#i still don't know if i believe that he was real

[hitlikehammers]

oh golden boy (don't act like you were kind)

part i : you were mine but—

for @kultiras at the ❄️ Winter @steddieexchange 🖤🩵

Arguably the sharpest knife in his chest about this whole fucking shitshow?

Eddie thought they were doing good.

Like: so fucking good.

Eddie thought they were on the cusp of…that they were building something.

He’s such an idiot. Such a…

A heartsick fucking idiot.

But if he’s gracious—which he’s not, least of all to himself—when he puts all the pieces together, lines the evidence up and analyzes it, thinks of it in terms of a narrative that he can understand and recognize the flaws in, where he’d rewrite the ending or tweak the rising action so everything slides into place realistically, cause and effect in balance just right: Eddie can see that the way this has all shaken out is fucked up. So, so fucked up.

Because there honestly hadn’t been any signs that they weren’t laying the foundations of something long-term, something lasting; that they weren’t in this deep and rooted, strong and committed and serious in a real, tangible way, and, just…

Forever. Eddie was…he was playing for keeps, here. He thought, he just, he thought—

Fuck.

He just…really believed he wasn’t alone in it all.

Again: idiot.

It’d started so fucking predictably, really, because if there’s one thing that Eddie clocked about Steve Harrington from the get-go of actually getting to know him versus operating on the popular-gorgeous-jock framework he’d distilled the guy down to in his head before 1986: the one consistent thing he’d figured from what he’d heard and what he’d seen put together was that: Steve Harrington?

Bastard’s protective to a fucking fault.

So when he blinked back to the land of the living with Steve goddamn Harrington at his bedside? Standing guard, looking a little haggard—like he cared, at least enough to worry—but still fucking devastatingly pretty, good god-

When he woke up to that, Eddie was surprised and also: not at all surprised.

The way he lit up when he saw Eddie was conscious, like world was less before that moment and something right slid back into place? Eddie…Eddie felt like his body was pretty wholly broken but that fucking cracked something down his middle, decimated parts of him in new ways that hadn’t been already devastated on another plane, were sitting ripe for wholesale ruin.

He’d let Steve blame the breathiness that’d overcome him on coming back from the brink of death, because Steve didn’t need to know the sensations, the emotions, that were running riot through Eddie’s veins.

But then it hadn’t stopped.

Steve standing guard at his side became a constant, like Eddie couldn’t quite comprehend save that it felt like his body was knitting itself around the fact of this more-than-good dude and Eddie wasn’t entirely sure what to do with that, save kind of just…poke curiously at the new shape of everything he was for it, and once he worked through the fear of the unfamiliar in it?

To kinda…savor it. Roll around in it and relish.

Probably it was gonna be short lived anyway. Probably it was gonna go away when Eddie finally got out of here. Only made sense to soak it up while it lasted.

And it was one of those early days, where Eddie was soaking it up and before anything possible beyond the bubble of middle-space they were existing in inside Eddie’s hospital room was even hinted at. Steve had gone to check on Max while Eddie grappled a bit to look down at himself a little better under the handkerchief that the hospital deemed sufficient as clothing, and he braced for the worst because it felt like the worst and what he did remember at all from the scene of the inter-dimensional mauling definitely aligned with being ‘the worst’: but it was honestly mostly bandages and pain.

Eddie didn’t…on second thought he didn’t know if he was ready to see what was underneath just yet, so he was actually kinda grateful that his hubris about it all didn’t immediately have a chance to floor him, especially when he was alone because he’d thought it’d be easier to stomach if it was just him—but the prospect, the bullet dodged, lodged in his throat and proved him kinda instantly wrong for the sharp cut of bile rising in him, and the violent jump of his pulse right behind it.

His hand had gravitated to his chest, though, like he could keep his heart from cracking his ribs that way, and he noticed that…even the light pressure ached, so he looked down a little more carefully, didn’t think the little fuckers had concentrated their attacks on the center of his chest so he tucked his chin and tried to see what was causing the sting—maybe just like, general area tenderness after playing buffet table to fucking…flying hellspace rodents but—

No. No: even from this weird-ass uncomfortable angle, Eddie could see the outline, coukd make out the dark stain of a bruise.

In the shape of a hand.

And listen, Eddie wasn’t foolish. He knew that everyone busted ass to get him topside and to a hospital. And that probably involved…stuff he didn’t want to really dwell on too long in terms of the nitty-gritty of his own mortality. He was also very much aware that Steve had played a crucial role, even if the man himself didn’t stand up and declare it. The kids didn’t have any sense of a fucking filter, so.

Eddie knew.

But Eddie then started tracing the splay of fingers on his sternum, his heartbeat so fucking heavy under even just the brush of his nails as he followed the outline of the purpling over, and over, and over, imagined what it would take to make that kind of an impression on his skin because Eddie was fucking pale, yeah, he marked quick—but not that dark.

Not that deep.

“Shit.”

Eddie’d startled, snapped his attention to the doorway where Steve had reappeared, looking a little breathless as he took Eddie in, came quick to his side and leaned to look closer at the monitor next to him and oh: Eddie hadn’t realized that the beeping was so loud, so fast. Hadn’t realized his heartbeat had ratcheted up quite so high.

Not that he was surprised.

“Shit, are you okay,” Steve barely breathed, eyes so goddamn big about it as his hands had kinda hovered, as he’d tried to figure out what to do, how to help, because that was what he was always doing; that’s who he was to his core, and Eddie…

“Oh god, let me call the nu—”

“Don’t.”

Eddie’d half-moaned it, god: scratchy but desperate as he reached for Steve’s hand and he…

He suspected he knew exactly how big that hand was; what shape it’d make to a fucking T. But he needed to see

For sure.

“What are you,” Steve’s brow had furrowed in that way Eddie was becoming increasingly aware he wanted to kiss smooth, and he started to ask it as Eddie grabbed to uncurl his grip from the bar at the side of the bed but Steve gave up fighting quick, focused on stopping Eddie from moving at all instead, from stretching the way he was against the precarious threads holding him together as he reached for the neck of his gown again, still loose enough from where he’d pulled the back up, left his ass out against the sheets to bare his breastbone, the mess of the tattoos on his chest more grisly after everything than any horrors he’d gotten inked before but—

This was a different kind of horrifying thing. Not least—maybe most—because it was entirely possible that it was also the most beautiful, sacred thing to ever touch Eddie’s skin. To ever beat through Eddie’s fucking veins.

“You,” Eddie let go of the last breath he could wrestle out before his lungs seized up too tight, because then he was watching it happen, watching Steve’s broad palm as it hovered over the imprint, shivering when Steve’s warmth made contact: eclipsing the bruise near-perfect, just like Eddie knew deep down it fucking would.

His heart took the hint and started shivering under Steve’s hand immediately, like it had something to prove.

“Ed,” Steve’s voice was wispy, choked a little; eyes too bright and Eddie feels like there must be so many kinds of dying, because he’d felt one keenly under that angry red lightning; this was a wholly other thing.

But felt just as keenly life-or-death.

“You,” Eddie whispered, the words, the truth, the feeling of it all too fragile, too precious to disturb, and he wondered if his heart knew Steve had pushed the bruises down around it to save it, if that’s why it was so unbridled and unabashed in hammering against that touch, that touch—

“I think I heard you.”

And Steve? Big eyes framed with those feather lashes, stretched wide and all made of shine and earnest fucking feeling?

“You didn’t…want to lose me?” Eddie’s voice had been so small, so so small because he did think he’d heard that, and the wisps of recollection, of a frantic but resolute voice demanding of him: what he was able to collect and try to tie into a whole matched up when he paired it all with Steve in his head, but what if he was wrong?

What if it was all just fever dreams and wishful thinking on his deathbed, what if Steve had no investment in him beyond keeping the Party safe in its entirety, no exceptions; what if Eddie was fucking wrong and showed too much of his hand with this, with Steve’s palm pressed to his thrashing heart and—

Then Steve was brining his free hand to Eddie’s cheek, fucking…cradling it like it fucking meant something, like he could matter and—

“I couldn’t lose you.”

Oh.

“You,” and so many possible ways to end that thought had swam through Eddie’s head—you barely know me, you can’t possibly care if I live or die, I cannot matter one fucking bit in your universe, so why would it matter but Steve’s hand was warm under his, and Steve didn’t pull away, only leaned in, only stayed close enough that Eddie could feel his breath on his skin and Steve could chart the way Eddie’s heart took to pummelling his already-taxed ribs but it didn’t matter, it couldn’t matter because Steve held there, so careful of the pain but nothing short of steady, devoted, a soul-sworn guard of that heart under his hand like it did matter, like Eddie did…

Like Steve ever could—

“Stevie,” Eddie would probably have flushed if the situation had been anything but what it was. If his heart wasn’t racing into Steve’s touch at the chest and just under the jaw where Steve’s thumb pressed almost proprietary, almost like a shield but also like a welcome, like the idea of Eddie’s heart beating into him wasn’t a dealbreaker, and fuck, fuck—

“I don’t know what I’m doing,” Steve breathed out against him, prickling dangerous across his skin and Eddie’s heart leapt a little, fuck; more than a little and Steve felt it, front-row-center, couldn’t not feel it but he just leaned closer still, and Eddie was front-row himself to the catch in Steve’s inhale, undeniable and unapologetic as he murmured low, turning into Eddie’s cheek a little and Eddie maybe resented how it forced him to pull away,until his lips brushed the tip of Eddie’s jawbone and drew a whole ass shudder down his goddamn spine.

“Just know,” Steve gasped there, fucking…panted and hell if it didn’t catch in Eddie’s blood like pure bliss; “just know why.”

And fuck, but Eddie could only press in to the warmth of Steve’s lips where they moved for the words alone, let alone what words; what Eddie thought maybe they meant—

“Me too,” Eddie rasped a little, because fuck him, man; this was something…something else, swelling up in his chest so strong and Steve had to be able to feel it where he still held against him, palm to his galloping pulse at the source, feeling the life he coaxed back into the world.

“Does it have to make sense just yet?” Eddie asked, knew he sounded too hopeful, too desperate, more than he’d earned, than was safe but his heart kept knocking against that hand, so fucking insistent and who was he to deny it, to try and wrestle in into being less when he couldn’t even hide it, when it was evident to the man it was leaping at; for.

“I don’t think so,” Steve mouthed more than spoke where his lips dragged wet across the stubble on Eddie’s cheek.

“Then,” Eddie tipped his head, tried to catch Steve’s eyes, aimed to reason, to convince but the moment he moved, Steve dipped his chin just so to take Eddie’s lips, to kiss so hard, so complete with what felt like it couldn’t even be reasoned as less than all of him, because how could less than all feel like this—

Fucking impossible.

And Eddie couldn’t shy away—as Steve kissed him breathless, left him gasping; Eddie couldn’t shy away from the sense that he was being killed and revived all over again, endless and unbreaking, and it was perfection.

Jesus fuck.

And the kicker was that…weeks passed. A whole month, close to another. And if anything changed it was all for the better, for the more and Eddie wasn’t entirely sure what to do with it, if he was entirely honest. He…the bruise healed, y’know? That brand above his heart but—

He didn’t need it anymore. That was the thing. He didn’t need to see.

He was very fucking aware. Every minute of every day. He was…so aware. It could kill him better than those bats, it was so big and so much, and so quick, but with all that, probably because of all that: Eddie’d never felt anything even remotely like what it meant to shake off sleep and have Steve Harrington kiss you to wakefulness, to hold you for the nightmares as much as the news of small victories on the road to recovery: never wavering.

Never leaving.

When Eddie got the go-ahead to continue his rehab outpatient-style, his original conviction that all of this ended at the latest upon discharge was immediately challenged, because Steve had become so much more than he’d started as, but Eddie still worried. Made himself sick over it.

Felt like an indefensible monster as Steve rubbed his back, brought him soup, tended him like Eddie didn’t cause his own suffering, and all for the terror of losing the very man who was there, without question.

Then he signed himself out, and Steve drove him home.

Save that Eddie recognized where they were headed and…he only knew one person in Loch Nora.

“Your uncle’s still in the motel by the plant,” Steve had explained what Eddie already knew but hadn’t put together when Eddie raised an eyebrow in askance, wholly unsure how to process any of this, any of this; unsure how to hope in the face of what he was seeing, held against what he was wishing.

“Government’s being fucking assholes about setting you up with someplace appropriate,” and something in Steve’s tone had made plain that he was not just very clear on what constituted ‘appropriate’, he was probably actively involved somehow in holding the people in question rightly accountable for appropriate, and nothing less.

And Eddie…he did say he didn’t need a mark you could see on his heart, didn’t he.

“You need the room while you get better,” Steve murmured as he killed the engine, and lifted Eddie’s hand to his lips, pressed his mouth on the knuckles, nuzzling a little, eyes closed and Eddie…Eddie didn’t know what to do.

The only saving grace was that he didn’t have a monitor to rat his ass out when his heart started trying to escape orbit—fuck just his ribs, how pedestrian—this time.

They sat in a living room that looked like it was once absolutely pristine and still was, mostly, but up close Eddie could see little snags on the sofa, could feel the texture of the fabric different under his fingers for scrubbing out a stain. He suspected four infamously unmannered teenagers were the culprits. The remaining stiffness of the cushions was good for the way his body was still working through being gnawed apart, but he was gone far enough to kind of immediately hope he’d see how they wore with love and use and maybe something more once they got there, once Eddie’s body cooperated again, because he…Steve brought him home.

And maybe they didn’t have to stop when Eddie left the hospital. Maybe he didn’t have to lose.

He’d only made it shortly past the best fucking grilled cheese he’d maybe ever tasted, and he didn’t think it was only because it was his first meal without an aftertaste of sterile in too fucking long—but he only lasted a little more than an hour before Steve’d helped him to a guest room on the first floor that’d obviously been reworked for him, from the way he could reach the bed from just inside the door, to the fucking posters that he knew for a fact Steve wouldn’t have had on hand, and Eddie��d giggled a little wetly at the Ozzy one, because he figured the man steadying him at his side would never be anything but intertwined with the Prince of Darkness in his mind, now—but Steve, who’d more than proven he was so far beyond any kind of king, won hands down. By a landslide.

And who could have seen that coming?

“Careful,” Steve chided him gently as he guided Eddie slowly down to the mattress and made to tuck him in, and the word was so warm, so warm but Eddie had to…

He had to reach. Again. He needed Steve, he…needed.

The handprint on top of his heart didn’t need to be a thing he could see, but he needed Steve to…know some level of what he was feeling, of how much was inside him already, and growing, the momentum building and he didn’t want to feed it, didn’t want to let it run if he wasn’t going to have someone to catch it, to run with him but he also didn’t think there was any chance to stop it, now, he didn’t think he could trim it back or tame it from consuming him and he wasn’t sure he’d even want to if he actually had the power because it was the best feeling he’d ever known, even if it was terrifying, even if it could hurt him more than anything he’d ever known and—

“I don’t want to be alone,” was what spilled from his lips with Steve’s hand above his heartbeat as it pumped so goddamn hard it couldn’t be denied, it couldn’t be misconstrued, and he didn’t want to sleep alone, didn’t want to lose what he’d rebuilt himself around all these weeks, he—

“Good,” and Steve leaned down, cradled Eddie’s face and tipped him up to kiss him full, hard, one hand still on his chest because that was the mark, the promise, the fight for all that this was and all it could be like a fucking vow and Eddie melted for it on sight, on contact.

“Because I’m not leaving,” and Steve brushed the tip of his nose back and forth against Eddie’s, his smile like honey in his tone as he pecked Eddie on the lips one more time before stretching his hand to follow him across the bed, to crawl to the other side and slide in next to Eddie, to carefully arrange him against Steve’s body, to wrap around him with so much care, to touch nothing too tender and everything safe to hold as Steve tucked his face against Eddie’s neck and kissed behind his ear as he breathed:

“Never gonna leave you all alone again.”

And Eddie believed him.

Eddie believed him.

And when, weeks later when Eddie was hurting less and moving more, perched in the corner of the couch that was starting to give a little under persistent weight, starting to feel like it was meant to be used and lend comfort; as Eddie was poking at campaign notes for the gremlins, pen caught between his teeth, he only paused when he felt the gravity of a familiar gaze settle on him—not immediately, because he liked just existing in it, feeling its heft, but after enough moments to satisfy him he looked up, met those eyes and felt them in his goddamn soul as he asked:

“What?”

And Steve had just kept on staring, the bare hint of a quirk at the corners of his lips spreading to the full sunrise of his smile.

“You fit, here,” and he’d said it so simply, so…much like a truth, a fact of the universe—Eddie Munson fits, belongs in this place, this space, this home, this life—and then the smile dimmed ever so slightly, cloud cover across the shine as Steve shifted a little, crossed his arms loose but still as a barrier over his chest: “if you want to, I mean—”

And Eddie sat up straighter, and he reached both his hands out to Steve because:

“I want to,” it was all he wanted, really; it wasso far beyond his wildest dreams but it was real, Eddie could see and touch it, taste it, feel it through his blood when it pumped, tracking through his whole body, filling up his heart overfull and magnificent and he as just…

“Sweetheart,” he took Steve’s hands and tugged him down to sit next to Eddie, settled him so close; “I’ve never wanted anything as much as I want that.”

He leaned back, wholly prone and never once letting go of Steve’s hands, never once doing anything but keeping them laced together and anchored, locked tight and Steve matched him, followed him as Eddie drew him to his healed-enough chest to settle right at the center, to hear Eddie’s heartbeat for the declaration it was, it already was in its entirety:

“You fit here.”

And he did. They both did. Their worlds had shifted, grew around the shapes they made together and after not-long-at-all, they fit so fucking well that it was bespoke to their cells, they’d never fit anyone else. It was quick and it was heady and it was fucking right.

For months

And then it all went to shit.

Because Steve decided what should have been expected, honestly—that Eddie wasn’t worth the hassle, that he wasn’t right for Steve, that Steve’s staggeringly-expansive capacity for love was wasted to hell on this low-life dipshit who couldn’t even graduate on his third try at high school, who maybe didn’t have a murder charge anymore in the legal system but would never wash it clean from the court of public opinion, who was…trouble. Always trouble.

Not fucking worth it.

It’s just…Eddie never thought Steve would stop wanting him. He maybe went in reticent at first, but Steve had loved so hard out the gate that as soon as he knew he was allowed, and welcome? Eddie didn’t hesitate to meet that love beat for beat.

He just never imagined his love would ever be unwelcome; that that's how his heart would break.

What breaks in the moment, though—the heartbreak is constant, and unfortunately proving to be kinda fucking unending, really—but what breaks now is…possibly the handle on the front door for the way someone’s banging and jiggling it back and forth like the first time it didn’t give against the lock was just a fluke.

He frowns, considers waiting out whoever’s enough of a dick to knock like that but apparently not so witch-hunty to throw a brick through the window—which: Eddie will take progress, he guesses—but when a concerning creak sounds from near the hinges, Eddie thinks of Wayne, and how his uncle doesn’t deserve a broken front door, so.

Heartbroken or not, Eddie has to drag himself to deal with…this.

Then he’s throwing the door open and…this is—

“We need to talk.”

This should have been expected. There’s really only one little asshole who’d assault his door with that much…determination.

“Henderson—” Eddie huffs, because he knows he needs to set a date for them all to get together, he left the campaign they were in kinda dangling on a thread when he didn’t hold the gatherings at St—

Well, when their regularly scheduled venue became too much for Eddie’s heart to handle.

Which: okay, fine, he gets it but like, he can’t care as much as he maybe should when he feels like this, and the kids need to fucking take a chill pill and if they can’t understand, then at least they can just shut the fuck up for at a couple more weeks while Eddie licks his wounds and sees if they decide to finally scab over enough that he doesn’t keep with busting them back open every time he breathes—

“About Steve.”

Eddie’s heart shudders just to hear the name. He’s avoided hearing it for weeks, now; it hurts too much.

He hears it enough in his own head, in his dreams, in his nightmares when he see the worst, in the cadence of his fucking pulse because his heart doesn’t know how not to be Steve’s, kinda feels like it’s not interested in learning, will never be anything other than what it is now, forever, and—

“We need to talk about what you did to Steve.”

Wait.

Wait, what he did to—

What?

for @kultiras🖤

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divider credit here

[secriden]

This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.

It's a direct reference to this moment earlier in the episode:

At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:

Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.

In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:

Style: What do I have to do to gain your complete trust?

Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.

I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:

Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.

Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.

Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.

And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.

Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.

Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.

I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.

I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.

And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.

Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.

It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.

So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.

He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.

And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).

So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.

What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.

Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.

When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:

Style: One day, I'll be your 100%.

This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.

I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.

But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.

And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.

Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.

Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.

And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.

