#i started a new playthrough because of course

[jklpopcorn]

crying and sobbing i was supposed to draw doodles of my ocs but instead all there is is Siffrin

they're so shaped i have to draw them

also

100% :)

[carlyraejepsans]

for real WHERE does the idea that [utdr humans] are nongendered so that "you can project on them" come from. their literal character arcs are about NOT being a blank slate to be filled in by the audience

i think i understand the assumption on some level for undertale, because there is a very intentional effort to make you identify with the "player character" in order to make your choices feel like your own (the beating heart of undertale's metanarrative lies in giving you an alternative path to violence against its enemies after all, and whether you're still willing to persue it for your own selfish reasons. YOUR agency is crucial).

of course, the cardinal plot twist of the main ending sweeps the rug from under your feet on that in every way, and frisk's individuality becomes, in turn, a tool to further UT's OTHER main theme: completionism as a form of diegetic violence within the story. replaying the game would steal frisk's life and happy ending from them for our own perverse sentimentality, emotionally forcing our hand away from the reset button.

i think their neutrality absolutely aids in that immersion. but also, there's this weird attitude by (mostly) cis fans where it being functional within the story makes it... somehow "editable" and "up to the player" as well? which is gross and shows their ass on how they approach gender neutrality in general lol.

but also like. there's plenty of neutral, non PCharacters in undertale and deltarune. even when undertale was just an earthbound fangame and the player immersion metanarrative was completely absent, toby still described frisk as a "young, androgynous person". sometimes characters are just neutral by design. it's not that hard to understand lol.

anyone who makes this argument for kris deltarune is braindead. nothing else to say about it.

[pinescent-and-gingerbread]

˖✧ The Jackpot

✦ Pairing: Arthur Morgan x Fem!Reader ✦ Summary: You join Arthur and the boys for a job on the Grand Korrigan riverboat where you act as Arthur’s lap girl. The man in question is more than excited about this decision. ✦ Warnings: Guns, mention of shooting, swearing, SMUT, oral (reader receiving), edging if you squint, unprotected p in v ✦ Words: 3,8k ✦ a/n: A big heartwarming thank you to @zae-heeyyy!! Who took the time to correct my dumb spelling and give me her thoughts on this before publishing it! Please go check her work, I swear it won't disappoint! Also: pictures are not mine! I usually try to use a pic for Arthur from my own playthrough but I'm fcking stuck on Guarma rn. Found them on Pinterest.

Dim lights are flickering all around you, making the golden ornaments of the luxurious place you're in shine like a thousand stars. You couldn't believe this gigantic reception room, gratified by a bar, a grand piano, and of course, three elegant poker tables, was actually floating on water right now, as you were on the Grand Korrigan boat, the jewel of its kind, den of the richest gentlemen in St. Denis, in search for some amusement and of course, even more money.

Trelawny and Herr Strauss had plotted a well-crafted deal that could earn a lot of money for the gang. Along with Javier disguised as one of the guards, Arthur would act as a new wealthy businessman who had just made a fortune in oil. Strauss would give him signals during his poker game, which guaranteed him to win considering Trelawny had made a friend out of the dealer.

You? You'd play his mistress, sitting on his lap during the game to make the scene look more convincing. On top of that, you had been able to hide a little gun in a hidden pocket in the underside of your dress, guaranteeing some extra protection, which wasn't a bad idea considering the Grand Korrigan was heavily armed and neither Arthur, Trelawny nor Strauss had one.

So here you were, thriving in your role, comfortably sitting on Arthur's lap, hands wrapped around his neck, both legs hanging on his left side. His arms were enveloping you, hands resting on the edge of the table as he was focusing on his cards.

Well, more like trying to focus, actually.

Maybe it was because you two had started a quite passionate relationship a few weeks ago, sneaking in each other's tent, simple kisses and whispers in the night quickly turning into something more, the both of you having cravings to fulfill.

Maybe it was because Trelawny, the damned man, had chosen a particularly suggestive dress for you to wear, comforting your play considering wives weren't allowed at the poker tables, only work girls and such, your cleavage on full display for his immoral eyes.

Maybe it was the way he could feel the round and warm flesh of your ass even through the fabric of your clothes, right where he wanted to, making his brain impossible to function properly, desperately trying to keep the hardness between his legs to stay in line.

Either way, Arthur had to make enormous efforts to focus on the job and was frankly relieved Strauss was telling him what to do; despite being a pretty good poker player, he would never have been able to win the easiest of games in this state.

Strauss told him to go all-in. He did. You smiled, you would have lied saying you weren't enjoying yourself right now. You had known far worse jobs than playing Arthur's lover. Much to your surprise, he had played a really convincing character through the night too, his usual mumbling far gone, replaced by a bright and confident speech and a cheeky grin that was making you want to kiss it even more. In fact, you wanted to take care of him just to see this cocky smirk flatter under your touch, replaced by a pleasured expression on his handsome face.

It was easy to say both of you were acting pretty good, but inside felt like two teenagers in love.

Arthur had won another hand, men were starting to leave the table, angry. It was only you both and the target now, an opulent man known as Desmond Blythe, loaded with money thanks to his hosiery business.

You pulled a cigarette out of Arthur's pocket along with a match, and you felt his breath hitch for an instant when you slipped your hand in it. Rubbing the match against the wood of the table, you lighted the cigarette casually, little flame illuminating a thin grin on your lips. You took a small drag on it to make sure the tobacco had plainly burnt, then you placed the cigarette in front of Arthur's lips, holding it for him between your index and middle finger, so that he could smoke on it while keeping both his hands on his cards.

It was downright one of the hottest things anybody had done to him and he was starting to lose it. Wrapping his lips around your offering and smoking a long drag, he allowed himself to avert his gaze from his opponent for a few seconds, planting his turquoise pupils into yours.

His eyes were half-lidded, long lashes accentuating the languorous gaze he was giving you. Your heart started racing. The power this man had on you was insane, but if only you knew what you were doing to him in return. You had a glimpse of it though, right there in the depths of his two blue diamonds, this so distinctive dark glow of him, direct window on the sinful pit of his urges.

You were sure your own eyes were mirroring it. And it got worse when, after exhaling some smoke, he quickly kissed the palm of your hand, indicating he had smoked enough, the warm sensation of his chapped lips on your skin giving you goosebumps. His eyes went back to Blythe, and you exhaled as if you had been holding your breath during the whole time you had locked eyes.

You retrieved your hand, taking a drag yourself on the cigarette after him, loving the idea of sharing it with him, of putting your lips right where he did a few seconds before, your biased brain telling you you could taste sweet remnants of him there.

Another all-in, another hand won by Arthur who couldn't stop himself from smiling this sly cocky smirk, eyes sparkling with mischief.

"Shit, shit!" Blythe shouted, hitting on the table with his fists furiously.

"I guess ma luck held... Is that you done?" Arthur asked him, his tone triumphant while bending over the table to gather his not-so-well-deserved chips. "Or, do you got somethin' else to play with?" He added more lowly, his baritone voice almost making you shiver just hearing it.

"Meaning?" Desmond questioned back, visibly frustrated. Looked like frustration was a popular feeling around this poker table tonight, about the game or other things...

Arthur had gotten up from his chair and you too, now standing by his side, partially glued to his body as he had snaked an arm around your waist while finishing to put in order his chips. He answered using the same taunting, arrogant tone as before.

"Well, I heard there was some big boys on this boat, maybe that's not you, no offense-"

"Sit your and your whore's hillbilly asses down." The rich men cut him off, voice dark and serious.

You felt Arthur's hand grip tighter on your waist. For a faint moment, you thought that his cover would collapse, considering how tense he had gotten hearing him calling you a whore. But the way he was still smiling was almost even more scary, it was a false, threatening one. The kind of smile that hides a cold anger, boiling silently inside.

"Why?" Arthur simply answered, tone brilliantly contained considering the way his muscles were flexing on their own under his fancy suit.

"I got a watch... An expensive one, swiss... a Reutlinger no less. It's in the safe, upstairs. It's worth more than you."

You forced yourself not to cross eyes with Arthur. Your target. He had just confirmed what you were all here for. Perfect, just a bit more of this whole play and Arthur would be able to access the strongbox.

"Okay, I trust ya." Arthur consented while sitting back on his chair, placing you with his two big hands back at your place, on his lap. You were definitely loving this job. You'd have to thank Trelawny for it, someday.

The rest of the game passed just like before, your outlaw ultimately winning once more thanks to your colleague's little trick. Desmond was furious, and you obtained your goal.

Arthur happily got up once again, gently helping you stand, one of his hands naturally resting on your shoulder. Before following the gentleman who was supposed to bring him to the safe, he bent over to you, head brushing against yours, his stubble and hairs tickling your cheeks. He whispered in your ear, voice deep and hoarse, this one voice that was always making your head turn.

"When we're finished here, I'm gonna take care of ya, darlin'."

You sighed, cracking up a sly smirk, your cheeks turning a bit red. These simple words were enough to make the heat between your thighs make itself known; crying out for attention. Being so close like this was allowing you to breathe in his scent, its combination on top of his breath on your ear was a dangerous mix for your sanity. You took the opportunity of having his skin so close to your lips to place a small kiss on his neck, right below his own ear.

Arthur smiled at you, his bright blue eyes sparkling as he took a last look at you before walking off. You sighed softly again, already missing his presence. The wait for some time alone was only making your own needs grow.

You were only hoping the job would end up smoothly.

Of course, it didn't. 

