#i related a lot to owen saying sorry though
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smytherines · 6 months ago
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Hey, I saw that you were bored, and I am also bored, so have an ask! Your Owen headcanons are great, so I was wondering if you have any about Owen's interest in acting/theatre?
It's one of the things that's really interesting to me about his character, even though it only gets a brief mention in canon.
Sorry if you've answered something like this already!
Ooooooooo this is such a good ask
It's weird, because despite being a hardcore theatre kid myself (I spent ages 8-18 in a community theatre program doing 2 plays and a musical every year), I always tend to see Owen's interest in acting in relation to my autistic Owen headcanon, as allegorical instead of literal acting/theatre.
Although in my experience, masked autistic people make excellent actors because it's what we do all the time anyways- every social interaction is a performance. We finesse ways to deliver lines, body language, tone of voice. I have to physically stop myself from rocking or swaying. I say combinations of words I've memorized from TV, delivered in the style of whatever actor's delivery is most appealing to me. Before I was diagnosed I used to joke that I built my public personality around Lauren Graham's line deliveries in Gilmore Girls. (I also routinely quote that show in social interactions)
It's exhausting, but I can more or less be at a social event for a few hours and seem ~normal~ and then come home and fall apart. The only time I feel like I can really unmask is when I'm totally alone, and the more time I spend with others (even people I love and adore!) The more irritated I get, the more quickly I melt down, the less I'm able to keep up the "I'm totally normal" facade I've constructed.
Obviously I'm 1000% projecting onto this character, but that's kinda how I see Owen and how I write him. I mean he literally is masked for most of the show, the acting, the way he speaks and his body language changing based on who he's around and what he's doing, him putting on personas and playing characters, the specific way he speaks with his hands, the way he seems to fixate on certain interests and ideas and ideological positions, the way they emphasize his interest in details, just so much of that feels familiar to me.
I do think he probably would've enjoyed acting. It saved my life. I wouldn't have survived without learning how to be someone else, someone other people don't immediately reject. For a second I thought maybe he could've been involved in vaudeville as a teenager, like Cary Grant, but vaudeville was on its way out by the early 30s so that doesn't seem likely. He'd be too young for it.
But I imagine he really liked to read plays, even if he didn't necessarily have a way to act or to see theatre as a kid/young adult. I think in the chwm epilogue I wrote about him buying a used copy of Pygmalion (unless I deleted that in editing, I can't remember). I think he probably read a lot and listened to radio plays and listened to BBC News to perfect his respectable posh accent.
I've had a headcanon for awhile now that Curt and Owen used to have sneaky little late night movie dates, because they just both love movies so much. Curt loves the action and the fantasy, the heroics of 1950s cinema, probably westerns, war films, musicals. Owen likes noir, and sci-fi, and british kitchen sink social dramas (those might be a *bit* late for him but the precursors for that), and is fascinated with the mechanics of acting, picking things apart, like he almost sees it as research for their jobs.
That's mostly just because I love classic films from the 30s-60s and now any time I watch something that came out during their time period I find myself wondering how those characters would react to it.
To me, in my little headcanon, Owen Carvour meticulously built this image of the perfect dashing confident charming British spy. And eventually he meets Curt and he trusts Curt, he sees that they have these similar rough edges that they hide with arrogance and vanity, that they are both playing a role. Curt is the first person who more or less experiences the world the way Owen does- filtering out the unacceptable parts of themselves to get by.
Curt is the only person he ever feels safe even partially letting the act drop with. Not all the way, they could never be 100% vulnerable with each other like that. But enough that Owen feels... safe with Curt. Not just about their secret (although yes also that), but Curt is the only person Owen allows to see any vulnerability, any trace of who he really is. It's part of why what Curt does feels like such a betrayal, why Owen can't move past it. Because he had a relative safe harbor, one person on earth he trusted, and it nearly got him killed.
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bthump · 6 months ago
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What aspects of griffguts do you find most compelling, and how do you envision their relationship and interactions off-screen?
Griffguts hits like, so many of my favourite romance tropes, so there's a lot that I find super compelling about them. The most compelling part though is probably the sacrifice. Griffith sacrificing Guts not because he prioritizes his dream over Guts, but because he prioritizes Guts over his dream and that destroyed him, and he's desperate to escape that love for Guts... it's the absolute ideal version of the 'romance vs ambition' narrative.
But man I also love the power dynamic, how notions of equality are so important to their relationship thematically, and how Griffith is consistently set as superior to Guts in terms of power, but his love for Guts neutralizes that power and destroys it at least once, and probably will again.
So yeah, the operatic tragic stuff is my jam.
As for their relationship offscreen, idk if I have anything particularly interesting to say lol. I think they were quite close as friends. Owen's image of Guts is riding at Griffith's side after a battle. Guts visits Griffith in his room after he becomes a noble often enough to notice when he gets more books. There's a lot of casual intimacy that's implied by the story, but that we never get to see. And yeah, I think that's the typical vibe between them - they're a matched set, together by default, usually hanging out and just enjoying each others' company, at least til being promoted into the nobility starts taking up more of Griffith's time (to Guts' resentment).
I think they both have a vibe of like, when one of them is elsewhere, the other is watching the door, hoping he arrives and comes to sit by him lol. It's a high school crush on your best friend.
And tbh I think that casual side of their relationship is what makes the epic, operatic stuff so good. The fact that they really are just two guys, two teenagers, lowkey accidentally in love with each other, who happen to be fated to have a profound impact on the world because of that regular, relatable relationship.
Thanks for the ask! Sorry it took a little while to answer, I haven't had much energy for putting words together recently lol.
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happilylovingchaos · 2 months ago
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Music and Fic Monday for @lonestar-s5countdown
Sorry I’m late-ish! I’ll give a combination of recommendations for music and fanfics today (which is almost over where I am). And wow, there’s a lot involving TK (I’m getting concerned about how much he and Carlos get whumped, I don’t really care if it’s just me 😰).
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([Re-])Surfacing Dive for Beginnings and Ends:
Beyond a lot of the stories written by @carlos-in-glasses, @paperstorm and @lemonlyman-dotcom that I think are also beautiful character studies of the Lone Star characters may not get explored enough (and in some cases even exploring parts of the characters that get most focus in-show), I wanted to give a few shout-outs to other, older one-shots/ full-length stories.
Lonely eyes, you don’t have to be alone tonight by @wwasted: A coda that takes place in between the bar scene and the end of 1x03. It’s very cute w/o dragging out too much of either man’s angst, which I liked.
The elephant in the juice bar by @taralaurel: Where Tarlos begins for real after 1x10, and TK tries and fails to keep a metaphor steady as he decides to take a chance.
Getting better by @lonestarbabe, Pigeonsplotinsecrecy: This fic really plays with the meaning of the words “begin” and “end”, especially with a mental health recovery arc and especially with TK. It’s not for everyone, but it describes how relatable, tedious, solitary and multicolored the process can be.
Rosa mundi by fiddlersgreen: A one-shot where TK, Owen, and Carlos make it to New York without incident and properly mourn for Gwyn… and it’s quite a spiritual experience.
You were the greatest thing by hoodieweather: TK is mournful after the events of season 2 as he goes to visit Gwyn and Jonah, but re-learns something important about life. Takes place in the breakup era. Before the ice storm? Actually def before the ice storm.