[boysbeware2]

all the old tptm girl journal entries w the new (if anyone wants to see them again and compare them)

please proceed with caution as many of these could be upsetting to read

disposable girl (jordyn)

(old)

i cant fucking stand this. i try so goddamn hard to make friends, to be attractive to people, to be even somewhat appealing to them etc etc. it never works. i thought it would get better the older i get. thats what i was told. guess what! i was fucking lied to!!! im alwasy left out of EVERYTHING i never get invited to shit and my own friends ignore me all the time. everyone looks at me weird. i cant go in public anymore im so fucking terrified of everyone. nobody fuckinf wants me, man. im so close to doing something stupid i feel so gross and ugly and dumb i should actually just die id be doing everyone a favor LOL

(new)

man, i havent been on here in forever. the internet is kind of dumb. what is there to say? my friend group celebrated our outpatient graduation anniversary the other day, that was pretty nice. we’re all trying to figure out housing stuff, nora’s been helping with that. freyja + mayra + kairi found a place already (how are they so responsible??) and the rest of us are trying to find places near them so we can visit more often. i never expected to have such a big group of friends. if you told me 2 years ago that i’d be living like this, i wouldn’t believe you. it’s still surreal to me. i’m not sure what i did to deserve them. same goes for my girlfriends. i don’t wanna say who just yet, we’re still figuring things out, but i’m just so thankful for them. i feel so lucky to have a second chance at life. i really didn’t believe people when they said it would get better, and then it did. how funny…..

irreverent girl (kairi)

(old)

I do not want God to see me anymore. I do not want anymore eyes on me. This is near unbearable. I have no one to turn to. My mother is in the church. Many of my friends are in the church. They would tell me to find hope through Christ. They would tell me to pray to Him. They would tell me that He will save me. He must not remember He made me, and if He does, He simply does not care. I know this is unbecoming of me, and I don't mean to be dramatic. I am simply depressed, nervous, and I cannot tell what's real and what isn't anymore. I know I'm supposed to hear God speaking to me, but I do not, and I am tired of straining my ears. I just want to see a doctor. I want some kind of tangible solution. I do not want to pray anymore. Praying hurts. I only do it when I am afraid, but I am afraid much of the time. I don't want to be unheard anymore. I do not want to hold out hope for someone who does not act like they're there. I am hurting. I am hurting. I am hurting. Belief is hurting me. The idea of God is hurting me. I need an out. I am hurting.

(new)

When I have a job and money and I can move away from my shitty Mormon parents

splitter girl (tahira)

(old)

theres something so broken in me thats beyond saving. so i dont know why i keep trying to be saved. i meant to kill myself when i was 18. i didnt. all ive wanted to do lately is kill someone or something. i havent. im too much of a pussy to plan anything concrete, no matter how much i hate everyone around me. no matter how much i get off to videos of people dying or how much i love cutting myself i cant actually take action against other people. i am fucking purposeless. i was born from evil and i will always be evil and i cant even live up to that. i hate myself i hate myself i HATE myself and the universe hates me too. i dont know what to fucking do at this point. i talked to one of my friends about wantingto die and they said smthn about hospitalizing myself. maybe. i dunno. i dont know what else there is for me/. my eyes are fucking burning from lookign at my computer for so long adn not getting any goddamn sleep. i am not a good person. i dont think i can be helped but i just dont wanna fucking keep goign to school and being around people and pretending like everything is norma;l. i cant keep doing it. what the fuck is wrong with me whagt happened. why cant i be loved or feel love for other people when did something change in me that switched the aggression and affection parts of my brain. im hyperventilating ill be back. maybe

(new)

getting myself onigiri from this one good boba place 2nite bc im 8 months clean…… its the little things~ ^^

fainéant girl (freyja)

(old)

i know i dont hate being disabled... i just hate being disabled in a society that makes existing difficult... but sometimes i really just dont want to be disabled anymore. i dont want my family to lecture me about how i could be helping out more, or how i should get a job. i dont want teachers to keep asking me whats wrong or the fuckin uni counselor to try to get me hospitalized. i dont want to be in so much pain anymore, to feel so exhausted that i cant even do so much as prepare food for myself, let alone do anything meaningful or fulfilling. its not fair. i shouldnt have to stay inside and sit in the dark all day,. i should be able to have friends. to talk to people and to go out with them and to feel like i am alive. its lonely and traumatic to suffer through this and on top of that no one around me understands, and they never fully will. i am tired of trying to justify my existence to everyone, to explain the pain that i am in and why i shouldnt have to experience it. i know the problem isnt me. i know i live in a world that isnt built for me. but if the world cant change then sometimes i truly feel that i should just stop living in it. my lifespan is already shorter than everyone else's anyways. what difference does it make

(new)

my qpps didnt seem to appreciate me playing Alien Kids Alien Rap for them. Do they even love me

caliber girl (nora)

(old)

唉～It is 3 AM and I should go to sleep but I can’t. I have a work zoom meeting early in the morning and I gotta hit the gym also because I haven’t done leg day in like… weeks. Oh well, it doesn’t even matter. My value is depleting but I don’t think I care anymore. The turnaround date for my code is also in a couple of days and I haven’t made any progress. I keep getting the same error and I’m too tired to figure out what’s wrong. I might get fired at this rate LOL(笑). If that happens, I think I’ll just consider ending it all. Not that anybody will miss me. God I sound so weak and pathetic right now. When did it get like this. How did it get like this. I’m sure I’ll be fine. I’ve been through worse before and this is nothing. Ugh, why is it so hard to breathe? My chest hurts and I feel like something is wrong but I don’t know how to make it go away. Should I call someone about this? No. No one is awake or around to help. I’ll be fine. I’ll just sleep it off. Shake it off… shake it off…

(new)

My Tamagotchi beeped during a meeting fml

chocolate box girl (morgan)

(old)

i thought i was doing better but i cant stop thinking about them. their touch, their interests, their smile, everything. the worst part is that i miss them, after all of what they've done to me. i was 13. i dont even feel justified calling it rape since our relationship was so muddy... they never yelled at me or was angry at me, they just got so sad when i tried to speak my mind, and got all my friends to hate me when we finally broke up. i never said no so i feel like im insulting actual survivors by feeling violated. i wasnt even trying to get into a relationship with them, it just happened... i feel like everyone around me wants me in the same way they did, even though im an adult now and i dont even try to make myself appealing. i wish i could trust people not to take advantage of me, and i feel disgusting and selfish for feeling like everyone has ulterior motives of getting me to fall in love with them, or worse. that's so self centered of me. i dont know how long i can keep doing this

(new)

girl help i cant stop looking at anime figures on japan yahoo auctions !!!!!

taxidermy girl (mayra)

(old)

I don't remember ever not having a sex drive, is that normal ? I was born and then it was all downhill from there, something happened to me sexually i think, I don't know what happened, because I don't remember much, but something happened and I was beaten for it and yelled at and my mother hated me, and now I am an adult and I try to have sex, and I'm not there mentally, even if my body is participating, I feel like I am in the past again, being beaten and yelled at . I want to keep trying, I want to have fun, to feel safe in someone else's arms, to reach the heights of pleasure, but my mind scares me so much, I haven't been able to eat anything today because I feel so horrified by my body . If I was good I would have been born as a nonsexual being, no parts, no desires, no instincts, a blank slate, too empty to be enjoyed . Do you know what it feels like, to have your mother tell you people want to sexually abuse you when you are a child, and then to be made fun of by your peers for being so ugly, to have your middle school and high school classmates joke about how much they don't want to have sex with you ? I am illicit and undesirable at the same time, I am everyone's last option, I am nothing and still too much, rotting deer meat on the side of the road . I wish I had been born as something beautiful and pure, I wish I could start over, that whatever that initial sin was had never been committed .. I want to start over

(new)

Went to a kink event the other night and everyone was so nice … The low lights were fucking with my vision so one of the hosts helped me navigate the place . I ❤️ you random disabled ally with a pup mask on

chemical girl (joy)

(old)

LMAOOOOO im too angry and miserable to be around. i think i just need to give up at this point because theres clearly like. something broken inside me that cant be fixed. that has 2 be it because i try to talk and i just sound cold, i try to make a joke and it comes out overly edgy and unfunny, i try to be like everyone else but its too much. i cant even be a collection of the positive traits i see in others, i try to replicate it and it comes out warped and wrong. im either fucking enraged or in abject misery or way too happy and nobody can keep up with me. the thing is i dont even blame them. i wouldnt want to be around me either. do u know what thats like? being someone you wouldnt want to know? i keep hoping that one day ill wake up and suddenly be normal, the mood swings will be gone and everyone will like me and i wont do stupid shit that pisses them off. but i know that day isnt coming. theres no hope for me and i want to say sorry to everyone who has ever had the misfortune of knowing me but i know it wouldnt do anything. theres nothing i could ever do to make myself right

(new)

i need to convince my gf to take me to Round One again soon

refraction girl (nataana)

(old)

i don't want to do this anymore. i'm going somewhere better

(new)

talked with my psych and i’ll be starting TMS soon, it’s some thing where they put magnets to ur brain and it’s supposed to treat depression.. trying to temper my expectations bc i’ve tried so many treatments that just do nothing for me, but i’d be lying if i said my hopes weren’t riding on this. i want to confidently say i’m glad to be alive. i feel like i’m getting closer to that

nurse parallel/machine girl (xiomara)

(old)

I am so excited... Tomorrow my experimental outpatient treatment plan begins!!! I'm beyond delighted. I have complicated feelings about my DID being in remission, but it's nice to feel stable enough to be in charge of something this big, and to not have terrible gaps in my memory anymore. I still don't remember everything that happened to me, but maybe I don't need to. At this stage of my life, I feel content. I can confidently say everything was worth it. I want to help others feel that way, too. I think I can.

(new)

I’m meeting up with a new friend tomorrow… I feel nervous, but it’s a good nervousness, I think!

[sleepynoons]

hi op feel free to ignore everything under - all you need to know is i love your writing *shakes head vigorously*

there are several things i think were immaculately done, but that'd require me to churn out an entire research paper, which i don't have the brain cells for anymore post-finals. so here are some scattered thoughts yep and yap

-

i don't gravitate towards mysterious or reserved characters because my personality simply doesn't mesh well with them. in fact, when i was watching wbk, i was always so wary of suo, and felt lowkey a lil uncomfortable with him LMFAO

but strangely enough, i think this discomfort became a very integral and driving force throughout my reading experience. of course, this was already the case due to the violent and dark nature of yakuzas, underground sex work, etc., but emphasizing suo's yandere-ness and how he doesn't shy away from it really completed the tone of the story. also, i feel like i came to terms with suo's character, which i rarely ever experience in general. really, this is all to say that it makes total logical sense in my brain to imagine a route where suo evolves into a yandere, and part of me strongly believes his real background in the wbk manga/anime won't be too happy-go-lucky either (otherwise the alternative would be like him wearing an eyepatch for the shtick bc he's a chuuni??? idrk????).

anyway, the reoccurring theme of redirection in suo's tactics really sealed the deal for me, and i think it was a good way to tie in references to his relationship to his master, the martial arts that we know he's especially good at, and how all of these things he's kinda exploited and sullied to "become a worse person for you." suo being very knowing and intentional is so snakey and creepy but also, i get a lil fucked up when it comes to men who are obsessed, so also incredibly erotic LMFAO i also just want someone to buy me a luxury penthouse out of concern for my safety *sad fist bump*

one thing i did find unexpected is suo's leadership within the yakuza. yes, necessary for the plot, otherwise he wouldn't be able to pull any strings. but because source material heavily emphasizes leaders as individuals like umemiya or sakura or even hiiragi, it's interesting to place suo in juxtaposition with them. not sure if it's bc i don't find suo particularly reliable in general, but i think this fic made me realize that he's still wise beyond his years and very, very ruthless. it's def very telling that, throughout the story, suo resorts to fear to assert power. anyway, i j think it was a particularly interesting detail to add in his role in the succession conflict.

btw, i do like how suo's change and transition isn't fully told or revealed. it's not a story meant for us, as it's a truth really for suo and reader. but even reader can't really keep up with him at times, and i find that dynamic really charming, as sadistic as that sounds. i like that reader is so vulnerable. i like that reader is not afraid to be vulnerable around him in the ways that matter, even when she's aware that he's fucking insane. and i really like that reader is aware of how much it takes to be vulnerable, so she doesn't push him. i think reader restrains herself (un)knowingly, and that's her way of loving him. obv less romantic in real life lol (don't try to fix anyone, been there, done that, lost myself, and still finding myself), but i do like how reader is suo's salvation :,,, even if she doesn't think she's particularly patient, she really is - like girl, Fuck Him Already!!!!!!

(could go on and on about how juicy the friction and tension is between suo and reader but that's for pt 2 hehehe)

this is kinda my half-assed transition into talking about reader, and honestly, my thoughts from earlier encapsulate the general thesis i have about her: she's really a lot like suo, way more than she thinks. i think she operates in very similar ways, just goes about it differently.

i think reader is way more reckless. she's very self-sacrificing. she's very good at putting up a front, even when she's internally low in confidence and self-respect. i think she just wants to be happy with suo, and hopefully, with their other friends as well.

and truly, i think suo has very similar end goals. i just think, with how things turned out, suo made the very calculated yet risky (also aggressive?) decision to do the things that he did. making their underlying principals and values and reactions so oddly similar, from my perspective, is sooooo neat, and it adds more depth to why they go so well together.

also, reader is so brilliantly the comedic relief in this whole thing. usually, in storytelling, it's someone else and is used as fodder. i really like how reader is a lil awkward and bad with timing and everything else, cause it makes the reading experience flow so much better. really helped with the pacing of the story, gave it the character + breathing space needed to process everything. i also just like my readers a little fucking hilarious.

anyway, op, so beautifully written - see you in pt 2 gg

TOKYO VICE | part 1

You knew that if you agreed to move in with Suo, you'd be setting yourself up for a life without autonomy. You also knew that these alarming behaviours were all signs that he desperately needed therapy to process his master’s untimely death. Living with a man in constant grief, who refused to talk about his trauma unless he was making up a lie related to the nation of China, was probably not a good decision. Doubly so when this man was clearly paranoid about losing you, and triply so when he was a high-ranking member of a violent syndicate. Unfortunately for you, you rarely made good decisions. (Or: After joining the yakuza, Suo develops the concerning habit of controlling every facet of your life. This is somehow less worrying to you than your uncontrollable lust around him.)

8.7k words. suo x fem reader. deeply unserious yakuza au. yandere suo (not abusive and reader is into it), dark comedy, a little angst, smut. warnings: borderline sex work, off-screen criminal violence. nsft – no actual smut in this chapter, but there are still graphic discussions of sex. mdni. thank you to @sleepyqinfei for beta reading and to @/cafekitsune for the banner!

sequel to sincerity and this sakura/reader wip

part 2 here

You’re not exactly sure why you and Suo have never fucked.

It’s certainly strange, given that you're pretty sure that Suo has expressed at least passing interest in you over the years, and you have felt a lot of interest in him. (By ‘interest’, you mean that you feel an insatiable lust around him that you fight to ignore on a daily basis.) You can't exactly pinpoint why nothing has ever happened despite this mutual attraction, especially given your profession and indifferent feelings toward casual sex.

You can think of a number of probable reasons, which are separate from those you classify as stupid reasons. The latter class comprises silly concerns like a fear of rejection, fear of abandonment, fear of not being pretty enough, fear of not being good enough, et cetera. All very juvenile feelings—insecurities that you had in your teenage years, the days in which Suo ran around Makochi as a delinquent while you worked an honest job at a bar. (It was a girls’ bar in the red light district, but that's neither here nor there.) Your circumstances have since changed, and those anxieties have since faded. None of them have any material consequence for your current life, so you don't see any point in thinking about them.

The stupid reasons, then, definitely don't have anything to do with why you've never fucked Suo. But you can think of a few, more concrete reasons that may explain it. For one, Suo has been your friend since childhood and it’s generally a bad idea to have sex with your long-time friends. He was also your roommate for a while and it’s an even messier idea to have sex with your roommates. And now, in your adulthood, he’s your landlord in addition to being your boss, which makes him the worst possible person you could have sex with. You could lose both your home and your livelihood if things go south—both severe, material consequences that should theoretically keep your lust at bay.

Also, he's also a member of the yakuza.

Now, strictly speaking—you're not really opposed to having sex with violent criminals. It’s definitely not a good idea, but you don't usually have good ideas anyway. But for the past several years, you’ve been pissed at Suo for joining the yakuza in the first place, which actually does keep your blatant attraction to him in check. You simply dry up when you think too hard about all the feelings of betrayal.

When Suo was on the cusp of graduating from Furin and thinking about his future, you’d grabbed him by the collar and made him promise not to join the yakuza. They constantly tried to recruit from Bofurin, and they especially wanted Sakura, Suo, and Sugishita. You were adamant about chasing them off from Suo and Sakura whenever they approached—you had no need to worry about Sugishita, as Umemiya had already said he shouldn't talk to them, so there was no chance he was going to—and you begged Suo over and over not to join. Delinquency was fine, but a crime syndicate was something else altogether.

Suo seemed serious about it when he said he'd listen to you. He even applied to colleges, talked about maybe becoming a teacher and eventually supporting you so you could stop working in the mizu shobai industry. Back then, he often teased you by saying that you should marry him and be his housewife (or he could be your trophy husband, if you so wished). You thought he was joking, but with the way he always talked about his life after his degree, you wondered if he would seriously suggest it.

Of course, it was most likely just teasing, and you were fine with that. You were simply excited that he'd found a career that would make him happy. Nirei had also been accepted to university at that point, and even Sakura had an honest job lined up on Keisei Street. The future had looked bright for everyone.

Then Suo’s master died, and he lost his fucking mind.

The two of you buried Suo’s master in a Chinese funeral. He had never had children of his own, having satisfied his paternal instincts by picking up strays, and he didn't have much in the way of family in Japan either, so you and Suo performed the shou ling yourselves. One person kept a constant vigil over his body while the other searched on Google for what arrangements should be made next. After all, while Suo’s master had immersed his foremost disciple in his culture, he had never taught Suo any funerary customs. He hadn't thought there would be a need.

Suo didn't cry nearly as much as you, but he was probably in more pain. Your master had trained you a little bit when you were a kid, and he'd taken you in for a while after your parents kicked you out, so of course you were gutted. But he had practically raised Suo, so it was naturally worse for him. More shattering.

You often think about the first night you decided you'd sleep with him in the same futon because he was crying so much. He insisted he was fine, but he didn't complain when you got under the sheets with him and started thumbing away his tears. When you took off his eyepatch, you found, to your astonishment, that he was crying from his missing eye as well. Both of you thought the tear ducts had been destroyed in either the accident or the enucleation, but it appeared that not even that prior trauma could mask his grief over this one.

Nevertheless, by the time of the funeral procession, Suo had stopped crying.

“Master supported us and taught us to stand on our own two feet,” he said as the joss paper burned. He took your hand in his and smiled. “So it'll be fine. We’ll be okay on our own. I'll make sure of it.”

At the time, you had found this very comforting. You didn’t think too much of it, as you had a bad habit of relying on Suo for your emotional stability. His master had raised him to be an emotionally intelligent person, so it had been fine, even though you had a track record of reckless decisions. He’d still exercised endless patience with you. He never once got angry with you, nor did he ever force you to do what he felt was the right thing. Instead, he gently redirected your self-damaging behaviours—not so different from the martial art that he practised.

He disapproved of the run-down and lonely conditions of your apartment, so he spent a great deal of time there and helped make it into a proper home. He didn't like how dangerous your job at the girls’ bar was, so he walked you to and from work every night until you never left without him. He worried when you started having sex with your customers, especially when you began having nervous breakdowns over it (you were, after all, still a teenager and really only interested in having romantic vanilla sex with Suo), so he staged an intervention with Nirei and Sakura. In this way, Suo convinced you that you were loved and protected and didn't need to do something you hated so much. They would get you out if you felt trapped. And you didn't feel trapped, per se, so you left on your own—but it was still only because of them. You promised them afterwards that you'd never do it again.

This was Suo’s brand of kindness as a teenager. He always taught people, guided them away from harm rather than steering them—a behaviour he’d mimicked from your master. Your master, in general, had defined all of Suo’s values and his way of living, which was honest and gentle and conscientious. It was one where he used his abilities to protect the weak and care for his friends. He even kept his spiteful and alarmingly violent tendencies under control, though sometimes he slipped when fighting genuine assholes. But he still tried. He tried because he strived to be as kind as his master—who represented everything that Suo wanted to be in his adult life.

Thus, the death of Suo’s master meant the death of his principles. It changed the kind of man that Suo wanted to be. You don't want to say that he became a worse person, but he absolutely became a worse person.

He especially became a worse person with you.

As it turned out, Suo’s idea of making sure that the two of you would be fine on your own was, well, not really fine. It wasn’t that he became cruel to you, per se. It was more that whenever he saw a problem with your behaviour, his approaches to redirecting it became—put as nicely as possible—heavy-handed.

After your master’s death, you got a job at a high end, yakuza-owned club. Two weeks later, Suo broke his promise to you and joined the yakuza. So I can stay close to you, he explained gently, wiping away your tears as you cried hysterically, but you're convinced to this day that he did it partly out of spite. So a few years later, when you started having sex with your customers again and he tried to stop you, you decided to spite him back. I need to stay on top of the rankings, you'd explained dispassionately. The mamasan said it's fine, and the manager doesn't care. He even thinks it's good for business.

Suo’s response was to simply become the owner of your club.

This move was very extreme, but also very effective. Any customer who so much as brushed against you on the premises was instantly thrown out, and the mamasan started watching you like a hawk to make sure you weren’t going to any love hotels after work. Douhan were off-limits. For the first time since your teens, you became completely celibate—not only because of your new workplace circumstances, but because you simply didn't want to find out what Suo would do if you got together with a man he despised (and he despised every man you dated).

