#i think its fine to have joke characters like that. and i think its fun to extrapolate genuine characters from those joke characters

[oh-no-its-bird]

Full disclosure: I know fucking nothing about animal crossing. I've literally never touched it in my life. The extent of my knowledge is that there's that one cat character(?) who people are absolutely insane about and will charge real in person money to see. With that in mind:

obkk animal crossing shaped au where Obito moves to an island filled w human-animal people, run by its resident mayor, a funky wolf man named Kakashi

Obito living his best, small town life, surrounded by strange fluffy people ,,,

Actually having fun thinking ab just Obito being the only full human there, that's a fun mental image to me. He's actually totally weirded out by it but if he brings it up it goes something like,

"So uhh. Why do you have a tail?"

"Oh my god Obito you can't just ask someone why they have a tail"

Obito can no longer bring it up for fear of being animal people racist. Which is not a thing he knew existed, but.

The twist is that he could totally ask people and they'd probably answer juts fine but he made the mistake of asking Kakashi when Kurenai and Genma were around and all three of them were way too ready to fuck with him

Tanuki Genma,,,give it to me,,I wish to see him,,

Kakashi is a wolf man but actually that is a LIE and hes just a very big and fluffy dog guy who somehow got the reputation that he was actually a wolf and just kinda never disputed it, pass it on. He thinks its funny and will regularly make big bad wolf jokes n stuff but meanwhile hes like. A husky or smthn.

Obito realizes he's just a normal ass dog and gets weirdly butt hurt / disappointed about it. Turns out he is actually one of those half wolf dogs but now Obito is being stubborn and says he has "trust issues" and doesn't believe him anymore

Rin as Kakashi's mayoral assistant maybe? Then again, her working at the hospital is always fun tho.

Either or, I am trying to think of a good animal for her. Leaning towards smthn like a mongoose or a honey badger, small and cute looking but absolutely fucking insane and not to be approached under any circumstances because they can rip your fucking throat out

Gai is a bear, no further comments.

I really have no specific thoughts ab this other than it would be funny to me and I want to see normal human man Obito trying his best to live in a weird ass animal-people town.

I want mayor Kakashi to harass him daily and I want them to have a love hate relationship that largely involves them fucking with each other. I think it'd be neat.

[butwhatifidothis]

I guess the ultimate thing that kills CF for me - or at least nudges it away from me saying I definitively like it - is just how much Edelgard is clearly written with the player in mind before she's written with her character in mind.

Because on all of the other routes, there's a power to Edelgard's presence. Even on BE, there's a sense that for as lonely as Edelgard might be, she still ultimately will do whatever it takes for her to get what she wants. Be that be killing her citizens (or otherwise letting them be killed), endangering her friends, assisting in kidnapping people, allowing Byleth to support her only when they have the Sword of the Creator, covering for TWS - no bar is too low for her to limbo under if doing so means she's even a step closer to her goals.

She's manipulative! She's deceitful! She doesn't care for the lives of her people! Even her friends are forfeit if they try to stand in her way! And this happens no matter how close you, the player, get to her, in the case of BE - C+ ain't stoppin' Remire, and going to the coronation ain't stopping the Holy Tomb.

And in the war phase, she is dominating the field. She has the Kingdom completely on the ropes, down to a few houses standing against Imperial rule, and the Alliance is stuck in neutrality - she may not be able to do much to it, but neither can they do anything to her (to say nothing of the Alliance houses who stand with her). She's far from the underdog in this race, and she shows off how threatening she can be.

CF? Her route?

She scweams at scawy rats. She gets embawwassed when you find her dwawings. She's just so wonewy, and she's just so gwad that you chose her. She somehow fails to capture Rhea, or frame Dimitri for regicide, and so now has to deal with that on the Kingdom's side of the war. But that doesn't stop Elly Welly-kins fwom twying to find her pwecious teacher, because you're just so important to her. She cwies and hugs you when you meet her in the Goddess Tower!! Because she missed you so much!!

It's like... Dimitri and Claude certainly show different sides of themselves on their respective routes. It's the whole point! You grow closer to them and thus see how they treat those close to them, as opposed to being the Kinda Neat Teacher they see run along every now and then. But, like... Claude doesn't become a blushing maiden whenever Byleth speaks with him on VW. Dimitri doesn't scream at scary rats and get called cute for it on AM. They don't get Basic Bitch Gap Moe Traits slapped onto them that are only ever shown to the player and only on their routes. Unlike Edelgard.

Dimitri's endearing trait is that he's this big huge dude who can bench-press forests and arm-wrestle god who still wants to learn to sew and who teaches kids to protect themselves and who buys candies for his friends. Claude's endearing trait is that he's this mastermind planner who has contingency and lie and obfuscation as three separate legal government names who still wants everyone to be safe and happy and hold hands and be friends.

