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serpentface · 8 days ago

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A few birds of prey found in (and beyond) Imperial Wardi claimed land: the crow kite, dove eagle, and golden eagle.

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The crow kite is a small, nimble hunter. This particular species is found exclusively west of the Blackmane mountain range and east of the Mouth seaway, though has close relatives elsewhere. They're mostly found in grasslands, where they can be seen hovering in midair while scanning for prey below. They primarily prey upon insects caught in flight, though will also regularly take rodents and lizards and can grapple with prey almost as large as themselves. Most of their diet consists of live prey, though they will opportunistically scavenge.

They are threatened by larger birds of prey, though are notably aggressive and proficient at mobbing most threats.

The crow kite has a particular partnership association with the (broadly unnoticed to be Sapient by humans) 'talking crows' who live here. Mutualistic and/or stealthily parasitic interactions with other animals characterize many crow cultures, and kites represent the only raptors that crows in this region partner with (largely due to posing no threat to themselves/their young).

Both (mostly) benefit from the overall relationship- the kite is slightly larger and notably more powerful than a single crow, while the crows are highly social and can keep more effective watch for predators as large groups. When foraging in association, they are highly effective at warning each other of threats and teaming up to drive them away. Crows will take on predators they wouldn't even dare approach as a large group with kites on their sides (notably the dove eagle, which is rarely outright mobbed by smaller birds due to their tremendous agility and capability of turning the tables on pursuers), and the two species are known to drive away substantially larger mammalian predators (occasionally even humans) from carcasses and resources. Kites also have beaks better equipped for tearing than crows, and can open some carcasses that crows cannot.

The most dramatic form of this association is the 'adoption' of kite chicks by some crow families. Kites rear clutches of 3-5 eggs, and the crows will occasionally steal an unguarded chick and raise it to maturity in order to fully monopolize the benefits of this partnership. Kite chicks adopted by crows do not heavily compete for resources (as the crows have a significantly more generalist diet) and serve as permanent attack dogs/can openers for their adoptive families while out foraging. This is not Particularly beneficial to the kite, who (having imprinted on their crow parents) will not readily mate with their own species, and will often be allowed to do most of the work of mobbing predators (when deemed too risky/too much effort for the crows themselves). An adopted kite's propensity to form one-sided pair bonds with their adoptive species is also utilized to assist in the labor of rearing chicks, where it can be coaxed into bringing kills for a nesting crow 'partner'. The crows generally do bond with their 'adoptees' (though not as fellow crows) and don't tend to perceive this relationship as wholly exploitative.

This association in of itself is widely noted by human observers, hence the kite's common name. Most peoples in this region have largely negative outlooks on crows (ranging from being despised scavengers to respected but frightful animals, and in all cases are considered potentially bad omens), which is extended to the crow kite. Crow kites are often regarded as omens of death and misfortune, sometimes even more intensely than crows. One of the most widespread beliefs (across several cultural groups) is that seeing a crow kite and crow perch together on top of a home indicates the impending demise of a mother and infant during childbirth.

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The dove eagle is a mid-sized specialist predator of smaller birds, found widely across the temperate and subtropical eastern continental mass. It is most associated with the killing of doves (hence its name), though the majority of its prey is passerine birds and it is occasionally known to take small mammals and reptiles. It is a very powerful predator and exceptionally agile in flight. It also has notably long legs, and can occasionally be seen pursuing prey on foot. It is most abundant in savanna and wooded regions, as well as mountainous areas with high cliffs, as it usually hunts in short bursts from high perches. It can be somewhat of a pest in human settlements, where it poses a threat to poultry.

While often an irritant to people for its predation of avian livestock, it tends to be regarded for its beauty, with its bluish-hued feathers, sleek profile, and elegant flight. Its light blue-gray eyes are notably distinctive among predatory birds here. Light eye colors commonly have sinister and/or apotropaic associations among peoples south of the Viper seaway, which carries into folklore surrounding dove eagles. They are often ascribed the power to paralyze prey with their stare, to be capable of inflicting curses, and/or to be able to frighten off evil spirits with their glare. They are often left unharmed where other threats to livestock would be killed out of fear of receiving a curse.

