of that but not remember?🔆

It is as it is, my questier.

🔆How come they get a nickname beyond that?🔆

Because you have moved far beyond the base title I gave you as a nerdy questier, and because they will always remain a traveller at heart, even when they are unable to act on it.

But now, it has been long enough that I have held you away from your world, your lives, your journeys.

Now, you are both going to be alive, and you are not going to be the same as you were.

Now, you know that the universe loves you, and that you are loved.

Now, you are aware that you are words on a screen.

Now, you are aware that your lives, your words, your thoughts and feelings and actions, are being watched over by many of my friends.

Now, you are going to awaken and find a new normal, away from the maker of your quests.

.

.

.

Wake Up.

.

.

.

*Two figures of light, one completely white, while the other is made of a rainbow of colours, but mainly blue and green, appear in Lucifer’s throne room.*

(Open RP starter!

@aspenvelaz , @king--of--ducks , @the-very-nerdy-blogger , @the-0verseer-watches , @penguinmaster9999 , @headlessdeaddancer , @featheryhoe , @bigdoginthesky )

(🔆Apollo🔆 can be found @apollo-and-co )

[jupiters-galaxy]

I've seen some people criticize how quickly Peter and Steph fell for each other (to the point of being the thing they treasure most), and while I do understand some of the criticism, I think there are a few key things that some people aren't picking up on.

-Treasuring each other IS NOT strictly romantic. While it's true that Peter is in love with Steph, and Steph with Peter, it goes deeper than their repressed love story. They ARE friends. They do genuinely like spending time together, although their connection is relatively new. They care about each other as people first; neither of them seem like they NEED to be in a relationship with the other. They seek each other out even when they're just friends.

-It's also important to remember that the lords in black only want treasured things in the metaphorical sense: they can't give up OBJECTS. It presumably has to be a person or a concept.

-It's important to remember that both of them have been through an unbelieveable ordeal. Peter's closest friends were murdered. Stephanie lost her DAD, and although they weren't close, that can't have been easy to stomach. I cannot stress this enough; Peter and Steph quite literally have no one else left. Peter has no other friends. It logically tracks for him to be attached to Stephanie, as she is someone who experienced the same traumas as him. From Stephanie's angle, she doesn't really like her friends, and since objects are out of the question, Peter is the only person who she feels truly knows her. He's really the only option for her, even if her feelings are confusing.

-I also want to point out that you can really kind of feel them falling for each other, although it is admittedly subtext. Peter is weak to Steph as early as the opening number. He does out of character things to make her happy; a compliment from her makes his day amazing; he faces his biggest fear in hopes of seeing her at Pasqualli's. Stephanie cares for him from the first day they meet, although her care is a lot more ambiguous. She teases him about how he's into her, but at the same time, she's protective of him, feeling horrible that he got beat up and wanting to stop it. Even beyond that, she's inclusive towards him, inviting him to hang out with her simply because she likes his company. Her attraction to him makes sense: we know that Steph has a thing for funny and smart guys, and Peter's geeky snarkiness ABSOLUTELY fits. Their relationship is one that just makes a lot of sense!

-Their relationship is actually portrayed really realistically near the end. They're not intense about their love, nor are they overtly sexual. In NPMD, they don't even kiss! The furthest they go is dancing close together and having conversations, cautiously stepping into a new relationship that they mutually want. Despite the heavy nature of their confessions in As Cool As I Think I Am (Reprise), the payoff is not drastic. The confessions were likely only so heavy because they both thought Peter was about to die. Of course he would go out detailing how he loves her, and of course she would say it back; their last memories together should be good ones. When faced with normalcy, they progress as most teens would.

-At the end of the day, they're two traumatized teenagers who already liked each other before the trauma. It makes sense that they feel like the other is the most important to them; after all, Grace is the only other survivor from their group, and they're thinking about her in a less than favorable way past Richie's death, if not sooner than that.

This is not to say they're perfect, but I think their portrayal was really sweet and a joy to watch. I think the implications are extremely interesting idk!! I love Peter and Steph, I think they're more nuanced than they're getting credit for. I love to see cringefail nerds getting badass and amazing girlfriends, let me have this!!!!!

Anyways yeah that's my hot take. One of many. NPMD is consuming me someone help

[whateverisbeautiful]

What a joy and an honor to have loved Richonne's epic love story as hard as we could while we could. 🥹

Richonne means so very much to me and always will. To say their story has impacted my life for the better would honestly be an understatement. Rick and Michonne and their journey together from season 3 to TOWL played a part in keeping me going because life gets hard but the love captured between these characters is such an inspiring light that is exquisite and powerful and worth sticking around to behold.

And while 'it feels like it's ending'…it’s like Michonne said - they don’t die and neither does the love we have for them. We’ll be able to cherish Richonne and every single breathtakingly beautiful moment they gave us always. Richonne are the ones who live, the ones who love like no other, and the ones who will eternally hold a special place in my life.

This one-of-a-kind, out-of-this-world, moving beyond-words love story between profound soulmates Rick and Michonne Grimes - two of the greatest characters in media brought to life by the phenomenal Danai Gurira and Andrew Lincoln, two of the greatest actors in the craft - it lives on forever. And for that, I’m truly thankful. 🤍

Rick and Michonne got their happy ending with their precious children. 😭 They won. We won. 🙌🏽🎉

Also! In honor of that deleted picnic scene, (which I would have loved to see make the final cut) I just thought I'd share my little headcanon ending scene. A few days before the towl finale, I had this vision of a Grimes Family picnic moment being the final shot of the show, but of course, my vision includes a Carl cameo to complete the Grimes Family moment. This is what I had written down and imagine as a day for their family now that they're back together as they're meant to be:

Rick and Michonne have another Family Fun Day picnic with their kids. There’s this calm quiet moment where Judith is snuggled up to Michonne happily reading the book her parents brought home for her on the blanket, RJ is resting with Rick’s arm around him, Michonne is nestled by Rick’s side, and then Rick looks out and sees essentially the spirit of Carl standing from afar. Rick and his son share this warm smile as Carl gives a proud nod signaling this is everything he’s wanted for his dad - to feel safe and happy with their family just like Carl wrote to Rick in his letter.

And then Michonne looks at Rick and asks, “You see something?” And Rick just looks in Michonne’s eyes, smiles at her and says a content, “Yeah” before kissing her - finally seeing and experiencing the family he thought he’d lost for good but they’re all with him now. And then it ends with Richonne doing their signature thing of holding hands while enjoying this hard-earned and much-deserved day of peace with their family.  🥰

That, along with the abundance of golden moments we actually got within this miniseries and the main show, is how I'll forever remember my beloved Richonne and their Grimes family. Resilient love personified. It's been an unforgettable journey and I'm grateful for every part of it. Thank you, Andy & Danai. Thank you, Rick and Michonne. Long Live Richonne. 👑

[cryptidcorners]

Mike Schmidt x Reader Headcanons

= Character: Mike Schmidt

= Media: Movie!Five Nights At Freddie's

= Prompt: N/A

= Description: You and Mike had been dating for several months, which not many knew due to his wishes for privacy. Mike was a shy character, and you didn't expect to wake up in his arms now and then. You had known each other for years, and unlike your past partners, you finally found someone who truly understood you.