Edelgard is strong, confident, and willing to do some of the shittiest things known to man for her goals. Her endearing trait is that her screams are cute. She's shy about her drawings of the player character. She blushes over the player potentially joking about having sex with her per her JPN version of her C support; you know, the one about how Byleth walks in on Edelgard muttering in her sleep from a nightmare about her tortured family? Perfect time to joke about fucking her! Dimitri and Claude's endearments are, well, endearing; Edelgard's are all straight up embarrassing for her.

Hell, even the smaller stuff is affected! Claude's passion for poisons and mushrooms are things he has no qualms about having others know about, despite how weird they are. Dimitri laughing at shitty jokes brings him no personal discomfort or embarrassment, despite just how loudly he laughs at them. They have traits to them that can easily be uwu worthy, and they don't care! Of the lords, only Edelgard does! Because, it feels like, the only way for a strong, resolute female character to come off as approachable is if she's knocked down a few pegs for specifically and only you, the player.

And that sucks ass! I'm sorry, but when I'm playing Edelgard's route I don't want to deal with her hiding herself away in her room for a month IN THE MIDDLE OF HER FUCKING WAR because she's just so embawwassed! It is so fucking insensitive that Edelgard is literally the only lord of the three who can have her trauma openly belittled at any point in the story by Byleth, all to have some cheap cutesy uwu moment about her fear of rats (calling her screaming in fear cute and INSISTING that it's really cute which is just. Fucking ew man)! Why can we fucking mock Edelgard's manner of speech during the MASSACRE OF REMIRE?

This shit doesn't happen to Claude or Dimitri! And saying "oh just don't pick those options then" is bullshit because no equivalent options exist for the male lords! It's piss-boilingly annoying that the second you choose to see things from the strong confident villainous ambitious female lord's perspective you can reduce her down to this bumbling moeblob just for you (sometimes unavoidably!) like!! Dude!

[fefairys]

like idk personally i dont think characters like feferi and nepeta were "robbed" and this is coming from tumblr user fefairys with the feferi icon. i think that not every single character in a story needs to have equal focus or care put into them. sometimes characters just have smaller roles in a story than others and the author doesn't care about them as much and that's not, like, evil. it's okay. especially in a work like homestuck that has SO MANY FUCKING CHARACTERS. write fanfiction about it.

[seventh-district]

not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

[an-unraveling-unknown]

Hey y'know when you start playing a visual novel game for the funny-sillies and then it turns into a character-building exercise that has you in a hyperfixation chokehold. well

[sonknuxadow]

just got a blazed sonadow post on my dash that was actually such a jumpscare

[caruliaa]

one of the worst phenomena in fandom is when theres a character that everyone loves so much and thinks is the greatest guy ever who only ever does nice good things and then some other people start to point out examples of that not being true and then their narrative starts being that that character sucks forever so much and is only ever awful and the worst and we cant have any nuance about literally anything ever yayyy yipee !!!

[elsolaer]

so i will write hcs on this later but i write my stelle as very comedy relief protag who doesnt know whats going on BUT i want to lay out scenes within the game that actually had her react seriously in a way that fits her narrative as this person who was chosen as a vessel out of nowhere and nobody knows what to do with her or say to her about it.i have a few in mind already but i think laying that out will be a good foundation for what genuinely sets her off

[arovalentines]

this is doing something to me

[drchucktingle]

One of my fav podcasts is doing an episode on you and I'm shaking my head because they're not real buckaroos and they don't understand that you write because love is real and everyone should have joy in their lives. They're just making jokes and I'm like "at least buckaroos embrace what makes us happy"

yes this is interesting thing that happens with my trot A LOT. i usually will repost a podcast or interview if someone does a nice talk on chuck, but there is STILL a large portion of folks who seem to have the irony poison pumping through their veins and cant come to terms with the fact that my work is sincere

you can pretty dang quickly tell if someone is laughing AT you or laughing WITH you. i have trotted onto interviews where i IMMEDIATELY know i am getting laughed at and honestly that is okay. i cant really blame them because i know the way the culture of irony swirls around us and swallows everything up, especially online. i also know that as i trot forward and break down walls of 'low brow' and 'high brow' art there will be resistance, ALL the good trots forward will face resistance.