The dove eagle has the most extensive significance in the Hill Tribes cultural sphere. This bird is one of many avian forms ancestors can take when visiting the world of the living, and the vast majority of its birdsign-omens are wholly positive. The dove eagle tends to be a signal of impending success and good luck in economic ventures, and its presence/gaze chases away bad luck and evil spirits (perhaps at the cost of some poultry here and there, which sometimes may be a message of ancestral disapproval as well as just a general bummer). Its feathers are considered lucky and utilized in magical practice (bundles are waved to banish malicious spirits from homes and objects, single feathers are sometimes worn as good luck charms), though feathers must be retrieved from around nests or by chance, as killing predatory birds is taboo.

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The golden eagle is a very large, bulky predator. This particular subspecies (distinguishable by its dark, mostly solid colored wings) is very widespread and can be found throughout much of the northeastern hemisphere, adapting to a considerable variety of habitats and climates. It is occasionally a threat to livestock, being wholly capable of killing the tiny offspring of horses, and sometimes even a threat to newborn cattle (they are known to kill very young calves by knocking them off cliffs when the opportunity presents itself). They are noted for their dramatic courtship displays, wherein coupling pairs lock talons and spin towards the ground in freefall.

They tend to be highly regarded animals in most of this region. They tend to garner associations of regality, power and (usually masculine) strength. They are frequently used as symbols of monogamous romantic love and devotion, notably mating for life (most partnered pairs at least rear chicks together for life, though extra-pair copulation is fairly common and often goes unnoticed by observers). Their mating death-spiral makes frequent appearances in Wardi poetry as a romantic allegory, sometimes as a simple representation of foolhardy love and sometimes representative of the often challenging nature of first-time marriages (very commonly arranged, and often between strangers in the upper-class contexts that mainstream poetry tends to focus on).

Most proto-Wardi groups appear to have held the eagle as a high status sacred animal in ancient history, and very old outsider recordings of these earlier practices describe these birds as highly venerated in association with a non-personified but semi-deified sun and/or sky. Proto-Finnic groups that migrated here appear to have had associations with golden eagles in a funerary context (these migrants most likely practiced sky burials early in their history here) and to have adopted the golden eagle's semi-deified status from proto-Wardi groups they interacted with/absorbed/were absorbed by.

The centrality of the golden eagle has largely been lost in contemporary practices, but remnants of its status are still obvious. Cholemdinae folklore describes the golden eagle as one of God (who is the sun)'s most devoted creations, who tried to stop the theft of fire that would destroy the first world. Surviving 'heathen' North Wardi practices that similarly venerate the sky as a central deity describe the golden eagle as its messengers, also capable of traveling to and from the land of the dead. The King of Eagles, the first golden eagle (and first bird in general), father of dragons and the winds, is lightly venerated as a deity-spirit throughout most of the Hill Tribes religious sphere, and the spirits of dead ancestors are considered to frequently take the form of these birds. Contemporary Imperial Wardi animal-folktales also tend to cast the golden eagle as a king of birds, commanding and served by lesser flying creatures. While not outright sacred animals in the Faith of the Seven Faced God, they have noted solar associations. They are sometimes used as sacrifices to the Face Inyamache, and their feathers are given as offerings and worn by priests to this deity-aspect.

#creatures #The golden eagle is like Basically the same as the irl one but I gave them the bald eagle death spiral behavior because I needed a big #fucking bird that will do that and these guys were already establised #The other two are LITE spec bio though squarely within irl genera. (especially the kite. This is just like. a standard kite mostly)#Not totally related but I don't Think falconry is a major practice here (extant but there's no real falconry Culture)#but it's a HUGE thing in the contemporary Burri Republic especially Kosov (much of which is mountainous/part of a plateau)#This same subspecies of golden eagle is the most favored captive bird and sometimes used for fairly large game #Mostly used for smaller game though particularly for furs (the winters on the plateau are VERY cold for the subtropical latitude)#I have a wip about that I should finish it #Traditional Burri religion involves a very large pantheon and there's 2 falconry gods (one predominantly devoted to it and one as a #secondary association)

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accirax · 11 days ago

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Translating and Analyzing Project: Eden's Garden's Title Theme

Haven't personally seen anyone else do this yet, so I figured I'd share my curiosity stirred up by the just-released Main Title Theme Live Symphony Performance with the class.

As a note, I don't speak Latin at all, so I will be relying on Google (including Google Translate) to help me out. Therefore, it's possible that some segments-- especially longer sentences or phrases-- may be translated incorrectly. If you do speak Latin and notice something that's off, I'd love to know!

