#i should write more for this show in the future

[buddiebeginz]

I'm really happy that Buck and Tommy are finally over (thank god) but there was so much I didn't like about this episode. Not only does Tommy have a history of racism, homophobia, misogyny, etc but he was simply not a good boyfriend. And like not just not a good boyfriend to Buck (which he was that) but like not a good boyfriend in general. Like look at how he talked about Abby (and I'm no fan of hers).

I know some of the stuff with Tommy was probably due to Lou's terrible acting but some of it was definitely writing choices. I don't get the point of writing a character to be a lackluster love interest at best and dismissive patronizing jerk of a boyfriend at worst if it's not leading somewhere in the story. It just feels like bad writing. A lot of the stuff with Tommy does. It's why I'm still amazed at how much that fandom acts like they're the greatest romance of all time.

There's also all that stuff that happened in 7x04 that I fear is never going to get brought back up again. I mean it might when Buddie goes canon (which I still believe will happen) but it might not just because if Tommy's gone they might not feel the need to address it again. But it was clearly Eddie's attention that Buck wanted in that ep (I wrote a whole thing about it here). You also have the fact that Tommy was showering Eddie was all this attention and gifts and the only time we saw him do anything remotely like that for Buck was in tonight's ep on their anniversary and it was tickets for a game Buck didn't even like so clearly Tommy wasn't that invested.

It's just this show has a habit of Buck staying in these relationships where he's not happy. Not knowing his worth and not speaking up to people who hurt him all so he can feel like he's loved. And I know a lot of that goes back to the stuff he dealt with as a kid but I'm just really sad they did this to him again. I get that Tim probably wanted Buck's first relationship with a guy to end on a positive note but then like I said why write Tommy the way they did since s7? If you take Buck and Tommy's relationship just as it played out on screen then Buck definitely should have been the one to break up with Tommy.

They wouldn't have even needed it to turn into a fight or this bitter angry thing it could have been a matter of Buck realizing that him and Tommy were just too different. That Tommy didn't really get him as a person and that could have been further made clear by having a moment where Buck calls Tommy out on always calling him Evan. I also don't get why they decided to have Tommy call him Buck in the breakup scene but then never address it any other time. Like they never really explained why he only ever called Evan and then didn't explain why he switched it up.

Like I said I'm happy they broke up but I just feel like in some ways I can't enjoy it. In both this ep and 805 there was scenes like at the graveyard where Buck acts like Tommy is this amazing important person in his life and I get that some of that is Buck trying to make his relationship with Tommy into something more than that is. And really connecting his excitement and newness of coming out with Tommy. But it still hurt to see him asking Tommy about moving in when I know Buck deserves so much better. He deserves a partner who will love him and see him for exactly who he is.

Connected to all of this I didn't like the scene with Josh, Maddie, and Buck either. I know some of that was probably the shows way of trying to make us think about Eddie and his coming out in the future but they were also talking about Tommy. Tommy doesn't get a pass for being a misogynist or racist or a homophobe just because he was in the closet. Also whatever happened with him and Abby in the past he was still talking shitty about her when he was on the date with Buck (in present day) so clearly his attitudes towards women haven't changed.

I like a lot about Josh as a character and he doesn't even know Tommy or about his past so I feel like he was just trying to educate Buck on some queer history. I don't entirely blame him for that speech he gave. I do blame Tim and the writers though. If they wanted Tommy to be seen as a guy who made mistakes in the past and had grown they should have put the work in to show him as such. The couldn't be bothered to do that even in his relationship with Buck. Truly hoping this is the last we'll see of him and also that not much time is spent having Buck mourn that awful relationship.

[schlattslambo]

hot for teacher | schlatt 18+

A/n: this has truly been burning my brain. reader is female presenting. I will work on some more gender neutral stuff in the future I promise!! Please enjoy<3

C/w: spanking, name calling (slut), power dynamic (teacher x student), spitting, use of daddy towards the end

——————————

Why you decided to go back to college to get another degree, you have no idea. All you know is that this class is boring as hell and you aren’t sure why it’s even needed for your degree. The only upside was the fact that it was your first class of the day so you could get it over with. Plus the professor was kind of hot too.

It’s a warm day today, way warmer than it should be for this time of year, so you decide to show a little skin to your writing class. Your skirt is just long enough to cover your ass, and your shirt is low cut and cropped. Honestly, it’s like you’re not even wearing a shirt at all.

You walk into the classroom, plopping down in the back like you usually do.

“Ms (y/n),” Your professor says from the front of the room. “Come and see me please.”

You roll your eyes. Mr Schlatt might be hot, but he was strict. He didn’t allow gum chewing, eating or drinking - except water, of course- and locked his classroom 5 minutes after it was meant to start so nobody who was late could get in. He constantly got under your skin about your writing and your formatting, and was seeming to start early with his criticisms of you today.

