#i should probably go do that later

[heirofnepeta]

I would love to know the basics of Hallodon

Okay here's the VERY basics of the Hallodon because I literally just started revamping this bitch. Here we go.

Okay so they are creatures, similar to mammals although not from Earth so they cannot be classified as such.

They are named Hallodons because of the hallucinogenic substance (hallo) they can produce in many parts of their bodies, mostly released via the teeth (don) although they can release it from small barbs on their wrists, ankles, and the extremely small hair-like barbs on their backs.

The "hairs" are connected to the flesh under a "plate" on their back which lets them hide it so as to not accidentally drug friendly creatures.

Their teeth are mostly like most carnivorous species on earth, but they have fangs that can fold out to deliver a quite potent dose of the hallucinogen, similar in dosage to the barbs on their wrists and ankles, which causes brain death due to the high concentration of the substance.

They are preyed on by several larger species which i have yet to create.

They are blind, as they first evolved during a time where the sky was blotted out and sunlight was extremely low, if not none. So they have no eyes, or in certain sub-types have very underdeveloped eyes.

They hunt various smaller prey, and sometimes prey slightly larger than they are. Carnivorous, although they can digest small amounts of plants if they need to or want to season their meals. They have discovered fire and tools to aid in meat preparation and hunting.

To hunt they primarily use smell and touch to smell prey or feel vibrations in the ground for tunneling prey, which they have started hunting in recent times due to the up-rise of tools.

They generally do not speak, only speaking an underdeveloped language most don't know, and only speaking to other Hallodons. They theoretically COULD learn other languages if taught, although it would sound strange due to them not being built for that kind of speech.

Hallodons do have names that they will respond to, but they don't have any specific naming system, just whatever the Hallodon parents feel is best.

Hallodons generally come in colours matching their environment, with hints of brighter colours for courtship in stripes, spots, or other patterns on their fur. Certain mutations can leave ALL the fur brighter colours, although this generally decreases the survivability of the Hallodon due to being MUCH less camouflaged.

They average about 5 foot 9 inches, although certain sub-types can be much shorter, averaging a tiny 3 foot 5 inches. These smaller Hallodons are considered another species due to their different size, and unusual having of eyes, albeit underdeveloped.

And that's just about all i have about them right now. I've yet to even make a Hallodon character. have fun with them I guess! :)

[xxplastic-cubexx]

you open my Super Important Documents and its just pictures of charles xavier

[tblsomedoodles]

Here's an art/info dump about this stupidly cute idea that's been rotating in my brain for three day.

(the first comic here is just how they first met. they ended up in the same alley, pestering the same cat without noticing. Then the cat left and they notice they're not alone lol)

(Second is Donnie 'talking' with Mikey for the first time. He only uses Mind Mend to communicate and is just as surprised as Mikey to find it worked on him. (it has only worked with Leo before this))

I'll put the rest under a break b/c i will be going off about this and i don't want it to take up your entire feed.

I'm jokingly calling this "Mikey's Imaginary Friends" though that might change if i continue this.

Basically it's this, the twins grew up with Draxum while Raph and Mikey grew up with Splinter. Neither set knew about the other (b/c splinter though they were dead and didn't want his two remaining kids to worry about it, and Draxum was too focused on fixing his lab to pay much attention to the twins.) So, imagine Mikey's shock when, at age 8, he's out exploring topside (having snuck out) and runs into two more mutant turtles (who also snuck out and are exploring.) Thus begins an ongoing sneaking out to meet up thing between the three b/c Mikey's excited to have new friends and the twins are just as fascinated with Mikey as he is with them.

And before you ask, "hey, why doesn't Mikey tell his family about the two other turtles?" he does. Raph thinks he just made up some imaginary friends so he plays along but doesn't believe they're real. Splinter, on the other hand, thinks he's talking to Hamato ancestors due to some very big miscommunications (that i'll probably draw out at some point b/c it's silly)

Twins background wise, i'm still thinking through a lot of it, but i'll put my thoughts down anyways.

Draxum knew that training the twins at a young age would be counterproductive, so he doesn't train them beyond some basics a few times a week. Other than those sessions, he leaves them alone with their less-than-stellar caretaker, in favor of rebuilding his lab. The caretaker doesn't do much for them beyond give them food and very basic school like lessons. Beyond that the twins are left on their own.

they come to the conclusion that the only people that will care for them is themselves. They discover Mind Meld very early as a result of this and will not talk verbally b/c they found out early on with their caretaker, that if they tried to talk, they were just ignored anyways, so what's the point.

(I'm also thinking Donnie might be deaf or hard of hearing in this, with the pair of them using Mind Meld as a way for him to temporarily hear through Leo and thus keep Drax from finding out. but i'll have to do some more research before i decide for sure/figure out the specifics)

as for Meeting Mikey

That's why they became so fascinated with mikey. B/c mikey was the first person that treated them like a person and not a job or an incomplete experiment. (He's also so happy and bright, they can't avoid getting drawn to him lol)

Mikey's probably the only one they verbally start talking to, even after they teach him mind meld. (though Leo's the one to pick up on that more than Donnie. Donnie doesn't do much talking at all outside mind meld).

They also come out of their shells (hehe) a lot as they interact more with Mikey. Before they met him, they acted more like automatons, even when alone. The more they socialize with Mikey, the sillier these two get. Leo learns about puns and starts going mad with them, Donnie starts happy stimming about thing (which he has either been suppressing or just never had the urge to do before.) Basically they stop acting like little creepy statues and start acting like kids.