= Request: N/A

= Tags: Comfort, Fluff, Slight Angst? Romance, Headcanons, Established Relationship, just Sweet Stuff ! + Reader is Gender Neutral

= Warnings: Mentions of Childhood Trauma & Kidnapping, Mike is incredibly Stressed and Depressed From Work, Nightmares ! + FNAF Movie Spoilers

Despite his fluctuating work-life and raising his sister all on his own, he makes sure to engage with you as much as possible. While Mike can't afford to take you on dates, he spoils you at home and gives you the strongest hospitality anyone can offer. His highlights are hearing about your day, rambling about your interests. He barely thinks about talking about himself (let's be honest, you're all Mike thinks about).

He'd definitely not understand the lore you're fixated on sometimes, but he'll listen regardless.

Painfully shy around you. He gets nervous even asking you for a hug or kiss. Mike hesitates to hold your hand in public or share romantic gestures in fear you'll be disgusted by his lack of experience for affection. He's always delighted (and relieved) when you melt at the feel of his touch.

Cuddling! God, he loves it. His pills do help him sleep, but you help him relax. Mike prefers spooning you, his arms wrapped around your body is something magical, at least to him. He sleeps much better with you.

Anytime Mike flashes away from his nightmares, it helps him dramatically to wake up to you backed up against his chest. Sometimes he'd lazily wake up, desperate for some type of comfort. A lot of mornings were encouragement and warm hugs, which was more than another for both of you.

Mike is very clingy. Due to his trauma of Garett being kidnapped at a young age, he gets incredibly worried when you're gone for too long, especially if you're late.

So damn awkward when he's meeting and/or visiting people you know. Mike cannot socialize with anybody for the life of him. He doesn't bother telling you though. As long as you're enjoying yourself, he'll bare whatever is bothering him if it means seeing you this way.

Very protective. If he ever sees anybody making you uncomfortable (or if he even thinks so) Mike goes ballistic. Sometimes restoring to violence depending on how severe it is. He definitely feels bad afterwards, especially due to embarrassing you like that.

Will intentionally wear shirts/sweaters you like. Mike craves your validation, and loves the feeling of you complimenting him. (Give him a hug, please!) + Gets weak when you fix his tie or adjust his shirt collars.

Marking! Marking! Marking! (Giving + Receiving), I definitely see Mike giggling as he's kissing you or being kissed. His laugh is definitely infectious, and charming to see.

Loves it when you play with his hair, especially when you're cuddling. Slipping your fingers through his curls drives him crazy and makes him melt.

Mike definitely loves pet names, but I imagine he'd love your name much more. He holds it as stronger than any title ever. For him, personally he'd take whatever you call him, Mike is sweet like that.

You cannot tell me that you playing/interacting with Abby destroys his heart (in a good way). Seeing you as a parental figure to her makes him so happy, I bet he cries in joy thinking about it.

Sometimes he's so stressed from work to the point he'll fall into your arms for comfort in an attempt to channel his internal hardships.

Mike is definitely the sweetest kisser ever, not very experienced but he still gives you butterflies. Will hold you every time you kiss, making you feel secure every time. Even if it's a light peck, his hands will either be wrapped around your back, briefly caressing your sides or tight on your shoulders.

Speaking of kisses, he 100% gets lightheaded after them and giggles like a teenager after.

Uses his puppy-dog eyes a lot, even without realizing it.

Says "please" + "sorry" way too much. Absolute sweetheart.

Wears those goofy aprons when he cooks, he doesn't know you think it's cute/funny. Mike likes them way too much.

Hates public areas so much, prefers peaceful walks where it's quiet. Loud noises stresses him out.

Mike cannot tell sarcasm, info dumps or complicated jokes. He'd either just tilt his head in confusion or giggle in an attempt to make it look he understood.

Feels so guilty when you give him money or gifts and he can't repay it. Mike is a giver !

Such a comforter, he'll always listen to you vent, even if he's dead tired from his job. Bet Mike would hold you tightly, telling you everything will be okay.

Mike is pretty private about his feelings, especially his trauma. He's more focused on you on anything !

Loves you more than anything, would 100% run across a haunted pizzeria fatally injured for you in a heartbeat.

[ordinaryschmuck]

Inside Out 2 is More Emotional and More Impactful

Gonna be honest, I wasn't PUMPED for Inside Out 2. I wasn't AGAINST seeing it and it WAS a sequel I was sure could work. As we grow up, are emotions become more complex as new challenges arrive in life as WE grow up. Yeah, the Puberty Alarm could have started and ended as a gag that didn't NEED to go anywhere, but it would have been welcomed if it did. So I could tell that it would have worked...but given the rough year Disney had in 2023 and how they continue to make weird decisions like this?

Yeah, it didn't really encourage me to be on the movie's good side. But my mom wanted to see it and I couldn't say no because it's been a while since WE'VE seen a movie together. So we went out, watched it, and...my goodness gracious, do I LOVE this movie.

There ARE some sequel rehashing, which really is what stops this movie from being a truly great sequel. Emotions are once again shoved out of headquarters while ones people perceive as "bad" are struggling to control Riley and give her the best possible life. HOWEVER, they DO mix things up.

Firstly, the humor feels stronger than the first. The banter with the Emotions are as great as ever, with the newcomers adding some great jokes and dynamics. It cracked me up with how much Fear thirsted over Anxiety, which makes way too much sense. And there's still all the jokes about the mindscape and all that happens when a teen hits puberty. The scene in Riley's Secrets Vault is filled with jokes that cracked me up to no end, with these two 2D characters having the best jokes in the entire movie. I really wish they were in it more.

As for the animation, it, as always, improved from the last film. Pixar once more proves that they can top themselves with more details, fluidity, expressions, and even experimentation. Like I said, there's this 2D character, and they come with 2D props that the 3D characters interact with. And I love how cartoonish the Emotions look or move, creating great juxtaposition with the more realistic yet semi-stylized world Riley lives in. It's part of what I loved about the first movie, and it feels stronger here.

