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vidukon · 1 month ago

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FAQ & Covid-19 Policy

VidUKon 2025 is taking place in Bristol from Friday 30 May to Sunday 1 June. Before we share more about registration and put out the call for programming, we thought we'd share FAQ about the con as well as our COVID-19 policy. Expect to hear more from us over the coming weeks!

Info under the cut.

About the Con

What is VidUKon?

VidUKon is a fan-run vidding convention based both physically in Bristol, UK, and virtually. It's a weekend for vid watchers and vidders to gather together, in person and online, and watch vids, talk about vids, and have fun.

The physical portion of the con takes place in the Future Inn hotel, Bristol, where we have one large room with a balcony set aside for watching vids together and other activities.

The online portion of the con is based on the VidUKon website, and also uses a Discord server so that attendees can talk to each other, and video conferencing software for things like panels and workshops.

What is vidding, and what is a vid?

A vid is a fan-made music video that takes visuals from one source and audio from another and puts them together in a new way. You might also see them called fanvids, edits, tributes, fancams, MVs, etc. Vidding is the art of making these videos.

Do I need to have made vids to attend the convention?

Not at all! Most of the programming is accessible to anyone who enjoys watching vids. The most common programme items are vidshows - that is, curated playlists of vids. Depending on the year, there may also be panels or roundtables that explore vids from a viewer's perspective.

The occasional programme item might be more technical and geared to vidders in particular, but non-vidders are welcome to attend and listen in if they're curious, or spend those timeslots relaxing elsewhere.

There are also lots of opportunities to socialise with other fans between programme items.

Be warned though, plenty of people come to the con as non-vidders and come back next year having made their first vid! VidUKon is a great way to learn more about vidding in a low-pressure way, if it's something you think you might be interested to try.

What happens at VidUKon?

A ton of things! The con begins on Friday afternoon. We usually break the ice with a quiz, followed by a couple of vidshows. For the rest of the weekend, programming is a mix of vidshows, discussion, talks, workshops and social time.

There’s only one stream of programming, so attendees can attend every programme item if they choose to (and if they have the stamina!).

What are vidshows like?

Each vidshow is a playlist (usually about 45-60 minutes long) of vids on a particular theme. If you're in Bristol, you can watch the vidshow together with the other Bristol Attendees in the designated space at the hotel (usually a cinema-style set-up with a big projector). All registered attendees (Bristol or Virtual) can also watch each vidshow through the website.

What vids are shown?

All fannish vids are fair game – in all genres and styles. Which means that some panels and shows may not be suitable for people under 18.

We prefer to have the vidders' permission to show vids, but the transitory nature of the internet means that can be difficult sometimes. If we are contacted by a vidder and asked not to show a vid, we will not show it.

Registration

What is my display name?

Your display name is the name that you will be known by at the con. You can amend this in your account details after you register if needed, but once that's done you should use the same name in all virtual con spaces, including on the website and the con Discord server.

I have a question about my registration. Who should I contact?

For any questions, please email [email protected]

Vid Shows and Uploading Vids

What is a premiere?

A premiere is a vid that hasn't been shown in any previous convention or event and has not been released online prior the con. It will be shown for the first time ever at the Premieres show on Saturday night at the con, and will also be included on the Premieres physical media that some attendees receive after the con. Anyone is welcome to submit a premiere as long as you are registered as either a Virtual or a Bristol attendee. Vids can be any fandom, theme, or style, and there is no minimum level of experience required.

What is Vidder's Choice?

Vidder's Choice is a show where con attendees can choose an existing vid from their back catalogue to be shown. This can be absolutely any vid as long as it won't be showing for the first time at VidUKon. You might want to submit a crowd-pleasing favourite, or highlight a deep cut that you wish got more love! What is the themed submission vidshow?

The themed submission vidshow is a show with a specific theme that changes each year, for which con attendees can submit a premiere or a vid from their back catalogue. The theme for 2025 has not been decided yet and will be announced in due time.

What is the deadline to submit a vid?

All deadlines for VidUKon 2025 are on 6 April. This includes Premieres; Vidder's Choice; the themed vidshow (theme TBA); premieres that will be shown in curated vidshows (i.e. not Premieres, Vidders Choice, or the themed vidshow).

Should I inform you about the premiere I'm doing?

No, you don't have to. We might poll about it just to get a rough idea of how many vids we'll have and to check if we can fill them all in, but you don't have to inform us, just submit your vid on time for it to be included in the show.

If I'm submitting a vid, how do I get it to you and what format should it be in?