Honestly, it's just a cute idea with the kiddos meeting each other and Mikey inadvertently socializing his not-well-socialized brothers.

(also, the twins wear masks b/c Donnie doesn't like the smell of the city and he's worried about germs. Not for any ninja reasons, what so ever.)

Alright, that's it for my info dump. maybe more later? Maybe not? Depends on how much longer these kids keep my attentions (though right now, they're doing a pretty good job at it lol)

[djevelbl]

I feel like explaining how Branzy's mannerisms look like in my head is SO. HARD bc he feels like SUCH a peculiar and specific type of person, that even if I TRIED there wouldn't be a fully correct way to string words together to paint the picture. But fuck it we ball — lemme try anyway

(ofc, I'm here talking about his character and personality as he portrays himself in his videos; the same goes for any other youtuber I namedrop as I'm yapping. I don't feel like I have to clarify this, but still. covering my own ass out here, media literacy, yadda yadda, you get it)

In the LifeSteal videos I've watched where he participates/is the main focus of (the Heart Factory + Amusement Park saga mostly, so not a lot lol) he has this... This showmanship, this stage presence, like he's standing alone on the stage floor, the spotlight's on him and the little earpiece hung on him has told him "it's showtime." It's like he's the opening number for the Broadway Musical you came to watch, like he's the circus master of the show; he's all you can focus on once he starts talking, really: he's hilarious and charismatic, disarming with that devilish charm of his, that has endeared him to the deadliest player of the server — even if you never see his face, you can hear his smile every time he talks.

For having been on a Minecraft server that prides itself in death, destruction and preying on players' insecurities before shaking hands on a good season played, Branzy wears his emotions very plainly in how he speaks: he doesn't hide his fear, or his amazement, his excitement, his bloodlust. It's how he is, of course — hiding who you are is hard, but Branzy also plays this all up in his favor: faking his reactions when necessary, blatantly able to disregard his current emotional state to match the attitude of those around him (main example being him matching Clown's attitude even through his own fear of the guy), being able to lie through his teeth about pretty important things (like the state of Carnival Mode to Squiddo at the end of season 5), and others.

His poker face is a smile — all crow's feet and charming show of teeth, something happy and elated as he shows his newest killing contraption and explains it out to his soon-to-be victims. And they fall for it hook, line, sinker. A practiced dance everyone follows Branzy's lead in, subconsciously or otherwise. Because how deadly can it be if it's Branzy who made it?

Not just that, but he's very energetic and has a brand of attitude and sass that kinda reminds me of JT Music in The Details in the Devil (stay with me. I SWEAR this makes sense) — it's the over-the-top singing, the way he goes from a higher pitch to a lower one, the way JT Music's voice rasps around the edges; it all has the same vibe and attitude to me as Branzy's showman persona: all glamour for the camera, a big smile to attract new clientele, charm that oozes out of every pore and you don't even notice that it's a deal with the devil you're making. Until he's gone and you're left to pick up the pieces — even then, sometimes you just don't. notice.

A maybe (hopefully) easier to picture example

To me, in a sense, Branzy feels like the in-between missing link of AM from I Have No Mouth, and I Must Scream and Caine from The Amazing Digital Circus: all the bloodlust, anger, and sadistic tendencies from AM, and all the genuine, kind, goofy showmaster personality of Caine — a weird combo, for sure, but Caine is already based off of AM so like, thought it was as appropriate of a comparison I could make; especially bc Caine is a ringmaster, and Branzy does give ringmaster vibes to me so idk

Ofc, this is him at his peak, in his element, where he controls the playing chips — he's playing 4D chess and everyone's using checkers pieces. This is him gathering and casually using the power and influence he lords over the server — I mean, have you seen how ppl react to his mere appearance?? People love him, that's where he thrives: where people have an attachment to Branzy, Branzy has power; people kept coming back to the rollercoaster bc it was fun and a challenge and bc it was Branzy who made it — throw the credit onto Clown, ManePear, FlameFrags, any other pvp-skilled player, and watch as people run the other way. Branzy is the perfect combo of charismatic, charming, boyfailure-coded, somehow still competent, and fun to amass server-wide cred that wouldn't be broken no matter how many lives he claims via his machinery.

Clown is dangerous, sure — he's good at pvp and intimidating, he can do his fair share of manipulation when needed, but he's ultimately relatively easy to avoid: he follows a set of rules and while he doesn't vocalize them, if you observe him enough you'll eventually learn them. You'll eventually understand what the triggers are, which convo topics are best to avoid and how to best gain favor with him.

Branzy, though? He's very much a loose canon — beyond keeping his good relationship with Clown for protection (and bc he cares, let's be honest here) and whatever he deems fun today, I doubt he cares about much else; these two things are THE. MOST important to him, and there's little you can personally do to control either, if anything at all.

