#i think about this interaction Constantly

[gay-dorito-dust]

just some random one piece stuff.

buggy didn't get to experience kindess or deep understanding from anyone other then you in his entire life, he was the flashy fool and the occasional punching bag for those far more powerful then him. Yet all you've ever done when coming into his life was wordlessly patch him up when he was roughed up by others, sit by him as he ranted about anything and everything, and even comb his hair when he couldn't bring himself to do it without getting annoyed with how it didn't seem to listen to him.

Despite eveything you've been told about him you stayed regardless, and somehow that meant more to Buggy then he could ever fathom, never having seem himself as someone worth staying for at all. It made the man feel feelings he onced wanted to ignore, now it was something he couldn't deny to even himself no matter how hard he tried, for he couldn't bring himself to imagine a life without your kindness and paitience that you've shown him constantly.

So you defying everything he's ever believed about himself thus far has made him think that maybe, just maybe, he was worthy of being loved after all. This all comes ahead when your just about to drift off to sleep, when you felt him kiss your cheek as your eyes opened to look at Buggy as the tip of his ears blossomed in a nice shade of red, his eyes kept glancing at the now red lipstick mark that might as well have glowed vibrantly in the dark. 'Buggy?' you asked softly.

'you're too kind, too good for me at least.' he told you in equal soft voice, resting his head on your shoulder, secretly worried of what your expression would be which meant he didn't see how you visbly softened at this.

'And you're too hard on yourself.' You replied as you kissed his head, coaxing him to lift his head from your shoulder and look at you once more, pressing a kiss to his furrowed brows. 'far too hard on yourself, that you don't get to see how some people could see your beauty and see you shine.' you add as you kiss his lip quickly before pulling away, some of his lipstick having passed over on your lips from the sweet action. 'but i see you, i see you shine my sweet show stealer and i couldn't be more proud of you.'

Needless to say you were bombared by rapid fire kisses to your face, lips, neck and more by a restless Buggy, who wanted to reciprocate your affection by smothering your face in kisses, so that you might not comment on the fact that he was indeed tearing up while doing so.

kidd doesn't express his affection as much as you'd hope he would, yet accepting that doing such things weren't Kid's style, and also accepting that the only level of such affection was bound in possessivness and territorial feelings that would be brought up every now and then.

It made you feel less sometimes, being somewhat loved by a man who felt the need to uphold his reputation by ripping his arm away whenever you tried reaching for it, glaring at you from the corner of his eye while doing so to show his disapproval. Though the same couldn't be said when he felt as though someone else was trying to make a move of what was his, it had often left you confused more or less of the time as he bared his teeth at others.

'do you actually love me? or do you just love the idea of having someone to claim as your own, uncaring of how they feel when you make them feel as though your love is a performance or an act you only do when felt threatened, like an injured animal?' was the biggest question that lingered within your mind when you watch Kidd from afar, for you didn't feel as if you knew where you stood with him on most occasions, it made you put into question most -if not all- of your interactions with the red haired man.

So even when he did kiss your cheek, leaving his signiture shade of red upon your skin, much like a glaring warning to anyone who crosses the path no one should cross. You ended up wiping it off with the back of your hand, though not entirely as streaks of his lipstick clung to you possessively as the man himself. The kisses didn't feel genuine and it made you feel sick enough to rip yourself away from Kid and leave the bar that you and the rest of the crew were rasing hell within.

Killer would have to talk sense into Kid as to why you weren't pleased with the affection given to you, telling him why to you it felt disingenious and a tactic he only uses when it only applies to combating the wandering eyes of others on you, and nothing more. 'They think you don't care kid, that you stop them from showing affection but only show yours when you feel threatened and even afterwards your doing anything but reinforce that you two are infact together.'

Kid felt conflicted at this, brows furrowed as his jaw clenched. He is aware of the person he is and knew that you did also, having made peace with that the moment you got with him, yet it seemed that it had gotten to the point where you belived that you were just arm candy for him, which wasn't true but Kid recagnised that his inaction to change that didn't make anything better either. So Kid knew he had to do something to make up for it and fast in fear he'd loose it all.

You found a series of Kid's handy crafts work in the form of various sea beasts carfully made from weilded metal at your door the next morning, alongside with a crude note that read: 'i know you may hate me, but at least let me try and make it up to you before you decided to kill me with your gaze ok?' It wasn't much but it was indeed a start.

corazon is experiencing cutness agression for the first time.

