#i still like to follow the fictional lore that he was the first vampire

[bluecoolr]

As a vampire hunter, Darrell used to carry a big bulky case containing all his hunting tools.

When he got turned into a vampire, he couldn't stand to look or touch his own hunting case (very big holy glare: splitting headache. the holy water starts to bubble and boil when his hand hovers over it). The tools of his trade were his own weakness now, so he got rid of them.

He is, however, able to weild an Ottoman kilij or sword. Late 15th century in particular. Why? The very first vampire died by the blade of a Turkish assassin, and the only way to truly kill a vampire is to strike its heart and cut off its head.

[Various kilij on display in Germany and Greece.]

I like to think Darrell tried to track down that very sword but it was ultimately lost.

[rocky-the-rockstar]

Not to yap about something almost completely irrelevant in 2024, but people on tiktok been pissing me off, so in PASSIONATE defense of Danger Days: I think it's really stupid when people feel the need to "defend" their dislike of the album by claiming that MCR somehow "betrayed" their audience by creating it. I heavily relate to the feeling of hating something because it's different from what I've grown to love and expect from a title, but that doesn't make that thing "wrong" or even bad. I can imagine how it felt to be so excited for new music only to not like it, but it can be left at "it sounds so different and therefore not my vibe and Im disappointed" without trying to accuse and vilify the artists.

Before he is an "emo icon" and even before he's a musician, Gerard Way is first and foremost a story writer and an artist. MCR has always existed to tell a story, spread a message, and be an artistic outlet. Which Danger Days does beautifully and creatively. Black Parade's story, hell even stuff like the I'm Not Ok music video etc etc, had themes of hope as well. While stronger and louder in Danger Days, it still wasn't a new thing by any means. It's by far their most political album, it's not like they "sanitized" themselves. It may be in a totally different sounding, less angsty, brightly colored package but "fight against those who hate and try to change you, live on and be ok after those you idolized and loved die, and create something good by being yourself" was not at all a new message from them. MCR's album world building, lore, detail, characters, and storytelling may quite literally be at its peak with Danger Days. Hell they even created a separate EP to make songs as a fictional band of side characters in the danger days universe so they could show you what kind of music the killjoys were listening to.

They gave us this whole fictional world to play with, that's not the act of sell outs who didn't care anymore, that's the act of an artist trying to share a part of themselves with you. That's the act of nerds and roleplayers trying to invite you into a self indulgent escape from reality.

A direct follow up to the Black Parade never would have worked. Trying to carry on a similar vibe immediately after the success of the Black Parade never would have worked. Both in terms of success and authenticity. The best and most creatively fulfilling option was to pivot entirely. They clearly knew and cared about this. Gerard said his heart wasn't creatively in the Paper Kingdom, he said there wasn't enough emotion in Conventional Weapons, he said that the "gothic vampire look" was no longer seen as "scary" and unsettling so they dropped it cuz they didn't wanna be "sexy vampires", the band broke up because "it wasn't fun anymore" Danger Days WAS an act of preserving their artistic vision and enjoyment of the band.

Gerard has always rejected labels, both on the band and himself. You can dislike Danger Days all you want for sounding so different, no one cares, but bands are allowed to experiment and the emotions they sing about are allowed to grow and change. Slapping a label on them and then turning your nose up in disgust and anger at anything they create for you that "isn't emo enough" and doesn't fit in the box you put them in is stupid. And, crazy enough, is one of the points OF the album.

[chronic-escapixt]

His Rose ~ Details

(Kai Parker x Bennett OC fanfiction)

content warnings/tags ~ Dark fiction, dom/sub dynamics, abuse, murder, childhood trauma (mentioned). Minors DNI

I don't claim ownership of The Vampire Diaries or its characters. All credits go to the rightful owner(s). I only own my original character(s).

K.P. Masterlist

This fanfiction is born from my dissatisfaction with the way Kai was criminally underutilized in the TVDU. Honestly, I found him annoying at first, but he grew on me as season 6 went on. Thru Chris Wood's charming performance, Kai stole the show for me. I'll never forgive the showrunners for a lot of things, including underutilizing Chris Wood in this role & not allowing this broken king to have a real redemption arc.

On the topic of the showrunners, I'll never forgive them for how they did Bonnie Bennett or the Bennetts in general with how they were limited to magical plot devices for everyone else's use without any appreciative focus on their power & how it could really benefit them. Even though I love Bonnie & Kai, my otp endgame for her has always been Bonenzo, but I also adore Klonnie ❤️.

My AU changed and added plenty of lore around his coven & certain events. The plot follows the life of Bonnie's younger sister, Rosalina "Rose" Bennett-Ruiz. I go on to describe her below, but I'd like to state that she acts as Kai's antithesis as an innocent, fledgling witch. She's also Bonnie's support system. I always hated how the show often ignored that Bonnie lacked family around her that were unconditionally there for her. Bonnie's mom left when she was small, she lost her grams in season 1, and her father was a non-factor in her life until he returned... just to get killed off in front of her.

I wrote Rose & Bonnie's dynamic keeping in mind everything I hate about older sibling/younger sibling dynamics, like the one between Buffy and Dawn in BTVS. Bonnie deserves family that consistently supports her, encourages her to prioritize her well-being, and actually tries to lessen the existing load on her shoulders.

Another thing I kept in mind when adding Rose to my TVD AU is not to have her replace or take away Bonnie’s space in the plot. Now, I do give her Bonnie's plotline of being sent to the prison world in season 6, but this is essential to the story, and the way Bonnie was treated that season made me so sad that I have no problem taking traumatic experiences from her (of which she has more than enough) and giving them to Rose.

Okay... if you made it through my rant, congrats. I also want to offer my inbox as a place where anyone can offer up requests, scenarios, ask questions, even if you want to roast my cruddy writing... my inbox is open.

🌹Rosalina "Rose" Bennett-Ruiz:🌹

Born: March 18th, 1994 (18yrs)

Gender: Female | Height: 5’1” | Hair color: Brown | Eye color: Hazel

Race/ethnicity: Black and Latino/Hispanic

Species: witch (Bennett)

Titles: Rosy (Kai), littlest witch (by Kol), kid (by Damon)

Characteristics:

Rose is a gentle and kind-hearted person, always looking for the good in people and situations. She can be a people pleaser and overall naive when dealing with people, often seeing the best in everyone and believing in second chances

Family is important to her, so bonding with Bonnie means a lot. Due to her naivety and weakness, she can be easily manipulated and taken advantage of. Like Bonnie she’s compassionate and tends to selflessly help others. But still with spells due to her insecurity & inexperience with magic

She enjoys singing, gardening (honing her nature-based magic, making potions & studying herbology), fashion (sewing & thifting) and cooking (food is her love language)

She has a strong aversion to blood & violence so spending time with vampires took a lot of getting used to

Trilingual: fluent in Spanish & Portuguese

Despite her demure demeanor and virginal innocence, with her stuffed animal collection, enduring love of cartoons and a lack of dating, she’s a hopeless romantic that harbors the hidden desire to submit herself to a powerful dominant

Background:

Family: Bonnie Bennett (half-sister), Jamie Ruiz (half-brother), Abby Bennett-Ruiz (mother), Matteo Ruiz (father 🕊️), Sheila Bennett (maternal gm🕊️)

Rose was raised in Summersville, North Carolina. She was a child model until 13 when her father tragically died. She was the captain of her high school majorette dance team. Her life drastically changed when Bonnie arrived on her doorstep.

Rose was 16 when she & Bonnie would finally meet. Bonnie and Elena came to Abby for help with a spell. Rose was shocked to find that she had an older sister as Abby never mentioned Bonnie or the life she left behind in Mystic Falls. She was even more surprised upon finding out about her magical bloodline and that supernatural creatures walked the earth. Unlike Grams, Abby never mentioned magic throughout Rose’s life and even went as far to suppress her magic with by binding it.

After Abby is turned by Damon, she decides to leave her family to gain control as a fledgling vampire. Rose moves to Mystic Falls with Bonnie where she learns magic from her.

Magic doesn’t come naturally to Rose. But she often helps Bonnie with powerful spells, offering herself as a conduit for channeling together.

Admittedly having a 50% accuracy rate with her own spells. Rose’s confidence & focus are hindered when chanting and spells drain her much quicker even when she tries channeling the energy around her. Despite this, Rose is determined to improve, valuing her one-on-one time with Bonnie and spending late nights on her own practicing & memorizing spells. She uses her magic for good and wants to prove herself as a capable witch.

She excels at herb studies. Often experiments with potions and creates charms using the herbs they grow in their garden.

Her role in the Mystic Falls gang is the “Bennett witch in training” or “the bringer of baked goods” (according to Damon), since she often supplies their gatherings with fresh pastries. Everyone underestimates her power, even Bonnie. She tries to keep Rose out of danger unless she can’t help it.

🔪Malachai "Kai" Parker:🔪

Born: May 9, 1972 (22yrs)

Gender: Male | Height: 6'0" | Hair color: Dark Brown | Eye color: Blue-gray

Race/ethnicity: white/non-Hispanic

Species: siphoner (Gemini Witch coven)

Titles: abomination, black sheep, the defective twin (his coven)

Characteristics:

Charismatic with a charming smile. Upon meeting him, his charisma operates as a façade to hide his lack of empathy and his sadistic tendencies

Can be hard to read but that’s because he struggles with expressing his emotions which stems from his abusive childhood. He’s cold and relatively unfeeling with people, but once he lets someone in, he’s fiercely loyal and protective.

He can be observant, calculating and manipulative to taking advantage of someone and get what he wants

He’s a sassy man, often comes back with quick quips and has a natural sense of humor (typically dark humor)

When he’s comfortable, he never shuts up, has no filter and sucks with certain social cues. After being alone for nearly his whole life, will talk anyone's ear off without realizing they are not willing to listen

Kai can siphon all of a witch’s magic without killing them. He controls how the process feels - at its worst, a fast searing burn to a slight tingle. Overtime, a witch will regenerate their magic

High libido!!- He’s starved for touch and affection (though he would never admit that he needs anyone). Sexual desires reflect his sadistic personality as he enjoys dominating another person through absolute control and pain infliction

He likes raunchy comedies and media with half-naked women such as Bay Watch and MTV videos. A major foodie with constant cravings for sweet and salty snacks. He prefers snacking throughout the day but when he does bother to cook, it’s really good

He is fluent in old Latin, often found in grimoires and other ancient texts. When he was young he’d get his hands on old grimoires and study them, all the time to himself allowing him to hone his knowledge of witchcraft and technique

Background:

The Parker family is the head of the Gemini coven. Its patriarch, Joshua Parker is the coven leader. Kai is the eldest child, being half an hour older than his fraternal twin, Josette. Unlike Jo, Kai was born without the ability to generate his own magic, instead siphoning magic from lingering spells, objects, or other witches. When he was young, he would naturally gravitate toward the magic of his sister, so Joshua quickly decided to physically isolate Kai from everyone for fear of his son's "defect" hurting others.

As fraternal twins born of the coven leader, Jo and Kai would be set to merge on their 22nd birthday, where the winner takes the other's magic and coven leadership and the loser dies and is absorbed into the other but with the risk of Kai's siphoning ability giving him an edge in the merge, Joshua and Viviane continued having kids until she birthed another set of twins that would merge instead.