His most absurd play was when he became concerned about your living conditions again. Your latest apartment was too plain, too small, and the area was too dangerous. It didn't even have a shower, and the other tenants behaved concerningly toward you when you went to the bathhouse at night. But the rent was cheap, and it was still an upgrade from your last place, so you shrugged it off when Suo suggested that you move. Even when someone tried to accost you at night, you were nonchalant about it. You kicked the shit out of them in a fight and continued your routine unbothered.

The next month, Suo bought a luxury penthouse and suggested you move in with him.

His offer (command) came with conditions. One of the bigger ones was that you'd let him accompany you out at night if you ever needed to run errands in dangerous places. Or—nevermind, actually. He should really just accompany you everywhere at night. Maybe during the day too. And—ah, there was no way you'd be going to work alone, nor coming back by yourself—you were now always to be driven by someone in his organisation, if he wasn't available himself. Rent was a point of contention, when you asked about it: you wanted to pay at market rate, and he insisted that there was no need to pay at all. He ended up proposing a highly discounted price, which would give you ample financial freedom, but questionable financial independence.

These were insane terms. You knew that if you agreed, you'd be setting yourself up for a life without autonomy. You also knew that these behaviours were all signs that Suo desperately needed therapy to process his master’s untimely death. Living with a man in constant grief, who refused to talk about his trauma unless he was making up a lie related to the nation of China, was probably not a good idea. Doubly so when this man was clearly paranoid about losing you, and triply so when he was a high-ranking member of a violent syndicate. Case in point—he was likely connected to the brutal accident that later befell the man who tried to assault you.

“I'm not sure what you're implying, but at least he didn't die,” Suo said cheerfully when you confronted him about it. Which really meant: At least I decided not to kill him. This was a flag bigger and redder than any other you've ever known, and you consider yourself an expert in red flags. You knew you should run in the other direction.

So naturally, you put your arms around him, tenderly said, I'm sorry I've been worrying you, and then you moved in the next day.

While Suo treats you with endless patience, you have personal limits to the patience that you exercise with him. Specifically, your patience with how he treats you.

You don't mind the lack of social freedom, nor the lack of personal freedom, nor the lack of freedom of movement. You also don't mind living with a man full of intractable trauma surrounding the death of every parental figure in his life; in fact, you'd rather be by his side than not, if he needs to cope with something so painful. And anyway, your friendship is otherwise unchanged if you ignore the heavy restrictions he's imposed on every facet of your life. So that's all fine.

But the celibate lifestyle that he's cornered you into? You simply aren't built for it. Holy shit, do you need to get laid.

Nearly two years without sex has brought you close to another nervous breakdown (there have been few better sources of entertainment or validation in your life), and worst of all, it has made your profound lust for Suo incredibly hard to ignore. Waking up every morning to him in a towel, his hair still wet from the shower and his broad silhouette exposed, tests the absolute limits of your self-control. The contours of his lean and muscled form are distracting enough; coupled with the vivid colours and lines of his irezumi, the sight of him becomes maddening. It is a horrible thing to be exposed to when you haven't gotten any dick nor strap in over a year. It gives you thoughts about him that are overtly sexual, which is bad, as you have materially consequential reasons for not wanting to fuck Suo.

Things with him must absolutely stay platonic. But with sexual frustration like yours, being platonic with him means that you need to get erotic with someone else. A boyfriend or girlfriend is out of the question; you don't want to be responsible for yet another brutal accident. So you instead decide to quit your job at his club and start working on Keisei Street. At least this way, you can start fucking your customers again.

It’s a perfect plan. Suo’s oyabun is very indulgent toward him, and everyone else in the family respects him too. He consequently has a tight grip on his organisation and the territory they control, despite his relatively young age. Not a single person is ever to touch Keisei Street—largely because Sakura is part of Roppo-Ichiza, and Suo is nearly as weird about Sakura as he is about you. Plus, many of his other fellow Furin alumni are in the gang as well. If Suo’s men ever started fucking with people on Keisei Street, it would not only have grave implications for gang relations—it would be personally upsetting for Suo. This means you can fuck all the Keisei Street customers you want, and not get a single one of them threatened or killed.

A pretty brilliant idea, if you do say so yourself.

Suo’s expression doesn't change when you break the news to him. He delicately places his teacup—custom-made from Yixing, just like the matching clay teapot—down on the mahogany tabletop, and he looks at you with a calm smile.

“Come again?”

“I'm quitting my job at Red Dragon,” you repeat. “I already gave the mamasan my resignation.”

“And she accepted it?” Suo asks, in a tone that is so carefully nonchalant that you know it means he is actually furious with her. “How interesting,” he muses. “What brought this on?”

“I've found a better paying opportunity on Keisei Street.”

“I'll give you a raise,” he says easily.

“A raise?” You cock a brow. “The pay is mostly commission-based at Red Dragon. You know that.”

“Then it would be unwise to leave. You have a loyal customer base at Red Dragon. All very rich, and”—his smile grows sharp—“very polite.”

Polite. An interesting word. It actually means: None of them will ever proposition or harass you because they know they'll be maimed if they do. An easy thought to use to your advantage.

“It's loyal but it's small. Everyone who's anyone in this part of town thinks that we’re married. Do you know how hard it is to pull new customers in when they're scared shitless of my yakuza husband? And anyway”—you frown, trying to look as pathetic as possible—“I'm lonely.”

Suo stares. He looks surprised, possibly because you absorb every minute of his free time with silly conversation, new restaurants, and skiing trips. (He likes snow, so you ask for these trips more for him to relax than anything else.) You also text him frequently on days he's working, and he very diligently replies, even if he's in the middle of something like a raid or a hit or brokering a massive deal. Suo still very strictly keeps to his rule of never touching his phone when in conversation with other people—unless he needs to text you.

So his suspicion is fair. Suo is very attentive and doesn't allow you much opportunity for loneliness. In turn, you’ve always been very happy spending time with him, even when it's only him.

“Lonely?” he repeats. “Are you, now?”

“Yes. You work so much,” you complain, which is not a lie, “and I don't have any friends to spend time with when you're gone.”

“You have friends from work.”

“No, I have competition at work. The hostesses are so cutthroat about rankings, they hate me. And each other.”

“You like Shuuhei and Hanzo,” he points out, referring to his men who most frequently chauffeur you.

“Yeah, they're friendly, and they're very funny. I like them, but I can't be their friend.” Suo stares at you, nonplussed, so you spell it out: “They're too scared of you to get close to me. What if it looks like they're trying to fuck the boss’ wife?”

“Hm…” Suo studies you, looking thoughtful. Perhaps for the first time, he's contemplating the consequences of restricting your freedoms and marking you as his. That is to say—maybe he's finally realising that you have no friends and no life.

The beads of his earrings glimmer as he tilts his head at you and frowns. Suo almost looks innocent with that confused face of his. “And how would working on Keisei Street help?” he asks.

“Because all our old friends are there!” you exclaim. “Sakura’s in Roppo-Ichiza now so he’ll definitely be coming by all the clubs. Tsubaki too. And Nirei and Kiryu visit them quite often—and even Tsugeura does sometimes, even though clubbing isn't one of his virtues.” You grab onto his arm, pull yourself close, and give him your most disarming, pleading expression. “Please, Suo?”

“Hm.” He strokes your cheek and looks at you fondly, in the way that one would do with an adorable and slightly annoying kitten. “I don’t think so. It’s not very safe there.”

He isn't wrong. Not only are you untouchable on his turf because of your association to him, Suo has also just crushed all the han-gure and petty criminals in his territory with brutal efficiency. His part of the red light district is, quite ironically, one of the safest places in the city, and certainly safer than Keisei Street.

But undeterred, you point out, “Shuuhei and Hanzo can still drive me there and back if you want. But I don't think it's necessary. Do you really think Sakura would let anything happen to me?”

This is the true brilliance of your plan: capitalising on the fact that Suo is as nearly as weird about Sakura as he is about you. He pauses as soon as you bring up the point, and you can practically see the gears turning. “Well, if it's him…”

“I even texted him about it. Look—here!” You whip out your phone, receipts ready. The corner of Suo's mouth lifts at your obviously rehearsed pitch. “He says he'd make sure I'm taken care of. And he says it'd be nice because he misses seeing us. Can you believe it—Sakura actually admitted that he misses us! Typed it with his own two hands and pressed send! I bet he was super embarrassed about it.”

“Huh. He even used a sticker. I've never seen him do that.” Suo smiles as he reads through the chat. He looks like his old self. You suddenly feel a little wistful, and also a lot bad. This started as a ploy to get laid, but it’s made you realise that you really do miss your friends—and Suo probably does too.

“If I worked on Keisei Street, then you would have plenty of reason to visit,” you point out, feeling somewhat tender.

“I guess that's true,” Suo says. Your heart aches a little bit at the look he gives you. It's a platonic ache, of course. Or at the very least, it isn't an erotic one. It doesn't really make you want to have sex with him anyway. But if you could lean forward and press your lips to his—platonically—then you definitely would.

Suo's civilian friendships are complicated by his double life. Quite unusually for yakuza, Suo’s syndicate insists on using pseudonyms and false histories to avoid anti-yakuza laws, on the off-chance that the police decide to do their jobs and actually enforce those laws someday. Lying for comedy is one of Suo’s greatest passions, so he was happy to manufacture an absurd backstory: his name is Yanzhao, and he learned kung fu in a Shaolin Temple before moving to Hong Kong and working for the triads. He wears the eyepatch because he lost his eye in an altercation with the cops, which he won. By the way, you're his criminally beautiful wife who he met in Macau. The two of you had to leave for Japan since he killed a police officer and now he's wanted by the governments of both China and Hong Kong. Also, he's a very devoted husband, so if anyone lays a hand on you, he’ll kill them too.

Somehow, everyone has bought into this story. Every criminal organisation in the red light district now fears a high-ranking yakuza known as Yanzhao, who is easily recognizable by his eyepatch and tassel earrings, and who is also homicidally obsessed with his beautiful wife.

In some ways, his infamy is convenient. No one wants to fuck with Suo, or with you by extension. But it also poses some issues: Suo has to keep a low profile in areas controlled by rival organisations, or else he might be ambushed. It also means he cannot easily go out and see his old friends. Even though he always masquerades as a civvie when he does, wearing stud earrings and a glass eye, it's still a little risky—especially since he likes to visit the strongest member of Roppo-Ichiza. While Roppo-Ichiza aren’t yakuza, they're still han-gure, so some of its more criminally entangled members might recognize him anyway.

But Sakura himself, bless him, has not put two and two together and figured out that Suo Hayato and Gui Yanzhao are the same person. This is partly because Suo lies very convincingly about his fictional career in the tea industry, but you think it's also because Sakura is so gullible it's endearing.

I use the glass eye now because it's better for networking, Suo had explained before Sakura could interrogate him too much, his voice too smooth and too quick for the other man to get in a word edgewise. My business partners find the eyepatch too silly. The tassel earrings too. By the way, would you like some Baimudan tea? I thought of you when I smelled it—I know you like fragrant things—so I picked some up for you on my last visit to China. I was there for business a couple of weeks ago.

He, of course, neglected to mention that said business involved meeting with the 14K triad.

Despite the enormity of Suo's omission (lie), Sakura is none the wiser whenever he meets with you. He thinks you're just a regular hostess who has freedom of movement and various other human rights, and that Suo’s just a regular guy who isn’t homicidally obsessed with you (a detail of Suo's fabricated life story that is unfortunately grounded in reality). All this to say, Sakura doesn't think twice about mentioning the fact that you have a routine of going to love hotels after work.

Suo, as always, remains calm in the face of unsettling information. He sets down his tea (just tea, without shochu), and politely says, “Pardon?” He's once again using the nonchalant kind of tone that suggests mortal danger.

“She's always going to love hotels after her shifts.” Sakura is frowning at you, pink but scowling. “I thought you said you were done with that stuff. You promised us you wouldn't do it anymore. Suo—are you really okay with this?”

On the one hand, you find it exceptionally sweet that Sakura, after all this time, remembers your promise and wishes to hold you to it. He was so worried about you when you started having those nervous breakdowns as a teenager, and he probably still is. On the other hand, you're shitting bricks at the fact that Suo is now aware of your activities. Because sure, he likely won't fuck with Keisei Street—but you realise, as he stares at you, that you can't be certain of this. After all, your fake yakuza husband has very real homicidal urges.

“Um,” you say. “It's just business.”

“Business,” Suo repeats.

“You don't have to do that stuff to keep good business,” Sakura grouses, unaware of Suo’s carefully suppressed rage. “You're real popular already.”

“Are you?” Suo asks, looking right at you.

“I mean—I told you the pay would be better, right?” you reply, voice oddly high and nervous, and this is when Sakura notices that something is wrong.

“Oh,” Sakura says, looking between the two of you. “Suo, you didn't know?”

“I didn't,” he says. “Actually, she told me specifically that she wasn't going to do that if she worked here.” He turns to you, still smiling. “That's the only reason why I allowed this at all, remember?”

A chill travels down your spine. You did, in fact, commit to a perpetually sexless lifestyle in order to be granted some semblance of freedom: Of course I won't sleep with any customers, you'd said. You know I don't really like doing that anyway. I promise I'll behave! I’ll be out of the clubs and right back home. Sakura said he’d make sure I’ll get to a cab safely after the bar closes and everything!

“Um,” you say again, but this time you have no follow-up.

“Wait,” Sakura demands, “what do you mean by ‘allowed her’? What, do you need to give her permission to work now or something?”

Suo smiles disarmingly at Sakura. Without missing a beat, he says, “Generally no. But we’re dating now, which complicates what she’s allowed to do with other men at her job.”

Sakura spits out his drink. You choke on your spit.

“I… um?!” Sakura’s staring at you, so you quickly recover. This is a mortifying lie, but it's better than Sakura finding out just how batshit Suo has become since his school days. “I thought we were going to keep that a secret, dear?”

“Ah, you're right. Sorry, I got too excited.” Suo gives you an endeared look before turning to Sakura. “We were going to keep it to ourselves unless we got serious about it. But we've been talking about marriage lately, so I thought it was fine to mention.”

“...”

You’re going to have an aneurysm. Why does every cover that Suo comes up with involve a marital relationship between the two of you?!

“Oh… holy shit.” Sakura’s expression is complicated—somehow, more complicated than yours, even though you’re the one getting cornered into a fake engagement. It's unbelievable how shy he still is about this kind of thing. Maybe it’s just particularly embarrassing since he's known you two for so long, you reason. Regardless, he remembers his social cues enough to say, “Congrats, guys. That's great. That's really great.”

Suo gazes fondly at you across the table. “We were thinking you could be our best man,” he adds, and you consider violently kicking his leg.

“O-oh. Uh, yeah! Sure! But what about Nirei?”

“Rather than having a maid of honour,” you say reflexively, used to lying through your teeth for Suo, “we’d like him to be our best man as well.”

“Oh. That makes sense.” Thrown off guard, Sakura completely forgets about the love hotel business. He whips out his phone. “When were you thinking of having your wedding? I'll put it in my calendar.”

“I’m not sure.” Suo turns to you. “What were we thinking again, dear?”

You're going to die. You're going to die and it's a good thing because if you survive this embarrassment, your future will be bleak. As soon as Nirei finds out about this, he’ll want to start helping you with wedding planning, and then it would just be too awkward to cancel things. You’ll have to enter a fake marriage with Suo, which will be completely sexless, because even with a vow of everlasting love, there are still too many concrete and materially consequential reasons for not sleeping with him.

Condemning yourself to a lifetime of sexual frustration, you reply, “I think we were talking about a summer wedding.”

The drive home is awkward.

Hanzo and Shuuhei pick the two of you up. Suo mentioned that he wanted to talk to you and you alone, so they bring the Rolls Royce with the privacy suite. The two of them are entirely cut off from you thanks to the soundproofing, which traps you with Suo, who’s drinking a bottle of oolong tea as the two of you sit in complete silence. You think he's waiting for you to squirm—which you do.

You stay like that for five, agonising minutes before Suo finally says, “So you're sleeping with your customers.”

You swallow. “Yes.”

“For business?”

“Yes.”

“How much do you make?”

You blink. “Huh?”

“How much do you get paid for a single night of work, including gifts that your customers give you in exchange for sleeping with them?”

You're halfway through citing your earnings when you realise where he's going with this.

“So you make less than you did at Red Dragon,” Suo concludes, “and you're very smart with your money, so I know you know that, and you probably went into this knowing that you'd end up at a net loss.” He turns to you, gives you a look so sharp that it almost scares you. All made worse by his civilian disguise, which makes him feel unfamiliar. His glass eye shines strangely in the light, and his scar tissue is hidden by the makeup you helped apply. You wish he'd taken it all off before having this conversation.

“So,” he says, “what’s the real reason you changed jobs?”

Already knowing that he’ll figure you out sooner or later, you admit, “I just wanted to start having sex again.”

Suo blinks. “You… what?”

“I wanted to have sex with people,” you repeat. “I hadn't been touched for nearly two years, okay? I needed to get laid or else I'd go insane.” You cross your arms and look away, suddenly feeling petulant. “I'm sure you've noticed that our arrangement makes it impossible for me to see people.”

He doesn't answer, because of course he's noticed. He’d designed his house rules with precisely this intent. If he accompanies you everywhere you go, then you can't exactly go on dates, and you definitely can't meet people for sex. Not unless you feel like having Suo watch as some anonymous guy fucks you, and you don't. As hot as the idea is, it’s definitely not platonic behaviour, and it would probably trigger the whole homicidal obsession thing.

“Do you like it?” Suo asks, startling you. You look at him, confused.

“What?”

“Do you enjoy having sex with your customers?” he asks. His voice and gaze are even. Unrelenting. “Does it make you happy?”

You stare at him, a deer caught in headlights. You didn't expect Suo to actually care about whether you enjoyed it or not, and you didn't really expect to care yourself either. But truthfully, you hated it. You simply weren't feeling it with most of your customers and avoided intercourse with all but one. Then in that one case you let someone earnestly fuck you, it was a complete letdown. Possibly the worst sex you'd ever had. You spent the whole time watching the clock, wondering how long it would take, and it turned out that your hookup had remarkable stamina but absolutely no technique. To pass the time, and in an attempt to feel something, you tried to imagine it was someone else who was inside you. You cycled through a whole list of people, including all of your exes, a few of your past customers, every single member of BTS, and then—finally, inevitably—your long-time friend, roommate, and landlord.

To your complete horror, when you imagined that it was Suo who had you folded in half, his cock so deep inside you that you could feel it in your throat, you came so hard that you drenched the sheets.

You lay there afterward as your customer showered, alone in the bed. Normally you'd be getting dressed at that point, but you were too distracted. You kept thinking about what it would feel like to be held by Suo after having your guts rearranged by him—embraced tenderly like you know he would do with you, kissing him platonically like you've always wanted to do with him—and you realised that you didn’t actually want to have sex with anyone else. Despite all your life experience, sexual experience, and job experience—in that moment, you felt like a lonely nineteen year old girl who wanted nothing more than to have romantic, vanilla sex with her best friend, but who was instead having impersonal, disappointing sex with various salarymen.

This was a feeling so disgusting that you’ve decided to never tell anyone at any cost.

“Yeah, it's fine. I guess I like it.” You pretend to study your nails. “Sometimes I cum, which is all I really want.”

Suo keeps staring at you. “That’s it?” he asks, voice measured and careful. You raise a brow, playing dumb.

“What do you mean?”

“That's all you want? Just to get off?”

You gaze out the window, trying not to look at his lips.

“Yes, that's all.”

No matter how batshit Suo gets, he always maintains a certain kindness and maturity in how he handles conflict with you. It's a lesson that he learned from his master, which has perhaps been distorted over time, but remains important to him nevertheless.

If you do something upsetting, Suo is never forceful about getting you to act differently. Sure, he has fucked up ways of either getting you to behave or making you understand the consequences of your actions, and perhaps he has his manipulative moments. It was probably not a good thing that he coaxed you into indefinite house arrest, for instance. But he never threatens you, and he never hits you, and he never disrespects you. In fact, more than anything, he makes it a point to never let you feel like you aren't loved.

So when Suo abandons you after that conversation in the Rolls Royce, you lose your fucking mind.

Suo doesn’t come home in the days following that evening, without any note nor explanation. For the first time in years, he stops replying to your texts. Your immediate thought is that he's been gravely injured or perhaps even killed, which sends you into a panicked spiral. But every one of his men who's come by to check on you has implied otherwise—but I'm not allowed to tell you anything else, anesan, I’m sorry, they all say. And when you realise that Suo is actually fine and he's just playing a fucked up mind game with you, one that makes you feel distinctly unloved, you feel simultaneously heartbroken and apoplectic. The man is not allowed to corner you into de facto imprisonment and then just fucking leave. In fact, if he tries, you might imprison him.

You spend a few days sitting at home and crying over this, as well as torturing yourself by thinking about useless things (fear of rejection, fear of abandonment, et cetera). But eventually, you get tired of wallowing in self-inflicted misery, and you decide to just track your fake husband down. His men have been adamant about not letting you out of their sight—presumably so you don’t fuck any more of your customers, because Suo can be spiteful like that—so you have to be strategic about your plan to find him.