Desmond, sore loser, had accused Arthur of cheating. That and the fact that the guard Javier had knocked off to steal his clothes had appeared out of nowhere yelling to shoot him had set things on fire on the Grand Korrigan, the boat now witness to a heated shooting the Van Der Linde Gang was known for.

You had instantly pulled out your hidden gun and helped Arthur clean up the place thanks to Javier who had thrown him a rifle. The night had ended with your incongruous team jumping straight in the water, swimming back to the shore, a quite odd and armed to the teeth fish shoal. At least, everyone was alive, and you even had obtained a pretty decent amount of money, not even mentioning the watch Strauss had authenticated as a real Reutlinger. Arthur had quickly taken back the precious object from his greedy hands, "well give it back then", which made you laugh to yourself.

True to himself, your cowboy had instructed everyone to separate and get out of the shore, as always after a job. You were all quite a sight, soaked to the bones. As you were greeting everyone a good night, Arthur silently walked to you and grabbed your hand. Even with the water you both had leaking from your clothes to your skin, you could feel how warm his hand was, contrasting yours which was completely freezing cold from having swam in the icy waters. You wondered if this man was even human.

"But you, Miss, are comin' with me." He playfully informed you, not leaving you any choice.

It was not as if you wanted to go anywhere else anyway.

"Really now? What d'ya have in mind, cowboy?" You asked him with an equally mischievous tone on your own, your eye glued to the way his hair looked completely soaked, subtle rivulets sliding all the way from it to his neck.

"Maybe we could pay ourselves a well-deserved night in town..." He proposed, voice turning more and more into a low growl as he was letting his desires take the lead on his reason.

"I would love that." You simply agreed, before getting closer to him, tilting your head up to bring your lips to his. He gladly let you, one hand still holding yours, the other gently landing on the side of your face.

The walk to the La Bastille Saloon was supposed to be a short one, but you both looked like you couldn't wait to be there before teasing each other. You would sometimes stop walking to just attack his neck, lips merciless as you sucked and kissed him there. Your taunting acts were often met with his equally heated answer, one of his palms ending on your ass, or your thighs, your wet clothes transparent and glued to your curves not helping him to keep his touch away from these places of your body. Arthur's breath sharpened as he called you his lil minx, and no, darlin’, we can't just do it on the streets.

Finally, after having shocked the barman by arriving at such late hours in completely soaked clothes, which honestly just made the both of you laugh mischievously, you reached your love nest for the night.

And what a nest! Silk sheets, canopy bed, sumptuous decor glistening with the dim lights of the chandeliers. Even the floor looked comfortable, carpeted with some fancy patterns, matching the couch and bed's color. Red, just like passion, just like lust. Red, like the color of your cheeks right now as Arthur had closed the door and was already on his knees, placing you on the edge of the mattress. Red, just like what Arthur was seeing right now, hungry hands pulling your dress up, positioning himself between your thighs.

You looked down at him, his darkened eyes looking at you. You noticed he had ripped off his fancy tie, needing to breathe properly, the heat between you both already making him suffocate. In those moments, his beautiful pupils were always shining with a more murky color, his usual sky blue turning into a more cobalt one. They were staring intensely into yours, expression questioning. A silent demand. You nodded positively, quietly answering. Dooming yourself.

The moment you did, he buried his head between your legs, left hand resting on your hip, holding you gently. His lips started kissing softly on the fabric of your undergarments. His other hand quickly came, helping him in his task by pulling it to the side, granting him access.

The moment his lips met your folds, you let out a moan, unable to resist the feeling he was giving you. He was loving it, his ears getting redder as he was more and more aroused himself. He was so big between your thighs, his shoulders were spreading them almost completely open.

He licked in a long, slow movement all the way to the top of your pussy, making you sigh in pleasure already, hips jerking against his head, begging for more.

"Easy, girl... I've got ya." He soothed you hoarsely, left hand holding you more firmly to prevent you from crushing him totally. Nevertheless, he took your eagerness into account; he couldn't deny you anything. Not when it came to sex. Not when you were so beautiful in this ostentatious dress. Not when he had grown more and more found of you, even if he was refusing to admit it to himself completely for now.

He brought his lips on the top of your core, tongue gently circling around this so special knot of nerves, his stubble scratching pleasantly against your skin, bringing you even more sensations.

It was already so good, Arthur's mouth showing you no pity, licking, sucking, kissing, as if you were becoming the only food he could ever feast on, the only oxygen he could breathe with. The sight of his broken nose buried beneath your skin, as if he was searching to go even deeper within you was almost too much for you to handle. Your hands that were gripping the sheets had now found the top of his head, spurring him to continue, please please please, Arthur, more, or you could have died right here on the fancy bed of the La Bastille Saloon.

Arthur's tongue answered your begging call, lapping your sensitive spot faster, harder. How the Hell was that man so good at pleasuring a woman? That, sinful, dirty man, just like the sounds you were letting out right now.

Your vision started to blur, the back of your head sinking onto the mattress, your back arching deliciously, and you were going to let him know just how close you were until he stopped all of a sudden.

"A-Arthur!" You protested, head snapping back at him, eyes pleading, tone both offended and needy as his name had sounded more like a whine when it had felt from your mouth.

He smiled cockily at you from where he was, his mouth looking wet with your arousal. He loved it, he loved being responsible for it.

"I'm here, girl... I jus' need ya too much right now. Lemme just..."

His voice was now a low rumble, coming from the depth of his chest. You watched as he quickly ripped off his clothes with little care for them. Trelawny would have shouted at how he was treating one of the most expensive suits he had ever brought.

But he didn't care about the suit. And neither do you, as your eyes were devouring every inch of his flesh that was appearing under them. The sight of a completely naked Arthur always had the same effect on you, no matter how many times you already had seen it.

His muscular body looked like it had been carved by Angels. No, more likely by an angry, dark God, who would have sculpted him from a hard and brutal material, his many scars and blurs a remnant of it. You could almost picture his tools molding your lover's broad chest and shoulders with sharp, furious hammer blows. His powerful arms and legs had received the same treatment, as if the deity wanted to pass on all of his brutal force into his creation. And his cock was definitely no exception to it.

And yet, this massive force of nature was blushing under your gaze. He couldn't have resisted the hurtful sensation of emptiness around his shaft, one of his hands now giving himself a few strokes to try and relieve some of it. His eyes closed in a frown for a few seconds, your pussy burned at this unholy scenery he was offering you.

You were in such a state of need it was almost depraved. You quickly got rid of your own clothes, tossing them somewhere on the floor of the room, needing to share this intimacy with him, to feel his skin against yours.

"Oh, please... Arthur, jus' take me..." You asked yourself before he could probe your adequation. You knew him well now, you already knew the next words he was going to speak would be another demand to make sure you truly wanted this.

He seemed to enjoy how you had forecasted it, his eyes opening again to look at you, his cock hardening even more, precum slowly leaking from its top, wasting all the efforts he had done to relieve it a bit.

"If that's what you want darlin'... I'm your man." He answered in a growl, climbing next to you on the bed.

You weren't sure why but his last words had made your heart swell in your chest. You were sure, deep down inside of you, that he meant it in another way. He really had become yours, and you, his. Lost in your thoughts, you let him handle you gently, placing you on your belly against the silk sheets, lying himself on top of you, legs between yours.

You slightly moved your rear up against his erection, earning a grunt of pleasure from him. Saying he had loved it was an understatement; he had been thinking about doing this with you since you had sat on him on the riverboat.

Using his right hand, he placed his cock against your entrance, and finally started pushing, your pussy already ready for him thanks to his ministrations, your mouth mewling at the sensation. Your perfect, hot walls were finally enveloping him, and he tried his best not to come just from that intense feeling alone.

He was so big and tall behind you, his head could reach yours and he buried it onto the crook of your neck, his hair still wet offering you a cold feel, contrasting with his whole hot chest pressed on your back, making you feel as if a literal inferno was burning it. He slowly started to pull back, only to shove himself in you again, starting a slow but intense back and forth.

"God, damn it... 'Feel so good girl..." He mumbled against your skin, his arms encircling you from both sides, caging you under his tall figure.

You sighed at his praise, wanting to answer something to compliment him back, but he snapped his hips just at the same time, making you shut your eyes close, and moan louder than before. Your voice was starting to crack under the amount of pleasure he was bringing to you, hard shaft brushing this deep spot within your core every time his hips moved, hitting just right where you needed him to.

He had noticed, and it was only making him lose his mind even more, unable to keep his pace slow, letting his body unleashed. He had waited this whole night to bury himself in you, listened to this moron calling you names without having the right to punch his goddamn idiotic face. He couldn't hold anything back anymore.

He started thrusting more frantically, pistoning his cock in and out of you so fast and hard he was now fucking you onto the bed. His right hand grabbed a fistful of your ass, the feeling of it colliding with his pelvis with every thrust making him insane, the other one next to your left shoulder, preventing him from crushing you completely.

You could feel it, the familiar feeling, the divine relief, building more and more thanks to him, the pace increasing your pleasure. Feeling how impossibly hard his sex had gotten in your cunt, you knew he was close too. This simple fact was the last push to your deliverance.

"A-Arthur! God, yes!" You screamed, unable to form any coherent thoughts, existing simply for this, for this moment with him, naked on the bed of this saloon. Just you and him.

"Oh, darlin’, shit!" Your orgasm had made your walls clench even more around his dick, exploding his limit. He quickly removed himself from you, and finished at the last second on your back and ass, his burning release painting your skin in flaming spurts. His very own sinful art piece.