Branzy is SO interesting to me bc he's outwardly all smiles, happy-go-lucky in a sense and a coward — everyone knows this, it ain't no secret, and if it ever was meant to be we've left that station SEVERAL seasons ago. Yet inside there's a raging beast that begs to be released — the only reason we don't see it too often is LITERALLY bc Branzy is HORRIBLE at pvp; we STILL see it though: in how he encourages people to keep trying his deadly park rides, how he dangles prizes in front of their faces so sweetly and so casually so they keep coming back. In how he doesn't hesitate to betray his team so he can gain favor with Clown, a character he believes will be a bigger protection than his team was beforehand. In how he didn't even bat an eye as he bold-face lied to Squiddo about Carnival Mode being broken when it was most beneficial for Clown for it to "be broken". In how he casually makes a bragging joke about having easily killed two of the strongest players without lifting a finger to battle, because they wanted to play his carnival games.

Branzy has two loyalties: first to Clown and second to himself. Everyone else be damned

So coming back to the mannerisms thing — in my head he's extra extra: I'm talking "dangled upside down from a tree branch to scare someone as he introduced them all to the Chicken Launchers" type of extra, I'm talking "he did a handstand on the rollercoaster cart (with his elytra on, he isn't stupid I swear) as it jumped over the tiny lava pit to introduce people to the attraction" type of extra, I'm talking "he designed a mechanical crossbow he could wear on his arm so he could shoot the door locking mechanism trigger at the bigtop tent the most dramatic way possible" type of extra. He's a theater kid at heart, I just know it — he's dramatic and extra and so fun, so of course he'd have fun with it all! He's an adrenaline junkie (honestly? Why else is he still a sucker for Clown?? Adrenaline junkie + that's his work bf) and he will do a dramatic full split in front of Fleshy's to introduce people to the food stand and you cannot change my mind

So. Yea! In my head Branzy's mannerisms are a combo of showman enthusiasm, theater kid dramatics, acrobatics fueled by his adrenaline junkie ways, and random rubberhose-like body movements that are uncanny on like. an ACTUAL normal human body bc he reminds me of Bendy and I. Don't know. How else. To cope with it, so deal with it.

[aoxizu]

i have another 2.1 character dynamic post in the recesses of my brain but i need to get this out first

star rail's 2.1 update main plotline leans a lot more into existentialism and absurdism than i thought it would which is a really nice surprise

like i thought before 2.0 that at most it was just going to be some "oh no capitalism bad ipc bad cults also bad" thing but honestly what we got is so much more interesting. the spoilers start now

also massive disclaimer i am not a philosophist and actually i really don't like philosophy because it makes my brain hurt and i would much rather just look at logical nice things like math and plants so. if i get anything wrong please correct me

acheron's past and how she became an emanator of nihility reminds me somewhat of the absurdist theme of how people always look for meaning when there isn't any, until they finally realize that the universe is meaningless

and the entire path of nihility basically is a road towards that realization that people tread on, and the difference between the real world and star rail is that in the real world here we have people who will see that and then go write a book about a guy not crying at his mother's funeral, whereas in star rail it seems that just accepting that the universe is meaningless turns you into a pathstrider or even emanator of the nihility (not sure if i remember the details, correct me if i'm wrong)

and then aventurine's whole motivation is trying to understand why the universe is so cruel to him, and to find meaning when you have everything except freedom, both of which are absurdist themes

the leap of faith argument often attributed to søren kierkegaard claims that even though there is no rational logic for believing in god, you should do it anyway because the alternatives are madness, suicide, and ignorance. this was one solution to the problem of confronting the universe's meaninglessness: choosing to believe in a higher being regardless

later world wars i and ii both contributed heavily to the rise of absurdism as people returned from the war, having seen so many others die around them, and then just going back to a normal society with none of what they as individual soldiers had contributed seemingly doing anything. and then it happened again, but on a much greater scale with even more deaths. both wars and the destruction they brought led many people to start questioning why a supposedly moral god could allow this suffering, and this is where camus comes in and says that actually religion and nationalism both aren't good solutions, and instead we should just accept meaninglessness and keep living despite the absurdity

and i think dr ratio's scroll thing kind of relates to that

he tells aventurine to open it when he's about to die, or when he's completely out of answers for the question of how to confront absurdity

and dr ratio's answer for aventurine is to just tell him to keep living, good luck

which is. yeah

it's the argument that there are more answers to nihilism than just 1) going insane, 2) pretending like it doesn't exist, and 3) dying

it's the bold claim that despite everything, you can still choose to live

sure nothing makes sense but that does not detract from your life. it doesn't need to make sense at all

and with the understanding that things do not need to fit our human definition of meaning, we can continue on knowing our true place in the universe

and with that aventurine walks into the very big black hole like look at that thing you cannot tell me there is no symbolism there

let's go back to acheron.

in the part where you get a snippet of acheron's conversation with some guy just before this cutscene, the other party states that "[IX] leave[s] woven strands of fate for humans to walk, and together THEY weave a great shadow...And this shadow silently envelops them."

which to me sounds like a statement on how people across time and space have again and again come to the same question, what is the meaning of life?

and acheron's whole color thing seems to mean that she is one of the few who, after walking so far on the path of nihility, somehow have not died yet, be it from madness or something else

like it seems implied that many many more have seen the meaninglessness of the universe and have not reacted as well as acheron has

ok i have more to say about the elation and how it in turn relates to the nihility but that will have to come later but there is. a lot of interesting things there to explore

once again disclaimer: I Am Not A Philosophist And Do Not Know What The Correct Definitions Of These Words I'm Throwing Around Are. thank you for coming to my ted talk that was more of a longwinded ramble

[pigeonclaw]

I haven't felt very motivated to draw lately (what chronic fatigue does to a guy 😔) but I have cracked open my sketchbook a few times. Mostly to doodle TBC.