Kai's upbringing was lonely, spending most of his time locked in his bedroom up in the attic. Following his father's lead, most of his family excluded and demonized him. As he grew, Kai learned to internalize the cruel labels they gave him. If they wanted a monster, they would get a monster and on his 22nd birthday, May 9th, 1994, he would finally act on his boiling rage and resentment toward his family, unleashing the hatred he accumulated through a lifetime of torment onto his siblings when Jo refused the merge. To protect the twins, she would relent to merge with him but the coven was waiting and with the help of Sheila Bennett they banished him to a prison world of complete isolation.

Each year that passed only added to his hunger for revenge, left with nothing to do but plan his escape and seizer of coven leadership. He grew to take pride in what he had done to his siblings and his status as a sociopath capable of killing anyone who gets in his way without remorse.

AU-Specific Lore:

Prison world Lore:

Prison worlds are created by Bennett blood sacrifice, meaning a Bennett must be bled to death so the gemini coven can channel her blood magic.

A prison world resets with the eclipse every 3 months.

Time works differently, so no one ages throughout their time there.

A prison world cannot create life so the only living inhabitants are those sent there or arrive via ascendant.

Kai is linked to his prison world so he can’t die. If something kills him, he’ll be out for a while depending on the damage but the magic will heal him back to life. Without Kai, the prison world falls apart so while he’s there, it sustains his life to sustain itself. Once he leaves, it ceases to exist.

The Ascendant - an ancient device created by the Gemini coven and a Bennett ancestor that only responds to a living Bennett’s blood magic. The ascendant is sensitive to magic in general, so even when the spell is done right, it will activate then fall apart. You only have one chance at the time of the eclipse to correctly do the spell, which Kai knows from experience because early on he tried collecting a vial of Bennett blood that he hunted down in a hospital and using Josette's magic he siphoned from a hidden dagger. Disappointment boiled over into rage when he did the spell beneath the eclipse, the ascendant disassembled, but he was not transported out.

The Gemini Coven Lair:

Exists as a interdimensional where the coven keeps ancient texts, grimoires, enchanted items (talismans, gems, ascendants, etc.), and materials for spells & potions

Infinite space that can be utilized by the coven leader: often includes a space for magic instruction, a library, spell casting, a gathering area for the coven, etc.

Accessed only by portal, which is summoned by a spell entrusted to high-ranking Gemini members

[salubriwrites-blog]

A Weird Dive into my favorite ships

This started as an answer to an anonymous question but... it grew a little bit. I have no forward except to please drink water today! Love you!!!!

I'm actually pretty new still to writing fanfiction. I've been an avid writer since I was 10 and was even working on getting my own book published. From there I springboarded into TTRPG design where I wrote world building, lore, and characters for IPs like Call of Cthulhu and Vampire: The Masquerade. I only really just got into writing *fan fiction* in the last 2 years.

My first fanfic/ship was actually pretty silly. I was on the Encanto hype train when that movie first came out (can you believe its been 3 years???) and I loved, loved, loved Bruno Madrigal. He was the traumatized, distraught uncle living in the walls of Casita trying to fix the internal damage that came from Abuela's treatment of La Familia. His intentions were pure, and he obviously had gone through a lot to drive him to the point where we see him in the story. This was the first branch I would hit falling down the "I can fix them" tree.

The story is cute and has a happy ending, but as we all know in the real world, unlearning toxic behavior and overcoming life long trauma takes time. So I wrote a BrunoxOC story about it. I ended up orphaning it because I veered the story off in a direction I didn't like because the group I was part of were heavily influencing my creative choices. Boo, hiss I know, but I was still pretty new within the fanfiction genre so I buckled.

Moving on!

My second fiction that I put a lot more love into - sorta I may go back and rewrite parts of it now - was my YorickxOC fiction.

Yorick was my first ever League of Legends love. Fucking love that haunted beef cake. The Ruined Event did him dirty, the Ruined King Game did him dirty, and the book probably did him dirty too (I haven't read it). My Gravekeeper needs ALL THE LOVE because he is absolutely going through it in sheer solitude (though the Illaoi story where he goes to help destroy Viego's amulet gave me hope that now he gets visitors sometime on the island).

Remember Yorick Mori: Before the Ruination This was my first completed and quite hefty fiction weighing in at 153k words: it followed his story where he starts out on a lonely little fishing island called Portia (it doesn't have a name in Lore). He ends up on a slightly busier island that is situated off the coast of Helia (Blessed Isles capitol) and begins his journey to understand why he can communicate with the Dead. He meets a cast of charming monks that want to both see him thrive and maintain status quo. He even meets the owner of the bakery that barters with the Order of Dusk - whom he naturally falls in love with immediately. Rosalie McKahn is not a self insert. I don't make self inserts when I write OCs because I hold myself to a weird standard - also I don't see myself being compatible with most of these characters. Would I still like them to do unspeakable things to me? Oh shit yes. But from a story standpoint, I don't do self inserts. So Rosalie was not one of those. The story follows a young Yorick through his years of servitude to the Order of Dusk, uncovering dark secrets, finding confidence to become the man that he will need to be when the Ruination comes. Rosalie was not the only person who helped to build Yorick up in this story, but their love is what gives him the strength to keep fighting when the rest of it was bleak. This love eventually passes on to the Maiden of the Mist in the epilogue I have yet to write ^^;.

Then we got into the Heartsteel arc, and this was where I really found my love for the "I can fix them" dynamics. I have no shame in saying that I wrote all of "Making of Paranoia: Off Script" in a week's time while the music video played on a loop on my second monitor. I'm just not. That was where the neurons wanted me to go, and off I fucking went. I knew I liked Aphelios when he first debuted in League, but I was scared of him because he's an ADC with 5 guns. Skill Expression was not something I was confident enough in to pursue that character. But he was hot! He ha a backstory that excited me and had a lot of potential. I really wanted to explore Aphelios' dynamic with his sister and the Lunari elders - pigeon holing him into being a weapon of faith only.

I also knew I liked Yone, but was fearful of him for similar reasons. In the end I just nutted up, typed /mute all in game chat, and hit my head against the wall until I got M7 on Yone. His story is by far my favorite of all the League characters (rivaling Yorick's, of course). A man who spent his whole, short life trying to save someone who he thought was in danger of falling off the path of virtue? Only to come back and KEEP DOING IT but with extra steps??? WAITER ANOTHER PLEASE.

But I didn't really anticipate putting these two characters together within the canon sense. I didn't see a way that they could meet (though one of my friends has since written a beautiful fiction where it shows how they do meet, and how they do connect! https://archiveofourown.org/works/52384363/chapters/132517315 )

BUT THEN. BUT THEEEEN.

I was watching Paranoia for the 69th time that day and I saw THIS VERY SPECIFIC CLIP where the only person who looked the most remote bit of concern for Aphelios' well being was YONE. Boom, Off Script was born.

Off Script was definitely the first FanFiction where I really jumped into my current dynamic. It follows after the filming of that day, cut short after Aphelios fell into a water tank with one of the drones. Yone is going to check on him, and Aphelios is lamenting that no one else has come to see if he's alright. Not even his boyfriend, Sett.

This infuriates Yone because that's just not good boyfriend behavior, and he promises Aphelios that - should he be given the chance - Yone would treat him 10x better than Sett has, is, or ever will.

Also who wouldn't want to be treated like a princess by this specimen? Let's not fool ourselves. Anyway - Paranoia gave me a chance to explore this dynamic in a new way. Yone had issues of his own - I had to find a way to implement his Arzakana nature into a modern AU so I opted for "intrusive thoughts" that encouraged him to do some generally not nice things. In Yone's backstory he was a toxic person, used people up, whored his way through most of his opportunities, and was a bad brother to Yasuo. Yone initially followed Yasuo into the music making industry because he wanted to help his baby brother succeed - and he didn't really know what he wanted to do with his own life. Yone then got it into his head that maybe he and his brother could make music TOGETHER. Yasuo didn't want that because True Damage was doing it's own thing and - for just once in his life - he wanted something that only he had made, not with his older brother. Yone takes his poorly, and being the toxic brother that he is, makes a scene at an industry party and gets booted out. Yasuo cuts him out of his life. On his drunken, staggering tirade through the streets of Valoran City, Yone gets into an accident. He dies. But then suddenly gets resuscitated! I'm not a doctor so I just literally chalk it up to a freak accident that Yone comes back. While Yone believes that it's a second chance. He wakes up in the coroner's office in a cooler, and bangs and screams at the door the whole night until the coroner ME comes in the next morning to fetch the John Doe. Yone doesn't know who he is anymore, but he knows he can't be the asshole now cause that's what got him killed. So he spends time reflecting, soul searching. He knows he still loves making music, and though he gets a desk job and lives this semi-stable life, he still dreams of making music.

Enter Heartsteel.

Aphelios' twin sister is already a multi-platinum artist who runs her own record label - Lunari Studios. Aphelios is on the other side of the story - he's just kind of following Alune around and standing back as she shines. He knows he's talented - he knows a million instruments and helps Alune with her production, but he doesn't think that he could do it all by himself. When he and Sett start dating, it's more of the same. Sett is big and loud, people are drawn to him and his style, and it gives Aphelios someone to latch onto that isn't his sister for once. In Off Script, Aphelios' fate would have been the silent lyricist and musician for the band. He would have told himself that he was happy with standing back.

Except after the events of the music video, Yone won't let him. Yone encourages him to sing, to write bolder lyrics, to voice his opinion. Yone helps Aphelios find confidence, and in return Aphelios lets Yone help him. All Yone really ever wants in any AU is to help, but helpful people can be toxic too. Aphelios allows Yone to do that, but with his own confidence can help draw boundaries on when Yone is being too supportive, or investing too much of his own energy. In the Heartsteel AU I wrote, they are happy together ^^

I finished Off Script around the time of Worlds 2023. Which was when they announced my Babygirl!

And boy what a journey THIS CHARACTER HAS BEEN.

Hwei has it all. The trauma, the growth, the setbacks, the hips, the style, the potential. Surprisingly though - I am not a huge fan of the JhinHwei ship. Maybe cause I see too much of myself and who I used to be in its dynamic. I've been both of those characters in my past relationships, but this isn't the place for that kind of deep dive.

Hwei is neat because he introduced a new idea to my ship dynamic. He's not broken, just lost. He's looking for himself and every person he meets is just a stepping stone on his journey to peace of mind.

I wouldn't call Hwei self assured, because he doesn't know who he wants or what he wants to be, but he knows he has all the tools to reach that end. I like shipping him with multiple characters with Hwei in different stages of his self-realization because he is an inspiring character. He can terrify and and awe in the same breath, depending on which version of him we're visiting.

For this last one we're departing League completely.

I got into HSR after Genshin got a little stale for me. Also I got a fancy new phone that I could actually play Hoyo games on, and HSR is the best for mobile play.

I got into HSR in the middle of the Penacony story, but my friends warned me that I'd love Aventurine when I met him. I spoiled myself by looking at pictures of him and OOH BABY

You can fit so much trauma in this baby.

