#i think about this interaction Constantly

[heesimp]

sunghoon who has to hide his rough dom side in sex from a new gf to not to scare her away but he has the worst corruption kink possible and therefore.. constant vile conversation with himself in his head while watching his pretty soft naive girl who has no idea of how much of a mean perv he is

sunghoon who cums at the thought of his girlfriend being a virgin

-

He shouldn’t be doing this because you’ll be out of the shower any minute.

Sunghoon would like to think he knows you well enough to know how long it takes for you to shower when you wash your hair. As he’s experienced only a handful of times before, it takes you a while to shampoo, exfoliate, soap yourself up before washing it away, and complete your post-shower hair and skin routine. You’ve got it down pat but it still takes a while. Sunghoon knows just how much time he has to jerk off before you come out.

“Fuck my cock like that,” he whispers into the quiet air with his legs spread wide on your bedsheets with his pants and boxers shoved just below his balls. He makes a tight first with both hands and twists them. “I could make you feel so good if you let me.”

He really could. But he’s your boyfriend and he loves you, sure, but he knows he’d love you even more the minute you let him stick it in. Sunghoon is constantly so horny and hard that keeping this a secret from you is starting to tear him down. He eyes you like his prey when you’re in public and loves observing the way you interact with his friends.

You’re so innocent, drawing everybody in and making friends out of strangers. He almost feels bad for thinking about you with your back arched as he fucks you from behind.

“Such a small pussy.” Sunghoon grunts and thrusts his hips into the air to meet his hands. “Gonna let me fuck you soon, Y/N? Hm? I know you want it.”

And to a certain extend, he thinks you might feel the same way. But knowing you, Sunghoon thinks your nerves are getting in the way. You were hesitant to agree to let him take you out on a date because he had been previously known to mess around and keep friendly relations to a minimal with people he would sleep with. Sunghoon was ready to throw that all away the minute he met you by way of Jongseong and upon seeing you in the baby blue number he loves so much, Sunghoon deleted every girl in his phone that wasn’t family and girls he wouldn’t sleep with.

But even so, Sunghoon is so horny all the time. He’s not used to this abstinence and you shy away from sex scenes on TV or the mere mention of anything indecent. It turns him on more than he’d like to admit and if he’s an asshole for getting off on the idea of taking your virginity, he’ll deal with the consequences.

“I bet your pussy’s tighter than anyone I’ve ever had.” He moans when he cups his balls with his free hand. “I’m so close, baby. Please let me fuck you. Let me take your virginity. Fuck.”

He stands up and looks around for a tissue, stacking three on top of one another to avoid soaking your blankets. Sunghoon turns his wrist and angles the head of his dick towards the tissues before grunting and watching his cum cling onto the white Kleenex below until he’s all emptied out. Sunghoon gets rid of it and tucks it underneath your trash and calms himself down while laying on top of your bed.

You walk out looking like the innocent angel he knows you to be with a halo around your head. Your bare legs and wet skin make Sunghoon gulp.

[craftgremlin]

This reads really interesting no matter how you slice it. Literal, all different people describing their experiences separately? Beautiful.

A back and forth discussion? Marvelous.

A set of siblings talking about their experience together but can't hear each other? Shivers.

Love this exploration of family dynamics and siblings, especially considering my own relationships with siblings (I've got like. A lot. And I'm on the younger end of the spectrum.)

So growing up I was treated as 'younger' sibling more as my younger sibling was close enough in age to me we were treated similarly and the youngest hadn't been born until much later.

And as we all grew, most of the siblings didn't maintain contact well so the ones I interact with the most are the 2 younger than me. So now I'm treated as 'older' sibling way more often than I am 'younger'. It's a weird transition as I've aged tbh I don't remember when the shift happened specifically but it's weirdly melancholic to think on the transition and my experience as both older and younger sibling.

I constantly wish I had been a better big sibling and I constantly want my big siblings to reach out to me with as much effort as I reach out to them sometimes.

Damn this got me in my feelings now.

comments from tiktok about siblings

[meanbossart]

im so curious-- how well does DUDrow get on with the other companions? I've only seen your art and going off that I feel like: he gets along with Shadowheart, Gale I think he borderline cant stand, and Wyll/Lae'zel/Karlach I have no idea how he'd feel about them but id love to know!

So, funfact, because I was not familiar with these kinds of games at the time I played BG3, I practically stuck with the same exact party the entire playthrough. I distinctly remember swapping Wyll in for Astarion once at the end of act 2 because I thought he NEEDED to be there to find Mizora, and I replaced Gale with Karlach when I went to kill Gortash. Otherwise... It was pretty much always just DU drow, Shadowheart, Astarion and Gale. I did this because they were the characters I liked most, so I wanted to see all they had to offer.

Anyways, I mention this because it reflects how DU drow related to everyone - which is to say that he didn't. He picked his favorites (two because he liked them, one because he has fireball) and didn't get particularly close to anyone else.

BUT, there were definitely notable dynamics!

Lae'zel: She's dead. He killed her night 3 or something. Before that he thought her annoyingly demanding and over the top. I don't think DU drow even remembers her by the end of the game.

Gale: Just to add to your original observation, Gale and DU drow have a little bit of history. Gale tries, for about half of the campaign, to pursue him romantically. DU drow keeps turning him down and is either misinterpreted or ignored, and by the time Gale does give up on him their relationship has completely soured to the point where they are constantly shooting daggers at each other. (this reflects a romance bug I got in my first run, except I didn't realize it was a bug. Either way I think its more interesting storytelling than the intended experience.)

Wyll: DU drow was profoundly frustrated by Wyll every step of the way. He found him to be incredibly naive and a bit delusional in his pursuit for heroism, and could never relate to Wyll's perspective or choices - the few he made for himself, at least. They definitely had the least in common and DU drow avoided interacting with him most of the time.

Halsin: He didn't care for Halsin much. He was vaguely helpful but by the time they got to the shadow-cursed lands DU drow had the impression he'd only been dragged here to help him clear his conscience, which he didn't appreciate. Also, he couldn't bear to have someone in camp be taller than himself. Halsin was left behind in Act 2.

Jaheira: DU drow fucking loves Jaheira. They bickered and borderline insulted each other and had a great time doing it. He can respect anyone who will call him a monster, threaten to murder him in his sleep, and make light fun at him the next day. It helps that she's hot, also.

Minsc: Weird hamster man. Ocasionally rendered him speechless. Puzzling human being.

Karlach: He didn't get Karlach, but he was often amused by her and curious enough to want to hear what she had to say. There was a similar issue here as Wyll's where he just couldn't relate to her enough to have much to discuss, but Karlach at least had an edge to her that made her far better company. They got along pretty well when the topic wasn't serious, but when it came to the problems she actually faced their perspectives shifted significantly. DU drow thought everything could be fixed, that accepting her own demise was a cowardly thing to do - and as they approached the end, and she asked him if he would stay with her when she died, he thought she was weak. I don't know if he ever discusses it with anyone, but he feels guilty about her death to this day and sees it as personal failure.

