Title!
there was teeth in their kiss
Okay so I won't lie, this one really got away from me. I had like three different ideas and I was like "I'll just write a really short scene for all of them!!" only for the "really short scenes" to get... progressively longer. Oops?
I have two Lizardverse fics and one TMA (JE) fic. Because I don't want my Lizardverse stuff showing up in the JE tag and it's also The Longest One, so you can check the notes of this post to read it.
Also gonna be real I wrote these at ass-o-clock at night and Did Not Edit them, so.......
Oh shoot wait warnings! They only apply to the second one (you can stop reading at (Amaldyne)).
Body horror/mouth horror (mild?)
Non-consensual touching (non-sexual/non-romantic, but I figured I should still warn for it just in case)
(Send me a fic title!)
(Important Lizardverse Context (TM): The Overseer is a creature called a Grotle (think ankylosaurus but bigger, spikier, and omnivorous). He's also a very dangerous necromancer. His real name is Mihzarch (pronounced Miz-ark), and these are used somewhat interchangeably. Leoshgon wields a sword called the Godslayer sword. It's a very deadly semi-sentient sword that's bonded to his soul. He's also a Noctar (a much smaller, fuzzier mammal species.))
(Leoshgon)
The Overseer liked to put his teeth to Leoshgon's throat.
It happened in the night, mostly, when Leo was curled against Mihzarch's heavily plated body, throat bared in offering for the Overseer to do as he would.
He was always very gentle, of course, and very careful. As if Leo was a priceless, fragile heirloom, not the most dangerous weapon in the world. But there was a pressure there, and Leo could feel the shape of the teeth even through his mane: the wide, shearing ones in the back; the broad conical incisors in the front, wet with saliva and dreadfully cold. The puff of chilled breath sent shivers down Leo's spine.
Leo wasn't sure he liked the sensation, really. It was uncomfortably damp, for one, and also sort of boring to be held in place for so long (aside from that brief spike of fear, which really wasn't fair to Mihzarch at all, because the Godslayer Sword was the real danger here, but- that wasn't the point anyway).
But he always bared his neck willingly. And when those massive jaws closed so sweetly around his throat, he leaned into it. And then Mihzarch would let out a happy rumble that sang through Leoshgon's entire body, and all would be well.
(Important Lizardverse Context (TM): Amaldyne is currently a (semi) unwilling servant of the ever-starving god of hunger. Eityr is weirdo freak bestie who want her to become as powerful as possible. Their relationship is. Uh. Weird. Amaldyne is a dragon becoming something More, Eityr is a Noctar)
(Amaldyne)
"Show me."
Amaldyne didn't look up when Eityr entered the room, nor did she turn to face her. In fact, she did not acknowledge Eityr's presence in any way at all. No matter. Eityr would not be so easily dissauded.
Amaldyne's desk was strewn about with massive tomes and piles of documents and about a dozen bits of charcoal. It was as if some great beast of parchment had been savaged and slain atop it, and Amaldyne was trying to read the future in its bones. With a flick of her wrist and a stretch of her power, Eityr relocated them all to the floor, then hopped up onto the now-cleared metal. Amaldyne slowly raised her head to look at her with exhausted irritation written plainly all over her snout.
"I want to see," Eityr said, "so show me."
"Show you what?" the words were accompanied by a hiss of displeasure, but Amaldyne's wings remained loose and relaxed by her side. Unhappy, but willing to indulge. Were it anyone else, Eityr would find that infuriating.
"Something happened, didn't it? There's something-" 'wrong' wasn't the right word. Whatever it was, it must surely be the opposite of 'wrong,' but Eityr struggled to think of an alternate descriptor. "Something happened to you, and I want to see it. Show me."
Amaldyne nudged her down off the desk. "I have no idea what you're talking about, Eityr, and I don't have time to engage your every childish whim either, so please-"
Sick of waiting and on a whim, Eityr grabbed at Amaldyne's lower jaw and yanked downwards.
It split right down the middle, and the insides were coated with teeth that had not been there only a moment ago.
Amaldyne let out a proper snarl then, shock intermingled with an animalistic rage. Her tail was poised to strike, stinger gleaming in the low light. But the tell-tale glow of dragonsflame never touched her throat, and so Eityr felt comfortable in running a paw along the seam where Amaldyne's mouth had split. No venomous fangs sank into her fur and no bite crushed the strength from her writs. Of course not. Amaldyne had always been content to let Eityr do as she would, why should this be any different?
After a moment, Amaldyne pulled away. Her jaw clicked back together, and she watched Eityr through slitted, appraising eyes. "Satisfied?" She asked?
Eityr saw no reason to lie. "No."
3 notes
·
View notes
Human! Human! Did you see that?!
(Link update below the cut)
So, Link recently had a vet appointment because he was losing weight and his bloodwork showed some signs of infection. He seems like he's gaining his weight back but, as can probably be imagined, it's been a bit stressful. I'm hopeful he'll finish the treatment and all will be good.
4 notes
·
View notes
Because I'm feeling whimsical,
What the fuck do you mean that's a quilt??? Round 2
All quilts are contest winners from the quilt show Road to California, 2022. You can see these quilts and the other winners from that year here.