First aid by @heartstringsduet: I like to call this the gritty version of “Tarlos Begins”, only both characters have more fragile coping methods of surviving life in New York City. When those methods gradually fall apart and threaten to completely implode their lives, they have to face their respective truths and learn how to live— both with the people around them, the real versions of each other, and with themselves.
Not really bridal style by paperyowl: Tarlos begins again immediately post-3x04— with some relationship negotiating required. The author really nailed Tarlos’ voices for their first fic in the 9-1-1: LS fandom!
Haunted by the ghost of you by @strandnreyes: A sad and hopeful combination of 3x04 and 3x08, where Tarlos begins again with an unexpected end.
I’m not mean enough to fully recommend hurt no comfort Tarlos fics, or hurt no comfort fics in general (and I’m still less than a year into using Tumblr anyway), so for a definitive “end” fic in that category, I may direct you to MissPudim’s works where the issues with the whole Iris arc is addressed and Tarlos handles it Extremely Badly. Or this fic called Gone where… it’s… okay, hell. They still handle it bad, it’s still kind of an end and it’s a bittersweet end, albeit in an AU. And another one by bythebry, Ain’t got no tears left to cry.
Where all this love comes from by @carlos-in-glasses: I think I’m not the first one to recommend this story but I think it counts as a general “begins” for both TK and Carlos (mainly for Carlos, though). And I’m listening to Postmodern Jukebox while trying to re-recommend it… if you’re curious, I put one of their cover songs on the bottom of this post. Needless to say, I loved this fic!
TK (Begins):
Jewish for Himself by 7ate9: I felt a sense of completion to read a fic that goes into TK’s POV about how the religion Gwyn wanted to raise him under is, in a word, complicated (as hell). Yes, just as much as his career and gay identity. For that, I’m thankful to the author! (And not just because so many opportunities for TK’s Jewish rep was wasted…)
TK begins by writedontfight: Exactly what the title says, with a plausible and saddeningly real scar of loss in TK’s life.
Numb and Thirty days by come2gusu: TK begins again, and good GOD I’M SAD ABOUT 3x08 AGAIN nooOOOOOooO….
Carlos (Begins):
Duality of a day by @marjansmarwani: I loved this exploration of how double-edged the wedding day would feel for Carlos— the beginning of a new chapter in his life with TK, and the punch-to-the-face end of Gabriel’s own life (spoiler alert).
to build a home by @freneticfloetry: This story was the first “Carlos Begins” story I’d read. I thought I wouldn’t like the canon divergence that happens at the end, but I was pleasantly surprised!
Dancing, happy, seen by @endlesstwanted: Carlos’ POV as he falls in love at first sight with TK.
Silver lining’s gold and shining by @paperstorm: “Carlos begins”, with a little help from Iris. For me, it also parallels “Chimney Begins”.
I fell for you like a child (oh but the fire went wild) by ellay_gee: Told in a 5+1 format about Carlos’ experiences with love. It was so cute!
Tender eyes that shine by @alrightbuckaroo: Much like ���to build a home”, this fic exuded “Carlos begins” energy with more focus on how the Reyes’ “identity” shaped Carlos, and him focusing on unlearning the emotional repression that comes with that ideal.
Music Recs for @tellmegoodbye:
If the Lone Star music team uses this cover of AC/DC my country-music side would be tickled. Just thought that a down-South version of a rock song would be a cool bookend to the pop collab “Old Town Road.”
Postmodern Jukebox is one of my favorite cover bands, and they’ve made a lot of songs I’ve heard of really appealing for me— retro takes on pop songs! This one cover of Oasis’ songs brought to mind another procedural spinoff, NCIS: New Orleans, for the jazz funeral feel added to apparently hotly-debated interpretations of the lyrics (I only just looked on Reddit, so…). But considering what’s happening, hearing the song in the context of Lone Star breaks and warms my heart.
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misiahasahardname · 1 year ago
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>:) give me your opinions
cody
izzy
noah
gwent
nizzy
nocowen
ALRIGHT, LET’S DO THIS!
(sorry if anything doesn’t make sense or if things are worded poorly)
cody -
cody is SUCH a fun character. he’s a clever guy, he puts others before himself, he’s silly, and he can be really funny! i loved him in island, i loved him in world tour, and if he ever shows up anywhere again, i’ll probably love him there too. he’s also my classic silly-guy-who-i-love-to-put-in-angsty-situations character (every hyperfixation i’ve ever had, there’s always one. except for the alphabet. there is no angst silly guy in the alphabet.). he’s also probably one of my favourite guys to ship (alongside geoff who doesn’t have a single bad ship). he’s so pathetic with romance. a guy is nice to him for one second and he melts. what a pathetic wet cat of a man. (for the amount of content i make of him, you’d think he’s one of my favourite characters, but surprisingly he isn’t!!)
izzy -
THERE IS SOMETHING INCREDIBLY WRONG WITH THIS WOMAN. i love it when characters are completely unhinged because of the comedic potential. izzy is a joy to watch (and make content of!!), she’s just a crazy girl who has committed several crimes against humanity. she’s also really funny in dramarama! i see a little bit of my past self in her. only a little bit though. i wasn’t that crazy (i think…). she’s got great dynamics with a lot of my favourite characters, her dynamic with eva and noah being my favourite. anyways i love this violent woman. i’d let her stab me, probably. just as a treat.
noah -
one of the funniest characters of the series, hands down. every joke with him is SPOT ON, this man is loaded with some fantastic quips and sarcastic remarks. one of the best parts of world tour, 100%. usually i have a lot more to say about him but right now i’m struggling to think of anything so i’m just going to say we need more transfem noah content in this world.
gwent -
the POTENTIAL this ship had! of the canon ships, this one is probably one of the best. they were great in season one, i love how they got along, how they interacted, and how their relationship changed overtime. unfortunately, action had to derail their relationship, which really sucked because they were so good together! they had great chemistry, and they were two of the saner characters of the series (not saying much, but hey). i will never be able to get over the fact they replaced this wholesome couple with gwuncan. :(
nizzy -
i’m assuming this is noah and izzy?? their dynamic has potential to be good, noah would be like the straight man to izzy (ironic), but i definetly prefer them as friends. not much else to say.
nocowen -
a ship containing three of my favourite characters AND is related to my favourite ship?! sign me up! i’m not the biggest fan of noco, but the nowen and cowen parts are something i could definetly enjoy. they’re dynamic would be really interest — cody and owen are mostly positive people filled with energy, and noah is a pessimist who just wants to lay on the ground and wait for the world to end. also, i love the fact that because noah is super smart, most of his ships are of him and some guy who will die if you don’t pay enough attention to what they’re doing!!
i hope these answers are good enough for you! again, i’m sorry if anything is worded weird.
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mac-lilly · 2 years ago
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BTTMW2 Recap - Day 2:
I'm sorry for all the spelling and grammatical mistakes; I typed this on my tablet so auto-correct keeps "correcting" my words.
JATP ending:
So, in the M&G Kenny made us pinky swear that we won't disclose anything JATP-related we talked about. Nothing has changed, though: The show remains cancelled (no season 2; no movie)
Neither during the M&G nor the panel they talked about a tour.