[dorabellingham]

Both

warning: none

characters: jude x jobe x fem!reader

summary: when he introduces you to his family, but it seems like the younger brother doesn't have the expected reaction

request: yes

may contain spelling and translation errors!

It was a sunny Saturday in Birmingham, and the weather was perfect for the lunch Jude had been planning for weeks. He was eager, though he wouldn’t admit it, to officially introduce you to his family. Until now, they had only known you through a few stories and videos that he had shared with them with enthusiasm. Today would be different. Today they would meet the woman who had stolen his heart.

You were visibly nervous as you adjusted your simple but elegant dress in the rearview mirror.

—They’re going to like you, babe. —Jude said, squeezing your hand gently. —You’re amazing, Y/n. It can’t be any other way.

—I just… want to make a good impression.

You replied, your eyes betraying a hint of anxiety.

Jude smiled, leaning in to kiss your forehead.

—You’re going to be perfect, as always.

As soon as you arrived at the Bellingham house, you felt the warmth of the welcome. Denise was the first to wrap you in a tight hug.

—We finally met the girl Jude talks about so much!

She said, smiling warmly.

Mark, on the other hand, was more reserved, but kind. He shook your hand firmly, silently nodding his approval. You felt relief course through your veins.

Then Jobe came. At only 16, he seemed less at ease than the rest of the family. Tall and with the same unassuming smile as your boyfriend, he kept a slightly stiff posture as he greeted you.

—Hi, I'm Jobe. I've heard a lot about you!

He said, his voice slightly shaky.

You smiled, warm and spontaneous.

—I hope good things, Jobe!

The younger brother blushed instantly, looking away.

—Oh, yes, of course. Good things, lots of good things.

Jude watched the interaction closely, his smile fading slightly. He knew that look on his brother's face —it was the same one he used to give you in the first few months he'd known you.

During lunch, you quickly won over everyone at the table. You had funny stories and a light-hearted manner that charmed your in-laws. Even Jobe, who was usually more reserved, laughed at your jokes.

—And then Jude tried to cook for me once. —You said, laughing. —He even burned the water!

The table erupted in laughter, and Jude shook his head, feigning indignation.

—Okay, it was just once, and I was trying to impress.

—Well, it seems to have worked.

Denise commented, smiling at you approvingly.

Jobe, on the other hand, remained quieter, but his eyes were constantly on you. Every time you looked at him or asked him something directly, he would visibly blush, stumbling over his words to answer.

—So, Jobe, how are trainings going? Jude talks about you a lot.

You asked with genuine interest.

Jobe choked slightly on his water.

—Oh... they’re good. Well... intense, but it's... it's nice, you know?

Jude narrowed his eyes, watching the interaction carefully. When you leaned over to pick something up and accidentally brushed against your brother-in-law's arm, your younger brother's face turned red and that bothered the older Bellingham.

Later, while you were talking to Denise in the kitchen, Jude pulled Jobe out into the backyard.

—So, what's going on, huh?

Jude asked, crossing his arms.

—What do you mean?

He answered, trying to sound casual.

—You know exactly what I mean. The way you look at Y/n. —Jude stepped forward, his expression serious. —She's my girlfriend, Jobe.

The boy raised his hands in defense, his face still flushed.

—I... it's nothing, right? I just think she's... nice, that's all.

Jude narrowed his eyes, assessing his brother.

—I hope so. Because I love her, and I won’t let anyone, not even you, ruin that.

Jobe sighed, shoving his hands in his pockets.

—I wouldn’t do that, Jude. You know that. Just… relax, okay?

He finally nodded, but still kept a warning look on his face.

—Okay, just remember: Y/n is my girl.

Later, while Jude helped his mother clear the table, you found Jobe alone in the living room. He looked uncomfortable, fiddling with his phone as if he wanted to avoid eye contact.

—Jobe, is everything fine?

You asked, sitting down next to him.

He glanced at you quickly and then looked away.

—Yeah, sure, Y/n. It’s fine.

You smiled softly, touching his arm lightly.

—Look, I know Jude can be a little… protective sometimes. But he only does it because he cares.

He finally looked at you, his eyes revealing a mix of emotions.

—You’re amazing. Jude is lucky to have you.

You blushed slightly, surprised by his sincerity.

—Thank you, Jobe. That means a lot.

When Jude entered the room, he saw you smiling at Jobe and his brother looking at you with an admiration that was hard to ignore. He immediately approached, putting his arm around her waist.

—Everything okay here?

Jude asked, his tone casual, but his eyes fixed on his brother.

—Yeah. —He replied, standing up quickly. —I’m going to help mum in the kitchen.

When he left, you looked at Jude, confused.

—He’s acting weird, huh?

Jude sighed, squeezing your waist.

—He’s just… a little shy. Nothing to worry about, babe.

But deep down, Jude knew he would have to keep an eye on Jobe for a while. After all, his girl was irresistible – even to his younger brother.

[scribefindegil]

Lorraine Baines McFly and Female Autonomy

Hello. I have spent the past month slowly losing my mind about Lorraine Baines McFly, Marty's mom in Back to the Future, so I am finally trying to articulate some of the reasons I'm so feral about her.

There's a quote from Lea Thompson, the actress who played Lorraine, that goes, "The three parts that women usually get to play are virgins, whores, and mothers, and in Back to the Future Part II, I got to play all three." While this is commentary on Hollywood and the limited roles that fictional women get forced into, I think it's also interesting to think about it in terms of how these roles are reflected onto actual women and used to limit their personhood and confine them to a very narrow range of acceptable behaviors . . . and then in turn to think about how the character interacts with these roles on a Watsonian level. They're affecting not just Lorraine the character as she was written, but Lorraine from an in-universe perspective trying to navigate life as a woman in a patriarchal world. Some of the sexism she faces is a deliberate narrative choice and some of it is a result of the writers' blind spots, but for the purpose of this essay I'm less interested in teasing out which threads are which and more in looking at it holistically.

Because the thing about Lorraine is that she's aware of what the acceptable roles and behaviors for women are, and the versions that we see of her across the various timelines alternately fight against and capitulate to these constraints. What is a woman allowed to be? How much is Lorraine willing to break from those restrictions? How much does she allow other women to break from them? Does she resent her role or embrace it? I have a lot of thoughts specifically about how the different iterations of her interact with concepts of female agency and autonomy.

(Putting this under a cut because it is. Long.)

I started thinking about this when I was talking with my partner about 50's Lorraine. She's extremely active and driven and planning to Get What She Wants (in a way that is very scary, if you are Marty) . . . but at the same time she's clearly aware that she isn't supposed to be. A Good Fifties Girl is demure and passive. Lorraine isn't--but she's still trying to toe the line. I think constantly about the scene where she shows up at Doc's garage to be like "I followed you home . . . so that I can ask you to ask me to the dance." The girl can embrace borderline stalking but she draws the line at directly asking a boy out! She's exercising a lot of agency but views doing so as rebellious and subversive--and risky.