“Yes, Mr Schlatt?” You ask, crossing your arms.

“Did you leave the rest of your clothes at home?” Mr Schlatt asks, raising an eyebrow.

“No, stupid, this is it.” You scoff.

Mr Schlatt could take a lot, but seeing you like that, acting all defiant and shit pissed him off. He wanted to knock you down a peg or two. His jaw works as he glares at you.

“What do you want?” You ask.

“I wanted to see you because your last essay was all over the place.” Mr Schlatt says. “It had a good foundation, but it could use some work.”

“Did I fail the assignment, or what?” You snap. “I worked hard on that essay!”

“You would receive a 50, which is failing,” Mr Schlatt pauses. “This essay is a large part of your grade, and your grade is already low enough as it is.”

“What??” You yelp. “How could I fail?! This is ridiculous!”

“I want you to redo the essay.” Mr Schlatt adds, reaching into his desk and pulling out a piece of paper and handing it to you. “This is an essay template. I’d like for you to come in during any free time that you have and work on it with me.”

You glare at him. “I’m not redoing that fucking essay.” You growl.

Mr Schlatt’s eyes darken in a way that you’ve never seen before. He takes off his glasses and places them down gently before his eyes go back to you. Your eyes widen slightly at how scary he looks.

“First off, you do not speak to me like that.” Mr Schlatt says. “Second, you will be redoing this essay. It is not a full rewrite, it is just a large edit. If you do not do this, you will receive a zero for it. And that zero would make you fail the class and you will not graduate. Am I clear?”

Your eyes widen. Surely he’s joking. This is college for fucks sake! He can’t have this power over you. Especially over some essay.

“You can’t do that!” You yell.

“I can and I will,” Mr Schlatt says. “Now, from what I’ve learned over the course of the semester is that you typically have some free time around 1pm. I’d like you to come back here at 1 so we can go over this work.”

With that, Mr Schlatt dismisses you. You stomp over to your seat and plop down, taking out your phone. You barely work in the class out of defiance, but catch Mr Schlatt glancing at you. You glare at him and he just shakes his head, leaning over to help another student.

Two classes later, you figure it’s best to just go back to Mr Schlatt’s classroom. You need to graduate. You hate college and want to get out as fast as possible. You barge into the room, making Mr Schlatt look up at you. He heaves a sigh.

You have to be Mr Schlatt’s least favorite student, but he cannot stop thinking about how you need to be put in your place. You are a student, and he is a professor. He deserves respect, and you’re going to give him that respect one way or another.

“Glad to see that you came back,” Mr Schlatt says.

It’s the end of his day and his tie is loosened, his sleeves are rolled up, and his hair is messy. You sit in the seat across from his desk and look at him while he finishes scribbling something down. Turning the paper over, he looks at you.

“Let’s get this over with.” You sigh.

The first few minutes of the edit are simple enough. You sigh and try and add in the notes that Mr Schlatt left for you.

“This is stupid,” You grumble. “Why can’t you just pass me?”

“I want you out of my class just as much as you want to get out of it,” Mr Schlatt says. “But I can’t just pass you because you want to leave. You have to earn that right.”

You sit quietly for a moment, then a smirk breaks out on your face.

“Is there any other way that you could pass me?” You ask, twirling some hair around your finger.

Mr Schlatt’s eyes narrow. “No,” He grits. “Now finish writing.”

Thankfully for him, you don’t notice Mr Schlatt’s pants becoming tighter at the crotch. You’re pushing his limits and if you don’t stop soon, you’re going to be pushed into his office’s supply closet and taught a lesson.

“You’re too hot to be this rude,” You grumble.

“You’re too old to be this defiant.” Mr Schlatt snaps back. “You have two seconds to continue this last paragraph or I’m kicking you out and you can fail the class.”

You look up at him and smirk. “Make me.”

The band holding Mr Schlatt back snaps and he stands up, slamming his palms on the wooden desk.

“Get into my office,” He growls. “Now.”

You jump at the loud noise as your eyes widen. You stare up at Mr Schlatt dumbfounded.

“Did I stutter?” He asks. “Get up and get into my office.”

You stand up so quickly that the chair that you were sitting in nearly falls over. Mr Schlatt leads you into his office and closes the door, locking it. You’re speechless, but the slowly growing puddle in your panties speaks volumes.

With two long strides, Mr Schlatt is inches from your face. He’s so close that you can smell the whiskey that he puts in his coffee to deal with students like you. Your knees nearly give out but you lean against the wall.

“You’ve been pushing me and pushing me (y/n).” Mr Schlatt breathes. “I’m so close to losing control.”

You smile softly. “Then lose control.” You reply.

“You sure about that, dollface?” Mr Schlatt smirks. “I don’t think you’ll be able to handle it.”

