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mostlysignssomeportents · 1 year

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Google’s enshittification memos

[Note, 9 October 2023: Google disputes the veracity of this claim, but has declined to provide the exhibits and testimony to support its claims. Read more about this here.]

When I think about how the old, good internet turned into the enshitternet, I imagine a series of small compromises, each seemingly reasonable at the time, each contributing to a cultural norm of making good things worse, and worse, and worse.

Think about Unity President Marc Whitten's nonpology for his company's disastrous rug-pull, in which they declared that everyone who had paid good money to use their tool to make a game would have to keep paying, every time someone downloaded that game:

The most fundamental thing that we’re trying to do is we’re building a sustainable business for Unity. And for us, that means that we do need to have a model that includes some sort of balancing change, including shared success.

https://www.wired.com/story/unity-walks-back-policies-lost-trust/

"Shared success" is code for, "If you use our tool to make money, we should make money too." This is bullshit. It's like saying, "We just want to find a way to share the success of the painters who use our brushes, so every time you sell a painting, we want to tax that sale." Or "Every time you sell a house, the company that made the hammer gets to wet its beak."

And note that they're not talking about shared risk here – no one at Unity is saying, "If you try to make a game with our tools and you lose a million bucks, we're on the hook for ten percent of your losses." This isn't partnership, it's extortion.

How did a company like Unity – which became a market leader by making a tool that understood the needs of game developers and filled them – turn into a protection racket? One bad decision at a time. One rationalization and then another. Slowly, and then all at once.

When I think about this enshittification curve, I often think of Google, a company that had its users' backs for years, which created a genuinely innovative search engine that worked so well it seemed like *magic, a company whose employees often had their pick of jobs, but chose the "don't be evil" gig because that mattered to them.

People make fun of that "don't be evil" motto, but if your key employees took the gig because they didn't want to be evil, and then you ask them to be evil, they might just quit. Hell, they might make a stink on the way out the door, too:

https://theintercept.com/2018/09/13/google-china-search-engine-employee-resigns/

Google is a company whose founders started out by publishing a scientific paper describing their search methodology, in which they said, "Oh, and by the way, ads will inevitably turn your search engine into a pile of shit, so we're gonna stay the fuck away from them":

http://infolab.stanford.edu/pub/papers/google.pdf

Those same founders retained a controlling interest in the company after it went IPO, explaining to investors that they were going to run the business without having their elbows jostled by shortsighted Wall Street assholes, so they could keep it from turning into a pile of shit:

https://abc.xyz/investor/founders-letters/ipo-letter/

And yet, it's turned into a pile of shit. Google search is so bad you might as well ask Jeeves. The company's big plan to fix it? Replace links to webpages with florid paragraphs of chatbot nonsense filled with a supremely confident lies:

https://pluralistic.net/2023/05/14/googles-ai-hype-circle/

How did the company get this bad? In part, this is the "curse of bigness." The company can't grow by attracting new users. When you have 90%+ of the market, there are no new customers to sign up. Hypothetically, they could grow by going into new lines of business, but Google is incapable of making a successful product in-house and also kills most of the products it buys from other, more innovative companies:

https://killedbygoogle.com/

Theoretically, the company could pursue new lines of business in-house, and indeed, the current leaders of companies like Amazon, Microsoft and Apple are all execs who figured out how to get the whole company to do something new, and were elevated to the CEO's office, making each one a billionaire and sealing their place in history.

It is for this very reason that any exec at a large firm who tries to make a business-wide improvement gets immediately and repeatedly knifed by all their colleagues, who correctly reason that if someone else becomes CEO, then they won't become CEO. Machiavelli was an optimist:

https://pluralistic.net/2023/07/28/microincentives-and-enshittification/

With no growth from new customers, and no growth from new businesses, "growth" has to come from squeezing workers (say, laying off 12,000 engineers after a stock buyback that would have paid their salaries for the next 27 years), or business customers (say, by colluding with Facebook to rig the ad market with the Jedi Blue conspiracy), or end-users.

Now, in theory, we might never know exactly what led to the enshittification of Google. In theory, all of compromises, debates and plots could be lost to history. But tech is not an oral culture, it's a written one, and techies write everything down and nothing is ever truly deleted.

Time and again, Big Tech tells on itself. Think of FTX's main conspirators all hanging out in a group chat called "Wirefraud." Amazon naming its program targeting weak, small publishers the "Gazelle Project" ("approach these small publishers the way a cheetah would pursue a sickly gazelle”). Amazon documenting the fact that users were unknowingly signing up for Prime and getting pissed; then figuring out how to reduce accidental signups, then deciding not to do it because it liked the money too much. Think of Zuck emailing his CFO in the middle of the night to defend his outsized offer to buy Instagram on the basis that users like Insta better and Facebook couldn't compete with them on quality.

It's like every Big Tech schemer has a folder on their desktop called "Mens Rea" filled with files like "Copy_of_Premeditated_Murder.docx":

https://doctorow.medium.com/big-tech-cant-stop-telling-on-itself-f7f0eb6d215a?sk=351f8a54ab8e02d7340620e5eec5024d

Right now, Google's on trial for its sins against antitrust law. It's a hard case to make. To secure a win, the prosecutors at the DoJ Antitrust Division are going to have to prove what was going on in Google execs' minds when the took the actions that led to the company's dominance. They're going to have to show that the company deliberately undertook to harm its users and customers.

Of course, it helps that Google put it all in writing.

Last week, there was a huge kerfuffile over the DoJ's practice of posting its exhibits from the trial to a website each night. This is a totally normal thing to do – a practice that dates back to the Microsoft antitrust trial. But Google pitched a tantrum over this and said that the docs the DoJ were posting would be turned into "clickbait." Which is another way of saying, "the public would find these documents very interesting, and they would be damning to us and our case":

https://www.bigtechontrial.com/p/secrecy-is-systemic

After initially deferring to Google, Judge Amit Mehta finally gave the Justice Department the greenlight to post the document. It's up. It's wild:

https://www.justice.gov/d9/2023-09/416692.pdf

The document is described as "notes for a course on communication" that Google VP for Finance Michael Roszak prepared. Roszak says he can't remember whether he ever gave the presentation, but insists that the remit for the course required him to tell students "things I didn't believe," and that's why the document is "full of hyperbole and exaggeration."

OK.

But here's what the document says: "search advertising is one of the world's greatest business models ever created…illicit businesses (cigarettes or drugs) could rival these economics…[W]e can mostly ignore the demand side…(users and queries) and only focus on the supply side of advertisers, ad formats and sales."

It goes on to say that this might be changing, and proposes a way to balance the interests of the search and ads teams, which are at odds, with search worrying that ads are pushing them to produce "unnatural search experiences to chase revenue."

"Unnatural search experiences to chase revenue" is a thinly veiled euphemism for the prophetic warnings in that 1998 Pagerank paper: "The goals of the advertising business model do not always correspond to providing quality search to users." Or, more plainly, "ads will turn our search engine into a pile of shit."

And, as Roszak writes, Google is "able to ignore one of the fundamental laws of economics…supply and demand." That is, the company has become so dominant and cemented its position so thoroughly as the default search engine across every platforms and system that even if it makes its search terrible to goose revenues, users won't leave. As Lily Tomlin put it on SNL: "We don't have to care, we're the phone company."

In the enshittification cycle, companies first lure in users with surpluses – like providing the best search results rather than the most profitable ones – with an eye to locking them in. In Google's case, that lock-in has multiple facets, but the big one is spending billions of dollars – enough to buy a whole Twitter, every single year – to be the default search everywhere.

Google doesn't buy its way to dominance because it has the very best search results and it wants to shield you from inferior competitors. The economically rational case for buying default position is that preventing competition is more profitable than succeeding by outperforming competitors. The best reason to buy the default everywhere is that it lets you lower quality without losing business. You can "ignore the demand side, and only focus on advertisers."

For a lot of people, the analysis stops here. "If you're not paying for the product, you're the product." Google locks in users and sells them to advertisers, who are their co-conspirators in a scheme to screw the rest of us.

But that's not right. For one thing, paying for a product doesn't mean you won't be the product. Apple charges a thousand bucks for an iPhone and then nonconsensually spies on every iOS user in order to target ads to them (and lies about it):

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

John Deere charges six figures for its tractors, then runs a grift that blocks farmers from fixing their own machines, and then uses their control over repair to silence farmers who complain about it:

https://pluralistic.net/2022/05/31/dealers-choice/#be-a-shame-if-something-were-to-happen-to-it

Fair treatment from a corporation isn't a loyalty program that you earn by through sufficient spending. Companies that can sell you out, will sell you out, and then cry victim, insisting that they were only doing their fiduciary duty for their sacred shareholders. Companies are disciplined by fear of competition, regulation or – in the case of tech platforms – customers seizing the means of computation and installing ad-blockers, alternative clients, multiprotocol readers, etc:

https://doctorow.medium.com/an-audacious-plan-to-halt-the-internets-enshittification-and-throw-it-into-reverse-3cc01e7e4604?sk=85b3f5f7d051804521c3411711f0b554

Which is where the next stage of enshittification comes in: when the platform withdraws the surplus it had allocated to lure in – and then lock in – business customers (like advertisers) and reallocate it to the platform's shareholders.

For Google, there are several rackets that let it screw over advertisers as well as searchers (the advertisers are paying for the product, and they're also the product). Some of those rackets are well-known, like Jedi Blue, the market-rigging conspiracy that Google and Facebook colluded on:

https://en.wikipedia.org/wiki/Jedi_Blue

But thanks to the antitrust trial, we're learning about more of these. Megan Gray – ex-FTC, ex-DuckDuckGo – was in the courtroom last week when evidence was presented on Google execs' panic over a decline in "ad generating searches" and the sleazy gimmick they came up with to address it: manipulating the "semantic matching" on user queries:

https://www.wired.com/story/google-antitrust-lawsuit-search-results/

When you send a query to Google, it expands that query with terms that are similar – for example, if you search on "Weds" it might also search for "Wednesday." In the slides shown in the Google trial, we learned about another kind of semantic matching that Google performed, this one intended to turn your search results into "a twisted shopping mall you can’t escape."

Here's how that worked: when you ran a query like "children's clothing," Google secretly appended the brand name of a kids' clothing manufacturer to the query. This, in turn, triggered a ton of ads – because rival brands will have bought ads against their competitors' name (like Pepsi buying ads that are shown over queries for Coke).

Here we see surpluses being taken away from both end-users and business customers – that is, searchers and advertisers. For searchers, it doesn't matter how much you refine your query, you're still going to get crummy search results because there's an unkillable, hidden search term stuck to your query, like a piece of shit that Google keeps sticking to the sole of your shoe.

But for advertisers, this is also a scam. They're paying to be matched to users who search on a brand name, and you didn't search on that brand name. It's especially bad for the company whose name has been appended to your search, because Google has a protection racket where the company that matches your search has to pay extra in order to show up overtop of rivals who are worse matches. Both the matching company and those rivals have given Google a credit-card that Google gets to bill every time a user searches on the company's name, and Google is just running fraudulent charges through those cards.

And, of course, Google put this in writing. I mean, of course they did. As we learned from the documentary The Incredibles, supervillains can't stop themselves from monologuing, and in big, sprawling monopolists, these monologues have to transmitted electronically – and often indelibly – to far-flung co-cabalists.

