#i think they r almost the same

[silusvesuius]

testing out drawing maormer 🪸🐚🪸 and a nelvas 🧣📜🩷 i'll ramble about maormer a bit in the tags

[haomnyangz]

thats not a dog tag around his neck thats a medal

[fallowtail]

controversial take here but i really hope hetty is on her absolute worst nastygirl/comedic clown behavior in s4 to push back against the poor little meow meow woobification curse shes been experiencing since holes because i am tired

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[mistlestripe]

Leafhawk cause people on twitter think corny heterosexual toxic romances are unheard of in warrior cats

[blorbobutworse]

Hey guys,,,,guess whos not dead?!

Teen Dad Logan :)

Or, I suppose more accurately, Young Dad Logan. And by adjacency, Uncle Dad Victor.

This turned out to be one of my largest pieces of writing ever Bee-Tee-Dubs so its going to be under this to not Kill You All:

So in this AU they meet when they're 10 and 11, Jimmy just out of foster care after they found out he's a mutant, and Vic a few weeks after murdering his Father.

At first, it's honestly Jimmy showing Victor a lot of things. Simple things, like how to forage and how to scent, but it's all...quiet. Jimmy already carries a sense of shame for his ferocity that Vic never enjoys. So he draws the kid into fights, helps him laugh until his face is red with laughter instead of shame. He learns about him, and in turn Jimmy learns about him. Happy enough kids until things turned south. One was locked up and the other ran away. They escaped and found each other. It was meant to be.

Victor gives him his new name. Jimmy hasn't felt like His in a long time and the first time Vic calls him Logan, he beams.

Vic still calls him Jimmy when he's scared, but it's their little secret.

Anyways, they stay rough and tumble until The developers in the Weapon X project find them, aged 14 and 15 respectively. It's Victor's idea that they stay. Logan, for all his desires to settle down, feels chafed by the military, but Vic sees through that, see's what they could be, in the future. See's him and his Runt living free after serving, what's a few years as lab rats if they get all their adult life? What's being looked at like a monster when he's allowed to be a monster and still get schooling? Logan doesn't think any of these things, but when Vic nods, he does too.

They're only allowed to be together for the first three months, and then their forced apart, to 'reduce codependency'. They last two years without each other, and when they're reunited...things are different.

Creed has grown into his role, with each murder proving that his dad wasn't special, he's always been meant for this, how dare Anyone Try to stop him. He's become an Animal. Sabretooth.

And Wolverine....is Wolverine now. But doesn't take long before Vic realizes somethings wrong. Wolverine glances at him, but there's no glint of recognition in his eyes. As Creed starts to question him, he thinks it's a clone. So he Kills It.

Its only the third time Logan revives and puts his claws through Creeds chest that Creed realizes it's his runt. Still, being forgotten stings, being ignored stings worse, and there's a lot more blood shed before the guards are able to separate the two.

Safe to say they butt heads a lot more. Vic goads him often, word for word the way he used to, and like a house of cards, Wolverine always folds. The only times he seems to come back to himself for a moment, are the moments after Creed's killed him, and he's just waking up. He'll get a look on his face, one Vic recognizes. He's seen it a hundred of times before, even if the runt always tried to hide it:

Fear. Exhaustion.

They never talk. Victor pets his hair as Logan's throat is rapidly sewing itself back together, or Logan rumbling under Vic's body as his puncture wounds close. In those moments, Logan Remembers.

...

It all starts to fall apart when one Logan Howlett, at the fresh age of 18, is chosen to become Weapon X.

Creed sees red. This was HIS goal, His to earn, that stupid brat doesn't even want to be here, Logan doesn't even remember why he's-

He doesn't even remember why he came here in the first place.

But Sabretooth is smart. He figures out when, and where, they're going to do the operation. And obviously, he bursts in.

As he does, he overhears a Commander noting that they should 'wipe wolverines mind clean one last time, to make sure he's only obedient to them.

And that is First Strike.

Victor lashes out, taking down a doctor and a guard before anyone can blink. But his noise distracts the surgeons and other doctors carefully monitoring The Wolverine's Adamantium intake, and one of them nudges their controls in their scramble to get away, pushing significantly more onto his skeleton than originally planned.

Victor stops when he hears screaming.

Logan hears....nothing. He knows the procedure is going to begin, but he doesn't know when. When the burning starts, he goes to that little place in his head he pretends he doesn't have. He sees flashes of Creed's face, snarling and smiling, and he feels...safe. He sees white, and red hair and...hears yelling. His eyes open, and immediately close as salt water rushes into them. He breathes unsteadily through his

The water stops draining but the burning doesn't stop. Worse, his head feels like it's being torn apart, a feeling he remembers but can't name. And suddenly, nothing matters because,

Sabretooth is calling him Jimmy and why why WHY DOES EVERYTHING HURT OW OW OW OW OW OW Victor help please please plEASE PLEASE VICTOR VIC-

...