HOWEVER it also has to be said that a lot of this is just plain old SUBCONSCIOUS BIAS (or maybe conscious bias sometimes) against queer people and neurodivergent people. if my work was straight and i followed the neurotypical template for art i would not be treated like this. honestly the most fascinating thing to me is that these otherwise kind, well-meaning or even politically left people are just publicly tearing apart someone for, if you really wanna get down too it, being bi and autistic. i think they would be HORRIFIED is someone pointed that out, and for some reason they cant see it

i think a lot of this has to do with people thinking i am not 'real'. it is much easier to treat a 'character' this way.

but it is fine. its the trot ive got, and if you think about it, even though these folks are resistant to take me seriously and with actual respect for my work, it is actually THEIR loss. a podcast episode where you make fun of my book titles for an hour is SO MUCH LESS INTERESTING than a podcast where you pull apart what im actually doing and the intention behind my work. any time a buckaroo dives into THAT part of it, their analysis resonates across this timeline. so really its the folks makin fun that are missing out

[redstonedust]

if we're pitching our own minecraft movie ideas heres mine:

keep it an isekai, make it animated, the main characters are siblings of different age groups (youngest hasnt played the game because her brother tells her videogames are for boys, middle kid is a bratty 13 year old obsessed with roblox and minecraft and fortnite, oldest kid is teen/college age and thinks minecraft is a lame game for babies)

start with all the obvious minecraft stuff, reacting to floating trees, trying to go in a cave and getting scared off by a creeper, etc. they find their way out onto an online server, play minigames and meet mcyt cameos and players with specific niches. throw in a 2b2t reference, make a mob vote joke, whatever. at some point it turns out that the oldest kid actually does have a history with minecraft and just didnt want to admit it because she grew out of it and theres a bonding moment.

they run into another player who yes fine can be voiced by jack black and hes like. a dude who was also isekai'd into minecraft years ago but lost his way out. he thinks if the kids beat the ender dragon they'll be allowed back into the real world so they assemble a team and convince them they wanna beat the game because their little sister has never done it before.

yada yada the rest of the movie is just the normal progression of beating minecraft. eventually its whittled down to just the kids and jack blacks character. he sacrifices himself to give the kids a chance, they land the final hit, they wake up in the real world. epilogue is the older two kids introducing their little sister to gaming.

idk i just think you could make a movie thats 80% references to minecraft community jokes and 20% a story about a videogame bridging generations and it'd be fun. its a simple formula.

[andhumanslovedstories]

I've been running this writing experiment lately to cut out phrases like "I felt" in my fiction writing. Like I was looking at a sentence in a draft that said, "he felt as if character's eyes were pinning him in place." And then I was like, "well, does he think that or is it true? As a result of this person watching him, he's froze. It's not like a thing, it is that thing."

Oh and "almost"! I'm always going, "He felt almost relieved that it hadn't happened." Well, did he feel better that it didn't happen or didn't he? Or "somewhat", I'm always going, "she felt somewhat perturbed."

And like none of that is wrong, to be clear. I don't know if it'd improve your writing, I don't even know if it'll improve my writing, but I use this sentence structure all the time so every viewpoint is from a voice that thinks about what it thinks, hedges its statements, and offers the same ability for wry little jokes formatted in the exact same way. And I have a lot of writing like that and I think (!) that they're good, but read as a whole, I'm like, "god, they all sound the same." Like there's one melody that I write songs to, so even with different lyrics, it's almost (!) the same song. Something I've been struggling with in regards to my writing and why I've felt so blocked is how boring I found writing my usual way. I'd read something and enjoy the individual parts of it, but then I'd step back and I didn't like the whole. And I got good at this enough at seeing that I didn't like it to do it in real time as I was writing, which as you can imagine didn't improve the process of writing because now I was bored AND dejected about being bored.

There's this sentence-level structure fact that I use unconsciously. A pattern I find easy is short sentence, short sentence, short sentence, long sentence. So I write that. "He [verbed]. He [verbed]. Then he [verbed]. As he [verbed] to his [consequence], he [verbed] that [noun] was [statement of condition]." Which could work, it often does make for a nice rhythm, but it's something I reach for often because it's easier for me.

Just last sentence, I originally typed, "I find it easier for me." But if what I mean is "using this pattern is less effort than another pattern," then it's easier for me. One voice is hedging its bets and the other asserting. Either is fine! But they're different! And, again, GOD you would not believe how many words I've cut out of this paragraph as I write it. I'm so chatty. I love using twelve words when six will do. And that gives my writing a specific tone to my ear.

So if I am bored of that tone, why not try using just the six words? Why be understated? Why be afraid of stronger opinions? So right now with my fiction, I'm experimenting with cutting out as many self-reflective words as I can. Sometime you do need to draw attention to the face that this is the character's interpretation, but like you definitely don't need to do it as much as I naturally want to do it. You don't need to always go out of your way to allow the possibility that the narrative voice is wrong. During editing, I trim the weaker ones (I originally typed, "what I consider the weaker ones" Is that more accurate?). But I think them being there in the first place shifts my language which shifts my character's which shifts my plot. It's sentence structure all the way down!!