You decide to do it during work. You tap out in the middle of a shift, feigning illness, so nobody bats an eye when you put on the most shapeless hoodie you own and throw on a face mask. Your chauffeurs (handlers) don't notice as you sneak off—and for the first time in years, you walk through the red light district all alone.

It feels strange not to be protected, and even stranger not to be surveilled. You marvel at the unfamiliar experience of complete freedom, and at the possibility of being able to run off and disappear if you so wished. But you don't, of course. Not only do you care too deeply for Suo to abandon him, you're also pretty sure he has your driver’s licence and ID card locked up somewhere. At least you haven't been able to find them, and Suo was oddly evasive about it when you asked. (I haven't seen them, he'd said, but I don't think you’d need either of those things immediately, anyway, do you? And you nodded in response, because it was true that you liked being his passenger princess too much to care about your licence.)

So rather than bolting for the subway, you head straight to your old workplace. The gleaming doors of Red Dragon welcome you as you cross its threshold, and you're greeted immediately by the scent of luxury colognes and expensive cigars—both evoking a strange nostalgia in you. Even the click of your heels against the marble floor feels familiar. You realise that you've missed the place despite its cutthroat culture and its owner’s authoritarian control over you, which you suppose isn't surprising. This club was more or less your home for years and, thanks to said owner, was the safest place you've ever worked.

And being that you feel you've returned to your very safe home, you don't expect it when you're abruptly stopped by the bouncer.

“Can I help you?” he asks, his arm in your way. You don't recognize him, but you see the edges of his irezumi peeking out from the rolled-up cuffs of his shirt.

“Yeah, actually,” you say. “I'm looking for Gui Yanzhao. Is he here right now?”

The bouncer—or chinpira, you guess—bristles.

“You're looking for who?”

“Yanzhao?” you say impatiently. “Eyepatch, tassel earrings? Owner of the club? Probably your boss?”

The bouncer steps forward and reaches for something in his pocket, which makes you suddenly nervous, and also makes you realise that in a hoodie and a face mask, you ordinarily wouldn't be allowed in this club, let alone into the room of its yakuza owner. You're so used to VIP treatment here that you simply forgot.

You take a step back. “Um. I think there's been a misunderstanding.” You lower your face mask, which doesn't help as you've never met this man, and he must be new. You’ll need to complain to Suo about his onboarding process later, if you aren't killed before you can find him.

It turns out that this yakuza rookie has a knife in his pocket, which is not the worst thing he could have been carrying, but is also not the best. You're getting ready to run in the other direction when a more senior member of the gang comes by. He gives you a startled look, which then turns alarmed when he sees his younger brother’s knife.

“Anesan!” he yells hurriedly, and he snatches the chinpira’s knife straight from his hand. His lunge for the weapon turns into a hurried bow. He pulls his colleague—whose face has turned very white in a very short amount of time—into an even deeper one. They look on the verge of prostrating.

“Oh, Yamashita. Hi! Is this guy new?”

“Yes! My sincerest apologies for my younger brother’s idiocy, and his insolence in raising a weapon at you.” There's a sheen of sweat on the back of his neck. “If you would like him to atone, then he would be more than happy to—”

“No, that's fine. I'd really like him to keep all his fingers.” If you have to see a rookie cut off his pinkie today, you think you might actually change your mind on running away. Fuck your documents—Suo can keep them. Surely life without proof of identity can't be that hard. “By the way,” you say, trying to change the topic before Yamashita can suggest alternative acts of atonement, “have you seen my husband?”

Yamashita hesitates at your question, looks conflicted. You feel a little bad for him, and for every other gang member who needs to worry about accidentally offending Suo. You watch him sweat for a full ten seconds before he says, “You can follow me. But anesan, you might find it unpleasant upstairs. I can find someone to drive you home instead, if you'd like.”

You give him a funny look. This was your workplace for a very long time—you can’t think of many things that would happen here that might seriously upset you. “What, is he cheating on me?” you guess.

“What? No! Aniki would never!” Yamashita seems genuinely shocked at the suggestion. “He's crazy about you!”

“Then I'm sure he’ll be happy to see me,” you say, although given that he's ignored your texts for four days straight, you aren't so sure. Regardless, this seems to be good enough reasoning for Yamashita, and you’re taken to the top floor of Red Dragon. You ponder the whole time, on the elevator ride up, just what exactly Suo’s been up to that's made Yamashita this nervous about letting you see him.

Then the door opens, and you’re given your answer in the form of several body bags—all cleanly zipped up and conscientiously laid out in front of the elevators in a single, neat row. A sight that is significantly worse than a rookie cutting off his pinkie finger.

“Oh,” you say faintly. You try not to throw up. “So this is why he hasn't been home.”

“Exactly!” Yamashita replies, beaming. “See, anesan, I told you. He'd never cheat on you!”

Suo is in the lounge of the top floor, which has been cleared of both civilians and corpses for the night. He's sitting on one of the couches, leaning back with his one eye closed, as if asleep. The golden tassels of his earrings are draped over the expensive leather of his seat, intertwined with his dark hair. A cup of tea sits in front of him, steaming. Even this far away, you recognize it by the scent alone: jasmine, probably from Longjing. One of the most expensive blends he has, and that which he saves for days he’s stressed, though he never admits it when he is.

The sight of him would almost look tranquil, except for all the blood on his knuckles and his cuffs.

Off to the side, two of his younger brothers are chatting away. One is pouring cups of some doubtlessly expensive liquor, and the other is smoking a cigar. There's karaage on the table too. You recognize all of this as part of a ritual that some of the guys like to do after a hit or a shootout, not dissimilar to getting ramen or McDonald’s after going to a club.

You catch a bit of their conversation as you approach. One of them holds up the liquor bottle (Isojiman sake, you now recognise from your girls’ bar days, one of the rarer bottles costing around nine million yen) and asks Suo if he wants to join. “No thanks,” he says predictably, “I'm on a diet.” Then he turns and looks right at you—startling you, because you had thought you were being fairly quiet—and gives you a smile so genuine that it reminds you of his Furin days. “Would my beautiful wife like to drink for me, though?”

“No thanks,” you reply, “but your beautiful wife would like to talk to you.”

The two guys clear out to give you some privacy. You’re left alone with Suo, feeling awkward after several days of resenting him for no reason. (You’d rather die than go to therapy, but the whole fear of abandonment thing is probably something you should start addressing.) You don't even know where you want to sit. Eventually, you settle for placing yourself next to him, which is a decision that Suo quickly overturns by pulling you into his lap.

A flutter erupts in your stomach as he settles you on top of him. This physiological reaction is absurd, as not even ten minutes ago, you were trying not to throw up at the line of corpses in front of the elevator. It should also scare you somewhat that Suo’s hands—delicately adjusting your body—are still covered in blood. But truthfully, you can't help but be happy when he makes you feel so loved.

You take one of the napkins on the table and start wiping at his knuckles. Tenderly, in case they're bruised or skinned.

“You didn't call or come home,” you start.

“I thought it would be too dangerous.”

You frown, thinking of all the bodies outside. “Was this a rival organisation?”

“No. They were ours.” He sighs. “A succession conflict. There are a few people who don't like how I'll run things if I take over.”

You nod. Suo is very old-fashioned in his ideals about the yakuza, which you think is an imprint of his master’s influence, and something that appeals to his current ‘father’. He values chivalry. He likes protecting the weak. His filial devotion to his deceased master has now extended to every member of his yakuza family, especially his oyassan. He’s almost certainly the top candidate for taking over after the oyabun dies, but being that part of his old-fashioned principles excludes lucrative projects such as sex trafficking, you suppose it’s natural that some people in his organisation would prefer him dead rather than in charge.

“You’ve never ghosted me during violent conflicts before though,” you say. “I was worried that something happened to you. Or that you were upset with me.”

Suo’s hand drops to your waist, pulling you a little closer.

“They knew where we live. They tried to get to you, you know.” Your eyes widen in alarm, so he cups your face with a palm. His thumb glides along your cheek, and your response is almost Pavlovian: your heart rate immediately slows at the comfort of his touch. “It’s fine. They won't bother you ever again.” The cheerful smile returns. “And if anyone else ever does, I'll handle them too.”

Your heart swells. Enthusiastic pledges of murder are not a healthy sign of affection, but after so much loneliness—whether from the past several days, or the years before that, you aren't sure—you can't find it in yourself to be disturbed. You feel and sound painfully fond when you reply, “I know.”

Suo’s expression dims a little then. “I thought you'd like the space anyway.”

“What?” You give him a confused look. You have never once given him any indication that you want even an inch of space from him. You'd crawl into his ribcage if you could. “Why would you think that?”

“I thought you felt suffocated. You left my club just so you could have sex with other people.” You blink, lingering on his wording. Other people. He continues before you can ask about it, sighing, “You didn't even ask me who I'd give permission to touch you. You just went ahead and decided on your own.”

“...”

You try not to look disturbed. Suo’s apparent wish to control your sexual decisions is news to you, and somehow more alarming than the murder pledge. And even worse—you immediately clench in response to his words. The thought of Suo dictating who does and doesn't get to touch your cunt is… well, your mind is heading in a distinctly non-platonic direction.

Trying to ignore the heat in between your thighs (but at the same time encouraging it), you ask: “Who would you have been, um, okay with touching me?”

“Sakura or Nirei,” he says immediately. “Though only Sakura would be interested.”

“What.” You gape at him, all arousal forgotten. “Bullshit. He would never.”

“Yes, he would.” Suo tilts his head. “Haven't you noticed?”

“I don't think there's anything to notice? And also—he’s so shy, I don't think he'd ever agree even if he were interested!” You give him a bewildered look. “He couldn't even look at us when we said we were getting married, he was so embarrassed!”

“Embarrassed?” Suo stares at you, an amused glint in his eye. “Is that what you thought was going on?”

“Was there anything else?”

He studies you for a moment, clearly entertained but not explaining why. “Well—it’s fine,” he says. “It doesn't matter for now. Especially since he's helping us plan a wedding and all.”

You make a face. “I still can't believe that's the cover you went for.”

“Are you upset with it?” he asks smoothly, and you huff and say yes, but from his sly look, you think he knows it's a lie.

Naturally, you deflect before he can further interrogate you. “So, given that you are now my fiancé, am I no longer allowed to work on Keisei Street and see customers after my shifts?”

You don’t expect it when Suo says, “No, you can.”

You stare. “What?”

“You can keep seeing customers if you'd like. You said it makes you happy, so why would I stop you?” Suo’s brow furrows, his usual calm replaced with concern. “Do you really think I do the things I do to make you miserable?”

Guilt gnaws at your heart. He looks so disappointed. “No,” you tell him. “I just thought it'd make you miserable that I was sleeping with people without your permission.” It is partly why you hid it from him in the first place, after all. You don't like to see him sad—you’re still haunted by the deep grief he was in, after your master died—and also, his misery tends to bring bodily harm to other people these days.

Cognizant of both concerns, you ask, “You’re really okay with me sleeping with my customers? I can stop, if you want.”

“No, it’s fine. I still don't like it, but you can continue for now if you want.”

Suo’s mouth curls—not in a gentle way, as has been his expression since seeing you walk in, but in a way that sets off your flight or fight response.

“I'm sure we’ll reach a mutual understanding soon enough.”

END PART 1

thank you genuinely if you read all that because this is a deranged au and I still can't believe I wrote it sldfkjsldfkj. please do let me know if you enjoyed my yandere suo delusions. sorry there was no smut in this chapter. I promise there is a ton in the next one (probably too much... lol. it's a 10k chapter and literally half of those words are about orgasm denial sldfkjalskdjdf). it's completely written and I hope to edit and have it up by next week!

also here is glossary of terms and world building notes if you are interested!

tagging @kweenkatsuki-fics !! <3

[velvetvexations]

'masculinity is never used in oppressive tactics'

one of my friends growing up was a very visibly autistic boy. because he was a boy and not a girl, everyone treated him like a potential predator. we went to school together, and the girls would avoid him and the teachers actively encouraged the girls to avoid him.

i was an autistic girl, in comparison. nobody treated ME like that. they treated my friend like that specifically because he was a boy, and so the idea of dangerous predatory men was used against him

like. masculinity and being a man is very much used in oppressive tactics. being a man changes what cruel stereotypes can be used against you, and it's socially acceptable to be more physically violent and aggressive towards people perceived as men. people are still physically violent and aggressive towards people perceived as women, yes, but when my friend was getting shoved around, there was no talk of 'you shouldn't hit a girl'

just drives me MAD that people deny that masculinity affects oppression when it so very fucking clearly does

(my friend is doing much better now. they have come out as he/they nonbinary and are studying at university. we have been friends for a decade now ans they are one of my closest friends to this day)

TRFs will say "but that was because he was autistic not because he was a man, therefore trans men still have privilege" and not realize that trans is also a modifier that dramatically changes how one's masculinity is taken.

Like that's the thing I don't get, you know? Trans men are trans men. There is a fundamental refusal to accept that they are TRANS men. They'll say Black men and autistic men and whoever else can have their masculinity used against them, but that it doesn't count because it's just racism or ableism. The most they'll acknowledge that trans men are trans at all is the extremely misogynistic lie that trans men can and will revert to being women the second it can be weaponized against trans women, which is basically just saying trans men are cis in the opposite direction.

Like, how does that even make sense? How are trans men just like cis men if they're so quick to become women for social credibility? That doesn't...

Oh, holy fuck.

They're saying men are eager to pretend to be women to abuse the real women.

Because of course that's what they believe.

I need a drink.

[avelera]

Hi, I wanna say I really like your posts and enjoy your meta's about jayce.

So I wanna ask a question: How do you interpret jayce's behaviour here?

Personally, I have always believed that since jayce came from a family of blacksmiths, he would at least know how to negotiate or essentially haggle to an extent so do you think that it's on purpose that jayce isn't particularly shown to haggle when it comes to his interactions with zaunites?

Also, aside from that I think silco and Jayce's last scene really goes unnoticed by many epssically when jayce genuinely chooses to be fully transparent and honest with silco admitting that he is scared.

Short answer: My interpretation of this scene is that it is meant to show how privileged and naive Jayce is.

Just to be clear, I adore Jayce, but I will still admit to his flaws as a character. But, I will also point out when "flaws" like privilege can also lead to generous or otherwise laudable behavior, because it's easy to be a saint in paradise.

As for the longer answer, Jayce doesn't haggle for a few reasons:

1 ) Jayce doesn't haggle because he's never known real hardship. He's from a family of blacksmiths, yes, but of a particular flavor. He's actually from a family of factory owners and toolmakers. He's middle class shading to upper middle class either by virtue of being the son of a factory owner or certainly by the time Hextech takes off. What Benzo was charging probably didn't cost that much to him, especially with Kiramman money backing him up. He needed the items more than he needed a bargain to have them. It probably didn't even occur to him to try to get a deal because of how little the items cost to him.

2 ) Jayce doesn't haggle because of cultural differences. To a Zaunite, it's unthinkable not to haggle. To a Piltoverian of a certain class, it's probably unthinkable to haggle.

I've felt this cultural difference as a person from the US while traveling. You would never haggle in the area I'm from (I don't claim to speak for the entire US), because most shops have an established price and that's what you pay. It would be incredibly rude in most instances to haggle. But when I've traveled to other parts of the world, Turkey for example, it's not considered rude at all, but expected. In places like the Istanbul Grand Bazaar, it's expected and there's etiquette governing it, and US customers are regularly fleeced for 10x the actual price if not more.

But you have to understand too, in relation to Jayce and as referenced in point 1, one reason US customers get fleeced in those places is because the amount being demanded as 10x more than the cost of the item is still a negligible amount for them. An item that they could haggle down to 50 cents costing $5 instead isn't really a big deal. Especially if you're on vacation anyway, you can afford to be generous, even if it means getting mocked behind your back as a sucker.

And for some there's an element of generosity to not haggling. Why would I haggle to get a $5 item down to $2, when it's a negligible difference for me, I want the item, and the person I'm haggling with needs the money more? Which leads into:

3 ) Jayce doesn't haggle because he's a good person at heart. Zaunites from Ekko to Silco are aghast at Jayce's lack of haggling, so it's not just a financial thing, it's a cultural thing. But even with the case of Silco, I'd argue one reason Jayce doesn't haggle is because he sees himself in a position of strength. He knows that independence matters more to Zaun than it matters to the Councilors in Piltover, who might whinge about it and the potential profit losses of losing sovereignty over Zaun, but they've been neglecting Zaun for years so boohoo, they can suck it up and get over it.

That to me is Jayce's view. Jayce admits that Zaun is asking for a lot of privileges that probably should be haggled over, like access to the Hexgates and blanket amnesty, but all that would do is drag out the process, possibly lead to more conflict if tensions rise again during the negotiations, and it would still lead to the same conclusion: Zaun deserves to be its own nation after Piltover neglected it. Jayce is a direct thinker and he decides it's better to just rip the bandaid off and let the chips fall where they may, rather than try to nickel and dime Zaun's negotiations when it would cost nothing AND be the morally correct choice for Piltover to just let them go.

One a final note: I think one reason we're seeing Jayce become a more beloved figure in S2 is because we can now see how radical and progressive his negotiated peace with Silco actually was.

When we only had the context of S1, Jayce's negotiation can come across as too little, too late, or even foolish. But when you see at the end of S2 that, as far as we can tell, without the negotiation going into place, Zaun doesn't have independence and only gains one seat on the Council, you can really see why Jayce using his position of authority while he had it to cut through the bullshit and right what he saw as a systemic wrong in one fell swoop might have been naive but it might have also been the radical change that the city desperately needed. Granted, we'lll never know if the Councilors were right and there could have been negative consequences to not negotiating more. Maybe handing an independent Zaun to Silco and the Chem Barons without haggling would have led to further disaster.

But as the show's theme constantly reiterates, "What could have been?" I think we can see better now that Zaun didn't get everything Jayce was willing to give them at the end of S1, and that's a tragedy. If nothing else, Jayce's willingness to not haggle even when he could wasn't just foolishness, it was because his heart was in the right place and he thought they deserved it. It might be a long time before there's another chance at that kind of progress again without the Man of Progress.

[raayllum]

Anyway I did my 2nd watch of the season after sleeping / with the end in mind and it totally worked for me, especially with the understanding that there is 30% of the story left (and thereby Callum and Rayla's arcs aren't Over and room for more growth/plot had to be left open) and watching with the ending in mind.

I'm not upset that this is where Arc 2 ends, in some ways because it's sort of like season 2 of Avatar where Zuko doesn't join the Gaang in their 2nd arc (book two) because from a character basis he really wasn't Ready to do that / they had more story to tell, so I don't think with what they're doing it would've made sense to rush it in TDP. Nor do I think any of the previous set up for other outcomes (i.e. possession fight, salvation, etc) were wasted. Merely that TDP likes to do layer upon layer, and also have foreshadowing come back once (so you think you're safe) and then twice. I also don't think that Arc 2 resolved all the threads (i.e. Rayllum and greater good conflict / Aaravos & Callum) and ended them, and instead nudged them forwards in interesting ways for continued future exploration. I'll probably write more about the specifics later if this post doesn't get unwieldy or condensed with them for now.

In the meantime, these were things that I found really clicked for me on my 2nd watch through for S7 and with Arc 2 in general:

1) Arc 2's overarching focus on the Archdragons / the finale resolution with it.

We had a focus every season on at least one of the archdragons, with Zubeia (S4-S7), Luna Tenebris mentions (S4-S6), Rex Igenous (S4), Domina Profundis (S5), Sol Regem (S5-S6), and Avizandum mentions (S4-S5).

With that in mind, while I'm sure Aaravos' intentions was for no one to know of his plans ahead of time (7x01)... his actions also led to Callum and co. making connections to all the other Archdragons that they could pull on to bring everyone back to Lux Aurea, and Aaravos could destroy them (with no real consequence to himself, as his spirit was now free and his body could reform), taking a massive swing at the Cosmic Council's grand order that'd been enforced by the archdragons. He said the elves and dragons would fall hard... and now the dragons have, with the Cosmic Council being next (and thinking that the real focus on the Cosmic Council would be predominantly in arc 3 was, I believe, the general fandom consensus anyway).

AARAVOS: Now this is familiar, isn't it? Hasn't this all happened before? Arrogant fools. Again and again you make the same mistakes. (7x09)

Suitably, though, the Archdragons sacrifice themselves to protect all of Xadia, making amends for past / previous actions in their own way (narratively). They upheld the Cosmic Order, and then chose to break it.

Now, Aaravos will be returning to a world where there are no archdragons, and the only thing that can destroy his mortal form again would be the Nova Blade or some dark magic spell to take his spirit (but more on that later).

This also caps off S7 being about the destruction caused by one Archdragon (Sol Regem) and then the salvation through sacrifice from the other four as the finale. It comes full circle, but without repeating the cycle.

It also seems like the Nova Blade hasn't actually ever been used, as Aaravos states in 7x07:

She could have used the blade to destroy me, but chose instead to help imprison me. To spare me.