And I also want to talk about the whole "boy crazy" thing because like . . . society (especially in the fifties) tells women that the most important thing they can possibly do is find a good man and become wives and mothers, that this will define the success or failure of their entire lives (and given how many things were unavailable to single women at the time this is in many ways true) . . . and then relentlessly mocks and punishes anyone who actually takes an interest in pursuing this instead of just sitting back passively and waiting. She is trying to do what society says will make her happy! And even her desire for a white knight is very much based in the reality of her situation! She's getting sexually harassed at school and around town and she's doing exactly what she's supposed to and standing up for herself and saying no and fighting back--and this is not enough. She does need backup! Biff harasses her in the middle of a crowded cafeteria and Marty is the ONLY person who does anything! No fucking wonder she latches onto him as hard as she does! (There's. I promise this is related but there's a BttF parody musical on YouTube where when Strickland comes to break up the lunchroom fight he says, "Now, I can excuse sexual harassment, but LIGHT SHOVING?" and like it's a haha funny joke but also?? Yeah?? That IS how it works. The way Lorraine's being treated is so overlooked and normalized that the authority figure isn't going to step up the way he will when it's a physical altercation between two guys. Screams.) I wonder if part of the reason she stuck with George in the original timeline even though they didn't have a lot in common is that "I have a boyfriend" is a boundary that some people might actually take seriously whereas "I'm not interested" is not.

But. In general 50's Lorraine is very much about grabbing as much agency as she feels she's allowed to . . . and then Twin Pines Lorraine is what happens when she regrets the result of those choices (because while we don't see it, it's pretty obvious that in the original timeline she pursued George as aggressively as she pursues Marty in the new one), and so she decides to deny, not just her own agency, but female agency as a general concept. She leans so heavily on the idea that her relationship was "meant to be" because it absolves her of any culpability in creating a life she's unhappy with. She's rewritten her own past to view herself as a passive participant in something inevitable. (Exactly the view of womanhood that she was fighting so hard against in the 50's!) And she extends this idea of female passivity to the women around her: telling Linda that she should sit back and wait and a relationship will "just happen," actively resenting Jennifer for doing something as simple as calling Marty on the phone. It's a really interesting form of internalized misogyny, perpetuating these sexist ideas as almost a misguided form of self-defense.

And then for Lone Pine Lorraine this is completely flipped! She loves Jennifer for the same reason she disliked her in Twin Pines: because she reminds Lorraine of her younger self. And like . . . this is something of an extrapolation, but while obviously her husband and kids are still very important to her, it also feels like she has interests and friends and other things going on in her life, whereas part of the isolation of Twin Pines is that her life has shrunk down to the point where she's ONLY a wife and mother with nothing else to define herself by. And it also matters that in this timeline she has a partner that supports her, not just in the big dramatic moments (although also that), but you can easily see the dance as a catalyst for George actually learning to listen to her and stand up for her about smaller things as well. George McFly feminism arc. (I'm being slightly facetious but like. George starts off kind of shitty. The spying is actively Bad and I hope Marty chewed him out for it offscreen, but also his reaction to the harassment scene being "I think there's someone else she'd rather go with," implying that he sees what Biff is doing as like. Normal flirting that he expects to work. He doesn't GET it. Unsurprising because he is. A teenage boy in the fifties. But I do believe that saving Lorraine was something of a wakeup call and after that he listened to her about things that make her uncomfortable and gave her the support that she needed. Which would also give her a lot more freedom in this timeline because she has someone with more societal power who has her back!)

And then. Hell Valley.

If Lone Pine is the version of Lorraine who has the most freedom, the most opportunities to make decisions based on what she wants instead of What Is Expected Of A Woman, Hell Valley is the opposite. The things denying her agency in Twin Pines is largely societal forces (and herself); in Hell Valley she is actively being denied autonomy by her evil husband who functions as the personification of a bunch of sexist ideas.

She's been objectified to the point that she doesn't maintain control over her own body; Biff pressures her to get cosmetic surgeries so she can continue to look attractive to him because that's the only value he sees in her. Her physical appearance is entirely tailored to his preferences.

Biff's view of Lorraine is wife-as-possession. He treats her like a prize he's won and her kids like parasites. And he is NOT subtle about this. But Lorraine is still desperately clinging to the idea that she's wife-as-family. She calls Biff "your father" to Marty when he arrives, and talks about "our children" because she wants so so badly for this to be something different than what it is. It's especially terrible because this is a timeline where she got seventeen years of being happy with George, she knows what she's missing, and she keeps trying to force this new relationship into a similar mold even though Biff is openly contemptuous of her and especially her kids. It's been twelve years and she's still trying to pretend. To call back to that Lea Thompson quote: it's obvious where Biff thinks Lorraine fits on the virgin-mother-whore axis, while Lorraine is actively trying to centralize her motherhood partially because the kids really are that important to her and partially as a defense mechanism.

(And it's also such a bleak cautionary tale about how fragile women's stability can be when they're dependent on their husbands; Lorraine was happy with George and had a fair amount of freedom, but he was the only one with an income so when he died she was suddenly forced into a truly horrific situation because she had no other means to support herself and her three young children. Especially given that the Hell Valley universe is also worse in some broader political ways that mean there were probably even fewer social supports available than in real life 1973)

And god. It kills me the way that we see her lash out, the way she's clawing for autonomy when she threatens to leave . . . and then exactly how Biff levels all his axes of control against her. It's very interesting that his first tactic is consumerist (Who will pay for all your things? Who will take care of you?) and that doesn't work even though not being able to support herself is a very real concern. It's only when he threatens her kids that she folds. And then she immediately crumples and pivots to rationalizing Biff's behavior and blaming herself for her own abuse (in a way that is both HEARTBREAKING and also? surprisingly sympathetic and realistic for an 80's movie?). It's similar to the passivity we see in Twin Pines, but here we see exactly where it comes from. She doesn't have any way out so she has to pretend. It's the only way she can keep going. She has these flashes of rage but they're immediately snuffed out by despair and denial.

There's not a lot of talk about Lorraine and what there is tends to reduce her to "well she's Marty's mom" as if she's a boring character who doesn't have a lot going on. But even though most of her role in the movies has to do with her relationships with the various men in her life, those relationships are really interesting if you actually pay attention to them! She's not just (in the 80's) a wife and mother--she's someone who has a complex relationship with marriage and motherhood and the societal expectations surrounding them. She's not just (in the 50's) a vapid boy-crazy girl--she's doing her best to go after what she wants in a world that doesn't want her to (the fact that one of the things she wants turns out to be her time-traveling son from the future is unfortunate but not something she has any way of knowing!). She's stuck in a society that doesn't want women to be people, and she knows this, and because we see her across two different time periods and three different timelines you can watch how sometimes society grinds her down until she gives in and tries not to be a person. And also how, sometimes, she fights back.