It was unfair how cute you were being, how perfect you were in his eyes, how perfectly fitting you were in his life as his safe haven and someone whom he could rely on. Someone who makes everything feel right, make him feel as though those cloudly days were a thing of the past, while guiding him through them with a calm he's never had when those cloudy days do make their reappearence.

It doesn't take much for Corazon to reach out and hold your face before smother it in kisses, leaving his lipstick stains upon your skin in the process, making you smile and giddy as you felt him pepper you in kisses that tickled and lingered upon you as if they were made out of magic themselves.

You loved it as it was a high you didn't want to come down from, especially when you got to take a good look at his handy work within any refecltive surface, and smile widely when you saw just how much of your face was more Corazon's lipstick then anything.

If anything it made you fall even more in love with him somehow, waving off his attempts to wipe it off out of embarrasment, uncaring of the face that his lipstick was smeared across his own cheek. 'let me just-'

'no.' you stopped him. 'i like being covered in your lipstick.' you told him, watching as his eyes widened and his body stiffen for a second, before he seemingly took a wrong step and landed on his backside, and his legs sticking out in a comedic way that made you laugh as you helped him back up to his feet; and seeing his cheeks a shade of crimson that made you wanna kiss him sensless in equal measure. 'seriously don't wipe it off, i wanna be reminded that you love me so much.'

you might as well have killed the poor man with your words with how speechless you've left him, but the smile that crept upon his his lips and threatned to split his face in two spoke of another story. One where he was profoundly happy and in a state of personal euphoria as Corazon couldn't take his eyes away from you, taking in the sight of you caked in his lipstick and finding some sense of joy in such a sight; a sight he could only hope to see constantly from now until forever ended.

[overdramaticbaddie]

SOME DELTARUNE SPOILERS IDK JUST KERDLY THINGS

ooooohhhhhh so THATS how you do that.

Anyway, I've recently been thinking about Berdly, and how Kris seems to be the only person to actually like him, like, at all.

If you think about it, everyone Berdly interacts with does so out of necessity, or just being too polite to shut him down completely.

Alphys throws out the apples he gives her when hes trying to be a "teacher's pet", Susie and Ralsei pretty much disregard him, Queen TOTALLY disregards him, and even Noelle, the person he would consider his BEST FRIEND seems to just be humoring him out of pity, and if she were less of a pushover, she would ditch him entirely. Pretty much all others who know him just act like he doesn't exist.

And this isn't completely unjustified, because Berdly is a fucking insufferable asshole.

He loves to brag all the time, takes credit for other people's work, and insults others constantly to make himself feel better.

But these behaviors are shown to be out of a feeling of loneliness, that he has to act out in order to be perceived, to not be forgotten. This, ironically, brings about the exact opposite effect, and just pushes others further away from him.

He has shown time and time again that he fears being alone, he desires companionship, he copes with the resentment of others by believing they must simply be jealous of his intelligence or in love with him.

Nobody likes him, nobody wants to be his friend, he always has to be the one to initiate because everyone will just avoid him.

Except Kris.

In canon, they have been shown to often be the one to seek him out, whether it's to prank call him or play games.

Kris seems to have a bit of a soft spot for him, and are willing to go out of their way to help him when he needs it (like when he accidently uninstalled minecrap and kris walked him through fixing it and NOELLE FUCKING SAID IT WAS CUTE LIKE GIRL YOU KNOW WHO THE BIG PRANK CALLER IS IN THIS TOWN YOU THINK KRIS WAS CUTE TO HIM)

Well, Kris seems to be a kind person in general, this tends to only present itself in serious situations, doing something like that seems a biiiit out of character for them.

Also the bit with him in the hospital fucking FLOORED me, like oh my god Kris you asked Susie to stay behind, turned on the radiator, changed his FUCKING WATER BOTTLE, and then noticed that "it might be your imagination, but he seems calmer" like bestie i didn't know you were NURTURING like i get dragging him across hometown to get him to the hospital and then slumping over to Noelle's house to reassure and warn her, but to FUCKING try to NURSE BERDLY BACK TO HEALTH like do you know????? do you FUCKING know???? how many hurt/comfort fics i have read??????? do you know??????????? WTFFFFFFFFFFFFF

And what's also really cute is how in the normal route the two options on the Berdly phone call in chapter 4 BOTH lead to Berdly expecting Kris to wanna be his date at the festival???? this plus the fact Susie and Noelle are canonically gonna be going together as a DATE??????