Video submissions are not open yet. We will share more information on the submission process closer to the date. Please get in touch if you ever have any questions.

Convention

What is your Refund Policy?

We offer full refunds until the close of registration of your tier (please note that some tiers close earlier than others). After that date, all refunds are discretionary. We do not want to be jerks about this, so please do contact us, and we may be able to assist, however, after the close of registration, our financial commitments are firm and we have bills to pay. As a non-profit voluntary association with very little surplus cash, we may not have the luxury of refunding tickets at that late stage.

What is your Accessibility Policy?

Vidukon is committed to making the con environment an accessible and enjoyable place for all attendees. If you have specific access needs that you'd like to discuss with us, please contact us at [email protected], and we'll do our best to help.

For in-person attendees, the con rooms are on the top floor, accessible by lift or by stairs. Hotel rooms on higher floors are also accessible by lift or by stairs.

The con programme has regular breaks scheduled into the main programming.

We are going to be asking VJs, panelists, and vidders submitting premieres to include content information about their vids. We ask to warn for the following:

Animal Harm; Auditory Triggers; Blackface/Brownface/Redface; Blood/Gore [significant amounts]; Depictions of Colonialism/Imperialism; Depictions of Police; Holocaust and/or Nazi Imagery; Fast cuts (more frequent than about 8 frames); Flashing/Flickering lights; Incest; Queerphobia; Racism; Physical Triggers [in addition to fast cuts or flashing lights], Self-harm; Sexual violence; Suicide; Transphobia.

We ask to warn for depictions of things even if the vid is critical of them, e.g. a vid that is critical of racism and includes depictions of racist violence will be expected to warn for racism.

If any attendee would like further detail about the content of vids being shown at the con (eg you have a specific trigger that is not included in that standardised list), please get in touch with the ConCom and we'll do our best to help. Anonymous queries welcome. The more notice we have the more thorough we can be in getting content information for you, so ideally email us at least a couple of weeks before the con, but if we get less notice than that we'll do our best to accommodate you.

The content information we collate will be available in the Conbook and on the website for ease of reference of attendees.

COVID-19 Guidelines

Vaccines

In-person VidUKon will require all in-person attendees to be fully vaccinated against COVID-19 without exception. Proof of vaccination will be required upon arrival. To avoid disappointment, please make very sure to bring your vaccination documents with you to Bristol! We accept photographed documents, so a picture on your phone will suffice. For more information on accepted forms of proof, see below.

Note for regular in-person attendees: please bring your vaccination documents even if you provided them at the 2023 or 2024 event. We're a small crowd and we do remember you, but in the name of fairness, transparency, and security, we ask all in-person attendees to provide vaccination proof regardless of previous attendance record. If this creates any difficulties for you, please don't hesitate to get in touch at [email protected].

Which vaccines are acceptable?

Any vaccine authorized in the country in which the vaccine was received, including authorization for emergency use, for human use as a COVID vaccine is acceptable. The World Health Organization maintains information on the status of vaccine trials and approvals.

I was a participant in a vaccine trial; is this acceptable?

Please contact us directly at [email protected] so we can evaluate your situation on a case-by-case basis.

What does “fully vaccinated” mean?

“Fully vaccinated” means you must have received all required COVID-19 vaccination doses no later than 14 days prior to the day you arrive at VidUKon to allow them to reach full efficacy before arrival. For people arriving on 30 May that would be no later than 16 May. The date of vaccination will be confirmed as part of the registration check. Boosters are not required, but strongly encouraged if you're eligible.

What forms of proof of vaccination are accepted?

We will accept original vaccination cards, digital or physical photographs or photocopies of vaccination cards (front and back, all details readable), or electronic documentation provided by your country of origin, including print-outs of such documentation. This documentation should be provided in person at the registration desk on site. It needs to contain information about the date of vaccination and the type of vaccine, and needs to be identifiable as belonging to you (i.e. be in your name).

If your documentation is not in English or if you are worried about any other issues regarding the acceptability of your documentation, please contact us at [email protected] to discuss details.

What if the name on my ID and the name on my vaccination card don’t match?

We will accommodate this on a case-by-case basis; please contact us at [email protected].

I can’t be vaccinated for a medical reason. What should I do?

At this time, VidUKon requires all in-person members to be vaccinated without exception. If you cannot be vaccinated, please consider attending virtually, which does not require you to be vaccinated or show proof of vaccination.

I'm vaccinated, but my child/friend/partner/family member that I'm bringing along isn't. What should I do?