As Gray points out, this is an incredibly blunt enshittification technique: "it hadn’t even occurred to me that Google just flat out deletes queries and replaces them with ones that monetize better." We don't know how long Google did this for or how frequently this bait-and-switch was deployed.

But if this is a blunt way of Google smashing its fist down on the scales that balance search quality against ad revenues, there's plenty of subtler ways the company could sneak a thumb on there. A Google exec at the trial rhapsodized about his company's "contract with the user" to deliver an "honest results policy," but given how bad Google search is these days, we're left to either believe he's lying or that Google sucks at search.

The paper trail offers a tantalizing look at how a company went from doing something that was so good it felt like a magic trick to being "able to ignore one of the fundamental laws of economics…supply and demand," able to "ignore the demand side…(users and queries) and only focus on the supply side of advertisers."

What's more, this is a system where everyone loses (except for Google): this isn't a grift run by Google and advertisers on users – it's a grift Google runs on everyone.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/10/03/not-feeling-lucky/#fundamental-laws-of-economics

My next novel is The Lost Cause, a hopeful novel of the climate emergency. Amazon won't sell the audiobook, so I made my own and I'm pre-selling it on Kickstarter!

#pluralistic #enshittification #semantic matching #google #antitrust #trustbusting #transparency #fatfingers #serp #the algorithm #telling on yourself

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giamee · 1 year

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𝐁𝐎𝐔𝐍𝐃 𝟐 𝐅𝐀𝐋𝐋 𝐈𝐍 𝐋𝐎𝐕𝐄!

୨♡୧ pairings :: blade x reader ; sampo x reader ; gepard x reader ; dan heng x reader ; jing yuan x reader ; luocha x reader

୨♡୧ gia's notes :: writing this as a quick lil thing because i just finished school and i want to like,,, pay homage to the crushes ive had on my classmates LMAO this is so self indulgent i'm delulu... gonna miss seeing them in the hallways ,,, this one kinda mid i wrote it on my phone while half asleep AND ITS EXAM SEASON RAHHHHHH

୨♡୧ contains: modern!school!au, fem!reader sorry, most definitely ooc because these are based off of real people oops, just cute lil crushes man feel free to judge my taste in men !

𓆩♡𓆪 BLADE

-he's in your biology class, but not close enough to really get to talk to him

-you're not sure what to make of him, but you see him in the gym a few times when you're there as well

-his stony exterior, however, is shattered in your eyes when you enter the gym one day to find it empty other than just him in there, blasting his playlist out loud

-out of all of the possible genres he could he listening to, you weren't expecting a drill remix of anime osts

-you can't help the giggle that escapes your lips from what you're witnessing, and blade freezes upon hearing it before whipping his head round to face you like a deer in headlights

-he scrambles to turn it off as you set up at a squat rack, and it's almost endearing to see such a stoic classmate look so flustered

-you almost felt bad for the guy, and you hesitated before asking blade if he could spot for you

-and just like that, the ice was officially broken

-the two of you talked more frequently now, even becoming sort of friends through your shared class and the gym

-more frequent talks gave way to the more intimate aspects of blade's personality- as it turned out, he was quite touchy

-lingering touches when spotting you in the gym turned to his leg pressed against yours when you sit next to each other- leaning into your personal space a little too close to call it casual, and the bastard enjoyed the way you got flustered when his face got near to yours and the way that people looked at the pair of you and whispers, rumours, started to fly

-"if you keep sitting that close to me, people are going to think that we're dating," you huffed at him

-blade didn't even glance up from his phone that he was scrolling through with one hand, the other resting against the back of your chair

-"good." you were glad that he didn't look up to see the way that your eyes widened and you turned your head to the side to hide the giddy smile that was creeping onto your face

-and despite you enabling this, all the harmless flirting, there was some unquellable part of you that screamed to be set free and hoped for something more. that when he made you look him in the eyes with a finger under your chin, he wasn't just doing it to tease you

-there was undeniably something going on between the two of you, but there was also the unspoken mutual decision to not mention it

-and so you resigned your self to the realm of just friends. it would be easier this way, to move on without any ties before uni

-yet on the last day, you found him scrawling his phone number in your yearbook with a demand to stay in touch, and it left you looking down at the inked digits with the thing in your chest set free, telling you that your feelings might just be reciprocated

𓆩♡𓆪 SAMPO

-your deskmate in chemistry because of a stupid seating plan that didn't change the entire year

-you've never really spoken before, but he's well-known for being rowdy

-his friends sit nearby, and most of his conversations consisted of talking to them loudly while leaning across your desk, while you try to balance your chemical equations

-other than that, you keep to yourselves mostly

-it isn't until your chemistry teacher is going on a tiresome rant about the bohr effect that you shift your attention away from the board, your eyes instead focusing on sampo and the pen in his hands as he twirled it through his fingers effortlessly

-you nudged him slightly, pointing to his hand and mouthing at him "how do you do that?"

-sampo smirks, leaning in closer to you and keeping his voice at a low whisper to avoid alerting your chemistry teacher

-"so you hold the end like this..." sampo whispers to you, demonstrating with the end of his pen. you nod and try not to think about how small the pen looks compared to his fingers, fixing your grip

-"and then you hold it loose, and flick it around your thumb" sampo demonstrates it effortlessly, catching the pen in his hand and smiling at you

-you concentrate on your own, feeling his gaze against the side of your face instilling slight tremors in your hand

-you attempt the spin, watching as the pen teeters before falling and landing on your desk with a clatter

-you hear sampo snort beside you, and your teacher whips his head around and fixes the pair of you with a glare

-"am i interrupting something?" you and sampo both snapped your attention back towards your teacher as he looked at you both pointedly before continuing with his lecture

-you braved a peek at your deskmate, seeing the way his eyes were stubbornly facing forwards while a slight smirk adorned his face

-it became almost a ritual for you to attempt sampo's stupid pen trick each lesson

-it looked so simple, you didn't get how you were still struggling to do it, and your focus was pretty much anywhere except on the lesson

-sampo watched on in idle amusement at your frustration, sometimes demonstrating it to you again just to rub it in before getting elbowed by you

-besides him poking fun at you, there was also a sweeter side to sampo

-there was a day where you had forgotten to wear your contacts, and were effectively blind the entire day

-despite being nearer to the front, you couldn't even read the board when you squinted

-you ended up asking sampo to read what was on the board to you, and with an exaggerated sigh he did so, whispering the words to you in the same low voice that had the hairs on the back of your neck standing up

-"you owe me, you know," he told you jokingly, pointing at your homework

-you rolled your eyes, sliding it over to him

-"i don't know why you think that the answers will be right, but sure"

-"hey, at least you did the homework"

-uhhhh idrk how to end this SORRY

-you guys got along well and then the year finished and you weren't in the same class any more

-whenever you see him in the corridors you smile at each other though

𓆩♡𓆪 GEPARD

-he sits in the seat opposite from you in your english class

-you can't help zoning out when the lesson gets boring, and more often than not that results in you inadvertedly staring at gepard until you snap back to reality and realise that you've locked eyes with him, resulting in both of you hastily looking away with pink dusting both of your cheeks

-it's hard not to look at his handsome face, and your wandering eyes often get drawn to him against your will

-the sun hits his hair just right from the window behind him, and he looks like an angel with a halo when he's concentrating with a furrowed brow and taking notes about chaucer

-he's not too bad of a person to be sat across, in short

-you see gepard from time to time in the library, and by luck's draw, one of the only free seats in a particularly busy hour ends up being next to him

-he glances up when you place your books down, shooting you a quick smile before turning back to his own work

-you're about to put on your headphones and start revising, but you catch the faint melody of an ice spice song blasting from gepard, oblivious to the world

-it takes a lot of self control to not burst out laughing in the middle of the library, but you text this information to your friend instead while biting back a smile

-she responds after a few seconds with a link to gepard's spotify account, telling you to take a look through his playlists

-risking a glance at gepard, still heavily focusing on his work, you click on the link and begin to scroll through his account

-you find yourself growing more and more blown away by his music choice

-someone who was so serious and stoic didn't seem like the type to have one of the most insane tastes in music you've ever seen, but you liked it

-it offered you a more human side to his aloof self

-when you saw him start to subconsciously mouth the words in time with ice spice, though, that's when you snorted a little

-and when gepard looked up at you in confusion, you waved him off

-maybe you would try talk to him after class more

𓆩♡𓆪 DAN HENG

-although he doesn't share a lesson with you, dan heng actually takes the same bus to get home from school

-you have a tendency to oversleep in the mornings, so you've never had the opportunity to realise this as the buses you take arrive at school minutes before the bell

-and after school, you can leave as soon as lessons finish, and your differing timetables kept you apart as well

-but after a day at the library in school, you ended up getting a bus nearer to the end of the day rather than your usual time

-because of this, you found that most of the other students at your school were getting this first bus back, and a lot less of the seats were available

-you scanned the seats, searching for an empty spot when you got on, and you saw dan heng sat on his own, looking out the window with his earphones in

-you recognised him as a guy in your year and headed to where he sat, gripping your bag tighter for emotional support

-"could i sit here?" you spoke before realising that he probably couldn't hear you over the sound of his music, and you hesitated before tapping him on the shoulder

-his attention snapped to you before he shuffled slightly, leaving you with ample space to take a seat

-you didn't talk much, feeling self conscious of your feed as you scrolled through your phone next to dan heng, waiting for the stop where you would get your second bus

-you were lucky that you were sat closer to the aisle, and didn't have to make things more awkward by asking him to get up too

-you pressed the button to stop the bus, picking up your bag and getting off

-but to your surprise, as you looked behind you to check if it was clear to cross the road, you saw that dan heng had gotten off of the bus as well

-which wasn't too weird, really. there were plenty of other buses to take from here

-yet your suspicions were confirmed as you realised that you and dan heng were headed for the same bus, stopping in the same queue with him just behind you

-normally you would keep to yourself, but you must have been feeling extra talkative that day because you decide to strike up a conversation with him

-"so you take this bus as well?"

-dan heng nodded, taking out an earphone to better hear you as you both waited for the bus

-"yeah, in the morning too"

-"i'm guessing the early one? i always miss it because i sleep in"

-dan heng smiles and shrugs

-"maybe you should go to sleep earlier, then"

-"yeah, maybe"

-the pair of you talk a bit, and despite his appearance dan heng is actually quite fun to talk to, though he moreso tends to listen to you rant and occasionally provides some input, which seems to suit you both just fine

-come next morning, you found yourself waking up a little easier than usual, getting ready and leaving your house earlier than usual

-and as a result, you managed to catch the early bus

-you spotted his cropped dark hair almost as soon as you got on, and decided to sidle up to him again

-dan heng spotted you this time, though, and even offered you a smile as he pulled put his earphones as youvsat down next to him

-"so i'm guessing that you slept earlier, huh?"