“Try me.” You reply.

In a swift motion, you’re grabbed and bent over the wooden desk in Mr Schlatt’s office. He kicks your ankles apart and presses his crotch against your ass, yanking your hair back. You gasp and bite your lip.

“Now, (y/n),” Mr Schlatt breathes. “This is your last chance to back out.”

“No way.” You sigh.

“Stubborn little slut,” Mr Schlatt grumbles, landing a harsh smack on your ass. “Now be fuckin’ quiet. Can’t have anyone hearing what a slut you are.”

Before you can respond, Mr Schlatt’s thick fingers find their way between your legs and to your swollen clit. Your knees finally give out, but thankfully you’re lying on the desk.

“Oh fuck,” you whine.

“You’re already so wet,” Mr Schlatt smirks. “Is this from being a defiant brat?”

You can’t help but nod as he presses against the nub, pleasure shooting through you. You yelp as your shorts and panties are ripped down, exposing your ass.

“I think you need an attitude adjustment, don’t you?” Mr Schlatt leans down, his breath hot against your ear.

You watch as he grabs a ruler off of the desk and you squirm against him.

“No!” You manage. “I don’t need an attitude adjustment!”

Mr Schlatt ignores you and pins your hands behind your back. Your eyes screw shut and you whimper softly. The defiance is gone and your clit throbs as you wait for the ruler to smack your ass.

“Count ‘em for me, slut.” Mr Schlatt says before the ruler comes down on your ass with a harsh slap.

“Fuck!” You yelp. “One.”

Smack.

Smack.

SMACK.

The ruler snaps as tears begin to fall. Mr Schlatt tosses the other piece of the ruler to the side before rubbing a soothing hand on your ass.

“Now, have you learned your lesson?” Mr Schlatt asks, releasing your wrists.

“Mhm.” You sniffle.

“Atta girl.” Mr Schlatt praises. “Now since you took that so well, turn over.”

He helps you turn onto your back and as soon as you’re facing him, he kneels.

“What are you doing?” You ask.

“Rewarding you, the fuck’s it look like I’m doing?” Mr Schlatt asks, pressing a kiss to your inner thigh.

His facial hair tickles slightly, making goosebumps rise on your skin. The closer his kisses get to your center, the more desperate you get. You’re nearly dripping on the desk now and can barely take anymore. So, you grip Mr Schlatt’s hair and tug, shoving his face into your cunt. He grunts in surprise but then starts licking.

He switches from soft featherlike licks to harsh sucking. You look down at the man between your legs, and he’s flushed, eating you out like it’s his last goddamn meal. He’s slurping up your juices and the way his eyes are closed and his arms are wrapped around your thighs bring you closer.

“F-fuck, Mr Schlatt…” You moan. “You feel so good.”

Mr Schlatt looks up at you and his pupils are blown. His normal chocolate brown eyes are nearly black as he pulls away from your pussy, a string of juices and saliva connecting the two of you.

“Daddy.” He rasps.

“Huh?”

“Call me Daddy.”

You smile down and grip his hair, shoving his face back where you need it most. The action makes his cock twitch in his pants and precum dot at his tip. A harsh suck on your clit makes you arch your back.

“Daddy, fuck!” You mewl. “Keep doing that.”

Mr Schlatt groans against you, reaching up and probing your wet hole with his thick finger. He slides it in effortlessly and is quick to find the spot that makes your vision blur.

Your thighs clench on his head as you feel the tightness in your stomach. The grip that you have on his hair is like iron as you grind your hips. Your orgasm hits you like a truck, your hole squeezing Mr Schlatt’s finger like a vice. He allows you to ride it out, the noises you’re making only driving him closer to his own orgasm.

With one minor leg adjustment, Mr Schlatt’s cock brushes against his zipper just right and he cums. He groans against you, hips thrusting into nothing. He’s sure he looks pathetic, but he doesn’t give a fuck. He’s got his hottest student’s pussy in his mouth right now.

He pulls back once you’re done and stands up. You gasp as he grips your jaw with a smile.

“Open.” He orders.

You allow your jaw to go slack and Mr Schlatt allows a big glob of spit to land in your mouth. You swallow, tasting yourself.

“Good girl.” Mr Schlatt praises, patting your cheek.

“Am I gonna pass?” You ask, looking up at him through your lashes.

“We might have to have a few more meetings to go over things, but I think you’ll manage a passing grade.”

You leave Mr Schlatt’s office that afternoon and walk off, your clit still throbbing. You’re sure the next few meetings aren’t going to be nearly as boring as you thought they would be.

[hestzhyen]

Chapter 57 Cope Posting

Not like this, dear void... not like this. The blessing/curse of Kagurabachi chapters ending in 7 being absolute banger cliffhangers continues and there is not enough copium in the world to get me through to next week. This entry is an absolute mess...