[owchie-wowchie]

Can I ramble about something that annoys me?

[peachiibon]

what if i combined both of my main interests right now. what then

warning for a mile long rant of cookie flavor speculations in the tags

[moonkhao]

hi.

[nguyenfinity]

Presenting EnSeason, a monthly release magazine featuring ES idols! This inaugural January issue is Trickstar following the announcement of their TRIP album :]

Image without text below the cut:

rendering got my ass on this one

[redbean-nom]

din djarin, age 10: clone wars refugee child

boba fett, age 11: in federal prison for destroying an entire venator while trying to kill mace windu

[xxplastic-cubexx]

If you were to like redesign Magneto's classic outfit in a way that both suits the character and your own tastes, how would you redesign it?

uhhhh errrmmmmm i dont know i really couldnt improve upon perfection but i have still tried for you my friend !!!

[momentomori24]

Keiji is a character that I'm pretty sure every one of us can recognize is an absolute weirdo (ok maybe some are too hard on copium for the "weirdo" part) and sketchy as hell, but thinking about everything he's done it really feels like he's so much shady and ruthless than we give him credit for. So here's me bulletpointing some the moments that I haven't seen too many talk about, a little theory throwing his status into question and addressing the massive elephant in the room that almost everyone refuses to acknowledge. If there's something else you feel I missed or wanted to evaluate on, do leave it in the comments.

[Also, disclaimer: I will be discussing Keiji and Sara in a romantic light near the end of this post, so if that makes you uncomfortable please proceed with caution or skip entirely. This should go without saying but for my own sake I will say it anyway-- No, I do not condone their relationship in real life. No, this is not meant to be "shippy" or endorsement of any kind. This will simply be pointing out their dynamic as another example to prove the whole point of this rant. But if someone else does ship them that's totally fine. Fiction doesn't equal reality and if you harass a real person over fictional characters you will not see the light of heaven. Be civil, please and thank you. My block button is rated E for Everyone and if anyone decides to ignore the warnings and be an asshole I won't hesitate to use it. Thanks for listening. Disclaimer over.]

*Being a murderer.

I feel like I should start with the most obvious and undeniable. I don't think this is debatable to anyone here. Mr. Policeman may have been an accident and kinda confirmed by Midori to have been set up, but he still shot and killed an unarmed man in a moment of panic and recklessness. Even putting that aside, there's no denying that he killed Megumi in cold blood to get out of his debt to her and covered it up to the group to preserve his credibility. Regardless of what you think of Megumi, he has no excuse here. Not only is he one more kill away from being a serial killer, he's the only participant in our group that has actually killed people directly aside from Alice. Another reason why I bring this up is cuz something that completely flew over my head is this:

At the start of the game he had the audacity to complain about not having a partner or someone he knows with him like Sara does as if he didn't literally let Megumi get ripped apart by chains probably not even an hour ago Keiji what the hell--

*Throwing Kanna under the bus repeatedly.

Despite positioning himself as a protector and someone to rely on, he's far from above putting their youngest members in danger. Next to voting for the fourteen year old girl to die, he had the great idea of letting said fourteen year old be the one to babysit their biggest liability. Up to the point where they would stay in the same room both day and night. While I absolutely 100% trust that Sou would never EVER do anything to her, Keiji had no guarantee of that when he send her off. Hell, he literally just got done accusing Sou of setting Joe up to die (which I don't believe almost solely based on the fact that he said it, more on that another time maybe). He knew Sou was bad news, and openly acknowledges how adults can be terrifying, but he did it anyway. The dubiety of throwing the already traumatised little girl to keep watch on what they thought to be the most dangerous adult that had manipulated her once before is not lost on me, and that he didn't take any responsibility for her afterwards isn't lost on me either. To be fair, the Sou and Kanna thing doesn't just fall on him, it falls on everybody (Alice gets a pass because he actually swapped out with Kanna to watch Sou for her), but he was the one with the final say on the matter and who encouraged her to take the role despite Reko's rightful protests. The fact that he also voted for her to die in the Main Game, and is the only adult to do so, doesn’t help his case.

*Attempting to frame Sou knowing Reko was actually responsible.

While you could argue he was trying to cover for her since he knew why she did what she did, trying to pin this act on Sou to cast more doubt on his is extremely shitty. Never mind the blatant corruption and the irony of a supposed man of the law abusing his power to knowingly frame an innocent person (in this situation at least), and him sowing more seeds of confusion and resentment within an already rattled group, and giving Sou legitimate reason to be suspicious of him (and by extension Sara)-- this makes it so difficult to trust him after realising he's done this. Literally every time he accuses someone of being or doing something suspicious (mostly Sou), I always have to think in the back of my head if he’s telling the truth or just telling a blatant lie. He's shown that he's willing to not only lie to cover for himself, but to lie to delegitimize someone else. And Sara never caught onto it (Sou and maybe even Nao likely did tho). She never openly acknowledged it-- No one did. The complete lack of mention of what he did here makes this action quite missable. Hell, I didn't even catch it the first time. Has he done this before? Who else has he lied about? Who else would he lie about? Who else would he knowingly pit against the group? You don't have to wait for that answer, because I will provide an example later. And with "later", I mean now.

*Casting suspicion on Gin before the vote while hiding the fact that he killed Megumi.