If you are planning to bring along friends or family to enter con spaces, please make sure to provide proof of vaccination for all people present, including children. Children who are too young to be vaccinated against COVID-19 will unfortunately not be allowed to enter con spaces at the 2025 event. They may enter the hotel lobby or other spaces in the Future Inn that are not con spaces, though.

Testing

If you attend VidUKon in person, you are required to test yourself once a day before you enter con spaces, using a rapid test. VidUKon 2025 encourages in-person attendees to bring their own rapid tests if possible. The con will also provide rapid tests on site.

Please also test before beginning your journey to Bristol. If PCR tests are easy and affordable to come by where you live, we encourage you to get a PCR test done before you travel. If you cannot easily get a PCR test, a rapid test will suffice.

If you have any questions or doubts about the testing requirements, please contact us at [email protected]

Can I get rapid tests for free?

Not anymore :(

Do I need to provide proof of my daily rapid test result?

No, we may give reminders about testing but we will be trusting everyone to test appropriately over the weekend.

What do I do if my rapid test result is positive?

If your rapid test shows a positive result, you will unfortunately be unable to continue participating in VidUKon 2025 in person. You are encouraged to switch to virtual participation. Possibility of refunds in a case like this will be determined on a case-by-case basis.

What should I do if I'm having symptoms?

If you experience symptoms that might be a sign of a COVID-19 infection, please test yourself using a rapid test. If the test result is positive, you will unfortunately be unable to continue participating in VidUKon 2025 in person (see above). If the test result is negative, please use your best judgment to decide whether or not to continue participating in person, keeping in mind that depending on viral load, rapid tests may not be 100% accurate. You always have the option to switch to virtual participation, and also switch back whenever you feel safe participating in person again. Possibility of refunds will be determined on a case-by-case basis.

Do I need a PCR test to attend the con in person?

No, a rapid test is sufficient. However, if you can easily get a PCR test done, we encourage you to take one before you travel to Cardiff.

Masks

VidUKon 2025 continues to require all in-person attendees to be wearing a mask in con spaces at all times, except while actively eating or drinking.

What counts as a mask?

A mask should completely cover your nose and mouth with material that can effectively filter droplets and aerosolized particles. It should fit snugly against the sides of your face without gaps. Nose wires are recommended to improve fit, and multiple layers are generally more effective. Face shields are not an acceptable alternative to masks, although they can be worn in addition to masks if you desire.

I can’t wear a mask for a medical reason. What should I do?

We generally accommodate medical exemptions to masks but would like to evaluate on a case-by-case basis, so please contact us at [email protected]

What counts as a con space?

A con space is any area reserved for con attendees, such as the conference rooms reserved for VidUKon. The hotel lobby is not a con space, neither is the hotel restaurant.

What are the rules in spaces that are not con spaces?

There are no specific masking rules in place anymore in spaces that are not con spaces. We encourage you to use your best judgment regarding masking in those spaces.

Are there going to be designated areas for eating and drinking or is it allowed anywhere?

At this time, VidUKon is not planning to set up designated areas for eating and drinking. We ask attendees to try to keep their masks on at all times and be courteous and considerate regarding the exception for eating and drinking.

Local Regulations and Travel

The above-described guidelines reflect the level of safety VidUKon will aim to provide for in-person attendees. Select guidelines may change or additional ones may be added as the con approaches. In the unlikely case of significant changes, you will hear about them in the regular pre-con communications we send out.

If you are attending the con from abroad, please make sure to check all applicable regulations for your travel route.

#vidukon #vidding #fanvids #fan conventions

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thatskindarough · 9 months ago

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Oh it was only 3 actually, counting that one animatic on YouTube (that BTW i had no idea was yours! I was pleasantly surprised <3)

And I found it so funny that you have somewhat an idea of who I might be PFFF you can throw the guess, it would be funny if you get it right (don't have to say my name if you don't remember it, you can just go for something you remember NFKDSJ)

also time for an actual question since i'm already here, what program did you used for the animatic? I've always wanted to get into animating but most softwares cost money or are free but really bad so I could use some recommendations 👀

Good to hear there is no imposter lol. I should probably start using the false pfp so people know it’s me but I’m too lazy to change them all 💀 also my guess was right as to who you were but probably mainly because I put on my Aziraphale detective hat and you were the last notification before the ask inbox notification and your icon had a red beanie. We meet once again.