Kenny is still very angry at Netflix because of it
But he's working on new projects and is very excited about them
During the panel, a fan asked about the ending and Kenny refused to give an official answer. Instead he let Madi, Owen, and Jeremy talk about how they imagined the end:
Madi: No ending
Jeremy: Every Phantom gets the ending that they needed as individuals, not as a band. Maybe one coming back to life while others cross over
Owen (joke answer): Alex and Willie move up and become the main ship. The show gets renamed and focuses on them building a family
Owen (real answer): They move on and meet Julie's mom
JATP in general:
They were asked about with whom (character-wise) they'd like to be friends with: Jeremy with Reggie, Kenny with Willie and Alex.
Favorite quotes/moments:
Madi: Wake up
Owen: When he was breaking character by smiling when they left the HGC and Reggie/Jeremy imitates Caleb
Jeremy: "I think they can't see us." "I wish I couldn't see you."
Sacha: I got the music
(Charlie's answer was just ... 🤣 He wasn't very serios about it)
Same when he was asked about his favorite dynamic in the show: The trio Dante, Fuego, and Alex
Owen is so grateful for the project as it was his first time acting as an adult and Kenny, Jeremy, and Charlie helped him a lot
They want to be friends forever. Their friendship is very important for them.
Even though the Orpheum Tour (All the billboards around the globe with "save JATP") didn't get us what we wanted, it left an impact. According to Kenny, many people in the film industry were impressed. And the cast is so grateful about it.
JATP cast fun facts and my unrelated rambling/experience:
Kenny likes Charlie so much because he reminds him of a character he used to play in a musical that set him free and inspired him to become evolve from an actor to a director
Charlie's tattoo "Raison d'être" that he has on his wrist is written in Kenny's handwriting as he inspired it and there's an entire story behind it why this statement is so important to Kenny ... it included raisin bread
Kenny is so inspiring as a person. When he talks about his passion he's just so encouraging. There was so much energy in the room
Charlie liked the wolf on my shirt which is weird cause it was actually a fox.
Mission accomplished: I spoke German to Owen
I wore my "Ghosted" shirt for the Sunset Curve Trio. Jeremy approved. (Btw, I love how this photo turned out.)
Got the "Stand Tall" pose photo. Was great. But I was to short to reach Owen's hand. 🤣
Can't say it enough: They are just incredibly nice and down-to-earth people. All of them -- not just the JATP cast. They really wanted to make you feel comfortable around them.
The autographs for Charlie, Owen, Jeremy, Madi, and Mitchell took so long caused because they really talked to their fans and wanted to know so many things. (Unfortunately, that's also why some people didn't get autographs because they were running out of time.)
Also big shout-out to all the fans who were there. Just as nice as the cast
DreamIt on the other hand: Well, most of the staff tried to be helpful. But the lack of information in English was just not funny. (French people really living up to their reputation, I'm afraid.)
I'm on the selfie 🤣:
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I will rant about DreamIt in detail later.
So that's most of the stuff I remember from day 2. Maybe I add some other stuff later as I don't remember much from the closing ceremony. But I recorded it. So can check (and even share it if sb is interested)
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upsidedowngrass · 2 years ago
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one of my favorite details about liam is the fact that he is very nice!!!! but he does NOT seem to get manners
his whole motive thruout season 2 is that he wants to save the others. from the looks of it, he doesnt CARE about the revenge part that much. like yeah itd be nice to stop the guy that physically harmed and killed you bc he did that, but thats an afterthought really - and i didnt interpret liam trying to kill airy even as an attempt at revenge so much as an extremely irrational and extremely stress-induced method of trying to make sure his friend + the others DIDNT get sent to the plane. his main priority is repeatedly that he wants to stop this from happening to anyone else. the only time he mentions himself is when saying that he 'cant live the rest of his life not knowing WHY this happened' (thats paraphrased) but that is immediately followed up w concern for this happening to other people
ofc, he also thinks he literally Has Nothing so the lengths he goes to to save the others CAN be interpretted as not things he would do if he thought he could go back to normal but at that point, thats just extremely specific speculation and i dont think thats supposed to be whats conveyed. some situations wouldnt even be necessarily related to him not having anything, so much as related to helping the others. he still throws himself into everything after "remembering what its like to have a life again." even when he realizes that he doesnt HAVE to have lost everything, he still cared and wanted to help the others more
i think he wanted closure, yeah, but he really did want to save the others. the scene of him helping julien is there for a narrative reason, after all (though i dont wanna get into that bc id go on a tangent about narrative choices in ONE). hell, hes the only one to try to get charlie out of the way of the stakes! (not that the others didnt try, but i feel like the intended take-away of liams general nature is fairly clear)
anyway, liam is nice!! he cares a lot abt others and doesnt want bad things to happen to them, and hes ok with bad things happening to him if it can help them.
but he does NOT understand a lot of social etiquette, or the concept of being polite.
my favorite example of this is the whole discussion abt going to go see bradley. when the restaurant gets shut down, liams first thought is to go 'sooooo. you dont have work, right?' when liam realizes he cant pay for the laptop, he just kinda. 'i dont have any money.' and stares at bryce like a cat looking at your plate of sandwich meat, waiting for you to inevitably give them some
this isnt even ONLY after the 7 months, theres hints of this trait before then! when amelia is talking abt stone making her team when the challenge, he just goes 'yeah sorry.' then talks abt how texty won their teams challenge, pointedly when texty is RIGHT there. liam doesnt even say goodnight back to owen! (this ones less impolite than the others but i think its silly to include)
it should be noted tho, that while this ISNT present before and after the plane, it DOES show up more prominently afterwards, and this could very much be the stress! but looking at WHY its more prominent afterwards also feels like it points more towards this just being How He Is.
all of the things hes kinda impolite abt? are things where he is TRYING to be nice, or arent unkind inherently. hes going to talk to bradley? well, doesnt bryce want to come? driving him there is more efficient anyway. oh you have work? well now you dont! so now things are easier! staying here isnt gonna make the restaurant reopen anyway! (liam also probably does NOT have the same weight associated w jobs that bryce does, since liam hasnt had a job in a capitalist society in 7 months. its probably still subconsciously there, but not at the forefront when the plane is still out there). i crashed your car? well, i think the lives of others matters a little more. you can get a new car, but if something happens to airys contestants WHO KNOWS whatll happen to them
a lot of it, i think, is made more extreme by stress and trauma, yeah, but these are patterns in logic that seem to already discard manners as being that relevant. and i, autistic, chose to view that as something hes just Like. hes not a dick and he doesnt ever mean to be! but also if someone can do something fairly minor to do something more important, why does he NEED to be polite abt it?? whats the POINT you get the same message across! and thats assuming he even REALIZES these things are "impolite," based on a lot of his interactions w vryce, i legitimately dont think he realizes how he acts could sometimes be considered 'impolite'
where bryce is knowingly kind of rude sometimes and doesnt care (though is STILL kind, he is just more blunt and uninterested in sounding nice, which i could do an entirely different essay on the autism of), liam seems to not really notice manners, nor does he think theyre very important to consider, and i just. really love that about his character :)
this is the kind of guy that, if you stubbed ur toe, hed probably not say 'oohh, sorry :(' and hed just be 'dang, that sucks' and move on
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pimento-playing-hopscotch · 10 months ago
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Hello! My nice ask week ask for you is: I’m very intrigued to read your Growing Up Strand Style fic in which TK has a little sister. How did you come up with the idea for bringing such an important original character into the mix and how easy was it to work here into the dynamic between Owen, Gwyn and TK? The father-son relationship between Owen and TK is clearly a very important part of the story too – are there any scenes between them you’re especially proud of?