Safe to say the adamantium causes even more psychological damage to them.

There is one single benefit: The Memory Adjustment failed. In fact, it failed so bad that Creed, for three whole days, get's Logan to himself.

They don't do much. Logan wakes up and launches himself at Vic, legs collapsing as his ligaments struggle to accustom themselves to the weight of his new bones. He's in constant pain, mostly just looking at Vic with big, sad brown eyes until he lies back down with him on the shitty Hospital ordered bed. It creaks under them, but thankfully never gives.

When they do talk, they don't talk about the memories. About Wolverine gutting Sabretooth to prove a point, about Sabretooth biting out his spinal chord, about Wolverine ripping out his teeth in claws. None of it matters. They know it can't last. Creed didn't plan, and Logan is too weak to think, not that he does much of that in the first place.

After those days of clarity post operation, Logan is wiped clean. And for the next year, it's back to normal. For Wolverine at least.

But of course, Logan has to beat him to the punch. Literally.

Around a month after the one year anniversary of his Surgery, Wolverine comes Bursting through the training rooms, with twenty guards hot on his trail. Sabretooth, a Predator, Obviously follows. Logan runs and runs and runs, and eventually rips the door of a particular room, to reveal...

an eerily large room filled with tubes. There's wires and things being suspended in liquid, and at first, Victor can't comprehend what he's looking at. By the time he reads 'X-02', Doner Wolverine, Logan's already broken three of the tubes with his claws, uncaring of the thick glass cutting him open in retribution for being shattered.

people go flying, and as they hit equipment the room itself begins to collapse, separating Sabretooth from Wolverine. Wolverine continues through the rooms, ensuring that there's nothing deeper inside that can help them make more of him. He has enough nightmares. Sabretooth stays back to help finish the job. All those tubes don't destroy themselves, you know?

He finds a room full of his samples, and a woman in a chair. A woman with a bullet in her neck instead of her head. Poor thing had probably gotten caught in between him and the guards. But why was she just sitting-

The woman has a baby in her arms, tubes still attached. He growls for a moment, moving to finishes her off, but freezes when she and she's groans.

"Laura...Laura..."

Logan looks at her little beady eyes, mousy brown hair, and knows...she's his.

Before he's even thought about it she's cradled in his arms, evidently all wrong because she starts to wail and Vic skids in, shoulder denting the doorframe as he stops and stares at the scene in front of him.

The woman gives one final shudder, and her head lulls. Dead.

Still, there's no time to think. Victor hears thuds getting closer to the room, and as he looks to his right he realizes there's only one way out. The window. Oh well.

with a swear, he lifts Logan by the back of his jacket and gives him a shove, and his back goes strait through the paneling and out of the fourth story. Victor whoops, and follows him down. By the time he's already made his much more elegant landing, Logan is groaning and cussing him out as much as his winded lungs will let him, which is a surprising amount. Still, Vic scruffs him again and sets him on his feet, and nods in the direction of the woods.

"Lets go"

And they do.

They end up being surrounded by the X-Men somewhere in Maine and are "Invited" to Stay at Xavier's school. Logan decides for them this time. A house, a promise that the government will be dealt with for them, and that he can get all of his memories back are very good motivators. And they an finish their education.

Victor actually...enjoys classes. He likes being smart, and it's easy. Logan does Charter school. He had lasted exactly a week in public education before deciding that if he had to deal with one more idiotic comment from one of those stupid fucking kids he was going to-

Well. His words were Not Child Friendly, so he made sure to cover his kid's ears. Besides, he's bonded with fellow teen Rogue and preteen Jubilee and Kitty (his daughters) like little sisters, but he never really settles unless he's with his Kid. His Laura.

He had to fight to keep her, a young unstable mutant like him was not the ideal parent, but for the first two months, she sobbed if anyone else held her, terrible screeches, and would reach for him to the point of falling out of peoples arms. And, he had imprinted on her to. He swore he could tell when she was happy or uncomfortable before she could, would burp her or flip her back onto her back before she got fed up with tummy time.

Vic is Terrified of touching her but refuses to admit it. He carefully runs his finger down her pudgy little cheek, in awe of her soft skin against his knuckle, when she moves suddenly, and she attempts to nuzzle her way into his palm. He, obligingly, opens his hand. When one of his claws scrapes her hair, he freezes, waiting for her to cry out. Instead, she burbles happily, honey brown eyes giving him long, slow blinks.

She likes his head scratches the best.

Logan sometimes falls asleep with her on his stomach on the couch, leaving Victor to carry him AND his clingy baby back to bed, the crib next to them so Laura can still grab onto Logans finger. They sleep together now, in a nest of blankets and pillows, Logans hand always off the bed but still somehow still touching Vic, as if to make sure he's still there.

Their codependency is back full swing, and the only time they can be reliably separated is when Vic goes to school, because he goes with Scotty, and the Boy Scout would never let anything happen to another mutant, even if that mutant makes him want to shoot him with his laser-beam full power just to see what would happen.

