#i think she'd get real into it

[biitchcakes]

Somebody show her Avatar: The Last Airbender.

I don't think she'd ever turn it on for herself, or how much she'd even hear about it in the first place. But if someone stuck it on for her, got her into watching it. . . I just know she'd love it.

[fortjester]

you know what i DO want to talk about? that scene on top of the truck where nona’s arguing w varun, and varun asks “do you love?” and nona says, “yes - no yes. i don’t know what it means. i say it, but i dont know what it means. did i ever know what it meant?” which is truly heartbreaking to hear from a character who’s spent the entire book up until now loving most everything she lays her eyes on with nearly reckless abandon.

and fifty pages later - after paul’s birth (pyrrha saying, “it’s not love, what you’re about to do. it’s a mistake.” being almost immediately replied to with, “the perfect friendship, the perfect love.”/”life is too short, and love is too long.”), and kiriona’s interrogation (”okay. different question -- do you love her?”), a near constant barrage of “what does love really mean?” and “what is love?” and “what would love make you do?” “what lengths would you go to for love?” when she’s already struggling with the idea of knowing if she’s felt love at all - she very nearly gives in to that despair, the lack of certainty that she knows what her feelings mean and that she’s allowed to feel them. she’s mourning, and she’s not able to reach pyrrha through her grief, and everyone else she’s with is more broken than she’s ever seen them before. but then paul reminds her of noodle. and nona, in a moment of lurching panic, decides to live, if only just to save noodle.

to me, that’s a devastating moment of raw, human love. it’s like that moment in alien (1979) where ripley’s about to abandon ship, and then goes back when she realises jones (the ship cat) is still on board. nona was ready to let them all die, hopless and lost and sad, every one of them-- but noodle, a sweet yet unimportant pet, is what brings her back.

and i think that’s what make’s paul’s statement of, “it’s done, it’s finished. you can’t take loved away.” hit as hard as it does. she’s just had this crisis of faith in her own personal belief system of loving-things-for-the-sake-of-loving-them, only to have it reaffirmed, and is now facing the abyss of personhood, facing returning to a self who was hurt and was deeply angry, going so far as to say, “i’ll be different...and palamedes -- i won’t love him...i won’t love anything, i won’t know how.”

paul says, “don’t worry,” (even though she just explained why she was worried), “we loved you too,” because maybe nona’s right and she won’t know how to love anymore, but she needs to know that she did. she did love, and she was loved, and there was never a doubt in anyone elses mind that she loved them fully and completely and genuinely. maybe she thought she was faking it, maybe she thought she was just making it up, but it was real, and now it’s done, and no one can take it away. no one.

[necrotic-nephilim]

i think stephcass could have been potentially interesting if fandom let steph be herself and not ultimate uwu girl boss erasing all her negative traits. where is her jealousy? unhealthy obsession with her crush and complete lack of understanding of the concept of boundaries ESPECIALLY if that person is already dating someone? where is her almost manic urge to push away other potential love interests (and at this point i realized she would NOT have been so chill with ives if tim had come out much earlier yikes)

BIG AGREE OH MY GOD YOU PUT IT INTO WORDS.

because i love TimSteph for the reasons you listed!! there's something very unhealthy and teen girl-ish in the way Steph approaches relationships. she's angrily jealous and she thinks about Tim in a possessive way. like she is just so consumed by him and it's meant to be male comic writers writing how they think teen girls write about boys in their diaries- but it comes off as incredibly toxic. it's one of her deepest character flaws and what endears me so much to 90s Steph. she throws herself so deeply into romance when she has it, like she's afraid if she lets go of it for even a second it's going to leave her. and god forbid you be the person she falls for bc you will never maintain a healthy relationship with someone she views as competition, she *will* sabotage it. and to me these are all pros of her character. i *like* seeing how vigilantes struggle to maintain normal relationships- *especially* teenage vigilantes. Steph struggles to balance her "regular" life with being Spoiler and what things deserve a Stephanie Brown reaction and what things deserve a Spoiler reaction. and when she's dating, it's almost *always* going to be a Spoiler reaction and she shades her relationships through that lense. it's why civilian partners for Steph never really interest me. (besides the fact they always feel forced and clunky, like Steph's recent think with Maps' older brother?) it doesn't explore the way Steph loves to her fullest extent and how far she goes when she's into someone. there's no sweet puppy love for Steph, when she's all in, she's *all* in. she will do what she thinks is best for Tim oftentimes by her own will without his knowledge or approval, and sometimes massively fucks things up for him. bc she's just so wrapped up in what she believes is best, consequences are secondary.