This post will contain spoilers for Chapter 1, so please don't read this if you aren't caught up. That being said, let's get started with my most enthralling "theory" to date: trying to reverse engineer teaching myself Latin.

Because multiple sets of lyrics are occasionally sung at the same time, it's possible that my screenshots will contain multiple phrases in them. I'll do my best to avoid having that happen as much as possible, but otherwise, the explanatory captions under the pictures should make it clear which section I'm talking about!

A simple search of "omnibus" returns that it means "to all," but "omnibus de omnibus" becomes "everything about everything." This online Latin-English dictionary clarifies that the noun "omnis" can mean "all people" or "all things/everything." The -ibus suffix could be indicative of the locative, dative, or ablative tense. Ohio State University explains that the locative conjugation indicates the place where something happens, the dative conjugation indicates the person to whom something happens, and the ablative tense is really complicated could either mean why something happened (its origin) or how something happened (the means by which it occurred).

From what I can tell, "dubitandum" seems much simpler. It's just the gerund form of the verb "dubitare," which means "to doubt." In English, a gerund is a word that ends in "-ing" but is used as a noun. "Writing" in the sentence "I like writing" is a gerund because writing is a thing (a noun) that I like. Although dubitandum is a viable conjugation for many verb tenses, it seems to appear most often in the accusative case, which refers to "the end destination."

Stringing it together, "omnibus de omnibus dubitandum" would probably mean something like "all people will eventually doubt everything", or, as Google Translate would put it, "to doubt everything about everything."

"De omnibus dubitandum" specifically is apparently a common phrase (attributed to Renee Descartes) that just means "doubt everything." According to the link I just pasted, it was also a favorite saying of Karl Marx. C-Cassidy...?

Next is both a low register and a high register singing "fiat voluntas tu." "Fiat" is the singular present tense of "to do," so basically just "do." "Voluntas" seems to pop up most frequently as a noun, meaning "will" or "intent." And "tua", much like the Spanish "tú," just means "your." Smashing those together results in "do your will," or as Google Translate more eloquently puts it, "your will be done." "Thy will be done," if you want to get really fancy.

Here comes a long one. In total, the full sentence reads, "liber scriptus proferetur, in quo totem continentur, unde mundus judicetur." Thankfully, I don't have to translate this one. My boy William Josiah Irons already did it for me!

Reason being, this line is taken directly from the medieval Latin poem Dies Irae, AKA Day of Wrath, by Thomas of Celano. (And no, I did not know this offhand, I had to look this up too). Irons' translation tries to keep the original rhyme and meter of the Latin version, so if you want to sing along, use this:

Lo, the book, exactly worded, Wherein all hath been recorded, Thence shall judgement be awarded.

However, if that version is a bit too fancy for you, Wikipedia has a more modern translation:

The written book will be brought forth, in which all is contained, from which the world shall be judged.

If you're like me and know nothing about religion, you might see "book" in a medieval Roman (AKA Catholic) song and immediately assume that they're talking about the Bible. However, if Wikipedia is to be believed, they're referencing a different piece of literature which, to be fair, is at least mentioned in the Bible...! The Book of Life in Christian faith is "God’s record of all those over the centuries who have trusted Christ as their Savior and have followed Him as Lord." Therefore, the "all that is contained" would refer to the names of all of the holy people who believe in Catholicism.

The world-judging bit refers to "Judgment Day" or "The Last Judgment." That term refers to belief that, someday, Jesus Christ will return to Earth, and at that point, God will judge everyone who's ever lived, saving the faithful people and damning the non-believers. There are varying beliefs on whether more people would be saved or more people would be damned, but considering the song is called "Day of Wrath," I have to imagine Mr. Celano wasn't that optimistic. This song is famously associated with Catholic funeral masses too, so that upbeat attitude really stuck.

I could barely even hear this part under the music, but the subtitles alerted me to the fact that the chorus chants "da mihi factum, dabo tibi ius" here! This is another one I don't have to translate, because it's a reference to something else B)

"Da mihi factum, dabo tibi ius" means "give me the facts, I will give you law," according to A Guide to Latin in International Law via Oxford Reference. The reason why it's written in Latin is because, apparently, this saying originates from the Roman court system.

Looking at the bottom row, the lower-pitched chanting says, "vulnerant omnia, ultima necat." This semi-common phrase typically translates to, "all hours wound, the last one kills," even if the "hour" ("horae") isn't included.