-if it meant getting to talk to him more, you'd be in bed before it even got dark

-but he didn't have to know that

𓆩♡𓆪 JING YUAN

-he's that one guy in the year who's just universally loved, by teachers and students alike

-he's warm, he's studious, he's head boy, and he's practically everyone's friend

-it's not uncommon to see plenty of the girls in your year go up to him to try and flirt, and for others to look on in jealousy at their attempts

-and despite everyone's best efforts, jing yuan remained single

-as much as you didn't want to, you couldn't help but get a crush on him, just like every other girl in the year

-your heart beats out of your chest when you walk past him in the corridor and he gives you a smile and nod

-your knees feel weak when you see him in the library studying, his handsome face scrunched in concentration

-and though you may only be observing from afar, you're completely content with that

𓆩♡𓆪 LUOCHA

-luocha is a friend of yours that you made pretty recently

-there's a quiet charm to him that leaves you feeling at ease, and you've found it incredibly comforting to be in his presence when revising for exams

-even though he's a man of few words, he's managed to keep you as grounded as you can be during the stress of your last days of school before it's over

-it all came to an emotional headway at prom night

-you had been drinking a little, and with the night coming to an end the realisation that you wouldn't be seeing most of the people here again had you feeling teary eyed

-luocha found you on the dancefloor, pulling you towards him without a word and letting you just cling onto his suit as you both swayed in time to the slower song

-you let the soothing scent of him wash over you as you started to wind down at the end of the night, and you felt one of his gentle hands resting on your back as you began to wind your arms around his neck too

-"it was nice to know you," you mumbled to him, voice muffled by the material of his suit

-you felt luocha's grip on you tighten almost imperceptibly, a sign that he had heard you regardless

-"you can still know me" he murmured, and in your hazy state of mind you relaxed into him even further

-"that would be nice"

-as prom came to an end and after you had gotten over the air of finality, the pain from wearing your heels all night was beginning to kick in

-your car was parked a while away and while you did want to just go home, the prospect of taking another step was making you wince

-luocha was quick to notice your hesitance, and before you even said anything he was crouching down in front of you, telling you to "get on" which you gratefully did

-his warm hands wrapped securely around your thighs, supporting your weight as you told luocha where to go

-he made it to your car effortlessly, letting you down carefully and even opening your own car door for you

-you giggled at him being a gentleman as you got behind the wheel, smiling up at him with a bittersweet pang in your heart

-"thanks for everything, luocha"

-the man hesitated for a second, before returning your smile

-"any time"

-he ducked down, leaning in closer to you, and you felt yourself inhale sharply as he wrapped his arms around you, encasing you in a last embrace before you would part ways for the last time

-"keep in touch, okay?"

-"okay"

୨♡୧ honkai star rail masterlist

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clericofgale · 9 months

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The stars will be our bed

I'm seeing a very popular narrative that asking for physical sex during Gale's act 2 scene is better for his character development, and the astral scene is bad for him. Or at least not as good. While I do prefer the astral version more, I disagree with the notion that either one is better for Gale's plot development. I've done both options depending on the what felt right for that specific Tav at the time. As always, if that's the narrative you want to build, there's nothing wrong with it.

For me personally I think both are narratively sound for his character development. Yes Gale needs to know he doesn't need magic to be loved, but Gale also loves magic. It's his life, his passion and his artistic medium of choice. What he needs is balance, not total rejection. You want the man, and the magic.

"Tactful, Bowing to the player's desires"

If you insist on regular sex, that's the devnote that's attached to it. Gale is acquiescing to what you, the player wants. Gale wanted to share his magic with you, but you refused. He doesn't care either way, as long as he's spending the night with you. The approval numbers are the same. He obviously prefers the astral sex because it's what he's used to and confident in, but either is fine.

One thing we have to remember is Gale also uses magic to find connection. In the act 1 weave scene, Gale and you share thoughts over the weave. It's exactly what he's trying to do in Act 2 as well. It's a mind meld sequence using the weave. I don't think Gale is trying to use magic to as a front in this scene, despite the "I can wow you" sentence if you refuse. I think he's trying to share his inner self with magic as the canvas, and connect with you in this most intimate way. It's akin to Fane's scene in DOS2 where you share Source with each other and also mind meld.

Gale wants to distill a lifetime's worth of affection into one night because he feels he will die soon. The scene is his "Last Night Alive". Gale, the artist of the weave puts on his final and private show for his beloved. He weaves stars and invites light to the land of shadows. He's prepared for days for this whole sequence, and you only need to trust him.

If you do he leads you into his innermost world. First, where he feels safest, and the balcony that brings him comfort. Then the book of a thousand days and nights filled with his love for you. The amount of time he wishes he had left to show you his affection, physical or emotional.

But he only has one night.

"There are endless worlds out there. Countless ways to declare love. Infinite ways to express it. Too much for one night.. but we shall try."

The astral scene is him trying. He multiplies as he refuses to let go your hand. He caresses every part of your mind, body, and soul. Gale tries desperately to sear every fiber of your being, of the one he loves onto his own soul. He wants to feel everything you do, and the weave is capable of that.

"Your bodies and minds weave together in a masterpiece of intimacy. Never have you felt such wonder, such love - as vast as the universe itself, and just as heavenly. "

You are one and the same that night. Where Gale ends and you begin is a mystery; he is lost in you and you in him.

"We are all sensual vessels. Illusory magic lets us sail farther, and feel more deeply."

The scene is beautiful, both narratively and visually. This is not a man trying to use magic to demonstrate his worth so you won't leave him. This is a man trying to use magic to weave a tapestry from two spools of thread in one night. It's ok to let him do so. It's also ok to remind him he doesn't need to. Whichever feels right in that moment is the right choice.

They all end in giving Gale renewed hope. Magic was merely the medium on which it blossomed and thrived. Whether from a bed of stars or a bed conjured under it, your love is what gave it life.

Thanks for reading this way too long cold take.

#act 2 spoilers #gale of waterdeep #gale dekarios #bg3 spoilers #gale thoughts #baldur's gate 3

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backwardsbread · 6 months

Text

Hazbin Hotel Characters:

~First I love you~

Warnings‼️: use of pet names, a dash of angst for Adam and Lucifer (I’m sorry), swearing, GN!Reader, Lucifer doesn’t really say it but it’s still cute I think.

A/N:Okay I’m VERY into fluffy scenarios with these characters rn- MY HEART- thank you guys for all the love towards these and I hope you enjoy! This is sorta rushed because I’m TIRED and working on TOO MANY THINGS.;-;

~not proofread~

Vox:

I’ve mentioned this in previous headcannons with Vox, but dating someone was most definitely not part of his plan.

He views himself as this big bad overlord who would never go soft for anyone.

Dude thinks he’s too good for anybody, even Vel and Val sometimes. He’s very proud of his work and what he does and doesn’t like anyone getting in the way of that.

You’re only a slight exception.

Who he would literally do anything for

He tries to keep your guys’ relationship very much under wraps. He understands how dangerous of a person he is to be around.

Sharing your relationship to the public would basically be an open invitation for anyone who has beef with Vox,

Including a pesky radio demon

To target you.

So while he denies your guys’ relationship to anyone and everyone, it’s understood between the two of you what you guys truly have.

However, Velvette and Val are able to see right through Vox’s bullshit when he starts getting feelings for you. They see how he reacts to your messages, your affections, and your presence.

They know Vox has a soft spot for you, but since they like their heads attached to their bodies, they keep their mouths shut.

As his feelings for you grow, it became more and more obvious to anyone with common sense what was going on.

The man literally relaxes at the mention of you.

Unbeknownst to Vox, literally EVERYONE knows about your guys’ ‘secret’ relationship.

Vox doesn’t realize how easy he is to read. He’s an impulsive liar, and a good one at that, but his actions very much contradict the lies he spits.

He could literally be screaming at one of his employees for who knows what, and if you walk into the room, his eyes soften and his attention is on you.

He’s straightening out his posture, trying to look as if he wasn’t about to murder one of his employees.

(He would deal with them later)

Despite how obvious his and your feelings are towards one another, Vox still doesn’t make anything public, letting fans and overlords alike to speculate.

It was a poorly kept secret but one the two of you mutually agreed to keep.

You are in Hell afterall. Saying you were the TV faced overlords significant other was like sticking a paper on your back that says ‘Kick me’

Vox does his best to balance his life with you and his work life. Work was all he ever knew, so when you entered his afterlife, scheduling became a huge issue.

He would love to spend every moment by your side but he’s work too hard. His empire is too important to him.

So while the two of you didn’t go out too frequently on dates or outings,

(But trust me when you do, it is luxurious. He makes the limited time you spend together worth it.)

Vox was always making a way to communicate with you.

Whether that be via phone call or through text messages, he’s always making sure to make an effort to spend time with you. Even if it was just hearing your voice and seeing your words through a screen.

On your off days, he keeps you on an ongoing call in his TV room at all times. Unless you have something planned of course, then it’s back to the texting.

He would be in and out of his screen room frequently between meetings and whatever other things he had to do. The little lair of his was where he spent a lot of his time catching up on paperwork, checking up on the latest releases, and working through the insane amount of work emails he received.

All while talking to you. Whether it was ranting about his day or yours, or if it was talking about what your guys’ next date would be or even just enjoying each other's silent, distant, company.

That brought you to now; listening to your significant other rant about his overlord associates who had sprung a last minute meeting on him.

You listen to him shuffling around his office, grumbling as he put on his suit jacket.

He rambled on grumpily while you listened with an amused smile. He swore under his breath as he looked at his watch.

"Alright doll, I'll be back in about an hour."

"Boooo."

"I know, but once this bullshit is over, I just have paperwork so I'll be all yours, I’ll talk to you later."

"Alright, see you in a bit, I love you.”

“Mhm, Love you too.”

Vox hurries out of his media room without a second thought, zapping into a nearby security camera and appearing into the meeting room in a bolt of electricity.

He begrudgingly sat in his chair slumping into himself and mentally preparing for the chaos his coworkers were about to create.

As Velvette and Val went at each other throats, his mind drifted to the thought of you.

God, he would give anything to just be next to you instead on enduring this Hell within Hell.

He zoned out, thinking about how you were sitting on call in his office, waiting for his return. You were so loyal to him.

He thought about you, your company and your voice, the way you sounded when you said you loved him.

Realization hits him like a freight train, his screen glitching out a bit and his fans kicking into high gear as he replays the conversation the two of you had before his abrupt departure.

He kind of stays in stunned silence for a moment, in complete utter shock. Was he dreaming?? He said it back so casually! Too casually!

He whips out his phone, shooting you a quick text:

~“You said you loved me??????”

It takes a few seconds for you to respond, but it feels far too long for Vox.

~“Yeah? You said it back”

~“I didn’t realize I did.”

~“Oh. Did you not mean to?”

~“No!”

~“Fuck that came out wrong. Hold on.”

Vox went into panic mode, his screen glitching in and out. Velvette and Valentinos arguing becoming muted background noise.

He tried his best not to blue screen or shut down completely, taking a deep breath to regain composure before he texted you back.

~“I do. I love you too.”

And boy are you glad Vox can’t see your right now because you are sure he would be soaking in your embarrassment with that prideful grin on his face.

You knew you said it first and honestly it felt natural coming out.

But knowing Vox felt the same, hearing him saying it, or well, seeing him say it.

Seeing that he got over his own pride to just say it by himself meant a lot to you.

It made your chest feel warm with joy, your stomach fluttered with imaginary butterflies, and your face burned red from those words that somehow meant more coming from him.

But of course you couldn’t let him know how giddy he truly made you.

Please don’t boost his ego more-

So instead you respond with;

~“That’s pretty corny, flat screen.”