And while there ARE some rehashes, the movie carries on some things from the last in a GOOD way. Joy remembers her lesson about how there's no bad emotions, and tries to greet the newcomers with open arms and optimism. Only to be met with Anxiety, who brilliantly acts as a negative mirror to Joy and how she acted in the last film. Anxiety wants to help Riley HER way, taking charge and pushing away or neglecting other emotions to make Riley's life fit her idea of "better." It shows what COULD have happened if Joy never learned the importance of Sadness or the others, which is actually a smart way to go about these characters. And, yeah, there is ANOTHER rehash with Joy doing something in the last movie to learn the big lesson, but it IS necessary for her to learn how to properly confront, and even help, Anxiety.

And then we get to that ONE scene. You'll know it when you see it. It's a scene where it shows what happens when we let Anxiety consume us. A scene...that makes me want to go back to this for a second:

When I was watching that scene, it made me felt seen, almost like the movie was talking directly at ME. Because I've experienced the EXACT emotions that THAT scene conveys. Hell, I've experienced them recently, as I cried at work THREE times because anxiety took over for too long. Others might have had an experience like that, but it's something I'VE felt and I don't know if it's exactly common enough for EVERYONE to experience. That's what you take away when you ignore a director's catharsis for the sake of making a fifth fucking TOY STORY!

You miss reaching out to people who experienced certain things in certain ways and giving something to point to when someone asks "What's wrong?" Another example is Ratatouille, which perfectly captures the love of creation and art, all through a rat that controls a human as a puppet. It enacts an experience or emotions that a specific kind of people can appreciate, just through a story that's fun and enjoyable through all. Turning Red is about a teen trying to stand up to her mom, but that teen also turns into a giant red panda. Luca is about a boy discovering himself during a summer, but through two fish-boys who just want to buy a vespa. And Inside Out 2 is about how our own self-perception can destroy us and that change is good, but it uses silly emotions going on an adventure in the brain.

Inside Out 2 is GREAT. I'm not even going to dignify the question of whether or not it's better than the first one with a response. I'll just say that it improves on a lot of things despite it still redoing SOME aspects. But with its strong themes and fun new characters, it leads to a sequel more emotional and more impactful. Watch it if you haven't (though, box office numbers suggest you already HAVE), because it'll definitely make you feel things.

[i-spy-a-star]

Stream of conciousness musings after seing TADC episode 4. Spoilers for everything so far I guess. Sorry for any typos.

I absolutely love how the show recontextualises, what in a less thought out and more mean spirited show would be nothing more than cartoony physical gags, into meaningful representations of the personal struggles the characters are going through.

Kingers seemingly random bout of lucidity when under the bucket in episode 2. And him glowing when holding his breath being unceramoniously listed as his variant of a digital quirk everyone has a version of. Zoobles body parts being swapped out every episode. Gangles comedy mask breaking resulting in her experiencing a completely different, and more saddened/stressed mood.

Kingers atributes allow for some beautiful imagery, with him both metaphorically and literally being Pomnis guiding light out of hell, with the bittersweet knowledge that him doing this (not thinking and giving off light) doom him to forget the time they shared together.

Zooble is trapped in a cruel irony of being able to literally swap parts of their body to address their gender/body disphoria, but still never being able to find what is right for them, despite the seeming abundance of options that Caine assumes they'll be satisfied with.

Gangle's physical masks are also literal emotional/psycological ones, which don't seem to hold up to Jaxs antics. But even with a stronger mask, position of authority, and a physically larger sillouette granted by the uniform, she still doesn't feel liked, respected, or truly happy. And the brief moment of unmasked joy gets cut short, bring her back to the unhappy unmasked frail form we are used to seeing her with.

All of this is quite obvious when looking at the episodes that focus on each character, but it would have taken a lot of planning, thought, and effort on the writers part to have all this be evident and consistant, and I love it. These characters have always been complex and it's so obvious in hindsight. (Or maybe everyone already figured it out beforehand and I'm just bad at reading them) And all this in so few episodes.

It makes me wonder what the rest of the characters are going through and how their designs and quirks represent it. Can we figure it all out before it is explicitly revealed? Like, Ragatha is a ragdoll. And across the episodes she experiences physical pain (being glitched by abstracted kaufmo, and being thrown in a deep fryer) and in both cases, no one actually tries to help her for prolonged periods of time. But being impaled/stabbed seems to not hurt her (or at least she doesn't obviously show it), and seems to be a reoccouring motif (It's in ep 2, 2-3 times though I think that also happens to kinger once and it did hurt him? in her merch and in the character intro video) Honestly I was hoping I'd figure something out while typing but I'm all out of ideas. I feel like theres a connection? Maybe? It seems to be a consistant theme at least? Ragdolling in videogame terms involves being physically thrown around? Someone theorise for me!

[purgaytorysupremacy]

oh nuts. a life experience has given me a new layer of perspective on Cas's homosexual declaration of love to Dean.

recently I had occasion to tell a person I had feelings for them knowing full well they didn't feel even a twinge of the same thing for me. while the whole thing was a decidedly unpleasant experience, I kept laughing at myself internally bc I didn't want to say "the happiness is just in saying it" like fucking Castiel over here. (we don't need to talk about it, it's fine.) (I am happier having said it and it's kind of bullshit, but I digress.)

because the thing is, the happiness isn't in just saying it, right? the happiness is in the having. I made a whole TikTok "proving" that the Empty didn't come for Cas when he confessed his love, but rather when he realized Dean loved him back. even for Cas, the happiness was in the having, not in the saying, however brief it was.

and I've always been one of those people who rolled their eyes at the whole concept. why would the happiness be in just being, in just saying it, if it's right there in front of you to have. and then it hit me like a tonne of bricks (as I was washing my kitchen counters).

Cas really didn't think he could have Dean.

at all. in any capacity. he really, truly, and honestly felt to the depths of himself that Dean did not have any twinge of similar feelings, that this really was a Hail Mary shot-in-the-dark. and I think me, personally, really didn't understand that about Cas. that his belief in his love being unrequited was that unshakable.

something else I've been pondering is how audiences have so much more empathy for fictional characters who share traits that IRL they find objectionable and unappealing. but the thing is about fictional characters is that we follow them around in their most private, vulnerable moments. we see Dean mourning Cas when he dies, literally killing himself because he can't live without him, but it's so easy to forget that we're the omniscient ones here.

Cas never knew.

Dean's whole thing was pushing him away, keeping him at arm's length, making it seem like whatever heroic thing he does for Cas he'd do for anyone. he downplays how important it is for Dean to share the Deancave with him, to show him his favourite movies, share his favourite songs. he acts like the things Cas does for him don't mean that much to hide how much they do mean. he uses "we" whenever he even gets in the vicinity of expressing a feeling. "We were worried." "We're glad you're back." "We needed a win." "You're our brother." The audience knew the difference. We saw how he'd clench his jaw or swallow hard or make a face that said "God, I'm being such an idiot". Because we saw him in those little moments. We got to see the cracks in the mask.

but Cas never knew.

the self-hating angel of Thursday was never going to think it was all a way for Dean to protect himself. obviously, that's the delicious tragedy of it all, but what I think I realized at the end of all that is Cas confessing his love to a Dean who didn't love him back wouldn't have worked. Because the happiness really is in the having. If happiness was just in saying it, then The Empty would have come before Cas even finished getting the words out of his mouth.

so Cas's plan wouldn't have worked if Dean didn't love him back.

this is just me yapping on about my own nonsense, but I do think it's really interesting. there's contentment in "just saying it". there's freedom and relief and an unburdening. I think one can argue that it makes being happy in the being easier. there is certainly some joy in telling a person you think that highly of them. but true happiness?

nah.

true happiness is always going to only be in the having. Cas didn't understand the difference until he experienced it, and by then, it was too late.