Aventurine is another fun one because yes - he has a tragic fucking story and I would single handedly help him repopulate Sigonia if given the opportunity. But once again, Teeeechnically not broken.?? He has ghosts he faces throughout the story, and must address each aspect of himself before crossing the river, but by the time he's come out, I like to think he's at peace with who he had to become in order to survive. From fighting in pits, murdering his former owner, tricking the IPC, I don't think Kakavasha would have done any of that stuff. Aventurine, on the other hand-

It's a common theme when you are in survival mode because of trauma. Is he fully cured? Fuck no, but will he continue to strive to be the kind of person he wished would have saved him when he was a kid? Fuck yes.

Which is why we need to impregnate him.

My friends warned me I'd love Blade. I was determined to not, but then I went through the Jingliu story and learned about the High Cloud Quintet and it was over.

I just think this guy's hot. I know a lot of people ship him with Dan Feng and Jing Yuan (it's pretty hot, ngl), but I kinda like Blade/Kafka or Blade/Stelle. The Kafka angle is not so much romantic as it is a mutual understanding that they are both going down this journey together and it can get lonely sometime. So more convenience than romance.

I'm working on a Blade/Stelle story right now where - Best I Am, Prey You Become. It explores Stelle abandoning the trailblaze to join the Stellaron Hunters, and as part of her initiation Blade if voluntold by Kafka to train her. Their relationship is mentor/student and she is obviously hot for him, but Blade is an immortal, tired old man who doesn't have time for that. Except Elio has other plans, as Blade's script reaches a conclusion - he finds something worth dying for. When it comes to HSR Fanfictions I take a lot more creative liberty because I didn't follow the lore to the letter. Also I love world building so!!!! I also built Sigonia-IV for that story, I just gotta get the neurons to activate x.x

[cto10121]

Twilight Clown Takes Special Edition—Bella and Edward Would Be Divorced By Now & Other Projections

In which the Twilight anti fandom cheerfully throws canon and even their beloved lore out the window for this increasingly deranged fanon, in part born from the dumbass movie canon. Here we go, om nom nom

Edward only “killed the vibe” when he thought he hurt Bella. He was literally upset that he gave her bruises and thought that Bella was putting up a brave face. 😭 If anything, it’s such a green flag it hurts.

Also, while Edward is dramatic, so is Bella. They both are! Bella is just more chill as a default.

Tell me you’ve only read the first 50 pages of Midnight Sun without telling me you only read the first 50 pages of Midnight Sun.

Edward being unable to read Bella’s mind is just like his reaction to Bella’s scent—it is a hook, a fictional contrivance to make him want to spend more time with her.

Once he does, though, he sticks around. Why? Because he likes Bella personally. She is quirky, self-possessed, quick-witted, winsome, and pretty tough and brave—the exact qualities you need to be able to handle vampires. She is also self-negating with self-esteem issues, which Edward admires and relates to, since he is self-negating with self-esteem issues too. Birds of a feather, etc.

Edward doesn’t know that Bella is like all the other girls even though he 1) asks a million questions about her likes and interests, 2) she tells him to his face that she is “absolutely ordinary,” and 3) er, stalks her.

You would think homeboy would get a clue about what kind of girl Bella is by now, especially from 3).

Visits her mom, oh God, these clowns are really not beating the lack of reading comprehension skills allegations. No thoughts, head empty.

I think it’s safe to say Bella would never return to Renée and Arizona. As much as she loves the city and the landscape, it is the site of her parentification, which Bella at some deep subconscious level recognizes and resents. Forks, bad weather and all, was when she really found her people, not to mention her love. And now that she is a vampire, the cold isn’t even a problem anymore.

Also, the fact that Bella blithely rationalizes away keeping Renée in the dark while keeping Charlie in the loop speaks volumes.

That’s right! Bella and Edward would never work out because they don’t have anything in common. I even made a whole list on how little they have in common, it’s astounding!

“Treats Resume awful” Source, please. Even in the dumbass movies Edward and Renesmee had a really lovely rapport with each other. It was one of the few moments Rob Pattinson did look like he was enjoying himself.

Bella “I have too much Charlie in me” Swan, going full Renee? It’s less likely than you think. Why do these clowns always have to stan Renee, the woman who literally made her child pay the bills?????

Also, “a woman who followed her own desires”…that is literally Bella with regards to Edward. She was the one who 100% on Edward’s icy D train while homeboy was still flailing over being Hades to her Persephone. She was the one who wanted to experience sex with Edward while still human even though he could have squished her like a bug.

It’s literally why I love this bitch (complimentary) to begin with. I admire that kind of NFG (No Fucks Given) in fictional characters. Characters that march to the beat of their own drum.

The Twilight fandom is really not beating the allegations.

Anyway, YMMV, but I’ve never read a more hetero bitch than Bella in my life, and I grew up on bodice rippers and telenovelas. Kristen Stewart’s Bella is not and will never be canon, so her sapphic vibes don’t count.

Tell me you’ve only seen the movies without telling me—

[vampire-sugar]

Again, this blog is going to be about my experience reading QOTD, but wanted to just list out some of my thoughts on the first couple books! (No real analysis just writing how I felt about them). My previous post was about IWTV, and now here are some of my thoughts on The Vampire Lestat!!

Spoilers ahead. (Tw: mentions of incest and grooming)

The Vampire Lestat (1985)

Big change of tone, lol. I enjoyed Lestat's narration, even if it was a bit ridiculous at first and so different from IWTV. But he's funny! Like when he talks about how much he likes the 80s:

LOL.

And of course it was rock music that rose him from his slumber. So camp.

I really enjoyed getting some Lestat lore, and vampire lore in general. Loved getting to see mortal Lestat. His relationship with his mother is definitely something. Gabrielle is described as someone who doesn’t talk just to talk, and everything she says is definitely interesting. I like how she so succinctly describes Lestat's personality/character:

"You're such a fighter, my son. You never accept."

And then when she tells Lestat "You are the man in me." Wow. Feel like that describes exactly what her relationship to Lestat is as well as her relationship with gender etc, idk. Just liked that line. And then of course the relationship later becomes romantic, although it did feel like it was building up to it as opposed to like the horrific realization that I got in IWTV of Louis and Claudia. This one I saw coming but it was just very tragic.

Everything about Nicki was devastating he really was going through it. The lines where Lestat is describing him/their moments together were very romantic though. When Lestat tells him "(...) light and beauty come together in you in a thousand different patterns." And later, after Lestat is turned, "You are light itself, and what am I now? Eternal as I am, I curl like a cinder in that blaze." So cheesy I know but it really got me.

Ugh, when they are having "their conversation", and Lestat is going on about how what they do (acting, playing violin) feels good and makes others feel good, so it must be good, and Nicki responds with "Lestat, sin always feels good.” Shoot me now. Anyway, RIP Nicki you will be missed.

We got some Armand lore! I finally understand the Armand/Lestat beef that is always mentioned online lol. And also, fuck Marius, seriously. Like from the bottom of my heart. I feel like we’re supposed to read Marius’s actions as having saved Armand, when really he could have busted him out of the cell he was in and killed his enslavers and have just been his mentor. Instead, Marius paid the slavers money to buy Armand and then groomed him. Not only is he horrible, he is also very boring which is actually the worst thing you could be as a fictional character. Like the second I got to Marius's Story I checked how much I had left of his lore and I gasped at how much there still was like why was he talking for so long? Also of course you get some of Anne's racist rhetoric seeping through via Marius. It’s stuff like this that makes it so hard to read or take seriously when the immortals start philosophizing about good and evil like you just went on a rant about how people in the East are actually bottom of the barrel evil while the Westerners were more civilized or whatever idk man. Again have no clue why Marius spoke for as long as he did.

Cute vampire reunion in the end. Got treated to a vampire concert which was nice although I feel like Lestat could have gotten a little more creative with the lyrics lol. Overall I enjoyed it, I think Lestat is a fun narrator and loved all the lore and character backstories.

These were some of my unorganized thoughts of TVL, my next post will be about QOTD! I’m almost done reading the first part and from then on will probably post chapter by chapter. Feel free to follow if you wanna read along with me!

Bonus quote:

ijbol

[normal-abbey]

Demonic ages in Lazarus

PSA this is taken from my fanfic notes: I have an HC (that i took great liberty with, and that is based specifically off of a in-game scene where Lucifer complains/makes mention of being "in his millions" or "over ten million years old"-I don't entirely remember the phrasing) that He (going based off of both traditional religious and Media-based lore) is/was not only the second oldest of the archangels, but is also one of the older beings down in the devildom.  And that Barb is still, like, considerably older. I, personally, hc that Lucifer is around 500 million or so, with Simeon not an inconsiderable measure behind him at maybe 95 mil, and Diavolo at around 50Mil. I'm basing this lowkey off of prehistoric periods, utilizing both the "creation" theory and evolution because of the supernatural elements of OM. In my HC, the Devildom, earth, and heaven have been around for similar periods of time, and the concept of angels are slightly (several million years) older than the first living creatures on earth. This makes the first of the archangels specifically SOME of the first "created beings" within my personal lore, having been created several billion years after God decided he wanted company. I know these ages seem a bit absurd, but I'm lowkey edging toward a slightly eldritch vibe with angels/demons, and this helps with that. If it's too goofy/incomprehensible to you, feel free to picture them as silly lil' guys who are only, like, really old vampire levels of old, though it will be harder to ignore as chapters march onward in the fic. As for the content of my hc, this is what I imagined (Disclaimer: this is fiction, and only loosely based on religious lore, so this is not theologically accurate): firstly, Michael is the oldest of the "warrior class" of angels, and the oldest archangel. But, in Lazarus lore, God had three angels that he originally created that were made solely to worship/serve him--created to sit at his feet and sing songs in adoration. They're based off of the Biblical principals of "faith, hope, and love." I also HC they were the first to fall, and that God created his warrior (Michael) to cast them out, before creating Michael's brothers. Those three are the original demons in my fic, one of which is Dia's great (x10) grandfather. I may do a side fic in this series about it at some point. I'm debating calling them either The Three, or The Three Virtues. Anyway, the first four Archangels are younger, though not much by supernatural/heavenly standards. But the archangels were created as warriors to guard heaven and earth from the fallen, and eventually bring messages of warning and/or comfort to humanity. The original archangels ages are as follows (and these are not exact because I am not writing that many numbers down while being this tired): Michael: 1Bil, oldest. Lucifer: 500Mil, 2nd oldest archangel specifically. Raphael (yes that one): 250Mil, 2nd youngest. Gabriel: 100Mil, youngest. Barbatos is (considerably) older than Lucifer....So yeah. Just keep that in mind. Side note: Lucifer was loyal for an incredibly long time, which is what made his fall so devastating. He fell, as is canon in OM (though exact dates weren’t given), sometime after humanity gained life/sentience. Think of it like a combo of creation and evolution: Their “Father” created the world and life, but it evolved as IRL science has determined. 

[songofthesibyl]

“Even for an immortal, there was not enough time in life to waste it on hatred. On feeling it and putting it into the world.”

—Sarah J. Maas, A Court of Wings and Ruin

So, no one cares what I think, my blog has no reach, but I just wanted to talk about social media, and fandoms, and the A Court of Thorns and Roses series.

I read the series last year, because I wanted to read a contemporary fantasy novel that dealt with faerie lore, and this series had 4 1/2 stars on amazon and was continually in print for a number of years, so I was intrigued and decided to give it a try. I don’t have tiktok and don’t follow book accounts on social media.