Your reaction to his admission completely catches Vox off guard. He finds himself smirking to himself, somehow feeling better with you not taking him too seriously.

He couldn’t even hear his coworkers screaming at him, wanting his input on the subject they were arguing about.

He just chuckles to himself, tucking his phone into his pocket. Giving fake hums and nods of acknowledgment. Replaying those three little words in his head over and over and over.

Adam:

Holy shit, this man is too up his own ass to realize how bad he’s got it for you.

Don’t get me wrong, the man’s stuck up. He’s selfish. But whatever you ask?

Yeah you’ve got it or it’s at least getting done by the end of the day.

He’s got it bad.

He usually denies your request at first. He’s ’above such things’.

But whatever request it may be, whether it be him stopping to get food or requesting a late night cuddle session. He’s a sucker for you.

And everyone knows it but he will deny it to no end. No way is he soft for you. Nu-uh.

Because of his status and massive ego, it stops him from acting how he wants to around you for a long time.

Like, he’d love to hold your hand, be with you 24/7 in the streets of heaven.

But deep down he’s super self conscious about getting into a relationship. Man lost not one, but TWO wives that’s were MADE for him.

You’re good at getting him to show his true colors though. Straightening him out when he’s pushed too far.

He definitely made a big show about asking you out as well. Mostly to make himself less nervous about doing it.

According to him ‘it’s an honor he’s even asking you’

Which lead to you giving him a death glare and ignoring his ask the rest of the day until he asked you genuinely.

(He then surprised you at the end of the day with chocolates, a romantic dinner, and a huge blanket fort, where you guys cuddled and watched movies until 2 am. Where he asks you again to be his partner properly this time, not letting his ego get the better of him.)

But that aside, you’re one of the few people who can see through Adam’s egotistical exterior.

I hc that he’s a big softie. So oh boy, when you utter these three little words to him, they gain so much more meaning.

I mean we already know the man loves praise. Hearing it from you is a whole different level of euphoria.

It was the morning of an extermination, and while you weren’t meant to know, Adam couldn’t keep anything from you. You ended up finding out about his yearly activities in killing sinners.

The two of you didn’t speak of it often. It’s not like Adam was supposed to speak on the matter anyways.

But when you heard about the exterminations now coming twice a year?

You couldn’t help but feel nervous for your significant other. Sure Adam was strong, but who knew what the hell spawn were capable of?

Adam had finished getting dressed, walking out of his room with his mask in hand.

He seemed like a giddy child, muttering excitedly how he ready he was. It was a way to get the adrenaline flowing and get him hyped for the big day.

Despite how gruesome it was, he did love his job and the praise he received for it.

You’re laying on the couch watching Adam, hearing only your heartbeat in your ears. You watch Adam put on his mask, looking towards you and giving a small wave.

“Alright babe! I’ll see ya later. Hey, you should order from that one kick ass pizza place tonight! Celebration dinner after I wipe out those fuckin’ hellspawn!”

You’re quick to blink out of your panicked daze, swinging your legs over the cushions and nearly tripping over yourself as you go over to him before he can get out the door.

You let out a breath, brushing off nonexistent dust off his pristine war outfit.

“Just.. don’t be stupid. Alright? Don’t go biting off more than you can chew.”

“Uhh. Babe. You do realize who you’re dating right?? I’m fucking Adam! The original-.”

“Original dick, first man, yes yes I know.”

He looked at you through his mask, his grin faltering at the edges when he saw your eyes drowning in worry that you hid behind a nervous smile.

You avoid his gaze, continuing to try and find things in his outfit to straighten out before he can leave.

If you’re lucky, you’ll find something bad enough causing him to have to stay home.

Where it was safe with you.

Adam puts a hand over your own, stopping you from brushing imaginary fuzz off the front of his shirt.

You meet his gaze, and despite his mask being on, you see a genuine soft smile. One of adoration and reassurance.

One that made you let out a breath you didn’t even know you were holding in.

You press a quick kiss against his mask where a projection of his lips were.

He always hated when you did that. You depriving him of your real soft lips against his own.

Just ask him to take the mask off, he would do it if it meant he could kiss you.

Before he can complain, you gently squeeze his hand, letting out a whispered voice. Almost sounding too nervous- no, too scared- to speak.

“I love you.. please be careful..”

You go to let go of his hand so he can be on his merry way. But he’s quick to process your words.

He tightens his grip on your hand, pulling you in closer to him. A look of shock is evident on his face.

He squeezes your hand, pulling you against his chest. He moves his face, almost uncomfortably close, with his mask causing forced distance between you.

“Say that again.”

Now you were a little confused.

What did you even say again?

Did Adam suddenly get cold feet with the whole extermination?

He kept your body in a sort of pose that looked like you were going to start dancing.

His one hand in your own, holding tightly while his other arm wrapped around your torso, hand pressed against the small of your back to keep you close.

Your body pressed against his, it seemed he only wanted you closer, keeping a firm arm wrapped around your torso while you waited for you to repeat your words.

You look up at Adam, repeating your own words in your head. The realization of what you said and, what he wanted to hear again from you, made your face flush from light shades of pink to dark hues of red.

Adam has a smug grin on his face, keeping his tight grip on you. Refusing to let you go until you give him what he wants.

You see the look on his face and roll your eyes a bit while smiling. In a sudden rush of confidence, you kiss his mask again, wiping that smug smirk off his face.

“I love you.. be careful.”

You repeat, once again before Adam can complain about your teased kisses.

Part of Adam is glad you can’t see his face, which was burning red from your actions and words. You speaking sweetness enough to make him melt in your arms.

Those three little words that seemed so cliche before you uttered them.

He lets go of your hand so he can lift his mask off over his head. As soon as it’s off, he’s leaning in to kiss you. Just before his lips reach yours, whispering back a small:

“I love you too, babe.”

And just like that, he’s kissing you in the most soft and genuine way Adam can be. How he always was with you.

You didn’t know that would be the first and last time you would get to utter those words to your partner.

You didn’t know Adam wouldn’t be returning back to heaven after his expedition.

You didn’t know you’d only be able to hold his empty halo, whispering the lost words you never got to say to him.

Adam never planned to leave you alone questioning your faith.

You didn’t know, but at least Adam knew you loved him before it was too late.

Lucifer:

Another big sap despite his title.

Of ya know. The devil.

He met you a few months after Lillith left. So you saw him at rock bottom.

You met him at rock bottom. Wallowing in sorrows and self pity, waiting for his wife to return.

You never did pry at the king, one because he was your superior, and two because he was never in the right mind space to listen to you.

You offered an ear when he needed, an occasional shoulder to lean on when Lucifer had downed too many bottles.

You made sure the king stayed fed and physically stable. Forcing him out of bed on bad days.

(Well i wouldn’t say forcing. You’d sit beside him, rubbing his back while he lets gentle tears fall down his face. Whispering reassuring words and asking what he wants to eat so he would get up and get his desired meal you serve)

(It’s more of convincing and encouraging)

Lucifer had spent his eternity with Lillith. Having been with someone so long, he couldn’t imagine his life without her.

He was angry. He was grief stricken. He was confused. He was sad.

Her departure tore him and the family they had made apart.

You made him feel normal again. Like he wasn’t a failure of a king, husband, and father. You made him feel okay about himself.

Slowly over the years, Lucifer was recovering. It was painfully slow, but you had patience. These things took time overall.

He would never truly be over his wife’s leaving, not really knowing the reason why she had gone, only blaming himself for it.

A part of his heart was torn out that day, but you worked to fill it with new hope.

Lucifer is completely blind to your doing for awhile. I mean he spent a couple years disassociated from everything.

You provided everything for him and he barely knew anything about you. What was your intent in the first place?

He did ask you this once, why you were helping him. Why you did what you did.

Your reason was simple but struck a chord with Lucifer.

You said he deserved to be loved.

Loved.

He had half the mind to burst out in tears right then and there

After that admission, Lucifer set a goal to become a sort of equal to you. To provide for you as you had for him.

The newfound determination to basically serve you got the king of hell up and moving again.

What the two of you had felt so domestic. Cooking and cleaning together, tending to the garden Lucifer had made with Lillith. He couldn’t bare to step foot in it after she left.

But when he saw you out there in the garden covered in dirt and mud, yanking pesky weeds from the ground.

He couldn’t help but go out there. He didn’t even know you had been tending to it.

Most life had died in the garden with Lucifer’s marriage. Painful and sad

It became a midday chore for you while Lucifer grieved indoors. You caught eye of the gardens beauty one day and thought to spruce it up a bit.

When Lucifer was on his feet again, he joined you in this chore. Trimming away dead branches, pulling weeds, picking fruit that had ripened enough.

While he could just use his angelic power to grow these things, nurturing the plants from the start and watching them thrive and bloom was something he enjoyed ever since creation started.

It was something so special to him. So pure and a reminder of home.

The two of you grew closer with this shared chore, it didn’t quite feel like a chore anymore. As it was something the two of you looked forward to now.

Lucifer could feel himself falling. It was what he was prone to doing. But he couldn’t bring himself to be that vulnerable again.

Everytime he had fallen it left him bruised and lost. And if he lost you, he didn’t know if anyone would come pick him up again.

He could only get so lucky so many times.

He was currently looking at an open space near the center of the extensive garden. Where several paths met up in the middle of the garden. Where large trees formed a sort of dome shape protecting anything beneath them.

Lucifer hummed to himself, sleeves pulled up to his elbows. He tapped his chin thoughtfully, spreading the dirt on his fingertips to his face.

He glanced at how much space there was in the center of the garden. He always thought the center was bland. Sure you could lay down and look up towards Hell’s blood skies, but after centuries of seeing nothing but red above him, the sight got boring.

Besides, his creativity was bubbling in him. Begging for something new.

With a point of his finger, golden hues shot out, a large fountain forming in the middle of the gardens. It wasn’t quite tall enough to reach the trees above, but it did challenge them.

The white cement water fountain had edges to sit comfortably, three tiers, with little ducks on the middle layer spitting out water into the pool below.

Gold accents decorated each layer of the fountain. The pool to hold the water having a ruby red color, making the water appear like blood when it sat at the bottom.

Lucifer walked around the fountain, looking over every detail of his work. Making sure it was pristine and perfect.

He enjoyed it for the smallest moment, leaning his hands against the base of the fountain, leaning in to look at his reflection.

He then grew frustrated, not able to enjoy his own creation. It wasn’t good enough, not if it was made from his hands.

He growled, slapping his hand through the water, causing it to splash out. He gripped the edge of the fountain, gritting his teeth.

“Goodness..”

Your voice made him quite frankly jump into the air, falling onto his butt. His head snapped in your directions.

Your eyes were blown wide while you stared at Lucifer’s newest creation. Hands gripping a basket of freshly picked produce from the garden.

The king sits up, stuttering over himself as you move closer to get a better look at the fountain.

“You made this?”

You ask quietly, gently running your fingertips against the designs of the sides of the fountain, feeling the smooth detailing.

“Yeah I know.. it’s uh.. it’s-..”

“It’s beautiful.”

Lucifer visibly tenses at your words, looking up at you with eyes wide in shock.

He was dumbfounded, he looked like a child sitting on the ground just staring at you like this.

You look down at him, seeing his eyes wide and his jaw practically hanging on the floor. You can’t help but chuckle, deciding to take a seat next to him.