The room felt silent again. The air stifling from your lovemaking, the only sounds being heard were your sharp, quickened breaths. Arthur took a few seconds to collect himself, feeling better and so satisfied, almost euphoric. Turning your head to the side, you took a glimpse of your lover's gorgeous state. Hair messy, cheeks and ears crimson, sweat dripping everywhere on his skin, chest rising and falling in big, profound exhales.

He then grabbed a piece of fabric from one of the wardrobes to gently wipe off his seed from you, and tossed it away, wanting nothing more but to rest against you now. A perfect contrast, from an agitated, stormy sea to a quiet, secret cove. As if you were the only one who could see him like this, vulnerable, loving even.

You watched him lay by your side on his back, your head still feeling dizzy, slowly coming back from a world of fantasies. You snuggled against him, resting your head on his chest, and he wrapped his arms around you, feeling spent but so, so happy. And you felt the same. Still naked, skin against skin, heart beating together, just the two of you.

Tonight had been quite something, and despite having won a few thousand dollars, it was definitely not money that was making Arthur feel like he had hit the jackpot.

[actual-lea]

So who wants to hear about the stupid stupid way I'm playing Baldur's Gate 3?

I made it to Act 3 on my first (original character) playthrough like a week before Patch 5 came out, and after finding it absolutely unplayable (on the PS5) decided it was time to go ahead and start an origin character run for the funsies while waiting on the new patch to fix the Lag Hell. Naturally, I picked Gale. Since this was mostly just for fun/to hold me over until I could continue my other file, I decided it would be a nice time to see what happens if you just refuse to consume any magic items. Of course, if you are not playing as Gale and ignore his Orb Problem, he will apparently eventually leave your party, but what if you ARE Gale? I couldn't find an answer with a minimal amount of Googling SO

There are three stages to his Arcane Hunger, each of which give you increasingly debilitating debuffs: Arcane Hunger, Greater Arcane Hunger, and Severe Arcane Hunger. It seems the triggers for progressing to the next stage are the same as the triggers where he would start needing an item in my other file (i.e. that bridge next to the Blighted Village, entering the temple at the Goblin Camp, the Hag's Lair, etc.) which obviously makes sense. I figure with the amount of contingencies in this game for incredibly specific situations, surely there is some kind of unique dialog or fun cutscene that will play if I ignore the Arcane Hunger long enough and just play through the debuffs.

I played Act 1 completely normally, doing a lil quicksave every time I was about to Long Rest just in case the game gave me a cutscene of the big explosion upon waking up (I thought maybe it would be time-based, similar to the game over you get if Gale dies and you leave him for 3 days (? I think?) which does not seem to be the case). I made it through basically everything without anything odd happening besides the aforementioned debuffs. The Severe Arcane Hunger is where things get really sloggy, because Gale can only move at half speed.

I have been slowly trudging EVERYWHERE since the Goblin Camp.

I eventually started going out of my way to make sure I hit all the Arcane Hunger triggers I know about, to see what would happen, and the answer is nothing, aside from Gale occasionally reminding me that he's wracked with terrible pain.

So, surely, the game will certainly not let me into the Mountain Pass without SOMETHING happening, right?

WELL

That's surprising, but whatever, at least now I have the chance to see what happens if you go meet Elminster without having consumed any magic items,

Except

He wasn't there.

I went to the area in the Mountain Pass where the cutscene is supposed to start, and it just. Didn't happen. Nothing happened. I could walk right up to the entrance to the next area.

But SURELY, the game won't let me into the gotdamn Shadow-Cursed Lands without saying SOMETHING about the fact that the orb has been starving for several weeks at this point, right? The game isn't going to let me into Act Freaking 2 without at the very least giving me a game over to tell me I'm not allowed to do this and make me reload and actually feed this poor starving wizard, right?

RIGHT?

WELL

WELL

Here we are. I'm at the Last Light Inn, I'm at the Taco Bell, I'm at the combination Last Light Inn Taco Bell with a bag full of delicious Cheesy Gordita Magic Boots that I refuse to eat.

SO LIKE. How far does this go??? Am I gonna be able to infiltrate Moonrise Towers without ever speaking to Elminster? Am I gonna trudge all the way to Ketheric at half freaking speed and fight him with Disadvantage on everything?? Am I gonna make it all the way to goddang Baldur's Gate with a Netherese orb that is long overdue to explode???

Like I said, I did not find an answer on what happens if you do this on a Gale Origin playthrough, and at this point, I don't even want to, I just want to see how far I can take this.

I already know I'll have to do another normal Gale playthrough where I actually FEED HIM after this, because I'm sure I've missed out on a ton of dialogue and whatnot, especially from Tara who only ever has this to say when I speak with her in camp:

I am genuinely beginning to wonder if there is actually nothing in place to stop me from doing this. I am wondering what the dialogue options will look like when I get to the "Heart of the Absolute" where Gale would ordinarily want to blow himself up, if Elminster had ever shown up to tell him to do so. Maybe the devs just didn't bother, and figured that no one would be stupid and stubborn enough to play through the whole dang thing while so severely debuffed.

Joke's on them, Disadvantage means NOTHING to Magic Missile Machine Gale Dekarios.

[morbethgames]

New Update Is Out!

First and foremost, new update is out! It's kind of a small one, but it's a scene with Hawks where they are debriefing the PC on the case. Lots of variation in those 10k or so words, so you'll probably only see about 2k of it per playthrough.

Well everybody, I had been taking a bit of time. Admittedly, and a bit… embarrassingly… coding like, 30 different variations of Lance's happy-fun-time burnt me out. But, it gave me time to really think about things for the game and scenes that should be in there and where their place in the story is. As well as a scene or two I could probably cut so the game doesn't take another year. It's all about that balance of whether or not you can say a scene happened, versus which scenes need to be shown happening. Maybe it can be added in later, but right now, the priority is definitely the time skip scenes and the main story.

But one thing that is refreshing, and a little scary, is seeing the fact that the first scene for chapter 5 is now set up in the game to start being written in. Chapter 5. The final chapter of the game. It's been 3 years. Now, it's gonna be another few months (few as in upper few) until it's finished because Chapter 5 is going to be the chapter with the most variations yet. Multiple TBI's to code. Multiple endings. Multiple paths. It's gonna be a huge chapter. But I'm gonna be starting it (in between finishing up the time skip scenes of course). It's absolutely wild to think about.

There are gonna be some scenes in the final game that aren't going to be in the demo, so the incentive to purchase the game is still gonna be there, but as of right now, the plan is to fully beta test this game. Including the ending. Because what's important to me is making sure I get it right, and in order to do that, I need people to help test it. Whether or not I'll do that publicly through to the ending here or not is yet to be seen. I may ask a couple people to beta test it in private. I'm honestly not sure yet. Maybe it'll be a patreon thing; who knows?

What I do know is this game has been, and will be until it's finished, a great lesson. I have a habit of starting things and not finishing them. Obviously I wasn't gonna say that before because then people wouldn't be invested in the game. But I think it's quite obvious at this point that I'm absolutely going to finish this project, and that is a huge accomplishment for me. It's proof that I can do something like this and see it through to the end.

But yeah, thanks everyone for continuing to come back and check out the game. Now that the current version of the demo is finished, I'll be posting a bit more on Patreon as well. Snippets and whatnot. I figured since I released the little mini-extra scenes game on there I could take another week or two to focus on finishing this up.

As always, stay brilliant.

-Vi

🛡️Patreon | Forum Page | Demo Link🛡️

[chervbs]

undying devotion — a. ancunin

pairings: astarion ancunin x gn!reader

word count: 1.5k

synopsis:��you have a very limited time to free everyone, including duke ravenguard, from the iron throne. It seems easy enough until you realize you may not make it out before gortash destroys the entire prison, and you along with it. and with your new but thriving relationship with your vampiric companion, you have more to lose than just your life.

warnings: angst, mega angst, main character death, spoilers for act 3 (specifically the iron throne quest), mentions of c*zador, resurrection, hurt/comfort, happy ending, maybe ooc astarion because I’m still getting used to writing these characters, lmk if I missed any!

a/n: hello my angels! I hope you all enjoy this short little angsty piece I came up with for everyones favorite vampire. anonymous requested some angst for astarion and I immediately thought of this moment that happened in my first playthrough of the game where the only person I couldn't get out of the iron throne was my tav. it was a scary moment until I remembered what my man withers was there for. the characters in the game don't actually have a reaction to tav not making it out so I came up with this. any feed back is greatly appreciated! <3

ao3 link

Of all the battles fought between the crash of the Nautiloid ship and now, the Iron Throne is proving to be potentially the most perilous.

The plan had seemed simple when you all waited for the submersible to dock the underwater prison. Get in, free as many prisoners as possible, and get out. Of course the creatures guarding the prison would be an obstacle, but your party had defeated a plethora of foes before, how difficult could this mission be?

You all shared the sentiment, until the projection of Lord Enver Gortash had made an appearance.

“Aren’t you the intrepid little adventurer?” The man’s smug voice startled everyone aboard, shoulders growing tense and glares growing fierce. “Digging and diving where you don’t belong. And I thought we were friends.”

Astarion watched as you squared your shoulders, looking the projection right in the eyes. “Fuck you, Gortash.” The corner of his mouth twitched in amusement, but it didn’t last.

Gortash made it clear that if you continued on your quest, he would destroy the Iron Throne, and you all with it.

You had glanced back, communicating with Astarion, Halsin, and Karlach silently. Each of you wonder if this is worth the stakes. Worth all of the lives that could be lost if you failed. Then you looked at your captain, Redhammer the Deviser, and nodded for him to dock the ship.