I loved the faerie lore in the first book, but made the mistake of looking up fan art, and the direction of the series was spoiled for me. While I enjoyed the series, and read the original trilogy fairly quickly, there were parts that bothered me, or that didn’t make sense—largely because of the majority fan interpretation that didn’t match how I experienced the series. I definitely got Twilight, Buffy, and Vampire Diaries vibes. For me, it was clearly in the dark fantasy genre, and the insertion of real world values didn’t quite make sense to me the way it was done. 

So, it was nice to find comments in reviews that felt the same. On here, and elsewhere. I was very isolated at the time, and this was a way to find a community. I was part of a fandom for the first time, writing fanfic for the first time. 

But this other side—I don’t mean pro- or anti-, I mean that really nasty, bullying, bizarre side of the fandom—became more and more prominent. I just never usually inserted myself in it.

This is social media. This is internet comments. This is human nature to bully and pick on others while sitting on the toilet at work. It’s nothing new.

But it bothers me. It’s always bothered me that people take time out of their days to be like this. And I get why the majority of it is done—boredom, fun, a distraction. But it still bothers me.

And because this series tackles such serious subjects as sexual assault, trauma, mental health, abuse—those throwaway, bullying, trolling comments take on a very disturbing tone.

If you disagree there are the usual epithets; using the need to seek therapy as an insult, attacking someone’s looks, family—even if no pictures or info are known. Telling people to kill themselves.

But because of the insertion of an abuse/DV “very special episode” aspect to the story, the comments become specifically about abuse—so if you feel a certain way about a fictional character, you are an “abuse apologist,” or want to be abused.

The other day, someone I know was arguing in a post on Instagram by a couple’s book account, with thousands of followers. The post was about Tamlin, the linchpin of the bizarre nature of this fandom. She disagreed with the post, liked the character more than they did. She argued using points from the book, but they fundamentally disagreed—fine. This person can handle themselves. But the other person said something in their discussion that I’ve seen before, that bothers me:

“I hope you find your Tamlin in the world.”

The person who said this dislikes the character. It was meant as a passive-aggressive, dismissive comment. You think he’s so great, I hope you find a person that is horrible and abusive in real life.

And it bothered me, and I knew it wasn’t worth it, but I just didn’t want to let it go this time. This person was an adult, not an adolescent. So I said it bothered me, that I had seen that comment before and I didn’t like its implications. I waited for a response—and saw that I was blocked. I made no accusations, said nothing personal about them—just that, just because one disagrees about a fictional character in a fantasy world doesn’t mean they want an unstable, abusive partner in real life. That comments like that bothered me. (Probably more than the person I was defending.) But it bothered me. And I got blocked, for the first time.

And that bothered me even more. Did they think they were being attacked? I don’t know. But the comment is probably still there, and unchallenged, and they’ll say it again, as so many others have. And that’s the way fandoms are. But it bothers me. It bothers me that, after dipping my toes into a fandom for the first time, into being social, this is what it all leads to. And it’s not even exceptional. This is how it always is.

And, despite some frustrations, I enjoyed the books, or I wouldn’t have kept reading them. And it made me want to reach out, and be social, when I hadn’t for a long time. But this part will always make me extremely anxious, and it’s exhausting, and it’s disheartening when this is what it all leads to. That books that speak about not spreading hate can lead to such nasty, disturbing, bullying behavior. It’s not fun. And I don’t really want to be a part of it anymore.

[bookaddict24-7]

REVIEWS OF THE WEEK!

Books I've Read So Far in 2023!

Friend me on Goodreads here to follow my more up to date reading journey for the year!

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82. Lost in Time by A.G. Riddle--⭐️⭐️⭐️⭐️

I remember randomly coming across this book while at work and I'll admit, it was the cover that pulled me in, the synopsis was just a great bonus.

One of the things I loved about this book, other than the speculative edge, was the amount of twists this had. I always thought I knew where it was heading, but there was always a twist to counter any theories I had. There was so much potential in this world where time travel existed and I'll be honest, it felt like the author took that to its full potential. This was fun, adventurous, sometimes a little terrifying, and a whole lot of addicting. It's such a clever novel and I really want to read Riddle's other books to see if he uses this same level of intrigue in his other works.

LOST IN TIME also made me think of some of my favourites, and I think that definitely added to my enjoyment of this novel. On one hand, it gave me similar vibes as DARK MATTER by Blake Crouch, and on the other, it made me think a bit of Stephen King's 11/22/63. It's one of those books that you encounter only a few times and end up trying to re-experience for the first time whenever you pick up new sci-fi speculative fiction novels.

The main reason why I'm not giving this full stars is because while beneficial to the story, the back and forth kind of interrupted certain aspects and moods of the novel. I would be really into a scene and then boom, new chapter set in a different place and time. I wanted more of one place than the other and feel like the story would have benefitted from further exploration of the place one of the MCs goes to during the first half of the novel.

All of that being said, however, I really and truly enjoyed this book. I want to read more from this author!

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83. Vampire Breath by R.L. Stine--⭐️⭐️

I wasn't the biggest fan of this one. It was probably one of my least favourite GOOSEBUMPS books, but that ending was very on brand, so as cheesy as it was, I enjoyed it!

I can see why this would be a fun one, though, if I was younger. I know I'm not the audience for this and usually I'm able to separate my age from these stories, but this one was not...an enjoyable one for me. It was kind of forgettable, to be honest.

Anyway, onto the next GOOSEBUMPS!

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84. I Am Number 4 by Pittacus Lore--⭐️⭐️⭐️⭐️

Re-Read May 2023:

I don't know why, but I was wanting to re-read this book and maybe read the rest of the series. I remember really enjoying this and I won't lie, I totally still enjoyed this. There were a lot of things I forgot about, but I especially enjoyed (read: eye twitched through) the scenes where the mc was like "I'm an adult!" while being a 16 year old putting himself and his pseudo-father in danger.

This may not be a perfect book, but this is a great example of how much teenagers want to be grown. I remember being that age and thinking I knew everything. That invincibility complex hit hard here and being able to see it from this perspective nearly ten years later is very eye opening.

I'm excited to read the rest of this series to see how he grows!

___

85. The Melancholy of Summer by Louisa Onomé--⭐️⭐️⭐️⭐️⭐️

I received a copy via the publisher because I was the panel host for an event with the author. This did not affect my review at all.

THE MELANCHOLY OF SUMMER was such an emotionally explosive read that it took me a couple of tries to finally allow myself to fall fully into the Onomé's writing.

Set in the beautifully described City of Toronto, we follow Summer, the MC, as she tries to survive and find the freedom she is so desperately seeking in a city that is actively hunting for her criminal parents.

The author did a fantastic job of showcasing how difficult it is to both acknowledge and deal with emotions at such a young age, especially as a young woman of colour. I think how the author treats this topic may resonate with readers because we're taught to control our emotions, or to "be strong" in the face of adversity, but as Summer grows and finally starts to process her trauma, we see that feeling those emotions can also be incredibly therapeutic.

Summer's relationship with her cousin, Olu, could also be seen as an incredibly healing one because they both have trauma to work through. I loved that Olu was this incredible support system that Summer didn't know she had. Watching Summer thaw towards her cousin was such a beautiful moment, especially after the heartbreaking climax of the story.

I highly recommend this book for those who want characters who have to deal with complex emotions, depictions of travel through Toronto, and Japanese Pop Stars.

___

86. Sigh, Gone by Phuc Tran--⭐️⭐️⭐️⭐️

One of the great disservices I did to myself was starting the audiobook for this amazing memoir when I was on the cusp of a reading slump. I read about 40% of this book and then kept putting it off, until I told myself it was time to either DNF it or keep going.

I'm so glad I kept going!

And that is where the star is lost (if I had been in a better head space to read this, maybe it would have been a five star read, but alas.) But even though this doesn't get a perfect rating from me, I really and truly enjoyed this memoir.

I enjoyed reading about Tran's experiences in high school as he came into his own and eventually found his footing in his life. His writing pulled me in and I could see him experiencing so many things that made his life all that more fascinating, if not a incredibly heartbreaking thanks to his complicated and abusive relationship with his father and the racist and discriminatory relationship he had with the people and society around him while growing up.

Tran did a great job of not only sharing how music formed who he is today, but also how his understanding of the space he inhabits in this world is one that will always challenge the people around him who want him to stay "where he belongs". There was a particular scene where he is riding high on his successes, but a racist punches him down. It's a sad situation that can be seen even in today's society, especially social media.

One of the reasons why I also really enjoy memoirs like this is because of the immigrant experience, and the tokenism of living as a person who physically looks different and comes from a different place than the people around you. In these recollections, I can see the younger me trying to survive the halls of schools full of people who don't look like me, speaking two languages when everyone else normalizes using one. And speaking of languages: what happens to Tran in this with his first language was one of the great fears of my parents--but it is also a literal representation of how some immigrant families want their children to be a part of their new and "better" society so much, that something like a language is an okay sacrifice.

I've been lucky that most of the immigrant memoirs and autobiographies I've read have been so poignant and incredible. I'm very happy to add SIGH, GONE to that list of memoirs that I will happily recommend to my customers!

___

87. The Lie Maker by Linwood Barclay--⭐️⭐️⭐️⭐️

While this isn't my first Linwood Barclay book, it's the first one I've read in a long time. I had forgotten how twisty and complex his mysteries and thrillers could get. I won't lie, reading this made me want to read more of his backlist titles.

THE LIE MAKER was a fun and interesting read that followed a handful of characters as their lives intertwined in the most dangerous of ways. At the heart of it all was a father who made some pretty horrible choices, and a son who just wanted his father back again. While the dangers and deaths happen around them, you can't help but root for these two characters to find some sort of peace together again. It's most likely because of that heart wrenching prologue, or because the MC never gave up on his father throughout the whole book.

I did like seeing the chapters were Evil™️ was taking place because you knew something was going to happen, but you didn't know HOW it was going to happen. The twists the filled the book and the big reveal were slowly shown to us until we had an aha! moment.

I enjoyed this book for what it was. Was it a work of art, or an especially memorable read? No, but it was entertaining af and I think it'll be a great read for those wanting a thriller for their summer reading list!

___

Have you read any of these books? Let me know!

___

Happy reading!

[lunatic-fandom-space]

okay, im in the third section of the book now, I forget what its called but I just read the fifth chapter of it. They always switch back and forth between Lestat and all the vampires who havent been killed by Akasha either because Lestat loves them or because theyre just that old and powerful, and so far Ive been enjoying Lestats chapters a lot because theyre really interesting and also because I was right, their dynamic is hot and ive been enjoying the vampire gangs' chapters less because theyre very lore-y but if youve been following these posts Im sure youve already guessed that

But what you probably didnt guess is that Im not gonna complain about those chapters, Im gonna complain about the Lestat chapter where he and Akasha discuss her plans of eradicating 90% of the male population in the name of ending war, rape and all of the bad stuff that men currently play a big part in perpetuating. Its just. so annoying

Like, Akasha's plan is so obviously so stupid and Lestat wants to convince her not to do it but her he keeps being like "ah I cant refute her because shes making such good points" NO you cant refute her because youre somehow even stupider!!