You set the basket between the two of you. Picking up a peach from the basket.

“The produce is growing lovely this year.”

You compliment the gardens hard work. Lucifer blinks out of his daydream, looking at the basket between the two of you.

His heart swells with joy. A sense of accomplishment that his creation, something he made, you thought it was beautiful.

His eyes trail to you. The light peering through the branches above you casting perfect rays on your skin.

Your company felt like home. It felt warm and comforting.

And in this light, in the garden, you looked just like…

“I love y-..”

Lucifer starts to speak before his mind can stop him. When you meet his gaze, his voice catches in his throat.

His face flushes golden colors when he caught himself almost daring to say that to you.

He lets out a comedic laugh, awkward and loud.

“..youuurrr COMPANY! Hah! Wow what a nice day! Gee golly, can’t imagine it any other way haha!”

You stare at him for a moment. Of course you were use to Lucifer’s occasional awkwardness behavior, but often times you had to read between the lines to understand what he truly meant/wanted to say.

You kind of got at what he was trying to say, your heart starting to beat fast in your chest at the thought of it.

But it wasn’t the right time. You knew Lucifer wasn’t ready.

You offer her a small smile, handing the fruit to Lucifer. You reach a hand up to wipe the dirt off his chin.

“I love it too. Any day with you.”

Lucifer’s face flushed gold once again, shoulders relaxing. He instinctively leaned into your touch, looking up at the fountain.

Patience. So patient with him.

#hazbin hotel #hazbin hotel headcanon #hazbin vox #hazbin #vox #hazbin hotel x reader #vox x reader #hazbin lucifer x reader #hazbin adam x reader #hazbin adam #hazbin lucifer #hazbin x reader

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dalishious · 27 days

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Dragon Age: Origins is still great today, and you should give it a try

I want to preface this post with an important disclaimer: I am not about gatekeeping, and I think that ultimately, you should play or skip whatever Dragon Age games you want. If even after this post you feel like Dragon Age: Origins just isn’t for you, that’s fine! That doesn’t mean you can’t still enjoy the Dragon Age media you do want to consume, and it certainly doesn’t mean you’re any less valid a fan. But I personally adore Dragon Age: Origins to this day, and I would love to see more modern gamers give it a chance, despite it being from 2009.

It’s a great introduction to the world of Thedas

Dragon Age: Origins had the tall order of being the first in a potential franchise, yet it climbed those heights and beyond. It perfectly balances the need to explain the world setting and tell a story within that world at the same time, by organizing the plot into puzzle pieces. You, the protagonist, have to recruit different factions into your cause to save the kingdom of Ferelden, so each piece of the game has a different focus on those factions. It spoon-feeds the player information at an easy to understand and absorb pace.

Dragon Age: Origins also makes good use of codex entries for those of you who are big lore buffs and want even more information. Yet at the same time, it does not overly rely on the codex; all the most crucial parts of the lore that you need to know are included in your interactions with characters and plot.

The player gets to shape the story

The nature of those puzzle pieces also means that you have huge control over the story from start to finish, because the puzzle itself is shaped by you! The outcomes of each piece form the blueprint of the climax. The end of the game is reactive to the choices you make in the story throughout. (Mind you, a lot of those choices have been retconned in later games, but still, within the confines of Dragon Age: Origins itself, it’s still fun to see the outcomes of your decisions.)

The story itself is great

I would consider Dragon Age: Origins to have the most straightforward premise of all the Dragon Age games released thus far, with a strong identity linking the different main quests all together. You are a newly recruited Grey Warden, left to unite Ferelden against the big bad Blight after 99% of the Order within the nation is wiped out in a catastrophic battle. You may get caught up in dwarven politics, ancient curses, demonic possession, and plenty more along the way, but no matter where you find yourself, your motivation always falls back to that ultimate responsibility.

The characters are also great

Almost all the companions you’re able to collect along the way are very easy to love, or at least appreciate them for what they are.

Alistair is also a new grey warden. He is struggling with grief over the loss of his mentor, and the weight of having no control over his identity his whole life.

Morrigan is a witch who grew up isolated in the woods with no one but her abusive mother for company. Now she must learn to interact with others, and dependant on the player, perhaps even make a friend, lover… or enemy.

Leliana is a bard from Orlais, whose faith told her to assist the grey warden plight. But beneath the demure outward appearance, she has a much darker past she’s running away from.

Sten is a Qunari warrior who was taught that outside his culture, everything is backwards and nonsense, but he cannot return home until he has restored his soul by recovering his lost sword. Along the way, he may learn to appreciate or despise Ferelden.

Zevran was enslaved by the Antivan Crows as a child and made into an assassin. If the player can chip away at his nonchalant mask, they will find his past has left a lot more scars on him than he thought it safe to admit.

Wynne is a mage from the Circle who is struggling to deal with the nature of age, death, and life purpose.

Shale is a golem who was once under complete and total control by her former master, now learning what it’s like to be free, and wanting to uncover her forgotten past before losing that freedom.

Oghren is there too, unfortunately.

And the player character really feels like they are of your own creation. The choices you make, little and small, offer a lot to shape whatever kind of protagonist you want. Additionally, the benefit of starting the game with a different origin, and playing out that origin before getting recruited into the grey wardens, offers a lot of prompting to get into the roleplay!

The datedness can be easily upgraded with modding anyway

Do you find the combat clunky? There’s mods for that. Do you find the graphics too bland? There’s mods for that. Do you wish you could kiss Alistair as a man or Morrigan as a woman? There’s mods for that, too. Dragon Age: Origins is very easy to mod; most of them you just drop the files into your override folder and start playing. Otherwise, you use the DA Modder app for DAZIP files, which is also not that complicated.

A lot of people consider Skyrim to be dated without mods, too. I personally don’t think there’s anything wrong with appreciating the ability to mod a game, as a positive point.

If you want to play, make sure you use LAA though!

Large Address Aware is a must-have on PC for Dragon Age: Origins.

For GoG or EA App/Origin users: You can just run LAA like normal!

For Steam users: You need THIS first

#dragon age #dao #dragon age origins #meta

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arguablysomaya · 10 months

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Nightwing's weird fem-coding

! LONG POST !

Finally got around to jotting down my thoughts on the weird way that Dick Grayson (Nightwing) often occupies female-coded roles without being a particularly feminine guy. This is entirely due to me procrastinating on my finals. Okay!

Dick has often been cited as the hero who plays into the "female gaze", and he takes up some key roles that are typically reserved for women characters.

A large portion of Dick's fem-coding is contingent on his being with his family, and when he's not with them, this fem-coding kinda drops away, such as when he's with his various teams or acting solo.

His most prominent (and imo, complex) femme-coded role is:

-> Eldest Daughter + Widow

Eldest daughter syndrome means " frequently feeling like you’re not doing enough, like you’re struggling to maintain a veneer of control, like the entire household relies on your diligence." It's born out of the unique way that first-born girls are expected to take on adult roles around the household before they've had an opportunity to fully experience childhood (an opportunity their younger siblings will have, in part due to this sacrifice). It creates a strong sense of independence and a desire to be a good role model, but also leads to undue pressure and perfectionism.

Dick acts as a central emotional pillar for those in his family. To the point that when he fakes his death, it breaks something fundamental in the family dynamic:

Not only is it repeatedly made clear that Bruce depends on Dick to act as a lifeline for his own mental struggles, but moreover, his siblings do as well. In a very literal sense, the maintenance of the batfamily rests on Dick's shoulders. Bruce is so rarely available for emotional support that these children turn to the next best thing, which, to be fair, is better than what Dick had growing up. He has to clean up so many breakdowns, it's honestly pretty staggering.

As the OG sidekick, Dick receives quite a bit of hero worship, particularly from younger heroes/sidekicks, who look toward him for guidance. As a naturally upbeat and welcoming person, Dick ends up in the position of bringing light to everyone, not just Bruce. For example, here's Cassandra:

This balancing effect is unique to Dick's skill set. However, this can (and does) backfire very easily. The same pragmatism Bruce engages in hurts extra bad when coming from Dick: like when Dick had to take Robin away from Tim. Not to mention just how intimidating Dick's legacy is, which can create resentment when his successors aren't able to play this role so easily. For example, Jason both before and after his death expressed insecurity that he felt he was constantly being compared to Dick, and falling short.

As the original character that people think of when they think "sidekick", DG Robin (and his successors) had the advantage of not losing prominence even as his contemporaries (Kid Flash, Aqualad, Wonder Girl, etc.) were de-prioritized in favor of independent teenaged heroes (like Cyborg, Beast Boy, Raven, and Starfire). But that means Robin as a concept now has to deal with questions that weren't so prominent in the earlier decades, such as: "How do we justify a grown-ass man using a child (and in fact, children) as emotional crutches?"

It's icky to think about, but there's no denying that early Batman and Robin got side eyes for homosexual subtext. I mean, they literally call each other "partners". So while that "subtext" was, and remains, just audience speculation, given Dick is literally Bruce's adopted son, there is room, I believe, to call into question how healthy it is for Bruce's oldest kid to be taking on a nearly-parental role and be a core pillar of Bruce's emotional regulation.

Hot take here, but I think Dick's relationship with Bruce was/has been pretty emotionally incestuous for a long time.

-> Emotional incest

"Emotional incest[...] is a type of emotional abuse performed by a parent. In cases of emotional incest, parents rely on their children for significant emotional support, which is a reversal of roles. Emotional incest is more than just relying on your kids on occasion—rather, it is an extreme dependence on them." (There's a pretty good argument to be made that Bruce has been emotionally incestuous with all his Robins, especially Dick and DEFINITELY Tim, but y'know. Small steps.)

Emotional incest is a semi-common consequence of eldest daughter syndrome; the natural conclusion of deputizing a child to manage the other children combining with an inability to see the child as a child, still in need of emotional guidance, but more like an adult capable of shouldering the burdens of grown-ups dumping their traumas on them.

To be clear here, while emotional incest may not be incest in the most traditional, taboo sense, it is still abuse. It's putting a burden on a child they shouldn't have to carry, even for children that aren't dealing with such extreme burdens as "grown-ass man running around in a fursuit needs me to keep him from getting himself killed". It's a perversion of a healthy parent-child relationship, where the child is treated more like a partner than a child. In Dick's case, it further exacerbates the parentification he already experiences. This is made more explicit when Bruce "dies" and Dick is cast into a sort of "Widow" role.

Dick reluctantly dons the cowl in an attempt to bring order to his family members. He's also left to parent Damian, alone. He has to make the decision to take Robin from Tim, and try to deal with the fallout from that decision. He has to put a stop to Jason's fratricidal rampage. He's made into the de-facto head of the family.

And the thing about this is: Dick's not even bad at it. In comparison to Bruce's litany of disasters-in-parenting, Dick does a pretty bang-up job of managing his siblings, heading the Justice League, and being Batman. But the crucial point is that he does this at the expense of his own mental health, which is the crux of eldest daughter syndrome. There's no denying that at the time, Dick was most certainly the best choice for New Father Figure, but it was a choice he was pushed into, and a sacrifice he had to make. When this sense of responsibility to the point of self-sacrifice is pushed to its logical conclusion, it has the effect of making Dick a Martyr-type figure.