As for the animatic I used procreate for drawing and capecut for composting. Not the most efficient method but I liked it. I ended up segmenting off each camera angle into a different canvas and making any animation for the shot that way. I love capecut because the free version has every editing function you need for an animatic and the watermark only appears as a black screen at the end so it’s so easy to crop out. It’s probably the best free editing software I’ve found. (I also used a screen recording device to record the audio cause even if you buy a song it sometimes doesn’t allow you to put it in the program.)

I honestly recommend procreate if you have a device that supports it. I think it’s still only a 10 dollar onetime purchase. But if you don’t have a device that supports it, I have used things like flip a clip which is free, and the paid version is pretty cheap. I have also dabbled in an app called rough animate, also free (you don’t have to pay for the onion skins) which was also okay. I got frustrated cause of the lack of brush choice but other than that it’s not bad at all. If you can’t pay anything at all I’d recommend this because, unlike flip a clip, you don’t have to pay to unlock the a lot of the really helpful features. Ibis paint also added an animation feature I think so that’s an option. Idk if you need the paid version for it, but I remember only having to watch ads for a minute to unlock all the brushes so maybe it’s the same for the animation feature lol.

If you have a computer set up, I’ve also heard nice things about Krita for animation. It’s free and from what I remember it had a really good timeline set up. I actually tried to use it, but my computer at the time was old and slow and it lagged to much, and then I had a shitty no screen tablet and my hand eye coordination when it came to drawing and writing is quite bad, so it just wasn’t a good set up for me personally. But I know people make it work. I mean, people make this kinda shit in MS paint, if you’re dedicated enough you can technically do it in almost any program (though you may not be able to make it as polished as you’d like.)

Then there is Clip Studio Paint, which does cost money but is way less expensive than like, harmony or adobe. The EX version which gives you a second of free animation per project is a $5 monthly subscription for once device, PC MaC IOS, and the Pro version (which is more expensive) gives you unlimited animation animation access for I believe around 10 -15 dollars a month (still less than most streaming services lol). There’s also a one time purchase version that is $50 dollars, but it goes on sale A LOT for $25! Although I don’t think it gives you more than a second of animation. CSP also has a very long free trial period, for EX it was legit like 3 months. so if you try it out and like it, I’d definitely suggest finding a way to pay for it. It’s actually used in some professional studios in Japan, so if you have any professional aims for your work it’s a good starting platform to get into industry software. However a lot of the nice things CSP offers for animation are not needed in the story boarding/animatic stage, so if that’s as far as you wanna take your animations it maaaaaaay not be worth it unless you love it.

If anyone else has other cheap or free recommendations feel free to add on. I have attempted to make animatics on procreate, rough animate, and flip a clip; all of which I have uncompleted projects on. It just so happens that procreate is what I was using when I finally made an animatic I liked enough to see until completion. Whatever software you do use, just make sure you learn how to use it before attempting a big project. Do some smaller stuff before you try anything big.

Edit to check the comments! We got other good recommendations for computers!

#personal

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beatverse1 · 2 months ago

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Mastering Music Production and Promotion for Global Success

The world of music is constantly evolving, driven by innovation, creativity, and technology. Aspiring musicians and established artists alike need to master both music production and promotion to succeed in today’s competitive industry. With the right tools and strategies, creating captivating tracks and reaching global audiences becomes an achievable goal. This guide explores the critical aspects of music production, the role of digital platforms like TikTok, and effective monetization methods to build a sustainable career.

The Role of Digital Audio Workstations in Modern Music Music production is the cornerstone of any artist’s journey, and Digital Audio Workstations (DAWs) have become indispensable in this process. Ableton Live DAWs stand out as a leading software in the industry, offering unparalleled flexibility and functionality. With tools for recording, editing, and mixing, it allows artists to create high-quality tracks with ease. Its user-friendly interface and vast library of plugins make it a favorite among producers of all levels. Whether you’re composing electronic beats or working on acoustic tracks, mastering Ableton Live opens the door to professional-grade music production.

Leveraging TikTok for Artist Growth TikTok has transformed the music industry, creating viral sensations and providing a platform for undiscovered talents. Understanding how to use TikTok sounds is essential for musicians aiming to build their presence on this platform. Sounds play a crucial role in setting trends, and many artists have seen their careers take off after their tracks were used in viral videos. To make the most of TikTok, artists should create engaging content, collaborate with influencers, and ensure their music is easily accessible for use by other creators.

Optimizing Your TikTok Strategy A common question many artists have is whether can I add multiple songs to TikTok. While TikTok doesn’t allow users to upload full-length albums, artists can strategically add snippets of their songs to different trends and challenges. By doing so, they increase their exposure and reach a diverse audience. Each new track or sound added has the potential to connect with a different demographic, creating more opportunities for growth.

