#i still adore this video

[referencesformyartcollege]

"They went to University... hard to believe they're all under 25”

scrunching my face real hard rn

[royalarchivist]

Fit: Admittedly... I have a lot of red flags. A lot of red flags, but– I- [Stammers] I can be- I can– I can change.

Pac: I'm gonna just– I'm gonna ignore all the red flags, you know?

Fit: Yeah, no, you– You have no red flags at all in my eyes, Pac.

Pac: You know, you just said red flags? I think I'm kinda like, colorblind. So... they don't look that red for me. [Laughs]

Fit: Me too! What a coincidence!

Happy 1 Year Anniversary to Fit and Pac's first date (where they both decided to be selectively colorblind). 💕

[ Full Subtitle Transcript ↓ ]

—

Pac: All your problems, I'm just gonna brush them away. You know?

Fit: Oh– [Laughs] Yeah, I- I– Admittedly... I have a lot of red flags. Yeah, like– you know, I got PTSD from End Crystal explosions, and I, you know, would kill people and blow up their houses, and– You know, I mean–

Pac: Yeah...

Fit: A lot of red flags, but– I- [Stammers] I can be- I can– I can change.

Pac: I'm gonna just– I'm gonna ignore all the red flags, you know? It's all under the... Oh my god, under the...

Fit: The- the bus. Yes. [Laughs]

Pac: Under the bus, yes, under the bus. [Laughs]

Fit: Yeah, no, you– You have no red flags at all in my eyes, Pac. You have no red flags.

Pac: And- and- and at the same time Fit, you know, you- you just said red flags? I think I'm kinda like, colorblind.

Fit: [Laughs]

Pac: So... they don't look that red for me. [Laughs]

Fit: Me too! What a coincidence! I also- I- I mean– Like, what color is this flower on my- on my chest? I don't even know what color this is! Yeah.

Pac: I don't know! It looks grey. [Laughs]

Fit: I don't even know what color that is! Yeah.

[babychosen]

it's an amangela kind of night (every night)

[l-in-the-light]

The most embarrassing series of posts about Lawlu you will ever read: edition post-Punk Hazard (part 4)

This one will definitely live up to it's title. The "love is a hurricane" tale continues~

Luffy again showing interest in what Torao is doing. This is already like third time he shows his unusual interest in him (and it will happen a couple more times in this post as well). He really wants to know more about him. Despite the fact he's usually sleeping through backstories of his own crewmates, like Nami. His unusual interest isn't because he doubts Law, we already know he deeply believes him to be a good person. No, this scene exists purely to show us how big and special interest Luffy has for Law. Luffy is also a bit concerned here, we saw the switch happen in Punk Hazard, from now on Luffy will also worry back for Law.

Someone's trolling Luffy here and it's not Usopp, lol. I wonder if this is how Law was as an older brother to Lammy, telling her fake tales just for amusement. He's a teasing older brother type, isn't he? And now all of that is directed towards Luffy. That's so sweet.

Luffy, you were supposed to tell them before, why are you telling them only now?! Take things a bit more seriously!

Law though is so displeased. Not only a hand was slammed into his arm (he secretly liked it despite everything), he was told to get along (he doesn't want to!), and Luffy disappointed him for not sharing about the alliance before.

But let's stop at the "get along" complaint for a bit. Luffy, you goofhead, you didn't introduce Law to your crew?? (and please, don't you know Luffy, ofc Luffy didn't do it "offscreen", this is Luffy we're talking about! He doesn't do introductions! At all!) Poor Law doesn't know their names! How is he supposed to get along with them?? You think Law would ask them about their names? Definitely not! Can you even imagine Law asking about anyone's name?? (yeah, I can't either lol) So to save up his face, he would have to utilize all that info he gathered beforehand (he already knew who they were all the way back at Sabaody after all!).