-> Protector/Mama Bear/Avenger

Dick has shown repeatedly that his hot button is his family. From Tony Zucco to allowing Blockbuster to be killed after the villain targeted Haley's Circus, going after Nightwing's family is a pretty good way to earn yourself an asskicking. Probably the most infamous example of this is when Dick thought the Joker had killed Tim, beating the clown to death to avenge both Tim and Jason.

And while this role isn't particularly feminine, I do think it's interesting that Dick protects his family members from each other with almost the same frequency that he protects them from outside threats. He's pretty notorious for wrangling Damian and Tim, foiling Jason's murder plans, and most importantly, beating the shit out of Bruce whenever he crosses a line, such as when Bruce asks Dick to conceal being alive from their family to join Spyral or when Bruce wanted to abandon the Bruce Wayne persona after the murder of Vesper Fairchild. Or of course, more recently after Bruce's latest MK-ULTRA shenanigans.

This basically puts Dick in the position of being the glue that holds the family together, at basically all times, but especially in times of conflict. This also means he's put in the dangerous position of bodily defending his younger siblings from Bruce's wrath or irresponsibility, a position made even more awkward given the whole emotional incest thing.

That's not to say that Dick's relationship with his family is 100% unhealthy. Dick and his family members (including Bruce!) feel legitimate affection and care for each other. There are times when the dynamics here are indeed healthy. And like most people with eldest daughter syndrome, the unhealthy nature of this dynamic is usually understated. Oldest sibling syndrome is often just an unavoidable consequence of how parenting works. So while I am of the opinion that this dynamic is often unhealthy, hot take: I'm fine with that.

Now, though I've just listed some tropes that he only falls into around family, Dick also falls into some fem-coding all the time, regardless of who he's with, and these have to do mostly with his sexuality.

-> Sexual Assault & Harassment

Yeah, so nobody is surprised that this is a factor. Look up any list of the top ten hottest/sexiest/most attractive male superheroes, I guarantee 9/10 times Nightwing is number 1. However, unlike his father, whose attractiveness is usually played as a part of the male wish-fulfillment fantasy, something people aspire to be, Dick's attractiveness more often makes him an object of desire- very similar to how most attractive female characters are perceived.

And as an object of desire, Dick Grayson is constantly having to deal with being objectified.

Now, Dick Grayson being an attractive character is not the problem. Dick Grayson being sexually assaulted isn't even the problem. the problem is that he keeps being harassed, assaulted, and raped in ways that are flagrantly nonconsensual, and yet it's not treated with the seriousness it deserves. In fact, it took a full decade for Devin Grayson to retract her previous statement and admit that yes, the rooftop scene with Catalina Flores was in fact rape, and it's never been acknowledged in-universe (though, comics have always been atrocious at calling out sexual abuse of all kinds, let alone that which targets men).

Hell, even when he in-universe calls it out, he's dismissed immediately and the story continues like nothing happened.

Like???

Dick's adult sexcapades (which were consensual and enthusiastic) have long contrasted with the numerous times he's been harassed; times in which he comes across as bored, exasperated, and even frustrated with his own attractiveness and the vulnerable position it often leaves him in.

This puts him in the rare (in comics) position of being a male character who consistently and near-exclusively has his sexual agency and boundaries violated by women - a position that authors uniformly refuse to examine despite writing him into it all the fucking time.

Other characters around him frequently make comments passing off this harassment and assault as a natural consequence of Dick's own attractiveness, making "jokes" that essentially amount to "I understand why someone would want to assault him". Which- UH?

There is also, of course, the unavoidable reality that as an acrobat and an aerialist, he receives a very specific type of sexual harassment

the nature of nightwing's fight style necessitates a type of tight-fitting suit that male heroes typically don't go for: an extremely slick suit with bare-minimum armour that again, makes him vulnerable in a way most male heroes aren't, but a style female heroes wear all the time, whether it makes sense for them or not. This of course then allows artists to draw attention to this fact by posing Nightwing in poses usually reserved for femme fatales:

And unlike the Hawkeye Initiative, these poses are (largely) unironic, and not played for jokes. Dick isn't arching his back or looking over his shoulder to poke fun at how female heroes are treated; he does so because the artist (clearly correctly) sincerely believed these poses would play into the unironic gaze of the audience, and also probably thought it was hot. It's the same line of thought artists use when posing femme fatales.

He's even been known to use his sexuality as a bargaining chip, much like more traditional Femme Fatales. In Batman and Harley Quinn (2017), he refers to sleeping with Harley Quinn after being kidnapped by her as one of "the things I do for Gotham", to which she responds "I'm taking that as a 'yes'." And that's uh- not how consent works.

And this particularly sucks because- HELLO? The opportunity to explore the very real and tragically underacknowledged phenomenon of sexual violence against men is literally invaluable, especially with such a prominent character. It's one thing to ignore that men face sexual violence, it's another, entirely more unforgivable thing to continuously and explicitly depict such scenarios and play them off as jokes or not as serious as they clearly are. But what did I expect from an industry that has never had a good track record on sexual violence anyway.

-> Queercoding?

There's also of course the fact that DC has been, as of late, dropping hints that Dick might be bisexual.

That on it's own doesn't mean anything, but when paired with the fact that DC has been angling toward giving Dick a similar playboy persona that Bruce has, just with men included, it's just very interesting.

(BTW: The likelihood DC actually commits to making Dick bi is, uh, not a lot, but if they're gonna stick with this weird closet stuff for a while, let's hope they do so in a way that doesn't make him sound like a cross between Donald Trump and Harry Styles next time? Please?)

Anyway, all of this is basically to say I am forever fascinated by the gender dynamics of Dick Grayson, likely due to the fact that I'm projecting all my eldest daughter traumas onto him, and that someone who's background is in Gender Studies needs to get on this shit if they haven't already. I just love this character sm.

#this ended up taking/being way longer than I thought it would #but its done now so i can stop procrastinating yayyyy #shut up somaya #batfam #dcu #dc universe #batfamily #batman #dick grayson #nightwing

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star-girl69 · 8 months

Text

Your Girl

Clarisse La Rue x Fem!Demigod!Reader

—-

synopsis: late at night, you and clarisse get to know one another.

a/n: ykw i dont even know what i write anymore just enjoy it i truly just listen to the wind oh my god

Your Girl - Lana Del Rey (Unreleased)

warnings: im sorry im obsessed w the nightmare trope, friends to lovers MEYOW, HURT COMFORT, clarisse just wants to KISS, light tension, very light and fluffy tho…. not a lot of angst tbh, POSSESSIVE CLARISSE I SCREAMED, mutual pining YESSSSS, they’re in love but they don’t think the other could be in love w them, clarisse knows what she wants and sets out to get it, monsters- again it’s a drakon bc i’m evil, mentions of death, swearing, mentions of weapons, weed and smoking, substance abuse idk if it’s addiction my health teacher would be so disappointed, shotgunning weed, idk what’s happening honestly we’re all along for the ride, tell me if i missed anything!!

—-

You don’t know where Clarisse gets it from, but she has good weed.

They’re these perfectly little rolled blunts, with some sort of amazing concoction inside- you can’t even be bothered to care that it’s bad for you. Not when it makes you feel so good, not when it makes everything else fade away.

So, that’s why you’re here now. Sitting in the woods, leaning against a rock covered in moss, staring up at the stars. Sometimes you talk, sometimes you’re just here next to each other. But tonight, you think you took one too many hits, so you’re feeling a little sentimental.

“I would fucking die without you, Clarisse.”

She snorts. “Yeah, probably.”

“No, no, not just like- because you’re so strong, and stuff, but because of this fucking weed. I can’t sleep without it, y’know.”

She hums.

“And, like, you need sleep to live, or else your brain will like eat itself, or something ridiculous. Did you know that?”

She looks at you, mouth curved into an unimpressed smile, eyebrows raised. “I didn’t, and I care so much. Thanks for telling me, leech.”

“That’s mean,” you huff.

“Then stop leeching off of me and stealing my weed.”

Clarisse always looks so pretty in the moonlight. You would never admit that to anyone, but in the dark when your head is all hazy- you know she’s pretty. She’s beautiful, if you’re being honest, but she’s also your dealer- you can’t risk upsetting her. But still, sometimes you’re not sure how she isn’t a daughter of Aphrodite.

But you know better than anyone else that she gets everything from Ares, like she’s a carbon copy of him.

She gets her precision, her strength, her tactical mind, her rolling storm of emotions from him.

Except, there’s a softness in her. Only here, in the moonlight. You don’t know if it’s you or the weed, but you like to think it’s you. You like to think that Clarisse likes you as much as you like her, not just tolerates you for your mediocre company.

She’s sitting with one foot planted onto the ground, hair pulled back all messy, her arm balancing on her knee. The joint is held out conveniently towards you, lazily in between her fingers, so you flip yourself onto your stomach and reach out with open lips.

She smiles and flips the joint around, placing it onto your lips. Your close your eyes and your mouth, breathing in deeply. Gods, does it taste horrible, but you love it too much.

You pull back and breathe out the smoke.

“You love me, and my weed-stealing tendencies.”

“Uh, yeah, okay,” she rolls her eyes.

—-

Clarisse probably trains more than any other demigod at camp. Thirty minutes after dinner, like clockwork, you can find her heading to the field where all the sparring dummies live.

Clarisse is probably your only true friend at camp. You stick to yourself for the most part, hang out with your siblings, but besides for that it’s Clarisse. And she’s the same way. She hangs out with her siblings, and then you. Of course- everyone at Camp knows her name and her ruthless reputation.

You’re unknown, she’s known. She’s the best fighter you’ve ever seen, you’re mediocre, compared to her. She helps you at every turn, you’re the one getting helped by her. She’s mean to everyone, and you’re kind to whoever happens upon you.

You force each other to bring out the other sides of yourself no one gets to see. Clarisse gets to be soft, you get to be loud and annoying. You’re friends, but you both get something out of it.

She’s your friend, your dealer, your savior.

If the first day you came to camp, running through the woods with a drakon hot on your heels and your mouth split open into a scream- maybe Clarisse and her siblings wouldn’t have turned around and noticed the drakon.

Of course, Clarisse was the one who actually killed it, and she was the one who hoisted you up from where you had collapsed, breathing heavily. She was the one who actually made sure you weren’t hurt while your satyr protector panicked about having to face the Cloven Council.

She was the one who found you in the middle of the night, that drakon hissing in your ear, she was the one who gave you the claw she had pried from it’s dead body, she was the one who told you it was dead and nothing could hurt you in Camp.

“Clarisse!” you call, running towards her. Most campers like to wind down after dinner, so the field is empty.

“Leech,” she says when you reach her, leaning her spear against a dummy and stretching her arms above her head.

You always come everyday. You ask her the same question.

“Do you have it?”

She digs under her armor, pulling out the small cloth containing the blunt. “You would probably go insane if I didn’t.”

You feel calmer just looking at it. You smile sheepishly up at her.

“You know I can’t sleep without it, Clarisse.”

She looks away, stuffing it back under her armor, against her stomach.

“Maybe you should try and skip one night.”

You scoff. “I don’t feel like pulling an all-nighter, Clarisse.”

She nods, but her face is riddled with concern. “Okay, angel,” she mutters, so low you can barely hear it. But you do. You hear her call you angel, and you turn away instead of slamming your lips into hers.