(this barely applies to my writing on here, btw. i try to do good but yknow this is a tumblr blog. i'm not trying to get a lit mag to accept it.)

Anyway blah blah (chatty!) the point is I've been trying to write in a way opposite of my interests. Something that doesn't take itself too seriously, that emphasizes EMOTION and ACTION instead of minimizing it, and that clips through scenes at a good pace. Doing this been amazingly fun. I've been having such a good time doing it. I am writing so much because I really enjoy doing it. The process of writing is so fun again.

This post is about two things. One is my new mood stabilizer and therapy day camp. The other is about the benefit of pretending to be MXTX.

[barblaz-arts]

I know you've been making a lot of art of it lately, but out of curiosity, what's your opinion on Hazbin Hotel in general? I'm referring to both the show and the fandom here. Just curious.

God. What a loaded question. Are you ready? Bcuz I'm fresh from Vaggie discourse on twitter and I have a lot to say.

I think that Hazbin Hotel seems worse than it is for people who know the fandom but haven't actually watched the show. Honestly, I think it's a fine show. It isnt super incredible and I'm not gonna sing praises about how deep and thought provoking it is or whether it's an artistic masterpiece. It never tried to be that and was never advertised as such(to my knowledge) anyway. I just had a lot of fun. Like, yeh sure the cussing in the dialogue can be a bit much, especially in ep 1, but there are different writers in other episodes, so it gets better. It can be super crude yeh, but I grew up watching things like the Scary Movie franchise and other dumb american movies (yes, i was too young for them. yes, i still watched them), so it's pretty tolerable for me. It also helps that Charlie is the main character. That's one of the main reasons why I watch HH but dont watch HB. It's probably a fun show, but without a sweetheart like Charlie to balance things out, I'd just get tired of the sex jokes and mean jokes.

Compared to my last hyperfixation, I think I have more things to love about Hazbin Hotel, believe it or not. With Netflix's Wednesday, I had already been an Addams Family fan for a while and hung on because I loved the family and eventually Enid and wenclair. The show itself was honestly meh... so far! I'll give season 2 another shot.

But with Hazbin Hotel, it catered to a lot of things I've always loved. Found family with a bunch of misfits? We didnt get to see it much bcuz of the fuckass 8-ep per season format we have nowadays, but its fine its there! The juxtaposition of a kind hearted woman in a harsh world? Love love Charlie for that, I watched the show in the first place because of her. A canon lesbian lover with a "fuck the world cuz my world is you" type of love for the protag? Fuck yes. How very Pearl-from-Steven-Universe of Vaggie. And the music? The music is soooo good. I didn't know the songwriter prior to watching, so I was nervous about the songs, but I knew most of the theater actors they cast(still cant believe Jeremy fucking Jordan is Lucifer) so I figured even if the songs are mid, at least the performances would be topnotch. And they were! But the songs were a pleasant surprise. Sam Haft did real damn well. I still listen to the soundtrack to this day.

The fandom, however, is probably the worst one I've been in. And I've been in a lot in my big age... Just... lacking media literacy, and based on the replies I get when I say something on twitter, it seems a lot of them lack reading comprehension and just plain emotional intelligence too.

There's a lot of criticisms about this show that I honestly think is fair. Pacing, character design, overuse of the F word, whatever. But in my opinion, claiming that Hazbin is a male-centered show is an unfair misconception that is mostly the fault of the fandom.

Bcuz, sure, the male characters are uber popular. Alastor, Vox, Lucifer, Angel Dust and the many web of ships they're involved in went trending every few business days. But come on now. How often does a fandom even have their main protag as the most talked about character? This has been going on for ages. Just because the boys have the most merch and fics and fanarts and thirsty fans doesn't mean that they had the spotlight for most of the show itself. It only meant that they were the ones the viewers paid attention to, in a fandom filled with people drooling over the next tumblr sexyman and toxic yaoi ship of the month.

But if you actually look back at what the show gave us so far, the boys didnt outshine the women. I actually think the women got to do more and be more as characters than the men did. Let's take a look at the male characters.