Let's start with practicing on the editor's comments again. Sorry if the colours are hard to read on brighter backgrounds, I live in Dark Mode as much as possible.

First page: ハクリが飛宗の転送に成功! そして- [Hakuri ga Tobimune no tensou ni seikou! Soshite-, Hakuri successfully transfers Tobimune! And then-] Last page: 座村, 漆羽… 事態は混沌へ… [Samura, Uruha... jitai ha konton he..., Samura, Uruha... the situation turns chaotic...] noting that the word used for "situation", jitai (事態), specifically has negative connotations (as opposed to 状況 [joukyou], which is neutral).

These comments are rarely more than fluff just to give the editors some presence in the work itself, so I don't take them as definite indicators of anything going on in the plot. But man. Man. "Bad situation" seems to be putting it lightly. I was ready to take you off the list of possible traitors, Samura! I was seriously going to do it! Whyyyyyyyyyyy

Chihiro and the Pink Menace

Fine, first up... school?

How does our cast stack up to the average student after getting home schooled in murder and cool action poses?

It was obvious to everyone that this arc would involve Chihiro learning about the unpleasant sides of his dad's legacy. So this is just a "hey don't forget" moment for us that also highlights how far removed Hiruhiko and Chihiro are from regular society. Those two (and Hakuri) should be in their last year of high school, complaining about homework or stressing about their future college/job plans right now instead of fighting to the death. Poor guys.

I don't want to presume too much about Hokazono-sensei's views, but I really like directly acknowledging that winners write history and so their wartime cruelty is often downplayed or re-framed as heroism. These kids and even Chihiro only know the revised version of what happened, not the truth of the matter.

Home schooled Chihiro confirmed! Kinda!

Anyway, some more John Plan Reveal. He wants Chihiro to learn the truth about his father's legacy and the impact it's had- that's why he hasn't been "harvested" yet. This implies that there's some terrible thing that could upend Chihiro's entire worldview to be learned. But we kind of already knew that based on everything I just said.

I hope this isn't a flag for John trying to convince Chihiro to join him. There are awful secrets that are going to be unearthed about Kunishige and the Kamunabi this arc for sure, but it's kind of a waste of our time to do the "oooh it was worse than you thought why don't you join us to set things right" rigamarole.

Obviously the Hishaku have some compelling reasons to do all this if they can get someone as loath to kill as Samura on their side to murk his war buddies. It's just never gonna convince Chihiro so I hope we don't get a moralizing yapfest to accompany John's outstretched hand. I trust the writing though! So far it's been almost nothing but excellence so... chill, me. Just wait and see.

I think that no matter what happens Chihiro will continue to forge his own path with allies who care for him at his side. He won't choose the government's path, or the Hishaku's, or even his dad's- he'll create something new. Standard stuff for a shounen series but I never get tired of seeing it!

Before moving on to the coping session, there's something neat in this scene that I want to ramble about:

Local yapper yaps while the guy listening to him literally overthinks

I'll use the JP version if I have to, but I like how Chihiro's inner monologue deliberately overruns Hiruhiko's speech bubble to show that he's not paying full attention while his thoughts are in overdrive. He's still partially listening but he's not quite as composed as he appears to be on the outside, which is confirmed by the close-up zoom into his stressed look with the sweat drops. Yet when we zoom out, he seems a bit more put-together like usual. He's still exhausted from yesterday, man! Really should have rested up... at least the author acknowledges it. (Forced bed rest soon? Hopefully?)

This is how Hiruhiko was able to get the drop on Chihiro. Chihiro's got a lot on his mind and he has trouble focusing, just like Uruha chided him for on the train. His resolve is unshaken but he's still prone to wavering in the moment as he tries to process things. He even misses the fist time Samura's name was mentioned! Clearly Chihiro needs Hakuri or Uruha or someone there to yell encouragement at the right time to stop him from getting lost in his own head. But he's got a lot to think about and work through right now, so it's understandable why he's so stressed out.

Poor Chihiro. He's coming to the conclusions that we, the readers privileged with having weeks IRL to ponder new information, came to long ago. The Master is not treated like a hero but a prisoner, and probably for very, very good reasons. Ones good enough to convince Samura to make a deal with the devil.

What Actually Happened?!

Not all the blades have themes from nature, it seems. Geisha offered many different types of entertainment to guests, from performing music to conversation to serving sake. So now we have the idea behind the name [Swaying Sake]!

First up to delay just a little longer: Kumeyuri power reveal! Seems to be based in some kind of performing arts aesthetic with the geisha that were conjured. Fitting for the guy who wears kabuki eye make-up right? ...And for the next bearer, who interrupted a kabuki performance to pick it up in a theater... I see you and your foreshadowing, Hokazono-sensei.