—-

After that first night, you slept with that claw tight into your hand. And it was fine. You still had the occasional nightmare, but every demigod had those. But the older you got, the more monsters you learned about, the more comfortable you got with being a demigod- the more the nightmares came. Knowing the drakon was dead didn’t help, and the nightmares got worse and worse until Clarisse found you again one night.

You had drifted apart from her. She had her life and you had hers, but ever since you’ve been bonded by the nights.

She wrapped her arms around you and let you cry, mumbling about how she was the strongest demigod at camp, and there was the barrier, and nothing would ever get through to you.

She was soft in that moment. And you could tell she regretted it, because she ignored you for the next few days until one of her siblings pushed you to the ground. She appeared out of nowhere and grabbed his shirt, yelling that if he ever touched you again, she’d fucking kill him.

While he sputtered and asked why she cared about some stupid weak girl, she helped you up and said: “She’s my girl.”

And since that day 3 months ago, you’ve always been her girl. Neither of you really knew what that meant, except you liked being around each other and you liked this transaction. Clarisse liked owning something. You liked belonging to someone.

That’s what this entire friendship is about- convenience.

So, that’s why Clarisse being concerned about you makes you feel weird. You care about Clarisse, she cares about you- but only enough that she doesn’t want to see you hurt by someone else. But who is she to stop you when you’re the one hurting yourself?

You arrive at the rock in the forest, fingers twisting together. Clarisse is already there, lighter and blunt set out on the ground, polishing her spear.

“Hey,” she says, looking down.

“Hi.”

You sit down, eager to get your hands on the weed and forget about the way Clarisse’s concern confuses you.

You stare at your shaking hand.

Gods, are you really that nervous?

Clarisse��s eyes are sharp, she notices everything, she processes it much faster than you can ever dream to. It’s why she’s so quick in battle. She’s a well oiled machine and you’re the one job she’s assigned to do- she knows you by heart after all these nights.

Her spear is pushed off her lap. “Why are you shaking?” she says, voice low and raspy, her hand cupping yours.

“Low blood sugar,” you lie. “I’ll grab a snack before I go to bed.”

She says nothing, but you watch her hesitate as she grabs the blunt and the lighter from the ground, you watch her hesitate again as she goes to light it. But she lights it, she sticks it in between her fingers and holds it out to you.

“C’mere,” she mutters, and you lean forward and let her place the blunt on your parted lips. You breathe in, only for a few seconds, and you could go for a lot longer.

“I wasn’t done,” you huff as she takes her own drag.

“My weed,” she shrugs. “I decide how much you get.”

“You’re a bitch.”

She laughs. She laughs and it makes your stomach twist in such a good way you can’t feel like this anymore, you can’t remember what she does to you, what she called you.

You reach out blindly for the blunt, biting your lip as you practically climb on top of her.

“Clarisse!” you yell, but she seems to find your desperation hilarious, holding the blunt out as far as she can. “I fucking hate you, oh my Gods.”

“Okay, okay, fine,” she says, pushing you off of her. You realize you’re laying on your stomach in between her legs, one hand planted to the ground around her leg, the other reaching out.

She leans back and takes another drag. You roll your eyes and move to attack her, but she’s too fast, sitting up and holding your hand down, her other hand grabbing your chin. She breathes out the smoke right into your lips that are parted in shock, smiling as you stare right into her amused eyes.

She leans back while you sit there stupidly on top of her, blowing out the smoke. “That- that’s- I hate you, did I mention that?”

“You did,” she muses. “But we both know you’re lying.”

You look at her, at her wide smile, at the look in her eyes. You want nothing more than to be her girl- her girl in the way that she’ll kiss your head, tell you about all the things you’ll never do, she’ll lay down with you in a bed of soft pillows. Her girl in the way the reason she’s soft in the moonlight isn’t the weed, it’s because of you. Her girl in the way you can run to her, the way you do now, but with the added connotation of love.

You grab the joint, and she lets you, watching intently as you breathe in and blow out the smoke. She has no right to be worried over you. Not when you’re the one making the choice to waste away your youth. And especially when you’re not her girl- not in the way you want to be.

—-

“I was beginning to think you wouldn’t come,” she hums.

You sit back against the rock. Normally, you would have been here 20 minutes ago.

You didn’t catch her after dinner, and you stayed firmly in your bed until it all got to be too much. You’re terrified of sleeping, of the nightmares that will come- but for some reason, the weed just puts you at such ease that you don’t have any nightmares.

You didn’t want to be near Clarisse tonight. Not after yesterday, not after the way she’s been making you feel, and the fact that you know she could never really like you. Why would she? You are the stupid weak girl who gets pushed over. You run from drakon’s and can’t even sleep because of nightmares.

Clarisse is fiercely protective of those she loves, but you’re too much work.

You wanted to go one night. One night without the weed, and prove to her and yourself that you don’t need it. You’re not that weak.

But you couldn’t.

You sit down, she looks at your tense shoulders and doesn’t tease you, just hands you the blunt. You mumble something of a thank you, looking up at the stars, shoulders relaxing after a few more breaths.

“I, uh, I tried to skip. Tonight, I mean. I tried not to come.” It’s embarrassing to admit this. You’re so scared of the nightmares that even if it’s a placebo effect, you come back to this clearing every night.

“But you couldn’t?” she asks.

“I couldn’t,” you affirm, staring at the ground.

“Well, you can’t just go cold turkey, dummy. You have to wean yourself off of it. Do you not remember, like, any of those nicotine patch ads?” she laughs. “You’ve got a good memory, you remember.”

“Shut up, meanie,” you mumble, raising the joint to your lips. She stops you.

“Ah-ah. Starts now. Make it a good one, ‘cause that’s your last, baby.”

“Fine,” you mumble, ignoring the butterflies in your stomach. You breathe in for a long time, tempted to go a little longer, but Clarisse reaches over and pinches your cheek. “Okay!” you yell, throwing the joint back to her.

She laughs and raises it to her own lips, taking in another long drag before putting it out.

You look at her, silent question in the air. She shrugs.

“Been meaning to slow down for a while, why not do it together?”

“Yeah,” you hum, looking back towards the stars. “Oh, hey, Ares is out tonight.” She looks over.

“Yeah,” she muses. “Fuckin’ Ares.”

“It’s still beautiful,” you say, stars in your eyes. “You have to think about it the way mortals do. They don’t know the Gods put them up there- they think it’s just some random spotting of stars, they think they made patterns out of it. Isn’t that beautiful? To make patterns and people out of stars? To look for humanity where there is none?”

“I never thought about it like that,” Clarisse says.

“Aren’t they beautiful?” you ask. You can feel her eyes on you.

“Yeah,” she affirms. “Beautiful.”

—-

The next two weeks goes by the same. You don’t catch Clarisse after dinner, but you come every night, you smoke a little less, she teases you and gets closer to you. She gets bolder and bolder and you get shyer and shyer.

You still feel like too much. If she just lets you prove this to her and to yourself, the maybe you can lean against the rock with her and flirt back.

—-

You meet Clarisse by the rock. She’s still standing, waiting for you. She takes the last of the blunt you’ve been using for the last few days and lights it, taking one small drag before she flips it around and holds it out to you.

“C’mon,” she guides. “Not too much, I’ll stop you.”

You feel kind of like a baby as Clarisse puts the joint on her lips, fingertips against your face to steady her hand. You breathe in for just a second, tempted for more, but she takes it away. You look up at her, fingers twisted together.

“Clarisse, I don’t know if this is a good idea.”

She leaves the blunt to blow out in the wind in the natural dip of the rock, your own little ashtray at the top. Of course, Clarisse will come and collect it the next morning- you don’t want to upset the nymphs and satyrs in the forest.

“It’s a good idea,” she affirms. “Don’t worry, okay?”

You’re scared. You remember being chased by the drakon even now, you remember it’s snarls, you remember it’s claws moving through the air. You remember your heart pumping in your ears, you remember the stones in your stomach that were supposed to be fear.

You feel like Kronos, but what you swallowed wouldn’t just sit idly inside of you- no, your fear would rip through your stomach and your skin and burst out of you in an explosion of blood, like some sick joke of a firework.

She grabs your wrists. Clarisse is soft, here, in the moonlight.

“Hey, it’s okay. I-I was thinking, I didn’t know if you were gonna be okay, but why don’t you sleep in my cabin?”

You shift on your feet. “Clar, no, I can’t ask you to do that. What if we get caught? And I-I- it’s embarrassing, what if your siblings see? What if they tell everyone?”

Clarisse rolls her eyes and tugs you closer from where you had subconsciously started to drift away.

“They already think we’re dating, anyways. Besides, Y/N, no one cares. Most of my siblings have secrets anyways,” she smiles.

“Wh- we’re dating? They think- why?”

Her face is deadpan. “‘Cause you’re my girl.”

You pull back. “Clarisse.”

“What?” she says, slightly incredulous. “You are. You’re about the only person I can tolerate at this camp. I hope you know that. I know I can be horrible, but really, I… care about you a lot.”

You look in her eyes. There’s no lies, no insincerity.

“I know, Clarisse. And I… I appreciate it so much. You’re, like, my only friend,” you smile.

She smiles back but it’s tight. “Friend, yeah.”

You put your arms around her neck and hug her. It’s the first time you’ve ever really hugged her, and her arms wrap tight around your waist. Her mouth presses against your hair. You let yourself be her girl in this moment.

Clarisse is your best friend. She cares about you. Of course she helps you with this. She’s your best friend. Of course you let her.

—-

You do follow Clarisse back to the Ares cabin, back to her bed- and she points to one of her siblings you can’t see in the dark, but there are two figures in the bed. She smiles and you stifle a laugh.

You know better than anyone else that big bad Ares kids are like a marshmallow on the inside. They act all tough, and they are pretty tough, but there’s a soft spot inside of them only unlocked by one person with the right key.

You notice her sibling has their arm around the other person. You wonder if Clarisse will wrap her arm around you like that too.

Clarisse climbs into her bed, opening the covers for you. The beds at Camp are twin sized, but you can fit two people on them if you’re close together. You don’t hesitate, not anymore, not when you have one chance to pretend you’re really hers.

You lay on your side, facing her, hands tucked up by your chest. Her eyes meet yours, she brushes her curls out of her face.

“Good?” she asks. You nod, breathing out.

“‘M fine,” you say.

She rubs your arm, cold from the dark night. “Just relax, okay? Just close your eyes, Y/N.”

You do, you close your eyes, but you’re so fucking terrified you can’t.

“Clarisse,” you breathe, a plead. For what, you don’t know. You want a million things from her in this moment. It’s not fair of you to ask her, you know this, but it doesn’t stop you from asking.

Your breath comes fast, your nails dig into your palms, but you keep your eyes screwed shut like sleep will just magically hit you like a train.

“It’s okay,” Clarisse says, firm. “Why are you so scared?” she whispers.

“They’re so real,” you whisper, your voice breaking.

“They’re not.”

She wraps her arms around you so tight you feel like she’s crushing you. But it keeps you in the moment. If you focus on the way her skin feels against yours, on the way her thumb brushes your shoulder blade, her fingertips scratching the back of your scalp.

If you focus, if you imagine all the thing you and her will never do, if you imagine being her girl, then you can fall asleep.

You dream of her lips pressing against your head, her voice in your ear, calling you her angel.