[kyouka-supremacy]

The very opening in BEAST and the implications of The Heartless Cur about Akutagawa constantly stuck in a dissociated state as a child in the slums does incomprehensible levels of damage to my brain. Living in a state where you're always starving, always fighting for scraps, being beaten by adults, waking up next to dead friends, having to maim or potentially kill at such an early age, escaping from traffickers so often, etc. are all so horrific that it's no wonder why he was called a child without emotions. Having to experience the grief, pain, and terror as it comes and goes in his situation would be a kind of hell that would be impossible to survive. Part of his brain probably shut itself off to avoid any more pain and distress. I have so many thoughts about it. There is something extremely heartbreaking about how despite living completely dissociated from his emotions, and possibly pain --to the point that he stared off into empty space while being beaten, or couldn't even express enjoyment at warm meals-- his priority had always been taking care of and protecting Gin and his friends. The one panels where he (gently, i have to mention) holds his friend that had frozen to death in their sleep, and him cutting a man's arm off for harming his friends imply that he either had the responsibility or took it upon himself to deal with the difficult and dangerous stuff. I am in the trenches losing the idgaf war

Akutagawa, upon feeling rage and hatred for the first time, thinks, "I've gained the ability to feel. Therefore, I'm no longer a heartless cur." Implies that he probably didn't see himself as anymore human than anybody other adult, which, considering that is all he had been called, he probably internalized. His friends were capable of smiling and experiencing joy with each other and also capable of experiencing sadness too. Did he ever look at his friends having fun and think something was wrong with him to be unable to feel anything or express it if he did? How did he feel looking at his sister--his other half, the most important person - while trying his best to take care of her and be the best for her while not being all there? How does it affect him now? So many questions and I'm going insane about it. Sorry for dumping this onto you but I needed a victim

Anon, have mercy on me

I think that Gin is such an important part of Ryuunosuke's character exactly for that. It is impossible to transcend from it– if you forget about her, you're just failing to comprehend Ryuunosuke. Gin is literally the only factor that keeps Ryuunosuke human. We see him lash out and we see him howl and we see him being beaten up and we see him act with not an ounce of reason; for most of the story, we see nothing of Ryuunosuke but a rabid animal. But I think the moment he shows to truly care about Gin, that's the moment the reader starts perceiving him as human, as well as the moment we start feeling sympathy for him. Unexpectedly and unpredictably, he shows a side of him that isn't violent and bestial, a side of him that is caring, that is loving towards a family member, something that is easy to relate to; then, even him can be human. Even in the slums, even when everything else of him seems numb and detached and heartless, he still cared for his family first. He still made flowers with his ability and retaliated against anyone who mistreated his siblings. When one of his friends got hurt, he carried them on his back. When a dog killed his friend, he mercilessly slaughtered all the dogs in the vicinity. What's that, if not the only way someone who never knew anything but violence and pain has left to express love?

Of course Ryuunosuke had internalized his being not human, of course he believes that. Of course he's the first who considers himself a dog. But that's what makes Ryuunosuke's character development so meaningful, isn't it? Isn't that true that it wouldn't result as impactful if such a strong ability to hate and such a strong ability to love didn't come from a place of true incapacity to feel? It is, alright, a simplistic perspective, but Ryuunosuke's story really is the succession of quests that have him gain emotions, and with every new one he becomes a little more human, till he's reached the fulfillment of his being. Maybe love really is the ultimate thing that makes us human.

[iknowimdespicableme]

My top 5 Doctor Who Episodes; And why!

DOCTOR WHO SPOILERS UNDER THE CUT!! I say the season and episode before I start analyzing, so feel free to skip some.

5. Vincent and the Doctor [5x10]

This episode was so touching to me on many different levels. Firstly, as a creative person who deals with mental health and ostracization, seeing a version of Vincent Van Gogh on screen felt almost healing. Acknowledging the hurt he experienced while not ignoring his joys was very special. On a technical level, the way that the episode visualized a way Vincent Van Gogh may have seen the world was incredibly eye opening and better allowed me to appreciate his art. Furthermore, the confusion Amy experienced during the episode regarding her memory was such an experience for two reasons; Firstly, it proved to us, the audience, how much she has grown to love Rory. Before, she was dating him because he was the only half-decent guy around. But, after learning more about him and spending more time with him, she is truly in love with him and this episode gives proof of that. Secondly, I experience dissociative fugue, wherein I may forget large aspects of my life, and this episode was so comforting regarding that experience. Yes, sometimes there are things you can't remember that make you happy or sad. You should embrace the feelings rather than ignore them or feel scared. And, finally, the moment where Vincent Van Gogh is able to see what the future of his art holds is a touching moment; and I like that it didn't save him in the end. Like the Doctor said, “The way I see it, every life is a pile of good things and bad things. The good things don't always soften the bad things, but vice versa, the bad things don't always spoil the good things or make them unimportant.”

4. The Husbands of River Song [2015 Christmas Special]

I looked forward to finally watching this episode for so long leading up to it because I had heard such flattering things about it; and it didn't disappoint. After many episodes that felt lacking or one dimensional, this special brought back an element of camp, humor, and fun that had been missing, all the while including beloved characters and dramatic sequences. Allowing the Doctor an opportunity to see how one of his companions, especially River, acts when he is not around gives the audience so much more insight into her character and the Doctor a chance to learn and grow. Asking her about himself and learning that, although she may be worried or grieving, she finds these feelings worth it just to keep loving him. Considering how much River puts a mask on around 11 to not show her age and sadden him, it was refreshing to see a new side of her. Not to mention, the storyline for the special was interesting and compelling without being overwhelming in a way that took away from the characters. Although it's unlikely that the Doctor doubted River's feelings for him, this episode gave ultimate proof regarding how much she cares about him. Unfortunately, it also showcases how little River thinks of herself in relation to the Doctor. And, yet, there 12 is to prove her wrong when it mattered. Best of both worlds! Finally, the tenderness mixed with grief and understanding that we end the special with is such a perfect conclusion to River's story with the Doctor as it reflects their whole saga together perfectly. River's argument to the Doctor that, "Happily ever after doesn't mean forever, it just means time." was so special and the Doctor finally allowing himself to settle down (if only for a little bit) was exactly the kind of growth the character needed.