But, yeah, anyway, I think Kris genuinely cares about Berdly, possibly as more than a friend?????

I think they would be mostly frustrated at the SOUL for fucking with whatever plans Kris has at the festival for dark fountains and shit, and those probably wouldn't involve Berdly.

(BUT ISTG BERDLY IS GONNA BE SOOOOO FUCKING IMPORTANT NEXT CHAPTER TRUST)

[i-use-to-have-a-life]

the one thing that makes me INSANE with brain rot and Pangkey rpf:

THE DENIAL

most heterosexual men i know when secure in their sexuality have two types of interactions with gay interactions.

1. they only say “i’m straight” once and then go about their day. no need to constantly remind people of their sexuality.

2. say “i’m straight” then play more into the gay banter as a joke. the bit will only last less than a minute or so depending on the conversation but then fell back into their normal conversation

this is not the case with Pangi and Lukey.

we have heard many times Pangi say he’s straight but he keeps constantly repeating that he is. this repetition does the opposite and feels more like an excuse especially since its happened with Lukey. Pangi (from what i’ve inferred) has had multiple gay roleplay situations with other people but have had the more normal responses from a straight person (the ones listed above). things are different with Lukey from the small glimpses we get as a viewer.

Lukey i’ll only touch on briefly because he’s a different case that would be a longer post. i have 3 big notes on Lukey’s reactions. 1. his have been more like the list above but there’s something I cant quite put my finger on. i think its the amount of time he spends on the bit and the number of times he’ll go back to the bit in a single setting. 2. the amount of times he will bring up Pangi in natural conversations without the prompt. its like word vomit. 3. i really don’t want to actually speculate on his sexuality but i’ve noticed an interesting trend with him. Lukey has started to cut back on him saying he’s straight and in his recent stream said “partner” rather than “girlfriend” when mentioning any potential relationship in the future. it is an interesting thing ive only recently noticed.

overall it’s interesting that not only has the entire community of investors and Pangi enjoyers noticed the difference, but their friends have all made a comment on the nature of their relationship. i’m not sure tho if they are also playing into the bit or how much these people know they context.

[tozettastone]

I've been thinking about the differences between attribution of ideas in fandom and in academia. There are reasons the academy is so strict on the attribution of ideas and the arts aren't.

Creating new knowledge is the backbone of academia (auspol please do not interact, I know ಠ⁠︵⁠ಠ). We need to know where ideas come from in part because we may later need to discover where our beliefs about the world diverged from the truth, especially if there are regrettable matters of research integrity at play. But more pragmatically, citation metrics make or break a researcher's career (and often a university's reputation and rankings) so they get measured to within an inch of propriety.

But in art, an idea is bloody cheap. Execution is what matters. Execution is where the skill is, and where the idea is actually communicated. We slurp up others' ideas into an artistic lexicon and allude to them casually and constantly. We build upon them as scaffold. That's how we got BOTH six billion allusions to Shakespeare and how we got the ever-evolving list of conventions relating to the unattributed omegaverse (with apologies to Addison Cain, of course).

When you get to transformative works, it's even murkier: what claim do you actually have upon ideas you've cooked up in the context of an artistic work when you're already playing in someone else's sandbox? Hard to know.

Then, it gets more complicated still: fandom is an active hobby community. We pretty well have to live with each other. Execution is still what matters — generally speaking I have seen absolutely no fandom sub-community that accepts straight-up plagiarism (here defined as representing someone else's execution of an idea as your own) — but I think we all know that if someone lifts an entire story outline, the liftee is going to be understandably pissed off, even if the execution is all original. That right there is the much-debated difference between "things that are absolutely morally wrong by the standards of the space in which we find ourselves," and "things that are mildly impolite but not really a moral issue."

All this is to say, at least for my part in this conversation, when I post about fic ideas, I am fully aware that it's very possible that someone will pick them up and go run with them without ever attributing their inspiration to me. And yes, if it's like an especially detailed blow-by-blow, dot pointy idea I had to cram under a readmore, or if it's lifted directly from a work in progress I was clearly posting about because I was working on it, I will probably have a whinge in private that someone did a dick move. I'm not, like, inhuman; I will always have the capacity to whinge about the predictable outcomes of my own behaviour.