Hi!!! 🥰🥰
I love this question so much 😊 It’s a culmination of a lot of things- (some projecting: the parents split when the kid is seven and one parent gets a new partner but it’s hard because new partner is cool- I can relate lol)
This idea started because I love Owen and Gwyn as parents- I would never say they’re perfect but they love their kid so much and they try (also sorry if this is coherent I’m so tired lol) And when I started writing this fic there was not as much fics where Owen was a flawed but loving parent which I believe that he is- and I felt like they were the happiest family before their world was ripped apart by tragedy, and from there it was surprisingly easy (there’s about six chapters of happy family bliss before 9/11 happens and three of them were written after the episode where TK more or less says “I want to be a dad because of how much I love my dad”
Also TK is so sweet and caring and protective watching him in the show I thought he is someone who would have loved having a younger sibling and would have wanted to be the best brother ever- and because I feel like as much as his parents tried there was a lot of time where TK felt lost and alone and I wanted to give him someone to go through his childhood with (it doesn’t change anything that happens in his life canon wise- but I’ve done this before with shows where there are some characters it’s just like- they need a brother or sister- (another rant for a different time; why are there so many only children in media lol) And I kept getting ideas and loved thinking of how Gwyn and Owen would be with a daughter-
That is the biggest part of it though- I love Owen and TK’s relationship so goddamn much (I also have a series I started before th is one of TK as a teenager- that one’s broken into a few different stories)
Like I did not expect to love this show so much but from the moment Owen broke the door down to save his kid in the pilot I was struck- like they’re just so supportive and protective of each other and I just loved their bond so much-
Oh that is a dangerous question there are so many Owen and TK scenes I’ve written I want to talk about-
Chapter 7- TK wakes up the first night after his dad has come home after 9/11 and momentarily is worried he’s gone again before he finds him in the living room
Chapter 8- Owen finds out that TK put his sister to bed by himself because he heard their parents fighting and didn’t want to interrupt
Chapter 14- Sophie gets hurt and TK is worried that Gwyn will be mad at him but Owen tells TK it’s Owen’s fault not TK’s
Chapter 18- TK mentions that he knows his dad doesn’t like Enzo and asks Owen if it makes him mad when they do stuff with Enzo and if Owen doesn’t want TK around Enzo as much
Chapter 27- when TK comes out to Owen
When Owen takes care of TK when he’s sick or hurt (there are so many injury chapters; not just for TK for both kids)
And chapter 44- when TK tell Owen they can’t talk about sex because TK is gay and Owen’s not so he finds another way to handle it-
(Also I promise Gwyn is there too- there are chapters where Owen is just in it briefly like some where I try to make sure everyone is worked in)
Thank you so much for the ask!!’ 🥰 you’re such an amazing writer and the subjects of our fics do overlap I’m very excited to hear what you think of it 🫶♥️♥️
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phoenixyfriend · 4 years ago
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Uncle Ben and Little Luke
AKA we combine several types of time travel for maximum Soft Chaos, let’s go
EDIT NOW THAT I’VE WRITTEN THIS UP: jfc this ended up much angstier than initially intended uhhhhhhhhhh sorry
So a common enough thing I’ve seen in time travel fics is characters getting de-aged when tossed back physically, to neither the age they should be in that time, nor the age they were from the time they left, but whatever is most convenient. This is usually de-aging OT Obi-Wan into his TCW self, for reasons relating to, chiefly, removing the damage of Tatooine absolutely destroying his body alongside PTSD-driven alcoholism, but also because fic writers are horny, and Ewan McGregor playing a late-thirties negotiator is on average more appealing to people than Alec Guinness playing a vaguely feral desert hermit.
So, here’s how it plays out:
We take Luke and Ben from some point in the OT. There are a variety of options depending on how angsty we want it to be. My first instinct is ‘right after Owen and Beru die’ but I want to have that sweet angst where Luke knows that his dad is Vader and that Obi-Wan was trying to convince him to kill his own father without telling him that.
We’ll go with shortly after Bespin, and then they end up significantly before TPM. The Obi-Wan of the timeline proper is, eh, let’s say eighteen. Not really ready to be a knight, but old enough that we don’t have to worry about “if we go save Shmi, do we somehow wipe out Anakin?” which is absolutely a worry. Anakin is a toddler, and is in no place to be evil, on account of being literally two years old. He can’t even explode people with his brain yet.
Now, Ben finds himself mid-thirties, as is traditional. He’s not upset at this, because his joints hurt so much less than they used to! His knees aren’t exactly teenage-perfect, but by the Force are they better than they were in the years before he died! His hair has color! He doesn’t have arthritis! And, goodness, no physical withdrawal symptoms! The psychological aspect is still there, but nonetheless, he’s in much better shape than he last remembers being.
Luke looks like he’s about six. He was recently twenty-two. This is not an upgrade. Ben keeps having to carry him. He can’t see over the counter when they enter a bar for information. He can’t enter the bar in the first place. He’s very annoyed by all of this.
Ben is not annoyed. Ben is having a lot of emotions, actually, but annoyance isn’t one of them. He didn’t get to help raise Luke the way he might have if Anakin hadn’t lost his shit, okay, he sees a small Luke and he wants to hug him and cry.
Luke would like to be able to purchase a speeder part without the lady at the stall asking him if he needs his “dad’s” permission.
Once they figure out when and where they are, they need to decide where and how to leave. There are general shenanigans to gamble their way into enough money to hire a ship. They are in the ass end of nowhere, but definitely not Tatooine. There appears to be a jungle. There appears to be a significant variety of man-eating creatures. There appears to be a temple to the Force of questionable origin. None of this is actually helpful, except for the moment they find a “baby’s first lightsaber” in the temple.
Luke only has one hand and, being a six-year-old, his body is growing too fast for him to bother with getting a wired-in prosthesis the way he could as an adult. He can get a more basic prosthesis, but nothing that attaches to the neurons. He’ll outgrow it too fast.
He’s tiny and he’s not used to doing things with just one hand. He uses the Force to do what one hand can't, and every time someone tries to tell him he's misusing the Force he whaps them with the empty sleeve.
So, you know, they find out what year it is. Ben has a breakdown. Luke is upset that he left behind his friends. Ben admits to him that Leia was his twin. Luke stares in horror because dude, she kissed him, you couldn’t have mentioned this earlier???
Ben points out that Beru and Owen were keeping Luke away from him for nineteen years, and then they had about three days of awkward travel to find Leia in the first place, and then Ben died. He didn’t have a whole lot of time to figure out how to tell him.
(This sparks an argument that lasts several days. All onlookers assume that Ben’s son is throwing a tantrum. He doesn’t correct them, even though this is a very valid reason to be upset, because the truth is much harder to explain.)