Alastor was not in all the episodes. In fact, he was MIA in two out of the eight episodes. In all the episodes he was in, he was a mere side character. His purpose in season one was to stir the pot and be the intriguing mystery that occasionally quips. But he was not the one whose deeper thoughts were explored and whose character and goals was challenged THROUGHOUT the show, merely alluded to at the VERY END of the season, which is hardly him taking the spotlight away from Charlie. If you merely looked at the fan content of him, you'd think he were a father figure to Charlie(or a love interest. whatever) and that he has developed a soft spot for the Hazbins deep down in that cannibal heart of his. But if you pay attention to the show, he never had even a meaningful one on one conversation with the Hazbins. The only time that happened is when (a)he threatened Husk's life (b)when he constantly mocked Charlie while she was down in the dumps and used this as an opportunity to manipulate her and (b)when he told Niffty watching the crew sure can "make one sentimental", even tho he had taken no prior opportunity to bond with them! There's no foundation for all the fandom's claims that he could be redeemed bcuz of a budding fondness for the group, but that's all you see of his fan content(aside from the horniness). I dont have any problem with his lack of an actual relationship with the Hazbins bcuz I believe redemption for him is not what the show is going for, but it's frustrating to see people interpreting it that way BUT not seeing how horridly developed it would be if that is the case, meanwhile they turn around and say that Vaggie and Chaggie as a ship "had terrible development".

Then we have the male Vees. Vox was only ever in episode two, and was essentially a youtube reactor in episode 8. He was in ep 4 but had no speaking lines. We only know of his obsession with Alastor and the toxic relationship he has with Val. Val, meanwhile, is merely shown as the sex obsessed fiend behind Hell's sex industry and Angel's abuse. They did what they needed to do with minimal screentime. It was fine, but that's IT. Despite what little CANON gave so far, you have hundreds of people writing essays and fics and fanarts about them being complicated characters. But to reiterate, this does not mean that they are bad characters or that they don't deserve the fame. But to say that these men are better written within canon than the women is such a bold statement when most of the depth they knew of these characters were lore drops given before the show and their own speculations as they dug into the shallow soil of what the show has so far.

I'm not gonna speak about Angel and Lucifer. Because I think they were characters who were legitimately well-explored so far.

Now onto the women. So many of them were given the opportunity to have their characters challenged or given the agency to push characters and the plot forward or give you intrigue about implications of what's to come for the characters and the plot. I've talked a lot about Charlie and Vaggie. So let me talk about the other, terribly underrated women of Hazbin.

Velvette and Carmilla were the ones who advanced the subplot in the war against Heaven. Because of Carmilla's love for her family despite being a demon, an angel was killed. It gave Heaven the excuse to escalate things, but it also gave Charlie hope later on in the season that they're not powerless. Carmilla was also the first demon shown to make selfless actions that is contrary to what is expected of demons, making it proof that Charlie's belief that demons deserve a second chance isn't unwarranted. She's an interesting character, as an overlord who hangs on to power but clearly has morals. But how often do you see people writing essays about her? Eating up the fact that she's a powerful overlord but would sacrifice anything for her daughters? If Carmilla were a man, hundreds of girlies would be drooling over the crime boss who has a soft spot for his daughters.

Meanwhile, Velvette got to demonstrate why exactly she's an Overlord despite being the youngest demon in there. She's calculating and observant. She gives off a haughty vibe and constantly boasts about how she's young and fresh, but she isn't naive. During that meeting, she paid attention to Carmilla and Zestial's relationship. In order to find out who killed the angel, she riled everyone up, and when she got the feeling it was Carmilla, she mocked Zestial so that Carmilla could slip up. By playing these Overlords who are older and more experienced than her, Velvette showed what exactly her asset was to the Vees and why she's a threat, something that Vox and Val have yet to be given the opportunity to do when they were busy eye-fucking Alastor and literally fucking Angel. But in fan content about the Vees, Velvette is almost treated as an after thought to the boys...

Then we have the Seraphs. Not only were their designs gorgeous, their dynamic and presence as characters had impact to the plot and main characters.

Emily is a much needed character to show that this story isn't meant to tell you that Heaven = bad; Hell = good. There is good and bad in both, and it is so important for the protags to know that they have an ally in Emily who represents the true virtues that heaven is supposed to uphold. And I love the confrontation she had with Sera when her own view of what's right and good was challenged. We got to see the strength of her character and started the seeds of what could be heaven's acceptance of Charlie's goals.

Sera is such an interesting character to me. She was also important to show that not all angels were sadistic like Adam and Lute, but not in the same way Emily was. I have no idea so far which direction this show would go with her. But I'm intrigued by the fact that she seems to be driven by fear, unlike Adam and Lute's cruelty. She knew Lucifer and was there when he was cast out for his disobedience. Whether everything she's doing is to prevent that from happening again remains to be seen, and I'm looking forward to this kind of subplot for her.

And then Rosie! I really really look forward to seeing more from her. Spoilers aside, something I barely see people talk about is how interesting it is that Rosie is every bit the leader that Charlie hopes to be. Rosie is able to be a respected overlord in her own faction without needing to sacrifice her love for showmanship and music and her positive disposition. When we were officially introduced to her, they show how she seems to care about actually taking care of her people, not JUST ordering them around, by talking to them personally and giving advice. That's exactly what Charlie wanted to do for her people, isn't it? The hotel to Charlie was what the emporium was to Rosie. They have a lot of similarities that could set up for Rosie to be the one to teach Charlie in becoming a leader. Now whether that's a good thing or a bad thing remains to be seen, but it is rather compelling.