“That was a mistake.” Gortash scowled. “When the corpses start to wash up on the shore, remember–you could have prevented all of this.”

There wasn’t much time after you docked to accomplish what you came for, so the four of you climbed the ladder with swiftness. The moment you stepped down, your tadpole began to wriggle as a familiar voice spoke to you.

“Halt. You must act with haste. Duke Ravenguard is held within these walls. He must be extracted.” It was unmistakably Omeluum, the mindflayer you’d made friends with in the Underdark.

You knew there was no time for questions. “Tell me what to do.”

“Duke Ravenguard is held in the security wing. Be careful, there are many hazards. This structure is collapsing. Act with speed, act with efficiency. Good luck.”

Swords, arrows and spells were used to get you all through the prison with haste. The Sahugin guards were inconvenient, but not the priority. You only attacked when they were in your way, and dodged them the rest of the time.

Astarion and Halsin were able to make it to Duke Ravenguard, freeing and healing him while also taking down the obstacles sent by Mizora. The security was the closest to the center of the ship and the two men made quick work of the guards still lingering there.

You and Karlach had each taken separate wings, hoping to free as many people as you could. Karlach freed the few prisoners in her wing before she came across Omeluum. Once he was freed, he was able to teleport the two of them back onto the submersible.

It was only as you fought your way through yours that you regretted not bringing someone else with you. The wing you took held the most prisoners and it seemed as if every guard your companions didn’t defeat decided to flock to the area.

Time was running out and you knew it. Your tadpole wriggled again.

“You must return. The prison will be destroyed any moment now.” Omeluum warned. His voice was monotone as any other mind flayer, but you could sense veiled concern.

You took one last look at the crowd of Sahugin in front of you, your heart pounding in your chest. You lacked enough energy to be able to misty step back to the entrance, and there was no time to look for a useful scroll.

“Did everyone make it on board?” You asked, slashing the guards in front of you.

“Indeed.”

You sighed, tears welling. “Then tell them I’m sorry.”

Astarion was the last to climb aboard the submersible after Halsin. Water sprayed onto the platform as the structure began to give way. Halsin reached down to grab his forearms, pulling him the rest of the way. He’d just barely began to search for you within the ship when Karlach spoke up.

“Where’s Tav?” She asked shakily, as if she had already realized the answer.

Astarion’s eyes widened, as did everyone’s. “No.” He whispered, darting over to the window.

There was a split second before the explosion, the force of it rumbling within the water. “No!” He cried, knees buckling as he collapsed.

Karlach slapped a hand over her mouth, tears already falling from her eyes like a waterfall. Halsin bowed his head, sad eyes closing as Astarion lets out a heart wrenching scream.

It didn’t matter to him that his companions had never seen him so distraught, not even after he’d delivered the killing blow to Cazador. No, this pain was entirely different.

This pain was like having his heart ripped out, then his soul extracted then his body mutilated. Every part of him ached in a way he didn’t know he was capable of feeling. Though it shouldn’t surprise him. In the time since meeting, you’d taught him many things about himself. And even in death it seems he’s still learning from you.

Astarion was more silent than Karlach and Halsin had ever seen him. As they received their reward from the Wavemother and talked to Duke Ravenguard, Astarion dragged behind them, silent tears escaping consistently.

Only once they reached camp did Astarion seem to return to his mind, paying no attention to the surprised and concerned stares from everyone else. He was only focused on storming over to the camps undead resident.

Withers did not looked fazed nor surprised by the vampires rage, closing the tome he had been focused on the staring blankly.

“Bring them back.” He demanded, voice thick with emotion. “Bring Tav back.”

Astarion faintly heard a few gasps from the crowd that had gathered behind him, the rest of the party hearing of your death for the first time.

The creatures hollow, echoed voice responded. “There is a cost to do so.”

Astarion’s jaw clenched. “What is it?”

“A matter of coin.” Withers replied simply.

A pale hand reached back into his travel pack to pull out the pouch of coin Astarion had collected throughout your travels. He shoved it against the undead’s chest. “Here!” He snarled. “Take it! Take all the coin we have, I don’t care how much it takes.”

Withers calmly opened the pouch, peaking inside. “That won’t be necessary. This is more than enough.” He said, dropping the pouch to the ground. “I recommend keeping thy distance for a moment.”

Everybody took a step back besides Astarion, only until Karlach placed a gentle hand on his shoulder and pulled.

Withers lifted a bony hand, speaking his words like a prayer. “By doom and dusk, I strike thy name from the archives. Rise!”

There was a brief flash of light that had everyone shielding their eyes. In a matter of seconds, you appeared, stumbling like you’d been thrown back on earth. Which, to your credit, is what it felt like.

Your breaths were quick and heavy as they had been in your final moments, and you patted your body to ensure you really were alive.

There wasn’t much time for you to linger in your thoughts before you were essentially tackled, toned arms coming around you in a crushing embrace. As you heard the sound of weeping, you registered that it was your love who had lunged at you.

A choked sound escaped your lips before you could even realize you yourself had started to cry, arms wrapping around Astarion’s torso.

Through your foggy eyes, you could faintly see your other companions standing a few feet away, some wiping tears and others smiling somberly at you. But they were far from your mind at the moment.

You could only focus on the man in your arms, the both of you collapsing to the ground. “My love.” He whimpered out, surely leaving fingernail markings with how hard he was gripping you. “My little love, I thought you gone for good.”

A watery chuckle escaped, one of your hands coming to lace within the white curls of his hair. “I’m so sorry, Star. Never. I could never leave you.” You sobbed.

His embraced loosened, hands traveling to your face and pulling your forehead against his. His crimson gazed peered into yours, full of desperation. As if he would never be able to look into them again.

“I have never known pain,” He whispered to you hoarsely. “Like what I felt when that wretched place exploded.”

Your lips quivered with another onslaught of emotions. You placed your own palms against his cheeks, thumbs stroking the smooth, alabaster skin. “I never would have made it on time.” You sniffed. “I’m sorry I put you through that.”

He shook his head lightly, removing his forehead and replacing it with his lips instead. He pressed a kiss there, then to your cheek, and then a final one to your lips, lingering again as if it would be the last kiss you would ever share. You only separated once oxygen became a concern.

“The others are waiting.” You sniffed, though you made no move to leave his side.

“Let them.” Astarion said, a small, relieved grin growing on his face. And you did.

The rest of the world could wait until the end of time for you to part from your Star.”

[0hmanit]

Another chance to talk about Rain World's random symbols that suspiciously resemble Hebrew letters for no reason at all.

Random wall symbols are not a rare phenomenon in this game. But there is a singular specific room that caught me thinking for a little too much.

In SU_B04 you will find those three letters

When I first played the game I never noticed it, but now I can't remove my eyes from it every time I start a new playthrough.

The letters resemble those three letters: Sameh caf and shin, and they actually create a word (it's so exciting I know). The thing is, the letter shin is mostly used as a prefix, in this specific order it's used to create a word that means "That throne". And the problem is that in English it will sound perfectly fine, but in Hebrew this word is meaningless and confusing because the lack of a sentence. (let alone the word כס is also kind of incorrect on it's own because you need to add another word: the royalty - המלוכה, to imply this is a royal throne but it's not important now)

When you add a prefix to a word YOU HAVE to use it in a sentence. This is how valid sentences look, the meaning of the word changes depends on the context presented in the sentence.

Of course this is probably just a funny coincidence, because in the same region you can find a similar sight that is complete gibberish (???, D and G)

But the thought of Rain World, by random chance, containing a whole Hebrew word (in an invalid way but still) that means "this throne" on some luxurious ass pillars is completely hilarious, and spark my interest so much.

[drakorn]

Rewriting Veilguard Part 1 - The World State

Disclaimer: I don't hate the game, I actually think it's quite great given the development hell Bioware went through in those 10 years. This is more of a hypothetical universe where there was less of that behind the scenes drama. Just a fun writing exercise.

Expanding Veilguard's World State Editor

Like many of us, I was disappointed with the total amount of choices carrying over from past games being only three, one of which dealt with romance, two with decisions made in the Trespasser DLC, and all of them being from Inquisition. This already set the precedent that we shouldn’t really be expecting the game to be as connected to our unique Thedas as we have come to be used to from previous titles—no more uniquely flavoured codex entries, no more small but sweet cameos here and there that make the world itself feel like a larger place that we had helped shape.

Given The Veilguard’s very troubled production history of multiple delays, staff layoffs, and all-around restarts of the entire project, it is honestly a surprise that we even got three choices, so credit where credit is due. They made with what they had. But what if The Veilguard had this vision from the start? What if there wasn’t any of this meddling? What if Bioware simply had more time and control? What if they could truly let us import the World State this game deserved?

Now, for this hypothetical rewritten playthrough, I’m going off from the fact that the Dragon Age Keep will not be used; I actually found it a neat idea to tick my three choices in the character creator, and it would have probably been better had Inquisition done something similar. Why do I think that? Because it means we are not running into any dangers of servers potentially shutting down, leaving us trapped in the canon we happened to have imported last. Converting the Keep into an offline editor was a good idea, but unfortunately not executed nearly enough as, let’s face it, we all expected. So we’re gonna have some fun for Veilguard.

Disclaimer: I’m going to refer to the game’s title as Veilguard from now on, not “the” Veilguard. I really don’t like the change of having a “the” in a series of otherwise one-word, or one-number, titles.

Of course, we have to be realistic about this. It is virtually impossible to implement every single decision from across all three games, and those that can be implanted can’t alter the main plot too much. Certainly, we like to imagine and picture things, but let’s approach this from an actually doable point of view.