Or if it has, it still has a massive consequence that Zubeia is familiar with (the wielderdies if it's used to kill someone?), given that she is worried when Zym (and Ez wielding the sword) appears, intending to use it:

I'll also talk a bit more about why I think Aaravos designed 7x09 to be a win-win scenario for him no matter what when I get to Callum's section, but in the meantime...

2) Rayla's arc

Listen, y'all know I wanted Rayla to save Callum, like a lot, and thought there was a good chance she would if he was possessed again. However, neither of those things happened (also circumstances were crazy) and it was built up throughout the seasons, as well as in S7:

RAYLA: We can't save everyone, Soren. There's too much at stake. (4x05) RAYLA: But I can't help you yet... because right now, the world needs me. Callum and Ezran need me. There's a great evil returning to Xadia and we have to stop it, at any cost. (5x01) RAYLA: It hurts me to know they're trapped like this. It's agonizing. But our mission comes first. The world is in danger, and you can trust me to stay focused. (5x04) RAYLA: No, Callum. I want to help my parents, but I won't let it bias me. (6x01)

The season 7 setup is most prominently seen in S7 during Rayla's trial, in which she emphasizes that the assassins' deaths were not in vain due to the subsequent impact on the world as a whole, and in how their assassin pledges were upheld in their own way:

Life is precious. life is valuable. We take it, but we do not take it lightly. All of your lives were taken. But your sacrifices, they weren't for nothing. Callisto, you pledged your breath for freedom and we freed ourselves from an awful, pointless war. Andromeda, you pledged your eyes for truth. And we found the truth, a truth that changed the world. Skor, you pledged your strength for honour, and now humans and elves have finally begun to treat each other with honour again. And... Ram. You pledged your blood for justice. But what is justice? The king died that night. A life for a life. Is that justice? How much suffering is enough to paid for the mistakes we've made? I don't have the answers. But I'll carry you with me, all of you, forever.

So it made sense for her assassin oath to come back in some manner ("My heart for Xadia"). She had to honour her team's sacrifices by being willing to make her own (killing Callum and herself by symbolic extension), partially because her and Callum's "ride or die" dynamic had become a "ride and die" dynamic": this was his plan and his choice, and the alternative was to let him succumb to a fate worse than death AND to let Aaravos destroy the world through his hands.

And I get why this feels kind of backwards, because on the one hand, it seems like Rayla made a lot of progress, even questioning the validity of her own suffering for mistakes she / choices others have made, which is Huge!

And yet she's willing to suffer, and sacrifice Callum. The paying the price motif is even brought back in Aaravos' dialogue with the archdragons ("And what will your sacrifices buy?"). So what gives?

Well, I think in a lot of ways Arc 2 was Rayla learning to accept and ask for help (S5-S6), that she wasn't alone (S4, S7), and working to come back every time she leaves (S4) but... still being prepared to leave:

and still with sharing or acknowledging her own burdens not being her instinct.

There's a reason we all went "Rayla refusing to sacrifice Callum would be Character Development" after all. I also think it's quasi-similar to Rayla leaving after S3. She had a lot of opportunities to learn that she didn't have to do everything alone in arc 1, but those lessons didn't stick; in a similar fashion, Rayla had opportunities throughout arc 2 to learn that she doesn't always have to sacrifice something, but with Callum being increasingly sacrificial... Those lessons were there, but didn't stick. The other side of her sacrifice arc is not resolved.

With that in mind, I wanna talk about our favourite dorky mage, and then maybe arc 3.

3) Aaravos' Grand Plan & Callum's Corruption

This is a little hard to parse out just because we don't know what Aaravos' next step / goal was in bringing about Eternal Night (presumably to get the attention of the Cosmic Council, but who knows). That said, a few things I'm chewing on:

Aaravos, as previously discussed, found the most effective way to rid the world of (presumably) every Archdragon other than Zym

Aaravos, for whatever reason, wanted Ezran to have the Nova Blade, which Aanya even sets up for us in 7x09

Aaravos knew all along that Callum would turn to dark magic to take him down.

AARAVOS: Very soon, your brother will embrace dark magic to save those he loves. EZRAN: I suppose you've seen that written in the stars? AARAVOS: I have seen it written in his eyes. (7x07)

Furthermore, he wanted to have Callum be corrupted again, gave him the apple in 7x01 as the first attempt. The apple corruption was lampshaded with "Is there anything I can do to help?" + identity/name motif. Aaravos was actively goading him into dark magic in 7x09, even when he knew there was an assassin ready to kill Callum (Runaan), and smiling even when Callum began the spell (once Rayla had stepped in).

As of S7, Callum has been called (and not disputed being at least partially) a dark mage, used Viren's staff and now has it in his possession (and we still don't know why it was never supposed to be used again), and has a white streak. The willingness to go that far "has always been a part of" him and is now permanently reflected in his character design.

Secondly, we know that Aaravos' game with his pawns is not over, due to the secrets of the cube being ongoing (but confirmation in 7x09 that it indeed points towards Elarion) and due to framing with Claudia.

While I did consider that maybe Callum's pawn intro imagery had come back around in the conversation in 7x06 featuring the cube so heavily (!!) and then Callum choosing to do dark magic to stop Aaravos and save everyone as his destiny ("The one I write myself")... He's still corrupted, Aaravos is still going to come back in 7 years with Callum as a vessel, and the Key to the Book (metaphorically to literally the Book of Destiny) is still unresolved.

TLDR; think about how much it'd Hurt in a Good Way for Callum and Rayla to both know she would've sacrificed him for the greater good (fulfilling her end of foreshadowing from 6x03) only to be smacked in the face that Callum refuses to sacrifice her in Arc 3 with the other side of his ("if you ever have to choose between me and the greater good...").

The fact that the Cube canonically points towards Elarion, which feature stories about "a fair exchange of beloved for beloved" after a season in which Aaravos mandates "Your beloved is an assassin who cannot kill" is just the cherry on top. It also means that both Callum and Rayla have accordingly hit the 50-75% wavelength of their arc(s), with us now having a definitive basis for her being willing to that sets up more clearly her being not willing to in the future, the circumstances we'd need for a possession fight re-established, and the cube beat still on the table because the cube itself is still waiting to be plot relevant.

Rayla always follows Callum's lead ("Say the word and I'll go back into that tower with you") and reflects him ("Who told you that?" "You did") and the lessons he teaches her about love. He'll pave the way, and she'll follow, and then their arcs will come to a close.

We just had to get here first.

Conclusion??

Anyway I hope you enjoyed, I want to do a bigger Arc 3 predictions post (the ruby project, Evrkynd, Claudia, Harrow, etc.) sometime soon, but I hope in the meantime this brought some potentially needed assurance, excitement, or another perspective to consider.

[emile-hides]

I fucking love this story everyone hold on

I grew up the youngest of 5, 4 of whom were boys, and I, at the time, an undiagnosed autistic little girl. My second oldest brother had, at some point around 7 or so, caught my mom putting the presents under the tree, and of course told my other brothers, who already didn't really believe anyway.

They then, of course, tried to pass this knowledge onto me. I, however, was the stubbornest little shit fan of The Polar Express who refused to hear them out about this. They were simply lying to face as as far as I cared.

Fast forward, I'm 11 years old, the only kid in my grade who still believes in Santa Claus, and not the littlest bit shy about it. I'm proud of my beliefs and I'll talk about them every year. I went to a PreK-12 school in the middle of nowhere, you're stuck with your class for life, so everyone already knew and let my Santa Fantasies go without problem

Except for One Guy.

This one kid in my class was the worst. We'd been enemies from day one, and somehow we still ended up in the same class every year. He'd pick a fight over everything about me, and I annoyed the shit out of him on purpose. It was a whole thing.

So he, of course, is all about trying to prove Santa wasn't real, and I, an autistic little girl with 4 older brothers who'd been doing the same thing sense I was 4, simply wouldn't hear it.

Every December, like clockwork, we'd get in yelling matches over this and the teachers would pull us apart, and for a long time he'd get in trouble for it because Santa IS real when you're in 4rd grade. But then we got to 5th, and we're 10, and suddenly I'm the one in trouble for this argument because it's a Stupid thing to be arguing about at our age.

So now I'm extra mad because suddenly I'm missing recess too for something I was always vindicated for before. And we're sitting on a cold bench doing worksheets outside while everyone else is playing and something grabs our teacher's attention and she steps away from us and that gives him the perfect time to stir this shit again

I don't remember the argument well, I just know it got a lot more heated a lot faster because I was already mad. I also remember the teacher wasn't as fast on her feet as I was with my fist.

My mom had to tell me Santa wasn't real, because if she hadn't next year I may have killed that kid over it.

"Figured it out based on evidence" would include things like finding presents in your home before Christmas, catching your parents in the act of placing presents, staying awake to try to catch Santa and him never appearing, etc.

–

We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.

[bossuary]

Neve is painless. Rook is real.

Lucanis likes Neve because she represents what he is desperate to regain. He wants to feel normal, to work and cook and focus on the things he used to enjoy (such as they were) before the Ossuary. He wants capital R Romance, right out of a book.

Most importantly, he wants to get rid of Spite. He wants to pretend that he is the man he was...not this abomination.

Without truly knowing her, Lucanis believes Neve is a pathway to all of that. He's attracted to her, and she to him. Their flirting has an edge, but it's also friendly. She dislikes Spite, and her presence makes Spite disappear.

Neve will tell Lucanis that he's still himself, and that Spite doesn't change that. She will never be the one to reconcile Lucanis with Spite, to get them to accept each other. So, yeah, he gravitates to the charming, flirty, warm person who (through no fault of her own, really) feeds his desire to pretend he's not an abomination.

Even early on, I think he's smart enough to know that accepting Spite is his only option, but he...just... can't. With what tools? Nothing in his life has prepared him to deal with this. Rook does that. When denial tears Lucanis apart, Rook puts him back together with acceptance. Rook accepts the reality of Spite, and deals with it head-on every time.

Neve will remind Lucanis that she's not going anywhere. She'll tell him to open his eyes and look at facts, but she (probably) won't be the one to push him out of his own prison. Lucanis knows this, so Spite knows this, and therefore Spite will not look to Neve for help.

It's important for Lucanis to accept that Spite has changed him. But when it's Rook who says it--for whom Lucanis has developed real feelings, not idealized ones--well, it destroys the fantasy Lucanis clings to so vehemently, the one where he isn't this.

For me, the Lucanis/Rook romance feels the way it does NOT because the writers "preferred" that Lucanis and Neve get together, but because Neve is simply easier for Lucanis to accept. She's easier to talk to, unchallenging. Easy isn't bad! Comfort isn't bad! God knows they both deserve some comfort.

Loving Rook is a profoundly complex choice. There's not a lot of cute ways to work that profundity into sexy banter. It makes sense, then, that Lucanis doesn't have as much dialogue for a romanced Rook as he does with Neve. What he can do is cook, make small gestures. He can, heartbreakingly, tell Rook, over and over, that he doesn't have the words to express how he feels. That's such an awful state, knowing that the person you care about needs to hear words you simply cannot locate. As soon as he does have the words, he shares them.

Rook is real. And real is not easy.

To Lucanis, Rook represents a difficult path to recovery, a path he has to keep choosing to follow, every day. At a time in his life where he is incapable of seeing Spite (and his own PTSD ) as anything but a 'distraction' to shove aside, Rook shows genuine interest in helping Lucanis heal. Rook takes consistent action toward that goal, particularly when it's clear that Lucanis doesn't know how.

Lucanis also has to believe that he's worth the effort, his own and his love's. Neve is great, love her, but I don't see this struggling cynic, this chronic worrier, being very helpful in the self-worth department. No, people in a relationship do not have to perform therapeutic roles. But, partners do have to respect each others' boundaries and needs.

Of course Lucanis goes all-in for Neve, romantically, even while he and Rook are dancing around each other. Accepting how much he loves and cares for Rook means looking at himself the way Rook does. That is so much harder than whatever will happen with Neve.

The fact that Lucanis isn't afraid to pursue Neve, even if Treviso is blighted, tells me that Neve is an indulgence for him. Again, that's not a value judgement. If they treat each other with respect, then the merits of the relationship don't have to fall on whether Lucanis 'heals' as a result. Sometimes not hurting all the time is enough.

BUT. Contrast the ease he feels with Neve with his feelings about Rook:

"When I was afraid to want you..."

That is a powerful admission.

What was he afraid of? The annihilation of neglect, worthlessness, and shame. The awful but knowable pillars of his existence.

Wanting Rook means that Lucanis wants to dismantle everything he knows in pursuit of something he doesn't. To love Rook is to love and accept himself, exactly as he is.

Then...then...Lucanis finds real comfort.

[kari-sims]

My 𝐓𝐨𝐩 24 𝐒𝐜𝐫𝐞𝐞𝐧𝐬𝐡𝐨𝐭𝐬 from 2024🎉

Thanks @theplottdump for the tag, mwah! <3

-> tagging @kissalopa @sharona-sims @limeysims @mosneakers @eurosimmer @waaneco @pixelshary @pudsim @polarmoon @butteredfrogs @simsfvr @whyeverr @buildbuymode @zorteh @philodendrontrait @kazroze @marcishaun @nervousgnome @charsimsalot @enchantsims (sorry if you've been tagged/done this already! and no pressure if you dont want/can't do it, just have fun ˙ᵕ˙ ) and anyone whose my dummy brain forgot, please feel free to do so if you want too ♡

I don't have screenshots for every month unfortunately, (i took an almost two year break and came back to the game for real around april of this year) so this will be just 24 random screenshots i love (in no particular order). Not much happens in my game because i don't interfere that much, but i hope this isn't too boring heh

The usual Realm of Magic shenanigans: distracting Simeon from his job, fangirling over L. Faba, and old man being old.

Ellie's house renovation was my favorite thing to decorate over the months. I'm always adding things to it, and by things i mean frogs. All of the frogs.

Her garden is also my favorite place to be. Sometimes i just like to watch the bunnies running around, the grass moving, the birds chirping... and then i remember the game is running. It's really nice though.

Change doesn't happen very often in my game, but something cute sparked between these two after i decided to stop constantly ignoring and re-rolling her wants. I'm not gonna say much about it cause - and i know it's not that serious - i'm still processing it two months later lol, maybe one day...

Life and Death was so much fun, Ravenwood is now my favorite world to visit! I had no plans of getting the pack anytime soon, so i still can't believe i got to play with it when it released (thanks little fairy ♡)

Some of my favorite edits i've done this year. Apart from Ellie's shot (which was taken with no reshade on a day the game had some crazy good lighting), the others were done while i was trying to learn some stuff from one of my favorite editor's (strange-townie) speed edit videos. I hope i get more time this year to practice and learn more! (before & after album)

Favorite pictures of Ellie's best friends: old goofy lvl. 1 wizard relaxing in his new home & the unbothered rebel sage.

This year i also got to play with my favorite nerdy gamer boy. He was just a sim from a cas practice thing i did. I don't usually get attached to random sims i make, but for some reason he was just very special to me ( ꈍ ᴗ ꈍ ) ♡

I wanted to end this by saying i'm very grateful for everything i have experienced this year, and the warm welcome i've received. I'm really happy some people like my silly saturated pictures :D i promise next year i'll annoyingly fangirl and obsess over other people's lovely creations even more, so thanks for making this place such an inspiring one to be ♡ Happy holidays!◝( ᵔ ᵕ ᵔ )◜₊ ⊹₊ ⊹

[smallcloisville]

MY SUPERMAN 2025 TEASER RANT

It took me to process the teaser (believe me I am still processing) but I have so much to say.

First I would like to talk about the ✨colors✨

The colors! Oh My Rao! for so long I was craving the bright colored Superman movie. I wanted colors that would hurt my eyes and capture my heart and Gunn gave us that.

There have been talks that since it was just the teaser they might brush up more, I wouldn't mind that. Just make it more golden tinted.

DAVIDDD!!!

Again the perfect choice! I know it's presumptuous but when I saw him stumbling through the crowd as Clark with his clumsy hands and curly hair with contrast with a brightly colored Superman suit having the lil curl and saving children. I KNEW I KNEW I FOUND MY CLARK/SUPERMAN. HE IS SO GONNA NAIL IT.

RACHEL ♥️💜

We didn't see Rachel much in action but I have had the pleasure of knowing her through other interviews and some other media. She talks so fast and she has that "ENERGY" to play Lois. So I know she is gonna be THE LOIS LANE. MY WIFE. MY LOVE 😭😭

Thanking Gunn again for giving her the purple outfit.

CLOIS!cLoIs!CLOISS!cloisssssssss

I felt the connection between them and they are gonna give me heart attacks (I am already having mini ones through these pics/teaser). The flying together moment! making out in the kitchen! staring deep into each other's souls while the world is ending! Stares while working at the planet! Giving each other hugs and being each other's hope during tough times! GIVE IT TO ME GIVE IT ALL TO ME.

And we already know there is no "2 people love triangle" so we would have other aspects of their relationship.

OUR MOVIE STAR KRYTO

Simply one of the best decisions to include him cuz we never had him on the big screen. That cape🥹 he just warmed my heart. My smile was so big when Superman whistled for him (can't get that whistle out of my head, I feel things) and he came running.

Our hero Krypto 🥰 nothing should happen to him! And that's a warning!

Lex Luthor

He hates Superman so much that we can feel him loathing. We all know Nicholas is gonna be great as Lex given how well he played the psychos before. And that shiny bald head gave me flash blindness🫡

There are also talks that there are gonna be Ultraman and Grodd(I like to think of Mallah)

Other ICONIC heroes

Mr Terrific is looking really terrific.

Hawkgirl can slay me anytime.

Guy Gardener and his bowl cut. That's it!

Debut of Metamorpho.

Fortress and Kelex

We are gonna get the actual crystal like fortress🤧🤧 just like Krypton atmosphere.

Also Kelex!!! he better be alright too.

Other thoughts

We are gonna get the entire daily planet crew!?!!!!

This kid is representing us. How much we need SUPERMAN!

The score

That "Superman superman" I can't get that out of my head. I randomly throughout the day start chanting superman's name...

That John Murphy's theme inspired by John Williams is fire 🔥🔥🔥

I am so happy that Gunn decided to make everything so comic-like/colorful yet feels so real and attractive. I missed these early 2000s vibes of fun movies.

I FELT a strong sense of HOPE while watching the teaser. Don't know what's gonna happen when I watch trailer and movie??

Mark my words : lives are gonna change, history will be created, souls and hearts gonna heal, we will have something to forward to everyday! I am so ready!!!

[thebroccolination]

STOLAS AND BLITZ'S CURRENT RELATIONSHIP IS A TREASURE TROVE

Helluva Boss is the ideal source material for fanworks in so many ways. Especially because of where Blitz and Stolas's relationship is right now.

One of the show's more obvious issues is the pacing, and while I don't know a ton about animated productions, it's always seemed to me like they're creating an enormously ambitious production on a pretty limited budget, so they kind of have to power through these episodes at a hundred miles an hour without the luxury of going at the slower, more nuanced pace they deserve. But that's where fanfiction and fanart can really elevate what canon gives us, because the show is creating so much potential to explore, and we have time in between episodes to play!

Basically: I love it here and this episode was a buffet of goodness.

Following Mastermind, Stolas and Blitz are discovering that despite their physically intimate relationship and their feelings for each other, they don't actually know each other.

In Sinsmas, we see Stolas and Blitz discovering so many new things about each other, to the point where you wonder what they ever talked about until you remember: sex. When they reunited as adults, they never re-learned who each other is now. Instead, they jumped past personal intimacy to physical intimacy.

And now that they're working on their personal intimacy, I love that Blitz has flipped completely from acting cold to Stolas out of uncertainty and self-defense to committing to him, unrelentingly loyal and affectionate. The way he is with Loona.

So we have them learning each other in doses:

• Blitz's horse thing

• Stolas's secret medication

• What Stolas eats

• Social norms Stolas didn't have to know when he was part of the wealthy ruling class

• Hellborn culture

• Blitz's genuine love for the company he built, not just pride

• Just how different Blitz's way of life is from the one Stolas is accustomed to

• And the real Blitz as opposed to the idealized version Stolas invented in his fantasies

In Mastermind, Stolas has that line, "Why am I throwing my freedom away for this idiot?" in part because he was still mad at Blitz, but also because Blitz has been knocked off his pedestal, and Stolas has to relearn him from nothing.

But the thing is: this idiot loves Stolas.

He's not ashamed to eat with Stolas in public, not ashamed to protect him from the other Hellborn who hate Stolas because of the trial.

He's genuinely delighted spending his time with Stolas.

He'll hunt rats in an alley just to make sure Stolas is eating what he likes.

And he champions Stolas's very first secretarial attempt in very characteristically giddy flavor.

He risks his life to save Stolas's, a flip from Mastermind.

He wraps Stolas in his own jacket to keep him warm, even though Blitz just complained about Earth's winter topside.

And he wraps Stolas in a blanket, then eats hot coals/brimstone(/whatever those rocks were) to become a hot water bottle for Stolas.

Because ultimately, what Blitz wants and perhaps realizes he wants in this episode is that he wants to be a complete family with Stolas and their daughters.

And they'll get there in part by talking to each other about what matters.