[rosewood-multifandom-writer]

My long, nuanced answer to this poll about shipping:

I like to think about different possibilities of a ship regardless on if it’s canon or not canon, and the majority of my ships are not canon. Which I’m okay with because corpos sometimes tend to mess up canon couples anyway ESPECIALLY most LGBT+ couples, so that is why I am 100% content with say, Destiel not being canon. Don’t worry, I’m not using that Destiel meme that has been used very distastefully nor am I swearing with my whole chest until I run out of oxygen that Dean is bisexual in canon. You can take a breather. Specified ships aside, I like romance, and I love it even better when it’s well written and the couple has the best chemistry.

When it comes to others that love toxic ships, that is a whole different discussion for those particular shippers to have, and I prefer ships that have a lot of chemistry or potential chemistry over toxic ships, so I’m not the right person to discuss the nuances of toxic ships. So the toxic ship lovers can throw their opinions onto this reblog if they want.

I’ve also had ships where they were off-screen, and I was like, “but what if they actually did interact?” I always think about the personality traits that would make the characters compatible with each other. This is NOT a romantic ship, this is purely a familial relationship possibility that I have not seen anyone do yet: Jason Todd and Terry McGinnis. Think about it, people. Jason has a few similar traits to Terry and Jason would definitely find himself relating to Terry more than some of the other Batfamily members. Plus, it would be refreshing to see those two interact and have Jason not be constantly fighting with the Batfamily, specifically Bruce Wayne. I get that his opinions and views are very different from everyone else in the Batfamily, but it gets old fast. Like an old and hardened Jason Todd will probably incorporate some cool non-lethal wrist guns on Terry’s suit after testing it out and even sparring with Terry while (playfully) teasing him because that’s what older siblings do: annoy and taunt their younger siblings. With love. Seriously though, I think Jason and Terry would have the best brotherly relationship out of the Batfam. Or maybe I’m just alone in that teeny tiny minority lol. Call it a rare BROTP.

Fanon in shipping is a mixed bag, because on one hand, I go, “yeah, I can definitely see this happening with Character A,” but on the other, there is like OP said, mischaracterization. I like most ships even if it involves a character who is canonically spoken for or has explicitly shown attraction to only the opposite gender with another character with ZERO cheating, because I don’t need ships to follow canon. And when cheating gets involved I’m thinking, “yeah no, given the loyalty this character gave in canon, this is out of their character, so skipping!” That is where fanon comes into play. But if I dislike the fanon, then I create my own.

Shipping has no rules, except just respect other people’s boundaries, so I’m not gonna tell people “ew gross, why you following canon,” or “Blegh, why do you like this fanon, it’s so blah blah blah!” My opinions on canon vs fandom are nuanced. Canon can sometimes give us some cute pairings (like Kiara and Kovu from Lion King 2, my GOATED OTP) but canon also gives us icky ones or messes up a fairly nice couple (like Gambit and Rogue from the latest X-Men cartoon from what I heard and saw clips of). There are also non-canon ships that have made me scratch my head, made me feel indifferent, or I’m just like “I don’t get why anyone would ship this, but whatever.” And again, shipping has no rules, except just respect the boundaries of other people. Canon or not, have some fun with your ships. Let’s not start wars over ships and making non-shippers think that ALL of us act that way.

Hey, I wanna talk about how we do fandom! I've come to realize that I, personally, tend to differ from many others in that I highly prefer to only engage with a text as it's written, so I don't tend to really like fanon/extremely ooc characterizations and I find it hard to get invested in ships that aren't canon. My way of doing fandom isn't better or worse than anyone else's, but I am curious about how much of a minority I'm in! So:

*We've all seen ships of characters not from the same media and stuff like shipping the concept of ennui with the color blue, okay, I'm asking what you, personally, find compelling!

[raven-at-the-writing-desk]

Given we have finally gotten news regarding the anime what do you think about it being an adaptation of the manga?

I have some mixed opinions since we'll be seeing the same story for the 4th time at this point (game/manga/novel/anime) but there does appear to be some differences with each especially with each unique Yuu. I do think the OBs and fight choreography is best animated over a slice of life show.

I'm not expecting any major changes from the manga if any at all but I'm happy to see it animated at all. I do hope it is successful so that the other books get animated. I feel like we are in a purgatory of early TWST with how often we go back to the earlier books in different mediums.

[Referencing this news!]

Gonna be honest with you, I’m kinda numb to getting yet another adaptation of the main story (a story that, mind you, we've already heard ad nauseum). At this point, it really does feel like a never-ending purgatory or time loop where we are forced to relive Heartslabyul over and over and over 😅 Of course, I'm still looking forward to seeing the anime and watching some of the more complicated scenes play out (fights, flashback sequences, playing magift/spelldrive, etc.). However, I think I would have preferred something new...? For example, vignettes, the event stories, etc.

The anime being an adaptation of the manga is... fine? But that means the anime may also have the same issues that I have with the manga. Those would be:

We will never really be able to fully bond with or know Yuu on a deeper level since Yuu is constantly changing between books/seasons. We won't get to see how the Yuu of Heartslabyul interacts with characters in later books, we won't get to see how the Yuu of Octavinelle handled the Heartslabyul and Savanaclaw conflicts, etc. We won't see any of them grow or change as a result of interacting with the NRC cast. This sucks particularly because if you really love a particular Yuu, you know they won’t be sticking around.

Despite the Yuus being designed as foils for the OB boys of each respective arc, no special meaningful interactions come out of it. The reader/viewer is just left to draw the parallels but there is never a moment where Yuu and the OB boy reconcile about their similarities/differences, which would actually justify the frequent changing of the POV character.

Barely any alterations are made from the game's story, since the manga isn't allowed to deviate in significant ways. No matter how different the Yuu is, they cannot ever make a decision or even have dialogue that would actually change the story in interesting ways.

General time constraints (manga arcs are 20 chapters, seasons have a limited number of episodes).

Limited showing/screen time of some characters. Because the adaptation will be of the main story, some characters that make very bad first impressions (hi, book 2 Leona… hi, Sebek without the vignettes…) will maintain those bad first impressions and won’t have a chance to redeem themselves simply because the bonus content (vignettes, event stories, etc.) aren’t adapted. Other characters won’t get as much focus simply because they aren’t the OB boys. The former would mainly be a concern for anime/manga-only fans.

Most of my disappointment comes not from reliving the same story, but that we are reliving the same story with minimal changes. I would enjoy adaptations more if they actually played around with the source material and explored new avenues! It feels like a missed opportunity, you know??

As I said earlier in this post, this is NOT meant to be overly negative; this is healthy skepticism. I'd describe myself as still excited, but not as excited as I would be if the anime were about something else set in the Twst world. Hope that makes sense 🙏

I would also caution readers to take my concerns with a grain of salt; for all we know, maybe the anime will add new scenes or fix some of the issues I pointed out. We should wait until the anime is out to judge its content and quality for ourselves.