So he recognized Robin, Nami, Zoro, Sanji, Chopper (and so is able to call them by their names, tho it's worth noting Sanji being a special case and referred to by his title), but he didn't apparently know about Brook, Franky or Usopp (because they got called Bone-ya, Robo-ya and Nose-ya instead of their names+ya). Brook got recruited in Thriller Bark so there wasn't any wanted poster for him back then in Sabaody, so that's understandable. There was one for Franky already, but before timeskip Franky looked completely different so Law didn't recognize him. And...

wait for it...

He didn't recognize Sniperking as Usopp that's why he became "Nose-ya". Yes, the joke lives on! LOL.

Oh Luffy, you really don't make Law's life easier for him, do you? And this way Law got exposed that he did research a bit about the Strawhats before, enough to memorize them. (I mean not like Bartolomeo, but... but! It kinda looks a bit like that here, doesn't it).

Law will get back at Luffy in Zou for that, no worries. Now you will never see the "Law didn't introduce his crew" in any other light from now on, haha. It was a payback. Luffy didn't care tho lol.

You don't have to believe me on that one, but you can't really deny it does sound suspiciously consistent, doesn't it? :3

Law: Why is everyone telling me that?

Also Sanji, we appreciate it, but you're a little bit late with that warning there lol.

To be honest, I think Law is actually perfectly aware of that, but at the same time he wouldn't mind to be called a friend anyway. He only minds it now because he wants to keep his distance and not form any attachments on his way. And doing poor job at it too.

Luffy looks so happy sitting there next to Law, he looks like he's having the best time in his life. He's probably having a lot of ideas of what to do together with Law now that they're friends in alliance. (many of which would not be met with Law's enthusiasm probably lol).

Luffy: Did you just say dinner will happen 5 times a day from now on??

Luffy's level of excitement here is absolutely stunning. And one more thing very important to note: remember how Luffy usually acts when someone yaps a lot? He might for example ask Nami about something difficult, but quickly loses interest with the answer. He often sleeps through explanations. But here? Law's got his full attention! The one who is actually napping through this is Brook, not Luffy. Luffy thinks Torao is cool and he *wants* to listen to him.

Law, where are you looking? Clearly at your favourite Mugiwara-ya grinning over there. His eyes are always tracking Luffy.

A moment later Luffy turns to see Kin and Zoro fight. Do you all think he noticed Law staring at him right there? You two need to stop being so cute. I can't even believe Oda actually drew a scene like that in shonen, even if he didn't make it obvious. I mean, look at it, Luffy's eyes are shining, I bet their eyes met. I told you all that One Piece is a story about love. Omg I'm disgusted with how this scene tugs on my heart right now. To be fair, I'm not even the first person to notice that Law is staring at Luffy there, I saw people pointing it out before.

Luffy: Hey look Law, we're famous!!

Law: But ofc we are, what do you mean?

Luffy is again trying to get any sort of reaction out of Law directed just for him (did he feel encouraged after he noticed Law staring at him the day before?). Luffy, please, stop, this is getting more and more embarrassing to watch you craving for Law's attention like this.

Law though always gives him that attention, curiously enough. There's not even one frame of Luffy calling out to him and Law just ignoring him. Which shouldn't be surprising, Law always seeks out Luffy as well, rarely with words, but at least with his stares.

In this regard, they're a really good match. Luffy wants to be pampered, and Law wants to pamper. I would usually say it's gross, but it's actually really heartwarming. They both get something out of it that they were both craving.

Law: Hey, am I not providing you with enough entertainment? Forget those boring fellas!

Someone's a bit jelly...

And Brook is again watching over them. God, I swear, it feels like he just *knows*.

Again, Luffy listening to Law talking. He would listen to him no matter what Law is saying, wouldn't he? Luffy is known for his terribly short attention span, but for Law he is capable of unusual feats.

(Also notice Law is always grabbing Caesar by his clothes, never in direct contact)

Time for the ransom call. I know that everyone is screaming there, but Law is suspiciously quiet, this is when he should be firm and confident, but instead he's just standing there. I think it means he was actually pretty anxious about this call, kinda taken aback (and it's not because of people screaming around, he had enough time to get used to that with the Strawhats, also usually it doesn't actually faze him). Luffy on the other hand is excited and thinks this is all super fun lol.