Promoting Your Music to Global Audiences Creating exceptional music is only one part of the equation; the other half is learning how to promote a song effectively. Digital marketing, social media campaigns, and streaming platforms play a significant role in reaching listeners. Utilize platforms like Spotify, YouTube, and Instagram to share teasers and behind-the-scenes content. Collaborations with other artists and influencers can also amplify your reach. A successful promotion strategy should combine online visibility with offline efforts, such as live performances and networking events.

Turning Your Passion into Profit The ultimate goal for many musicians is to make their passion financially rewarding. Learning how to make money from music is critical for building a sustainable career. Monetization strategies include streaming royalties, merchandise sales, live performances, and licensing your music for films, commercials, or video games. Crowdfunding platforms and fan subscriptions also offer ways to connect with your audience while generating income. By diversifying your revenue streams, you can secure financial stability while pursuing your artistic goals.

Conclusion Mastering music production and promotion requires dedication, strategy, and the right tools. From leveraging Ableton Live DAWs for professional-grade production to understanding how to navigate TikTok trends, artists have more opportunities than ever to succeed. By promoting your music effectively and exploring diverse monetization methods, you can build a lasting career in the music industry.

#music

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fractallion · 9 months ago

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I opened Chat4o and my first words (audio input) after ‘hello’ were something like write me a quick post about Markdown. What is it. Why should I use it.

Response back - as written. No formatting. No editing.

Introduction

In the world of technology and software development, it is crucial to have proper documentation to ensure that information is organized and easily accessible. Markdown is lightweight markup language with plain-text formatting syntax, designed to be easily converted into HTML and other formats. It provides a simple way to structure content without the need for complex coding.

Why Use Markdown?

Markdown is widely used by developers, writers, and content creators for various reasons:

Simplicity: Markdown uses plain text and a simple formatting syntax that is easy to learn.

Portability: Markdown files can be opened on any text editor and easily converted to different formats.

Flexibility: It supports various elements such as headers, lists, images, and links, making it versatile for different types of content.

Readability: Markdown files are clean and easy to read in their raw form.

Compatibility: It can be used on different platforms and is supported by many applications websites.

Conclusion

In conclusion, Markdown is a powerful tool for creating well-structured documents quickly and efficiently. Whether you are writing a blog post, documenting code, or creating content for the web, Markdown offers a simple and effective way to format your text. By incorporating Markdown into your workflow, you can streamline the documentation process and focus on creating great content.

I have worked with Macs for nearly (more than?) 20 years - and never once said hello to it - or please - or thank you ….

If I don’t say those words when I work with some AI model - I feel rude.

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isabellarosestudio5 · 11 months ago

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Week 3

REFLECTION:

- I have been thinking lately about why I find it hard to engage in practice. I think over the past 2.5 years of this degree (and prior to that- 8 years of rigorous ballet training) my cup of energy has become low. Things I used to feel very passionate about (politics, feminisms, art making), now feel often like exhaustion, even to think about. And to create anything seems to require a lot more conscious effort than it used to. Even in the conscious effort to make sure I have the energy in the first place.

- I also know I have a perfectionist streak and an urge to get good grades as a way of boosting my ego/feeling self confident- which has ultimately led to more burnout.

- My question now is how to move through this, how to restore my energy, my hope, my joy in art creation. How to make my practice irresistible to my mind, a thing that it feels it must wake up and do everyday.

- So far, I have thought of a number of things (alongside psychology), but recently the idea of beauty came to mind. Perhaps over the duration of this course I have felt a tug and resistance away from making things that are "just beautiful", due to this idea that beauty is meaningless in the larger sense. An object that just evokes beauty may not have a larger political/social purpose, or even contemporary art purpose. It's just a pretty thing. Meaningless, not worth pursuing.

- But I think I consider this differently now. In the light of burnout and other things, the important role of beauty becomes clear- to keep a sense of awe, wonder, appreciation in life. To refill people's energy cups.

- Perhaps I can consider/transfer this to my practice. Make things that shed light on beauty. Show things to people that they may usually not see. Generate awe, inspiration.

- I have also recently felt that this carries a greater importance in a political/social/environmental sense. How can people fight for various causes if they are tired/exhausted/empty. A great appreciation and love for the world is needed, if political pursuits are to endure long term.

OUTCOMES:

There is perhaps a film piece I've been working on that might fit this brief of sort of illuminating beauty, although at first I was mainly focused on documenting my experience with meditation and anxiety.