and sure, she maintains healthy friendships. bc most fodder with StephCass is very healthy and soft. bc it's a *friendship*. and it changes radically when Steph is involved romantically. it's why there's such a difference in how Steph regards Tim when they're just friends as to when they were dating. she loves him and he's always going to be important, but that obsessive passion isn't what drives them anymore. so it's something you have to consider with *any* Steph ship in which it's a character she's had a friendship with- that how she interacts with them as a friend doesn't necessarily inform how she'd regard them as a lover. and that's the issue with StephCass. even the StephCass content that *is* comics informed (tho, a lot of it isn't and while i don't think fanon needs to be based on the comics to be good, i do think Steph and Cass are difficult characters to tackle if you aren't at least semi-familiar with their canon content bc of how warped they are in the fandom-) comes off with such a rose-colored lense that sours it for me. hell, even on Cass' side, things she's *canonically* done have been weird and obsessive about Steph. but that's never explored.

(tbh dare i say it's something to do with the phenomena in fandom that yuri is morally pure and perfect and yaoi is always dirty and bad- there's this almost sanitizing of sapphic ships sometimes to make them perfect and cute together and while i'm not here to yuck someone else's yum, i do think it's *telling* that women in fandom never get to explore the complex depths of unhealthy and toxic love in the way men do bc if you make a woman evil, it's misogyny. if you sexualize a woman too much it's misogyny. if you write her doing morally fucked up things even with the understanding it is her canon character, it's misogyny and you're villainizing her. i can sit here and say Tim is canonically shitty at relationships and ppl will not. if i say the same about Steph, then i'm critiquing a woman and holding her to an unfair standard. it's exhausting. it feels like StephCass only ever exists to depict Steph and Cass as morally pure and in love angels kissing in the background while the men get to do complex and nuanced and fun things in the foreground. this thought has probably been far more explored by others with more developed nuance on it, but i just wanted to point it out bc it's a very real thing i keep seeing *especially* in the Batfam fandom-)

and equally i think Cass' reaction to this intensity and obsession from Steph could be interesting. Cass historically has had poor reactions to knowing everyone is attracted to her and thinking about her, so that level of intensity i think could cause some negative reactions out of Cass that would add some very layered conflict to the ship. some of Steph's most negative traits *do* clash with Cass' wants and needs. it makes the ship more fun! it puts Steph's flaws on display as well as Cass' flaws and her internal issues surrounding romance. StephCass could be so weird and fucked up. but it's been defanged by this fandom in a way that turns me off to it. i love both Steph and Cass and i love exploring sapphic Batfam ships, so it *should* work for me. but the irony of it being popular in anti spaces combined with no one being able to acknowledge the flaws either of these characters have for the sake of making them kiss just. bores me and it's sucked any interest i could have out of it. bc god forbid women just be a little fucked up. </3

[angelsdean]

wait i just remembered the other day i was talking to my sister and she (a known spn hater) said the only way she'd ever possibly watch spn was if she watched it in spanish lmao (she likes watching random spanish soaps and things). and now i'm realizing, SHE COULD POTENTIALLY BECOME ONE OF THOSE CASUAL VIEWERS WHO LIVE IN A WORLD WHERE DEAN JUST RECIPROCATES

[weaverofink]