Literally the only good argument he makes is "what if women sort themselves into feminine and masculine like men sometimes do when there arent enough women around" and Akasha is just like "so what? theyre still women, theyre not capable of doing genuine harm" which is stupid because yes they are??? have you seen the way racist white women treat non-white women?? you spent so much time in your little hole astralprojecting and bodyhopping, specifically into the bodies of people who were suffering and you didnt once witness the life of a woman whos a racial minority?? And you spent all these thousands of years watching the world and pondering this great design and you never realized that the reason women as a collective are these gentler, more docile creatures that are less capable of war and violence and rape is that men force them to be that way, and that if they were allowed to be free from this patriarchy, they would very quickly prove that they are capable of those things the same way men are?? I mean, Akasha is free from the patriarchy and shes literally committing violent genocide. like shes not even doing it in a GeNtLe and FeMiNiNe way wheres shes killing them all painlessly or whatever

And no, this isnt me trying to make some anti-feminist argument about why the patriarchy is good or about modern feminism going to far because its no longer about equality its about supremacy or whatever the fuck those stupid conservative guys always say. To address the latter point first, that is just not true, there may be "radical feminists" (heavy quotes here because those bioessentialist jokers are not feminists lmao) who do want that but theyre ultimately powerless to actually enact their revenge fantasies on the global sale they want in this day and age because theres not enough of them and the patriarchy disadvantages them too much, and also it doesnt really matter for this post because Im talking about fiction and Im talking about stuff thats completely out of the realm of possibility irl; Akasha is not real and its impossible for there to be someone like her in the real world.

To now address the first point, in our current society where the main "thing" that power does is enable certain people to mistreat others who lack power, the powerless will always suffer in fundamentally the same ways under the powerful, and it doesnt matter if the ones with power are men and the ones without it are women or the other way around; if there was only one gender and only one race and culture and no class inequality, other systems would form to allow some people to wield power over those that dont have it. And I dont think thats because humanity is collectively doomed to always hunger for oppression, I think humanity on the whole is kind enough not to want that, but there are always people who do want it for some reason, and some of them have the ambition to not only conceptualize themselves benefiting from wielding power over the powerless, but to shape society until they or their ancestors are able to do just that. And once that happens, once powerlessness is something that can be experienced by people, most of them are going to be too busy scrambling to gain power so that they might stop themselves, as individuals, from having to experience again to realize how wrong it all is!

Anyway. all of this to say, this is ultimately a book series about morally dubious characters and theres a good chance that Akasha's blatant hypocrisy and lack of faith in humanity and even her stupidity are there on purpose to make some thematic point, but idk man, Ive just gotten so worked up over this. I think its because, even though I try not to make any judgements on writers based on their fiction because I am a writer of fucked up fiction that doesnt meaningfully reflect anything about me so I know its stupid, I still end up doing exactly that, and its pretty easy to do that with most books Ive read for most of my life (YA books) too, so there hasnt really been any reason for me not to just do that, but obviously I cant do that with these ones, and even if I could, its not like that would make my reading this text any richer. Also, even though I hate this current wave of people loudly shouting that all media must teach good moral lessons, again, I cant help but instinctively view media through that lens as well and I usually dont make enough of an effort to supress that instinct, which is why stuff like this makes me so mad and so passionate

Whatever. its getting late and I need to calm down before I go to bed. Add "bad at feminism" to my list of reasons for why I want Akasha to be dead by the end of the book, right after "fucks with the worldbuilding and stakes in a way that doesnt jive w/ me"

[sapphires-and-silver-linings]

Okay, I’ll add a few of my ideas. All of them have chubby reader inserts because I said so. Also a few of them have dark content.

1. Trainer!Gojo

This one is more canon divergent than an actual AU. This one has a lot of backstory lore. Reader is a foreigner in Japan, she and her boyfriend get attacked by a cursed spirit, her dormant powers get triggered, Gojo saves them. She finds out why her powers were never triggered beforehand and Gojo convinces her to come to Jujutsu High. She’s an adult so she can’t exactly be a regular student, so he makes her his teacher’s assistant. He trains her, they get close, she forms a crush on him and he’s attracted to her to the point it becomes distracting. They start an ill-advised friends-with-benefits situation and it’s very… messy. But they admit they’re in love with each other. Might have a happy ending, might have a bittersweet ending, idk.

2. Neighbor!Nanami

Self-explanatory. This one is also more canon divergent than a full AU because he’s still a sorcerer. The reader is his sweet new neighbor who keeps bringing him baked goods. They’re attracted to each other, but he doesn’t want to get a regular human involved in his dangerous life. She asks him to go out to dinner with her on a whim (as friends), and he accepts despite himself. They slowly get closer over time, end up hooking up against his better judgment, and he keeps her at arm’s length after that. Things work out, they fall in love. It’s cute.

3. Roommates!Gojo and Geto AU

This one is self-explanatory. Gojo and Geto want a third roommate after Shoko moves out, and reader is the lucky gal who they accept. They both think she’s cute. We get a throuple situation with lots of hijinks.

4. Neighbor!Toji and Kid!Megumi AU

Toji is a single father to 6 year old Megumi and is constantly gone for work (no sorcery in this one but he is a hitman lol). Megumi is alone a lot because of this, and one day he forgets his key while Toji is gone and gets locked out of the apartment. The reader comes home from work to see him sitting there and decides to let him stay at her apartment until his dad gets home, which isn’t until very late. He’s pissy about it at first, but when he sees how well taken care of Megumi is, he chills out. And then shamelessly flirts with her, but she rejects his advances. He doesn’t plan to ask her for help, but ends up needing to. They slowly become friends while Megumi opens up and gets attached her as a mother figure. She discovers Toji has a dark secret but sticks by him and they end up starting a fling, which eventually turns into more. It’s very sweet.

5. Yakuza Clan AU

Sukuna is the boss, Geto is his advisor, Gojo is his second-in-command, Nanami is the treasurer, Toji is the enforcer, and Choso is head of surveillance. Now some of these aren’t like official titles or anything, more so what he wants and needs for his inner circle. I did some research on how the yakuza works but not like… extensively cos this is still fiction. Reader is sold to them by a human trafficker and she becomes their plaything (this one is really dark). The ending won’t exactly be happy regardless of how it turns out.

6. Vampire Coven AU

Sukuna is the coven leader, the other five are just members of the coven. The reader becomes their “pet”, aka their blood bag/toy (also very dark). Now this vampire one has grown extensive lore with lots of coven/clan politics. I went apeshit on the world-building with this one and tbh I’m the most excited to potentially write this. All the main 6 guys have extensive backstories on how they joined the coven and despite being a dark fic, there’s lots of tender moments and it will have a “happy”(?) ending.

7. Incubus!Sukuna AU

Sukuna finds the reader, thinks she’s cute, then proceeds to torment her. No real plot for this one (yet). Might just be a one-shot. Also dark. Obviously.

8. Ex!Geto and Friends-To-Lovers!Gojo

This one is gonna be real sad because it essentially follows the plot of JJK. Reader was with Geto when they were young. Geto leaves for his twisted ideals, and she and Gojo are left to pick up the pieces together and end up falling in love. Just very bittersweet and tragic all around.

I have some unhinged JJK AU ideas if y’all are interested… (reader insert, y’all should know what I’m about by now lmao).

Don’t know if I’ll ever write a full fic of them but the brainworms are controlling me like the ones in RFK.

[ncitygirls]

eternal - jaemin x f reader

fluff, smut, vampire!jaemin, 2.2k

he had yet to utter a word since his confession, and neither had you, though you had tried piecing together a worthy response. he simply watched you as you watched him, your eyes focusing on each delicate ridge in his skin, admiring his nonexistent pores; how the thin slithers of light that broke through the poorly drawn curtain, shone on a bend from the ends of his bangs down and around his chin. a kind reminder of what you swear you have always known, but regret to have never questioned.

“jaemin?”

“my love?”

“have you always been this beautiful?’

he had to admit he was taken back. those are the first words you have said in a long while. they are your first words since he told you three minutes and twenty-five seconds ago - he was counting, not actively, but over time his mind has created room for his thinking to expand, to surpass humanity’s understanding of thought, and most times he welcomes it. but not at times such as these - where he knows he told you three minutes and twenty-five seconds ago, and your first words are in awe of him.

“i told you i am undead.. and that is what troubles you?”

“your beauty is far from troubling,” you retort, eyes still inspecting his face. jaemin’s mind wanders back to when he once pitied humans. how they thought what they saw was really seeing. victims of an already limited life, the human eye is only able to pick up a fraction of their sublime reality. yet the way your eyes traverse each of his features, as if to commit them to memory, he surely found a compelling reason to admit their eyes were not so lacking. “was it the bite that made you so handsome?”

“i wasn’t bitten,” he corrects, as the pads of your thumbs sweep over his cold knuckles, your touch casting a reverence over the scene. he lets out a pretty laugh at your assumption, the soft crease between your brows forming as he destroys your fictional understanding of his kind. “humans have always had a skewed understanding of our lore.”

“so your mother and father were vampires?”

“no.” it has been some time since he has had to explain vampiric lore to a human, but his mind retains his memory of it all the same. “it is not dissimilar to what humans call possession? or a spell? it is a combination of the two.”

“did it hurt?”

jaemin cannot help but melt at the notes of concern lacing your tone. it is his turn to pass his thumb along your knuckles before flipping your hand over, letting his finger trace a swirl in your palm, offering a soft shake of his head. “it makes one feel queasy, a consequence of the change in dietary needs.”

your hand stiffens beneath his touch as your eyes drop to examine them. he fears he has spoken out of turn, pushed the astonishingly pleasant conversation down a dark hole. jaemin once believed humans to be predictable, but you continue to challenge that. “is that why my invites to have you for dinner always go unanswered?”

“i knew that wounded you, angel.”

“it did no such thing!” his chin drops, eyes boring into you in a successful attempt to lure the truth out of you. he immediately softens when you exhale, in defeat of his gaze or distaste at your transparency, he does not know. jaemin would soften all the same. “i will admit, i did make assumptions to make sense of your refusal.”

“did you think i preferred not to visit?” you had never noticed the flecks of red in the perimeter of his irises until now. they glowed slightly, as if enraged, though you know not with you. “there are rules we must follow when entering a new space, silly, unchangable rules.” his frown deepens when you nod, always understanding even when you shouldn’t. “i apologise if I hurt you, angel.”

“hush now, you need not apologise.” you’re proven right when his eyes return to the perfect colour you remember them for: a golden swirl moving within the rich cocoa, shining only as the light hits it. relief floods him when he rests his forehead on your own. he grips your hips firmly, swaying you both as you call for him.

“jaemin, what is it you do eat?”

“pretty girls named y/n.” oh how he wished you would have laughed then, instead of him opening his eyes to find your horror stricken face. “i swear to you that was a joke. that was in poor taste, i am so sorry.” you find his apology hard to believe as his body shakes, shaking your whole frame along with him.

“do not,” you hit his arm once, “mock,” and a second time though ineffective, “me!”

he saves himself quickly, retreating to safety by putting an unrealistic amount of distance between you two in an inexplicable amount of time. when he abandoned you, you nearly collapse forward with the force you were using to hit him before catching yourself.

“come here.”