While it's not as blatant as with Kanna, there are two instances where Keiji shows a readiness to either put or leave Gin in harm's way. The biggest one for me is in the Main Game. Like, how dare you. That is a furry child, sir. This kid’s like TWELVE. Even though he makes a valid point about calling out suspicious actions to clear them up so we can all trust each other, casting doubt on Gin of all people right there feels pretty screwed to me. This was before the preliminary vote. His words could’ve very well gotten Gin voted for if he couldn’t disclose why he did what he did for whatever reason and therefore being unable to clear himself from suspicion. It’s even more fucked when you realise that Keiji has literally murdered his partner and is currently planning to get Sou killed while giving this whole spiel about doubting others so that we can believe them and pointing the finger at a little kid to make an example to the group. But when Nao, Sou and Sara call him out on his suspicious actions that could rightfully damage his credibility, he tries to shut them down completely. My brother in Christ, you brought it on FIRST (don’t get me wrong I’m very much aware he didn’t really mean the whole “trusting each other” bit but come on dude)--

Speaking about not meaning what he says:

*Letting the group think he’s Ok to vote for knowing he’s the Keymaster.

This kinda got to me because I thought this was Keiji actually being… vulnerable? Accepting the consequences of his actions and allowing them to vote for him in their distrust without protest even tho it could cost him his life, maybe. Correct me if I’m wrong, but I can’t remember a lot of times-- or any times, really-- where Keiji has willing put himself into the line of fire, at this point at least. He always finds a way to keep himself safe, give himself insurance, and I thought that this would be the one time he doesn’t do that. But this feels so ominous looking back knowing that he was the Keymaster the whole time. That our distrust and betrayal and his resignation to it all didn’t matter because he was going to be safe no matter what. That he knowingly allowed us to assume that he was a safe vote because he didn’t want his plan to kill Sou to be ruined, which narrowed down choice of people we can safely vote for even further. That this action is ultimately the reason why Sou and Kanna were our only options to kill off in the end. If he had admitted it there, we could’ve found someone else to vote for so our final options could consist of three people, not two. But he didn’t, and the rest is history. There’s a lot of things he’s done I can’t get over. This one ranks pretty high. The second Main Game is already a huge sore spot for me for obvious reasons; knowing that a lot of the things that happened were due to his inaction where it truly mattered and activity in all the wrong places doesn’t make me fee any better. He didn't say he was a safe vote-- he didn't lie-- but his words carefully omit that voting for him means a total party death, something he should've stated then (and before this, really).

*Leaving Sara with the sacrifice card.

Despite making a big show about “always being by her side” and being her “reliable policeman”, he chose to look away when she was in real danger. He attached himself to her as her right hand man, made her shoulder the responsibility of being the leader, constantly manipulated and flattered her to win her trust and gain her favour-- but when she needed him the most, he basically left her for dead because it was the most beneficial to him. Keep in mind that not only did he know about her getting the sacrifice (he was also the sage so he'd have seen the trade happen), but he had the tokens to help her get rid of it. But those tokens weren’t for her life. They were for his. He used them instead to give himself the Keymaster as insurance for the Main Game (the Keymaster he stole from Sou/Kanna most likely to buy Sara’s trust btw). His desperation for survival outweighed his sense of obligation to keep her safe, and that’s the most subtle yet transparent he’s been about his selfishness. What makes this so much worse is that Keiji is our support character. He’s an ally, and our closest one at that, to the point where Sara burned her hands in a futile attempt to rescue him and signed her life away to save his. And yet his loyalty and protectiveness pale in comparison to other characters. Compare his actions to Sou’s: one of their many parallels and similarities is that both their girls get hit with the sacrifice card. As we’ve established, Keiji was fully aware of Sara being send the sacrifice by Sou, had 50 tokens ready to go and chose to secure his own survival than save her life. Kanna ended up doing it instead, attempting to trade the card off Sara with Sou realising what happened immediately. And what does Sou do? Completely bend over backwards trying to keep her alive. He lied about being the Sacrifice so the others wouldn’t suspect Kanna of having that role, meaning he could try gathering vote for her without anyone seeing his true intentions. He tried to stop her about coming out with the truth of what she had done so she doesn’t sentence herself to death. After everything he did to survive-- after how much he lied, how much he schemed, how much he hurt, and how he had thrown himself away to replace everything that made him Shin with the man that had traumatised him years before the game began to scrape together even the tiniest chance to survive-- he threw it all to the wind and was willing to let it all be in vain if it meant she got to make it out of the Main Game alive. The worst part is that Sou had never intended to make it through that Main Game. He confessed to already knowing that Kanna would choose Sara over him if she truly had the Sacrifice card. Yet he still did what he did all in the hopes that she could win. Because it was all about her survival first, not about them surviving together.