Fine. I'll admit it. The ending of the chapter makes it crystal clear that Hiruhiko is the new bearer contracted to Kumeyuri by having his origami butterflies come undone as he grasps the hilt in his teeth. Can't even hope it's another case of someone "borrowing" power like Kyora did with the Shinuchi of the bunch.

Magatsumi's the only blade that can be used by someone not contracted to it, hence the extra protections it needed.

So that means... yeah. Uruha's gone. Just like that.

There will be thousands of theories about what exactly happened to Uruha, why Samura made a deal with John, what the details of that deal were- we'll get the truth soon. I'm most interested in the reasoning that ties into Samura's sincere beliefs of killing being an evil act.

The burden of death weighs so heavily on him that he blinded himself in penance. But he's willing to let his own apprentice die -probably even kill him himself!- because of... what? What was so horrible about fighting with the Master and Kunishige's weapons for the good of the nation? What compelled him to help the Hishaku kill the remaining bearers and upend the peace they earned?!

Hey, Samura. Is it really so bad to be called a war hero while being treated like a prisoner in a comfortable government-provided jail facility? Is it so horrible that "alternative facts" pass for real history to bury whatever horrors you witnessed and possibly perpetrated? Is it truly awful to have people willing to die for you despite all the grave sins you've committed? That they're likely completely unaware of thanks to government propaganda and being too young to have witnessed the truth?

...I need those Seitei War flashbacks pronto.

*----------------------------------------------------------------------------*

Wait a minute. Jail? Even the friggin' onsen?

Yup! The Master's the only one being treated like a dangerous criminal outright, but the 慚箱 [sanso] are just dressed up prisons for the Bearers. The Kamunabi ain't even subtle about it.

慚 [san] - to feel shame 箱 [sou] - box

The government put these guys in specially-constructed (or repurposed) buildings officially referred to as "shame boxes" and told them they couldn't leave. Even the name given to one of them is a bit much! 国獄温泉 [Kokugoku Onsen] translates to:

国 [koku]- country/state/national government 獄 [goku]- jail/prison 温泉 [onsen] - hot spring

Gee, I wonder if Uruha was having a good time at State Prison Hot Springs?

That said, while there may well be some bitterness between the Bearers and the Kamunabi, it's not the main motivating factor for Samura. His is definitely rooted in how they all acted during the war and how guilty he feels now that they're promoted as heroes.

*----------------------------------------------------------------------------*

It looks like Chihiro's being summoned by Hakuri in the very last panel so we might get some perspective on Samura's reasoning next week. Probably no clear answers right away, but at least enough to see if he really was the one who killed Uruha and a bit of insight into why. And to see if Uruha's dead at all... I mean, if we don't see a body... let me be delusional, okay?!

I'm just not able to go all-in on believing Uruha's dead. But it's not because I don't think he actually is... it just doesn't feel real after spending weeks preparing to let go of Samura. Not to mention the tried-and-true tactic of baiting out strong emotions with implied character deaths.

Normally I don't take death foreshadowing like this too seriously in shounen series. I just wait to see if the author is faking me out or not before getting stressed (unless it's Hakuri, in which case I stress responsibly). But Kagurabachi is a series that lured the MC with a child's severed leg and showed two suicide attempts on-screen, one of which was horrifically successful- right in front of someone who was already traumatized too. Hell we lost most of the anti-Kuregumo squad without much fanfare back in the Sojo arc! Only actually showing a child being tortured on-screen is too much, apparently. This series is dark as hell when the author wants it to be and Uruha's death is probably another one of those times.

There's hope in me that Uruha can still come out of this alive just because I like him so much, but I want the author to follow through on his death when it's presented as such an ominously real scenario. All signs point to Uruha being a goner, so don't make it look iron-clad then say "nah" the next chapter with some technicality that we couldn't have known about until the reveal. I would rather lose Uruha in an unexpectedly painful way than be faked out just to get the reaction out of me, y'know? Don't toy with me. Commit to crushing my heart, dammit.

But, God... oh man. I fell for the bait and got stupidly attached to a Bearer in the arc named after killing them. I even knew bad times were coming because of all the levity at the start of the arc but still went on hoping nothing would happen so soon. Laugh at me, I deserve it. I probably helped this manifest by mentioning how awful it would be if Chihiro found out a Bearer died because Hiruhiko was able to contract with one of the blades. Saying "I crave the angst that will come from this situation with every fiber of my being" in a post tag was overkill. It's just:

Author: names the arc after assassinating the bearers

Reader: gets attached anyway

Author: assassinates a bearer

Reader: ╚(•⌂•)╝

Coping Theory

May as well put my two cents in on how it could have gone down while I'm here...

I wonder if he planned to die in the raid instead so it looked like an unavoidable accident, sparing everyone else from the carnage.