But you gotta know: if it's something vague like "Akatsuki characters time travel together at this point in the plot and fuck up the timeline for good" or "Ichigo time travels to the turn back the pendulum arc and becomes Shinji's lieutenant and drives Aizen to drink," or "Kakuzu sells mermaid Hidan into the exotic pet trade and his buyers start out by demanding a refund but end up just giving him back because please please please take him back," that's not even an outline or a WIP or whatever — that's just, like, a concept. (But if you know me and I ✨ inspired you✨ then you should message me like 'I'M USING X TO MAKE Y,' obviously. But that's not about the attribution of ideas. Shhh.)

I've been asked about this kind of thing more often than you might imagine. Yes. Yes, you can take that idea. I love to get a @ on tumblr or AO3, but let's be honest, I wouldn't have posted it online if I thought I'd get REALLY upset that someone might borrow it without citing me. If I was desperate to be the first person to write an idea I felt was highly original, I'd have waited until I executed it and basked self indulgently in my own genius.

So like, yes: Go write about Itachi living on an abandoned farm and adopting a barn cat. Go write about soulmates who can write to each other on their skins. Go write your Akatsuki office au where Kakuzu is the bad tempered commercial director banging Hidan the rude receptionist. Go write your fic about Dorian Pavus's terrifying assimilation into Ferelden culture and the heart attack it gives his dad.

People spotting a stray concept in the wild and using it to support their own execution of that concept, especially when blended with other ideas, is just how arts-related stuff kind of works. Which is kind of useful, honestly? Like, otherwise how would we have developed such a rich tapestry of fun (and often dumb as fuck, bless us) narrative conventions from which to draw?

Anyway, I can only speak on the topic of people taking inspiration from my fics and posts, and YMMV, but in conclusion I think:

short ideas and concepts posted on social media are cheap

taking whole original characters, or lifting entire blow-by-blow outlines will likely cost you someone's good opinion and you'll be persona non grata with all their friends, so don't do it without asking, and

misrepresenting someone's actual execution of an idea as your own will cost you 1–3 limbs and probably also your head, as it should.

All three of these things have happened to me and I am absolutely certain you can figure out which one of the three I'm most likely to bitch about in public to a wide¹ audience on my blog. But I reckon I'd have very different expectations if I was conducting original research, my job was creating new knowledge, and my whole future rested on my H-index.

[taragreenfield]

Who is the worst love interest in YA and why is it Mal Oretsev?

One thing about Mal is that you can open any article on toxic relationships and find at least 10 matches with his behavior. Aggression, belittling, disrespect, guilt-tripping, blame-shifting, emotional abuse, manipulation, possessiveness, controlling behavior, substance abuse—you name it, and it's probably here.

He doesn't really care about Alina at first, but when she's taken to the Little Palace and suddenly becomes popular, he remembers that she is his friend. "You are becoming your own person?" Not on my watch!" So he finds her in the palace, sees that she for once feels confident and beautiful, that summoning made her healthier, that she finally learned to control her power, and that other people appreciate her—and of course he has to shit all over her, calling her "a cosseted princess" and insinuating that she whored herself out to the Darkling (because she wears his color and symbol, oh horror). He apparently assumed that Alina was tortured and mistreated there and got offended that she was actually thriving. What a friend, eh?

When they run away, he nags her for eating too much (the girl who didn't have an appetite due to wasting sickness and looked borderline malnourished), doesn't care that suppressing her power made her so weak she could barely move her feet, and keeps reminding her that he became a deserter for her. I already can see their married life, where he reminds her how he almost died for her if she ever complains about anything. Idyll.

When Alina becomes the general of the Second Army, Mal's douchebag behavior reaches the critical level. He constantly whines to Alina about how he feels unneeded because she's busy with her job and he's not the most important guy in the group anymore. He spends evenings getting drunk, gambling, and beating up Grisha. He constantly gets aggressive whenever Alina interacts with Nikolai, forcefully yanks her more than once, speaks over her (telling everyone she won't wear black and won't accept Nikolai's proposal as if she can't make those decisions herself), and shares embarrassing stories about her in attempts to "humanize her" (nothing raises morale and fosters respect towards your commander quite like stories about them jumping in puddles and getting beaten up as a kid for ruining their slippers).