On a positive note though 🤡 M-Maybe we will see. Shirtless L*ona animated… because… y’know… Episode of Savanaclaw technically canonized it… HAHAHAh JK… unless…? 🥺 👉👈

[boymanmaletheshequel]

One facet of Hellenistic and Roman, /Greco Roman paganism that I’ve always found extremely interesting to me, is how inherently human and relatable it’s gods, and their correlating counterparts are, especially when compared to deities in other ancient religions. They are divine, of course, this is made clear enough, but they all have aspects and traits to them that are inherently human. Rage, lust, joy, love, conflict. They represent, if nothing else, key elements of humanity and the human condition, which is something that no other ancient religion I’ve studied quite compares to in the same way. And not only that, but their relationship to people and humans as gods is clearly very symbiotic. They rely on their subjects for their fulfillment, interact with them directly on a regular basis, and often times even respect and revere them as not necessarily always equals, but as at the very least, creatures worthy of their consideration and respect, sometimes even falling in love with, and baring children with them. This is something that doesn’t really happen in any other ancient religion I’ve seen, sure, there are aspects of it in them, but not nearly are they portrayed as objectively or centrally as they are in Hellenism and Roman paganism. Each god represents some aspect of humanity in ways that are inherently non-Devine, Aphrodite is a lover, sometimes desperate to a vulnerable degree you wouldn’t expect a god to be. Dionysus is regularly consumed by madness as a result of his addiction and mental illness, and falls into spirals of depravity that are hauntingly ungodly. Artemis hunts even though she doesn’t need to, she respects her body as a goddess woman just as much as any human woman would, and fights back just as violently as well. Apollo finds much of his joy and happiness through the humans he falls in love with, and faces much of his suffering and sadness through them as well. Persephone fucking dies. maybe not literally in the sense of human, medical death, but absolutely metaphorically, and the grief her mother Demeter experiences is so inherently human, and so shockingly, gut wrenchingly tragic, that it is pretty obvious that this is what her story is meant to represent: a divine allegory for death and grief, an element that so many religions completely separate from their deities. Even Zeus, the primary deity, is a father figure who’s connection and relativity to fatherhood as seen in human men is almost identical. and if it weren’t for the pre-established lore and status of him as a an extremely powerful deity, there are moments in his Mythos where you might even forget that he’s a god, an all powerful, all divine, objectively non human god to begin with. I think it’s what makes Hellenism so emotional and so drawing to me, and to many other pagans, it’s a relationship that is mutual, and relatable, which is an element that is lacking in so many religions, even the major ones like Christianity and Islam. Yes, there are still elements of this in those religions, but it always feels like the stories constantly hammer in the fact that they are divine, so divine, so utterly unrelatable, so inherently disconnected from their subjects and their plights as a superior enitity, that there’s a limit to how connected one can feel to them. In hellenismos, this limit doesn’t seem to exist, and that’s something that makes it so much more personal and fascinating to me than any other religion I’ve studied. The gods are us, and we are the gods. At the end of the day, I think that’s what all religions should be about, and ultimately, are about, wether we realize it or not.

[cupidhoons]

( 📢 ) ANNOUNCEMENT . . .

hi loves! i didn't want to make this post myself about what has been happening on blr these past few hours due to the fact that didnt want to potentially fuel the fire even more, however after thinking about it some more, i feel as though that i should speak up on behalf of my mutual and friend.

in my opinion, this started from someone checking author's and their authenticity of their writing. though the intentions are very much there and clear, it allows hate anons to rise and continue to spread towards many authors on this platform. it starts nothing but hate train after hate train to writers and it gives the community a toxic environment and it's not the first time that this has happened, either. it disappoints me to say the least that our community has hit such a low point where we constantly come at each other's throats with no regard of how the opposing party feels. not only that, but going as far as exposing and leaking a MINORS face and posting it without their knowledge at all to send hate to my mutual / friend proves my point further. its not only sick and twisted, but its also an invasion of privacy. i will not disclose who it is as it's bad enough that their face is just uploaded on a blog for everyone to see, and i will not be answering anons that has anything to due with this person.

many of you anons who send hate and think that you're remotely even doing anything do not understand how powerful and hurtful your words are. many of you guys do not understand that sending someone hate DOES NOT equal holding a person accountable and educating them at all. you all scream and shout that you want the old tumblr community back and complain how toxic it is nowadays, but none of you realize that you're part of the problem. it's pathetic and disgusting having to see stuff like this happen multiple times and never learn from it.

this is absolutely not what tumblr, especially enhablr, is about. it is not a community where we all send hate to each other and continue to bring other authors down consistently. it's a place for us to write and appreciate enhypen, it's a place for us to meet other engenes and make friends. it truly makes me upset that we've all lost the purpose of this community.

other than my thoughts on this whole thing, i can only pray and hope for the best for my dear friends who were affected in this situation. please continue to report the account and avoid interacting with them further. to my anons, please refrain from asking questions to writers and follow my request to take down the account.

[enden-k]

Just out of curiosity, if the things were to be reversed (fear Vika/human Saran), what do you think Vika's characteristics would be? I'm intrigued! Do you think their personalities might change? Maybe Saran would be less closed off? The fear itself (you mentioned it was like phobias? Iirc?) Would change?

Totally not trying to get you to talk more about lore and what goes behind fears/Saran turning into one, no sir-

"fear" is just the term used for any type of paranormal being that manifests due to intense negative energy (most often resentment, anger, hatred, sorrow,...) : theyre ranging from ghosts of deceased, manifestations of fears and phobias, nightmares and spirits etcetc and some are harmless and neutral (they can always evolve into smth evil tho) while others are harmful and evil

saran is not a phobia/fear manifestation like mogu is for example; hes a special case of vengeful ghost who went through a mutation (dont wanna disclose too much or i spoil a good chunk)

if their roles would be reversed...thats such a fun question!!! i think i might do an AU of it even AHHAKJSBCK i thought up a whole changed, alternative storyline now

warning for tiny (non descriptive tho) suicide mention, just in case

if their roles would be reversed, half of it would basically be like "if saran didnt die" scenario. their reversed story wont go exactly like the canon story goes tho bc theres no vengeful saran, no fear seeker eyes, no azais questionable methods

sarans life would go exactly how it did before his death (just the 7 years later, in the current present); hes in his early 30s, finished his studies to become a doctor and doing the amygdala stuff as a side job as azais partner since he still refuses to mingle w the ghost world again tooooo much bc of his upbringing in the cult (he always wanted to be just a normal guy instead of constantly interacting with the paranormal)

amygdala isnt a big exorcist organization like it is in canon story but rather a smaller group of exorcists now (basically, just one elite now instead of 10). azai and saran never had the argument that led to his death and azai didnt go the villainous route (lol) which makes saran still one of the only ones who can see the unseen all clear like he sees the living (like in canon story when he was alive)

which also makes him the first to notice and see vika who is a sorrowful sad puppy ghost full of regret bc he was enticed into suicide by an entity and still young and new to the whole paranormal world. its the first time saran feels for a ghost and doesnt exorcise them. vika ends up haunting him instead of the other way around (bc of course they fall in love with each other <3 in every universe) and sticks to him while saran keeps an eye on him to make sure his pure soul wont get corrupted and he ends up an evil ghost. he wants vika to have the chance to enjoy the life that was ended so quickly so early (vika is around the same age as canon) and vika wants him and only him to exorcise him before sarans life comes to an end one day

basically, less dramatic than canon story i guess? just saran and his puppy of a sorrowful ghost living a more or less domestic life bc theres no amygdala doing shady shit in the background and no certain vengeful spirits eating eyes and trying to take revenge kajscbjk

their personalities are still the same, altho saran has less of a "creepy evil" side since hes no evil ghost anymore and vika is even more puppy i think??

