#i should do some work...

[anxious-millenial-cowboy]

So after about 8 months, a major break up, having a bit of a legit breakdown, moving twice and buying a whole house, I've finally nearly finished my Hookhausen fic... Just one last bit to write and then need to edit. But question for fiction writers if I have any who follow me, and for readers I guess- it's somehow now about 10000 words (it started as a 1000 word idea 🤦‍♀️) so should I post it as chapters or all as one!?

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[poorly-drawn-mdzs]

Unsolved Mysteries.

[First] Prev <–-> Next

[catmask]

it is insane how normal i am medicated like. you mean this was an option the whole time. what

[wasyago]

the brainrot won

[linipik]

Witches ✨

[gothra]

I’ll never forget when I was arguing with a person in favor of total prison abolition and I asked them “what about violent offenders?” And they said “Well, in a world where prisons have been abolished, we’ll have leveled the playing field and everyone will have their basic needs met, and crime won’t be as much of an issue.” And then I was like “okay. But…no. Because rich people also rape and murder, so it isn’t just a poor person thing. So what will we do about that?” And I don’t think they answered me after that. I’m ashamed to say I continued to think that the problem was that I simply didn’t understand prison abolitionists enough and that their point was right in front of me, and it would click once I finally let myself understand it. It took me a long time to realize that if something is going to make sense, it needs to make sense. If you want to turn theory into Praxis (I’m using that word right don’t correct me I’ll vomit) everyone needs to be on board, which mean it all needs to click and it needs to click fast and fucking clear. You need to turn a complex idea into something both digestible and flexible enough to be expanded upon. Every time I ask a prison abolitionist what they actually intend to do about violent crime, I get directed to a summer reading list and a BreadTuber. It’s like a sleight-of-hand trick. Where’s the answer to my question. There it is. No wait, there it is. It’s under this cup. No it isn’t. “There’s theory that can explain this better than I can.” As if most theory isn’t just a collection of essays meant to be absorbed and discussed by academics, not the average skeptic. “Read this book.” And the book won’t even answer the question. The book tells you to go ask someone else. “Oh, watch this so-and-so, she totally explains it better than me.” Why can’t you explain it at all? Why did you even bring it up if you were going to point me to someone else to give me the basics that you should probably already know? Maybe I’m just one of those crazy people who thinks that some people need to be kept away from the public for everyone’s good. Maybe that just makes me insane. Maybe not believing that pervasive systemic misogyny could be solved with a UBI and a prayer circle makes me a bad guy. But it’s not like women’s safety is a priority anyway. It’s not like there is an objective claim to be made that re-releasing violent offenders or simply not locking them up is deadly.

[bottombaron]

oh ok so its the usual no-homo bullshit you always hear, good to know.

[afterthelambs]

i adore Maruki as a character because he's simultaneously the most relatable depressing character that will make you cry with empathy, and the goofiest wettest cat loser in the game like what do you mean youre a licensed therapist and your first response to trauma is to brainwash a girl, project ur relationship issues onto a 17 yr old boy, and then rule the world in a golden leotard? bro went from 0 to 100 so fast??? anyway he's like 30% of the reason why p5r works as well as it does

[otaku553]

Faces I enjoy a lot from the spade pirate sabo au comic I’m currently working on hehe

[copia]

endless ghifs 11/? ⛧ source — "I don't wanna end like this—"

[danieyells]

Tokyo Debunker Stigmas, Artifacts, And Other Possibly Combat Relevant Information

Since we've met all of our current ghouls, I decided to share my non-comprehensive list of the stigmas and powers and weapons of the ghouls we've seen so far!! This isn't all of them because they haven't all been revealed or explained. But it should be everything we've seen so far! Let me know if/where I've missed things! I've also mentioned some other details for some of them, namely the less human ghouls.

Jin Kamurai

Stigma

Incantation - Bianerus

Effect - forces the target to obey his command.

Currently cannot be activated without the PC's enhancement. At present, only Tohma, the PC, and few if any others know this.

Incantation can be recited mentally

Continuous commands("kneel") only seem to last a few minutes at most

Artifact

Sword - teleportation

Can be used to cut a portal into the air for teleporting someone with him, but doesn't appear to need this for just teleporting Jin

Tohma Ishibashi

Stigma

Incantation - Argeas

Effect - "lets him send vibrations long distances"

Vibrations include the vibrations from his voice, allowing his voice to carry longer distances, making him heard further away

When enhanced he can break through anomalous soundproofing and better specify the direction his vibrations carry(as neither Kaito nor Luca heard his voice from outside the room)

Artifact

Halberd - ?