Here's a link to the draft:

youtube

(Reflection- 18/03/24: some of the shots are quite shaky, despite applying stabilizing software post. Does this matter? Do I need to change the shots/refilm? The audio quality is not the best, would want to properly record and potentially edit the script. Does the work need subtitles for accessibility? Would display with headphones in gallery to keep sense of intimacy.)

(Reflection- 26/03/24: wording still feels a bit wanky. A bit hyper-spiritual or therapised? I don't wish to come across in that way. I wish to be honest. Provide observations of myself, my anxious sorta natural way of being, and recent experiences of meditation as an aid to that. But perhaps that's what's making it feels wanky, self-consciousness?

Also considering that the stabilisation software is still making the footage look a little weird, perhaps I should try making a version without any post-stabilisation applied. Embrace the shaky footage- bring attention to the human hand.)

CONTACT SHEET OF ORIGINAL SHOTS:

Filmed in February 2024

#Youtube

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cindyhangrad604 · 1 year ago

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Object #11: Apple Laptop Significance: I've used my laptop regularly. Growing up, I've been interested in making small video edits. I've learned how to edit videos using software such as Windows Video Maker, iMovie, Final Cut Pro, Sony Vegas, and Adobe Software. New thinking/Connections: I want to improve my Adobe software skills in particular I want to learn how to use Adobe After Effects. P.O.V: The use of editing software I had used; greatly impacted my interest in wanting to study communication design. Visual Elements: Modern, clean and sleek. I use a protective case to prevent damage. Qualities: Apple, sleek, minimal, technological. Technical Components + Processes: Technology has offered accessible resources to help those who want to learn and connect to a specific community. Context: Socio-Cultural, Contemporary and modern technology. The evolution of technology and how it has impacted society. Relationships to Work: Campaign Awareness, Kinetic Typography Animation.

Object #12: AirPods Pro Significance: I always listen to music, whenever it's working or travelling. I get to pick what kind of genre I would want to listen to help set the mood for what I want to create. e.g. White Noise to help with concentration. New thinking/Connections: P.O.V: A personal preference I prefer to use AirPods than headphones. They're easily portable and are key chained with my keys so I've been pretty good to not lose them. Visual Elements: Apple, sleek, minimal, technological. Technical Components + Processes: Given multiple modes such as spatial audio & noise cancelling. Context: Contemporary and modern technology.

Object #13: Makeup Significance: I've been interested in learning how to do makeup. Doing my makeup has been therapeutic and an activity I look forward to before starting my day. New thinking/Connections: I want to experiment and expand on my style, allowing the creative freedom to try new things. P.O.V: Makeup should be perceived as a way to enhance natural beauty.Visual Elements: Variety of packaging, different concepts of a product such as glam, natural etc. Qualities: Glowy, Matte, Semi-Matte, Metallic, Pigmented Technical Components + Processes: Makeup allows me to be creative with my looks and how different application techniques can impact the outcome of a look. Context: Historical Context. How beauty standards have evolved.

Object #14: Emollient Cream Significance: I have a skin condition called Eczema. This condition had me to become more cautious with what I put on my skin. This is an emollient cream that I use as it protects and doesn't irritate my skin. New thinking/Connections: I want to bring more awareness of these medical conditions as people aren't aware of the hardships that we face. P.O.V: The importance of self-care and not allowing a condition to prevent you from the way you want to live your life. Visual Elements: Minimal, Clean. Qualities: Thick, Emollient Context: Historical Context. This skin condition is mainly genetic.

Object #15: Souvenir Magnets Significance: Overseas vacations I've been on with my family. We started collecting magnets to display on the fridge door. New thinking/Connections: Souvenir magnets set a reminder for tourists to remember their trip. P.O.V: Broadening my perspective of the world has inspired me as a designer to raise awareness to appreciate and respect others' values and beliefs even if they do not align with our own. Visual Elements: - Photographs of Tourist Attractions, Symbolisms. Qualities: Refrigerator magnets can be made from rubber, PVC, polyresin, metal, epoxy, or a mixture of some of these materials. Some magnets offer practical uses such as a bottle opener. Technical Components + Processes: How magnets are made. Context: Socio-Cultural, Historical. How history influences culture. Relationships to Work: Taking inspiration from other cultures and how I can apply it to my work. Sharing knowledge and learning from other countries.