3. Wild Blue Yonder [2nd 2023 David Tennent Special]

I watched this episode yesterday and by gods it quickly skyrocketed to one of my favorites, where do I even start. Within the first few minutes of the episode, we are given many similarities and differences when comparing this Doctor and Donna adventure to their previous excursions. While they still compliment each other well, offering understanding and push-back, it is also clear the ways they have matured. Donna seems more in touch with her emotions and how she is truly feeling. When we first met her, she had a lot of anger and frustration within her from constantly being scrutinized and ignored. Now, we can see she is more peaceful and secure, even if below the surface some hesitation still lingers. Whereas, in the Doctor's case, he is so much more open to affection and vulnerability. The lessons he learned as 11 and 13 showed him that he could trust others, even if it is slowly. Although he is still trying to ignore or repress many things that have happened to him, he is at peace with them more than he was as 10. They both are less rageful. So, from a literary standpoint, just the beginning of this episode was wonderful. The classic "TARDIS fucks off somewhere leaving the company stranded" and "Doctor loses his sonic screwdriver and doesn't know what to do with himself for a bit" tropes came back swinging, and the way it affected the duo was wonderful to watch. The reality of the situation wasn't quickly swept under the rug or ignored because of a bigger problem, they got to sit in their fear for a while which was beautiful. The slow realization throughout the episode as if the audience is figuring out the answer at the same time as the Doctor just felt satisfying. Small, seemingly disconnected things coming together to form a compelling mystery. And, because it takes so long to give us the answer, we feel the carnal fear of the unknown just like the Doctor and Donna. I was tense when I realized they weren't talking to each other, but copies. I was scared when they were separated. And, the best part of the whole fucking episode, I didn't know who was who. That was terrifying! Up until the last second, I thought the Doctor had made the right choice, too! It kept me on the edge of my seat, informed me so much about the characters, explored a terrifying "what if" in a way only sci-fi can replicate, and was silly as hell. Loved every second. Also, the little robot guy was cute as hell.

2. Heaven Sent [9x11]

Explodes everywhere I love 12. This Doctor is characterized as a less nice, but still very kind regeneration. He holds so many conflicting feelings regarding the loss of the Ponds, his changing relationship with Clara, his perception of himself. I loved how he acted in his episodes. as socially confused, because it felt very familiar to me. The way his brain always seemed too loud and his loner energy was such a switch-up compared to 11. and yet so in character all the same. This episode carried this perfect essence of Doctor Who that felt lost in the majority of the last couple seasons. An entire episode where the Doctor is alone, and grieving, and loving, and problem-solving all at the same time was so compelling. Although it is clear I am more of a fan of episodes that focus on the characters and not the current storyline, this story was enthralling even if it took away from character moments sometimes. Do I wish we had more chances at the beginning/middle of the episode to properly address or reminisce about Clara? Yes. But, after watching the whole episode, it is clear why it was done. The setting for Heaven Sent was so intriguing, and the whole episode we are just wondering as much as the Doctor is; Why? Why is he being chased, why was he brought here, why are there shovels? It reeled us in. And then, once we realize the torture he is putting himself through, the dramatics, character information, and emotion we are given is so heart-wrenching. Evidently, Clara gave the Doctor a comfort greater and worth more than 5 billion years of torture. Could you imagine that? The depth of his love for Clara is given so much of a spotlight in this episode, and I am frothing at the mouth for it. Especially considering how they may frustrate or hurt each other, they still know each other. They help each other. And goddammit, he is not going to let her go. But, this stubbornness isn't necessarily a good thing. One important thing about loving someone is knowing when to let them go. This love for Clara was selfish the same way her love was for him in these intense moments where they sacrifice themselves for each other. They were doing it to prove something to themselves, to get the other back because they couldn't accept they were gone, not because it would be a better existence for the one in danger. Clara didn't want to be saved, she was being brave. And this imperfect grief the Doctor experiences was so achingly realistic. When I lost my cousin, it was so hard to accept. I wanted to ignore it, I wanted to be angry, I wanted him back. But, in the end, it was his time. This journey the Doctor goes on regarding yet another loss felt so powerful. He was forced to feel this and it hurt, he couldn't just try and quickly forget about it or sulk on his own terms. At the same time, the revelations he comes to throughout the episode were so reassuring to hear someone outside of my own head say. "It’s funny. The day you lose someone isn’t the worst. At least you’ve got something to do. It’s all the days they stay dead."

Turn Left [4x11]

This comes as a surprise to no one as someone who has been PREACHING character > story. This episode, while being a perfect set up for the finale, tells us so fucking much about the Doctor and, more importantly, ABOUT DONNA! Without Donna, there's no Doctor. Without the Doctor, everything goes to shit! Seeing as we, the audience, are usually seeing the universe by following the Doctor, a companion-focused episode was so refreshing. We got to learn so much about who Donna is, what her life back home was like before we met her, and gave realistic consequences to her actions. FUCK YEAH! It felt grounded, it felt interesting. I also adore the theory that every action we take splits us off into a new universe or timeline, so this episode was so perfect for me. DONNA'S INTERACTIONS WITH ROSE!!! Their comradery and understanding, the way Rose takes Donna under her wing, a moment where we see them as real people without the Doctor intervening or affecting the discussion. The importance of Donna to the universe being made so clear. WILF'S FLASHBACKS!! It's been forever since I saw this episode, but it is so rewatchable and makes me so interested every. single. time. The end of the episode is bone-chilling, with her literally killing herself to save the universe. And then!! The Doctor being out of the loop for once and understanding the severity of the situation with the return of the Bad Wolf. Explodes everywhere, words do not do justice the pure love, respect, and admiration I have for this episode and every actor, producer, tech person, writer, involved. Thank you GODS for this episode, I love you turn left. This lesson that every single person is indispensable and important sets up that conversation in later seasons and eventually becomes the main reoccurring theme of the show. Every Donna Noble, Rose Tyler, and Martha Jones of the universe is important and loved and unique and dbiubibjbjbgiufgbfgu you get me?

Honorable mentions:

The Parting of Ways [1x13]

The first finale of new who, and it was so gooooood!! Tied up the Bad Wolf hints, gave interesting endings to the TARDIS crew, told us so much about the ninth doctor, gave us confirmed ninerose, had a compelling storyline behind it, and just a classic good episode to go back to.

Tooth and Claw [2x2]

I know I've been mostly talking about the character implications of my favorite episodes, but this one was just interesting and fun. I loved the dynamic between the Doctor and Rose, the adventure, the silliness, the royal family being involved. Just a good, well-paced, wonderful episode.