Sooooo they travel. Mostly, Ben plays Sabacc, cleans house, and pays their way towards Coruscant. Luke still really wants to learn to be a Proper Jedi, even though Ben is pretty sure that Luke would have... a lot of difference of opinion with the Temple, but sure. Coruscant. They can at least stop by, and see Qui-Gon, and Mace, and Quinlan, and Bant, and everyone else that’s still alive and not tragically deceased in the horror following the start of the Clone Wars and then the birth of the Empire, and Ben can have a nice sob over all his dead friends being alive again.
Ben is only barely holding it together while Luke is in the room with him at any given point. But it’s fine! It’s fine. He’s fine. All of his loved ones have come back to life! It’s great! HE’S FINE.
He is not fine.
Luke is also grieving all the people who haven’t been born yet, but he’s... significantly more okay than Ben is.
The closer they get to the Core, the more often people just assume Ben is Luke’s father, and then look shocked and uncomfortable when Luke flatly calls him by his name, and they just... compromise. This is the point at which Luke starts calling him “Uncle Ben.”
Ben cries in his bunk later that night. Luke overhears it and wonders how the HELL Ben is more unstable now, when there’s a chance to fix things and no Vader or Empire trying to kill or capture both of them, and all his friends are alive.
(Luke will later learn a lot about PTSD and realize this is actually a fairly normal situation, to process significant events and emotions only after gaining safety or catharsis.)
(Twenty years on a ball of sand with an alcohol addiction and debilitating fear of the man you raised as your own brother is not, in fact, safe or cathartic.)
At any rate, they’ve settled into that pattern by the time they reach the Inner Rim. The Inner Rim is the part of the galaxy at which they’ve collected enough money (and mental stability) to travel a little better, and to take a few more risks.
Risks like “manipulate people with those baby blues.”
Ben tells Luke that he’s a menace, after he pouts so cutely that he gets a free scarf added on to a purchase that Ben makes. Luke responds that Ben has no room to talk, since he flirted a free breakfast out of that one inn owner.
Also, Luke is currently physically six. That is objectively a situation that sucks. He deserves to use it for all it’s worth if he’s stuck like this.
“You know, if you keep wearing all-black and looking longingly at the velvet cape and Space Chanel boots, the temple is going to worry that you’re a darksider.”
“Uncle Ben... you told me, yesterday, that I sparkle so brightly in the Force that it’s almost blinding.”
“Yes, but the gloves--”
They don’t agree on this, but Ben relents. He does actually understand good fashion, unfortunately, and he’s not unaware of how much Leia taught Luke about such things.
Luke’s about forty years ahead of the curve, of course, but Skywalkers are prone to such things. It’s usually in regards to technology, granted, but...
They get to Coruscant. Ben is very obviously a Jedi. He knows all the right words and walks like a Soresu master and feels warm and comforting in the Force. They let him in with minimal questions. They note down “my first padawan left the order to have a child, but died shortly after; I consider Luke here to be my nephew, and have raised him as such,” and move on.
Luke is vaguely annoyed because he already had an uncle (and aunt) that raised him, but he admits that a person can have more than one uncle. He can live with this. Ben was more family to Anakin than Owen was, in some ways, so it’s kind of true. Luke is even working on feeling more childish affection for Ben instead of the complicated mess of emotions that come from being lied to about some very large and important subjects, and then seeing the person saying those lies have regular emotional breakdowns due to something as small as Luke saying he likes the curve of the hull on that freighter.
(Apparently he sounds just like his father did as a child. This is almost heartwarming.)
The thing is! The thing. The thing is, they almost make it to the Halls of Healing to get looked over for weird viruses, or Outer Rim Parasites, or whatever the hells needs to be happening. They almost make it without Ben having a flashback to dead younglings or brainwashed troopers or the declaration of a Sith Empire. They almost make it without incident.
Then Ben sees Qui-Gon, and freezes, and does not move again.
Luke cannot get him to restart.
People are staring.
They haven’t even made it to Medical, Uncle Ben, come on.
Young, local Obi-Wan comes over and asks if there’s something he can do to help. Or maybe this “Ben” knows Qui-Gon? Master Jinn doesn’t recognize Ben, but maybe Luke knows more?
Luke does know more, but what Luke actually says is “he probably needs a mind healer.”
(Ben will not appreciate this.)
(Ben is unfortunately standing in the middle of the hallway and completely unresponsive, and is unable to argue with this assertion.)
(Ben is pretty much proving this assertion entirely correct, actually.)
Obi-Wan is helpful, if a little bitchy in the manner of most late-teens individuals, and offers to help get Uncle Ben down to the Halls of Healing. It involves Obi-Wan gently pushing on Ben’s shoulders, and Qui-Gon offering to carry Luke so he can be in Ben’s sights (because Ben is a Mystery, and Qui-Gon is quite fond of those, so he wants to stay involved). Ben kind of just... shuffles on down.
There are medical tests. They ask about how Luke lost his hand. He refuses to talk about it. They ask how Ben got all his scars. Luke says he doesn’t know. They ask if he knows why Ben looks like he’s been through a war. Luke says it’s because he probably was.
They check for foreign viruses. They find evidence of thus-far-unpatented vaccinations. They ask Luke if he knows what he’s vaccinated for.
“How would I know? I’m six.”
They agree that this is a good excuse.
(It is not. He’s lying. They do not know this.)
They do some more tests. They find a lot of questionable medical bullshit in Ben’s body. Most of this is from the clone wars, but they don’t know this. Someone realizes they haven’t gotten a ping back from the Shadow Network regarding “do we have permission to pull the medical file of a Jedi that isn’t in the normal database? We’re assuming you know who he is, since we don’t.”
The Shadow Network does not know who Ben is.
The healers, of course, go “huh, that’s weird, but maybe the name he gave his nephew was fake. We can’t exactly ask ‘Ben’ for more details right now. We already had to sedate him. Let’s check the DNA!”
The DNA pulls up as Obi-Wan Kenobi.
The padawan who brought this guy in two hours ago.
“Huh, that’s weird. Let’s call in Kenobi and ask if he knows what’s going on.”
Obi-Wan absolutely does not know what’s going on.
They ask Luke.
“Oh, I don’t know,” he says, lying through his teeth and not even pretending otherwise.
“You’re not a very good liar,” teenage Obi-Wan tells him.
“I’m not trying to be,” Luke says. “Can you get Master Yoda? I feel like we’re going to need him.”
They normally wouldn’t get Yoda on the request of a six-year-old, but they also normally don’t have a catatonic thirty-something Jedi who looks like he’s been through a war popping up in the medical database as the pimply teenage padawan that broke his pinky trying to do a Badass Ataru Flip last week.
Or... whatever Luke i... is... oh dear.
“Young one,” Qui-Gon asks, while people whisper-shout behind him, not realizing he’s cutting the Correlian Knot and just asking the kid himself. “Do you know why your midichlorian count is so high? It’s almost unheard of.”
“Uncle Ben said my dad was the Chosen One,” Luke says, because he is capable of being a little shit and is actually really eager to let Ben deal with some of the fallout. He feels for the man, really, but he’s also tired of being the one to field every single question.
Also, the expressions that pass on Qui-Gon’s face are hilarious.
(Luke may or may not be more affected by his six-year-old brain than he would like to admit.)
“Thank you,” Qui-Gon says, sounding more than a little strangled about it.