And then Luffy goes and takes over the call. Of course we all think he did it just because he's Luffy and that Law is displeased/angry here, but let's do uno reverse. I might turn your worldview upside down from this point on.

What if Luffy actually sensed Law's anxiety and decided he will help him? Luffy is after all really good at reading people's emotions, right? And of course he would want to help his beloved Torao.

Law looks displeased, but that's because of a sudden closeness. Those of you that followed my series on Law's fear of touch and closeness know what I mean. He can stand Luffy when he's close to him, but not out of a blue like that - he needs to brace himself first. That's why his first instinct here is to try to move away. Sure enough, right in the next moment we see Luffy holding the transponder, which means Law lets him do that actually. If he truly was so displeased and angry, he would have reacted faster to take it back or shouted at him.

Luffy's fuming here for no reason whatsover, Doflamingo didn't actually say anything bad to him yet (or at all really). Sure, Luffy got mad over Caesar, but the conversation already changed to something else, and Luffy is still showing an attitude. He's doing it for Law, isn't he.

Law meanwhile is just standing there, still not attempting to take the transponder back. He's not even trying or talking at all. This really doesn't support the idea of "he's so mad at Luffy for doing this", it actually seems to be the exact opposite: he's kinda overwhelmed here and was ever since Doflamingo picked up his call. Ofc he's also more and more distressed now, bracing himself mentally, because he knows he needs to do something and can't leave it all up to Luffy.

Law realized he needs to stop it, because Doflamingo is trying to bait Luffy, and everyone knows Luffy is weak to baits. In a way, stepping up just to prevent Luffy from getting into dangerous scenario, helped him overcome his own helplessness and anxiety. Luffy meanwhile indeed is losing it lol.

Let's look more closely to Law and Doflamingo's conversation here. Law is trying to make the talk very short, down to business and finish it off quickly. Doffy though stays confident and even tries to mock Law a little bit. It's almost like he's saying "Law, kid, you forgot to show me that my subordinate is fine, you need to step up your kidnapping game a little", he's kinda having this patronizing vibe here. "First step of a ransom call, remember? I taught you that myself".

Putting it all together can explain why Law is so anxious, he expected to hear Doflamingo all devastated, angry even after giving up warlord's title, instead Doflamingo is relaxed, mocking and confident, generally acting like he has the upper hand here. Law is worried, did he miss something, because this is not how it should look like, and he is right. Also he can't stand Doflamingo's confident tone, it's most likely making him feel weak, remembering the past. In their fight in Dressrosa Law will try his best to overcome this feeling by mocking Doflamingo back, but right here he was surprised and unprepared. He probably felt again like a kid, still part of Doflamingo's family, and Doffy's mocking tone like a mentor/parental figure scolding his clumsy subordinate truly added salt to the wound.

Law grits his teeth and continues, attempting to finish the call as soon as possible, full of bad feelings. And this is when Luffy snaps back to reality, gasping and reminding himself "I need to help Torao!" and so he does, by doing actually the best thing possible: cutting off the call.

This seems not-canon to you I bet, but I truly think Luffy tried to actually support Law here and it DID work in the end.

Of course Strawhats don't catch up to it and think Luffy just straightup ruined everything, but look at Law's reaction here. He's suddenly calm and does not blame Luffy for anything, in fact, he goes as far as to declare this is all fine. Would he really say something like that if he was truly angry? No, of course not, we have seen him angry everytime he truly believes his plan was just kicked out of the window by a Strawhat Luffy. This is simply not the case here.

Law is still looking pretty anxious there, probably thinking over multiple scenarios in his head. What did he miss? Why is Doflamingo so confident? This is crucial, after all it's not only about his own safety, but safety of Luffy and his crew.

Luffy meanwhile shows his interest in Law again, wanting to know about Law's adventures. He's probably trying to make Law think of something else instead of overworrying, put his mind off of it. Luffy really sticks with his resolve here of taking care of Law as well.