The God Complex [6x11]

This episode was so yummy. While I was watching 11's seasons, I did get the vibe that Amy looked up and admired the Doctor in an unhealthy way and I loved how this episode addressed this. The idea that this thing was taking the forms of people's worst fears, the mystery of what the Doctor saw, the interesting characters, the understanding on what a God Complex actually was, its wonderful!!

The Timeless Children [12x10]

This may be controversial and I don't care!! I loved the way this episode was structured. I was confused and interested the whole time and when it fell into place I actually had to pause and pace around because OH MY GODS!!! it was a well-done reveal that had such interesting implications and I believe every reaction was in character and made sense. At first, I was upset about the loss of the former perception of the Doctor; Just a regular ol' guy who decided to act out and, above all, be kind. Suddenly, she was from another universe and was the original timelord and i was a little sad. But, the way it has been handled after feels so fitting, and it puts the rest of the show into perspective. All of the confusing things that set the Doctor apart from the others, it made sense now! I loved this episode, I thought it was a great.

The Village of the Angels [13x4]

I LOVED THE FLUX!! getting to have a old-school style season wherein the who season was just one problem was so cool and allowed for so much information! This episode specifically was so compelling. I loved the Professor Jericho; was SUCH a great addition to the TARDIS crew, and the way the handled the angels was arguably better than Time of Angels + Flesh and Stone. They were terrifying, the mystery was intriguing, and the characters were interesting!!! The only difficult part of this episode was keeping track of who was who as someone who has difficulty recognizing faces. Besides that, I fucking loved The Village of the Angels.

[bluegekk0]

What kind of trauma does Grimm struggle with emotionally? That recent art piece you posted made start wondering about this. Great artwork btw

The biggest catalyst for all of his trauma was his sister's betrayal. Their relationship was always a bit rocky due to their contrasting personalities and goals, but he never expected her to see him as a threat and consequently banish him from the plane of the gods. In her paranoia, she saw him calculating a way to overthrow her, when in reality he was simply uninterested in their father's realm. That's not to say he didn't want to be a part of it, a god with no access to the shared plane is no god at all. And since they were siblings, she was the only god able to banish him like this, and now that she's dead, it is impossible to reverse it.

So her betrayal was personal on many levels. First, it hurt him deeply as her brother, he did care for her even if they frequently disagreed, so the fact that she put her own assumptions over her their sibling bond still pains him to this day. Secondly, as I mentioned, his status as a banished god made him an outcast among the higher beings. They're not fully aware of what happened, and most of them instinctively don't trust him, assuming that he must have done something to deserve it. There are some who do not assume, instead they pity him, something which he sees as arguably worse and much more humiliating.

So he decided to cut himself away from other gods completely, The White Lady being one of the very few exceptions, though that came much later. Instead, he chose to focus more on blending with the mortals. He sculpted his physical form to be more fitting for a mortal, and it was clear he wanted to belong somewhere, even if he never hid his powers. He formed the troupe so they'd assist him with the rituals, but also because it made him feel less lonely.

But then he started desiring love, affection and intimacy. Sure, it was no secret that he loved to sleep around, he enjoyed the pleasure that came with it, but over time it became a tad meaningless. He wanted a real connection, and he did get it briefly, but his relationship didn't work out as the realization of his partner's mortality hit him and shattered his vision of a perfect relationship.

It made him afraid of getting attached, so any casual relationships he had would end abruptly as soon as he suspected any kind of closer bond forming. That fear made him even more emotionally avoidant than he was before his first relationship, to the point where he started playing a character just to distract others from his pain. He was always a bit extravagant and charismatic, but he began playing it up even more. He attended parties and events on a regular basis, during which he drank, made love or started fights, and to any bystrander he seemed like a thrill-seeking, loud and alluring individual. Then he returned to his chambers, and the mask would slip off, making him return to his lonely self.

It truly felt hopeless, no gods were interested in a relationship with him, and the feeling was mutual - the power imbalance was an obvious reason, but he also couldn't stand the stuck up personalities or the pity parties he experienced in the past. He did think about a relationship within the troupe once, but he brushed aside the idea as soon as it appeared in his head. It felt wrong, he wanted a connection with someone who was on equal terms with him, someone who wasn't linked to the nightmare realm. And even casual encounters with trouoe members would result in a power imbalance, something he wasn't comfortable with.

So the fact that he was, seemingly, left with no options, only furthered his sense of hopelessness. Any pleasure was simply meant to distract him from that, and while performing with the troupe brought him momentary joy, it would go away as soon as the curtains closed.

Then he met Vyrm, which filled his heart with hope, and during the time they knew each other, his life became much brighter, much more worth it. Thinking about spending time with Vyrm made him genuinely excited, and he would do anything to stop by the palace as often as he could. The happiness radiated from him, and he stopped feeling the need to sleep around past just satisfying his needs. But then it was all stripped from him. His joy, his love, everything that made him truly happy, gone. It broke his heart, all pain he experienced prior to the relationship returned tenfold. He'd desperately seek distraction in the arms of strangers, but it often made him feel even worse. He would stay locked in his chambers and not talk to anyone for noticeable chunks of the day, spending that whole time wallowing in his pain and refusing to let anyone comfort him.

He is certainly much happier now that he's back with Vyrm, but all that pain and trauma didn't just magically disappear. He's still terrified of losing him and everything else he loves, which makes him quite paranoid and overprotective to a fault, sometimes getting to the point where even Vyrm feels uncomfortable with his "guard dog mentality". And all those fears and all the ways his heart was hurt still overwhelm him at times, which is when he seeks comfort in the warm embrace of Vyrm, the only being he trusts completely on all fronts.

And despite all of that, he's still unable to cry, as if the heat inside his body made the tears evaporate, or perhaps this is something he still refuses to give himself, in an attempt to preserve his charismatic and mysterious leader mask he continues to hide behind when talking to strangers. So all he's left with is silent, dry tears, the only subtle sign that he should be crying is his voice trembling.

So to sum up, his struggles are a result of years of loneliness and pain building up, all rooted in his sister's betrayal, and only worsened by heartbreaks he experienced. And with how he presents himself in front of others, you wouldn't even be able to tell. Only Vyrm gets to see him in his most vulnerable state, so this is something I really wanted to portray in my art. Grimm, the usually dominant and confident personality, being gently cuddled and comforted by his much smaller and softer husband, a complete contrast to what he's usually like in other drawings. It was a visual I really wanted to draw, and I'm so, so happy with the result.