Not fighting, not yelling, not walking away, just talking to each other. About their vulnerabilities and their fears and what hurts. About their past hurts and their worries for the future.

And they've never done that at length before.

The trial gave Blitz the wakeup call he needed, and now the season is ending with Blitz completing another curve of his character arc. Does he believe he deserves Stolas? No. Does he have the family he wants? Nope! But to get there he has to make things right with Stolas, and he's (mostly) done that.

What comes next for them in season three will be up to Stolas.

Blitz has embraced Stolas, but it's not quite reciprocal yet.

So I look forward to aaaaaaalllllllllI the fic and fanart along the way. :>

[perotovar]

my favorite things i've made 2024

tagged by @jolapeno @almostfoxglove @morallyinept @schnarfer @iamasaddie

@kedsandtubesocks @chronically-ghosted @moonlitbirdie and @arcanefox207 ♥

alright, y'all, i can't believe this year is ending soon 🥹 as we all know, this year has had a lot of ups and downs, but i can't help but feel like pedro did when he got his sag award, y'know??

i'm so grateful for all of you, and i can't wait to see what the new year brings. new p boys, new premieres/press tours?? sounds like heaven to me ♥

now, i've been tagged to toot my own horn a little bit and i guess i can, fine :P i don't normally like to, but i've been tagged by some wonderful, lovely friends to do so

below, will be both fics and gifs i've made this year that i'm pretty proud of!

before anything, i just wanna say, i'm super fucking proud of my Offering of Frith writing challenge. y'all did such an amazing job on every single one of the fics. i worked super hard on that and it was SO fun. i'd love to do another challenge in 2025, so i may do some brainstorming ✏️👀

fics:

bloody kisses -> alright, i'm gonna be real with y'all. this is my favorite thing i've ever written. okay, maybe not ever, but it's definitely tied with itbotn. i really love how quickly and easily this universe came together for me, and the little cult following that it has makes me so happy. they've almost got a little life of their own. i really, really wanna get back to them. i've got an idea that i'd love to get down, and now that a lot of the pressures of school are a little lessened, i might make it happen soon!

into the beat of the night ch 7 - "in my side" -> this chapter didn't get as much attention as the rest of the series, and that's okay, but i'm still proud of it for stepping out of my comfort zone. it was an area i was afraid would be a little taboo (since it covers deadnaming, misgendering, and past abusive relationships) so it's a little more serious than the series tends to be. i like what it means for river and frankie's relationship and it cements how they feel about each other, y'know?

into the beat of the night ch 8 - "deeper and deeper" -> and now for something completely different lol i like this chapter because it could've only happened after the experience with river's ex. they're completely comfortable with each other now and this was the last of frankie's walls coming down. i love them ♥

gifs:

the pedro pascal fandom moodboard that i made for the friendship exchange cat and han hosted ♥ i love how that turned out because it's the exact experience i have in this fandom lol

gideon @sp00kymulderr 's birthday present ♥ i adore our little disaster bi raccoon man and i love making these silly sets like this. i also love gideon so i'm glad they were the recipient for this!

silly pedro during the gladiator 2 press ♥ again, i love making these goofier sets. they're super fun to make and the end result is always really rewarding. and maybe i just like making myself laugh LMAO

i love you guys and i hope the new year treats you all well ♥

np tags: @for-a-longlongtime @schnarfer @iero @userparamore @djo

@miwtual @tomshiddles @gasolinerainbowpuddles @mrsmando @ghostofaboy

@missredherring @cavillscurls @beardedjoel @beefrobeefcal @quinnnfabrgay

@hellishjoel @max--phillips @oonajaeadira @wethairjoel @pedgito and literally anyone that wants to/sees this! i'm sorry if you already have done this or i missed you, it wasn't on purpose 🥲

[buckets-and-trees]

Red, White & True: Kansas City - Interview Broadcast Day [9/12]

Characters/Pairings: Steve Rogers x curvy Millennial Female!Reader Word Count: 7.6k Summary: The campaign rolls through Kansas City to make a pitstop to watch with the rest of the country as your interview with Oprah airs on Sunday night primetime television.

Content/Warnings: marriage of political convenience, slow burn

Notes: This takes place in a post-Endgame scenario where Steve stays and generally most of TFATWS happened. And in case you missed it, this is who I mentioned in a post that I cast to play the role of Jake, our fearless campaign manager.

Previous Chapter | Series ↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

The savory aroma of slow-cooked meat and smoky spices envelops you as you step out of the campaign SUV and onto the sun-baked sidewalk in front of Arthur Bryant's Barbeque. The iconic Kansas City establishment stands before you, its red brick facade and neon sign a beacon for barbecue lovers from across the nation.

Steve emerges from the vehicle behind you, his eyes lighting up at the sight of the restaurant. "I've been looking forward to this all day," he admits, a boyish grin spreading across his face.

You can't help but smile back, feeling a flutter of excitement in your own stomach. You’re beginning to believe butterflies will never stop hitting you when he smiles at you like that.

After days of campaign events and press conferences, this small detour feels like a breath of fresh air. There will still be conversations, meeting strangers, taking questions, hearing from the people, and press capturing everything second of it, but part of these kinds of stops at least feel slightly more organic. You feel like the conversations, at least, are more real, and you get to know people for who they really are in the places they actually go on a regular kind of day. The fact that it involves world-famous barbecue is just a bonus.

It’s also one of the rare days you both get to be dressed down and casual. Steve even wears a dark blue baseball cap to help lower his profile of being recognized even more.

As you approach the entrance, you and Steve reach for each others hands, fingers locking, natural as anything now.

The moment you step inside Arthur Bryant's, you're hit with a wave of nostalgia. The no-frills interior, with its simple tables and chairs, feels like stepping back in time. The walls are adorned with photos of famous patrons and news clippings, a testament to the restaurant's rich history.

A tall, broad-shouldered man with a warm smile approaches. "Captain Rogers, Mrs. Rogers, welcome to Arthur Bryant's," he says, extending his hand. "I'm Jerry, the manager. We're honored to have you here."

Steve shakes Jerry's hand firmly. "The honor is ours, Jerry. We've heard amazing things about your barbecue."

"Well, we hope to live up to the hype," Jerry chuckles. "Why don't I give you a quick tour before we get you set?"

As Jerry leads you through the restaurant, pointing out photos of past presidents and celebrities who have dined there, you can feel the eyes of other patrons on you. There are whispers and a few excited waves, but for the most part, people seem content to let you enjoy your visit.

Jerry brings you to the counter where the magic happens. The smell of smoked meat is even stronger here, making your mouth water and your stomach growl audibly. Steve glances at you with an amused smile.

"Now, what can I get for you folks?" Jerry asks.

Steve's eyes light up as he scans the menu board. "I think I'll have the burnt ends sandwich and some fries," he says.

“And you, Mrs. Rogers?”

“I want a brisket sandwich,” you reply.

“Only the half?” Jerry asks.

“With sides of the cheesy corn, baked beans, onion rings, and cole slaw,” you add.

“Atta girl!” the man grins. “This one knows how to order!” he calls out to the others around. “She’s got my vote!”

You laugh at Jerry's enthusiasm, feeling a warmth spread through you at the easy camaraderie. Steve grins and shakes his head. "I think I've been outdone," he says good-naturedly.

Jerry chuckles as he starts preparing your order. "Well, Captain, maybe I’ll swing my vote to you by the time we hit November. Now, what can I get you to drink?"

"Sweet tea for me," you say.

"Make that two," Steve adds with a smile.

As Jerry busies himself with your order, you and Steve take a moment to look around the restaurant. The dinner crowd is starting to filter in, and you can see a mix of curiosity and excitement on the faces of those who recognize you.

A young woman approaches hesitantly, her phone clutched in her hand. "Excuse me," she says, her voice slightly trembling. "I'm sorry to bother you, but would it be okay if I took a picture with you both?"

Steve responds with a warm smile. "Of course, we'd be happy to."

The young woman's face lights up. "Thank you so much! I'm Emily, by the way.” She hands her phone to a nearby friend.

You and Steve position yourselves on either side of Emily, smiling warmly as her friend snaps a few photos. As Emily checks the pictures, her excitement is palpable.

"Thank you again," she says, her eyes shining. "I've been following your campaign. It's really inspiring to see people I feel like I relate to running instead of just old white men."

“Well, technically Steve’s a very old white man,” you tease.

Steve gives you a mock glare, and Emily laughs.

“No, I guess what I mean is people who seem like people and not just politicians,” she clarifies. “I felt like that about Charlie Young before, too, and so I’m glad he’s your running mate.”

Steve's expression softens. "That means a lot, Emily. What issues are most important to you in your day to day life?"

Emily takes a deep breath, considering her answer. "I'm about to age out of my parents' insurance, and I'm worried about how I'll afford coverage on my own."

You nod sympathetically. "We'd love to hear more about your perspective if you’re willing to share."

Emily glances at her friend, who nods encouragingly. "Well," she begins, "I'm 25 and I work as a teacher's assistant. The pay isn't great, and the school district doesn't offer health insurance for part-time employees. I've been looking into private plans, but they're so expensive. I have a pre-existing condition, and I'm worried about how I'll manage my healthcare costs once I'm off my parents' plan."

Steve listens intently, his brow furrowed in concern. "We believe that access to quality, affordable healthcare is a right, not a privilege. No one should have to choose between their health and their financial stability."

You nod in agreement. "We've been hearing similar stories across the country. It's clear that our current healthcare system isn't working for many Americans, especially young people just starting their careers."

Emily smiles gratefully. "I’m not asking for hand outs - I’m working, but it needs to not feel like it’s impossible to afford to live.”

Steve nods, his expression serious. "Absolutely, Emily. You shouldn't have to struggle to afford basic necessities like healthcare while working hard and contributing to society. I want us to implement solutions that work for all Americans, not just those at the top. I think we start by simplifying the process and expand subsidies under the Affordable Care Act to make coverage more affordable for young adults and low-income workers, but next steps will involve looking to other countries who have better healthcare systems and adopting what we see is working. Detractors say that some of those other systems don’t work for everyone or they’re not perfect, but what we’ve got here isn’t much to write home about as it stands."

"And it's voices like yours that help shape our policies and remind us why this work is so important," you add.

Emily beams, clearly touched by your words. "Thank you for listening. It means a lot when I know it must be so busy for you both. Isn’t your Oprah interview airing tonight?” she asks.

“Yes, we’re just here to grab a bite and to pick up some food to take back to the campaign staff while we watch later.”

“Well, thanks again, and good luck tonight,” she says.

As Emily rejoins her friend, Jerry calls out that your order is ready. You and Steve thank him as he hands over your loaded trays.

"Enjoy your meal, folks," Jerry says with a wink. “We’ll work with your guys to load up your catering to-go boxes, y’all just enjoy.”

You and Steve thank him and then scan the bustling restaurant, looking for an open table. The dinner rush is in full swing, and most tables are already occupied. Your eyes land on a table in the corner where four men, all appearing to be in their seventies, are engaged in animated conversation over their half-eaten meals.

Steve catches your eye and nods towards the table. You both make your way over, trays in hand.

"Excuse me, gentlemen," Steve says, his voice warm and friendly. "Would you mind if we joined you? Seems like all the other tables are taken."

The men look up, their eyes widening in recognition. There's a moment of stunned silence before one of them, a man with salt-and-pepper hair and kind eyes, breaks into a wide grin.

"Well, I'll be damned," he says, his voice tinged with a hint of a Southern drawl. "Sure we’ve got a space for Captain America and his peach of a wife!”

As you and Steve take your seats at the table, you can feel the energy shift. The men are clearly excited, but there's also a hint of nervousness in the air.

"I'm Bill," says the man with the Southern drawl, extending his hand to Steve. "These are my buddies Tom, Frank, and Joe. We've been coming here every Sunday for the past 20 years."

Steve shakes each of their hands in turn, his smile warm and genuine. "It's a pleasure to meet you all. I'm Steve, and this is my wife," he says, introducing you by name.

You smile and greet each of the men, feeling a sense of ease settle over the table.

"So, what brings you folks to our neck of the woods?" Frank asks, leaning forward with interest. His weathered hands cradle a half-empty glass of iced tea.

"We're just looking for the best barbecue in the country," you explain, unwrapping your brisket sandwich.

The four men all laugh heartily, and you grin before you take your first bite. Your eyes widen in appreciation. “Oh, wow. This is incredible.” The meat is tender and flavorful, practically melting in your mouth.

"Best in Kansas City," Tom nods proudly. "Been coming here since I was knee-high to a grasshopper."

As you enjoy your brisket sandwich, Steve takes a bite of his burnt ends, his eyes closing it seems to fully savor that first mouthful. "This really is something special," he agrees, reaching for a napkin.

"You've got to try this," he says, holding his sandwich across to you. You smile and lean forward for a bite, letting him feed you, hoping that not all eyes are on you.

“Mmm, that’s good, too,” you hum. “But if you offered so you could try a bite of mine in return, you’re going to be sorely disappointed.”

This garners another round of laughter from the men along with some hoots and some ribbing, and Steve just smirks and shakes his head at you.

“I’ll share my sides, though,” you say with a teasing smile, pushing your tray closer to the middle.

Joe, who's been quietly observing until now, clears his throat. "If you don't mind me asking, Captain, what made you decide to run for office? I mean, you've already done so much for this country."

Steve sets down his sandwich, his expression thoughtful. "Well, Joe, I've always believed in serving my country, in whatever way I can. After everything that's happened in recent years, I felt like I could do more good by working within the system, trying to bring people together and address the issues that matter most to everyday Americans."

Bill nods, a wistful look in his eyes. "It's refreshing to hear, I'll tell you that. Feels like politicians these days are more concerned with having an office than serving the people and a lot of us old-timers are worried about the direction the country's headed."

Steve’s brow furrows. "I understand those concerns," he says thoughtfully. "The world is changing rapidly, and it can be unsettling. But I believe in the resilience and spirit of the American people. We've faced challenges before, and we've always come through stronger."

Bill nods slowly, a pensive look on his face. "That's true enough - and when you say it, we can believe it because we know you’ve got old experience in those bones, too. But it feels different now, doesn't it? Like we're more divided than ever."

Steve nods solemnly, wiping his hands on a napkin. "You're right, Bill. The divisions in our country are deep, and they're not going to be healed overnight. But I believe we have more in common than what separates us. We've been crisscrossing the country, meeting people and hearing their stories. We all want safe communities, good jobs, affordable healthcare, and a bright future for our children and grandchildren."

Frank leans forward, his eyes narrowing slightly. "That's all well and good, Captain, but how do you plan to actually bring people together? Seems like every politician says that, but nothing ever changes. It feels like people aren't even speaking the same language anymore when it comes to politics."

You take a sip of your sweet tea, watching Steve carefully as he considers his response. You can see the determination in his eyes.

Steve leans back in his chair, his eyes scanning the faces of the men around the table. The warm glow of the restaurant's lighting casts a soft hue on their weathered features, each line and wrinkle telling a story of years lived and experiences gained.

"You're right, Frank. It does feel like we're not speaking the same language anymore. But that's exactly why I'm running as an independent candidate," Steve begins, his voice calm but filled with conviction. "I'm not beholden to either the Democratic or Republican party. This isn't just about wearing a different color tie or having a different letter next to my name on the ballot. It's about fundamentally changing from a battle for political power between red and blue to calling for consensus to see action that matters to the three hundred and thirty-four million people who live in our country."

He pauses, reaching for his sweet tea. "I believe we need to start by listening to each other again," Steve continues, his eyes meeting each of the men's gazes in turn. "Really listening, not just waiting for our turn to speak. That's why we're here, sitting with you gentlemen, sharing a meal. It's why we make these stops at local businesses and community centers across the country."

You nod in agreement, swallowing a bite of your brisket sandwich before adding, "We've found that when you sit down with people, break bread together, and have real conversations, you often discover that we're not as different as the headlines make us out to be."

Tom, speaks up. "That's all well and good, but how does that translate to actual policy? How do you bridge the gap when it comes to the big issues?"

Steve leans forward, his elbows on the table. "It starts by voting for policies, not parties. When we focus on specific issues rather than partisan loyalties, we often find more common ground than we expect. For example, take healthcare. Most Americans, regardless of political affiliation, agree that healthcare costs are too high and that something needs to be done. The disagreement is usually about how to solve the problem, not whether it exists."

He pauses to take another bite of his sandwich, chewing thoughtfully before continuing. "We just spoke with a young woman over there named Emily who's worried about affording health insurance. That's not a red or blue issue - that's an American issue."

Joe nods slowly. "I can relate to that. My grandson's in the same boat."

"Exactly," Steve continues. "So instead of getting bogged down in partisan debates, we need to look at what's actually working. What can we learn from other countries? What innovative solutions are individual states implementing? We need to be willing to try new approaches and admit when something isn't working."

Frank leans back in his chair, a thoughtful expression on his face. "That sounds good in theory, Captain, but how do you get Congress to go along with that? They seem pretty set in their ways."

Steve nods, acknowledging the challenge. "You're right, Frank. Changing the culture in Washington won't be easy. But I believe the American people are ready for a different approach. If we can build a broad coalition of voters who demand bipartisan solutions, we can put pressure on Congress to work together."

"And," you add, setting down your fork, "Steve isn't just talking about compromise for the sake of compromise. It's about finding common ground and building on it. For example, both parties agree that we need to improve our infrastructure. So let's start there and create jobs while we're at it."

Bill nods slowly, a glimmer of hope in his eyes. "I like the sound of that.”

The conversation eases from there to the two of you learning more about the four men and the lives they’ve led in Kansas while you eat. Once you’re finished - Steve having cleared both your trays when you’d had your fill of the collection - you take a picture with these men as well, and with Jerry and some of the staff by the counter before you leave.

When you and Steve step out of Arthur Bryant's, the warm evening air envelops you. The sun is setting, casting a golden glow over the city streets. You can still taste the smoky flavor of the barbecue, and your stomach feels pleasantly full.

A small crowd has gathered, word having spread of your presence at the iconic barbecue joint. There's a mix of excitement and curiosity in their faces as they call out greetings and words of encouragement.

Steve pauses to shake a few hands and exchange brief words with some of the gathered people. You follow suit, touched by the warmth and genuine interest of the Kansas City residents.

"Thank you for coming to our city," an older woman says, her eyes shining. "It means a lot that you're taking the time to visit places like this."

"We're honored to be here," you reply sincerely. "Thank you for your hospitality."

As you walk towards the waiting SUV, the ever-present security detail for your public outings moves seamlessly around you, a constant reminder of the enormity of what you’ve gotten yourself into.

Steve opens the door for you. Just before you step in, you turn back to wave at the small crowd, and Steve waves at them, as well.

Inside the SUV with the door closed, the calm quiet is nice. Steve's hand finds yours again, and he gives it a gentle squeeze. "That was something, wasn’t it," he says, a contented smile on his face.

You nod in agreement. "The food was incredible, but the conversations... that's what makes these stops so special."

"It really is," Steve replies, his voice thoughtful. "Every time we do something like this, I'm reminded of why we're doing all of it. It's about the Emilys and the Bills and the Jerrys."

As the SUV pulls away from Arthur Bryant's, you both settle into a comfortable silence, processing the events of the evening. Steve's thumb traces gentle circles on the back of your hand, a now-familiar gesture that never fails to sooth you and make you feel more connected to him. "You know," he says softly, "I was thinking about what Bill said. About how things feel different now, more divided."

You turn to face him, seeing the thoughtful expression on his face. "What are you thinking?"

Steve's brow furrows slightly. "I've seen this country go through a lot of changes, faced a lot of challenges. But there's always been this... resilience, this underlying unity that pulled us through. I wonder sometimes if we've lost sight of that."

You squeeze his hand reassuringly. "I don't think we've lost it completely. It's still there, just buried under a lot of noise and frustration and fear. What we saw tonight - people coming together, sharing a meal, having real conversations - that's the spirit of America that's always been there."

Steve nods, a small smile tugging at the corners of his mouth. "You're right. And that’s the job now - uncover that spirit again, remind people of what we can accomplish when we work together."

You shift back to get more comfortable in your seat again, but keep holding hands as you look out the window.

"Are you nervous about the Oprah interview airing tonight?" you ask, breaking the quiet.

Steve chuckles softly. "A little," he admits. "It's one thing to have these intimate conversations with people like we just did, but knowing millions will be watching..." He trails off, shaking his head slightly. “And the revelation about our marriage…”

You give his hand a reassuring squeeze. "You were amazing during the interview. Honest, authentic, just like you always are. People will respond to that."

He turns to you, his blue eyes filled with warmth. "We were amazing together," he corrects gently. "You went with me when I climbed out on that limb of truth.”

“I was feeling the need to set the record straight, too,” you reassure him. “It felt like you were reading my mind.”

He lets out a breath that apparently he was holding. “I couldn't imagine doing any of this without you now."

You feel a flutter in your chest at his words. Even after all this time, he still has that effect on you. "Well, good thing you don't have to," you reply with a soft smile.

As the SUV winds its way through the Kansas City streets, you both fall into a comfortable silence, watching the city lights flicker to life as evening overtakes the afternoon.