Reading the archie sonic comics is such an Experience bc I'm always somewhere between "wow sally is such a cool character" and "girl you've GOT to put a shirt on"

[bumblingbabooshka]

Tuvoktober Day 4: Dungeon Meshi Inspired Crew Ratings [Patreon | Commissions]

[total-drama-brainrot]

i love how basically every future! au i've seen has noah divorced from emma.

it's just so funny that, instead of having the two break up amicably after dating for a while and realising they're just not compatible/meant to be, most creators go out of their way to make noah this sad divorced man who fumbled his successful lawyer wife and ended up with the short end of the stick. yes! make this man pathetic and depressed! he's the saddest wet cat in existence!

[puhpandas]

the sense that cassie would knock into tony

[smile-files]

a happy-go-lucky darling who also happens to possess a lust for blood... being a magical girl gives her the best of both worlds!

[abyssalmermaiden]

some Viola musings and character traits:

she is generally selfish and not at all self-aware

likes to add poetic flair to her speaking- she thinks it makes her sound refined and its useful for obfuscating her true thoughts, especially at court

indulges in personal fantasy both for fun and to ignore the unpleasant realities of the Allagan Empire- including the danger she is in as a servant and then a courtier

[sifloopboning]

ok i said it as a joke at first but odile knocking up sif and/or loop WOULD be praxis and also hot as fuck. for all of 3 seconds before The Dread hits everyone involved bc its the literal nightmare scenario

[whitestopper]

"Why did Rhiannon kill him?! AJ saw her as she is and loved her!!"

(Rob Brydon voice) No, you idiot! AJ saw her as she is once he realised she was the killer. He might've seen her if she had killed him the first time she tried to kill him! And he would've eventually seen her if he'd kept on believing that she was an innocent hero while someone else was the monster, because she'd become more resentful at not getting her due credit and eventually snap! AJ was always doomed to be killed by Rhiannon for not seeing her as she is!

[bobcat-pie]

hear me out: Arthur Read looks like Conan Edogawa's fursona

[winepresswrath]

Oh so you are one of the jiang' soupbot' yanli who will throw jiang cheng under the bus for little xianxian. Cool

this like the time someone accused me of only caring about Wei Wuxian's feelings. thank you for the laugh anon but also are you lost.

[acourtofquestions]

"You'll come back," Manon said.

It sounded like more of a threat than anything

Dorian smirked. "Would you miss me if I didn't?"

Manon didn't reply. He didn't know why he expected her to.

He'd taken all of a step, when Asterin clasped his shoulder. "In and out, quick as you can," she warned him. "Take care of Narene." Worry indeed shone in the Second's gold-flecked black eyes. Dorian bowed his head. "With my life," he promised as he approached her mount and grasped the dangling reins. He didn't fail to miss the gratitude that softened Asterin's features. Or that Manon had already turned away from him.

A fool to start down this path with her. He should have known better.

The hours that passed were some of the longest of Manon's existence.

From anticipation, she told herself. Of what she had to do.

Abraxos, unsurprisingly, found them within an hour, his reins sliced from the struggle he'd no doubt waged and won with Sorrel. He waited, however, beside Manon in silence, wholly focused upon the gate where Dorian and Narene had vanished.

Time dripped by. The king's sword was constant weight at her side. She cursed herself for needing to prove-to him, to herself-that she refused to let him go into Morath for practical, ordinary reasons. Erawan wasn't at the Ferian Gap. It'd be safer. Somewhat. But if the Matrons were there … That was why he'd gone. To learn if they were. To see if Petrah truly commanded the host there, and how many Ironteeth were present. He had not been trained as a spy, but he'd grown up in a court where people wielded smiles and clothes like weapons. He knew how to blend in, how to listen. How to make people see what they wished to see. She'd sent Elide into the dungeons of Morath, Darkness damn her. Sending the King of Adarlan into the Ferian Gap was no different.