When Alina shares her worries about disturbing visions she's having and dares to flinch when he touches her, he gets pissed off and leaves (with a bottle of alcohol, of course).

He kisses Zoya and tells Alina it's her fault because "Zoya doesn't flinch when he touches her."

He also tells her he would like to carve her powers out of her and says he preferred her when she was repressing her powers (which made her sickly and miserable).

He works as the captain of her guard, but after yet another hissy fit, he abandons his position at night, leaving Alina alone. She walks outside in despair and almost gets torn apart by a group of overzealous fans.

He distances himself from her when she struggles with responsibilities and claims it's "for her own good." He even speaks like a textbook abuser.

In the very end, Alina is said to be mocked and sneered at by their servants, and he doesn't seem to care that their staff has no respect for his wife. He gets to be popular once again; she doesn't steal his spotlight, so he's not particularly bothered.

Almost every interaction between them ends with Alina feeling ashamed, guilty, drained, and miserable. She immediately picks up on the slightest displeasure or coldness from him and berates herself for her "careless" words. She feels guilty when he shows up drunk and bruised after leaving her in danger. When she thinks he returned, she tells herself it's okay he kissed Zoya and left, as long as he comes back and she's not alone anymore. Self-respect? We don't know her!

Even when his lines are supposed to be romantic, they also usually end up sounding disconcerting. "I love even the part of you that loved him", as if she has to be generously forgiven for having "lustful thoughts" about another man while Mal gets to sleep around all he wants. "You looked beautiful even in Cofton with pollen on your brows"—that's when she could barely stand from wasting sickness. She looked beautiful when she was sick, wow, what a great compliment! "I see you now"—when the whole country sees her, she's a literal saint. "I'm ready to starve and freeze with you." If you want to appear selfless and loving, you can say you are ready to starve and freeze so she doesn't have to instead of suggesting suffering with you. The girl had two guys offering her to be a queen, and she picked the one who wanted her to starve and freeze with him. Genius.

Even his change of heart in book 3, when he gets all supportive and appreciative of her powers, honestly sounds like a manipulative technique. Abusers aren't mean to their victims all the time; otherwise, the victim might finally come to their senses and leave. They usually have periods when they are all apologetic, generous, helpful, and supportive to lull the victim back into a false sense of safety. They also love to make grand but ultimately useless gestures to prove their devotion (like a huge-ass tattoo over their back, ahem).

One of the most astonishing things about those books is how they paint a pretty convincing portrait of a domestic abuser (down to their victim's reaction) and then try to tell you that he is actually a great, loyal, dependable guy and the safest, most wholesome option for the heroine.

"I will strip away all that you know, all that you love, until you have no shelter but mine" - that's what Aleksander tells Alina at one point. It's ironic that Mal is the one who actually succeeded in that. She loses her power because she claims her third amplifier (Mal), then she fakes her death and leaves with Mal (who, unfortunately, survived) for her orphanage under a false name. She is officially dead. She doesn't even have her name anymore. It doesn't seem lke she has any close friends or consistent communication with other people. There is only Mal and the orphanage servants who scowl at her and consider her a lunatic. No power, no acceptance, no status, not even respect, no recognition. Nobody but Mal knows her story and her real identity, and she can't share it with anyone else, as she must preserve the myth. Mal is a "charming popular guy" and she is his weird unlikeable wife, no longer Grisha but too odd to fit in with ordinary people.

[your-dear-memmy]

RIGHT, LIKE, Kokichi being a leader is a massive part of his character, and it's crazy how people dismiss it since that serious side of him appears more than once, so it's nice to portray him in his element with DICE because that part of him is very much hinted at in the game. It's also the reason why he pays so much attention to Miu and Gonta! It's just like a leader to know how to -for lack of a better term- make use of every asset. (I do think they could've been good friends if their circumstances allowed them to be, especially since Kokichi and Gonta in particular are often seen hanging out together.)

Outside of the killing game I'm sure he could seem a bit more leaderly even to people who aren't members of his organization without needing to use reverse psychology, since he wouldn't need to worry about Monokuma and the ringleader targeting him with the motives just because he tried to get others to cooperate. He says it himself that cooperation gets you killed in the killing game!