This exact sequence- the Makizumi talking about honor in death for saving Samura, and Uruha's words that the Bearer's lives need to be valued above others'- is what solidifies Samura's resolve. This man is filled to the brim with guilt and self-loathing (much like another swordsman we know). He cannot save himself, but... perhaps he can take some equally bad sinners down with him for the greater good. He's not only a mirror for Hakuri, but Chihiro as well- one's resolve to save no matter the cost to one's self, and one's resolve to go to hell for what they believe is right. That's how I'm reading this until we get his own insight on the matter, at least.

It's not a stretch to infer that Samura thinks the Bearers are better off dead in large part due to the powers they command and things that were done during the war. That's still a huge mystery to be unraveled but I mean:

Seeing the bare minimum of Magatsumi in action really drives home how horrific these "heroes" could seem out on the battle field doesn't it? No wonder the clone sorcerer described the Seitei war as "hell on earth". But the public has no knowledge of this. They only got the sanitized version fit for PR purposes and feel-good stories.

The Hishaku seem to be intent on dismantling this image. Perhaps that's how they got Samura on their side? Not sure how the current Bearers dying and giving the Hishaku access to that dreadful power is better than the status quo, but that's something that will become clear with more reveals about the ideology driving the group. Maybe Samura doesn't care so much about the rest of the world and just wants to do what's best for the truth that's been buried under nearly two decade's worth of secrecy.

As to what happened with Uruha... two things come to mind. One I think is more likely, and one I want to cling to until it's ripped away as I sob and beg for just one little bit of comfort.

Most likely, I think Samura and Uruha had an exchange about ideals and the value of their lives. Samura overpowered Uruha per the plan as the "trump card" and that was that.

In delulu land, I want Samura to have been double-crossed. As in he made a deal on the condition that the lives of the people he cared about would be spared, but of course Uruha couldn't be allowed to live. So the Hishaku ensured that he'd die there no matter what. It's a bunk theory since Mr. Hatshaku left once the situation turned against him... maybe incorporate some of the datenseki mind control stuff in there somehow? I don't know. Just let me have this until canon proves otherwise.

Hakuri and Chihiro, Though?! And Miscellaneous Questions

(Ch. 46) I'm not going to be okay for a while and neither are they.

Best boys are really gonna go through it no matter what Chihiro is summoned back to. They'll be in a rough way... not only did they lose Uruha and hand Kumeyuri to Hiruhiko, but Samura betrayed them all... oof. So much for proving themselves to the Kamunabi. They're going to get an earful and be set back in the "negotiations" big time.

No doubt Chihiro will put this burden on his shoulders too, even if no one could have predicted Samura's defection to the enemy. It's his dad's legacy that's causing all this strife right now. He'll be more motivated than ever to unravel the war's true history and I'll be right there with him hoping he doesn't push himself too hard or harshly. The son shouldn't be responsible for the sins his father committed before he was even born. But that's just like, my opinion, man.

Meanwhile...

"I'm still good for it," wheezes the guy with blood gushing out of his nose at an alarming rate.

Hakuri will probably blame himself too. Depending on how things shake out, it could be for anything from accidentally arming a traitor to seeing someone die in front of him again. There's a good chance he'll (temporarily) lose the thing that makes him useful too, so that'll be an extra layer of angst for him to deal with. What value does a broken tool that couldn't fulfill it's one purpose have?

I also wonder what prompted Hakuri to summon Chihiro away from Hiruhiko. He's kind of in rough shape to do it just 'cause he misses his (boy)friend. They have cell phones to communicate with so it seems a bit abrupt to summon him back without checking first. Hakuri's also not the type to impose on someone to protect him. Nor is he the type to drop Chihiro into the middle of a life-or-death situation without a sense of mutual understanding first. So there had to be some kind of pressing need. The timeline of events means he's summoning Chihiro right after Uruha was killed, so... more soulmate stuff maybe? Their souls call out to each other and resonate when they're in distress, after all (it's canon baybeeeeee). They're in perfect harmony and all that. Sorry for the shipping nonsense I just need any bit of fluff I can get right now.

So many questions that might not get answered...

What about the Makizumi? Will they defect to serve Samura? Or will they try to help get Hakuri to safety with the Kamunabi? Samura doesn't want to kill them at all so no matter what happens they'll live at least. Hooray an elite squad that didn't bite the dust... (I think they will choose Samura because of everything he did for them).

How did Hiruhiko know when Kumeyuri was usable anyway?! Was it some signal from his mystery supporter that was lurking outside the window? And who was that- did Worst Jeanist show up?

Samura's loath to kill innocents, but does Hakuri count as one? Would losing his sorcery be enough to count him as neutralized for the Hishaku's purposes? Was exhausting Hakuri the main reason why Hiruhiko sent all the forces to the temple in the first place?