[oraclefreak]

I think it's really interesting how Cater is portrayed in a very superficial way in canon, but the fandom made their own takes on his character and end up making content of him being a mentally ill teenager. I agree with it partially, but if I think about it for some while; I end up believing he is the person to be blank when no one is near. Like, when you see him with people he is trying very hard to fit in and to be liked. But it tires him very much. When he's alone, he doesn't show much emotion because there is no one to see him at that moment. In a way, it's a neverending circle of feeling like he's never going to be loved and then getting proof that he is well-loved. And I don't think he would post his struggles online, at least not on a main account (<- this is about his character in canon, not the funny way people portray him for fanon content... I like social media aus with a bit of struggler Cater).

I am not even sure he would be funny on social media, because yes, it would gain him a reputation but only as a funny guy. It is difficult for people to see funny influencers being serious, because there is an image built of them that sorta stays there for a long while. I don't think Cater would like to be seen as "just a funny guy" unless it was a guaranteed 100% success. He actually cares about Magicam pictures a lot, and he is interested in fashion (and has a crush on Vil Schoenheit in some way, canonically). One way or another, he wants to be respected but feels a lot of inferiority when it comes to comparing himself with other people.

Canonically, Cater having a side account for consuming relatable content feels okayish. Yet a part of me believes he wouldn't. Like, it's nice he can relate to other people; but he'll never relate to those around them. He is superficial in the way he interacts with others, because - for example - he is constantly thinking they'll never reach out to him when they graduate. He feels alone in his own world, he feels accepted in social media. Would relatable content make him feel better about how he is feeling? I don't know. Maybe he tries to actively avoid it so he never feels bad, and is in a constant state of emotional numbness when alone. Maybe he consumes the content but never goes and post it. Maybe he posts it??? On a side account??? Cater isn't a character known for his predictable ways of acting...

[sufferu]

I was asked for a snippet from the Dogshow series. I have delivered. As the exact scene was not specified, I decided for myself.

Dogshow: No Way Home

____

[“But no matter how pathetic I was, you and Mom still treated me the same as always,” Subaru said. “That’s what scared me most of all…”]

“They…” Emilia choked out. “They really did…They really did love him, didn’t they…?”

Otto thought of his own parents, and how patient they had been with him for all those years. He swallowed, fighting back tears.

“Those bushes there really are fascinating!” Anastasia was saying loudly. “They look just like some of the foliage we have back here, don’t they?! I wonder if maybe there’s been some cross-barrier transport of — of seeds or something! Or perhaps it’s just the convergent evolution Hoshin once described at work—”

[“I wanted you to say, ‘I don’t love you.’ ‘I despise you.’ ‘You’re not my son.’”]

“…What?” Ram croaked. Rem watched silently from beside her, carefully stone-faced as she watched this tragedy unfold. “Subaru, you wanted…what?”

Subaru didn’t answer. He had stopped moving a while ago. He was staring at the metia, unable to look away from his father’s face.

“I mean, really!” Anastasia continued loudly, a frantic edge to her voice. Mimi was nodding along theatrically from beside her. “I wonder if we could cross-breed exact replicas of those — what did you call them, Subaru?! Sakura trees?! If those bushes’ similarities really are just the result of convergent evolution, then—! I mean, I know for a fact we have trees very similar to those sakuras in Kararagi, so it’s not all that far off to conclude that we might be able to—!”

[“I wanted you to tell me that and throw me out. I wanted you to make me give up.”]

“…Oh, fuck,” Anastasia managed, finally unable to avoid listening to the conversation.

Next to her, Julius made a horrible, horrible noise.

Onscreen, Subaru continued to speak about how he had grown past these feelings. How he had found a way to live for himself, to start striving to better himself — and how the people he had met since had allowed him to do so. But Ricardo couldn’t focus on any of that, because all he could think was that THIS was the version of Subaru that his parents remembered.

A young boy, on the cusp of their culture’s idea of adulthood, who had suddenly retreated into his shell amidst disapproval from his peers. Who’s difficulties in interacting with others HADN’T been due to a difference in culture after all, with him struggling so much to make and keep his friends even back home that eventually he had felt that he had no choice but to give up in that pursuit entirely. Who had fled from his duties as a scholar and holed himself up in his room, refusing to leave for any reason except to eat. Who was constantly waiting for his two parents who loved him very much to revoke that affection out of frustration and throw him out.

Who was just waiting for an excuse to go and end himself, giving up for good.

Ricardo suddenly thought about Ana-bo. He wasn’t her biological father, but he had — he had bathed her, and fed her, and secured her work, and fought to protect her from unsavory types, and watched her grow up from a little orphan brat into a strong, capable woman. He had known her, and he had loved her, and she had become — family, to him, most definitely. In a sense, perhaps she could be considered his daughter after all.

What would he have done, if Ana-bo had — sometime on the cusp of adulthood — had withdrawn into herself so completely and utterly that she refused to socialize with anyone unless she were forced to do so? That she no longer tried to work, or learn new things, or improve her skills, but instead escaped into storybook after storybook about being whisked away to a place where she could be someone, anyone other than who she had been before? That she curled up in the corner of her room and waited for Ricardo to throw her out on the street, because then she would finally have an excuse to — to finally go and fucking kill herself?

Stop it, Ricardo hissed at himself. But he couldn’t stop.

He wouldn’t have let it get that first in the first place, first of all: he would have dragged Anastasia out of her room by force and force-fed her a decent lifestyle, if need be. In fact, part of him thought that Subaru’s father had been somewhat useless in that regard: had there really been nothing his old man could do to stop him from crawling into his shell and refusing to come out for several months on end? But even if there wasn’t anything he could do about it, he wouldn’t have abandoned her. Even if he were going by Kararagi’s age of adulthood being 15 where — Japan, it was called — their age appeared to be 18, he still would have known her for four, five full years, and that had been more than enough for him to start caring about her more deeply than he had ever expected being able to care about anyone. What would he have done instead? Well, the answer had to be “whatever he could.”

But then, what would he have done, if — in the middle of a depressive spiral so severe — Anastasia had vanished into the night without a trace? He would look for her, obviously. He’d spare no expense, either, and — and he’d keep a tally of every cent he spent, so that when he finally found her again he could shove the receipt in her face and tell her that she was going to work to earn back every last bit in order to make up for scaring him so badly. But then — if he never found her — he’d never stop looking, would he? Or maybe he’d be forced to stop? But then he’d still be waiting, and he’d still be putting up posters and asking for leads, and as the years passed he’d be thinking of what she might look like now, how she might have aged, what sort of life she might be living far away from home, hoping against hope that she hadn’t actually gone and—

But the reality would be worse.