[caswensworld]

Can you make one OC of White Queen daugther

Here you go! Miriam, the daughter of the White Queen, the big sister of the Queen of Hearts…I got very creative with Wonderland

Miriam is a creature of silence, accustomed to being seen and not heard. Years of being treated as a slave by her mother have instilled in her an unwavering obedience to authority. She fears defying her mother's every whim. Despite her fear, Miriam yearns to break free from her mother's control and live a life of her own. She is stifled by the expectations placed upon her. Craving connection and love, she finds herself drawn to stories of Princess Red, admiring her rebellious spirit and how she always stays true to herself. This fuels a secret desire to find belonging and acceptance. Miriam harbors a belief in her own hidden potential, a belief fostered by the tales she hears of her cousin, Princess Red. But she has been denied the opportunity to explore it, held back by her mother's suffocating grip.

Miriam is a vision of pale beauty, her long, straight white hair cascading down her back like a silken waterfall, a stark contrast to the bright blue of her eyes. Her features are delicate and refined, mirroring her mother's imposing presence. As a symbol of her lineage, she wears a choker necklace and earrings adorned with a crown symbol, both crafted in pure white silver. Miriam favors elaborate dresses, leather capes, heeled boots, and jewelry, all in the color white, making her appear as a walking embodiment of her mother. Her skin, though flawless, is perpetually pale, reflecting the lack of sunlight in her life. Her posture is slightly hunched, as if perpetually bracing for a blow.

**Background:**

Miriam is the daughter of the Mirana, the tyrannical White Queen who was banished from Wonderland by her sister, the Queen of Hearts. She was raised in isolation under her mother's iron fist, her life dictated by Mirana's obsessive desire for revenge. Miriam has never truly known a life outside her mother's suffocating control. She has never experienced genuine friendship, love, or the joy of self-expression.

**Additional Information:**

Miriam's name, meaning 'bitter,' is a cruel irony considering her longing for a life free from her mother's bitterness and pain.

She carries a secret diary, a hidden space where she can express her longings and fears. This diary is her only outlet for her true thoughts and feelings.

Miriam is deeply conflicted. While she feels powerless against her mother's will, she secretly dreams of breaking free and finding her own path. She is a walking paradox, a shadow of her mother, yet yearning for the light.

Miriam is a complex character, trapped between fear and hope. She is a story of suppressed potential waiting to be unleashed. Her journey is one of personal growth, finding her voice, and embracing the courage to forge her own destiny, even if it means defying the powerful shadow of her mother.

I got another WK (Wonderland Kid) coming in a few

[bisexual-horror-fan]

"How It's Always Been." Ethan Landry History.

Ay, ayyyy! So uh. I am just so, so into Ethan Landry it is fucking stupid. So much that I am posting this thing, a history mock up for Ethan of what I think life is like, this is angsty, family drama heavy, character deep, dive-y and includes some murder too! Enjoy it! I am gonna do some smut of him soon but for now, remember this is just my thoughts and headcanons and opinions, so enjoy this!

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Rating. Explicit. Length. 2.5K. NOT READER INSERT. This is just about Ethan baby. Warnings: SCREAM  6 SPOILERS. Family Drama. Angst. Neglect. Abuse. Coercion. Complex Emotions. Mixed Morality. Murder. Blood. Gore. Ethan Is A Fucked Up Guy. And I Love Him For It.

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Life for Ethan has never, ever been easy, or if it ever was, it was before he was truly cognizant and able to remember properly. Something always felt off but it took him a long time to be able to pin it down, and when he did it was like a glass shattering moment. The pane fractures and splits, breaking apart with knowledge that once received cannot be unlearned. Unfixable, even if you were to shift through the broken shards and painstakingly glue it back together your hands would be left torn and bleeding and the cracks would still show clear as day through the smudges of crimson fingerprints.

The biggest injustice in Ethan’s life was the worst one a person can suffer, the cruelty of total indifference. 

Have you ever experienced that? Being so totally and thoroughly ignored by everyone who is supposed to matter most? The people who share what is supposed to be a home with? Who birthed you into this world? Forced you the same way we all are into this shared experience we all call life, meant to play with the cards we are dealt. The middle of three and painfully ignored in all things in favour of his siblings. He can’t even be that mad at Quinn, to start anyway, it’s all about Richie, it’s always all about Richie.

He remembered the only good times and memories he had with his brother, when he wasn’t being a total fucking asshole, was when his needs and interests were being catered to and even then, not all the time. Filming his Stab tribute film was a complete mixed bag of some shockingly awesome moments mixed in with Richie having all the unwarranted, misplaced rage and self confidence found in a typical film bro who has watched one too many movies and swept one too many things Quinten Tarantino did under the rug. He was going on about how some aspects weren’t right, redoing takes over and over while waxing poetic about his fucking vision and berating his amateur friends and family who have never made a film or acted in any serious capacity before. 

Ethan used to love his brother, used to fucking look up to the guy but as he aged, rose tinted glasses gave way to show the truth of the kind of person Richie really was as well as the realization that he was the reason that their parents didn’t give a fuck about him. 

At first he tried not to blame him, Richie didn’t ask for all the attention but he sure as shit didn’t stop it either, and why would he when he is being so heavily catered to? His feelings about all of it were complex to say the least, going from real family caring about family, to disillusionment, to annoyance to anger, and eventually, outright hatred. He tried to get over it, tried to fix it and heal the hurt before it reached that level and the damage was permanent but Richie didn’t make it easy at all. From the lack of interest in Ethan’s life, hobbies, general well being, to the outright bullying he subjected him to at points. Richie is only a quarter of an inch taller than him but you’d think he was a full foot taller from how he acted so superior about the whole thing. 

Ethan felt bad for a moment when he found out about Richie dying, because a small, sick part of him was fucking happy. Experiencing joy thinking that now with Richie gone he was the only son, that meant something, now his dad would pay attention, now he would care-

Except that isn’t the case at all. Even in death it’s still all about Richie. 

At first it made sense, grief, mourning, sure, he was feeling it too to a degree, it was natural of course. 

But then Gale Weathers fucking book came out. 

Wayne is not the most reasonable man on the best of days, which a cop? Unstable? Unheard of. Then when the whole story came out and he read it, he was livid. Ethan swears some nights when he is lying awake he can still hear his father screaming, breaking things, tearing pages out of that damn book, yelling on and on about how it was- “Slander! That bitch can’t say these things about our boy! It isn’t true! He-he would never-”

Ethan isn’t exactly surprised. Richie was always really, really into not just the movies but the reality of it, the actual cases that book and film drew from. Wayne indulging in his habit by providing him with some ill gotten possessions of real life murder and crime scene evidence didn’t help either. 

At one point, when he was still trying to fix this, trying to salvage what was left of their relationship as family, he used one of his few talents and escapes to entertain his brother. He has a love for art, drawing, and has filled sketchbooks over the years with his sketches and musings. Mostly on the nights he would be re-watching a movie he had already seen, picked apart and analysed for the fifth time at least, something to help divide his attention and occupy his hands the night gaming didn’t seem appealing.  