The weight of the campaign, the responsibility you've taken on, settles over you like a familiar blanket. There’s the mantle of potential presidential job ahead, but then there’s things like the motorcade. To come on this very small outing to get food, there were three SUVs - the one the two of you are riding in, one ahead, and one behind - and eight Secret Security men and women, plus two campaign staffers who had come to make sure things went smoothly in and out, pick up the food, and pay for everything, and Steve is only a candidate.

If he becomes president, it will only grow - more security, bigger motorcade, four years of responsibilities and obligations and opportunities and being scheduled every waking hour of the day.

As you contemplate the enormity of it all, Steve's voice pulls you from your thoughts.

"Penny for your thoughts?" he asks softly, his thumb still tracing gentle circles on your hand.

You turn to him with a small smile. "Just thinking about how much our lives have changed. And how much more they would change if we win."

Steve nods, understanding in his eyes. "Sometimes I still can't believe we're here, doing this."

"Do you ever regret it?" you ask, your voice barely above a whisper. "Deciding to run?"

Steve is quiet for a moment, his gaze thoughtful. "No," he says finally, his voice firm. "It's not easy, and there are days when I feel the weight of it more than others. But then I think about the people we meet all day, every day.”

“Your big heart is a sucker for people,” you tease him good-naturedly. “If only you were more surly and selfish.”

Steve chuckles at your teasing, his eyes crinkling at the corners. "You're right, I am a sucker for people. But you're no better, Mrs. Rogers."

As you continue to banter, the SUV turns onto a tree-lined street in a quiet suburban neighborhood. The sun has fully set now, and the warm glow of streetlights illuminates rows of well-maintained houses. Each home seems to tell its own story - some with Halloween decorations already adorning their porches, others with children's bicycles left haphazardly on front lawns.

The SUV slows to a stop in front of a charming two-story house with pale yellow siding and white trim. A wrap-around porch extends across the front, complete with a porch swing gently swaying in the evening breeze. The lawn is neatly manicured, with vibrant flower beds lining the walkway.

"Home sweet home, at least for tonight," Steve says with a smile as he opens the car door. “Tell me you’re just as eager as I am to meet Jake’s family.”

“I’ve been dying of curiosity ever since we found out!” You step out of the car, walking quickly up the front sidewalk.

No one knew Jake’s sister lived in Kansas with her husband and four kids until Elsa brought up whether the team should watch the interview together at the hotel or in groups in a few of the suites when Jake said that wouldn’t be necessary - that his baby sister had insisted she wanted to host the full traveling staff in her home for it.

As you approach the front door, it swings open before you can knock. A petite woman with Jake's same dark brown eyes and infectious smile emerges, her face beaming with excitement.

"Welcome! I'm Kathy, Jake's sister," she says, extending her hand. "It's such an honor to have you both here."

Steve shakes her hand warmly. "The honor is ours, Kathy. We can’t thank you for opening your home to us."

You follow suit, greeting Kathy with a smile. "It's wonderful to finally meet you."

Kathy ushers you inside, where the aroma of freshly baked cookies mingles with the scent of coffee, and the rest of your team begins to file in behind you. The living room is cozy and inviting, with overstuffed couches and chairs arranged to face a large flat-screen TV. Campaign staff members are already scattered around the room, chatting animatedly and nibbling on chips and cookies.

The house is alive with domestic energy, a stark contrast to the usual hotel suites and conference rooms you've grown accustomed to. Children's laughter echoes from somewhere upstairs, and you can hear the distant chatter of voices coming from what you assume is the kitchen.

Kathy's husband, a tall man with kind eyes and salt-and-pepper hair, emerges from the dining room. "I'm Tom," he introduces himself, shaking your hands. "We've set up a spot in the dining room for the barbecue spread.”

“Sorry for descending on you with all this chaos, Tom,” Steve apologizes.

“Oh, please, we’ve got four kids from four to sixteen, this is hardly new for us. Bring this kind of feast and you’re welcome any night of the week,” he insists.

Steve heads through to the dining room with Tom, but you make your way to the kitchen instead. Your eyes land on Bucky who’s in close conversation with campaign spokesperson Lisa and one of the new speechwriters.

They look up when they notice you.

“Where’s Sophia?” you ask. You don’t need her in this moment, but you’re so used to her finding you whenever you arrive at a new location if she isn’t already with you that it’s strange you haven’t seen her yet.

With a mischievous twinkle in his eye, Bucky informs you, “She’s out on the back porch with Sam.”

You raise an eyebrow in surprise and ask, “Alone?”

Bucky just smiles slyly and confirms your suspicions - he's trying to play matchmaker. You had wondered if you were only being hopeful at seeing signs of a potential spark between them, and now you’re glad it wasn’t only you seeing things happening there.

“Hang on,” Lisa slams her water bottle down on the counter. “Sam and Sophia?”

Bucky nods, “Mhmm.”

“No! Not yet!” she blusters. “We’re still three weeks out from election day! This is your first campaign, Barnes, so believe me when I tell you we need to avoid as many campaign crushes coming together as we can for at least another week - two if we can manage it - if we want to keep this operation running like a well-oiled machine! We want people pining as long as we can, not working through the awkward is this crush lasting after the campaign phase in the final days.” And with that, Lisa’s already rushing out of the kitchen, no doubt on her way to need something from one of them.

You shake your head, amused by Lisa’s reaction. As much as you understand her perspective from a campaign management standpoint, you can't help but feel a twinge of sympathy for Sam and Sophia. After all, you know exactly how difficult it is to navigate feelings in the midst of such an intense, all-consuming experience.

But you wonder how Lisa’s timeline translates to you and Steve because this isn’t a campaign crush? You’re married to the someone you’re building a relationship with on the campaign trail.

Because you have developed strong, deep feelings for Steve. You know they’re real. You know he has feelings for you. You’ve said things to each other indicating you both know this isn’t only a marriage to have a President and potential First Lady campaigning for the White House any more. But what are the next steps, and is there a too soon to take them on the campaign trail? The past week has been wonderful, spending time so effortlessly together as you can, routinely sitting right next to each other without question, holding hands, Steve’s arms often around your shoulders. There hadn’t been more kissing like your night alone in Brooklyn, but there had been more chaste kisses exchanged, and easily.

In a matter of hours things would fundamentally shift given what the rest of the world was going to learn about your marriage from the interview, so it would probably be smart to maintain whatever you were now and ride out whatever the fallout might end up being, and not add any more complexity to the situation.

“She’s right,” the other woman in the room says, bringing your attention back to the moment with Bucky and the speechwriter. “I’ve seen so many campaign crushes peak too soon, and it’s painful to watch,” she laughs - but do you detect it’s a little nervously?

Jake enters the kitchen with a broad smile.

"You made it here!" he exclaims. "I see you've met the family. What do you think of my little sister's humble abode, Mrs. Rogers?"

You return his smile warmly. "It's lovely so far. Your sister and her husband really are so great to host all of us."

Jake chuckles. "Yeah, Kathy's always been like that. Heart of gold. You should see her at Thanksgiving - she insists on inviting every stray and lonely soul in the neighborhood."

You arch an eyebrow. “Jake, I have this suspicion there’s a big softie under your campaign manager persona to rival your sister.”

“Sure, of course,” he admits, “but people can’t know I have a marshmallow heart up front. When the staff are afraid and want to impress me, they set the bar high and only keep climbing from there.” He points at the Bucky and the speechwriter, “I will deny it if you spread that nasty rumor.”

You all laugh.

“Will you two make the rounds?” Jake looks at Bucky and the speechwriter. “Let people know dinner’s up and that I need to talk to everyone about five minutes before the interview starts to air? Living room.”

Jake's request sends the other two off, leaving you alone with him in the kitchen. He turns to you with a more serious expression.

"How are you holding up?" he asks, his voice lowered. "Big night."

You take a deep breath, considering your answer. "I'm okay. A little nervous, I guess. It's one thing to do the interview, but now that it’s done but finally going to be out there for better or worse..."

Jake nods understandingly. "It's natural to feel that way. But I want you to know, you and Steve both knocked it out of the park. The footage I've seen is powerful stuff."

You feel a flutter of anticipation in your stomach. "Thanks, Jake. That means a lot."

"And I do mean it," he continues, leaning against the counter. "You know I don’t get paid to bullshit anyone. The honesty, the vulnerability... it's exactly what people need to see right now.”

You smile gratefully at Jake's reassurance. "I just hope the public sees it that way."

Jake nods confidently. "They will. Look, I've been in this game a long time, and I've rarely seen candidates connect with people the way you and Steve do. This interview is just going to reinforce that."

As you're about to respond, Steve enters the kitchen, a plate of barbecue in hand. "There you are," he says, smiling warmly at you. "I was wondering where you'd gotten off to."

Jake straightens up, clapping Steve on the shoulder. "Just giving your wife a little pep talk before the big show," he says with a wink. "I'll leave you two alone for a bit. Don't forget, living room in about fifteen minutes."

As Jake exits, Steve moves closer to you, setting his plate down on the counter. You grin, familiar now with how much food the super soldier can pack away.

"You okay?" Steve asks softly, his blue eyes searching your face.

You nod, grin softening to a smaller smile. "Jake says we’ll be fine, but I can’t help a few nerves still."

Steve reaches out, gently taking your hand in his. "We're in this together. Whatever happens, we face it as a team."

His touch and words calm you, as they always do now. You squeeze his hand back. "You're right."

Steve smiles, then glances at his plate of barbecue. "Want to help me out with some of this?"

You laugh, eyeing the heaping plate. "No way. I’m saving the small bit of room I’ve got for one of Kathy’s cookies."

The two of you chat with campaign staffers as they filter in and out of the kitchen and Tom and Kathy - who comes through with a plate of her cookies - until it’s time to congregate in the living room.

Once everyone is packed in on all the furniture, extra chairs that have been brought in, and even some pillows and cushions on spots of the floor, its crowded but cozy, and it seems like it would be wrong to have any of the team in the other room for a night like this.

Jake stands in front of the tv - which is already on but muted until the interview goes live - and clears his throat. The room falls silent, all eyes turning to him. The excitement in the air is palpable, a mix of nervous energy and anticipation.

"Alright, team," Jake begins, his voice carrying across the crowded living room. "Before we dive into the interview, I've got some news to share." He pauses, building the suspense, a hint of a smile playing at the corners of his mouth.

"I just got off the phone with our polling team," he continues, his eyes scanning the room. "We have official data as of an hour ago, and I've got to say, the numbers are looking good. Really good."

A murmur of excitement ripples through the group. You feel Steve's hand tighten around yours, his body tensing slightly beside you.

Jake holds up his hands, calling for quiet. "Now, I don't want anyone getting ahead of themselves, but..." he pauses again before his face breaks into a wide smile. "Our latest poll shows that Steve has gained four points in the last week alone. This puts the Rogers-Young ticket just three points behind our closest competitor."

The room erupts in cheers and applause. You see Sam clap Bucky on the back, both men grinning ear to ear. Campaign staffers high-five each other, their faces beaming with excitement. You feel a surge of elation course through you, and you turn to Steve, who's wearing an expression of disbelief and joy.

“However,” Jake cuts into the celebrations, “no one can coast, especially after tonight. In tonight’s interview, Captain and Mrs. Rogers shared some information about their relationship that is going to dramatically shift public perception of their marriage. There are about a dozen people who already know, and I’m going to tell you now so that you have the next twenty minutes or so to wrap your head around how you’re own reaction.”

The nervous excitement in the room turned to trepidation within less than a second.

Jake continues, “There’s superstitions - or expectations - that there’s always some type of news that will break weeks or days before an election that has a significant impact on the narrative of the campaigns for public perception and tip the scales for who wins - it’s called the October Surprise. This might be it.”

You hold your breath and Steve holds tightly to your hand.

“Some of you have idly asked questions or made comments about the Rogers’ quick engagement and marriage and accepted the statement that they realized if they were going to get married, they needed to do it before the filing deadline to officially get Steve on the ballot. Others have noticed and wondered why we always book them separate rooms. I said the directive to our advance coordinator came from me, that it simplified things if one of them had an earlier departure time than the other.

“The truth is,” Jake explains, “that I said Captain Rogers needed a wife if we were going to have any chance of winning with him running as a third-party candidate without a prior political career. Theirs was a politically arranged marriage, and they met the day of their wedding.”

There are gasps and murmurs immediately around the room.

“I know you will have questions. Elsa is giving the same news to our team back at campaign HQ in DC,” Jake says. “I’d like everyone to watch the interview before you ask any questions or make any statements or decisions. If you’re in this room, I’m betting you’re giving your blood, sweat, and tears for more than the semantics around their marriage, and I think what you’ll learn from their conversation with Oprah will answer most of your questions. Deal?”

There’s still some tension in the air, but the consensus is there.

“Then, here we go,” Jake says. “Remember, as with everything else on this campaign, only Lisa makes statements on behalf of the campaign, and that includes texts from your family and friends who want an inside scoop from you tonight while they watch with the rest of America.”

The television is taken off mute, and within moments, the program begins.

Watching the interview is an out of body experience. You remember every moment, reliving it as it plays out on screen. The ninety minutes seem to stretch on forever, and yet when it’s all over and done, it feels like it can’t have been more than five minutes.

Everyone says it went well. You think it went well. Steve feels like it went well. The team has a few questions - mostly for Jake about strategy and messaging moving forward. Steve says he’s more than willing to answer questions, but Mike - one of the policy advisors - seems to speak for everyone when he says, "I think we're good, Cap. We all probably need some time to fully process this, but the interview spoke for itself. You two were honest and open. I'm still 100% behind this campaign and what you stand for.”

There are nods and murmurs of agreement from the rest of the team. The tension that had filled the room earlier has dissipated, replaced by a renewed sense of purpose and determination.

Jake claps his hands together. "Alright, team. Let's all get some rest and we'll regroup in the morning. Elsa and Peter have already been working on strategy ahead of tonight, and they and Lisa will already be working tonight and with the first wave of morning shows bright and early. Dump questions and thoughts into the Slack workspace to your directors as needed or straight to me. We’ll meet in the morning discuss our next phase and handling the positive and negative reactions we expect moving forward."

As the group begins to disperse, you and Steve make your way to Kathy and Tom to thank them for their hospitality.

"It was our pleasure," Kathy says warmly, pulling you both into a hug. "We're honored to have been a part of this night."

Tom nods in agreement. "You're welcome back anytime you’re in Kansas. And for what it's worth, I think you two make a great team, arranged marriage or not."

You feel a warmth spread through you at his words. "Thank you, Tom. That means a lot."

Behind them, there’s a smaller TV on behind them, muted, but showing pundits already discussing the interview.

Jake approaches. "The SUV is ready when you are," he says. "I've arranged for you to have a later start tomorrow morning. I figure you both could use some extra rest after tonight."

Steve nods gratefully. "Thanks, Jake. We appreciate it."

Sam, Bucky, and Sophia are all with you and Steve on the ride back to the hotel.

There are six or eight of your team who arrived ahead of you, and you cross paths with them on the way to the hotel bar. They invite the five of you to join them, when you meet Steve’s eyes, you can see he’s feeling as drained you, and so the two of you encourage everyone else to go and make your excuses to go upstairs.

In the elevator, Steve drapes an arm around your shoulders and pulls you to his side. You melt into him, wrapping both arms around his strong chest, and inhale his scent - smiling at the tinge of barbecue smoke that mingled in and still lingers from earlier in the day.

As the elevator rises, you feel the tension of the evening finish melting away. The warmth of Steve's body against yours is comforting, and you allow yourself to fully relax into his embrace.

"What a night," Steve murmurs, his voice rumbling in his chest.

You nod against him. "I still can't believe we actually did it. Told the whole world."

He presses a kiss to your forehead.

The elevator dings as it reaches your floor. Steve keeps his arm around you as you walk down the hallway to your rooms. When you reach your door, you both pause, and he moves away from you just enough to clearly look at you.

"How are you feeling?" he asks, his blue eyes searching your face.

You take a moment to consider the question. "Relieved, I think. And a little scared. But mostly... hopeful?"

Steve nods, a soft smile playing on his lips. "I feel the same way. The weight has been lifted, but now we're stepping into uncharted territory."

You lean against the door frame, looking up at him. "No more hiding, no more pretending. It's all out there now."

"For better or worse," Steve agrees, his eyes never leaving yours.

Steve's hand comes up to cup your cheek, his thumb gently stroking your skin. You move to close the gap between you, cup your hand around his neck, and press your lips to his. There’s heat in the kiss, but it’s soft, warm, promising.

The kiss deepens as Steve's arms wrap around your waist, pulling you closer. You sink into his embrace, fingers threading through his hair, falling further into the kiss.

When you finally part, you're both a little breathless. Steve rests his forehead against yours, a soft smile on his lips. "I've been wanting to do that all day," he murmurs.

You can't help but smile back. "Me too."

For a moment, you both just stand there, savoring the closeness. Then reality creeps back in - you're still in the hallway of a hotel, with your security details positioned nearby, trying to be as discreet as they can in a long hallway which translates to almost zero discreetness.

Steve seems to realize this too. He straightens up, though he keeps one arm around your waist. "We should both get some sleep," he says, a hint of reluctance in his voice.

You nod, but don't release your hold on him. "Probably," you agree.

For another moment, neither of you moves, but then you hear the elevator ding again at the end of the hallway and break apart as it opens, a few staffers stepping out.

As the staffers approach, you and Steve exchange a look that speaks volumes. The moment has passed, but the lingering warmth remains.

You exchange a few words and offer polite nods as they pass by. Once they're out of earshot, you turn back to Steve with a small, almost shy smile.

"Goodnight, Steve," you say softly, reaching for your room key.

He catches your hand gently before you can insert the key, bringing it to his lips for a soft kiss. "Goodnight," he murmurs against your skin.

With one last lingering look, Steve reluctantly lets go of your hand and steps back. You slip into your room, closing the door behind you with a soft click. Leaning against it, you take a deep breath, your heart still racing from the kiss and the intensity of Steve's gaze.

You move through your nightly routine on autopilot, your mind still buzzing. As you climb into bed, you can't help but wonder what tomorrow will bring. The world knows the truth now, and there's no telling how they'll react.

But as you drift off to sleep, it was such a good day that you find yourself feeling more excited than anxious.

Twelve hours later, you would not believe how wrong you were.

next part: coming 12/27

I gave you a little calm before the storm.

Plus some seeds of Sam & Sophia! 🥰

↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

I do not do tag lists, but FOLLOW @buckets-and-stories and TURN ON NOTIFICATIONS to be updated any time I publish a new work!

[plurapony]

Introjects. Let's Talk.

There are SO many assumptions based on introjects. It seems many believe that in order to have an introject of a character you must know absolutely everything about the character, you must be going through horrific trauma, introjects must be one to one of the character and that is extremely rare to have introjects in the first place.

All of these assumptions are (obviously) BALONEY!

Splits are caused by ANY stress/trauma. They are negatively induced but they also can be for very mild reasons, it all comes down to YOUR brain and whether you have a low or high split tolerance. It simply happens whenever there is a problem your brain needs to fix and none of your parts/alters would fit to role required, your brain will then create a new one! And sometimes it happens to take inspiration from someone that already exists either in fiction or the real world - it's really not that revolutionary, quite simple actually. And I have a hypothesis that autistic people have a higher rate of introjects due to inability to conceptualize but unfortunately no research has been done as of yet so.

For this particular post I want to introduce you to three of our parts. Adrian (he/she), Ash (they/he/she) and Kaya (she/her). All three of these parts are introjects that are based purely on perception rather than what is canon!

Adrian is an introject of the character Rookie from Club Penguin. As we never ventured into the lore of the penguins in the game, our brain made assumptions based on appearance. Adrian's main role in the system is to be silly and lighthearted - to just be unapologetically himself.

Ash is an introject of the character Ashley Graves from The Coffin of Andrew and Leyley. This is a game we have never played and know very little about! However it is a game our wife enjoys and we had seen the image of Ashley a lot. During the time Ash split we were feeling a lot of pressure to be good, to be sober, to work full-time and Ash split to rise against that and remove some of the overwhelming emotions we were experiencing. Our brain again made assumptions based on the characters appearance and that was what worked for us!

Kaya is an introject of the character Kayo Majiba from Machimaho: I Messed up and Made the Wrong Girl into a Magical Girl! We've never read the manga she is from and have only seen some panels, but apparently that was enough for our brain! Still relatively new compared to the other two but we believe she exists to be a pure ball of rage that just wants the world to burn.

INTROJECTS ARE SO NUANCED! They can be exactly like the character they are sourced from, they can be nothing like the character they are sourced from! You can have watched every single piece of media of their source, or watched none at all! There shouldn't be such in the box assumptions made about a category that is so wide!!!

And to everyone out there that has introjects that don't act like the pre-existing character/person they have introjected from, have introjects of a character from a media you have never partaken in, or anything else that goes against the norm of what is assumed about introjects - please never forget your validity. Someone else's misconceptions about how the disorder works will never be a valid reason for fakeclaiming.

Introjects in general! Your existence shouldn't be questioned based on dumb presumptuous opinions online!