So yeah! With all that said, I really dont think this show ignores its women at all. Just because a bigger part of the fandom gravitated towards the men doesn't necessarily mean its a misogynistic show so far. But if certain people are claiming that the women are badly written, then I hope they also own up to the fact that their blorbos are just as shallowly presented within the show, maybe even more so. Which wouldn't even be a bad thing! Since when did a show or character have to be amazingly written for a person to like them? That's just no fun at all. All I'm saying is... Fuck this fandom's double standards, hiding behind claims that it's the writing's fault when the problem is they couldn't be bothered to think about the women.

[piracytheorist]

I'm rewatching the Yor learning to cook episode and it's just SO fucking good you guys. Not only the episode itself but the way its storyline is presented.

I've seen people react to jokes about Yor's cooking with a "but she's getting better at it!" and while I understand that reaction, the thing is, she doesn't have to get better, and the narrative itself is perfectly fine with her being at best mediocre at cooking. Yor's bad cooking is used to explain her low confidence, but it makes perfect sense when you consider the misogyny in the era she grew up and lives in. But aside from one comment Anya made to deflect, and involuntary reactions to her food that they can't actually help, neither her nor Loid actually judge Yor for her cooking nor do they demand more from her. It's just accepted that Loid will cook as part of his share of the chores and no-one even spares a second thought about it. In fact, the main reason Yor worried about her skill is because she believed Loid spent an entire day in the bathroom because of the breakfast she made, so she wanted to learn better because she wanted to avoid giving them food poisoning.

Of course, this does tie in with her job, where she's trained to kill in cold blood, and with the world around her, who perceives women not only as less valuable than men but also defines them in strict patriarchal terms, one of which is that the wife cooks and she must do it well too. So even though her bad skills don't worry her too much about her worth, it's unavoidable that it will affect her and I think it's important that the story itself takes that into consideration.

And I just wanna point out how it's actually good that the narrative adds a humorous tone to just how bad her cooking is, because while it does make a reference that her low self confidence is because of the sexism she's faced in her life... the humor isn't sexist. Try and flip the genders here. A story of a straight couple (fake or real married) where the woman cooks well and the man is a horrid cook would make no-one bat an eyelash if it simply poked fun at how bad the man's cooking is. Again, without any comments about the character's worth based on his cooking, just that whenever he's in the kitchen, there's usually a bloodbath one way or another.

It's the same exact presentation with Yor! The narrative takes away gender roles and simply pokes fun at her bad cooking, in the same way stories poke fun at characters failing at any random skill. Like we have the word "himbo" as an affectionate term for a male character who's kind but very stupid but god forbid we love a kind female character who is equally incompetent in something. We only find it sexist because we were also conditioned to think that only women cook well and that it's a woman's responsibility to cook for her family and do it well and as we grew we rejected that expectation. The story actually subverts the sexism of that and it says "Yes this woman's cooking is absolute shit and we love her for that."

And it's all solidified with how the story resolves: Yor makes a good dish, and Loid and Anya praise her for it. But it's not in a "you get a good grade in wife" way, it's a "we appreciate this meal you made for us". Yor feels happy because her creation made them smile. She offered them something that they never demanded of her, and it made them feel good. It's about human connection, all over again, that someone's efforts to offer to their fellow human were rewarded with pride and gratitude. It's especially touching that the dish Yor made was something from her own childhood, something that brought warmth to her too.

It's also important to remember that another motivation in the whole thing is that Yor and Loid want the public to think their marriage is real and not worthy of gossip - which is why Yor mentions that she was worried about getting in trouble in regards to her assassin work; her reason to get into that deal in the first place was for cover for that work. The better and more conventional their presentation, the more solid their cover. That's why she mentions at the end that she feels more confident as the wife and mother of the family; it's the fact that she now has something to use for their cover. Say she's talking with someone and the conversation veers towards cooking. Before, if she was asked about her cooking, she would have to say she doesn't cook or her family hates her cooking, and she would worry about getting judged, like Swan judged her. Or she would have to lie, something we know she's not very good at. Now she can at least say "Oh they love my stew!" as the perfect answer because it's simple, clear and also true. So again there's definitely an element of her confidence being low due to the society's sexist worldview. But in this case it's also, and actually more, her worrying about being reported due to not fulfilling her "gender role" sufficiently.

(anime only fan here, don't spoil me for the manga)

[meanbossart]

ASK COMPILATION: BODY HAIR, BHAALIST DU DROW, BLOOD INQUIRIES, THE MAN'S DICK AND HOBBIES.