Other

Tohma naturally has "brute strength" which, combined with his stigma, allows him to essentially make earthquakes.

Lucas Errant

Stigma

Incantation - Iggnaim

Effect - creates a barrier.

When enhanced the barrier becomes visible. It's significantly larger and supported by a large anomaly that's invisible to everyone but the PC and perhaps Kaito, even unable to be seen on cameras or by Luca himself.

Artifact

Twin blades - ?

Appear identical aside from a difference in color.

Smashed through reenforced glass to choose him as their new master.

Apparently sound to Luca like a crying child. He believes the child must be begging for his help.

Other

Carries around a knife.

Kaito Fuji

Stigma

Incantation - ?

Effect - "can see auras sometimes?"

So far hasn't been seen/used, and Hyde didn't sound certain about what it does.

Kaito has notably enhanced vision, able to see things that are further away and surprisingly skilled at reading lips.

Kaito screams when Luca's stigma is enhanced, looking straight up at the anomaly it spawned despite no one else but the PC appearing to see it. While it's possible he only saw its aura, it's likely he saw the anomaly itself.

Artifact

Rogue bow - ?

Veers nonsensically off path when shot, except, seemingly, if Kaito truly wishes to hit the target(?)

Alan Mido

Stigma

Incantation - Yagsal Olbalsa

Effect - super strength.

Artifact

Lead pipe - ?

Leo Kurosagi

Stigma

Incantation - Haxs

Effect - super hearing.

Increases distance and precision of his hearing. Does not allow him to hear through anomalous soundproofing.

When enhanced increases distance further and allows him to hear through anomalous soundproofing.

Artifact

Bubble gum - can be manipulated into any shape when blown.

The longer it's chewed, the longer he can manipulate it

Shohei Haizono

"So if I chewed this one a bunch and stuck it over your nose and mouth...

"...you'd suffocate. Bye bye Honor Roll."

suggests that it can't be removed until the time he's manipulated it runs out?

Stigma

Incantation - Spurno

Effect - forces change in direction.

When enhanced the change in direction is more forceful, like a knockback effect.

Artifact

Motorcycle - ?

Her name is Bonnie. She eats food placed in her fuel tank instead of gasoline, including chewing it and even burping. She's picky about what she eats. Her favorite food is barbecue sandwiches, but she also eats jerky.

Sho drives her just about everywhere.

Haru Sagara

Stigma

Incantation - Bahnti

Effect - reduces gravity's effects on his own body.

Reduced effect of gravity allows him to move extremely fast.

Makes his body much more fragile when used. Possibly includes weakening his immune system?

Artifact

Deck brush - ?

Towa Otonashi

Stigma

Incantation - ? (has an audio file, but the spelling hasn't been shown.)

Effect - Controls weather?

Towa exhibits control over weather as his primary ability, however because it's not shown to be in response to his incantation it's somewhat dubious as to whether or not it's actually his stigma.

Others' understanding of Towa's stigma is only that he controls lightning and that other weather patterns are random, not in response to Towa's feelings.

The weather reacts to Towa's emotions, causing the sky to darken in preparation of rain, lightning, or snowstorms when he's angry.

When Towa was away from Jabberwock for a day the nature conditions deteriorated significantly, with water drying up and the sky dark despite it being sunny the previous day. This may be coincidental, as Darkwick's weather is said to be unpredictable.

Towa is also able to predict weather that he doesn't control.

Towa can create lightning(which he uses to electrocute enemies), rain, wind(used to create a pillar of water for the PC to land on when falling off the boat and to direct the rain sideways to wash bubble soap off of Kaito), snow, and possibly earthquakes(the ground is noted to start shaking in response to his anger.)

His lightning may be able to be used under water without being conducted into non-targets, however it's also possible he used harsh winds instead of lightning when destroying Otohime and her minions.

Artifact

Bubble wand - blown bubbles cause explosions.

The explosions are powerful enough to destroy glass that withheld a full grown Kraken.

Towa warns not to touch the bubbles, as they will kill you.

Other

Towa cannot speak during the daytime and is only able to talk when it's night. This includes being in Obscuary, where it's permanently night, however the cover of clouds doesn't allow him to speak during the day meaning it's not related specifically to the visibility of the sun.

Can speak to and understand anomalies, even those that lack speech capabilities(such as the tree on the hill.) Haru is aware of this.