Hiruhiko wasn't surprised to see Tobimune disappear, so the Hishaku probably know about Hakuri's power. Their mole within the Kamunabi should get a bonus for the turnaround time on learning that bit of info and sending it on. Unless John's playing 5D chess and knew about Hakuri's awakening and team-up with Chihiro before they even met the Kamunabi anyway... perhaps even orchestrated it too... that would definitely need a very good explanation.

Alright. Okay. Let's wait on tenterhooks together, dear void. No waterworks until they show the body, got it?

[sob]

[guiltycorp]

Okay finished the Haruspex route of Pathologic Classic! I need to play Clara's route to see the whole picture but I'm already fascinated by the differences between P1 and P2 in terms of characterization. I think I like Pathologic 2 even more now considering how they improved on Artemy's route, I am sorry to say I didn't like it at all in classic... This is all just my personal impression after first playthrough ofc. Ramblings about both Artemy and Daniil ↓ I think what bothered me about Haruspex was mostly just his attitude and his messiah plot. Once the first day is out of the way it's all smooth sailing for him, a bit too much so?? The only personal conflict he has is figuring out his father's exact wishes for him and choosing a sacrifice. Killing anyone is treated as fair or something that needed to happen and the Haruspex is always shrugging it off... And either option, Aglaya & the Town or Polyhedron... It just doesn't seem like he is that attached to either? So it doesn't feel like he is sacrificing much personally? Like sure he wants to save the Town because of his messianic qualities, but that's again more about fulfilling his 'role' rather than genuinely wanting to save lives, or at least it read that way to me. I'm sure it's meant to be both and P2 makes this far more apparent, but in P1 it elicited a rather squinty reaction from me. Plus well yeah, getting rid of Polyhedron is pretty much just ¯\_(ツ)_/¯, like yep he sure didn't care about that thing lmao so getting rid of it isn't such a difficult choice at all. The suggestion that the Polyhedron could be his Udurgh is kind of useless because the Town and Earth are far better candidates and fit with Kin beliefs better, which in this game Artemy pretty much doesn't doubt at all.  Maybe this is why the Bachelor is so present in his route? Daniil did say he'd commit suicide if he lost, maybe we'd want to think twice about pushing him towards it... But again! Does it seem like this guy cares ahhh haha... The dialogue option that is actually engaging with what Daniil said is pretty much there to make it clear to the player what the Utopian ending is and what it would be like.

Ngl at first I thought he was meant to be the 'sacrifice' until they said it's a woman. Every time Artemy learned something about the Bachelor's motivations he'd write down in his diary like '...if it matters' since the player can always choose what ending to go with I guess. I also find it curious that he can say that they are friends but still always writing only 'the Bachelor' in his diaries while Daniil switched to 'Artemy' and 'Burakh' during the final stretch. The one-sided yaoi................ 🤔 At least Artemy doesn't get mad at him for ordering to set the mythic bull on fire, I guess their friendship did mean something to him after all at that point. Also when Capella tells him that he should ask the Bachelor for help with getting into the Polyhedron since the Bachelor 'fawns upon you a lot anyway' the Haruspex just goes 'oh yeah! ok' fjdghdjg... Now that I think about it I DID like the Haruspex route for what it did with the Bachelor hahah, his dialogues and letters are just so good sometimes. Like wow, I felt this.

Very cool, if i was Artemy I'd totally abandon my weird murderous calling for this. Tangentially related... P2 had one moment that I remember from my last replay when Rubin, if kept alive, falls into a deep deserved sleep in his home, and Artemy just starts emotionally monologuing at him.

Like, P1 Artemy would never, but also it goes to show that he's still very much a repressed man here too, buying into toxic masculinity ideals who can't just talk to his friends about his feelings directly... The same character, but more complex. I want to make it clear that I DO like him and his motivations in P2 actually, and his personal conflict being more about the future of the Kin makes that game much more powerful to me than what his classic route was. I heard that initially he was planned to be far more violent and dark, so maybe he could have been sort of a villain protagonist and this was changed later and this is why it feels a bit bland? Hmm... Idk this is fun to me because meanwhile the Bachelor didn't feel that different to me in both games lmao. A highly stressed educated guy who is just trying to prevent the spread of epidemic the 'right' way and then clinging to the only chance he has left to preserve both his ideals and his life. He is a bit less polite in P2 at first (while still very much helping by warding off Rubin) but then rather quickly becomes more cordial to Artemy and vice versa (and wow it sure is nice when Artemy can actually be polite and friendly..). And the moment when he explains some of his personal deal to Artemy feels rather similar in both iterations mood-wise.