Answering more asks! As always, I want to apologize for not being able to get to everyone - literally nobody has ever complained about it, but I still feel bad 😅I appreciate everyone's questions and sweet messages all the same, and even if your ask isn't here I hope you can be entertained by the other replies!

Anon I feel terrible about having to say this because I can tell you were hoping for a specific answer here, plus doing your very best to sell your pitch to me -

But DU drow hates body hair.

I'm not making this up in the spot just to be a contrarian, this is one of various unimportant character details that have come up already at some point or another, for whatever reason. It is no coincidence that many of the characters he finds unattractive do have visible body hair, like Gale and Halsin whose hairy toes he dreads the sight of.

I refuse to believe that elves are truly dolphin-smooth as that would be an absolute biological nightmare, so both him and Astarion have a normal amount of peach-fuzz all over. Otherwise, DU drow finds the sight of anything longer/coarser than that unseemly, and the feeling unpleasant; it is simply what he grew up with and hence what he's used to. In this respect, he wants people who take after his own image.

As with most things, he could forgive it if he were in love with someone - assuming you don't mind the occasional joke about it. And unfortunately I think something as significant as Halsin's case would be too off-putting for him to ever give them a chance. A Shadowheart situation, on the other hand, he could grow to like.

I believe there's some sources that imply bhaal-corrupted(?) blood should taste a particular way, leaning towards the unpleasant. People can make up whatever headcanons they want with that information, BUT since I spent over half of this game supplying the guy with the stuff and he seemed all too pleased about it, I choose to assume it's not that bad.

I think there would be something... Lively about it? Fairly normal taste but it leaves a tingle on his tongue, like it squirms on its way out and dies in his mouth moments before it can hit the throat. Very salty, but it could just be his skin.

[FAR, FAR MORE UNDER THE CUT]

Bhaalist DU drow likes both cats and dogs just fine (again, he considers the animal kingdom to be it's own thing and hence removed from his fate to butcher humanity) and you wouldn't be wrong to assume he has a thing for dogs in that AU because of their unconditionally loving and loyal nature, however Bhaalist DU drow is still very much a cat person. He likes their independence, their little attitudes, their self-sufficiency, plus the fact that they keep the rat population in check inside the temple. He finds those qualities admirable, respectable, perhaps he would even find them desirable in a partner if, unlike he cats, he wasn't so opposed to them roaming free.

In-game DU drow succeeded the check required to spot Astarion before he could jump him - so yes, just not the version where they end up rolling awkward around the sand for 2 minutes, LOL.

He's semi aware of it, or at least he becomes aware whenever Astarion's mask slips. When Astarion is putting on a good performance, DU drow wholeheartedly believes it. Also, It's worth noting that Astarion does manage to have fun occasionally, and have periods of... Superficial happiness? They just so happen to be unfulfilling, and don't make up for all the other pitfalls of his situation when they inevitably come crashing back. He's also great at tricking himself into thinking this is a good time.

Bhaalist DU drow makes vague attempts at "making things better" whenever he catches him in a mood, usually through physical affection or lavish gifts. That works well enough the first year I think, before everything kind of loses its luster. After that, DU drow just gets it into his head that Astarion "doesn't understand what he must do to succeed and keep him safe".

This is a VERY interesting observation and... Maybe? Especially early in the relationship, DU drow finds Astarion's quasi-predatorial behavior very attractive, but only AFTER he notices his vampirism. I think this outlook of the character contextualizes Astarion's condition in a way that he can immediately understand and simpathize with, even if DU drow doesn't know much about vampires themselves. Of course, this is specific to Astarion - he does not extend this grace to the rest of his kind.

I'll be thinking about this one!

I don't know the video in question but from your description I think they would both be VERY confused, LOL.

HMM, I think that might actually depend on a lot of things! Assuming the woman (or just the other partner) in the relationship isn't a drow, and exactly what KIND of devotion we're talking about (is the drow pro-active? Protective? Does he put his neck on the line for this relationship with pride? Does he seem strong and capable and like he doesn't rely on his partner?) he might see enough of himself in him that they could actually get along. This is similar to how DU drow immediately took a liking to Aylin even though she's this moon-goddess child and a supposed beacon of justice.

The quickest way to get on DU drow's good side is to be the idealized version of what he believes himself to be. Oh, and not get in his way.

If they're both drow it's kind of hopeless though, yeah LOL.

Planning on it!!

DU drow never slept with Haarlep! He only took his clothes off and then attacked him full in the nude.

...I'm not sure how to justify that in the lore, but it's exactly what I did and it's too funny to take it back, LOL

I think Astarion was just kind of baffled by what transpired until DU drow turned to while hopping around pulling his pants back on and asked if he enjoyed the show, then he remembered he just loves finding any excuse to take his clothes off.