It would have been better if this hypothetical Ana-bo had been given the mercy of a quick death, on her own terms. It would be better if Ana-bo had died just once. It would be better if she didn’t have to experience — being slit open and bled out, being drained of all her energy bit by bit, being thrown down a hallway and crushed by a giant flail in a place where she was supposed to be safe, being tortured by someone she had thought she could trust in the woods where nobody could hear her cry, being attacked by a pack of vicious, wild animals, being publicly humiliated and beaten half to death for the crime of being a brat in the wrong place at the wrong time, being forced to witness the corpses of all of the people she had grown to care about and told that it was all her fault, being kidnapped and tortured in a cave by a madman, being turned away as she begged and pleaded and prostrated herself for help, being chased by a vicious monster intent on erasing her from existence, being frozen to death bit by bit as a vengeful spirit forced her to suffer through every second, being possessed and forced to beg for a mercy kill right when it looked like the world was about to turn out alright, being blown up, being forced to watch as her support network was shattered behind her back once again as her closest friend was erased from everyone’s mind but her own, being forced to suffer again and again and again without an end in sight—!

Was it a mercy, that Natsuki Kenichi would be forced to conclude that his only son had gone and killed himself? Was it a mercy, that he would never find out the truth of what his child was being forced to endure in his absence? Was it a mercy, was it an injustice, what the actual FUCK was this horrible, horrible—!

“Ricardo?”

With slow, jerky movements, Ricardo turned to face Ana-bo. She was watching him with large, worried eyes. She had been so upset a second ago, staring at that metia with a slack jaw as she made a miserable choking sound, and here she was pushing that aside for his sake. How could he have ever deserved—!

“Mmph!”

Ana-bo made a startled noise as Ricardo practically dove for her, wrapping his arms around her and pulling him tight to his chest so that nobody could ever take her from his side. Normally she would protest this action greatly. But now, after a moment of shocked silence, that wise, kind, clever, wonderful daughter of his hugged him back.

“Ya don’t need to cry,” Ana-bo murmured. “‘M not going anywhere.”

In truth, Ricardo hadn’t even noticed that his cheeks were wet. He didn’t have it in him to be ashamed. All he could do was clutch her close and wait for the shaking to subside, bit by bit.

…If it were Anastasia, Ricardo would have prayed for someone to be looking after her in a situation like this. Father to father, he could do the same for Subaru’s old man if need be.

—Though, from the look on Wilhelm’s face, Ricardo wondered if his own involvement would even be necessary.

Wilhelm had his hands raised to cover his mouth in a decidedly uncharacteristic display, so horrified he was by the reveal of the prior state of that young boy. Subaru had… Subaru had…

This wasn’t what he had expected. A young, dumb boy who got into mischief perhaps a little too often for his own good, sure. But a youth who had shrank away from everything so completely, so utterly, that he had really begun to think that there was no future for him at all—!

What a horrible thing for a father to hear from his son. What an awful thing for a son to voice aloud — or to feel, in the first place. Wilhelm had seen blood and carnage and despair on the battlefield, but for some reason it was now that horrified nausea twisted his insides into knots.

“I don’t want to die! I don’t want to die! No! No! Help me! No! I don’t want to die!”

Subaru hadn’t REALLY wanted to die. But — had he not fully understood that, back then? How could he not have known—!

(Wilhelm did not think of his own son, who…may have been left in a similar state. For all of his courage on the battlefield, the Sword Demon could not bring himself to think about that.)

[“FATHER HEADBUTT!!!”]

[Natsuki Kenichi slammed an axe kick down on the head of his beloved only son.]

Julius squawked loudly, abruptly snapped out of his horrified silence. Next to him, Mimi’s despaired expression shifted as she — mercifully — broke into peals of laughter.

[“A lot of what you just said bothers me, but you know what’s the worst?” Kenichi was scolding, suddenly rather serious. “You wanted me to hate you, so you tried to achieve that by playing hookey? Are you dumb?! And if you want to get me to throw you out, pick a more active method! Who would ditch their own kid just because he retreated into his shell?!”]

Ricardo — relaxed, just the slightest bit. At least…at least that old man had told it to him straight. Right?

[“You’re so twisted, you’re on the fast track to being an idiot!” Kenichi cracked his knuckles, grinning. “I’d be glad to set you straight by force if you want…”]

Wilhelm chuckled weakly, trying desperately to force down his turmoil and keep it cool. “Perhaps…Perhaps all fathers have that attitude, even beyond the Great Waterfall…”

Ferris said nothing. Ferris hadn’t moved an inch since the reveal that Subaru had been waiting for an excuse to go and die. Wilhelm didn’t…know what to do.

[“…But it looks like you’ve already been knocked down and stood yourself back up, so there’s no need.” Kenichi’s voice had softened, his fist relaxing into a hand he extended downwards to pull his son back up. Subaru smiled as he accepted it.]

“They really did love him,” Crusch echoed softly. “Didn’t they?”

Anastasia stared wordlessly at the interaction. A very personal sense of loss gnawed at the heart of the former hyena — and a sense of despair at the dawning realization of just how fucked up this situation really was seemed to take over her mind like an invasive species of poisonous flowers.

She reached forward and pulled all three triplets into her lap, hugging them close.

[“Remember what I said?” Subaru was saying. “I found a girl I like. Plus, there's a girl who said she loved me, despite the way I am. And neither one of them knows I'm the son of Natsuki Kenichi. In their eyes, I'm just Natsuki Subaru.” He sighed aloud. “No, in all of their eyes…I was Natsuki Subaru. I finally figured that out.”]

[“It took you long enough. You’re just now coming around to saying all this? I should whack you.”]

Emilia stared at the screen, eyes dull and faded. Rem’s were much the same. On one hand, it was wonderful to be told that Subaru had achieved something so precious due to their influence. It was perhaps the greatest compliment either of them could receive.

But, on the other hand…

[“Um,” Subaru was saying, rubbing the back of his neck sheepishly. Sorry about putting you through—”]

[“If you feel sorry, all you gotta do is take your time making it up to us.” Kenichi grinned, giving him a thumbs-up. “Take good care of me and your mom when we’re old, my eldest son.”]

In the present moment, Subaru finally made a noise.

It was soft, and quiet, and very hoarse — but Beatrice, who had not taken her eyes off of him once, noticed all the same. “Subaru…?”

Subaru’s pupils had shrunk even past their usual states, his whole body shaking as he stared up at the metia in horror. Tears were staring to bud in the corners of his eyes. More horrible croaking noises were leaving his throat. One by one, the people of the audience turned to see what was going on.

“…Natsuki-san, please—” Otto said, the first to reach out. “It’s alright. It’ll— It’ll be alright—”

“Please don’t cry,” Emilia agreed, unusually gentle. “Please, not…” Not while we can’t hold you.