Also it's ultimately cute how Law is mechanically correcting Luffy on the name of the island (helpfully pointing out only the part he got wrong so it's a shorter word to remember for Luffy, awww), but he does it without even an exclamation mark there. He's not angry or irritated about it. In fact, it just shows he understands Luffy has problem with long and complicated words. He probably knows that's the reason he became "Torao" as well. He gets it, he accepts it, in fact he has no problem with it whatsoever.

Even when distressed and lost in his thoughts Law makes sure to still respond to Luffy when he asks something from him, and Luffy this time uses it to bring him out of his thoughts instead of just seeking attention.

Luffy: Yay, so if Torao has never before been to that island, it means we will have an adventure together! And not just one, there's no way I will let you leave me right afterwards. We're so gonna do more adventures! Dressrosa and Wano! Two adventures with Torao!

Law: This isn't an adventure, be serious!! Our lives are on the line!!

Luffy: Breakfast time!

Law: Breakfast time! *gasp* fuck!

Someone got caught up in someone else's pace. 1:0 for Luffy, he did manage to make Trafalgar Law take a break from his worrying.

Now to understand Law's exaggerated reaction here as something more than just a comedy moment we need to first elaborate a bit on the chapter's title that sets the tone between Doflamingo-Luffy-Law interactions and honestly spans through the whole of Dressrosa arc. This is chapter 700 titled "his pace", the next round chapter is 800 which wraps up Dressrosa. Chapters with round numbers tend to have a huge impact on the whole storyline happening (because Oda really loves his number games).

"Pace" from the title means someone dictating how fast the events are going or swaying things to move in their preferred fashion. Doflamingo does it in this snail talk by playing confident and trying to bait Luffy and undermine Law's confidence. Later he also showers his subordinates with compliments so they will do what he asks them to do - that's also setting pace by keeping everyone in line.

Law's pace in this chapter (and in whole of post-punk hazard transition) was him spiraling the things to move where he wants them, his first snail talk with Doffy was just Law having an overwhelming victory over him. Then through the span of one night things move very fast exactly towards the result Law wanted (Doflamingo resigning from warlord's position). Law usually doesn't use his power of controlling pace to make people do what he wants (unlike Doffy), that's not his style, they're just forced to stick for the ride, but he always leaves liberty in their own hands. For example, when he told Luffy to kidnap Caesar or assemble back Kinemon, he didn't tell them exactly step by step how they should do it: instead he left it to their judgement. In other words, he tells them what to do but not *how* to do stuff, he instead trusts in their ability to figure it out on their own.

And then we have Luffy, who selfishly chooses islands they visit and what enemies they're fighting, so he's also "setting the pace" for others. He controls it to a minimum as well like Law, he just makes sure to take care of the biggest danger himself and trusts the others to do whatever they want, he gives them freedom. His crew do their best out of their own free will to deserve Luffy's trust, every chess piece on the board moves according to what they believe is right, so Luffy's board isn't actually a game of one vs one, but instead of one versus many, because every player has as much liberty as Luffy has.

In this chapter Law lost to Doflamingo's pace, but restored himself, and lost to Luffy's pace and this time declared defeat. Doflamingo won against Law, almost won against Luffy, but then Luffy defeated him in one neat swipe. And why? Because Luffy actually wasn't playing alone, Law and Luffy supported each other there. So in the end Doflamingo lost to both of them.

You think Law didn't take a defeat against Luffy here? Then let's rewind back:

Remember this scene? Law was amused that Smoker would even think that Law can overpace Luffy (after all Luffy punched Caesar instead of kidnapping him and did a feast instead of leaving immediately), but he wasn't going to always allow Luffy to do that. Here he declares he's gonna set the pace and make Luffy follow his plan. He does it because it's neccessary or he won't be able to protect him, but also because of his petty pride or "saving up face", if you prefer that term here. He's not gonna just sit there and let Luffy do everything he wants and wait for him to finish off enemies. Law is throwing a challenge, he's gonna compete with Luffy in that regard.