[mae-gi-writes]

let it be me | kuroo tetsurou (4)

In which you, as a new divorcée, can't help but crush on your 4-year-old's new PE Coach.

genre: singleparent!reader x coach! Kuroo, fluff, acquaintances-to-lovers

taglist: @patpatspatz @matchagirliris @multi-fandom-fanfic @alittlebirdahgaselx @kuroos--little--kitten @menacejelly12 @aeshiue @dreamlessnight @altheades @loonalockley @not-your-average-fangirl @bertqut1 @sunlixfl-blog @nabboo007 @astolary @biancatomlinson @lauraagrace

a/n: enjoy! <3 thanks for all the love given to the first part of this story! here's the second part. Third part is coming soon ~

---- previous | part four | next part >>>

"I think I need a drink."

"Oh don't be so dramatic," your cheeks flush bright red. It's bad enough you don't know what to wear to your date with Kuroo, worse now that your blonde cousin is here to make fun of you until you're nothing but a squealing mess of embarrassment. You have half a mind to kick Atsumu out of your flat and call Osamu for help.

Alas, the grey-haired counterpart is busy with his restaurant these days. So it won't be fair to put that kind of responsibility on his shoulders. Definitely not when his twin is currently on vacation.

Atsumu just sends you a lazy smile from the living room couch, "aw c'mon Y/N. This is probably the first time since Aoi left that you're finally interested in someone. Isn't that something worth celebrating?"

"It's just dinner," you argue.

"And dessert," Atsumu winks.

You throw a pillow at him. He cackles even when it slams right into his face, "I'm joking!" he wheezes like a child high on sweets, kicking up his legs like Sakura would when she's excited, "I just can't believe it! And with someone I can vouch for!"

"What does vouch mean?" Sakura asks from her seat. She had been so glued to the tv screen ever since her uncle had the greatest idea to watch the reruns of the two Frozen movies. Little does he know he'll be stuck re-winding it again and again until he knows the lyrics by heart.

"Vouch for, means like to confirm something, from personal experience," Atsumu replies.

"Hm," Sakura frowns, as though an adult trying to contemplate his words, "I don't understand."

"`It's like if you tell me that you won third place at the egg race," you lean over the couch to rearrange your daughter's hair, "and I say that's something I can vouch for, that you won third place."

You watch, heart melting as Sakura's lips form an 'o' shape. She blinks up at you, "I still don't understand."

Atsumu guffaws, "it's okay sweetie. You don't have to understand it yet. You want some more of those marshmallows?"

You slap your cousin's hand away from the half-empty bowl, "that's exactly why her teeth are rotting," You snap at him, "why don't you give her real food?"

"I will! Once you get off my back and go have some incredible se--"

You toss another pillow at him and his yelp makes you let out a small chuckle. Thank god Sakura can't really put two and two together yet, and for that you're glad. At least it's possible to shield her innocence from Atsumu's wide mouth.

"Can you just go?" mumbles the said man himself from behind the pillow, "I thought your date was at six."

"Yeah but it's--" and that's when you realise it's not half-past five like you thought it was five minutes ago, "Oh shi--I mean shoot," you cut a glance at Sakura while grabbing your bag off the kitchen counter, "I'm off. You take care of her and--"

You round the couch, plant a quick kiss atop your daughter's head before heading towards the door, "--you keep her safe 'Tsumu!" you holler while tugging on your loafers, "and Sakura? Eat your veggies!"

"But I hate them mum!"

"They're good for you, and--"

"Y/N," Atsumu cuts you off with a shooing motion, "go. Now. Bye bye."

"Yeah--Yeah okay," you blow a raspberry and throw a final wave, "right. Bye then."

The dining place which Kuroo has suggested a few days back -- right after the incident in which you'd found yourself into his arms -- is tucked away into one of the corner streets, not quite far from the main road, and yet unnoticeable to passerby's with just one glimpse.

It's modern and cute, casual in a way that unconsciously makes you relax slightly as you walk through the olive-coloured doorway and take in the sight of rusty brick walls adorned with green ivy running along the ceiling, the wooden furniture and the cozy bar at the far right.

Kuroo is already seated at one of the smaller, circular tables, and raises a hand in greeting while you make your way to him.

"Hey," he's dressed differently today. Not at all how you usually see him; a dark v-neck and some dark trousers to match.

The sight makes your tummy tighten deliciously, "hi," you manage to croak back.

"I really thought you were going to bail on me," he has on a teasing smile, "guess I was wrong."

"That's the impression I gave you?" your eyebrows raise.

"You always surprise me," his grin widens at the heat flushing through your cheeks. Cute, he thinks, "anyway, I've never been here but they have good cocktails. Or so google says."

"You're that kind of person aren't you?" You take a menu from the centre of the table and scan the options, "the kind that reads a hundred of reviews before deciding on a restaurant?"

"That's what it's for, isn't it?" he tilts his head at you. That same, cocky grin that turns your heart to mush.

Jesus. He really needs to stop doing that.

You look back down at the menu, "I don't know. I don't eat out much."

"Then let me be your official guide," he says it with a wink, and you can't help the chuckle that bursts out of your mouth.

As per Kuroo's recommendation, you decide to opt for a seafood pasta while your host decides on a pizza to share. The food comes right as you're halfway through your glass of wine and by then you're comfortable enough that the conversation seems to flow easily, gathered in a cocoon where only you and Kuroo exist and where everything -- even reality -- seems to fall away piece by piece.

Oh god. You're already in a bit too deep.

And the fact is, it's not even that hard to fall for Kuroo. Because he's just so nice and kind and gentle and everything that you've ever really wanted in a man. He's bashful in a way that reminds you of a pop in need of attention, careful with the way he handles your feelings, and seems forever wanting to please. And maybe that's something most girls would find off-putting given the fact that mysterious men are all the rage nowadays.

But you're not like most girls. You like this golden retriever energy coming off him. You love that he asks for your opinion and is as soft as a marshmallow on the inside.

You also love how he talks to Sakura. Not just because she's your daughter. But it had been clear from the very beginning that your daughter was a little bit in love with him.

By the end of the dinner you're not surprised to find that your leg is brushing against his casually, comfortably, as though you've been friends forever. And when you catch his golden flecked eyes from across the table, the twinkle of fire in them, the small sprinkles of molten golden mixed into warm maroon does something to your heart.

He fights to pay the bill like a true gentleman, but then splits it with you when you throw him a scowl and protest that he's done more than his fair share.

"I just wanna tell you I'm not happy about this," he grumbles as you are handing the waiter the rest of the cash for the night, slipping on his jacket with his bottom lip jutted out like a child, "I will take you out properly one day."

"Then I'm going to look forward to it," you tease.

Kuroo looks down at you, "you--you mean that right?"

"What?" you glance at him, noting the uneasiness, the surprise on his face, "that you can take me out again? Or...did you--I mean, I won't mind if you don't--"

"I don't mind one bit," he breathes and your chest exhales in relief. Gods, you thought he was going to tell you there was to be no next time.

Because again, who wants to be tied down to a single mother with a four year old toddler? Most of your tinder dates would've already blanched and snuck out of your date by now.

"I'll take you home," Kuroo is already going to unlock his car door, but your hesitation makes him falter as he takes in your hesitation, "what is it?"

"Uhm--well, Atsumu is there tonight. He's babysitting Sakura," you send him a sheepish smile, "Unless you don't mind going back there, but I--I thought we could maybe ...spend some more time alone...together?"

Heat is spewing across your cheeks by the end of your sentence, but the fond look that Kuroo gives you doesn't go by unnoticed as he cracks a grin.

"Sounds good to me," he gestures for you to get in, "wanna go get some ice cream then? Or a drink?"

That is how you find yourself sharing a couch with the sports coach, nursing a cucumber cocktail in your hand while he has a beer in his. You tease him about drinking when he's supposed to be the definition of health, and he answers that you're supposed to keep this little secret under wraps.

"I wasn't allowed to drink at all, until I left my volleyball team," Kuroo mentions then as he takes a swig of his drink.

"That sounds like a lot of sacrifice, especially for you."

"What does that mean?" he teases with a grin.

"While other boys are out there raving, experimenting with stuff," you answer and tilt your head towards him, "didn't you get jealous of what they could do and what you couldn't?"

"I suppose to an extent," he shift his legs and it brushes against your thigh, shoulders pressing to yours as warmth suddenly seeps into your right side, "but I had a lot to gain. So I never thought I missed out. Plus, all my good friends were on the team. So we suffered together if that made sense."

"Yeah," you smile at the thought of Atsumu and Osamu being deprived of house parties and clubbing when you were all younger, "it does. Actually, I was quite envious of Atsumu and Osamu when we were younger. They both knew what they wanted -- well, until Osamu decided to quit and become a chef."

"What did you want to be when you were younger?"

"Me?" your lips curled into that same crooked smile that caught Kuroo's heart into a mid-spin every single frickin' time. He knows how to breathe, just forgets to whenever you're around, "I wanted to have my own cake shop. Got the diploma, never got round to actually doing anything about it."

"How did you end up in the event planning business?"

So you tell him. About one of your neighbours asking you if you could help decorate their son's first birthday party. You didn't have the heart to say no and from there onwards, your clientele grew over the months. At some point, you'd realised this job could make ends meet, all while giving you some flexibility around Sakura's schedule.

Your diploma was stuffed at the back of a drawer at some point, forgotten and useless. You'd never gotten around to framing it.

Now, you wished you had. It brings back a bitter wave of memories, ones that are tied to Aoi and that echo with pain whenever you think for too long.

"I could start all over again but--" you think of Sakura and her sweet, smiling face. The way the light would bounce over her eyes whenever she looks up at you full of trust and honest love, "I don't think I can. I'm a bit past my prime."

Kuroo shakes his head, "okay, hear me out but--right before all this PE coach thing came my way, I was actually just a waiter."

You blink, "huh?"

"Yeah. I quit the team a few years back right after I left university, and for someone with a degree in Education and with no experience, jobs are hard to find these days," Kuroo chuckles as he takes another swig of his drink, "so I had to find part-time work while I waited. It took a few years and well-- I landed my first job just a year ago. Quit when I realised the environment was shit, and then here I am now," he lifts his shoulders in a half-shrug, "what I mean is--I don't think there's ever any real timeline for anyone. You just--do the best you can, with what you have. And if you gotta start at thirty, then that's fine too."

The bittersweet smile that fills your face is enough to render him breathless, "thanks Kuroo," you murmur softly, "I'm not sure I'm as brave as you though."

"uh--No, you're managing a four-year old by yourself," he sends you a pointed look, "that in itself is an act of courage. Not everyone can do it, especially the way you do it."

Your cheeks flame, "you flatter me--"

"But I'm not," he interrupts gently. His hand lifts up, pushing a stray strand of hair from your face and your breath hitches when his touch seems to linger there for a beat longer than he's supposed to, "I actually really do think you're like one of the bravest people I've met."

"Stop it," now you're really embarrassed, hands coming up to hide your face.

Kuroo lets out a soft laugh, "I'm just telling the truth."

"Or you're just sweet-talking me."

"Okay maybe I am, but I'm not a liar," is it your imagination that makes you believe there's a little blush scattered along his cheeks? Maybe. But you tempt yourself into believing that's your effect on him.

Kuroo looks away, though he has a smile on his face as he toys with his beer, "so did it work?" he asks.

"What?" you finish the cocktail. The alcohol stings as it slides down your throat, before it warms you up from the inside.

"The sweet-talking," and he's back with that grin of his, dashingly courageous, dashingly cute and he knows it.

You whack him playfully along his shoulder, "you're an idiot."

Kuroo mutters something that might've not reached out ears if you weren't paying attention. But you swear that he says something along the lines of "only for you" which has you blushing down to the tips of your toes all over again.

It's past two in the morning when you manage to reach your flat, now a little tipsy from all the alcohol humming through your veins. You're both laughing about something -- something stupid -- when the door to your flat flies open to reveal a grinning Atsumu.

You straighten, though wobbling in your heels. Kuroo presses a hand to your back, grounding you.

"Hey 'tsumu," you say breathlessly, feeling heat sting your spine spreading from Kuroo's fingertips.

"Well someone's tipsy," Atsumu tips his head towards the raven-haired man, "hope you didn't do anything stupid--"

"Who do you take me for?" Kuroo retorts as he prods you towards the entrance.

"Yeah I know, just checkin'," your cousin eyes the proximity of your bodies, the way Kuroo stands almost protectively behind you, and something in his eyes softens, "alright then. I'll take my leave."

"What? This late? Why don't you stay over--"

"And what?" Atsumu raises a brow at you, "watch you both suck face? No thanks. By the way," his grin widens when you turn beetroot and Kuroo almost strangles himself with surprise, "Sakura's already asleep, so no matter what, don't go wakin' her."

"I'm so sorry," you whisper out to your date when your cousin's out of earshot and Kuroo's managed to manoeuvre you into the flat, "he's not usually that annoying--"

"I know," Kuroo's lips twitch in amusement at the way you worriedly look up at him, "what? What's gotten you looking like someone ran over your pet cat?"

You gasp, "that's not nice, Kuroo sensei!"

"Kuroo," he emphasises his name. One arm going up to press against the doorframe, he leans in towards you, "actually--you can call me Tetsurou."

"Tetsurou," your head cranes up to look at him and --wow, he's tall. And he smells good. Like boy perfume and something woody, something musky you can't quite place, "That's a nice name."

"Thanks," his words trail off, body unconsciously leaning towards you. it's only then you realise how close you are, chests almost touching, noses bare millimetres, his entire frame practically engulfing your tiny one.

He's so close that you can see the way light bounces off his orbs, or the small wrinkles at the corner of his eyes that deepen whenever he smiles.

Something in your chest tightens. You swallow thickly.

And that's when you feel it; his hand skimming your waist.

You let out a sharp breath at the same time that the young man pulls you to him. Gently.

Falling against him like a puppet, hands splay out to press against his shirt and heat permeates your skin and makes you sweat because--Kuroo is ripped. You can feel it, feel him, underneath your palms. He's built like stone and you wonder briefly what he must look like without them--

Oh god.

Your face flames and that doesn't go unnoticed by the raven-haired man. He grins wickedly, his other hand reaching out to cup your jaw so that you cannot look away.

"What?" his murmur is soft like melted chocolate. It makes you weak in the knees and you're glad he's holding you up against him, "what's with the face?"

"N--Nothing," you try to steady your racing heart, "uhm...you're..." he's unconsciously leaning in towards you, as if drawn like a moth to a flame, "...you're really close."

"Seems like it," he murmurs huskily.

"I--uhm--" you shake your head slightly, biting down onto your lower lip as your eyes flutter back up to his. You notice how his pupils have darkened with something else, something that makes your stomach knot deliciously, "Kuroo?"

"Hm?"

"I'm--" you try to scramble your thoughts together, but it's hard when he's so close and when he's looking at you like that, "I'm too old for you."

His body stills, "what?"

"I'm--" shame fills you up and you look away with embarrassment as you repeat, "I'm too old for you."

"Do you really think that you're too old for me?" Kuroo asks, "or is that just an excuse?"

"I have a daughter--"

"--It's only three years' difference--"

"--And you have your whole life ahead of you to figure out what you wa--"

"--I know exactly what I want--"

"I have responsibilities and I can't--"

"Can't what?" with one tug, you fall against him. You let out a sound of shock but Kuroo's hand is insistent as he presses your spine to his body, his palm splaying out and practically enveloping all of your back, "I have responsibilities too, Kosuke-san. And yet," his eyes seem to search yours for a minute, "I can't seem to stay away."

"Like I said," you're not quite sure whether he can even hear you, because your heart seems to be galloping so hard you feel it vibrate through your ears, "I'm too old for you, you should find someone of your own age, someone who's just as ambitious, with no strings attached to them--"

"I want you."

"--and like I said, I'm a mother," you're babbling now, "and I need to put Sakura first, no matter what. I'm sorry, I don't know why I decided to come out today. I shouldn't have, this is a mistake and--"

Kuroo's hand slips to your cheek. He tugs you up, and his lips land on yours.

You freeze.

Oh.

Oh shit.

Oh shit shit shit.

Shit.

This isn't happening.

This isn't supposed to happen!

And yet...it is.

His mouth parts slowly, sliding over yours in such a sweet way that you let out a restrained sound from the back of your throat. Gods, even his mouth is delicious. His hand sifts through your locks to tangle in your hair, pulling you closer by the waist as he kisses your next breath away. Your chest stutters and you all but melt into him, surprise and shock overrun by the sudden desire shooting through your veins.

Your hands, initially at his chest, make a grab for his shirt as your lips follow his in a dance that leaves your heart stuttering and has you gasping for breath. But still Kuroo doesn't relent. He kisses you again and again and again, mouth weaving between yours and teeth nipping at your lips like he knows exactly what you want. A soft whimper bubbles up your throat and he grunts in satisfaction, tugging your hair down and tilting your head back to ravage your lips like there's no tomorrow.

You part after what seems like forever, a small gasp falling from your lips. But Kuroo's slides against your jaw, "god Y/N," he groans out, nipping at the skin along your jawline before slowly pressing butterfly kisses along your neck. You jolt at the suddenness of the action, mouth parting as heat bubbles up in your lower stomach while the young man presses you even closer if that's possible so that you feel every single inch of him against you.

A surprised yelp echoes out of your throat when he finds a sweet spot at the junction between your neck and collarbone. Kuroo smirks against your skin, nipping the area gently with his teeth as your hands trickle up to entangle in his locks, grabbing at them and making him grunt.

The hand along your waist flutters up your spine like a caress and you fold like leaf with the softest whine. Kuroo moves up to claim your mouth once more, kissing the rest of your logic away until you forget why you're here in the first place.

It's not until he's pressing you up against the doorframe that reality crashes back into you. You push him away gently, so gently that your mouths part with a soft sound and as you gaze up at him with heavy-lidded eyes, your heart jumps at the way he's looking at you; desire and tenderness and affection and lust all mixed in together. His chest is heaving just as much as yours is, and when you bite down onto your lower lip the growl that rumbles through his chest makes you all weak in the knees.

"That mouth," he mutters, thumb unconsciously going up to trace your lower lip. He pulls it away from your teeth so that he can trace its outline.

And then he's back to kissing you like he never stopped.

You kiss back with just as much ardour, getting lost into him and for once not caring that all sense of logic and self-restraint are now gone, evicted by the pure selfish need to have him close, closer.

His hands are everywhere; on your hips, in your hair, tracing your abdomen and making you gasp with every searing, scalding touch of palms against skin. But you press closer still, your own hands roaming his back and feeling up all the muscles that tense under your touch.

Kuroo suddenly draws away so quickly that you can't help but whine and tug him closer.

He resists with a groan, nose brushing yours as he furrows his brows, "Kosuke-san, I really cannot."

"What?" you're half-way out of focus at this point, more interested in kissing the soft skin at his jaw.

Kuroo lets out a sound between a moan and a grunt, making your insides twist with desire as his hands find your hips to pull you away, "If we continue, I won't--I don't promise I'll be able to hold back so--" he breathes out raggedly, "for the sake of my own sanity, we--we need to stop."

"Oh," you blink. It takes a moment for the words to make sense. When they do, your eyes widen on their own accord and you push him away, embarrassment flooding through you, "I--Oh, I'm sorry--"

Kuroo drops a firm kiss onto your mouth, grunting in satisfaction when you make a surprised sound, "I told you," he murmurs against your lips, "to stop saying sorry. It's gonna be the death of me."

He finally draws away and pushes your stray strands away from your face, a force of habit, it seems. Your eyes flutter up to meet his, flushing at the gentleness lying in those beautiful pupils. Throughout your relationship with Aoi, you're not sure he's ever looked at you with as much intensity as Kuroo has for the past five minutes. It does something funny to your heart.

"Right," for someone who'd been previously so adamant on not making out with the said man, you're quite frazzled. Your hands are latching onto him like you're a baby koala and he's your tree trunk, and you slide them down to your sides like a shameful kid, "yeah, I--" but you quickly retract the apology in your mouth.

Kuroo grins crookedly, that smile sending your heart into spinning cartwheels, "I'll be off then," he murmurs. His hand smoothes over the back of your head affectionately, and he leans in to press a chaste kiss to your temple.

"How far away do you live?" you have to ask. You feel bad for making him drive all the way out here, it's practically morning at this point.

"Not far," Kuroo sends you a comforting smile, "don't worry, I'll text you when I reach--"

"Do you--" the words blurt out of your mouth before you can stop them, "--do you want to stay over?"

Kuroo blinks. His mouth parts. Closes. Parts again. And then, what seems like a blush litters his cheeks.

He shakes his head, "ah--I think that's a bad idea Kosuke-san--" he spares a glance at your lips, "--especially today."

"Oh," realisation dawns and you flush, "right. Okay. Okay then."

"Don't worry. We have all our time," he grins cheekily.

"I'm still too old for y--"

Kuroo interrupts you with a kiss, "enough of that," he murmurs, "or I'm gonna have to kiss you again."

"That sounds--" your nose brushes against his, "--promising."

"Don't tempt me," he presses one last kiss right above your eye, cups your face for an instant, before he turns away towards the corridor, "goodnight Kosuke-san."

"Goodnight Kuroo," your heart melts, "can you--can you text me when you're home?"

He sends you a grin over his shoulder, "I thought you said you were too old for me?"

"I am too old for you," your face is so red you feel like you could cook an egg on top of it.

"Nah, never," he winks and before you know it, he's gone.

Leaving you and your poor, stuttering heart.