[The Subaru onscreen had already started to cry. “I’m sorry,” he whispered. “I— I’m sorry. I can’t— I-I'm sorry! I won't be able to make anything up to you before…” He finally, properly burst into tears. “I will never see you again!”]

As that cold reality was voiced aloud, the Subaru in the present finally sobbed — and with that first step, the entire dam seemed to shatter until there was nothing left for him to do but fall to the floor with a thump, curl into a ball, and wail in despair.

“Subaru—!” Julius cried out, trying desperately to hold back his own tears at the horrible sight.

“Subaru-dono, please!” Wilhelm tried to say, reaching forward to try and ease his cries. His hands met glass. “We’re right here, please just—!”

[“I-I’m sorry!” Subaru apologized, over and over again as his sobs grew and grew and grew. “I’m so sorry! I’m so sorry!”]

“I-I’m sorry,” Subaru echoed weakly, tears streaming down his face to form a puddle under his cheek. “I’m so sorry. I’m so sorry. I’m so sorry. I wanna— I wanna go home—!”

Beatrice choked back a cry of despair of her own. “Subaru—!”

[“No matter how much time passes, you’re still such a handful, son.” Kenichi sighed, but he was smiling as he rubbed a bawling Subaru’s back. “Sheesh…”]

The current Subaru had no such comfort to be given to him. Nobody could reach him, no matter how badly they wanted to, no matter how hard they tried. All there was left for him to do was wail and wail and wail as the horrible despair surrounding his untimely departure collapsed on him anew.

[bloomeng]

dick wasn't really flirty when he was white

I agree that Devin Grayson’s time writing him amped him up several notches but it didn’t come from nowhere either.

One thing I want to acknowledge is that Dick didn’t just suddenly become a non-white character after Grayson introduced that, for many writers at the time this was another piece of canon that went ignored. For instance in the 2008 Titans run (not written by Grayson but is post 1996 run that she did write for) I don’t remember them ever mentioning his heritage but he’s treated as a white character as far as I can tell and yet he’s still flirty… not that I personally like this version of him.

But to not split hairs I’m going to look at the 80’s version of him.

So starting off Nightwing has always been drawn as a sexy character who women want. Most super suits tend to be skin tight but the “discowing” look that he was first introduced in 1984 also has that iconic V-neckline. Even when it’s changed later I always got the impression they were trying to aim for someone who felt trendy. I mean his girlfriend is literally a model and a princess. He’s supposed to be this cool attractive dude.

Then there’s the fact that DC has been fighting the Dick Grayson gay allegations for years because while he was Robin parents were concerned that his relationship to Batman was too…. well. Anyway if I’m not mistaken that’s why they ended up making Robin younger and Batman’s ward so as to combat that. But they still to this day try to constantly pair him off with women and it’s a huge focus of his character. See while Jason and Tim have also had multiple female love interests the writers often have a hard time selling that they really care about the romantic relationships in their lives. With the exception of Tim and Steph their stories don’t revolve around their romantic interests as much. Versus Dick who is constantly shown to be interacting with women. His relationships romantic or platonic just tend to be richer. He appears to be a very tactile person which isn’t necessarily flirtation but it definitely lends itself to that. (Dw I’m not implying that he’s flirting with Donna here)

It’s intentional that they make him have these conversations with Kory while naked in bed. They really need you to know that Dick fucks. Nothing they’re saying here is inherently flirty but the way things are staged lends an impression. And even when he doesn’t have agency the writers are still inventing ways for him to kiss women.

The point is he’s a bit of a sex symbol. But that’s just the context.

Flirting doesn’t have to be over the top or sexual. Dick isn’t out here using pick up lines or anything, but we got to see a lot of his relationship with Kory and they are sickeningly sweet. They profess their love to each other frequently. They use pet names. They’re shown generally being in love. And just because that flirting is happening in the context of a committed relationship doesn’t make it not flirting.

Anyway 🤷‍♀️ hope this made some sense. I don’t thinks he’s a casanova type character but the flirting is present.

[devils-little-sista]

Nico should have been adopted into the Jackson family in cannon (and yes I ship percico/percicobeth as romantic sometimes for fun. And yes sometimes I think of Nico and Percy more like brothers in cannon). They should have bonded after the blood of Olympus. Sally should have been constantly asking Percy and Annabeth about Nico since the end of battle of manhattan because they fought together. Percy should have invited Nico over for dinner to his mom’s house and Sally and Paul should have put adoption papers infront of him. He should have been Sally and Paul’s son and Percabeth’s brother/lover/best friend/third wheel along with Grover. On top of that we should have seen Nico and Grover interact more.

[creatingblackcharacters]

I don't tend to interact with people in general unless they initiate even if i want to, and that goes double with fandom spaces. I very easily miss and forget things, including attempts at bullying around or even toward me. Idk i usually only send asks via Anon, but this question thing is just. Really good. At first, i didn't feel like they applied to me much since i haven't really interacted with fandom spaces since i was 14 anyways and that when i did, i also remember confronting the racism i managed to notice.

But thinking more about it. I know there was a lot of racism i didn't notice or recognise or forgot about immediately and therefore didn't respond to and even if i don't see myself as part of 'fandom' that all definitely also applies to the real world!

My two best friends are mixed and have both told me they'd been called the n-word in fucking kindergarten. My dad's friend's wife who i like and care about a lot not only had to deal with moving from Uganda to a very different country and learn a new language only spoken here, but she and her kids must've dealt with so much anti-Blackness that i have no idea about. There's so many people i know, both friends and close acquaintances who constantly have to deal with something i have such a hard time to understand.

Some family members have the philosophy that saying bigoted shit when only family are around is ok. They think I'm being a spoilsport for getting upset about it even when that certain bigotry doesn't apply to me. It sometimes makes me think that maybe i am overreacting, but if i can't feel comfortable even having them around people who that bigotry would apply to. If i feel embarrassed for being related to people like that, then I'm not overreacting at all when i get upset and tell them to cut it out.

Not speaking out against it means I'm contributing to a terrible environment i know not only hurts people i care about deeply but also so many more. Bigotry in fandom might not seem as serious as in real life, but it reflects how those people are irl and helps normalise an environment where people feel comfortable to be bigoted. Black people not being able to escape anti-Blackness for a second even in fandom shouldn't be accepted as how things just are.

I apologise for the long incoherent rambling, weird wording and focus on myself i just. Asking those kind of questions and doing what you do is invaluable in so many ways. I really hope everyone that's seen your posts are able to apply it both in fandom and art as well as outside of it. Thank you, all your work does make a difference and I'm very happy that I'll be able to be a better friend and ally!

Indeed! Nothing I say here can't be generally applied to how you treat Black people in real life. The perspective holds; you don't consume media in a vacuum.

I sincerely hope you do become a better friend and ally 🙏🏾

[shenzuul]

I hope it's obvious to anyone who reads my fic that I had this image open the whole time I was writing as my reference point.

POV: You are Sung Hyunjae, the most powerful, bored man in the world, and this, your first impression of a man everyone calls a shabby, pathetic washout, was the sexiest thing you ever saw in your life.