But before they even reach Dressrosa Law already declares his defeat. Let me show you how: remember how he always loses his hat when he's losing?

Like here. Or in Dressrosa, or Winner Island.

Wait, where's his hat here? And this is the next frame after Law's big comical "gasp" moment, when he got dragged into Luffy's pace of "enough worrying, time for breakfast!". Yep, he knew he lost there, allowed himself to loosen up and took off his hat by himself as a sign of his defeat and Luffy's victory. But that's also because he's just a good mannered boy who knows you don't eat with your hat on.

It truly is a 1:0 for Luffy and Law is actually okay with that (losing to Luffy's pace is actually not a negative experience, because Luffy doesn't manipulate people with evil agenda in mind, like Doflamingo. He did it only because he wants Law to relax). And this sets up how the events went on in Dressrosa.

Also can I just point out that all it took for Luffy to sway him was to declare with a smile "Yay adventure with Law! Can't wait! And now breakfast!" and Law was already dragged into his pace? I mean... Law, Luffy didn't even do anything special. He was just basically himself there. Law's so smitten with him that it's all it took, honestly. Of course the support he got on that call from him also counted into that, but Law didn't declare defeat then yet, after all he also supported Luffy back in that call.

In later arcs Law will still attempt to be petty about this ongoing "competition", not wanting to leave it all up to Luffy, lol. He migth have lost once, but the war is ongoing! He's such a petty loser, I adore that flaw in him.

Luffy butting-in, making sure Kinemon doesn't just steal Law away for the Wano adventure. Hey, I'm gonna be part of that adventure as well!

Law's attempt to stop him there is really miserable. He can't bring himself up to deny Luffy when he sounds so happy, huh. My heart can't take it.

Law's already back to worrying again haha. His neverending journey of worrying when together with Luffy continues! Let it never end honestly.

He's also conflicted, because everytime Luffy acts so excited he thinks back to Lammy, as she was the exactly same energetic type of a person as Luffy haha.

i don't think Luffy gets it that this time around he's only making Law worry more and not less, awww.

That's all for now. Dressrosa will come up next (I might take a break from this series to answer some asks first :D). I hope you enjoyed seeing this chapter through different lens, it's fine if you still prefer it as just a comedy moment of Luffy acting like a complete menace and Law regretting his life choices. I think it's neat that the manga supports actually both interpretations, one on more casual level and the other more in-depth.

There is something I want to share about World Seeker Law's dlc, it's not really a spoiler, just one line that Law says that relates to the previous part of this series of posts (if you want to skip it then just don't read from now on! There's nothing more to this post afterwards).

This is what Law says in the game. I know that games are not considered 100% canon, but Oda DID work on both World Seeker and Odyssey, and honestly many lines and overall feeling of the game goes along with the canon. Law's complicated relation to closeness is definitely a part of this DLC, for example.

And here he says he doesn't mind what people actually call him! He never complained about "Torao" when Luffy called him this way, not even once. But he does make this one sour face when Nami does that as well. Makes one really think why is this such a special case for him, doesn't it? :D Again, he wants it to be a special name only from Luffy, doesn't he.

[bergoop]

The Mystic Museum - WWW Deleted Scenes

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[fruitsofhell]

I used to be one of those guys when I first joined the Kirby fandom, but everytime I hear a discussion of the series writing that starts with "So the Lore is InSaNe-" and not like, "Kirby has a fun writing style that takes advantage of its cute exterior to tell cool stories that reward player's curiosity and leave lots of room for imagination-" I cringe so goddamn hard.

I kinda just hate that people approach things that encourage investment when they don't expect it as inherently absurd. Like it is fun to joke about how absurd Kirby lore can be, but it really often comes with an air of disrespect or exhaustion rather than like, appreciation that these games are made by people who want to tell interesting stories when they could easily make as much money just making polished enough fluffy kiddy platformers. And when it's not met with exhaustion, it's met with - like I said before - that tone that it's stupid for a series like this TO have devs who care about writing stuff for it. Which is a whole other thing about people not respecting things made to appeal to kiddie aesthetic or tone.