I wish that both Kokichi's ultimate level leadership abilities and intellect were displayed even in Despairless AUs, because they're a fundamental part of his character that are easy to miss. From what I see he's always portrayed as either a silly class clown who wastes his potential or a tragic anti-hero with trust issues even outside of the game, never an in-between, which is crazy to me due to how he supposedly has 9 friends who he considers family, so it's clear to me that, imo, most of the trust issues are caused by the environment where robot bears are forcing them to murder each other.

Naturally, given his background (hinted to be hardous by that one interaction he has with Kaito) he might have had some level of trust issues to begin with, but it would just be the type of him not saying much about himself rather than constantly villanizing himself to push people away- that's killing game exclusive, or at least it is to the extreme level it reached, fueled by mania and grief and resentment.

Picturing DICE as a group of people so chaotic it makes Kokichi look reasonable in comparison is SO funny to me.

I think Kokichi would keep his childlike mischievous attitude, but I'd really love to see a serious and stern leaderly side to him where he needs to be the one to scold someone his own way, or even when he needs to bark out orders quickly.

Some DICE members seem older than him, but it'd be funny if his overly responsible nature (hidden by his loud personality and silly hijinks) would turn him into some sorta dad friend, especially since the fandom at large headcanons DICE to be made of orphans. It's even more amusing with the older members.

How can someone be a little brother figure and a dad friend at once? By being as confusing as Kokichi, of course!

(A single dad who works two jobs, who loves his kids and never stops, with gentle hands and the heart of a fighter, I'm a survivor🎲)

[ghostinapool]

I think Erik Campbell and Jason Todd would be bros and I could even see shipping them together in a “they both know what it’s like to die” kinda way.

so funny you say that actually-

i adore fdb. i adore it sm. and i am a HUGE jason todd kinnie. so naturally, i make him love it too. silly silly <3 i make him do a little simping over erik campbell. he thinks he is very cool. but if they were to ever interact, yes. they would be the best of friends PROVE ME WRONG!!

BUT, my lovely partner @evelynendar actually made a dc oc like, entirely based off of erik where his entire thing is constantly dying and being brought back, and he and jason are best friends and also have some... history. ykyk. (i also have an oc based off of bobby named mateo, who is bowie's little brother!)

i dont have a drawing of them together, i should do that... i have a bit of art i still have to post on my tumblr, but for now i can link this, which is art that does contain bowie! if my partner wants to reblog this with art of him he can also do that but he deserves the love for that so i won't post it myself PFF

but they're fun! there's even a third silly in there based off of julia. she was twins with mateo. woahhh!

anyways. if yall would ever want to hear more about those guys, let me know, i love talking about them <3 (also just saying, bowie's girlfriend, onyx, DOES have a blog on here <3 @onyxmp3 if anyone is intrigued... AND she has an ask box...)

[shenzuul]

I hope it's obvious to anyone who reads my fic that I had this image open the whole time I was writing as my reference point.

POV: You are Sung Hyunjae, the most powerful, bored man in the world, and this, your first impression of a man everyone calls a shabby, pathetic washout, was the sexiest thing you ever saw in your life.

[elvisqueso]

Pocahontas (1995)

why did he say this.

[theartingace]

Murderbot meets ART (who knew transports could be smart enough to be MEAN)

[evilkitten3]

what's really funny about madara being narratively the "bigger bad" in relation to obito is that. obito is worse. like a lot worse. like i love him to death but he's objectively so much worse

madara's base plan required maybe 10 deaths (the jinchuuriki + nagato, later adding rin for some reason which i don't personally believe but it's technically canon so i'll include it). obito has like. the highest bodycount in the series. like this man is directly involved in multiple state-sponsored ethnic cleansings. like idk if even black zetsu has the kind of blood on his hands that obito does, it's that bad

but he was a really great guy!

[pokemonblack3white3]

More people should headcanon Leon and Sonia as exes. Sonia took Hop in the divorce.

[hellspawnmotel]

[palecryptid]

been watching borderlands video essays again and i kinda miss him

[eastbluecrewed]

yellow

(quick little comic based on the post/poem below the cut, thank u to @that-oracle for the idea your brain is massive)

[vaguely-concerned]

rook x lucanis: romance with a commentary track! solas and spite contribute with their thoughts and opinions along the way whether anyone wants them to or not. it's like a MST3K episode up in here as you try to get hot and heavy. in. in the pantry. love among the radishes at the end of the world (rifftrax version)