I liked his route in P1 a lot, surprisingly so, and I now understand why so many people liked him before P2 came out and afterwards too... There's just something very real about how he is the intelligent Capital doctor but with an extraordinary dream to combat death itself, possibly given to him by the Powers That Be due to these children trying to cope with people dying around them. And instead of favoring him for it they hate him! They leave him with nothing but this final chance to fix things, even if that means destroying everything and rebuilding anew. Daniil's desperation feels very real and thus more compelling, plus like... I mean it's pretty much confirmed that it's not just the Polyhedron and that the soil itself is 'rotten' (literally in the meta real world and through blood beneath the earth in the Town itself) and the decease could return again, sooo his ending doesn't look that bad comparatively. I also appreciated how Maria (or uhh was it Nina talking through her here as well?) explained how their Utopia doesn't actually mean a 'perfect' place, more so just an impossible dream.

The Bachelor doesn't mind this at all, a detail I loved.

...Hmm that said maybe P1 makes it a little too easy for him to kinda ignore the Kin issue, he is only mad about their circumstances when it comes to Vlad choosing to doom thousands of the Kin workers inside the Termitary (which is just his doctor ethics). I mean it is realistic for him to ignore the implications of representing the imperialist side, he does mention his father was a military man too at some point I think... Still, he is very quick to accept the Kin's unique beliefs as something that has obvious merit, trusting the Haruspex with that side of things in both of their routes, and he doesn't make much of a distinction between them and regular Town people when it comes to patient treatment. If anything it's probably a sign of how the writers weren't thinking that hard about this worldbuilding aspect at the time... even if I appreciated them showing the downsides of the Kin's society, I think those were done better than in P2 purely because it was a bit more realistic (I am talking about sexism mostly, such as selling their own daughters and not respecting their autonomy, plus the mention of Kin politics and different ruling clans rather than the hive mind situation implied in P2). Like, it is more obvious in P1 that wholeheartedly embracing the Kin's return to tradition isn't such a good solution for them either, but one that will likely happen anyway with Artemy and Taya as their new leaders. And it could get trickier in Pathologic 3 I think, especially since most of us really appreciated the portrayal of colonization in P2 and would expect it getting addressed again in future games of other character routes, but we'll see I guess! Either way I look forward to that game a lot now.

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[crownedwille]

.

[palaceoftears]

Magnificent Century Rewatch: One Picspam per Episode

Episode 17: The Double Joy

-My dear mother used to say "walk barefoot on earth and it shall take away all your troubles and sorrows, earth shall give you happiness and joy"

-Your mother spoke well, one can only find peace in earth. But I'm not sure if it is on earth or in it.

[dashiellqvverty]

the thing about bbc merlin is that in many ways it is very tragic, in the sense that so much bad shit that happens could have easily been avoided if charcters had made different choices, hadn't been so wrapped up in prophecies, had trusted people and communicated openly literally ever, just generally got their heads out of their asses. like i know thats the point, they are trying so hard to do the right things and protect people but the story is unavoidable. HOWEVER it is all soooo fucking poorly executed that none of it is effective. so instead of thinking "wow what a tragic story about fate/destiny/whatever" you walk away like "well that fucking sucked for no reason. i hate that fuckass dragon" and i sometimes feel very cinemasins in the way i pick apart the logic but the thing is the show is written in a way that makes the characters come off as so stupid and always making terrible choices rather than like. tragic victims of circumstance.

[raininyourblackeyes]

My cousin, a published writer, a well-known poet in my country and a literature professor, for whom I've always been no.1 support ever since her first attempts at writing in high school, told me that I must stop writing as a hobby because that's her thing and since I'm writing fantasy mostly my writing could never have any important artistic value anyways.

[corfisers]

can't write trans yashiro meta without writing down the bisexuality meta first, can't write the bisexuality meta without bringing up transgender reading. oh the misery

[purpleponder]

More sketches of just whatever dynamic I wanted for Shinichi and Kaito, some of these might be finished at some point in the future but most of them are just shit posts lol

Except for the first one, I just really liked the sketch of that drawing a lot

[melverie]

Aaaaaaahhhhhhhh today I've been constantly experiencing the urge to un-private today-in-the-devildom & start writing for it again

[tsukasalover]

(credits to ssruis)

This song is the only thing keeping me going I do not play about mr showtime 😞 nothing ruined me (made my life better) the way this song did

(Sendn. Me songs to do this with in my ask box… sniffle…)

[cherry-pop-soda]

MISS SCARLET AND THE DUKE 3.04 - Bloodline

[lpsgirl109]

Suddenly obsessed with the idea of FA Harry Osborn villain arc featuring Bruno looking at the Avengers and going oh my god what did you do to piss this guy off

[bluewithpurplepolkadots]

Honestly I’m fine with the idea of Leonardo having a crush on April in mutant mayhem.

I am however deeply concerned from clips that we’ll have something like 2012 Donatello.

I mean not only was that aspect very badly handled in that show anyway: but even if it had been well handled it’s simply boring to do the same old thing. Having it be a different turtle should at least mean a different take on it.