Best of Show Quilt
Title: Harlequinade
Maker: Rebecca Prior
Quilter: Jackie Brown
Design Basis: Maker's Original Design
"Harlequinade" is a theatrical quilt filled with visual clues guiding viewers to discover a hidden story. Inspired by Venetian Carnival masks and commedia del'arte characters, the quilt features the antics of Harlequin, the trickster, who has his own ideas about freedom and fun!
Director's Choice
Title: Welcome Home
Maker: David Taylor
Quilter: David Taylor
Design Basis: Original image by Margo Clabo, used with permission
I first saw this image from friend Margo Clabo more than a decade ago. It took years to convince her to let me adapt her photo into a quilt. The image it depicts is especially sentimental for her. The challenge for myself was to create a pieced pictorial background and recreate a traditionally pieced quilt by using my hand appliqué technique. The project size was overwhelming, but I'm thrilled with the finished quilt. So is Margo. Time to exhale.
Note: To be clear, that is not a photo with a quilt in it, that WHOLE THING is a quilt.
Best Machine Stationary Quilting
Title: Emerald labyrinth
Maker: Kumiko Frydl
Quilter: Kumiko Frydl
Design Basis: Maker's Original Design
As a starting point I used an image from the entrance to the EL Barkookeyeh Mosque in Cairo. Thinking of an elegant and intricate garden I added bursts of natural color and filled the area between the large elements of the design with finer ornament inspired by butterflies and plants. I set the circular image in a rectangular frame with a subdued complimentary design of rippled reflective pools.
1st Place: Animal
Title: Woodland Wilds
Maker: Ann Horton
Quilter: Ann Horton
Design Basis: Maker's Original Design
My morning hikes in the woodland hills of our northern California home inspired this quilt. The rabbits are always alert for danger. This machine appliqued, thread painted and embroidered view through a window is surrounded by wild flowers on hand dyed silk and again surrounded by other wild birds and animals. I love my wilds things in the woods!
1st Place: Human Image
Title: The Memories That Remain
Maker: Lynn Czaban
Quilter: Lynn Czaban
Design Basis: Library of Congress Photos - LC-USF33-006183MI and LC-USF33-0061
I am fascinated by the human face and our ability to communicate without uttering a single word. The Portuguese word 'saudade' meaning a deep emotional state of nostalgic or profound melancholic longing for something or someone that one cares for and loves. Moreover, it often carries a repressed knowledge that the object of longing might never be had again.
1st Place: Naturescape
Title: Desert In Spring
Maker: Andrea Brokenshire
Quilter: Andrea Brokenshire
Design Basis: Maker's Original Design
My Mom and I embarked on an epic travel trip we named our "Thelma and Louise Adventure" In Palm Springs, CA we visited the Living Desert Botanical Garden. This quilt is inspired by one of the photographs I took that spring day of a Prickly Pear Cactus in full bloom. I loved the leathery texture of the cactus leaves (paddles) and the almost translucent citron yellow blossoms.
2nd Place: Animal
itle: Not Today
Maker: Kestrel Michaud
Quilter: Kestrel Michaud
Design Basis: Maker's Original Design
The chase is on! The Roadrunner is after his next meal, chasing a Common Collared Lizard through a steampunk junkyard. The desert is a favored dumping ground for the detritus of progress, even in a fantasy world. A steam-powered industrial revolution creates iron refuse and pieces of broken machinery have been left to decay in dry desert air. That doesn’t bother these critters. To them, this is home. Will that lizard wind up as dinner? Not today!
2nd Place: Human Image
Title: Declaration of Independence - Voices of Freedom
Maker: Nancy Prince
Quilter: Terri Taylor
Design Basis: Reproduction of John Trumbull's Painting
The quilt is a reproduction of John Trumbull's painting which depicts the moment in history when the first draft of the Declaration of Independence was presented to the Second Continental Congress on June 28, 1776. The quilt front and back were created in Photoshop and custom printed on fabric. Four thousand hours over 4 years was necessary to create the quilt. The back captures the story of the Declaration and its signers.
Note: I'm not at all patriotic. But credit where credit is due. That's a fucking quilt.
3rd Place: Animal
Title: Midnight Flight
Maker: Joanne Baeth
Quilter: Joanne Baeth
Design Basis: Maker's Original Design
Several years ago we had an injured Great Horned Owl roosting in our willow tree during the day. I took several pictures and was inspired to create him in fabric. The background features a painted sky, old buildings, melting snow and a rabbit on the run The foreground is the swooping owl which was constructed by painting and inking each feather and thread painting over fabrics and needle punched wool rovings
3rd Place: Naturescape
Title: Day Into Night
Maker: Deb Deaton
Quilter: Deb Deaton
Design Basis: Maker's Original Design
Inspired from photo by Robert Murray with his permission. When the Arizona sun begins to set, the sky comes alive. I saw this photo and knew the splendor of this landscape needed to be captured with fiber! Sky is hand painted. Raw edge applique. Mixed media used: oil pastels, color pencils, inks to enhance the fabrics and create more dimension. Cheesecloth: painted to create spikes of cactus. Tulle used to capture the sunrays. Machine quilted.
9K notes
·
View notes