He did a series of sketches in secret, he researched a lot to make them happen, and one night he showed Richie pencil outlines, red ink for blood, showing off various people from the cases, either dead or dying or whatever struck him as right. He thinks it might have been the time Richie was happiest with him,recalling the praise and excited ramblings, even if Richie didn’t know art, he gave it up for Ethan’s attention to detail and the visceral and violent nature he depicted in his work. 

“The black and white with only the blood being coloured?! It’s so, what’s the right word-Striking! It’s so striking.” 

Ethan tried to be happy too but it still felt hollow because it was all about what his brother wanted, when he tried to show him any non-Woodsboro or Stab related sketches he didn’t give them a second glance and certainly no compliment. Richie started making requests of even more intense extreme and grotesque nature, and then it became somewhat of an obligation as opposed to a project he was doing on his own time and for his own strange curiosity and enjoyment. Portraying these horrifying acts with starting realism was challenging and he had to admit that when he nailed the milky dead eyed look of a victim in a crime scene or the cross hatching was just perfect, he felt a sick and odd sense of…What was it? Pride? Amusement? Longing? It was a hard to define, outright miasma of emotions. 

The drawings get less and less as time wears on and his brother stops asking as much.

His dad is fucking insane, so is his sister, they say grief makes people do crazy things, but plotting to frame someone for murder to clear your son’s name is up there as probably one of the most extreme reactions one can have. He didn’t even really want to be a part of it but his dad and sister just immediately started talking as if he would be down, not considering his feelings or that he might not want this but that was how it was in his family.

No one ever thought of what Ethan wanted, they just assumed he’d go with the flow, the conversation “convincing him” was short, like they expected him to give way with a stiff breeze. So he had no choice, he lied, he said, of course he wanted to help, that he felt everything that they did but he didn’t. 

What he did feel was a misguided sense of hope, the idea that he might be able to have a real place in this family once everyone feels that they have avenged Richie. They can be a family again and now that he is the only son his dad will have to pay attention to him, and have to love him. 

Everything they suggested he went along with, all the convoluted and complicated details he was here for it and ready to do whatever they asked.

Wrapping his head around the act of it took some doing. Some late nights sat up wondering if he could really do that, could take someone's life, and after much internal fighting he decided it was worth it. What else did he have outside of his family? He invested so much time, so much effort, he couldn’t give up now, if this works then they can be happy and he can have everything he ever wanted, have them care about and for him. 

He wanted to show them as well as himself he could, if Richie could do it, so could he. 

It was around this time he showed his dad the sketches he showed Richie before. It did what he hoped, showed him he was serious about this, it curried some favour, he felt good, a sense of pride as his dad complimented his work. When the sketches were framed and included in the collection he actually cried that night, when alone, that sense of hope grew.

The plan formed quickly, Wayne and Quinn were obsessed and entirely consumed with it. He learned fast that anything he had to contribute would be heavily scrutinised and most likely rejected, he was just expected to fill the role they wanted of him.

As the plan grew it became painfully apparent that there was a lot expected of him, not only did he have to fit into the plan, play his part in the killings, he had to insert himself into the friend group, be there to help lead them where they needed to be and throw off suspicion and more. Quinn slotted herself in as Sam and Terra’s roommate and all the while had been frothing up a subreddit and online community dedicated to proving Richie as innocent and Sam as the true villain. He watched a few times and was present when Quinn would be going on her posting sprees, VPNs, fake IP’s and dummy accounts where tons upon tons of things were posted to push the narrative in the direction she wanted. It was honestly kind of scary, the dedication, the meanness she displayed. Ethan was glad he wasn’t on Quinn’s shit list, having her being not just pissed but willing and ready to dedicate large swaths of her life and time to tearing your life apart is terrifying. 

The lead up was a nerve wracking, what if he couldn’t worm his way in? What would he do then? It would cement him as a failure to his family. There was a lot of pressure to succeed but luckily, he and Chad got along really well. 

Or at least that is what Chad and the group thought which is what was really important. 

When it came down to it, after he was settled into the routine and knew the core group, it was time for the real plan to get going. The killings kicked off, he’d been amping himself up for it, trying to really get himself in the headspace to do it but something unexpected happened. Wearing the outfit and the mask, he chased down the victim that was supposed to be for practice, to make sure he could really do it when the time came, a totally nobody of a person, he managed to catch them with relative ease. 

The knife slid into that first victim and when he stabbed them, he felt alive, more alive than he ever had and also he felt seen. 

Even with the mask on, even though the person couldn’t see his face, their eyes were locked on him, centred in this moment, focused totally on him, the blade in his hand, driven into their stomach, it was shockingly intimate. A nervous lick of his lips behind the decaying mask, heavy breathing, his own chest heaving, an urge strikes, he follows the instinct he twists the knife. The body below him, because that is what it is, no longer a human, not a person with a life, thoughts, hopes or dreams, it is a body, one that is quickly dying, is going weak in the knees. 

Shakey blood stained hands clutching weakly at him, trying to push him away but he had stolen all the breath from their lungs when he forced his way inside, had affected them. He had changed them, is in the process of destroying them, altering them irrevocably, for the worse. He feels powerful for the first time maybe ever. He pulls the knife out and the soon to be corpse gasps, mouth open, blood on their teeth they whimper pathetically, he drives the knife forward again and it becomes a blur after that. Stab, rip, tear, in and out, back and forth warm sprays of blood and sounds of pain and anguish, wetness soaks through his glove and the robe and nothing has felt better. Being inside someone, turns out, no matter the context of the penetration, is a sensation he had been craving down to the marrow in his bones and now he was woken up to it. Knew what he had been missing. He craves it again, he wants more.

The strength it takes to accomplish the goal, to leave the body on the wet pavement, totally slack, eyes dead, skin turning cold, leaves him panting, sweaty and satisfied, staring down at the mess of red and spilled intestines. It didn’t feel like enough. Thankfully this is only the first time, the first of many, there will be plenty more opportunities to play, to have fun, to practise and get better, to forge new memories. 

Robe and mask in his bag, coat slipped on and zipped up to cover the blood that had soaked through the costume to his shirt, he leaves the body behind after dumping it into the dumpster. A trembling hand ran through heavy sweat soaked curls, he felt totally high on what he just did. 

No one expects him, no one is aware of the brutality he is capable of because of all the sheer frustration he has bubbling underneath the surface. He is going to show everyone that he has worth, he can do this. 

A chew of his bottom lip as he thinks and relives what he just experienced, vivid images and sound dancing through his mind as he is walking to the subway, thoughts of how this can give him everything he wanted. 

It’s all so clear, no one can ignore him with a seven inch steel blade buried in their body. If this is all it took to get a little attention and recognition, then he would have started doing it sooner. Richie was a self centred idiot, but he was right about this at the very least, killing has undeniable appeal that he intended to fully lose himself in, and finally things will change for him.