#i should be allowed to do that
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jonny-b-meowborn · 1 year ago
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this is so cruel and sick and twisted that i can't curl up into a ball to sleep. like a kittye or an ouppy
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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egophiliac · 2 months ago
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(looks at upcoming card releases)
I'm in danger :)
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sabertoothwalrus · 7 months ago
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does anyone wanna hear my chilshi thoughts
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corviiids · 8 months ago
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in the one (1) month since i watched death note for the first time i sure have been doing a fucking posting
bonus:
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kathaynesart · 6 months ago
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REPLICA PLAYLIST
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MUSIC UNDER CUT
I have been receiving requests for any songs that inspired Replica, so here, have my personal playlist. Sorry it’s not Spotify/Soundcloud but they don’t have some of these songs available so uh… guess you’re stuck with YouTube vids. For fun I'll include my personal titles for them (which might give a few hints of what to expect in the future/end).
Replica Main Theme - “Die for You” by Grabbitz Like Father Like Son Like Brother (Omega and Shelldon) - "As Above So Below" by Alistair Lindsay Mikey's Theme / The 1st Vision - "Suzume no Tojimari" by Nanoka Hara Military (Mad) Dogs / Central Park Colony - "Imperium" by Madeon Shanghai - "Icarus" by Madeon Boom Goes the Donnie-mite (Mikey/Donnie vs the Sweeper) - "The Red Zone" by Mitsuoto Suzuki The Day the Sky Bled Red - "7 Seconds Till the End" by Nobuo Uematsu Going Out Like a Boss (Raph and Leo) - "Agape" by Nicholas Britell Remembering the Right Way (Mikey and Leo) - "The Souls of Many" - by Alistair Lindsay Mystic Hands / The 2nd Vision - "Am I Dreaming" by Metro Boomin x A$AP Book 2 Trailer - "Sea Dragon" by Covet 7 Years Later - "Iron" by Woodkid Leo's Theme / Attack on the Labor Camp - "Ego Death" by Polyphia Omega's Theme - "Touch" by Daft Punk Flat Lines (Omega Alone) - "Die Toteninsel Emptiness" by 1000 Eyes Spear - "Monsters" by Tommee Profitt Final Protocol - "The Kraken" by Katie Dey Rise / Epilogue - "Close in the Distance" by Masayoshi Soken & Tom Mills
I will admit, it's a little embarrassing since you can easily see the patterns of what I've been listening to for the past year or two. I swear I listen to more than just videogame OSTs, these songs just jive well with the story and I often find lyrics distracting when brainstorming scenes. Regardless, the music I listen to is such an important part of my creative process and some of these songs really defined the scenes I now have locked in my head. So I figured it was only fair to give them the credit they're due.
I will continue to add to this playlist, and will note in comic updates when one of these songs is applicable!
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forgettable-au · 29 days ago
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I'm sick so I drew silly things about my AU lmao don't take these that seriously
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transvarmint · 5 months ago
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Trans men, you have the right to be "scary": to be intimidating, imposing, loud, and angry. It is not a crime or a sin to be any of these things. It does not make you an inherently unsafe or predatory person. You did not lose your right to be loud and angry upon transitioning. People who argue that you must be ok with others treating you as inherently dangerous, are transphobes, pure and simple.
Trans men of color, especially, you are allowed to be any and all of these things. People who insist you must be demure and polite, to not frighten people, are racist and transphobic.
People in general are allowed to be "scary". People are allowed to exist and be interpreted by others as intimidating or imposing. Being interpreted this way does not mean you should lose your right to be speak loudly and angrily. Being interpreted this way does not mean you are a danger to women or to other people in general.
The assumptions that people choose to make about you based on your appearance are just that - assumptions. They are prejudice, and biased. The idea that you must make yourself presentable and civil is white supremacist, hegemonic bullshit. Anyone who touts this idea or it's derivatives is upholding hegemonic values.
You are allowed to just be, no matter how others view you.
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idolomantises · 4 months ago
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Twitter does fascinate me, because I feel like tumblr has been a lot more accepting of people who draw women with big boobs, who draw adult art on the side, and who aren't afraid of being sensual and intimate.
But twitter seems to be actively terrified of anything that could turn them on. For years I've been harassed for my art. Way back in 2020 I was called out for "sexualizing" Ankha, but this was the image they were referring to.
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This fear of adult works and porn has to end man. Queer artists shouldn't be harassed or labeled as bad, untrustworthy people because they want to draw women with curves or big chests, or draw some NSFW art on the side.
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speench · 4 months ago
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nsbu fans listen to me, listen, most of the cast hasn't had an Ify moment yet where they talk directly to their ?? alter egos?? and before we see dynamics unfold with other characters I need everyone to consider: Liv and Kingskin as unwilling father and his newfound ride or die child trope that is all
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seefasters · 2 years ago
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i think it took mob some time to get used to expressing his emotions openly again so for a while he just reacted disproportionately to random things
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emily84 · 4 months ago
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currently mentally living in that split second delay, the little thing assad does, when armand looks over or up at daniel sometimes, after the façade has come off, like he braces himself for a split second and then makes eye contact
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(here the blink-and-you'll-miss-it second he looks over-and-then-up)
because yes, he's been called out on his lies and daniel is seeing through all the bullshit so effortlessly and (from his pov) cruelly even as a lowly human who shouldn't even dare to speak so boldly to an Ancient, but also... Daniel is SEEING him so EFFORTLESSLY even as a lowly HUMAN and it's never fucking happened to him before in his five hundred plus years of life.