Maybe the state of low-stakes YouTube video essays just blows cause people play up ignorance and disbelief for engagement, but like I STG I hear people use this tone for like actual narrative based games sometimes. Some people don't like... appreciate when a game is made by people who care a shitton in ways that aren't direct gameplay feedback. And they especially don't appreciate it when it comes from something with any sense of tonal dissonance intentional or not.

Anyways, I love games made by insane people. I love games made by teams who feel like they wanna make something work or say something so bad. I love that energy, especially when invested into something that could easily rest on its laurels or which obviously won't be taken seriously. I love this in a lot of classic campy 2000s games, I love this in insanely niche yet passionate fanworks, and I love it in the Kirby series and its writing. Can we please stop talking about it like it's an annoyance or complete joke?

[copia]

"sleep token doesn't feel british!" just watched the fall for me mv and that man was flopping around on the most british beach i have ever seen in my life

[aria0fgold]

Ever think about how tragic it is to be in The Universe's place as a being that loves all of creation but can never express that in a way that the subjects of their affection can understand so they created a middle line of it. To grant any and all wishes just to show that they are there, they are listening, and they are giving you the means to grasp what you desire.

But it's never enough because to a higher being such as The Universe, with no bias on What wish to grant or a bias on What is right or wrong, they grant wishes indiscriminately. Because they love everyone, so they grant everyone's wishes, all the while bending it so as to prevent needless damage, because they love you.

But their love is also what hurts you, like how Loop had to give up in the end cuz of how hopeless it all seemed so Loop had to make another wish. And how Siffrin continued to suffer during the timeloops, and especially how much it hurts Loop, to see someone else achieve what they've always wanted to have. To Loop, they're The Universe's favourite cosmic joke but to The Universe, they love them.

They granted Loop's wish, and then granted another, they continuously grant Siffrin's wish. They love them, but they don't know how much it hurts all the same because they can't understand the way all of creation expresses love. Because their own language is incomprehensible to anyone else but them. Ever think about how lonely it must be to be a higher being with a language only they can understand.

[meganechan05]

"リッたんとずっと一緒だよ‼💜"

...still can't believe it's been a whole year since that bonkers episode 😂

Also a whole year of whacking people upside the head for thinking an undercover persona is proof that Rita is a girl

Designs came from the animated video used as the backdrop for "Moffun no Uta (Rita ver.)". Just modified the hairstyles to make it fit better as well as adding some eye makeup.

[get-back-homeward]

Anyway, we got back to Liverpool, and all the groups there were doing the sort of Shadows type of stuff. And we came back, leather jackets, and jeans and funny hair, 'mach-ing schau,' which went down quite well. —George Harrison

From the Beatles interview in The Mersey Sound, filmed August 28, 1963 at BBC's Dickenson Road studio in Manchester

[shikai-the-storyteller]

AWH... I'm skipping through Roier's QSMP Day 1 VOD because I'm looking for a specific thing, and I just noticed that when Jaiden stands in front of the group to do her introduction and her mic isn't working, Mariana laughs (not in a mean way, I laughed too) and Roier immediately smacks him and tells him off for laughing.

[Timestamp ~36m 50s, volume warning for Quackity's awful mic]

It's such a little thing, but I think it's really sweet in retrospect, especially considering how Roier and Jaiden have become such good friends in recent weeks :')

[princeofcyberpunk]

not to expose my friend from the 5th grade but i found this absolutely hilarious google slides presentation he made

nobody tell him...

[dawdlecentric]

Cupid 💘 - Kaorin edit

Happy pride month to Kaorin! (and the rest of azudaioh cast I guess /lh)

[nicoscheer]

A bit of shirt shopping with Ellis

I can’t properly deal with the way he went from I to [] like he got BROAD

[tweltchy]

Yeah, okay. I watched the 6 hour gay Riku video, and I Get It Now.....❤️ 🥺