Right, so imagine you just finalised your Rook, and then get a screen titled “Past Adventures”. Not just “The Inquisition”. And it would take up the entire screen instead of being shoved somewhere in the corner of the final CC page, which many people missed. I could have missed it too, had I not known beforehand that it was going to be there!

It would say something akin to “You can customise the protagonists and several events from the games Dragon Age: Origins, Dragon Age II, and Dragon Age: Inquisition. These choices will have both major and minor effects on the plot of Veilguard. If this is your first Dragon Age title, you would be advised to skip this section for now, as you may otherwise risk getting overwhelmed. A default World State has been pre-generated for the game.”

Why did I add this disclaimer? Because it would show us, right from the get-go, that we respect both new and old players. If you’re a new player, feel free to skip this part as it won’t matter to you anyway and, quite frankly, you wouldn’t want to spend an eternity in the character creator doing things you might not even be familiar with. But if you’re a returning player or someone who has read up on recaps and watched countless lore videos, come on right in, we’ve got you covered, don’t worry! We know how much time you spent meticulously crafting your World State for Inquisition, so join us and customise to your heart’s content.

If you choose to not skip ahead (honestly the only time I would click “skip” on that shit is if I was a new player), you will be presented with three tarot cards, one shows the griffon, the Grey Warden symbol, one shows Kirkwall’s heraldry, and one shows the Inquisition’s banner. Here’s your previous three games. And now we get to customise them a little. The little gremlin in me would be quite gleefully rubbing his hands at this prospect.

Past Adventures: The Blight

We open the first slide and are immediately hit with a crimson screen and an ambient reprise of several of Inon Zur’s themes from DAO. I loved this part in the game, when you click to customise your Inquisitor and are immediately hit with “Calling the Inquisition”. Really great stuff for early emotions. Now let’s actually customise things.

The Hero of Ferelden

I do not expect us to actually be able to recreate the Warden in the flesh, but I believe they should be at least brought up in conversation or mentioned in codex entries and letters. Here are the things we get to customise about them specifically:

The Hero: Here, we get to tick the race, gender, class, and background for our Warden. Again, no character creator, just fancy tarot cards. But guess what? That would already be more than enough for what we can do. At least we know the game acknowledges their continued existence.

The Warden’s fate: Did the Hero of Ferelden perform the ultimate sacrifice?

Romance: Who did your Warden romance, if at all?

The Companions

Now that our Warden is set, we jump over to DAO’s companions. Each companion has their own little mini-section. The first few questions will always be “Did you even recruit them? And if so, did they survive? If so, were you on good terms or not?” These questions, depending on the answers, will immediately lock or open the more specific ones. Which are, as follows:

Did the Warden have Morrigan perform the Dark Ritual?

What is Alistair’s ultimate fate?

Was Sten reunited with his sword?

What happened to Loghain?

What happened to Marjorlaine?

The Battle of Ostagar

What happened to the prisoner at Ostagar?

The Arl of Redcliffe

What is Connor’s fate?

Is Isolde alive?

Did you help Bevin and return his sword?

The Urn of Sacred Ashes

What happened to the Urn?

The Nature of the Beast

How was the situation between the Dalish and the werewolves resolved?

A Paragon of Her Kind

What happened to the Anvil of the Void?

Who rules Orzammar?

Did the Warden help Brother Burkel create a Chantry in Orzammar?

Did the Warden prove the Legion of the Dead was connected to a noble house?

Did Orta join the Assembly?

Warden’s Keep

What happened to Sophia and Avernus?

Denerim

Did the Warden complete Slim Couldry’s crime wave?

Who rules Ferelden?

Who killed Urthemiel?

Awakening

What happened to Nathaniel?

What happened to the Architect?

What happened to Vigil’s Keep and Amaranthine?

As you can see, I have not included all the choices, just the ones I think can be carried over in both realistic and interesting manners. Not all of them will heavily feature in the game; in fact, many of them are for flavour and codex entries only, but there is still merit in those. We know there is a whole lot of stuff happening in the South thanks to the letters the Inquisitor regales us with. So let’s put some world-state uniqueness to those letters. But in this rewrite, some of these choices will, in fact, feature in a more substantial manner.

And that’s Dragon Age: Origins done! Moving on to the next one!

Past Adventures: The Tale of the Champion

When we enter this screen, the CC assumes Kirkwall’s orangey-yellow tone and we get a reprisal of the key DA2 themes by Inon Zur, the most prominent one being, of course, Hawke’s family theme. This one is not going to be as big as DAO, but there are a few important factors nevertheless, especially concerning possible deaths and survivals.

The Champion of Kirkwall

Unlike the Hero of Ferelden, Hawke will actually be customisable in this one. Because no matter whether or not they were sent to the Fade or Weisshaupt, there is always the potential for them to still be alive. So, here are the choices regarding Hawke:

The Champion: Here you can customise Hawke’s gender, class, and personality.

Who did Hawke romance, if at all?

The Party

Pretty much every companion’s card, aside from a few, will have the questions “Did you recruit them?”, “Are they still alive?”, and “Were they friend or rival to Hawke?” at the forefront. Most of it is gonna be flavour, but it’s still my flavour, dammit!

What happened to Bethany or Carver?

What happened to Isabela and the Tome of Koslun?

What happened to Fenris and Danarius?

What happened to Merrill, her eluvian, and Clan Sabrae?

What happened to Bartrand?

What happened to Anders when the Chantry exploded?

Did Hawke approve of Anders' actions?

Did Aveline marry Donnic?

The Tale of the Champion

Did Hawke protect the Bone Pit from all its dangers?

What happened to Feynriel?

Did Hawke let Zevran go?

Did Nathaniel survive?

Did Hawke side with the mages or the templars?

Fewer choices are carrying over here compared to DAO, but many of the events that occurred in DA2 are only relevant to Kirkwall’s immediate fate, which is already resolved by the time of DAI. Many of these will be flavour again, but some of them, I’m not going to say which, will definitely have a bigger impact.

Right, we’re done with DA2, let’s move on to the last one!

Past Adventures: The Inquisition

And here we get to the big one, the game that most directly impacts much of DAV’s story. We click on the last page and get the green shades and DAI’s ambience themes, a beautiful reprisal of Trevor Morris’ great hits. I would like to once again reiterate how emotional the CC music made me feel here when I was playing the game. Let us now customise our choices.

The Inquisitor

While the Hero of Ferelden will be a background figure in letters and codex entries, and Hawke more of a minor character with a significant role, the Inquisitor will have a much larger presence. Just how large, you’ll find out soon. But for now, let’s customise them:

The Inquisitor: Here you can customise your Inquisitor’s race, gender, class, and specialisation. Their personality as well, for while it wasn’t as apparent as with Hawke, the Inquisitor does still have a distinct range of dialogue choices. You can still be diplomatic, lighthearted, or even rough.

Who did the Inquisitor romance, if at all?

The Inner Circle

As with the other companion sections, pretty much all slides here will feature the “Did you actually recruit them?”, “Are they still around?”, and “Are you friends or not?” questions. Alongside a few specific ones that will definitely have more of an impact here.

Did Dorian resolve the issue with his father?

What happened to Blackwall?

Did the Iron Bull remain loyal to the Qun?

Did Cassandra rebuild the Seekers of Truth?

Did Cassandra discover the book of secrets and what did she do with it?

What happened to Harmond?

Which path did Cole choose?

What happened to Solas’ friend?

Did Varric track down the red lyrium source?

Did the Inquisitor give Vivienne the heart of a snow wyvern?

How was Cullen’s lyrium dilemma resolved?

How did the Inquisitor help Josephine resolve her family’s fortunes?

Was Leliana hardened or softened?

The Path of the Inquisitor

Did the Inquisitor embrace or denounce their title of Herald of Andraste?

Did the Inquisition side with the mages or the templars?

What was the general principle upon which the Inquisition was founded?

Who rules Orlais?

Who stayed behind in the Fade?

What happened to the Grey Wardens after Adamant Fortress?

What happened to Samson or Calpernia?

Who drank from the Well of Sorrows?

Did the Inquisitor respect the rituals at the Temple of Mythal?

Who became Divine Victoria?

The Inquisition’s Influence

Did the Inquisitor ally with the Hinterland cultists?

Was the rift in Crestwood closed?

Was Caer Bronach captured?

Did the Inquisitor make a deal with Imshael?

Was Suledin Keep captured?

Was Griffon Wing Keep captured?

Was Sutherland’s company formed?

What tone did the Inquisitor’s judgments take?

Jaws of Hakkon

Did the Inquisitor learn Ameridan’s fate?

Was Hakkon slain?

Did the Inquisitor share the truth about Ameridan?

The Descent

Did the Inquisitor stop the earthquakes from destroying the Deep Roads?

Trespasser

What is the ultimate fate of the Inquisition?

What is the Inquisitor’s final goal regarding Solas?

Again, this looks like a lot, and it is, but bear in mind that a lot of these will only have minor impacts on the story in the form of cameos and codex entries. However, there are several major DAI choices that will have significant impact.

For our hypothetical rewrite, I shall not list every single choice I made for my imaginary playthrough. Instead, I shall reveal them as we go along so as not to clutter the space too much. And it’s a bit more fun this way.

And that’s the World State editor finally done! I believe all of these choices are able to feature in some capacity, be it big or small. But no matter if it’s a big world-changing consequence or simple flavour texts and cameos, it will still be our Thedas, our own unique version of it that we helped shape.

Now that the past is dealt with, let’s look at the present. Next time we’ll talk about Rook, the six factions, and why a DAO-style origin story selection would have not only been beneficial but very doable.