“i drink blood.” you did not particularly dislike his attempt to stay on topic, just the topic itself. you try to appear enlightened but you have always found it difficult to repress your repulsion. “i know you have no interest in the macabre.”

“blood is meant to be inside you.”

“i think it tastes great.” he quickly arrives in front of you, your open books and abandoned letters fluttering all over the room as his speed garners its own winds. his thumbs journey over the veins on your wrists, slowly trailing up your forearms. he only speaks again when he hooks his thumbs under your jaw, tilting your head to allow his teeth to graze over the column of your neck. “it is reminiscent of fruit. some blood is like grapefruit and lemon. while some are akin to grape, strawberries.”

“oh,” you sigh, heart slowing as his lips drag along the base of your throat. he pulls back, gazing longingly at your wonderment as you feel his mood swing. bitterness seeps into his eyes in how his taste for blood ironically remains the only provision of some kind of memory of flavour, of normality. “do you enjoy it?”

“blood?”

“being a vampire.” no one has ever asked him such a thing. is there anything to enjoy about eternal life? about reliving his youth, being relocated, remade, renewed over and over and over, for an eternity.

as he gazes down at you, he remembers with all the bad must come some good.

“not always,” he smiles knowingly, thinking of his friends. the lives they built for themselves over a combined millennia. it almost makes him retract saying that. “i do regret some things. like allowing haechan to convince us to help real witches free the falsely accused during the witch trials. only to later discover he had a wager on being able to free more than their coven could.” he loved the way your eyes followed along, he loved knowing he could finally share his life in its entirety with you. “i have a thousand reasons why i should hate it, but I cannot bring myself to.”

“why?” he will find a way to forgive himself for giving you a reason to ask. he will ensure you needn’t ask again.

“because,” he whispers into your mouth, his lips slipping between your own, fingers clasped behind your neck. “if i had died in 1625, i would not have had the honour of making your acquaintance.”

“this is hardly an acquaintance,” you remind him, counting his years in your head as he pulls you flush against him utilising less than a speck of his strength. “careful grandsire,” it tumbles from your lips as he licks against your mouth. “i am not sure a man even three hundred years your junior could make it through what you are starting.”

“you needn’t worry about me,’ he sighs, his groin rolling against your own, his fingers clinging to your breakable frame. “though i must confess, my eating pretty girls named y/n was not said solely in jest.” his fingers toy with your knickers, ice cold digits moving freely along the waistband. “in fact, i fear my sanity depends on it. might you be of some aid?”

“who am i to deny a man nearing his fourth century?” he begs himself not to laugh, if only not to kill the mood but more so to avoid dignifying your mockery. his laughter morphs quickly into pants, your hand slotted wickedly between his own and his groin. “how might i be of assistance to you?”

“just as you are,” he whispers, his dulled teeth passing dangerously along the shell of your ear. as a man of his years, patience isn’t something which he is in short supply. but even then, one grows tired of waiting, for coitus, for love, for you. he is quick to remove your hand, finding his own pacing as he presses you against the wall, your heat pulsing beneath his cock, practically leaking. “i forgot how pliant humans are,” it is wicked how he watches you, his fingers rolling your hardened nub betwixt their pads. you shudder at the sight of him, his golden eyes darkening in the sunlit room, his tongue passing over his sharpened teeth. he smirks as you hiss, his fingers pinching your nipple before sucking it into his mouth. his tongue rolls in time with his hips, running his clothed cock along your clothed folds. he is quickly reminded of his strength as his palm collects dust as it meets the wall with a thud, steadying himself as you whine deliciously, his name bleeding from your raw lips. “yes, angel?”

“i need you,” you breathe, gazing up at him as his lips capture yours. your tongues move in tandem, wrapping around the other in a hypnotic frisk. he swallows your whimpers as he lures them out of you. he sucks your tongue into his mouth, hands moving to your rear before lifting you from the ground. he makes little work of you, rendering you a quarter of your size. your ankles lock around his waist as he casts your knickers aside, hissing as the pad of his finger meets your folds.

“might i have a taste now?” he pleads, eyes burning a fiery amber, pure adoration hidden beneath. “please, angel?”

“take all of me, jaemin.” he holds you still, a metre from the ground as he kneels, his hands firm around your thighs before he lowers you over his mouth. his flat tongue licks long stripes up your cunt, tongue flicking along your hooded clit in his descent. he likens you to a spring, his soul knelt before you, preparing an offering to your fountain. he is ready to collect all you offer him, your essence pouring out onto his tongue, soaking his lips, slick down his chin. his eyes fall to a close at the sight of your dazed form, your eyes screwed shut in prayer, his lips puckering around the hood of your clit, the tip of his tongue rolling against the nerve. “jaemin, right there, please.”

he hums in accordance, his tongue circling your clit as your thighs shake on either side of his head. he smirks as you still, his middle and ring finger entering your warm cavern, forcing your hips to roll against his digits. he curves them slowly, pressing against your pink walls, bulging up against your stomach. “you are so fragile,” he says, lips bitten as he watches your body succumb to his touch. he leans closer to you, steadying you on his shoulders to free his hand. he presses his palm to your abdomen, hypnotised by the feeling of his own fingers inside you. letting his thumb drift down, he pulls up the skin hiding your clit, allowing his lips to pucker against the nub before he offers a hard suck. his tongue joins the fold, drinking you in as you let out a sharp cry, the pressure inside and out joining forces to send you over the edge. “when you’re ready, love, come.”

he can feel your skin burning up, see the sheen of sweat coating your entire body. “jaemin,” you continue to chase your high, but cling to the moment. you feel like your convulsions might snap your body in two. that pleasure such as this cannot exist innately, that only he can bestow it on you. you are proven right as you grow more frantic, his fingers rub against the spot inside you that he found with great ease, as his lips suck on your clitoris. the final straw is his gaze, you feel it and fall victim to it. his irises a bright, angelic white, the rim speckled in gold. one cast of your eyes on your lover and you snap.

there is no doubting that as jaemin gazes up at you, he sees glory eternal. he sees life. he sees an angel.

“come angel.”

and you do. jaemin’s simple command breaks a dam, summoning a flood of pleasure you are unsure you will survive. hot iron passes through your veins, lighting you from the inside out. he continues without thought, his lips sucking the pleasure out of you, his fingers still pounding into your swollen pussy. only when your fingers find his hair, pulling him away with a sharp tug does he concede, lowering you into his lap.

“hi,” he says after some time, watching you pant against the wall. “are you still with me?” he jests, palms gliding up and down your aching thighs.

you hum, gazing up at the golden orbs that you decide you mustn’t live without. much like his life, and much like your love. eternal. “always.”

[lucky-sevens]

mechanisms basics & lore

welcome to my updated mechanisms intro post! this post will cover both the topics discussed in my mechanisms basics post, which is geared towards people who don’t know what the mechanisms are, and my deep lore post, which aimed to be a comprehensive compilation of all the important character and world lore. this post should serve the above group, but it’s geared towards people who have listened but feel there’s a lot of lore that seems to be common knowledge they’re missing. we’ll start out with a basic introduction, and then go into crew lore and a semi-comprehensive guide on where to go for further information.

basics

the mechanisms were a steampunk concept band, known for their queer representation and their tragic stories. they are no longer together, their last performance being january 2020, but several of their members are still creating related spinoff content.

they follow the trope many steampunk bands do, which is albums that tell a story; think similar to listening to a musical soundtrack, but geared to a visual-less experience. what distinguishes them is 1) narration tracks between each song, making the plot very easy to follow, and 2) being meant to be watched live, meaning there’s layers of meta that are more easily understood by watching recorded gigs rather than studio recordings of albums. specifically, there’s a focus on the narrators, known as the mechanisms or the crew of the aurora, who are immortal space pirates telling the stories and occasionally inserting themselves into them. though they are tragic figures themselves, their banter serves the purpose of bringing a lightheartedness and dark humor to the stories. if there’s an aspect of the lore you’re confused on, it’s probably related to the narrators!

to watch the mechanisms live, you can find recordings on youtube, dropbox, google drive, soundcloud, or vimeo, which are all compiled in this post (including transcripts!). if visuals aren’t your thing, i’ve linked the studio recordings later on in this post when they come up, and here are the mechanisms’ official spotify, bandcamp, and youtube, as well as an unofficial comprehensive lyric videos channel. 

the albums

regarding the albums specifically, there are 4 main ones (once upon a time (in space), ulysses dies at dawn, high noon over camelot, and the bifrost incident), 2 that are compilations of miscellaneous songs (tales to be told 1 & 2), 1 single (frankenstein), and 1 album that’s a high-quality recording of their last live show, including an alternative performance of the bifrost incident, 2 songs only performed at live shows, and 'the deathsong’, which details how they all eventually die (death to the mechanisms).

as you might have been able to tell from the titles, they’re all based off of various myths, folklore, literature, and/or fairy tales, using different genres on top of a sci-fi setting to add a fresh twist to them! for example, high noon over camelot is a western based on arthurian mythos, set on a space station. (the albums are known for all ending in tragedy, so be careful if that isn’t your cup of tea!) if your goal is to get into the mechanisms, i’d suggest sitting down and listening to them all in full; links will be provided below, or alternatively you can watch once upon a time (in space) live here, ulysses dies at dawn live here, or the bifrost incident live here. (there is no full live recording with visuals of high noon over camelot, sadly, but there are partial and audio only recordings.)

once upon a time (in space) - spotify/bandcamp/youtube

ulysses dies at dawn - spotify/bandcamp/youtube

high noon over camelot - spotify/bandcamp/youtube

the bifrost incident - spotify/bandcamp/youtube

tales to be told, volume 1 -  spotify/bandcamp/youtube

tales to be told, volume 2 - spotify/bandcamp/youtube

frankenstein - spotify/bandcamp/youtube

death to the mechanisms - edited video with the stream corruption fixed + subtitles / stream / spotify / bandcamp / youtube / transcript pt. 1 / transcript pt. 2

reading the fiction is integral to understanding both the albums and the mechanisms themselves. the fiction is a collection of short stories set in the mechanisms universe posted on their website here and compiled by me here, with an extra high noon over camelot story here. (there are also audio versions for ‘mirror mirror’ and ‘a rebel yell’ included on both the website and the compilation).

the crew of the aurora

as for the crew, at their peak there were nine members played by people, as well as the ex-member dr carmilla, who has extensive solo lore and is still active (which we’ll touch on in a few paragraphs). there is also their ship, the aurora, who is sentient and has her own lore. in fact, every member of the crew has their own backstory, set in a different genre or historical period; for example, nastya rasputina's is historical, jonny d’ville’s is a western and marius von raum’s is a mecha anime. however, they’re all still different flavors of steampunk! below, i’ll list each member, their performer, and the main sources of lore about them. for the majority of them, they have their own song in tales to be told, but there are a few outliers. everyone also has their own bio up on the website, which can all be found here. 