That's a lovely compliment, I definitely go for a very "organic" look so I genuinely appreciate it. Thank you!

Thank you!!! A lot has actually been said about Gortash in my #enver gortash tag, if you'd like to get all the gritty details. Suffice to say that they had a very odd but significant friendship.

DU drow is the kind of person who shoots awake as soon as the sun starts gracing the sky, but he tends to do whatever he has to do and then go back to bed right after, and stay there at least a bit past noon. He did this both in his bhaalist days and in Astarion's company, though the amount of time he spends asleep during the day definitely increases because of the vamp, especially over time!

So, the urethra in a penis is located pretty much on the underside of the shaft, so the wound actually does not reach it! As far as functions go - peeing and ejaculating - it comes out of the tip's opening as normal. When he first caused the wound it probably did puncture the urethra, but that would have closed up over time. What you see is the injury many years after the fact, after all.

So the implications are pretty minor. Aesthetically, his foreskin hangs a bit weirdly when he's soft (like a tiny little penis curtain) and has more give than usual. Functionally, he has spots within the scarred up injury that are either numb or overly sensitive. Also, you can kind of see the dickhead notch through his underwear which is fun.

Otherwise, that is pretty much it! No worries about the nature of the question I've gotten worse, LOL. Thank you for your kind words as well!

I think he used to write in his bhaalist days - very, very occasionally mind you - like if you scoured the temple you would find a dozen or so ripped up pieces of paper with little short poems on them, written in a very sharp and carefree hand. Anywhere from 3 to 10 lines per-poem, usually less than more. The sentences are descriptive of actions, never feelings or thoughts, but they don't ever seem literal.

Back in those days, he also went to the theater every other year.

Post-tadpole, he ends up dabbling in carpentry, leather-work, and enjoys listening for musical numbers taking place in taverns and inns to go to and watch. He eventually starts pulling Astarion into little slow dances when that happens. I think he might end up writing again someday, but not for many, many years.

[portraitofadyke]

I think Our Flag Means Death is a very unique show in a way that they don't care to cater to mainstream media. And yes, by mainstream media I mean the general straight people.

I think it's very important that we have feel-good shows like Heartstopper. A few years back, a tv show about two queer boys in high school would be unthinkable. But its plot generally revolves around explaining queerness. Sure, it's nice. It's definitely the show I would watch with my family if I were a teenager and wanted to come out again (I had to watch glee with my mom to do that. not optimal). It's the show where teenagers find love and themselves, but sexuality is constantly discussed, explained, sanitized. It's the show straight people will watch. And that's good. We do need shows like that.

But Our Flag Means Death doesn't even bother trying. It's a show about mostly middle aged people, most of them not white, most of them queer in one way or the other. It's really a game of spot the hetero, like someone said. And the characters are not sublte about it. They have sex for fun, something most characters don't have in tv shows, definitely not queer characters. They make dick jokes. They are not all conventionally attractive and they know it, and the writing doesn't care. They are all people before they are queer representation.

Stede's storyline in s1 is in a part about discovering himself and his sexuality, but it's not obnoxiously repeated. Instead, it's played in a natural way. Stede's storyline is ALL about finding himself, yet it's not just about that. Just like Ed's storyline, it's about toxic masculinity and allowing himself to have fine things and self-hatred and finding his place in a world, something most of us can relate to. Hell, none of us were even sure the main characters were going to kiss and end up together, we were all so sure it's a queerbait. But this show doesn't bait its audience. It's not afraid of weirdness. It embraces it instead. There is a nonbinary character. No, they are not a mermaid. Call them jim. That's it. Yes, Lucius and Pete got engaged. Everyone there knows what mateolage is, congrats. Olu and Jim never break up and then Archie shows up, then Zheng, and we all know. We all know.

Two men nearing fifty have a deep, romantic moment where one of them appears as a mermaid, and it's treated as the profound scene it is without ridiculing it. This would never fly in a 'mainstream' media. It would have to be downplayed. Here, it saves Ed's life.

The show tells you racists suck, but it doesn't tell you in a condescending, finger-waving way catered to the white people. Instead, it sets your ship aflame and burns you alive, runs a knife through your hand, puts poison in your drink and kills you.

This is a show for adults, for queer people of all kinds, and it does not give a fuck if anyone else gets it. It's so rare to find a tv show that caters to us, yet alone a tv show that's genuinely good and caring and so well loved.

This is a show that basically straightbaited its audience in the first season, that's how much they don't care.

Idk, I just feel that it will take ages for another show like OFMD to exist in a world full of MCU and media that tries so hard to be liked by everyone it loses its personality and charm. Rant over