Able to see and hear ghosts(Zenji) and possibly other things that only people who are "special" can see(the tree on the hill.)

Can jump so high he can essentially fly, although this may be related to control of wind(though there's no notation that the wind blows when he jumps.)

Anomalies fear him and obey him, particularly when he's angry, even to the point of kneeling out of fear when he's furious.

Ren Shiranami

Stigma

Incantation - Raothtas

Effect - Cleans things?

Has only been used to remove Calamari's ink from the floor when wiping it up failed.

Artifact

Swim ring - restrains target.

Cannot be removed by the wearer.

Has a rope attached that allows the wearer to be reeled in.

Taiga Hoshibami

Stigma

Incantation - Malab

Effect - ?

Artifact

Tommy gun - takes anything broken into small enough pieces and fired from it as ammo.

Other

Damage type seems to vary based on what was placed into it. Shards of glass created a swirl of glass shards, whereas bronze from a statue shot heavier rounds.

Doesn't seem to require ammo to fire.

Doesn't seem to work on everything as Taiga says his bullets don't work on anything lately. Possibly limited to hostile entities? (He was able to shoot the Oblivion Dealer, but not able to shoot the Kyklos--which ran away--or the Barong--which was non-threatening.)

Carries a knife and a pistol.

Romeo Scorpus Lucci

Stigma

Incantation - Tiris

Effect - "turns things into bombs".

Able to turn anything into a bomb, including non-explosive objects.

The size of the blast depends on how attached to the target object its owner is. If Romeo truly values something he's blowing up, the explosion is quite destructive.

Hyde has him testing various types of prototype anomalous explosive materials for Darkwick on missions.

Artifact

"To me, these prototypes are a path to catching anomalies in one piece." which implies most of Hyde's prototypes cause non-lethal explosions.

Sniper rifle - ?

Maintains his bullets himself.

Doesn't always carry the same types of rounds. For example, he only had smoke bombs in the prologue.

Ritsu Shinjo

Stigma

Incantation - Acimo

Effect - hardens his body. Increases his weight.

Artifact

Prevents damage from concussive attacks such as kicks and bullets. If you kick him while it's active it'll hurt.

Doesn't seem to experience pain in this state.

Can survive explosions and escape from collapsed buildings unharmed.

Compendium of Laws - ?

Subaru Kagami

Has the contents memorized?

Taiga taught him to use it as a blunt weapon.

Stigma

Incantation - Talnandio

Effects - psychometry.

Experiences memory fragments through almost anything he touches.

Passive, activates on contact with people, animals, anomalies, and objects without incantation.

Using it exhausts him to the point of needing a significant amount of rest, possibly even passing out shortly after usage.

Wears gloves and avoids crowded places to try and avoid accidentally setting it off. Feels bad about being able to learn people's secrets.

Artifact

Parasol - ?

Sturdy enough to destroy a possessed doll.

Haku Kusanagi

Stigma

Incantation - ?

Effect - ?

Implied he prefers not using it?

Artifact

Flute - ?

Used flute to remove himself and the PC from Kisaragi Station, knocking them out with some sort of ethereal water and causing them to wake up back on the empty train car.

Other

Able to see and communicate with spirits.

Able to perform various rituals such as laying spirits to rest and making talismans that allow people close to a spirit to see and hear them.

"Cordoned off the area" of the train and station the PC was on, which should have prevented interference from civilians. May be part of his Artifact or Stigma, or part of his capabilities as a Shinto priest.

Zenji Kotodama (Taro Kirisaki)

Performs the stigma test for Darkwick.

According to Taiga he's able to remove curses if the anomaly that caused the curse is in front of him. It's uncertain if this is his stigma, part of his artifact, or another power.

Stigma

Incantation - ?

Effect - ?

Artifact

Doll - ?

Heavily resembles Jiro as a child, according to Zenji.

Won't let anyone but Zenji touch it. Protects Zenji.

Appearance slightly changes to that of an oni when angered.

Has a mind of its own. Wanders around campus without Zenji, much to his concern.

Able to damage and destroy ghosts.

Other

As a ghost, Zenji cannot be touched, meaning he can't be damaged or killed. However he covers his ears when Haku performs a ritual to lay spirits to rest and covers his face in Subaru's warding card with incense, suggesting that he would be laid to rest under the right circumstances.

Darkwick is unaware Jiro is present as only Haku and Towa(and eventually Subaru and the PC) are aware Zenji's spirit lingers. If Darkwick were to become aware of Zenji's presence they would want him laid to rest.