It also gives a different context to Sou's panic and him stumbling over his words trying to come up with any argument to get them to stop. At first I thought that Sou was afraid for his life. Which would make sense-- Keiji and Q-taro set him up to die and seemed pretty adamant on having everyone voting for him to get it all over with. But he was already prepared to die the minute he realised Kanna traded with Sara. So it means it wasn’t his life he was fearing for here-- it was hers. To him, if they voted for him there, it wouldn’t have just been his end but hers too. But we know that Kanna isn’t the one who has the sacrifice. It’s Nao, and considering how the Main Game can end either or both of them dead, I wonder if he regrets not having given up there, not letting Keiji get away with that shitty stunt he pulled knowing it would’ve at least guaranteed her safety than leave her fate in hands of a girl with enough reason to kill her. Ignoring the sounds of my heart shattering into pieces for the 100th time thinking about the Greenblings, it’s so fascinating that our biggest rival and most distrusted member has a greater sense of loyalty and responsibility for his ally than Keiji has for his own. Sou can be a liar and manipulative and selfish, but for how unpredictable he is something I can always trust is his love for those he holds dear (Kanna) and general desire to protect our most vulnerable (Gin). Sou loves Kanna, and so he’s fine with protecting her even if it comes at a price he never wanted to pay. Keiji surely cares about Sara, but unfortunately that is something I can’t say about him-- at least at that time (also the fact that Sou ended up taking more care and responsibility for Kanna despite Keiji having been the one to throw her on him in the first is so ironic).

*Continuously pushing Sara to take on the role of leader.

I think one of Keiji's biggest failures in the game come from his treatment of Sara despite positioning himself as her most reliable ally and her partner. From the very get-go, he was very adamant of making Sara be the one to shoulder the responsibility of the group. He, along with Joe (he didn't do anything wrong here), pushed Sara to be the Challenger during the Russian Roulette, despite Q-taro and Kai being readily available. He made Sara be the one to interrogate the suspicious convict while distancing himself from the situation. And he encourages her to lead them through the Main Game, lets her make the choices that steer them all forward and as a consequence take the fall for them as well. Rather than take on the role himself, or let another adult take it, he places his full trust in her and makes her shoulder everyone's weight so he doesn't have to. And he can see the effect it has on her: having horrific hallucinations due to the immense guilt she feels. But having Sara as their leader gives him a greater shot at survival and helps his credibility, so even though he tries to provide her comfort he still continues to keep her in that role. Again, the high schooler taking responsibility for the adults falls on a lot of the older people here, but Keiji was the one who kickstarted it rather than just go along with it like everyone else had. Gin, Nao, Kanna, Reko and even fucking Sou to an extent all have moments where they take the burden off her and relieve her of that pain she shoulders all the time (or at least try to). I need Keiji to take more responsibility for both the group and for her.

*Pitting Sara and Joe against each other.

This is just another example of the previous point. This isn't as bad, and I could give him the benefit of the doubt that this might have not been intentional, but it's something I want to bring up regardless. I'll be the first to say that Keiji wasn't wrong here. Prying into everyone's votes is a very bad move, especially since no one knew that Mishima would actually die (it was introduced as a practice round, after all). I agree with him, Joe was being rash, but instead of leaving the conversation there, he decided to throw Sara into it to pick a side. Which is... not good. He already won the argument and already had Reko on his side. Bringing in Sara could not only make Joe feel worse and potentially strain their relationship (especially if she rightfully chooses Keiji's side like he was expecting and hoping for), but just puts Sara in the spotlight during something she doesn't want to be part of. While there's a chance he might've done this because he know Joe is more likely to listen to her than him, he should've known better than that. It again makes her take the responsibility of giving the final verdict that would've otherwise gone to him.

*Asking Sara to take responsibility for his life

I've got nothing other that the grown adult swearing his life to the grieving, unstable teenager to take responsibility for while asking her if she'd die along with him is weird as heck. Keiji's said weirder things prior to this, but this one is a different weird. I think Beanieman's post mostly echoes my thoughts on this on, so I'll link it here for this point. This part kinda bothers me:

He shouldn't be encouraging her taking on anymore responsibility than she already is. He knows that the deaths that happened under her leadership haunt her. He knows that she's very much unstable enough already, to the point where he takes baby-steps to avoid triggering her trauma over Joe. He positioned himself as her reliable partner, her rock to lean on (quite literally sometimes). We see first hand how emotionally dependent she is on him. If he died, it would destroy her-- she'd destroy herself over it. He knows this (or should) but he still does it. His disappointment and dismissiveness when she understandably rejects him makes it worse. The guilt of potentially not living up to his expectations is not what she needs.

*Potentially working for Asunaro

This is more ambiguous than everything else here and more a theory than anything but it's been on my mind for a long time that Ranmaru might actually be onto something here. We know that Asunaro has a strong hold on the police. Midori was able to infiltrate the force, and they were able to get rid of Mr. Policeman for looking into the corruption going on, first having Megumi fire him and secondly getting Keiji to kill him by planting false info about the suspect having a gun. Megumi was also able to get Keiji off the hook for murder, which I believe Asunaro had a hand in too (I theorize this might've been her wish). There's also Alice, who was arrested and sent to prison despite the fact that he (legally) didn't kill anyone since Midori was a doll. The police are connected to Asunaro-- by extension Megumi and extending further potentially Keiji.

Something I've seen someone rightfully point out is that neither of the options you're given to say in response to the accusation... actually deny it? Both choices dance around answering directly, which is suspect as fuck. If Keiji truly wasn't with Asunaro, why not shut that theory down immediately? There's no benefit to answering anything but "no" when he's innocent, and he's lied straight to people's faces for less. So why not just debunk it? I think it's cuz there might be some truth to what Ranmaru was saying here. The biggest reason I think this is because despite the fact that Keiji quit the force, he and Megumi were still associating with each other years later. They were kidnapped together and partnered up for their first trial. One missable piece of dialogue is Keiji admitting that he was with his partner-- or rather a "coworker"-- before getting knocked out.