the aurora (n/a, ship)- on aurora (meta)

jonny d’ville (jonny sims)- one eyed jacks (song), jonny before he was mechanized (meta)

nastya rasputina (anonymous)- cyberian demons (song)

ivy alexandria (morgan wilkinson)- archive footage (fiction), crew bio

ashes o’reilly (frank voss)- lucky sevens (song)

drumbot brian (ben below)- lost in the cosmos (song), crew bio

the toy soldier (jessica law)- the story of the toy soldier (fiction)

gunpowder tim (tim ledsam)- gunpowder tim vs the moon kaiser (song/minialbum)

marius von raum (kofi young)- the death of byron von raum summary (blog post)

raphaella la cognizi (r l hughes)- crew bio

if you’ve noticed the crew bio doesn’t say much about raphaella, that’s because we know little to nothing about her backstory. the only thing we have to go on is a quote from the tv tropes page, which looking at the edit history, was likely written by one of the mechanisms. the quote is ‘Science officer who may or may not have cheated her way onto the ship after becoming a little too interested.‘ and the page is here.

the majority of fandom content is about the crew, working off of what we get from the tales to be told songs, the live gigs, and the fiction.

dr carmilla

speaking of characters with obscure lore, let’s talk about dr carmilla! rather than linger, i’ll just link my carmilla basics post, which is a comprehensive summary of who she is in and out of universe. to summarize, she’s a character based on the novella ‘carmilla’ by sheridan le fanu, commonly regarded as the first vampire novel, but her lore has diverged heavily from that original starting point since then. she is the oldest out of all of the crew, and made the majority of the other crew members immortal. she, as well as aurora, is from a planet called terra, which was destroyed partially as a result of her actions. her character is defined by her immortality and how she deals with it, her experiences on terra, her relationship with the mechanisms, and her dysfunctional relationship with her ex-girlfriend loreli, the last of which is the most covered by her songs. out of universe, she is played by maki yamazaki. all her lore lines up with what happened out of universe, and ties to the fact the mechanisms were originally dr carmilla and the mechanisms. she has two solo albums and two singles, which i’ll link below.

ageha (prototype edition) (album)- bandcamp | youtube

exhumed and {un}plugged (album)- bandcamp | youtube

the city {nex:type mix} (single, in-character cover)- bandcamp | youtube

eleven (single)- bandcamp | youtube

the majority of her lore is still to be officially revealed, and will be in the trilogy of albums maki yamazaki is working on.

further reading

if you’d like to delve further into the lore, there are a few sources i use! there are official, in-character, blogs, as well as things that are harder to dredge up; i won’t link them here, but some sources include @/thedreadvampy (the band’s artist, as well as morgan wilkinson’s sister and kofi young’s partner; don’t bother her for lore or anything, but she’s previously made posts sharing previously unknown information), old websites and deleted content found on the wayback machine, the tv tropes pages, and most notably the lore doc.

the ‘maki forbidden lore doc’ is an archive of all the lore maki yamazaki has shared on the mechscord, the official mechanisms discord which she’s on, and her own personal server, where she’s running an arg (alternate reality game) as a way of relaying more lore about the dr carmilla universe. for an idea of the scale, the doc is currently 91 pages and 28346 words, and recontextualizes much of what is known about dr carmilla and maki’s canon of the mechanisms universe. it is confidential to anyone not in her discord or the mechscord, as she’s said that this lore isn’t thought out nearly as much as the albums and is subject to change, so she’d rather it not be out in the open. however, information on how to join the mechscord can be found here. there is also a non-canonical fan project based on the arg in progress, but information on it is also confidential for now.

with regards to the above phrase ‘maki’s canon’ it’s worth noting that all of the individual band members have their own idea of what counts as canon and what doesn’t, and as you foray deeper into lore that division becomes more and more apparent.

with that, here are the mechanisms’ blogs. they are all both run in-character by the main nine band members and inactive unless i note otherwise.

twitter

tumblr

facebook

website/wordpress (run ic by tereshkova’s ghost, the blogbot, for the most part)

carmilla twitter (active, run ic by dr carmilla)

conclusion

now that we’re coming to the end of this, i’d like to thank whoever got this far, and to say a few words. my interest in the mechanisms has been slowly fading, and i’ve been writing less and less meta and lapsing in keeping up with new lore myself. honestly, i’m pretty worn out by how much i’ve done on this blog and in this fandom, and the commitments i’ve assigned myself. i do have plans for future meta, but it’s unlikely they’ll come to fruition. so, i thought i’d do a new version of my two oldest posts on this blog, and hopefully enable other people to look into the lore and theorize themselves with the new information.

to find more information, remember there’s a mechanisms wiki, and that my askbox is always open.

thanks for reading!

[therealvinelle]

You've said before that you think Meyer is a good writer. I'm neutral to her myself but you're the first person in the fandom to say that that I've seen and I was wondering what your reasons were.

Sure thing.

First of, some referential links. In this post I explain why I like Meyer’s worldbuilding, and in this one I explain (in the last reblog - you can get away with skipping the previous posts) why I think her character creation is well done, and in this one I talk about why I like Twilight in the first place, though that post got a bit off-topic.

So, let me first do the disclaimer that I do not think Meyer is perfect.

Her greatest flaw, I’d say, is that what she intends to write isn’t always what ends up on page. Edward is for instance supposed to be the ideal man, chivalrous and the very antithesis of toxic masculinity. His relationship with Bella is supposed to be a love story on part with all the classics. Jacob, too, is intended as a dreamboat. Alice is the ideal BFF, Rosalie is the bitchy Regina George, Esme is the ultimate mother, and all the Cullen relationships are wonderfully happy. Aro is supposed to be a sinister villain and the Volturi are all corrupt.

Now, all of the above is how Bella perceives things, and I’m all for unreliable narrators. All narrators are, to a point, unreliable, and inferring things from fiction is one of my favorite things to do (as you can probably tell if you’ve been following this blog). However, so far as I can tell Meyer didn’t intend for Bella to have no clue what’s going on at any given time.

As it happens, I also think this is one of her strengths. This woman is living on a different planet, her mind is on a level I can’t follow at all, only spectate in silent wonder. What I’m saying is, no author in their right mind would write Twilight. No one would write Edward as delightfully unhinged as he is, for starters, not without toning him down significantly (just look at how the movies toned him down). To say nothing of how Bella would be a much more functional person, and in turn much less interesting. Aro would be an actual villain, and Twilight as a whole would not be so overwhelmingly bleak.

Her strengths come through in that she’s consistent about it, and while she interprets things differently than I do, she is still the creator of this bizarre universe and one who knows it intimately well. Does she think Edward is great, yes. Did she also write Midnight Sun without pulling any punches, also yes.

I’d put it this way, the flaw of hers that I’m trying to get at is that she creates this rich and horrifying universe and gets full credit from me for that, but she views it through rose-tinted glasses. Which in turn leads to some interesting writing and plotting decisions.

She has one other significant flaw that comes to mind. She’s not good at cutting things.

This goes for both scenes and plotlines. There’s a lot of filler in these books, from Bella making enchiladas in Twilight, to New Moon taking far too long in Jake’s garage and with Bella’s depression before things start happening again, to Breaking Dawn being 2/3rds filler (the wedding, honeymoon, and vampire euphoria especially come to mind.) There’s a lot of stuff in these books that weren’t necessary to the plot. The Host suffer from this as well.

To say nothing of the bigger things she should have cut, like Jake’s involvement in Breaking Dawn. He’d played out his part, Bella chose to become everything he hated, we were done. The book had more than enough story with Renesmée and the Volturi happening, and Jake’s involvement only served to lower the book’s overall quality. And introduce a pedophilic storyline, which, Meyer no.

Then there are decisions she made where I would have chosen differently, such as Bella returning to Forks at the end of New Moon.

However, this all being said, I am a very difficult person to please. Meyer was never going to tick all my boxes, and while I have points of contention with her, my overall impression is a positive one.

(Just to stress how difficult I am to please: I read Good Omens a few days ago. I liked it very much, but it wasn’t perfect. Shadwell, Madame Tracy, Newt Pulcifer and the Them could all have been cut, for starters.

I’m too critical of everything, and it’s not just Meyer that I think should have cut significant parts of their respective stories and made them into something fundamentally different.)

So, now that I’ve torn her apart, what do I like about her? What, for that matter, do I think constitutes a good writer?

To list a few things I like about her as a writer:

She’s good at writing Her prose is very good, her characters are interesting and engaging people, she’s very good at establishing a scene or a character, and she’s evocative. Her prose never bores me, and it makes me feel things.

She has good ideas Self-explanatory,  really. Her lore is extremely original, her characters are interesting, and she comes up with great backstories and worldbuilding. The Southern Wars, for instance, brilliant.

She’s consistent She’s described this herself - she doesn’t get to decide what her characters do, sometimes they do things she very much does not want them to do and she’s quite put out about it. And that, I think, is the key to why her characterization is so consistent - she doesn’t do that dreaded thing where the author forces a character to do what they must to force the plot along, like cramming a square through a triangular hole, she just lets her characters decide for themselves. As her characters are already delightful people, this works out beautifully (Edward conspiring with Jacob that they should forcibly abort Bella’s baby so Jake can then impregnate her comes to mind. Or Aro, whom she views as a powerhungry maniac, showing up at the battleground and being absolutely devastated about that fact.) as they never do anything they wouldn’t do, and their characterization does not change from one book to another. (Counterexample: look at how Kylo Ren in The Rise of Skywalker turns towards the light when we’re closing in on the end of the movie. It’s unconvincing, to say the least, and runs contrary to what has previously been established about him. The movie does not bother to explain why this happens now, what it is that’s so special about one chat with Han and a duel with Rey that makes him turn his life around, nor why it couldn’t have happened sooner. He is redeemed because the trilogy is nearly over, not because it made sense for his character.)

Her plotting is generally good Her plots make sense, I’m invested in them, and they’re reasonably adapted to her characters’ power levels (The clusterfuck that was the Department of Mysteries showdown in Harry Potter and the Order of the Phoenix is an example of the antithesis of that).

Of these virtues, I’d place the most emphasis on Meyer’s writing and character creation.

As for what makes a good writer…

It’s difficult for me to pin down.

It’s chiefly whether I think their writing is good, and that means prose, characters, and plot. As Meyer fulfills all of these three, that puts her in my “good writer” box. She’s not perfect, but she has earned her place as a published author.

More, I enjoy reading her books and care about the story and characters she creates. This is a matter of personal preference, but I’m down for what she’s putting out. It would be disingenuous for me to do that and then say “... but of course, she’s a terrible writer”, in part because I feel that’s become a bit of a disclaimer when it comes to Meyer. It’s like the Emperor’s New Clothes. Stephenie Meyer is a bad writer, everyone knows that, if you think otherwise you have bad taste. She has written things, I’ve enjoyed them all, and I’m giving her full credit for that.

[thegeminisage]

birthday meta for the birthday boy <3

[this version of the meta is behind a cut. if you’d prefer the no-cut version, it’s here.]

a fun little fanon from Ye Olde Days of spn (when seasons 1-5 were airing) was that sam always had the absolute worst birthdays. a big part of this is because sam’s birthday is in may. supernatural tends to align itself with “real time,” meaning that they like to use either the date the episode was filmed or the date it aired as the in-universe date, even when two canon dates conflict each other. (they’re so intent on doing this that they pretended the gap years between s5 & s6 and s7 & s8 right out of existence - season openers also usually tend to pick up right after season finales in-universe but still somehow be set several months later.) that means sam’s birthday tends to line up with the airdates on either season finales or episodes right before the finales, which means that every time sam gets a year old, shit hits the fan. 

here’s a list of things that did happen or could have happened on some of sam's birthdays:

0-22: we don’t have much in the way as far as concrete dates go for preseries stuff, but it’s perfectly possible sam walked out all that bullshit the day he turned 18, even if i prefer to think he left at age 19 as that aligns rather tragically with some adam-related canon.