Thankfully, because of Victors presence, the Mind Adjustment does actually work, but it leaves Logan questioning his parallel memories for years. In the process they realize that...Victors memories have been tampered with too.

But that, is a story for another time.

[oceanwithouthermoon]

aiura def has a photo wall with hundreds of pics of her and her friends..

everyone is in a few but its mostly the psychickers and chiyo...

[s0fter-sin]

wooimbouttamakeanameformyselfere

[fishnchip3011]

everytime i actually open up sdv to play i get flashbanged with sebastian's white ass sprites because i always forget not everyone sees him as wasian💔 my current hc for him is half chinese (liable to change... but ik for sure he's half asian) but he is Not bilingual he can't rly speak or write the other language he can only understand it when listening but even then he's not very fluent LOL this is just turning into a sebastian hc post might as well go full out. to me sebastian Does have relationship experience but has been thru shitty ones in the past which is part of the reason why he's so pessimistic & brooding </3 and he'd hook up with ppl in zuzu city for a night for a while but it just made him feel shittier so he's stopped since ☝️ also people make him out to be way cooler than he actually is like yea sure he's kinda cool but he's also a Massive Loser especially when he tells you how he hates "seasonal fads" like pumpkin spice and that one line about the potluck soup where he's like "Why ruin the potluck? Hmm... I guess some people feel liberated when the rigid structures of society break down a little. Maybe I'm weird.” WHO ASKED😭😭😭😭😭😭😭 his ass also can NOT cook he can make spaghetti but it's mid. he probably has low ass stamina and yeah he's tall and lanky (rn i see him as around 5'9-5'10) but you could snap him in half over your knee. when he's in an actually healthy relationship he gets really flustered over certain romantic gestures cuz he's not used to feeling valued or being considered someone's #1. he picks up on little things and does acts of service but i also think he can be really callous and insensitive at times because while he can be pretty perceptive he is also Very Emotionally Stunted. he unlearns lots of unhealthy behaviors & mindsets with the help of his partner & family & friends ^__^

[tankgotstuckinthecircusgate]

1934 leo's wife + some lyrics that i associate w her bc i feel like postin it

"my friend" My friend turned out to be stronger than me He quit smoking, and I sometimes Let myself sneak around like a thief I like the smell, I like the meaning And it's fall in the city, or rather November with its metallic sky And it's so heavy it makes me want to cry Especially in the evening with the rain

My friend turned out to be stronger than me He doesn't drink anymore and goes to boxing I make a hundred excuses for myself And I often get upset over nothing And life is like a river that flows and doesn't ask me If I want to swim or if I need to go to the shore But I think less about my mom And more about my plans for next year

My friend has lost his mind and shot himself

"special reason"

Till the hand remembers, the brass knuckle shaking at the temple The slanting board is calling I'm at the peephole Under the heel of the ceiling A convoy that has penetrated the cracks will seal the windows with grass We'll be led to the slaughter *The hero will cross himself and step into the bifurcated ranks Forward for the Motherland into battle And the wicked foes who didn't put on their boots will perish*

Who didn't say goodbye to themselves Who didn't kill themselves All will be led to the slaughter There's the special department, there's the special regime There's a special reason

*this is irony just to be clear

[snailwitdamail2]

arabic egyptian Scar my beloved....

[deus-ex-mona]

when freedom is in sight!!!!!!!!

[seiwas]

the equal want of having iwa as my husband and oikawa as the father of my children 🥺🤧

[queen0fm0nsterz]

Reading my fave thin man and lady fic. Kicking my feet a lot because tbh. Sometimes a sad man really is just a weird woman's science project in a way that is so homoerotic

[gelarshiesprofruitboarder]

my first exposure to athf was when i was 9. i knew abt it before cuz i had seen the characters on covers of dvds my dad owned and in marketing but hadn’t witnessed the show till i was at a friend’s house. it was like 10 at night and we were allowed to stay awake as long as we were in the friend’s room and not too loud. i needed water so i went downstairs and while i was filling up my cup and heard the tv. so i went into the living room and their dad was watching aqua teen hunger force and i gasped cuz i was a little goody two shoes and was like “FUCK I SHOULDN’T BE WATCHING THIS!!!!” then he was like “oh hey do you wanna watch an episode with me?” and i was like “NOPE” and ran back upstairs. and then i lived to tell the tale woah

HELP,,,,,,,,, i wish i had a story like this but nope i remembered it vaguely from like tiktok and i think tumblr too and was super fucking bored in class all month so i binged like half the show 😭

[jkpng]

i think the key to bts not going insane monitoring themselves constantly is that they do go insane. half of them have the most skewed self perception i have ever encountered

u know what actually thats so true……i go insane in the sense that i shrivel away from my reflection like a vampire in the sun but they must go insane in the long term fucked up distorted sense of self way 😭