Rewriting Veilguard Part 2 - The Shadow Dragons

[gucciguccigarbage]

I know we make a meme of never discussing the actual mystery in Disco Elysium but I also want to point out how brilliant it is in a sort of metatextual way like... At least in my particular playthrough, I came at the mystery from a certain angle. This is a "detective RPG", it's detective fiction, it's going to follow the framework of a mystery- And then it doesn't, actually. In what seems to be accordance with Knox's Decalogue, in act one we're introduced to the concept of a mercenary looking on from a high vantage point, we uncover that the shot couldn't come from the roof but instead somewhere further away, then the tribunal comes and there's a sniper mercenary there and...

That isn't the answer. Trying to say, yes, obviously- This sniper mercenary we haven't met before but knew existed shot Lely because he was a liability and the death could be used as a catalyst to start killing people. It was planned. But then it isn't. You can't even have Harry make those connections, as far as I can tell (could be I missed something in the checks of course). Even saying "I think it was one of you" doesn't have him point at the sniper specifically

Then the game continues, and you find the culprit, and it isn't like there weren't clues, but this is against the "rules" of detective fiction. A brand new person you had no idea existed until you find out they're the killer. But that makes sense. The Detective RPG was never detective fiction to begin with. It was a procedural. Of course it was a procedural. Look at how you got here. Look at Kim. You're not a Holmes and he's not a Watson, you're both just police officers. This is where the trail led. It is a political crime, not a ~murder mystery~

And that's a very effective move.

[lking-creation-hub]

So I'm replaying Slay the Princess now that the Pristine Cut is out, starting with a quick run of the game mostly to get the Stranger's ending in the heart of the Princess. Somehow that was the first Ending I found in my first playthrough of the original game, and I wanted to recreate it in this new 'universe' and keep a save file with her there right next to the original save file, before I go back and comb through for new content, so I was playing through a first run pretty quickly (and still somehow got to the new Damsel content, those who have seen it will know).

I'll admit I cried a lot of times in my first playthough, and I know I would probably cry again in this one. Maybe not at the same places, but probably the new content.

But even in my first playthrough, when I cried, I kept going. But just now I've come up on one line that made me have to fully stop for a few minutes (which is what I'm doing now, processing by posting this). I don't know if this line was in the original version, I think I would have remembered it, but...

(Spoilers below)

In response to the Princess saying 'It took courage for you to make your way down here, away from the paths others would have had you walk. We find that courage beautiful,' The Contrarian says this:

And something about that line damn near broke me just now. I could (and maybe will) go on a huge ramble about how heartbreaking it is for the seemingly-confident and seemingly-lighthearted Contrarian to so casually describe himself as 'the worst part of us', as if that's a fact. I'm genuinely sobbing at that thought, partly because I do relate to it. He has such a factual tone when he describes himself as just completely bad, the 'worst part of us' in his entirety, and god I know how much it hurts to think of yourself like that, to believe that every part of yourself is awful and makes things worse. This was the last character I'd expect to relate on that, but it adds so much depth to him.

And past that, the complete compassion in the Princess calling that part of them beautiful. The idea that these things we look at in ourselves and hate can be held with such compassion by someone else. I just can't describe how light and kind of overwhelmed it feels. Like I'm still typing mostly because I don't think I'm ready to go back into the game and see the next line. The game is still sitting on the screen I have screenshot above, because this scene is just so overwhelmingly beautiful to me that I actually need a break to process it (in the MOST complimentary way, of course).

@blacktabbygames You nailed it the first time around and from what little I've played of the Pristine Cut you've somehow improved on what I had previously considered a perfect game. I can't wait to explore all of the rest of it (and probably pick up Scarlet Hollow after I've fully explored Slay the Princess).

[spitblaze]

Mouthwashing spoilers below cut, played through it again today bc i accidentally nullified all of my achievements through the dev console. oops

Okay so the first time I played through it I was high and it was very late at night. Already a great start but it means I missed some shit my first time through and I'm already not exactly stellar at more abstract literary analysis. LUCKILY this site is full of people who are way better at that than I am (and im convincing my partners who are also way better at it than I am to play it soon too).

Luckily I'm better at lit analysis than whoever the weirdo on the Steam forum saying this game is bad because it 'doesn't punish Jimmy for his actions enough' as if this isnt a horror game primarily about his guilt-induced mental breakdown and if i have to see anyone else say that anya is a poorly written character im going to poorly write them out of existence because I'm inclined to believe that if you think that you either weren't fucking paying attention or have subscribed to the Joss Whedon school of feminist writing which is 'good writing of women is when they are girlboss'. like sorry shes too much of a depressed traumatized Fawn Response rape victim for your liking. jesus christ

Anyway the game being short DOES lend itself well to multiple playthroughs, which honestly is for the best because its really one of those stories that reveals a lot more on a second viewing. There's a Lot going on here but as far as I can tell, the biggest themes here are what it means to 'take responsibility' as well as autonomy and the loss thereof. The responsibility one is for sure the most obvious one, how many times in the game does it directly say 'take responsibility'? How many times does Curly say 'I'll fix this', how many times does Jimmy say he'll 'fix this'? And ultimately, how successful are either of them?

Curly's a good leader, sure, but how much does he just let slide for the sake of 'the big picture'? Daiske was a last minute addition. He's a good kid, but he didn't make a stink about it. Gotta think about the big picture. Anya has told him about what Jimmy did to her. Nothing. 'What would you do?' 'Anything.' But nothing. Absolutely nothing. I'm not gonna sit here and say that Curly is 100% every bit as evil as Jimmy, if someone is raped the blame falls squarely on the rapist- but it's completely on Curly for not taking action against Jimmy for the sake of the big picture. He really could've done anything. Fucking anything. It's not necessarily on Curly to foresee that Jimmy's stress response would be to end it and take everyone else with him. But it was on him to do something about a known violent assault and its perpetrator before anyone else got hurt. He's not a perpetrator, but he's an accessory. He may not have deserved the punishment he got. But he's nothing if not agonizingly aware of the consequences for not taking responsibility for the actions of his crew.

Jimmy, meanwhile, is obsessed with responsibility despite the fact that he's incapable of actually handling it, from the very start. It's not clear when exactly he assaulted Anya, but I assume it was after Curly broke the news to the crew. The moment even a shred of consequences emerge, the minute Anya tells him that she's pregnant, his first course of action is to deliberately sabotage the ship. Murder-suicide. He says he's sorry. That he made a mistake. As if there were not multiple, deliberate steps at which he could've stopped and realized what he was doing. After everything, he tells the crew it was Curly's fault so he could have more of that responsibility he desired so much. Not that anyone respects it except maybe Daisuke.

But he can't handle even the most basic of responsibilities there, either. A handful of menial tasks and he fucking snaps at the woman he hurt to begin with, even when she only ever acts the way she does around him to avoid further hurt. 'Take responsibility'. But he can't. Over and over he'll tell the vision of Curly he's made in his heads that he's sorry, that he'll fix things, that they'll all make it. And then he just keeps making things worse. And worse. And worse. Anya's going to hurt Curly, she's suspect and violent. Swanson won't let them into Utility. That's suspect, he's going to get out of here and leave everyone else behind. They both have to be stopped. Don't you trust me, Daisuke? Don't you trust your captain? That's why YOU have to go through the vent. He cannot fucking take responsibility, only goad others into doing things and handling things as underhandedly as possible. No wonder Curly laughs when he takes the gun. Anya spent all this time trying to keep it from him. And he got it anyway, because that'll all Jimmy knows how to do. Take and resent and hurt. His own twisted version of 'responsibility'.

It genuinely pisses me off how many people write off Anya as being 'badly written' or write her off altogether, especially considering the VERY OBVIOUS character she's based off of, being Wendy Torrance in The Shining (Yes I'm aware there's baggage around that particular character's strength of writing too, but I'm not about to go off on a rant about a movie ive only absorbed through cultural osmosis). Like...she's not a perfectly written character, no- her arc is less about her as a character and more about the things that have been done to her. Sexual assault used as a narrative device, nothing new there- it's at least less egregious in a horror story, where fear and trauma and terrible things happening to good people is kinda the whole thing. My big issue with Anya's writing is that we didn't get more of her- more exploration of how Jimmy's actions affected her, more exploration of how her and Curly are that much more alike after the crash- it's not a very long game to start, and given her character and the situation I don't necessarily disagree with her going out the way she did at the time she did. It just would've been nice if they'd utilized the nonlinear structure of the whole thing to explore her more, y'know?

Given Jimmy's PoV it makes sense that he's more fixated on the consequences of raping her than on the woman herself, but from the Doylist perspective, like...c'mon, give us SOMETHING more to work with. And like I said before, it pisses me off that people see a woman who doesn't immediately fall into the 'girlboss' role when shit hits the fan and then write it off, as if the premise of the story isn't about everyone's reaction to a hopeless situation spearheaded by a violent, manipulative, self-centered shithead. Swansea's the most capable person here outside of Jimmy and Anya, and I've yet to see anyone saying his character was weak because he spends most of his time drinking and raging instead of taking action. I'm mostly just upset that I don't have much more to say about her outside of her relationship to the rest of the crew. One could argue that most of what we are is defined by our relationships to others, and the nature of the game means that we don't really get a deep peek into anyone's psyche besides Curly and Jimmy.