23: we don’t have any dates for the end of s1/opening of s2 either, but it’s likely that sam’s birthday took place between 1.20 (dead man’s blood) and 2.01 (in my time of dying). he could have been doing anything from hunting vampires to saving one of YED’s special children to almost shooting his possessed father to getting hit by a semi to using a ouija board to talk to his not-quite-dead brother.

24: here’s where the real fun starts >:) sam died in cold oak in 2.21 (all breaks loose pt 1) and in the episode he says he’s 23. but according to the lore (extra-canonical material), dean made the deal to bring him back on his 24th birthday...

25: ...which means that on his 25th birthday, he was forced to watch dean get dragged to hell...

25b: ...except that sam had TWO 25th birthdays, because mystery spot took place in february, and sam lived in an alternate timeline where dean stayed dead for 6 months, putting him well past may 2nd. which meant that the first time he turned 25, he was actually getting tortured by gabriel. while his brother was getting tortured (or torturing someone else) in hell.

26: 4.20 (the rapture) took place in very late april/very early may (the wiki says may 3, but that’s just a guess), and 4.21 (when the levee breaks) picks up immediately where it left off. so it’s not only plausible but EXTREMELY LIKELY that sam was locked up in the panic room suffering withdrawals when he turned 26, dude

26b: ...except that in 11.17 (safe house), bobby and rufus’s half of the episode presumably takes place at the same time during season 4, and he mentions sam and dean are in reno?? so you know they could have been doing that instead.

27: we have no hard and fast dates for the end of season 5, but it’s my personal headcanon that sam’s birthday took place during 5.22 (swan song), and he beat the devil and leapt into hell on the day he turned 27 - because at this point, why not. however, his birthday could also have taken place during either 5.20 (the devil you know) or 5.21 (two minutes to midnight), meaning he was reconfronting his old college pal who turned out to be a demon brady, or helping bobby and a human cas destroy the factory with the croatoan virus.

28: there’s a gap year between s5 and s6, so sam’s 28th birthday took place while he was soulless, hunting with the campbell family...

28b: ...except spn likes to say “a year passed” without adding one to the calendar, so sam ALSO had a 28th birthday during the airing of s6. there’s some conflicting information about s6′s timeline, so this could have happened anywhere from 6.18 (frontierland) to 6.21 (let it bleed). sam could have been doing anything from time traveling to fighting eve to grappling with cas going dark side to rescuing lisa and ben.

29: sam’s 29th birthday almost definitely took place during 7.20 (the girl with the dungeons and dragons tattoo), during which he met charlie. in case you’ve forgotten, that was actually a great day for him - in a moment of true little brother antics and justifiable homophobia, he got to laugh at dean gay flirting with the security guard.

30: there was another gap year between s7 and s8, which means that sam spent the big three-oh with amelia richardson while dean and cas were in purgatory. he got to have a picnic!

30b: ...but since spn ignores gap years, sam ALSO had a 30th birthday during s8 (a big season for him). there isn’t an exact date for the episodes leading up to the finale, which takes place in late may, after sam’s birthday, so his birthday could have taken place in either 8.21 (the great escapist), where he nearly died of his trial-induced fever and confessed to dean that he always felt unclean, or during 8.22 (clip show), where he met sarah blake again after nearly a decade, only to have her die right in front of him.

31: the s9 timeline is pretty vague, but the best guess for this one is 9.18 (meta fiction), in which sam finally gets to confront gadreel, the angel who possessed him and killed kevin with his hands

32: the s10 timeline is also short on dates, so sam’s birthday could have taken place anywhere between 10.16 (paint it black) and 10.21 (dark dynasty). a few possible things sam could have been doing: dealing with a hunt involving soulless people, helping cas and bobby break metatron out of heaven’s prison, catching up with charlie and giving rowena the book of the damned, battling the cursed werther house (don’t click that unless you’ve seen the episode, the twist is TOO good), reuniting claire with her mom, or building charlie’s pyre.

33: the last quarter or so of s11 happens really quickly sequentially, every episode picking up soon after the last one left off, which means that sam’s birthday either took place at the very end of the season or the beginning of s12. it’s most likely he turned 33 either the day dean saved the sun and sam himself got shot and kidnapped by toni bevell, or a few days later when he was being held captive and tortured in her basement.

34: unfortunately, sam’s 34th birthday almost definitely took place during 12.21 (there’s something about mary). i was really hoping it’d be 12.22 so he could be kicking the bmol’s asses, learning lucifer was back, and hugging mary, but no...instead he was mostly likely learning that ketch had had eileen killed. 

35: because of some weird canon, the timeline for season 13 is actually batshit insane and makes no sense whatsoever, which means sam’s birthday is really early this season - either during 13.17 (the thing) where he rescues his brother from a frisky tentacle monster or 13.18 (bring ‘em back alive) where he hangs out with gabriel and cas in the bunker. since that’s garbage, you’d be forgiven for ignoring canon and pretending sam’s birthday fell on one of the following episodes - 13.19 (funeralia) is very touching, as he and rowena clash and then make up with each other; 13.21 (beat the devil) has sam capturing lucifer, then dying and getting revived and captured by him; 13.22 has sam getting a little revenge by leaving lucifer for dead; 13.23, of course, has lucifer finally dying for good.

36: there’s no dates whatsoever on the back half of s14, so theoretically sam’s birthday could take place in any episode after 14.13 (lebanon). the likeliest and COOLEST candidate is for sam to turn 36 during 14.20, in which he shoots god himself point blank. other admittedly inferior  scenarios include his stint as justin the 50s househusband, mary’s death, or putting jack in the ma’lak box.

37: we saw this birthday happen onscreen during 15.14 (last holiday) at a party thrown by mrs. butters. unfortunately, not too long after that, she wound up torturing him by pulling out his fingernails.

38: that’s this year! because the timeline of s15 is also so weird and vague, partially fucked up by covid changing the shooting/airing times, and because sam’s birthday is SO early in s15, it’s possible that he has another one this season, right at the end, or maybe post-canon, which means............................................

...................................................that he’s spending it with dean and jack and the newly revived eileen and cas, in the bunker or somewhere else he feels safe and loved :)

happy birthday, sam winchester <3 after all the unhappy ones...u deserve it

[spn masterpost]

[littlewalken]

Notes on vampire lore, mostly western European

I apologize ahead of time if I don't have these notes properly sourced. Most of this probably came from a collection of "weird and mysterious" web pages I found at online and took notes from. Still it provides some starting points for studying vampires.

Also check out TV Tropes and their pages on vampires in general and specific works.

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There are as many types of vampires as there are diseases; some are violent and deadly and some just make you walk funny and avoid fruit-Terry Pratchett

neamh mairbh- undead revenant visible ghost or animated corpse returned from the grave to terrorize the living, at first just to be annoying then with a purpose. Were wrong doers in life time. Exhume, decapitate, burn, or remove heart. Suicides or witches, can be evil possession or bitten by a vampire

Baobhan sith (Scottish) Lhiannan Shee (Man) succubus like

Dearg-due (red blood sucker) a beautiful young woman who commits suicide when forced in to a marriage then rises from her grave to seek revenge by killing her father and husband.

Droch-fhola (droc-ola) evil blood and Dun Dcroch-fhola which guarded MacGullicuddy Reeks in County Kerry

Malignant cycle of vampires 1931-1948 erotic 1950-1985 sympathetic 1987-2001individualist 2003

They need blood, are usually viral, because via infection, a deal with the devil, or just being an asshole and God curses them, or ritual magic. Capable of changing people to vampires or become one after being cursed by parents, dying by suicide, practicing witchcraft, being a werewolf, or born dead. Many times its a very involved procedure few have the heroic will power needed to resist attempting to change a loved one to an eternal companion rarely works. Sometimes killing the head vampire is the only way to revert to human. Show up in modern mirrors that use aluminum instead of silver. Creating too many vampires spreads the bloodlines thin.

Do vampires go to the toilet? If they eat, yes. They’re not a species but a mutation caused by a virus which explains why they can’t have children but can affect others. Being bitten isn’t enough in fact most drink tainted blood or there’d be millions of vampires by now.

What languages live on in the minds of the living dead?

Cain killed Abel and was banished. He wandered until he met Lilith. She’s often depicted as killing human children and showed Cain the life power of blood. With Cain’s punishment he gained blood lust.

There is no history of Jewish vampires but Catholics drink the blood of Jesus, eat his flesh, and he was killed on a wooden stake.

There is no theoretical limit on the number of skills that vampire could acquire to a reasonable level of confidence, aside from being out in the daylight or around silver.

At the 1816 drinking party that gave us Frankenstein in a year without a summer the group decided to pass the time by writing ghost stories. The Vampyre:A Tale by John Polidoi modeled on the Byronian Hero; sophisticated, tortured, and highly seductive.

1872 Sheridan Le Facu’s Carmilla introduces the lesbian vampire that embodied the fear of a foreign dark enemy that can pass among us unrecognized

If perfectly rational well educated people could accept the existence of roaming corpses 300 years ago why is the same idea inconceivable now? Our common sense will change depending on our historically defined standards of judgement, we live in a culture that doesn’t permit corpses to stir and thus vampires are fiction

Bram Stoker (Dracula) invented the following vampire lore: no reflection, no shadow, can’t cross running water except at slack or flood tide, daylight death, native earth. Traditionally their powers were only weaker in daylight and the need to feed varied by culture. Dracula allowed Victorians to live thru it vicariously, cultural commentary on the time it was written in.

Ways to become a vampire-conceived on a holy day, weaned too early, 7th son of a 7th son or rendering a curse, mother didn’t eat enough salt during pregnancy, committing suicide, being murdered or a murderer, eating a sheep killed by a wolf, leading an immoral life, priest saying a mass while in a state of immoral sin. After death if a cat or other animal jumps or flies over a corpse, shadow falls on a corpse, no burial or improper burial, murder unavenged, death by drowning, stealing the ropes used to bury the corpse.

How to recognize a vampire’s grave-look for finger sized holes around the grave disturbed dust, constant mists, fallen stones, footprints, no birds singing, animals refusing to enter, groaning sounds from under the earth

Vampires are obsessed with untangling and counting things

Unable to come in without invited usually attributed to a measure of sanctuary of place of residence. Maybe breaking and entering is beneath them. When in a foreign place and presenting self to the ruler without acceptance you’re nothing. The dame reason Highlanders don’t fight in church. Politeness is very important when you’re immortal. Hospitality allowing people from different regions to travel safely in each others territory. Proper guests don’t disrespect, host honor bound once you’re invited in. Welcome to my humble home is equivalent to signing a deal with the devil. Spiritual work to keep evil out. If a vampire is hungry get anyone but to recruit a new member you befriend them.

Dhamphyr-child of a vampire and a human, hybrid power, all powers and no weakness, or watered down powers. Usually the vampire parent is the father who isn’t around. Powers weaker in death.

The reason vampires are said not to cast a reflection would be that older mirrors were made with silver. Modern mirrors use aluminum.