The top comment on this Reddit thread breaks it down the way I would if I inherently knew Latin:

Let's review the underlying grammar: Vulnerant=they wound omnia is ambiguous because it can be both the subject and the object of vulnerant. However, in this case, horae is understood to be the subject, so omnia must be the object. It means all things. If it were omnes, then it would also be ambiguous because omnes can also be both as well. [...] So Vulnerant omnia [horae]=all [hours] wound* or the hours wound all things. The second one isn't very pleasant. And Vulnerant omnes [horae]=all [hours] wound* or the hours wound [men/men and women]. Ultima necat=the last kills

The comment also elaborates that the "horae" is assumed because the phrase is often found on clocks or sundials in churches. Many different sources return this phrase (or slight variations on it) including hours in the meaning, so I'm inclined to believe that it's true.

The bottom line repeats the same phrase again after this, so I won't include it for a second time.

Our final line! In the middle row, we have "Opere et veritate, de omnibus dubitandum!" This one isn't a reference, but luckily it's still easy enough to figure out.

The second half of the sentence is something we've looked at before. As a recap, "de" means "of," "omnibus" means "of everything/everyone", and dubitandum means "doubting." So, the second half of the sentence will probably mean something like "doubting of everything."

"Opere," much like "opus" is a noun meaning "work," as in a work of art. "Et" means "and," and "veritate" means "truth." The handy-dandy Latin-Is-Simple.com conveniently puts this together as "in action and in truth."

Together, the sentence means something like "in action and in truth, have doubt of everything/everyone." Google Translate puts it as "by work and truth, we must doubt everything," but I like my translation better.

Therefore, altogether, here's a rough translation of the P:EG theme's lyrics:

All people will eventually doubt everything... Thy will be done... The Book of Life will be brought forth, in which the names of all the holy are contained, and then the world will be judged. Give me the facts, I will give you law! All hours wound, the last hour kills. In action and truth, doubt everything and everyone. All hours wound, the last hour kills!

So, let's swap out our translator hats for lyrical analysis hats, 'cause there's obviously a lot here to relate to P:EG and the concept of killing games as a whole.

The first two lines paired together are a prophecy, a threat and a promise combined. Basically, the choir is saying, "you think that people will eventually doubt everything? Well, here's your wish come true!" The line clearly connects to Damon and his core philosophy. As long as Damon continues to not want to trust anybody, then nobody will seem trustworthy. Furthermore, if Damon continues to not trust others, that means there will always be one person in the group who won't be trustful, so everyone being trustful is impossible.

Not that it's much of a surprise, but the kinda judgy tone of these first two lyrics definitely implies that Damon's attitude will be challenged (and likely corrected) at some point in the story. "Thy will" was a stylization, but the truth remains that the phrase referred to a singular entity. The lyrics place the focus on a single individual, and blames them for everything that follows by implying that the lack of trust is their fault. It's very reminiscent of the end of the Prologue, where the entire class blames Damon and Eva for ruining the vibes between them.

The Day of Wrath section continues the game's religious theming, invoking discussions of the end of all times. Although I doubt a literal Armageddon will happen in P:EG, I can certainly understand how the participants of the killing game would consider it the end of all things. Certainly, a lot of less-than-virtuous people will be dying here, especially if you're under the assumption that everyone who kills is morally bankrupt.

It's certainly an interesting implication that those in the killing game who are most virtuous might be the ones who are saved. Are they just extending that morality to how likely someone is to kill them? Like, people wouldn't kill you if they think you're cool? There is also the argument that students who are too curious or have something to hide are more likely to find themselves in deadly situations (a la Wolfgang), leaving the less bold students alive in the end. Still, that's not as much of a judgment on God's (Tozu's?) part.

Something in me wonders if this killing game might have been created as a challenge. I don't think that the motivations behind it would be to punish this group of students in particular-- we know semi-factually that some of their deepest, darkest secrets are hardly anything to sneeze at. Instead of being so targeted, the goal would be to have most of the students fail, while a select few succeed.

There's a definite possibility that Eden's Garden College-- and the titular Project: Eden's Garden-- is a ploy to weed out the "fake Ultimates" by proving who truly has what it takes to succeed in the cutthroat world of business by literally cutting people's throats. Becoming the "true face of talent" could mean literally erasing the other faces of those who weigh the title of Ultimate down; with so many Ultimates around, it's easy to not notice if one or two go missing.