It takes another three hours for Ben to wake up.
He listens to the questions. He hears what they say his ‘nephew’ said. He looks at Luke.
“Is this revenge for not telling you about Leia?”
“It’s not revenge,” Luke does not lie. “I just don’t know how to explain it.”
“It’s pretty easy to explain.”
“It’s not my secret.”
“This is revenge for the Leia thing.”
“No,” Luke says. “Revenge for the Leia thing was when I ate a live frog in front of you.”
This is the point at which someone interrupts and points out that they appear to be stalling.
“Oh, he is,” Luke tells them. He gestures at Ben. “I can’t tell you more, because it’s more his story than mine.”
“I’m afraid, Master, that I am very likely to have an emotional breakdown if I allow myself to consider the reality of this situation for longer than the fraction of a second I already have,” Ben reports, full of false cheer. “Suffice to say, I am far from stable and have only held out this far for Luke’s sake.”
“Can you explain why you have my DNA?” Obi-Wan asks, as the person who’s most concerningly involved in this situation.
“You can,” Ben says, smiling like there is absolutely nothing wrong in the slightest, ever. “I’m you, from the future. I actually died and spent a few years dead before coming back. I’m not sure why I’m younger than I was when I died, but I appreciate being able to put on my shoes without my knees attempting to mutiny.”
“He needs a mind healer,” Luke reiterates, in case the strained grin hasn’t made it clear. “So do I, but not as much.”
“I have felt literally every person in this Temple save for Luke and Yoda die,” Ben reports, looking a shade more manic than a few seconds earlier. “It’s very overwhelming to feel you all being alive again. I may be approaching a mental breakdown, and I’ve been rather strictly advised against using alcohol to treat my traumas again.”
Luke kicks him in the thigh. It’s not a very hard kick, because he is very small, and he does actually like Ben. “I’m not letting you turn into an old drunk again.”
After several seconds of silence, a healer quietly suggests that everyone clear the room, and asks if someone could fetch Master Yoda as the youngling requested.
(THIS IS ALMOST THREE THOUSAND WORDS. I started it less than two hours ago. Why am I like this.)
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dyns33 · 3 years ago
Text
The Office
A little Modern! Owen story 
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It had been going on for eight months.
Since the first day. From the moment they had met, their boss introducing her to Owen Sleater, who had been recruited after leaving a competing company, he had begun to flirt with her.
And not discreetly, not at all.
With a huge smile, he took her hand and kissed it, purring that he was really happy to meet her.
Owen Sleater, she noticed very quickly, was purring a lot.
This had made their boss laugh, who had then reminded Owen that Y/N was his superior, and that such things weren't very proper.
Even if she was able to be impartial and fair, relations between two people who were not of the same hierarchy were never a good idea.
Owen continued to smile as he watched her with sparkling eyes.
At the end of the first day, Y/N had hoped that he would stop acting like a fool and cease this stupid game. After the first week, she realized he wouldn't.
           "I could get you fired for that." she threatened him, when a month had almost passed.
           "For what exactly, darling ?" he sneered, holding onto the wall, close enough for her to smell his perfume, but far enough away not to touch her.
           "Harassment."
           "I'm not harassing you at all."
           "...You are annoying."
           "I didn't know that telling a woman she was charming, smart and fabulous was harassment, I'm so sorry about that, I won't do that again, even if it's the truth and you deserves all the praising."
           "It's not just that ! You follow me in the corridors !"
           "To talk about current files, take stock of interviews, and offer you a coffee."
           "... You had flowers delivered to my office !"
           "I don't have your address. If I had it, it would mean that I searched the archives, which is totally illegal."
           "You kiss my hand all the time !"
           "Would you like me to kiss you somewhere else ?" he asked, smiling.
Exasperated, Y/N sighed and went back to her office, as Owen wished her a good day.
It was true that, technically, he was doing nothing wrong. He never touched her without permission, except when he kissed her on the hand, to say hello or goodbye.
His compliments were always respectful. Owen had never made any truly indecent proposals to her, even though Y/N ​​wasn't stupid and she guessed very well what he wanted.
They had never met outside of work. Maybe he knew very well where she lived, but he had never shown it. He respected the limits. He didn't call her either, or text her.
Y/N therefore had no good reason to fire him.
Besides, Owen was really good at his job, one of the best, if not the best. It wouldn't be good to let him go. Their boss would be furious.
The real problem, which she refused to admit, was probably that it was very difficult to resist him.
This asshole was really a cute little shit, with his smile and his compliments. Very good at seducing. Y/N wondered how many lovers he had had.
In any case, she couldn't imagine that he was someone serious. It was just a game for him, nothing more, trying to get his boss, knowing that it was forbidden.
           "I really love you, you know ?" he told her one day, with a straight face, when they were alone in the elevator. "Since I met you. You're the only one, I don't want anyone else."
           "... Sorry ?"
           "I just wanted you to know that."
He got out of the elevator before she could answer him, and after that they didn't talk about the event again, Owen continuing to flirt with her as if everything was normal and that he hadn't made a confession of his love for her out of nowhere.
Now it's been eight months, and Y/N didn't know what to do anymore, trying to stay calm and professional.
It was more or less simple during the whole flight that took them to a conference as boring as it was useless, but where their boss had insisted that they go together, the two best elements of the company, to find new clients.
Sitting next to her, Owen had spent all his time staring at her as he stood by the porthole, saying that she was much more beautiful than the view.
Then there was the trip to the hotel, where luckily they each had a room, which seemed to disappoint the poor man.
During the conference, he was much more serious, which was very pleasant. Maybe his hand stayed on her back a little too long when they were chatting with a client, or he made a quick remark about her hair or her outfit. But nobody noticed anything strange.
Then they returned to the hotel.
Y/N stayed in the hall to call their boss, tell him that everything was going perfectly well, they had even succeeded in attracting new partners and clients.
As she walked into her room, hoping she could take a long, hot shower and get some sleep, she found Owen on her bed, a big smile on his face and his shirt open.
           "... What are you doing here ?" she asked slowly, pulling out her coat and putting it on a chair.
           "Just making sure that you have everything you need."
           "Yes, absolutely everything, thank you very much. You can leave."
It made him jump out of bed, his eternal smile still there.
           "Oh, come on, darling ! It's just you and me, for the whole weekend. Nobody will ever know. In any case, I won't say anything. Some idiots will probably imagine things even if we do nothing anyway."
           "I'm not interested in a one night stand, even less with an employee, thank you again."
           "Who's talking about one night stand ?" he said, approaching to take her hand.
           "Owen..."
He sighed then, his smile growing sadder as he looked away, stopping to touch her to zip up his shirt. He licked his lips before biting them. His lips were so kissable, it made him even more attractive than usual. Owen looked at her intently again, as if to say something, then he nodded and left.
Y/N didn't quite know what she must be feeling. Somehow, she was relieved. If he had insisted, maybe she wouldn't have been able to tell him no any longer.
At the same time she was a little disappointed.
But above all, she found it admirable that Owen had respected her refusal. He wouldn't force her if she really didn't want him.
Oh, if he had asked her, she could never have denied that she wanted him.
The rest of the stay passed very quickly, without him speaking to her when it was not necessary.