Due to Obon, people in Japan are more sensitive to spirits and anomalies are more frequent, causing Zenji to sometimes be visible during the summer.

Zenji brings his doll with him most everywhere, however people can only see the doll and not him. The same happens with his biwa. If he carries them, they appear to float. In the summer people in Japan are more sensitive to spirits(due to Obon) and may see or hear Zenji when they wouldn't otherwise.

Zenji can touch physical objects(his doll, his biwa, and his phone) and his footsteps are audible if he doesn't silence them.

Afraid of ghosts, possibly the dark, and maybe dead bodies.

Edward Hart

Stigma

Incantation - ?

Effect - ?

Artifact

Cane? - ?

While his profile lists his Special Artifact as "??", he holds a cane in his combat chibi.

Other

Edward is, or was historically, the world's strongest vampire, implying a great deal of hidden power. As he is 400+ years old, he knows a great deal about anomalies that Darkwick doesn't listen to for some reason. However being old has also made his body and mind much weaker. . .allegedly.

Ed has immense power, which we've only heard of him using on the singular mission he participated in. Using it he obliterated an anomaly and a building in such a way that Darkwick struggled to cover up(unlike Tohma's destruction which was able to be explained as poor maintenance and age) suggesting he more or less vaporized it. It's unknown if this is a vampire power or his stigma.

Ed is able to transform into a bat and fly around. He doesn't seem to be able to speak in this form, only screeching loudly.

If Rui touches him, the touched part will break off(at which point it can be reattached simply by pushing it back into place,) ache intensely for a time, or he will die temporarily. However Ed is immortal and cannot die by normal means. He doesn't need to breathe and cannot be suffocated, for example.

As a vampire, Ed is rapidly exhausted by sunlight. Sunlight won't kill him instantly, but it will cause him to collapse. He claims sunlight will turn him to ash eventually, and he cannot be outside in the sun without a parasol. If it's cloudy enough, Ed is able to be outside during the day. He's usually tired during the daytime, but still seems to sleep during the night.

Ed is physically and mentally weaker during summer months, but stronger during autumn and winter.

Ed primarily drinks tears, although he mentions that he does drink blood in his character story and on the home screen. He finds that human food doesn't taste like much of anything.

Ed mentions that Lyca's soul is misshapen, however it's unclear if he can actually see his soul or if he was merely teasing him.

Rui Mizuki

Stigma

Incantation - ?

Effect - temporary relief of pain and discomfort

Incantation has only been said in his head.

It's unclear if blowing a kiss is required to activate it or if that's just for flair.

Artifact

Scythe - allows Rui to conceal himself in darkness.

Rui admits to using his artifact to keep an eye on others on campus.

Other

Suffers from a 'Reaper Curse' which effectively makes him a reaper.

Cannot make skin contact with living things without them dying. This includes humans, animals, plants, and even mold!

Wears gloves, a turtleneck, and avoids crowded places to avoid committing manslaughter.

Absorbs the life energy of what he touches and kills. This kills almost anything instantly as most things are too weak to survive it. Absorbed energy goes straight to his body, preventing him from sleeping. He keeps himself as busy as possible as a result of having so much energy to spare.

Lyca Colt

Stigma

Incantation - Ramsochisa

Effect - allows him to follow any scent he's smelled before.

Artifact

Claws - ?

Other

Werewolf. Transforms with exposure to the full moon. "The speed of his transformation is affected by how much he's exposed to moonlight and his mental state." Sometimes feels his skin crawling when the full moon is near?

Covering his head when he's outside under the full moon prevents or regresses his transformation. Collapses after his transformation regresses from half wolf and doesn't transform while unconscious. Nothing happens to him if he's not exposed to the full moon on a full moon night. Obscuary is always a crescent moon, allowing him to be there safely during a full moon.

Werewolves have four stages: Human, partial wolf, half wolf, and full wolf. At 'half wolf' Lyca is an anthropomorphic wolf. However, he loses control of himself after he's been transformed for a while, and may attack indiscriminately.

He doesn't remember much when he transforms. He might remember less if he fully transforms?

Yuri Isami

Stigma

Incantation - Agnihaet

Effect - "hyperstimulates his braincells"

"allows him to logically process information and solve complex equations almost instantaneously."

when enhanced seemed to make the information processing instantaneous and extremely accurate?