That slip of the tongue and backtracking makes me believe this part to be true. Him switching from "my partner" to "a coworker", which is a lot more distant and impersonal, makes me think it's got to be Megumi. However, I don't believe that Keiji would wanna keep in touch with her after what happened willingly, so I can only imagine that it's due to that debt he has to her. My little game theory here is that after the shooting, the debt he owed her was a forced recruitment into Asunaro. It's the only thing I can imagine he meant by "the worst kind of debt", a debt he'd literally let her die for to get out of. And if this is true, then it could also explain away his instant attachment to Sara, since he'd know beforehand that she's someone he can depend on due to her having the highest chance at survival. Maybe he already knew about her beforehand, one way or the other. We know Hayasaka did (which I think we as a fandom moved on from way too fast btw). Kai and Sou did too. There's always a chance. And unlike Sou's victory rate and Midori's favourite number, it's not zero. One person made a comic about this idea I recommend checking it out, it's tastefully unsettling. But still very much unsetling and uncomfortale. Be warned that it's also Keisara-centred, so if that makes you even more uncomfortable they did the job right you can ignore it. Proceed with caution or don't read if you don't like.

*Being a predator

I have been waiting so long for this one XD For context: a while ago I made a longpost discussing the sanitisation of soushin and this kind of toxic attitudes in fandoms regarding "problematic content" (ships, characters, shows, you name it). In it, I mentioned that it's not only soushin that receives this treatment but a certain other dynamic too. It's not a rainy day, however this has been way overdue and if I don't get this done now I never will.

Something I've seen a lot, and I mean a LOT-LOT is this notion that Keiji acts "like a father" to Sara and that their relationship is a completely platonic father-daughter bond and that he's the resident dad of the group? Like, it's cute, but that's not at all what their relationship is. At all. Not even a little bit. We called Sou and Kanna siblings before the Greenblings reveal. The difference is that not only does half the fandom think this man is gay, but he's only ever been protective and caring and loving without any romantic intentions towards Kanna ever. His title as her brother was deserved, based on the genuine affection and platonic protectiveness similar to that of Alice's. Keiji has made advances tho, on many occasions, and his flirting is repeatedly acknowledged by other characters. Namely Sou and Reko.

(Sou grills him for being a creep every chance he gets I love him XD) But yeah, these are not the type of reactions and comments you receive when being a "father-figure" to the teenager. You get all this when you hit on the teenager. Which he does all the time by calling her "cute" every time she asks something and his "cute little detective", swearing himself to her by saying that "he's always on her side" or something like that, asking her if she'd die alongside him, repeatedly claiming or insinuating that they're on a date, or ""having a moment"" and going to ""take the next step"" when in private (*cough* groomer *cough*)-- you name it, he likely said it. He's a walking-talking ladykiller machine and teenage girls aren't safe, apparently.

(Quick note: The dialogue for the Russian Roulette one is a tad different now. In the new translation he says "cause you're so darn cute" now. I dunno if that makes it sound any less weird, but I felt like putting that out there. What I'm also putting out there is that according to the trivia he calls her cute 8 times throughout the game so. Yeah. *Cough* groomer *COUGH COUGH*)

Like, who tf says this?? Especially that last part 💀 Even if you wanna die on the hill that these are supposed to be "jokes" not to be taken seriously, we should all be able to agree that the (ex)police officer in his late 20s jokingly hitting on the high schooler he follows around is still weirdo behaviour at best and down right despicable at worst. The fandom seeing lowkey predatory/inappropriate behaviour from a figure of authority persistent for almost three entire chapters and dismissing it as "fatherly" and "platonic" is, well, concerning. It's very concerning. If your dad acts like Keiji, you should probably call the police. Unfortunately for Sara, Keiji is the police. And considering this guy got away with manslaughter, I don't think said police would do anything anywho. But yeah-- he uses flattery and flirting to distract her from prodding to much at him while simultaneously aiming to gain favour in her eyes. He showers her with reassurance of his loyalty and affirmation of his deeper attachment towards her and her alone every chance he gets to cement his position as her closest and most trustworthy ally. He insinuates a romantic partnership between them to others to mostly keep her to himself or the two of them alone (he always does that when they're investigating or going to investigate by themselves). There's such an obvious romantic undertone to their relationship and his actions that it going almost completely ignored in the fandom feels weird to me.

I want to make clear that there's nothing wrong with headcanoning Keiji as a father figure to Sara. It's cute. Keiji didn't have a dad himself, and the closest thing to a father figure he had was the man he shot dead. He's a damaged and hardened guy. But Sara's dad is involved with Asunaro and Gin's is an alcoholic, and in a situation where they both need guidence and protection he tries his best to grow and change, fumbling to become that decent father none of them got to have. It's nice, and a wholesome dynamic for our "characters with memorandum counterparts and only non-determined deaths" trio. But that's obviously not what their dynamic is. There's a difference between headcanoning something and erasing canon and the Yttd fandom leans heavily into the latter. Keiji's a creep, he always has been, yet 90% of people I see always portray him as a Mr. Dad Guy or completely sanitise him to hell when him being creepy and unnerving to be around is what made him such a fascinating character. Just like I said with Soushin, the sanitisation to make canon more digestible is one thing: harassing or insulting the people that explore canon is another. I'm gonna take a bullet, derail this rant and say it-- Keisara shippers get so much shit for literally being right it's so infuriating. Keiji does hit on Sara, a lot. He's creepy and weird like that. Him flirting with her isn't a "mistranslation" or a joke or anything like that; his dubious wording and antics are very much intentional. Yet the only people I see actually addressing and acknowledging that without adding fluff is keisara shippers and other ""proshippers"" only for them to get fucking sniped for it I cannot 💀💀 I have yet to meet a single eastern fan who calls this cop "fatherly". This really feels like such a western issue cuz the majority of the japanese fandom agrees that this man's a predator (correct me if i'm wrong but keisara is the most popular ship in the japanese side of the fandom, right?). Then again, eastern fandoms are more chill over there when it comes to separating fiction and reality in general anywho.