She hoped everything would be fine when they got back to work. Maybe he wouldn't flirt with her as often as before, maybe not at all, but they could stay on good terms.
Except Owen didn't come to work. No news of him during the whole day. Y/N tried to pretend it didn't affect her, not asking anyone if he was okay. Because he must have been sick, or indisposed.
He couldn't have quit, not for something so stupid. Several days passed, and yet it seemed obvious that he was gone.
Y/N felt bad. Sad. Not just because she missed his compliments and ridiculous attitude, but because Owen was really a nice person, a great employee, and it was absurd that he was leaving such a suitable position because she had rejected him.
It was possible that he had imagined that she was going to report him, and he had preferred to avoid being fired. Y/N wondered if she should contact him to tell him that she would never do such a thing. But that wouldn't help much.
Then she ran into him in the elevator the following week. Owen was smiling as always, a beaming smile, kissing her hand when he saw her, as if nothing happened.
           "Darling ! I missed you !" he declared frankly. "It's been a very long week without you, I was hoping to see you every day, but I'm terribly busy. I understand better that you resent me when I waste your time in the hallways."
           "... What do you mean ?"
           "You don't know ? I called our boss during our stay, to tell him that I thought I deserved a promotion after all my good work. I was transferred to another unit, we have the same position now, we are bosses, with a boss."
           "Well... Congratulations."
           "And so, I am no longer your employee."
There was a silence, Owen staring at her intently as Y/N frowned, trying to figure out what he meant.
           "Y/N. My darling. I'm not your employee anymore." he repeated softly, his face suddenly very close to hers. "I have more money, more responsibilities, and a better chance of being able to woo a wonderful woman who has far too much respect for regulation to agree to date me."
           "...  Oh." was the only clever thing she managed to say.
           "Yes. Oh. So ? You, me, dinner, then a coffee at my place ? Then lots of drinks every night ?"
           "I have to think about it. Check my schedule."
           "Sweetheart... It's been eight months !"
He didn't beg, Y/N didn't think Owen was the kind of man who begged, but his little pout and his puppy eyes spoke for him, shining like she was the most beautiful thing in the world, which he dreamed of during all this time.
           "... I'm not really hungry, so it'll be a drink right away, at home."
           "Oh, darling." he purred, pressing his lips to her cheek. "You are killing me."
Stepping out of the elevator, he began to follow her as before, until she reminded him that he no longer worked on that floor. So, after kissing her hand, he left, winking at her when the doors closed, shouting that he would be waiting for her by her car tonight.
There were no rules that prevented two employees of the same status from dating. No need to be discreet, or waste time.
Y/N still sighed with a little smile, thinking he was a silly, silly man.
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osc-confessions · 2 years ago
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I hate Liam. I hate him sooo so much. It’s entirely writing wise too. I think he was really interesting from episode 10 to 13 because it explored him as a character and make hi kinda fucked up? And I found that really interesting! He WAS doing all of this for himself and he continues to do that after him and Bryce’s fight in episode 13. But the thing is this is never acknowledged ever ? And the show constantly makes Liam be the one in the right and it annoys the hell out of me
He SHOULD be a really flawed protagonist, especially after all that trauma, but his motives and personality end up switching on a dime all the time.
Liam stops being scared of death despite only dying once before this and it really traumatized him but it’s never brought up again. He falls into a body of water and doesn’t have any memories of when he last died.
He lies to Owen so badly and barely reacts to seeing his friend from college after 7 months and he never describes or longs for his old life in San Francisco, making him saying that he lost his life feel like a lie.
He guilt trips Bryce multiple times from episode 10 to 13 and it never gets acknowledged again even after Bryce says. TO HIS FACE. That he doesn’t actually care about Amelia and that he’s doing this for himself. Liam glosses over this entirely and after this episode it never comes up again. In episode 15 Bryce is all buddy buddy with Liam as if Liam didn’t take away his hard earned life again and guilt tripped him several damn times and was generally an asshole. And so everything Liam has done that could be considered bad up to this point is completely brushed aside and considered good ??? What the hell ???
He’s shown as selfish multiple times despite how he’s never really portrayed as in the wrong every time. He heavily alters viewer perception over events and he’s almost always is portrayed as in the right as said earlier and I can complain about that a LOT just on it’s own.
Liam feels bad for Airy very quickly from a storytelling stand point despite the fact that he travelled across the country and died over 20 times to stop Airy. The viewer can feel sympathetic for Airy without Liam doing so too !! And Texty was kinda just used for Liam’s internal conflict which could’ve been portrayed in way less time and would’ve been easier but whatever
Liam is both very tunnel vision and takes his time. He waits a while to do anything related to the show but when he does it he’s determined to get it done which really doesn’t connect ? And he goes to the stone and sf note first instead of directly to airy despite how it’d make more sense considering the tunnel vision portrayals. They don’t stick with one when writing him and it sucks
He’s also portrayed as both selfless and selfish and I’m just like??? PICK ONE ALREADY ??? Him not caring about the other contestants makes episode 8 feel really pointless because then what was the point of making them all supposedly get closer together? And this is made worse because of episode 16 since none of the contestants’ wishes are about each other at all, despite the fact that they didn’t have any lives at all before this. Like. It would’ve been really good to have that to show that they care about each other. But I guess NOT. This is a Liam rant though so I’m moving on
Comparatively, if they had him as more selfless then he’d also be interesting it’s just that I feel like that would be the situation if Amelia was the protagonist lmao.
Side note his personality is so indistinct that his wiki page is shorter than Texty’s who has less than half as much screen time as he does and also is kinda a plot device lol. They just do all the work for Liam and Bryce despite foreshadowing how Liam was going to search up the plane online and how it could be really interesting to play with death as a serious subject with actual stakes but eh
tl;dr: His lack of backstory and inconsistent personality make him a bad character and I’m sorry for this long ass ask
idk what to say lol
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diamondcitydarlin · 3 years ago
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The kate used the trans community as an advertising pick-me-up anon here: It might just be me, but I'm semi-optimistic for the next season tbh. For a lot of reasons, but mainly:
It's clear now from the start Loki was never actually about Loki, it was about Kate and Sophia using personal nepotism to make it a vanity project.
They only really cared about making it about Sophia and her character spotlight over everything else. It shows how broken the show was that Marvel/Disney itself told them to go back and rewrite/remake parts to make it more about Loki and less about Sophia/Sylvie, and the fact Kate considered that a funny whoopsie.
Whoever the next director will be, whatever else that happens, at least they won't be marred with that massive favouritism, and will probably actually give the Loki show back to Loki. knock on wood
See, this is rather strange to me because in the projects I work on the director rarely has that much of an independent creative say outside of how scenes should be shot (but then I work almost exclusively right now on music videos, commercials, modeling shoots and those are jobs with clients that mostly say how a thing is going to be, though sometimes musical artists will choose their own director and give them a ton of creative leeway ok sorry I digress). I mean, good for Kate I guess that she seems to have gotten a good bit of creative say, just wish she hadn't used it solely for self-indulgence, terfism and nothing else. This is a show for, like, millions of people to watch after all.