—-

You wake up, Clarisse still wrapped around you, and slowly detangle yourself. Drool pools at the corner of her lips, and you have to bite back a giggle as you slip out of the blankets and into the warm riding sun.

She looks just as pretty in the sunlight as she does in the moonlight. You feel like a lover slipping out of a bed of secrets. But you’re not. You’re just a friend slipping out of a bed of rumors.

She looks so peaceful, you can’t help but wonder if she always sleeps like this- or if having you next to her had the same effect on her sleep as it did to yours.

—-

There’s a loud knock at your cabin door.

There’s only you and a few of your siblings in here, putting the final touches on their outfits for the day, grabbing the last items they need. One of your younger siblings open the door, and you look around the pillars- maybe it’s a counselor doing some sort of inspection? You take a glance around your bunk- but it’s all clean.

Your eyes meet hers.

“Out,” she says, roughly. She looks at you so intently you almost wonder if she’s talking to you. But when you siblings stand there in shock, she looks away. “Well? I said get out, dummies.”

They exchange looks with you, but eventually shuffle out, not wanting to risk Clarisse and her wrath.

She shuts the door behind your last sibling.

“Being tough has it perks, huh?” she smiles, leaning against the door. Your shirt isn’t even pulled on properly, one of your bra straps is already falling down your shoulder from the act of putting your shirt on, and you’re staring at her with your mouth wide open.

She looks you up and down.

“C-Clarisse, what-?”

She walks over to you, frown etched onto her face.

“I woke up and you weren’t there.”

“Oh,” you say. “I… I thought you would have wanted me gone-”

“Don’t care. If you’re going to sleep with me then you need to wake me up and tell me you’re leaving.”

She rolls her eyes at your confusion. She sits on your bed and then gestures animatedly for you to sit down.

“Did you not sleep well?” she fusses. “What’s up with you this morning?”

“I slept great, Clarisse, it’s just- why are you here?”

“To tell you that you can’t leave,” she deadpans. “I mean, you spend all night shaking in my arms, terrified, and then I wake up and you’re not there? I almost killed someone. You’re lucky I decided to check here first, Y/N.”

She laughs. She laughs like it’s so funny.

“Why?” you ask.

“‘Cause you’re my girl,” she shrugs. “And-”

“Clarisse, what does that mean?”

You know what you want. And you’re not dumb, but you’re the only friend Clarisse really has- what did you have to compare it to? You’ve been thinking about it in your head, rolling it around like a diamond- each side reflects something you want from her. Her love, her protection, her touch, her time, her.

She plays with her fingers. “It means… I like touching you. I like protecting you. I like being near you. I like your voice and your face.”

She stares at you blankly, like she’s recounting a grocery list, waiting for an affirmative “yes, I heard you.” But all you can do is stare in shock, trying to make your brain catch up with your heart- Clarisse likes your face. Clarisse feels the same way you do. You can be her girl, and you’re not too much for her, you’re not just friends.

“Oh, fuck it,” she mumbles. She places her hand on your face and pecks your lips. “That’s what it means, okay? I’m, like, embarrassingly in love with you, if you haven’t noticed.”

Clarisse is so blunt and forward it makes your head spin.

She stares into your eyes, searching them for something other than shock and confusion.

“Okay,” she says. Shuffling back. You can tell she’s hurt and embarrassed, but her face reveals nothing other than faux confidence and indifference. “I’ll go, I guess-”

“Bitch,” you mumble, slamming your lips onto hers.

It feels so overwhelmingly right and fills you with such a calmness that weed could never compare to. If you were dependent on the joints, then one taste and you’re addicted to Clarisse. She kisses you back with just as much ferocity, throwing your arms around her neck, trying to swallow you whole with her mouth as she grabs your neck with one hand, your face with the other.

It’s months of tension and wanting, lips touching through the passing of a joint, all of it coming down to this moment that feels so bad, so sinful- surely the Gods must frown upon loving someone this much. You would never pray to any of them again if it meant Clarisse would keep kissing you like this.

When she finally pulls back, you’re both smiling wide, leaning into her palm, hands playing with the curls at the base of her neck. You feel like a giddy school girl. You feel like a lover discovering something wildly new and unknown, promising to keep it secret, sealing it with a kiss of pure fire.

“That was such a mean way to confess to someone,” you say. “Just bitchy. Brass and blunt- harsh, even.”

“Shut up,” she mumbles, pressing her face against yours.

“Yeah, it’s okay. I know you’re a big softie who drools in her sleep.” She pulls away and glares at you.

“I don’t fucking drool, Y/N. You’re seeing things.”

You fake frown, bringing her closer to you. “Such a horrible thing to say to your girlfriend.”

“My girlfriend?” she breathes, swollen lips parting like she’s aching to kiss you again.

“Your girlfriend,” you affirm, staring straight into her eyes.

You sunk more into becoming a demigod and all it got you was nightmares and a fear of sleeping. But the more you sunk into being her girl, the more you sunk into loving her and being loved.

You don’t know where Clarisse gets her softness from. Certainly not from her father. She didn’t learn to kiss your head from him. She didn’t learn how to hold you, how to call you hers, how to whisper in your ear from Ares.

You don’t know where Clarisse gets her softness from, but it’s good.

—-

SHOUTOUT TO clarisse “cause you’re my girl” la rue LOVE YOUR POSSESSIVE ASS!!!!!!!!

—-

clarisse when y/n smokes weed: oh so pretty……

clarisse when y/n can only fall asleep bc of her arms or her weed: my girl fr……..

clarisse when y/n: oh my wonderful perfect angel

—-

y/n: BITCH

clarisse: YOURE SO HOT FUCK

—-

where did clarisse get her weed from you may ask? me that’s where she got it from i ripped through the fabric of reality to give it to her to make this happen actually and you’re welcome

—-

taglist:

@lvrue @t-wylia @laughingcheese037 @kroumi @urdeadpoet @colezb @rey26 @harmzilla @elliewilliamsbae @amberfreemansburntface @kyuupidwrites @neverwaakeme-up @shark1008 @liballer @heyimadison @nvirskies @pnsteblnme @mar2ss @restellsss @ravisinghs-wife @marsconer @evangelinexo @randomhoex @luvrrish

@sincerely-silk

#clarisse la rue #clarisse la rue x reader #clarisse la rue x y/n #clarisse la rue x you #pjo tv show #pjo x reader

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noneorother · 5 months

Text

The art director & the Good Omens book cover tier list of doom, part 1

part 1 l part 2

This is going to have to be a multi-part series because there are *checks notes* 64 different covers that I've found so far.

I am your resident Art Director/Good Omens enthusiast, and welcome to my completely meta-free book cover tier list. Listen, making a book cover is HARD. I should know. But while we salute these artists for their hard work and time, I think we can all admit that once in a while, the vision is just not on. And on very rare occasions, publishers seemed to have managed to commission the cover art directly from hell... 1. The original UK cover

Ahh, the standard by which all shall be judged. We're starting off with a nice & easy cover, with adorable woodcuts of Aziraphale and Crowley flanking a custom Good Omens font! While I have to take a few points off for the terrible kerning of the word "GoOD", the blockprint vibes and general bitchiness of Aziraphale's teeny weeny wittle face, along with the sick colour palette puts the orignial in my good graces. Tier: Great

2. The duelling US covers

Progress! Hail to the designer who figured out trying to make "GoOD" and "OMeNs" fit the same width was a fool's errand, and even managed to IMPROVE on the original handmade title by adding a little halo and devil's tale to the design. Aziraphale and Crowley are facing each other, while also managing to serve absolute cunt. Aziraphale is wearing EIGHTIES SNEAKERS. Crowley's little snake boots have HEELS. They've managed to keep the woodcut vibes and colour simplicity, while balancing out the full title of the book. Both authors get to trade off on who's name comes first! Dare I say, this is a work of genius. I could dock some points for Crowley's sad bat wings growing out of his right clavicle, but who am I to question greatness.

Tier: Blessed by God Herself

3. The Halo Master Chief(?) cover

How the mighty have fallen... As a Canadian child, I was subjected to maybe the most horrifying ad in existence by the War Amps warning children about machine safety. This cover is the paper embodiment of that ad. I am confused by the purple haze. I am frightened by the seeming ethereal flatness of Adam and Dog. I am strangely aroused by Aziraphale's eyebrows, and intensely saddened by the terrible outline/drop shadow they had to inflict on the type to fit "Pratchett" in that god awful space. Tier: WTF

4. Germany, Ein Gutes Omen covers

This cover inexplicably exists in two colour ways: red and teal. I put the audiobook cover here so you could experience the full illustration, and also how fucked up it is that they cropped the book version to include three horse-people of the apocalypse, but cut off DEATH on the regular cover. Points must be given for drawing a pretty slick Bentley, but I think we have to take even more points away for turning Crowley into a Ray Charles/Mike Wazowski hybrid. The ducks are nice. Tier: Not so Good (Omens)

5. Germany, Ein Gutes Omen covers continued

I don't know if the German designer of this cover *knew* that they were using western yeehaw cowboy woodblock letters when they made this cover, but judging by how they spaced the rest of the text at the bottom, THEY DID NOT CARE. And that seems to be a running theme for this one. We get kind of a duality thing going on with the black and pink background, but it just seems like somebody whispered the general themes of Good Omens into a jar, and threw it down a well, and this poor chap came along and picked it up. The baffling choice to align every piece of text on the cover *except* Neil Gaiman's name which is right aligned and rotated 90 degrees (not even real vertical type) will haunt my dreams, I think.

Tier: Bad

6. US, UK The Traffic Jam cover

For the love of Good Omens, WHY. I can think of so many more interesting symbols to put on the cover of this book than the ODEGRA SIGIL TRAFFIC JAM. Props for keeping the good colours and type, but like, I think this cover was secretly designed by @amtrak-official, or someone who just really, really likes public works. Tier: Does the Job

7. France, De bons présages cover

Leave it to France to make sure people know that Aziraphale and Crowley fuck severely. While I can't condone leaving out half the title of the book (and thinking a red carpenter's square counts as decoration), I can begrudgingly acknowledge that Ron Pearlman and Benedict Cumberbatch's love child is excellent Crowley casting. I think I give this a solid dark academia/10. Tier: Good (Omens)

8. France, De bons présages covers continued

Just imagine with me, if you will, the absolutely hilarious reality that this cover posits: Good Omens is exactly the same in every respect, but Crowley drives a pink 1950s convertible. Why do all of the colours on this cover look like they've been pre-digested? Why are the font choices and placement so bafflingly bad. My face is the demon's face holding that car. I feel his pain.

Tier: WTF

9. France, De bons présages covers continued

Minus points for not managing to write the full title of the book once again. I don't know what it is with the French. They seem pretty set on Good Omens being demonic. While I do appreciate a good Bosch-style demon party, the dude in the middle confounds me. All-caps Museo Sans that isn't even *centred* in the frame is just so lazy. I am le tired. Tier: Bad

10. France, De bons présages covers continued

Uhh. The font. The font is okay.... I think? Yeah. The font and kerning are. Okay. OHHH GOD I LOOKED DOWN BELOW THE TEXT WHYYYY. Tier: WTF

END of round one. I need a nap.

#good omens 2 #good omens fandom #good omens #art director talks good omens #tier list #cover art #aziraphale and crowley #aziraphale x crowley #book cover #go s2 #gomens #good omens analysis

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