*Yeah, I think I'm done with the Keiji slander. Yay. Time to unceremoniously end this.

There's more to say about that, but this is a Keiji post, not another shipping discourse post (although it's hard discussing Keiji's predatory behaviour without bringing it up too). Before I do spiral from the original point, I'm going to try and reach some sort of conclusion here. While I did spent the majority of this post just reading Keiji to filth, and am very salty towards him in particular, this was not just to rake him through mud for my own sanity (tho it's part of it XD). Keiji's character is that he started off as someone who wanted to do the right thing, someone who wanted to be good and moral and protect others by joining the force only to kill all the progress he made along with the person who inspired him to become an officer in the first place. It heavily contrasts the Keiji we have now, a sleazy, unreliable and corrupt ex detective who flirts with underage girls and is willing to resort to the most bankrupt of decisions to save himself. A man that has long lost hope of his wounds healing that he lets them fester and his rot spread onto others. And while I headcanon Keiji to just inherently be a piece of shit, his former self tried his best to be genuinely good before he became so convinced he can never be better that he made peace with his shittiness in the end.

With all this I wanted to highlight some the shadier and bankrupt things he's done that I haven't seen much discussion around and refresh myself on them before the final part. Both so no matter how emotionally dependent and therefore rose-tinted Sara is about the man I don't forget what he's actually like and what he's done while also being able to appreciate how much he's changed for the better. Some of my favourite examples about how he's changed are these:

Before the second Main Game Keiji was willing to let Sara and Kanna die because it was the most beneficial option for him, but in Chapter 3 he takes the on the role of "it" from Kanna and refuses to tag Sara when he thought he was gonna die after failing to beat Midori.

Actually showing more sympathy towards Sou after the Main Game. He was very mean about dismantling his pretence of a cold front to Kanna's death, don't get me wrong, but he showed a lot more consideration and understanding for Sou's feelings and acknowledgement about his active role in it than he ever had beforehand.

He was genuinely fighting for everyone to survive the game, not just himself. While Keiji would prefer everyone making it out safely, he has a tendency to guarantee his own survival first through any means necessary. His plan to corner Midori in the banquet could've cost him his life if it weren't for Q-taro's final stunt, yet he still reassured Sara to save Gin even tho it could've resulted in his execution from Meister potentially finding him guilty of violating the rules.

Him hugging Mai and trying to be more cheerful was cute as heck. I'm sorry but him showing more vulnerability around his allies and being less closed off in a way he hasn't been before is something I'm very head empty about. That he was hugging and interacting with Mai without making any unwanted advances or ladykiller jokes and generally just having a more friendly vibe was nice. It makes his creeping on Sara more unfortunate, but I'll take what I can for now. The bar is in hell.

And that's it, I think. Overall, I hope they do address some of his actions here in the final part or make them have an impact on his and Sara's relationship. Especially that Asunaro part. The person who wished for Sara to join the death game is still unknown and so is Keiji's consent form wish (same goes for the Dummies, Hinako and Megumi), so I'm curious if they're related or not. If he's going to go down an even darker path or redeem himself as much as he can we'll see when the final part drops. He has the potential to go both ways. This is going to be kinda awkward if the next part reveals him to have been a decent guy all along, so hopefully that doesn't happen. Please be morally bankrupt, man. This post didn't end up the way I wanted it to, nor bring up as many points as I would've liked, but I know I won't finish it if I went full perfectionist on it (I already spent months on this writer's block do be a bitch) and it's looking kinda long already. Hopefully it's still decent enough as is right now. I'd like to say that this is my apology for the last longpost I made, but I brought up one of the most controversial and hated ships and traits of Keiji's character and defended them, so maybe I shouldn't 🙃 Anywho, hope you enjoyed and cheerio.

[puppyeared]

its so hard to watch time pass when things like careers and assignments exist. what do you mean im supposed to take that seriously

[plaid-maniac]

Do you ever think about how there totally could have been an old classmate of Phoenix Wright and Miles Edgeworth in the audience during like turnabout sister or turnabout samurai. Do you think they would realize? Like “hey, were those the guys in my class in like fourth grade? I kinda remember them. Wonder if they remember each other. But it was so long ago, I doubt they would even care.” Meanwhile Edgeworth and Phoenix are undergoing the most insane mental battles where both of them are going “I recognize my best friend across the courtroom and I desperately want to be close with them again.” And “god he is so god damn annoying I wish he would die already.”

[myimaginationplain]

do you ever think about how Ohkubo extremely casually dropped the fact that Spirit & Kami were teen parents & then proceeded to never expound upon that fact or bring it up ever again despite it explaining a whole lot about them & Maka