It didn't stop her breath from escaping when Abraxos stiffened, scanning the sky. As if he heard something they couldn't.

And it was the joy that sparked in her mount's eyes that told her.

Moments later, Narene sailed toward them, making a lazy path over the mountains, a dark-haired, pale-skinned rider atop her. He'd truly been able to change parts of himself. Had made his face nearly unrecognizable. And kept it that way.

Asterin rushed toward the mare, and even Manon blinked as her Second threw her arms around Narene's neck. Holding her tight. The mare only leaned her head against Asterin's back and huffed.

Manon hadn't dwelled long on what she'd say.

And as the three hundred Ironteeth witches filed into the hall, some coming off their patrols, Manon half wondered if she should have. They watched her, watched the Thirteen, with a wary disdain.

Their disgraced Wing Leader; their fallen Heir.

When all were gathered, Petrah, still standing in the doorway where she'd appeared, merely said, "My life debt for an audience, Blackbeak."

Manon swallowed, her tongue as dry as paper. Seated atop Abraxos, she could see every shifting movement in the crowd, the wide eyes or hands gripping swords.

"I will not tell you the particulars of who I am," Manon said at last. "For I think you have already heard them."

"Crochan bitch," someone spat.

Manon set her eyes on the Blackbeaks, stone-faced where the others bristled with hatred. It was for them she spoke, for them she had come here.

jacket, then hoisting up her white shirt. Rising in the stirrups to bare her scarred, brutalized abdomen. "She does not lie."

UNCLEAN

There, the word remained stamped. Would always be stamped.

"How many of you," Asterin called out, "have been similarly branded? By your Matron, by your coven leader? How many of you have had your stillborn witchlings burned before you might hold them?"

The silence that fell now was different from before. Shaking shuddering.

Manon glanced at the Thirteen to find tears in Ghislaine's eyes as she took in the brand on Asterin's womb. Tears in the eyes of all of them, who had not known. And it was for those tears, which Manon had never seen, that she faced the host again.

"You will be killed in this war, or after it. And you will never see our homeland again."

"What is it that you want, Blackbeak?" Petrah asked from the archway.

"Ride with us," Manon breathed. "Fly with us.

Against Morath. Against the people who would keep you from your homeland, your future." Murmuring broke out again. Manon pushed ahead, "An Ironteeth-Crochan alliance. Perhaps one to break our curse at last."

Again, that shuddering silence. Like a storm about to break Asterin sat back in the saddle, but kept her shirt open.

"The choice of how our people's future shall be shaped is yours," Manon told each of the witches assembled, all the Blackbeaks who might fly to war and never return. "But I will tell you this." Her hands shook, and she fisted them on her thighs. "There is a better world out there. And I have seen it."

Even the Thirteen looked toward her now.

"I have seen witch and human and Fae dwell together in peace. And it is not weakness to do so, but a strength. I have met kings and queens whose love for their kingdoms, their peoples, is so great that the self is secondary. Whose love for their people is so strong that even in the face of unthinkable odds, they do the impossible."

Manon lifted her chin. "You are my people. Whether my grandmother decrees it so or not, you are my people, and always will be. But I will fly against you, if need be, to ensure that there is a future for those who cannot fight for it themselves. Too long have we preyed on the weak, relished doing so. It is time that we became better than our foremothers." The words she had given the Thirteen months ago. "There is a better world out there," she said again. "And I will fight for it." She turned Abraxos away, toward the plunge behind them. "Will you?"

Manon nodded to Petrah. Eyes bright, the Heir only nodded back. They would be permitted to leave as they had arrived: unharmed.

So Manon nudged Abraxos, and he leaped into the sky, the Thirteen following suit.

Not a child of war. But of peace.

[the-vibing-ghoul]

some people will be all about mental health awareness and leftist ideals of at least tolerating the mentally ill who show ''ugly'' symptoms until it's someone they know and ''care'' about having a bad day and acting like it in a way they don't find appealing