I like how she invokes the metaphor of that dead pixel, the detail that sticks out like a sore thumb to her, always in the back of her mind, ever-present, that Curly can't see and never will because he's too busy looking at the big picture. I like how they establish the nature of Jimmy and Anya's relationship without being too direct, putting up that brave fawn act while he's there- she has to, the ship is only so big and they're so off course that rescue seems impossible- but she doesn't sleep in the same room as everyone else, she won't confide in Jimmy, and his mistreatment of her was what finally drove her over the edge. Jimmy's more concerned about what she might do to Curly that what she might do to herself, and he KNOWS that she's prone to mental breakdowns- often caused by himself, if not by Curly's state. The whole thing is tragic, but Anya's case is particularly saddening. Even after her death, she's paraded around like a puppet so that Jimmy can have his macabre little party. He doesn't care about her. He never did. And yet he's haunted by her, the 'sexual thoughts of cartoon horses' intermingling with his strange psychosexual hatred of the nurse just trying to do her job, haunted by the consequences of his actions because he's too much of a fucking coward to really, honestly and truly, take responsibility.

Swansea and Daisuke I have less to say about, ultimately. They feel a lot more straightforward in their narratives, at least from my perspective. Daisuke's a dumb kid with a shitty internship and he's so upbeat and positive that it genuinely pisses Swanson off, which means that he does ultimately care about the kid. A+ dynamic. Seems like a prick on an initial playthrough, but on the second run through I get it. He's old enough, he's seen enough, he knows exactly what Jimmy is and doesn't buy his responsible act for a second. He's not a captain. He's just some shithead who acts like he can handle it but flees in the most destructive way possible the second the consequences rear their head. He's a man that, even in the throes of substance abuse, does a better job of taking responsibility than Jimmy ever could, and arguably better than Curly ever did. Instead of just shrugging his shoulders at a last minute intern, he took him under his wing and started training him. When shit hits the fan, his instinct is to protect Daisuke- the one person who IS his responsibility. When he really, truly does not believe there is anything else that can be done, he puts him out of his misery. Maybe he was saving that cryo pod for him, too. It's hard to say, but the fact that he's the only one who stood up to Jimmy and saw him for what he was makes him that much more likable.

Daisuke...oh, Daisuke. He couldn't have known this was coming. He was doing his best, he just did what he could, he tried to be helpful and kind and be a good person. And for that, Jimmy used him and got him killed because he was too much of a goddamn coward to apologize to Anya, to see her as anything besides a nuisance at best. I get why Jimmy is so fixated on his death- as far as he's concerned, his first real failure, since Anya was such a non-issue that he didn't even have anything to say about her lifeless body. It wasn't just his inaction that got this kid killed, it was his actions. He had every opportunity to use even a single ounce of his brain and recognize that there are other people on the ship besides him and Anya, to recognize that these psych evals aren't just for the sake of the individual. And for that, Daisuke died. Way to go, hero.

The autonomy shit...god. Psychological trauma can be just as incapacitating as physical harm, can't it? Anya completely changing her demeanor after being assaulted, her body no longer just her own. I want to see the horror of that from her perspective, the invasion and the terror and revulsion of having something like that growing inside you. How sickening it must feel, how just the knowledge of its existence makes living that much worse. How the man who did it is still nothing but despotic. Curly, finally seeing Jimmy for who he truly is firsthand. It's all well and good to believe in someone, to trust them and want to help them overcome their struggles. But being choked and beaten and abused by them, day after day after day, because you had the audacity to sit a little higher on the totem pole than they did, because you had what they wanted, because they couldn't stand seeing someone better off then they were.

It's kind of mind-boggling, honestly. I've...kinda been there, with people who I know are still there, they're fully in there and aware and the same person they've always been, but their means to communicate with the outside world is cut off. I was fortunate enough to have been listening to a lot of disability activists around the time my aunt started losing her speech. It seemed a lot of times that the only people who really recognized that she was still there were me and my uncle. Even my mom, her older sister, inseparable for life, started treating her like she was suddenly a different person, not capable of really understanding her or wanting or doing things for herself.

So, like- not trying to be selfish or anything, just doing the autistic 'oh i can relate to this' bit, particularly about Jimmy projecting all of this shit onto the captain when he barely has the capacity to laugh or cry, let alone speak. His savior. His best friend. His bitter enemy. Beating him relentlessly while giving him his medicine for having the audacity to be an inconvenience. Let's eat some cake. I want to go home. Curly is just a man, and Jimmy regards him as helpless, antagonistic, and a god all at once. He'll thank me for this one day.

So uh. Many thoughts, head full. After the end of the bizarro sequence with Curly heading to the cockpit, the door is very small. A black pixel, the one stuck in the back of Anya's mind. A graveyard full of mausoleums, every one of them with the same epitaph as the bizarro one for Daigo in ch 14, and the one you can enter with his face on it. Not a single one for Anya. The Polle at the end having the same blue text as Anya, haunting the narrative just as much as Curly, just less overt. I'll fix this. I'll take responsibility. God. God jesus fuck damn hell christ son of a bitch. Fuck capitalism for putting their employees on such tight strings and skeleton crews that a collective pink slip can send people into this kind of spiral (or rather can give Jimmy a good reason to convince everyone else that all of them are completely fucked except for the captain and Daisukle) and fuck Jimmy. Fuck him. My one other complaint besides the feminist critique above is that theres some sequences that go on a bit longer than they really should (ch. 14 getting the mouthwash, most of the vent segments).

Fuck you, Jimmy.

I hope that gunshot hurt.

[golvio]

I think the metanarrative reason for the Princess being put into an antagonistic role in the “intended story structure” instead of being the protagonist is a big hint to her true nature.

While the protagonist gets to have the POV and make the major decisions that determine the story’s resolution, the antagonist is the one who actually makes things happen. Even when she’s not an antagonist and you’re working together, she’s still making things happen solely by being the only visible character present. Her mere presence changes things.

It’s very, very difficult to have a story without some external force or another character acting upon your protagonist and pressuring them to make a move. Even stories told primarily in flashbacks have the main character interacting with something, even if only in the past tense. A story where the main character just sat there, never interacting with anyone or anything, never having any experiences to learn from, would be incredibly boring. Simply having someone else there to talk to and play off of is enough to get things to move again.

Contrast this with The Narrator’s ideal story, which is a Wholesome™️ story where the main character does what they’re told and then never has anything bad happen to them ever because, as the only character left in the story, they’re safe from conflict, change, or heartbreak. Sure, it might not be a controversial story that would upset someone, but it’s also incredibly dull and unfulfilling. The credits roll and that’s it? That’s all we get?

It’s absolutely hilarious to me that, while The Narrator inserted his echo into the Construct under the conceit of being the literary device that’s the vehicle delivering the story to the reader, he really sucks at storytelling. He can’t build rapport with his audience (us) because he doesn’t understand what we want or how to persuade us beyond vague moral arguments with no emotional hooks whatsoever. He’s so inflexible and refuses to allow alternate interpretations that he can’t handle when things go off script, and can’t get the story back on track when we start going off the rails short of pulling a deus ex machina (which only works when the audience still has enough faith in him to take him seriously as storyteller instead of doing their own thing). Things only get interesting when the Princess gets involved. Things only move forward when she forces the issue, particularly in the Nightmare route, where you refuse to commit to a choice out of fear of potential consequences.

A friend of mine who recently did their first playthrough commented on how the underlying quest to collect perspectives for the Shifting Mound was basically an improv session. I think they’re right on the money. Each chapter is like a game of “Yes, And” between you and the Princess that continues until neither of you can think of anything else. The developers mentioned in an interview that Shifty M. only arrives to take the vessel home when the story “ends.” That is, when there’s nothing left to do. Improv is one of the genres of performance that best encapsulates Change in its demand for adapting to circumstances and new information, so of course The Narrator would be against it, preferring simple, linear narratives.

People tend to become fascinated with antagonists because they’re the ones who make things happen. Adding an antagonist who’s also a person is one of the easiest ways to start building a story. By making the Shifting Mound and her fragments our enemy and requiring us to get within talking distance in order to slay her, The Narrator shot himself in the foot by making Her the most compelling and interesting character by default.

[vigilskeep]

do you have any refs for Minerva’s relationship with the other dao companions? I did not realize she and leliana was estranged 😭 also if im remembering correctly she makes loghain do the dark ritual? sorry I do like spinning her around in my head and knowing the little details she’s such a great character!!