Object #16: Zebra Mildliner Highlighters Significance: I enjoy collecting stationery. In particular, these are my favourite highlighters that come in a variety of colours and tones that set them apart from other highlighters. Visual Elements: Modern, Stylish, Minimal Design Qualities: Glides over the paper without smudging or bleeding through the paper. Dual highlighter either for thick or thin lines. Relationships to Work: This plays a crucial role in my design process.

Object #17: Zebra Sarasa Clip Significance: Another piece of stationary added to my collection. These are my favourite pens that I use on a regular basis. Whenever it's taking notes, sketches etc. Visual Elements: Modern, Stylish, Minimal Design. Qualities: Functional, writes smoothly consistent ink flow. Comes in a variety of colours, which is useful to colour co-ordinate my notes. Relationships to Work: This plays a crucial role in my design process.

Object #18: Wacom Tablet Significance: I enjoy digital art and the use of this tablet has made the process a lot easier. Visual Elements: Minimalistic, Stylish Design. Technical Components + Processes: Comes with a pressure-sensitive pen. Easy to write, edit or convey ideas in education or remote work settings. Context: The new culture of digital art. Relationships to Work: I've used this tablet to make my creations (in particular illustrations) come to life.

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bemelodicrecordingstudio · 2 years ago

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Recording Studio FAQ

1. What services does BeMelodic Recording Studio offer?

At BeMelodic Recording Studio, we offer a full range of services to meet your recording needs. From initial pre-production all the way through to the final mix and mastering, we have you covered. We also offer songwriting assistance, session musicians, and advanced editing services. Our goal is to help you create the best possible version of your music.

2. Where is BeMelodic Recording Studio located?

We're proud to be based in the vibrant city of Dallas Fort Worth, a thriving hub for musicians and artists of all kinds. Our studio is centrally located and easily accessible, making it an ideal choice for local talent.

3. How can I book a session at BeMelodic Recording Studio?

Booking a session with us is as easy as pie! Simply head over to our website and choose the time and date that best suits your schedule. If you have any questions or specific requirements, don't hesitate to get in touch with our friendly team.

4. What equipment does BeMelodic Recording Studio use?

At BeMelodic, we believe that top-notch recordings require top-notch equipment. That's why we've invested in a high-quality selection of microphones, preamps, monitors, and software. All designed to capture the finest details of your performance.

5. I'm an aspiring musician, is BeMelodic Recording Studio right for me?

Absolutely! We love working with artists at all stages of their career and we're committed to helping you bring your musical vision to life. No matter your level of experience, we’ll provide the guidance and expertise you need to create a recording you can be proud of.

6. What genres of music does BeMelodic Recording Studio specialize in?

We specialize in a broad range of genres. Whether you're into pop, rock, country, hip-hop, or something else entirely, we have the knowledge and experience to help you create a recording that truly shines.

7. How much does it cost to record at BeMelodic Recording Studio?

The cost of a recording session can vary depending on a number of factors, including the length of your session and the specific services you require. For more detailed information, please visit our website or get in touch with us directly.

8. What should I bring to my recording session?

Come prepared with your instrument, any backing tracks you might need, and most importantly, your passion for music! We'll take care of the rest.

9. Can BeMelodic Recording Studio help with mixing and mastering?

Yes, indeed! Mixing and mastering are crucial steps in the recording process, and we offer both services to ensure your tracks sound their absolute best.

10. Why should I choose BeMelodic Recording Studio?

Choosing BeMelodic means investing in your music's potential. With our expert team, state-of-the-art equipment, and unwavering commitment to quality, we're here to help you create something truly special. Take the leap and book your session today! With us, you can bring your musical vision to life.

11. What types of microphones do you have and what is the difference between them?

At BeMelodic Recording Studio, we offer a wide selection of different microphone types, all with their own unique characteristics. We have dynamic microphones, which are known for their excellent durability and powerful sound reproduction; condenser mics, best suited for capturing subtle nuances in an audio signal; ribbon mics for a warm tone; and USB mics that connect directly to your computer. Each type of mic produces a different sound quality and response pattern (or polar pattern), so it's important to choose the right one based on your specific needs.

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megid0nt · 5 months ago

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I run a 10 pro box with a 2080 super, 5 serial ports in frequent use, a usb audio interface, 2 directshow webcams, and more horseshit drivers than I care to admit. Take everything I say with a grain of salt bc I haven't been afraid of irrevocably breaking a windows install in like 12 years and have fucked with it a little too much. (Like, I have strong opinions about wsl2 vs 1, 1 > 2 if I wanted an X server I'd run one natively on windows.)