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he also does it immediately AFTER looking at him sometimes. like he's afraid if he sustains eye contact longer than a second daniel will be able to read him right back to amadeo and even further back to arun - which, as we've established, daniel fucking does
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daydreamerwonderkid · 1 year ago
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Ngl, I do love me a feral/enraged Dick Grayson <3
Credit to @honeysgalaxy for providing photos of the new panels
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umblrspectrum · 6 months ago
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i got lazy in the second panel and didnt feel like coloring or whatever bite me
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im-totally-not-an-alien-2 · 7 months ago
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Danny was livid.
The Guys In White had been following Phantom around constantly and while they weren't much of a threat, they were a massive nuisance. They had shot him down on Thursday and caused him to crash into some poor kids birthday cake in the park.
On Friday they had accidentally released ghost rats into the school.
On Saturday they had somehow managed to turn Paulinas hair ectoplasm green. She refused to leave her bedroom until it was reversed
On Sunday they tried to commandeer his parents GAV and earned the ire of his mom. They found out exactly why that was a bad idea.
On Monday they bardged into Danny's classroom, interrupting his math test because they were looking for a ghost parrot. It was mostly harmless but kept insulting them in a cheery tone. Danny decided he liked that bird.
We won't speak about what happened on Tuesday.
On Wednesday, he scowled at an agent that had accidentally blasted him and his friends with liquid ectoplasm while they were sitting and eating lunch. It was then that Danny began plotting his revenge.
That night he when ghost and lead the GIW on a while goose chase. Did danny take them across state lines? Yes. Did he manage to pull a massive following of these creeps? Also yes.
Did he plan for his target-the guy he had been leading them to- to already be in cuffs when he arrived in Gotham? No. Not at all.
"Hey, uh..." the words died on his tongue as Batman- The Batman- turned to him with narrowed eyes. Mustering his will, he started again, "Could you let him out? Just for a little bit?"
"No."
"Aw, Cmon!"
Condiment King began raving about something, but Danny didn't particularly care to pay attention. "If you're not going to let him out, then can you at least call the rest of the paw patrol? I wanna ask if they wanna throw mud at evil secret organization people. For enrichment." Danny gave his best, most cheeky smile for extra measure.
"Hn."
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aroaceleovaldez · 3 months ago
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the dynamic of demigods thinking which other demigod is the most powerful is always amusing to me because. like, we know the big 3 kids are all the most powerful. That's just a fact of their universe. And then we know nearly every character views Percy as the strongest demigod, and most people are very rightfully intimidated by him.
and you look at the powers of the Big 3 kids and there's Percy, but then you realize Nico is just kind of objectively more powerful than him but simply chooses to hang out in Percy's shadow like he's Percy's scary dog privileges. Like, the two of them are pretty equally capable of causing multiple different apocalypses. Nico just also has like four different instakill powers and it's not like he doesn't use them. He very much uses them! Not infrequently, even! And they don't seem to take a significant amount of energy from him! And other demigods are pretty intimidated by both of them! But Nico makes a conscious point to keep his cards close to his chest and not let on exactly how dangerous and scary he can be if he wants to. People are already scared enough of him without knowing anything about him and he doesn't like that. Percy doesn't think about that nearly as much, and so usually just goes in guns blazing and that's part of why he's considered a wildcard. And then Nico himself puts Percy on a pedestal, so those who do know more about Nico's abilities then presume Nico knows something they don't about Percy that implies Percy is even stronger than him.
And even on a meta level Nico's narrative role requires him to be functionally more powerful than Percy, because he very often serves the purpose of getting Percy out of situations he can't handle on his own. That's just part of his function as a character! But also narratively he can't overshadow Percy so he just takes a backseat of his own accord and that's very amusing to me.
#pjo#percy jackson#riordanverse#nico di angelo#i will also note it is implied though we never see that Hazel has the exact same powers as Nico#and Hazel has trained with her powers way longer than Nico has plus is older so theoretically is more powerful already#she killed a giant all by herself. sank a small island. and successfully subdued Gaea for like another 60 years#so given that + her also having Nico's powers then *Hazel* is theoretically the strongest demigod no contest#Jason and Thalia end up kind of nerfed by the plot in that neither is allowed to overshadow Percy either#but they dont play the same roles that characters like Nico do - Nico keeps getting stupid abilities just for convenience factor#and Bianca never got the opportunity to use many powers besides astral projection/dream manipulation and similarly hades kid illusion stuff#and general ghost stuff. and she does all that as a ghost really. her killing the skeleton wasnt even her powers that was just a normal sta#and it was just by virtue of her being a hades kid and fulfilling the ''can kill these skeletons'' requirement that it blew up#technically she also showcases underworld immunity with the lethe stuff wearing off but that's very subtle#Hazel also doesnt play the same role as Nico and so doesnt get to showcase all that#plus is similarly nerfed with the ''cant be cooler than Percy'' constraint and so never gets to really do anything#even though logistically she is the most powerful and should showcase the full extent of her abilities to the same degree as Percy and Nico#Jason at least gets a little bit more wiggle room than Thalia being a main protagonist#Nico just gets the most wiggle room out of both not being a protagonist and being functionally a dues ex machina most of the time#versus Thalia or Bianca who are only ever secondary or supporting characters
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