leliana and minerva did not have a clear breakup in the alistair minerva sense but they did grow apart because of the simple reason that post dao minerva becomes politically at odds with the chantry while leliana is serving its leader. leliana is not a type of person minerva finds very easy to like or trust so while they did grow on each other over the course of dao they never had a simple friendship in the first place

alistair you probably know about bc its kind of the cornerstone of minervaposting but theres a post fully explaining it not much further down in her tag

zevran is her romance <3 i hesitate to use the word “soulmates” exactly but they definitely fit together in a way no other minerva pairing could match

morrigan she has a weird close complicated vaguely homosexual friendship with, i’m sure this is par for the course for f!wardens. they probably could have been in love if morrigan had been willing to pursue it in the start and if minerva hadn’t already gone for someone else by the end, and all that is unspoken but very present in everything about them

sten is i guess kind of the typical high approval relationship as presented in game? not much more unique. a lot of respect a lot of arguing a lot of dry humour. they could hang out in silence comfortably and they’re also both know and respect that they’re very capable of killing the other if their greater purposes ever demand it

oghren she kind of doesn’t pay much mind in origins when she doesn’t have to but he becomes part of the family in awakening. they bond over having their insane shared experiences of the blight, and also over him trying to quit drinking and her trying to quit blood magic which leads to some really wild out of context conversations for the others. and hey, eventually over first attempting to parent at similar times

wynne she has a bit of a sharp relationship with. i think this could vary a lot if i pick her up earlier, but in my main minerva playthrough i picked her up late by which time minerva had absolutely no fucking interest in getting the kind of lectures she grew up with. sorry grandma </3

uhhhh who else. shale idk man im sorry for being a fake fan but shale’s dlc truly does nothing for me it’s unfunny and i dont think abt it at all 💔 this would be written in less harsh terms if i wasnt sleepy

loghain is. well that’s a kettle of fish. minerva spares him because it happens to be a preferable move for her agenda and her way of thinking, it’s not rlly about him as a person at all. she doesn’t absolve him of anything he did, like, she still thinks he’s a bastard it’s just that she doesn’t really believe at all in the concept of justice being done if it doesn’t serve a purpose. when he’s in the party they do build up respect and a weird kind of friendship. he sucks and she’s bitter about what sparing him cost her, but that isn’t relevant, it’s not going to stop her learning from him, or fighting at his side as the best team she can quickly make them, or simply finding him entertaining to talk to. so by the end it’s as a friend that she asks him to do the dark ritual, whatever that means. post dao she agrees with weisshaupt that him being assigned outside of ferelden is wise but they continue to write to each other extremely regularly, mostly on matters of news and strategy but occasionally on the more personal

is that everyone i think thats everyone

[empyreansentinel]

since ive started my most recent playthrough of the series im just. constantly reminded of how shitty of a hand the bandits got dealt. starting with dahl dumping thousands of convicts into pandoras penal colonies, as well as establishing civilian settlements like fyrestone. this went on for generations, maybe. long enough for zed to be born and go grey. atlas shows up, chases off dahl and the planet is put under new, neglectful management. this opens the prisons, and the "unworthy" convicts clash with the "worthy" dahl settlers for resources. violence breaking out is inevitable because violence is the only thing the bandits have. BL1 VHs come in, killing their way through every camp and mine and settlement they can get into, for no other reason than Bandit Bad and theyre in the way of our money. lets go into their homes and kill them because they would have probably tried to kill us if we hadnt. the first people they meet are settlers, of course theyre going to feel this way. the only pushback they get is atlas trying to "protect" barons territory because they want the vault key from his men. and it doesn't stop them from throwing him to the wolves once his value as bait outweighed his value as an asset. atlas sends them after flynt with the false promise of a key fragment, something the VHs have killed for before, so why would this be any different? the vault key is reformed. destroyer pops out of the vault, cracks open the planet, and then hyperion hits pandora. i dont need to explain hyperion. everyone, if nothing else, has played BL2. more prisons, more exploitation, this time on a scale several times that of dahl or atlas. but the bandits still dont get the benefit of a doubt, even though they are facing the same dangers that sanctuary does. and worse, seeing as how they dont have a flying city with a bubble around it. once the BL2 VHs touch down, theyre mincemeat. all of a sudden, theyre fighting a war on all fronts. so they lose their leadership. captain, flanksteak, mortar, nisha in 2. nine-toes, sledge, krom, baron in 1. and they also lose a good half of of their population to boot. so...what can they do that wont get them steamrolled by pandoras benevolent saviors? they unite. BL3 rolls around and every bandit clan on pandora has been assimilated into the COV because that is the only level of security they have left. except it still isnt safe because now theyre quite literally being eaten and mutated by the ones who are supposed to be protecting them. and then theyre still being mowed down regardless, because the calypsos dont provide any real kind of safety, they just have a veil of community. which is then lost when the twins die and the world almost gets destroyed by the great vault. and now the crimson raiders are...leaving, maybe? which might be for the best. maybe what this planet needs it just to be left the hell alone.

[omegastation]

Alright, I started my MEA new playthrough and I'm enjoying myself.

Call me boring but I'm a Sheploo/Default face Scott girlie, so here he is post Habitat 7

The game is so gorgeous!!!

I wanted to reach the Nexus to start working on the next transcript so I did that this afternoon (also added more dialogue options to the other scripts).

And that allowed me to see the one and only Nakmor Kesh again:

Anyway, I'm excited because MEA is so immersive, there are a LOT of lore waiting for me, it's been a long time, and I'm also a big fan of the Pathfinder team, I love SAM... I mean what else really? I love jumping everywhere :D And of course, the voice acting and the music are A+

[monoclesnapple]

Streamer!Chuuya

Bungo Stray Dogs Chuuya Nakahara X Gender Neutral Reader Beginning Note: The stream clips are taken from RussainBadger on YouTube, he's really entertaining. Hint of Rockstar!Chuuya. Word Count: 1096 (Fluff/Little crack)

Of course, he’s very popular by the time he’s 22. All those streams about the new and trending topics eventually led to his popularity. Also the fact that he’s a rockstar, so that helped.

But back when he was 15, he didn’t have that reputation of a singer, and he started his streaming first before moving to a new occupation, but still maintaining the previous one.

He had very few viewers, and he was kinda cringe. But at least you were there! 

(Background information now) You had befriended him in your freshman year of high school along with a guy named Dazai. The three of you had a lot of fun, the two guys always being chaotic and yelling at each other while you tried to calm them down.

Although you kinda got in trouble often, you still continued being stupid. You’ll grow out of it! (Debatable)

Chuuya had at some point expressed his goals of being a streamer or singer, so you and Dazai encouraged him to start with the former, so he did.

Initially, he did gameplays with commentary, but those games were first person shooters or anything online that included fighting in a team against another. Simply put, he raged a lot.

And now in the present, he still does, but it’s gotten a little more expressive since he doesn’t have anyone to scold him about what he’s saying aside from you.

He has a variety of content on his page now, like gameplays (still), just talking, random challenges, IRL streaming, etc. The different forms of entertainment really helps with maintaining his popularity.

Sometimes during streams, he would tell his viewers that he’s gonna do something for a minute until he returns. That minute is used to check on you.

“Are you hungry? We can order take out”, “You alright?”, “We can cuddle and watch a movie after I’m done”, all that is concluded with a kiss on your face.

You do like to mess with him sometimes. Sitting under his desk while he’s gaming and watching him (Just don’t screw his playthrough, he won’t talk to you for a while), going in his chat and sending a message (That shows up highlighted/on screen) about some chore he still has to do, and the like.

Anything harmless because you care about him and he appreciates that.

One time, you were making dinner and he suddenly started screaming loudly. You ensured the kitchen wouldn’t burn before knocking lightly on his door and asking if he was okay.

In response, he comes to the door and opens it a little. “Shit, sorry. Don’t worry, everything’s fine. I���ll make it up to you later,” and he takes your hand, placing a gentle kiss on it, then going back to his chair.

When he uploaded some clips of his stream to his channel on YouTube or the equivalent of the site, you saw that the reason for his scream was because he was arguing with a friend? And the microphone couldn’t capture the high volume so the yell came out quieter than it really was and the mic just cut off.

Another time, he was talking with his friends about something that had happened, and Dazai (who was playing with him, of course) just muted Chuuya’s mic midsentence. After that he went offline, ended the stream, and went to your shared bedroom to cuddle with you, pout on his face. He recounted what happened and you chuckled lightly, embracing him.

Eventually, his old streams from when he was in high school were found (He deleted the clips after saving them on a drive because they were precious memories) and uploaded.

The video included the time where he was playing a multiplayer game (Just Call of Duty, really) and there was an after death mic that allowed the dead player to say something for a second to their killer before respawning. The things he said included, “You’re so mean!”, “Hahah, pendejo!” (asshole in Spanish), “I don’t even wanna play anymore” (In a whiny voice. He said that to you and Dazai, but the mic was on.)

He barked at someone in the game results screen

At the discovery of his old streams, Chuuya panicked before laughing at them. Sure, they were embarrassing, but the comments loved it. He decided to upload the rest of his saved ones so everyone can enjoy them.

Akutagawa, his friend, sometimes play with Chuuya’s group, and when the former plays and does well, Chuuya just yells out “That’s my boy! THAT’S MY BOY! GAHDAM-” and he’s cut off. He’s a huge supporter for Aku and will cheer him on whenever he plays.

After his streams, Chuuya goes to spend time with you. It’s always wholesome and you both would never trade it for anything in the world. You scratch at his scalp while he buries his face in your chest, complaining about Dazai bullying him, or how he was getting dominated by the other players. He always has fun things to tell to you.

What you always love is that while on stream, he seems tough, loud, and in general very entertaining. But when he’s alone with you, no cameras or anything, he’s so soft and cute. Just your cute little boyfriend.

Although he can catch you off guard with his loudness, he always apologizes and makes you forget it. Despite the two of you sharing the fact that you’re both in a relationship, there’s still people prying into his life, wanting to know more. Chuuya did say that it may be uncomfortable, but you still have a large support system consisting of his fans.

A couple of his streams include you. Mainly the IRL ones, but you sometimes join him in his games. The viewers love seeing you two together and always request for more of you.

Sometimes, he practices with his guitar on stream, playing any requests from viewers, and you’re off to the side and out of the camera’s view. If there’s ever a romantic song, he dedicates it to you. A lot of love songs are asked for.

Going back to streams with Aku, he once had a coughing fit while on mic, and someone rigged it to have a voice effect. His coughs were so screwed up, it just sounded like a weird echo into the abyss.

Overall, he’s very fun to be with. You’re blessed to be the one he trusts to show his soft side to. Anyone who’s able to be his friend at least is lucky to have that title (at least in the present time).

End Note: Here are the clips used

(Edit, here's the Aku inspired one)