Simply put oh god this became 7 bullet points, I use windows because:

1) Windows is a more unified target than GNU/Linux distributuons and their fragmented stacks, so it's more likely that you'll be able to get disparate hacks from completely different eras cooperating

1a) Usually (if you've wasted a decade learning it) the results from a google search vaguely adequately explaining the problem will yield if not actionable results then, at the very least, a place to start -- even if you find a thread from 2002. The way the NT kernel and the win32 subsystem interact isn't so different, and compatibility of the software stack as a whole usually isn't broken without fanfare. If you google "[problem] linux," the results won't distinguish between distros, init systems, or the like

2) Making things that were not designed to work together work together is my main passion in computing, so a foundation of open source code that everything should work together on feels too much like intentional design and not enough like playing toys with a tool. The friction is what makes computers fun

3) I really like MetroUI - squared corners and bold colours are the future - and explorer on dwm remains my favourite desktop environment. It's not good, but it feels kinda like using the library computer to download PSP homebrew, like finding the on screen keyboard on an ATM and realizing it's running windows for embedded systems, like the godawful clamshell windows CE mini pc your sibling first programmed on - it's familiar, nostalgic, well considered in its initial design from which it's long strayed, and helped me learn computers could be toys, no matter how complicated

4) Anything graphical I want done I can do on Windows. See the parenthetical above: people have written X Servers for windows, and I keep a lot of headless linux deployments. Rather than bloat them each with a windows manager when GNU Bash + coreutils as a CLI is the dream command line experience anywhere, I can just deploy what I need and pipe X over SSH to my windows box

5) Okay do not shoot me but. The registry is kinda goated once it clicks for you. Like before, aside from guides the most exploratory shit I'd done was finding and adjusting values to circumvent the laziest licensing system I'd ever seen. But when I started poking around I realized: linux users instinctively see a registry as a vfs (virtual file system, ephemeral, starts at /).

It's not, and it's not analagous to one either, and that's frustrating if you want it to be.

Rather, it is analagous to a SQLite database: a queryable and editable register of related data stored in a file and typically managed by services that can return information. As I understand it, when the win32 API gets certain queries it checks the registry, when programs want rapid and frequent access to configuration kept in ram it's via registry calls, and when the OS needs to configure itself or check its configuration it is all right there.

Once you subject yourself to it you walk away changed. I've made a batch script to translate a windows file name to a wsl path extremely reliably, call wsl, call a script in wsl to parse the filename further, and then call GNU nano in wsl, and then created registry keys to reassociate a lot of filetypes and to associate a lot of new filetypes with a TUI editor. I've written additional folders and folder categories to add links to UNC paths to "My Computer," and removed many because of inconsistency of file system operation response times REALLY fucking up how Explorer operates

6) There's someone to be pissed at, which helps me not blame the machine. If a linux install is unstable, I fucked it. If a windows install is unstable I can curse out specific capitalist figureheads under my breath. You'd be shocked how much this helps

7) I target a broad scope, not a deep scope. I cannot risk destabilizing my USB audio interface's performant operation through misconfiguration of my internal sound card, and the prospect of using both simultaneously along with entirely virtualized audio devices. Furthermore, none of these should be interfered with by the addition of another serial port and a USB camera. Unfortunately, I just do not have as much confidence in one area's ability to not affect another's as I do on Windows, where either one thing goes down or it all goes down instead of most Linux systems' capabilities for failure on two and a half fronts, and my main desktop's use case is not focused enough to warrant the specialized configuration and consideration necessary to really achieve stable and performant operations in any particular area

Tl;dr something going wrong is the point, and i think a monolithic deployment compromised by hacky solutions is likely to have numerous hacky fixes interoperate better on windows than on a similarly monolithic Linux deployment, even though a well considered Linux system from the ground up is better in almost every situation in which you know how the end result should look

how the fuck do any of you use windows btw. nothing works ever

like every single time ive tried to run this god forsaken os on anything ever something has gone wrong.

#i run more linux machines than windows and even deploy a linux subsystem on NT in addition to the main win32 one #part of why wsl2 is crap is bc it depends too much on virtualization. Just A Normal Subsystem PLEASE #but yeah as I was saying. despite linux abounding I am not a Linux user‚ I am a computer user #we don' t pick sides and decide based upon team affiliation‚ we let every tool have its place #just like you don't use c++ for a web page (hi cgi) and you don't use perl for an OS #a win32+nt workstation is a very good workstation platform. just prolly avoid 11

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adobe-creative-cloud-cracw7 · 2 years ago

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