If we're in a world where talent is valued above all else, the "virtue" that Tozu could be sparing them for could be talent itself. "Leadership, communication, and persuasion" are certainly skills that could help you survive a Class Trial (whether as a blackened or spotless). Depending how deep the corruption goes in this world, it's possible that the graduates of Eden's Garden Academy-- survivors of former killing games-- are simply willing to keep quiet about the Academy's dark secret if it means that they can claim all of the accolades for themselves. They fought for and earned it, after all.

If this is the direction the story takes, I can definitely see how making someone like Damon the protagonist would be the perfect choice. For him to spend all game talking about his superiority and belief in the talents of the Academy only to learn that all of the Ultimates he admired kept 14 nearly-as-talented skeletons in their closet would surely create an interesting internal conflict for the final Class Trial.

This is all just a theory, as there are plenty of other ways the Day of Wrath poem could relate to P:EG. However, I think it's a theory with a decent backing behind it.

"Give me the facts, I will give you law"-- I mean, that has to relate to Wolfgang, right? Even beyond the fact that it just says "law" in it, it's international law, perfect for an Ultimate Lawyer who wants to unite everyone. This line could definitely indicate how Wolfgang took Damon's facts (that some people in the Academy would be willing to kill) and turned them into ammunition for his own missive. If I were writing this analysis before Ch1 dropped, I would probably have speculated more about the future rivalry between Damon and Wolfgang. Instead, Damon and Wolfgang's "rivalry" is already over, with honestly not that much beef between them.

Given that Wolfgang is dead, it's also worth it to consider this outside of a Wolfgang context moving forward. This line could also relate to Damon's experiences in solving a Class Trial: after getting the facts of the case, Damon goes to the Class Trial Grounds and lays down the law.

"All hours wound, the last hour kills" is super interesting in the context of a killing game. My immediate connection was to the chapters, or in-universe Trials, of the killing game. All chapters of the game will wound Damon and the eventual other survivors, but it's the final chapter in which they're confronted with the true despairs of the world.

Another interpretation could work on a more chapter-by-chapter basis: every day in the killing game damages something, whether it's the killer's sanity or their business/reputation out in the real world, so it's in their "last hour" when they snap and need to get out. Especially with the ticking clock of the Traitor Perk out there for Eva at least and possibly future killers as well, time feels like a big factor.

In general, I would assume that (if the quote is found on clocks in churches) the phrase probably means something along the lines of "don't procrastinate," which could also be applied to the concept of Ultimates in general. They're always on that grindset.

And finally, "in action and truth, don't trust anything or anyone." This line is pretty unremarkable (being a pretty obvious repetition of Damon's mindset at the beginning of the game) other than in contrast with the beginning of the song. As I said, at the beginning of the song, the choir was almost reprimanding Damon with their "thy will be done." However, here, not trusting anything or anyone is spoken more like advice.

It could be that the choir was actually speaking more neutrally at the beginning, and that they're willing to accept the lack of trust because they always knew it would happen. Or, it could be that, by this point in the song, the lyrics have shifted to represent Damon's point of view instead of the universe's. If "I will give you law" did relate to Damon laying down the law, maybe that "I" pronoun is the point of the song at which the lyrics become Damon's thoughts?

Otherwise, maybe the choir is just meant to make Damon feel bad no matter what he does. Let's assume that, over the course of the game, Damon will come to trust certain individuals more. If true, then at the beginning of the game, the choir could be like "damn if you want to not trust people then it's kinda your fault what happens next dude," and closer to the end they could be like "oooooooh you wanna not trust people so bad remember Eva?" If the song is just meant to be an imposing feel-bad moment, then the emotions of the impartial choir could be unimportant.

And, well, that's the song! As is basically my brand, this post wound up way longer than I thought it would, back when I thought I was just going to Google Translate all the lyrics and be done with it. But, I hope that learning a bit about Latin was intriguing (assuming I did it correctly), and that the plotlines implied by the lyrics have given you a bit to chew on!

Still working on the overall Ch1 review/analysis, I just thought that writing this post would only take me, like, half an hour... Hopefully I'll see you back whenever that's done! Until then!

#project: eden's garden #p:eg #p:eg spoilers #fanganronpa #damon maitsu #wolfgang akire #can you tell i just finished reading the under.tale legends of localization book #that book slaps btw if you like this post and that game you should totally read it it's free online #i so hope i didn't fuck up the latin horribly but i think it all makes sense?#it helps my confidence that a good portion of the song was previously known saying lol #my theories

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