Artifact

Syringe - Causes injuries received by the individual injected with its contents to damage the entity that inflicted them.

Jiro Kirisaki

Stigma

Incantation - ?

Effect - ?

Artifact

Chainsaw - ?

According to his Christmas home screen dialogue where he cut down a fir tree for Yuri, the chainsaw doesn't cut well. However in the chapter it seems to have no problem cutting through flesh. Perhaps it cuts through anomalies or flesh, but not other things?

Other

Jiro is noted to be especially strong.

Jiro was in a coma until an undisclosed time ago, when Yuri was able to awaken him from it. When he was comatose and for how long and why hasn't been relayed yet, however he was said to be particularly violent during The Clash, meaning he was likely awakened before or during it.

As a side effect of his condition and mysterious illness, Jiro has a poor memory, immunodeficiency, and his wounds reopen very easily. He needs four treatments a day, and they take around an hour to complete. Yuri is the only one who can administer them, and Jiro isn't able to do so himself. Even with his treatments he's forgetful and prone to being sick and has a bit of a fragile constitution. Abrupt changes in temperature, for example, make him choke.

Jiro doesn't react much to his wounds and being in pain, but he will eventually collapse from overexertion or illness if he misses a treatment or has taken too much damage.

[itsslivernotsilver]

posting some signalis concept art that i found cause these are driving me insane

also some of those funny simple sketches. alina girl why do you look like that

[mossy-aro]

ultimately i think my insistence on aro positivity honestly is as much a political stance as a personal one.

when i say aro positivity is crucial and that i dislike doomer-ist posts that express sentiments like 'I hate being aro so much I wish I was dead instead’ it's not because I don’t think there can and should be a space for negativity and acknowledging self-hate, or the many ways being aromantic can really suck sometimes. i find that to be very important!

that being said. there is smth here about how self-hate posts are sometimes just arophobia that we inflict on ourselves. and when we put that out into the ether it (intentionally or not) can become arophobia that we inflict on other members of the community. i think there absolutely needs to be a place for negativity and the expression of anger and frustration and self loathing even - these are all good things to talk about because these are things that we experience. that being said, it can also be genuinely upsetting and triggering to people to have what is essentially arophobia shown to them and then have that be validated by other aspec people. your personal thoughts can affect your wider community on a level you may not anticipate. and i understand it i truly do! it took me so long to be able to recover from accepting being aroace - it threw my entire world off kilter and made me question everything about my place in the world.

but my insistence on aro joy and positivity is because ultimately i do believe that building is at the core essence of it all. that ultimately discussions and the purpose of community should be about construction, not destruction. and this is both a personal and a political stance. talking about how much you hate yourself and cultivating online discussions/spaces where negativity about aspec identity is the main and only theme is destructive - if that’s where we let the conversation end. these thoughts can and should be used as a vehicle to look for a path forward!

joy and positivity create a space where the focus can become on forging a path forward, on construction, on community building instead of tearing ourselves and others down with negative thoughts. it’s not productive or healthy when it stops at a place of negativity - it becomes actively destructive to the essence of community.

and i do think that this is especially poignant considering the fact that being any kind of queer, but especially aromantic (and/or asexual) means forging a path for yourself and making your own happiness where there is no obvious way forward. our communities exist mostly online (right now, anyway), there is little recognition of our existence in the real world, the effects of amatonormativity are both pervasive and actively dehumanising, and there are legal, economic and social structures in place actively making our lives more difficult. yes that all sucks! it’s good to acknowledge that. we need to in order to change it. but more importantly, that’s not the end. we are still here and our happiness, our future is for us to determine. even if we can’t change the laws or society, loving yourself and understanding aromanticism as a political identity (as well as personal), as a radical worldview, and as a protest against amatonormativity is essential for both community and personal well being. the personal is political.

tldr. i guess my point is that as a community, we should focus on building, improving, and nurturing ourselves and each other (construction) as opposed to destruction. we should recognise aromanticism and asexuality as political identities as well as personal ones and rely on community and self-love in the absence of anything else as a form of protest and political power. destruction (the recognition of everything that is wrong) is essential as a starting point - but where do we go from there? we rebuild.

[gabe-lovebot]

councilor 3D model

i learnt 3d modelling from the ground up to bring him to life. he's yours now. do whatever you want with him

[link]

please credit me if you make something using the model (or even ping/link me to it, i would love to see what you made!)

currently available as a .blend, .fbx and an SFM port.

[bleaksqueak]

Head breakdown and facial construction for Elias.