But lets not let Michael off the hook too quickly; the Loki script was ofc based off of his original screenplay that incorporated a strong sexy kickboxing woman whose personality is 'pretend not to be attracted to the mediocre main male character even tho I am because the man writing this demands it' and it's rather clear to me that's where Sylvie came from. The original screenplay doesn't (imo) have main mediocre male character longing as openly for this female character as the final cut of Loki has Loki doing to Sylvie, so I guess I'm saying this smacks of a team effort to do some self-indulgent nonsense under the assumption that it would come across as good writing that multiple people could relate to. Or, they just said 'fuck it we do what we want', which also seems likely.
But the downside of of trying to tack on actual quality storytelling about Loki and giving him a relationship that actually enhances his character and his story rather than steamrolling it to make him into the perfect love interest is that the show comes across as terribly disjointed and, ultimately, a huge disappointment. The show that is set up in episodes 1 and 2 is not the same show the last episode takes place in. Nothing that happened in those two eps (or indeed in any Loki media to this point) had much or any bearing in what came after that.
I mean for fuck's sake, even the marketing and trailers and glimpses we saw don't match up to what we ended up getting. All these repeated shots of President Loki like he's going to be a focal character, maybe even a main villain- nope, he literally just cameos for 5 seconds, does some dumb shit, and then gets his hand bitten off. Scene after scene of Owen and Tom being centered as the show's main duo. KING LOKI THAT JUST TOTALLY DISAPPEARED.
But yeah they really wrote what they did and expected people invested in Loki's character to be happy with him being sidelined for someone we 1) have never met before, 2) is not even fully fleshed out in the 4/6 episodes she dominates. I mean, honestly, what? Loki is a character with a 10 year history in the MCU and a beloved fan favorite, marketing success. And yall really thought this was just...gonna be acceptable?
But I'm speaking as if these people actually care about fans, the fandom, and/or the integrity of a beloved character and the truth is they don't. The 'creatives' don't because why should they and the executives don't care until they're forced to upon the risk of losing money.
So I guess my hope is the same as yours, and more specifically, I hope that pressure has been enough to make the powers-that-be reevaluate the direction of the second season.
So yes of course, I hope more than anything that you're right. This show had every potential to be a great character piece for Loki as well as, idk, maybe one of the first Marvel properties that considered and more explicitly incorporated the queer experience as indeed I thought they were doing by ep 3 (not me thinking sylvie and loki are clearly gay twins, not me thinking their convo in the bar sounds so much like intimate, nonsexual conversations I've had with my gay friends, not me allowing myself to think maybe we'll get to see masculine/feminine intimacy that is not motivated by a sex and/or relationship at the end of the rainbow, not me seeing the 'found family' tropes and thinking it was part of this effort to tell a queer story-) and, in truth, that can still happen. I can easily see how it could still happen.
Remember, I've just been around a very long time in fandom and now that I work in entertainment and better understand the mindsets of the people who work within and dominate it, I have very little faith in the integrity of most shows I watch. For this reason I actually don't take on new media any more as often as I used to, but the Loki show came to me at a time when my family was going though a very difficult situation and my brain latched out of selfpreservation, I think. You need a hyperfixation, my brain said, and look at Loki in this impossible, dehumanizing situation, isn't it awful?? Isn't it almost like YOURS? But wait...Owen Wilson is here. And he speaks softly and he's so comforting and he actually gives a shit and I can see why Loki takes to him so quickly. (Also I was eagerly watching each Marvel show addition for hints of the X-Men and I'm still doing that smh)
Give me an impossible situation, a character that has hit absolute rock bottom and another character that reaches out their hand and says 'hey lets get you out of here' (my sole survivor x nick valentine from fallout 4 is one of these...Lokius Fallout AU when???)
Anyway. I hope you're right. I want nothing more than for season 2 to be the version of the show it should've been from the start.
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alinastracker · 3 years ago
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hello my dear bonnie, if you're still taking prompts, can i suggest #47 👀 ?
LOVE THIS PROMPT!!! here you go my love<3
prompt: you’re casually seeing my roommate and think they’re in the shower when you strip down to join me and we end up screaming and my roommate thinks it’s the funniest thing and tries to set us up on a date
yikes at this going from a quick lil ficlet to 6.7k oof
would it be okay if i came home to you (explicit) (ao3)
Alina steps into the shower, wondering how the hell she ended up rooming with Zoya to begin with.
Don't get her wrong, she loves Zoya. But her raven-haired friend can be difficult, and she was supposed to have buffer. Originally, it was going to be her, Zoya, and Genya living together, until Genya backed out last minute to move in with her boyfriend David instead.
"I'm so sorry, but it just makes sense," Genya said to them over lunch one afternoon. "Besides, if things go how I think they will, you two will be on the same path that I'm on soon enough."
Zoya scoffed. "What's that supposed to mean?"
Alina had the same question, considering both of them were hopelessly single.
Genya just sipped her tea and said in a sing-song voice, "You'll see."
At first, living with Zoya was fine. They agreed easily on most apartment related things; splitting up chores, rules about not touching each other's food, a timely heads up before having friends or potential sexual partners over. Zoya could get nit picky about a few things, like the lecture she'd given her on the proper position of the toilet paper roll. It goes over, Starkov, understand? Under is for heathens and natural selection is coming for them. But otherwise, things had been fine.
Until Mal.
He was a part of the friend circle she had surrounded herself with since freshman year. But there was something about Mal that had drawn her to him in a way that was different from the rest of the group — different from anyone else she had ever met. He was like a drug, a magnet, the missing link that had her saying, where have you been my whole life, when you're meant to be here beside me? So quickly he had become her closet friend, and as much as their group liked to tease them, they both denied feeling anything beyond fierce friendship.
But Alina was such a liar.
Which makes it her own fault, really, for ending up in this situation. Zoya could, quite frankly, be a bitch — but she wouldn't have gone after Mal if Alina had just owned up to her feelings.
Though she really could have told her about it sooner.
Alina had been studying in the living room one night when a knock at the door startled her. Zoya hadn't mentioned having company, and neither of them had ordered food. Hesitantly, she rose and stood on her tiptoes to peek through the peephole. Then her face lit up, and she swung the door open. "Mal!"
Saints, he looked good. He appeared freshly showered, dressed in a silky green shirt and dark jeans. He had actually put effort into his hair for once, and he had a small gold hoop earring in his left ear.
"Hey, Lina," he said, something a little off with the smile he gave her. As he passed by to come inside, she could smell expensive cologne.
"What are you doing here?" she asked, butterflies in her stomach. Her head was already filling with wild fantasies. He wanted to surprise her, so he showed up without notice. He put effort into how he looked, because he wanted to impress her. He was going to reveal his true feelings for her, and she would revel in the fact that he wanted her as much as she wanted him.
Instead, Zoya entered the room and said, "He's here for me."
Mal had the decency to flush and offer a sheepish shrug. "I'm gonna grab some water," he said, and scuttled off to the kitchen. Of course, Mal had been here plenty of times before. He knew where everything was.
Alina had barely heard him though, Zoya's words repeating on a loop in her head. He's here for me. She knew what this meant, even as her mind tried to deny it. The room was spinning and she couldn't quite steady herself, like something had broken inside of her.
She swallowed, and as calmly as possible, said, "What happened to the heads up rule?"
Zoya arched a brow. "I texted you two hours ago."
Alina frowned and pulled out her phone. Sure enough, there was a text from Zoya. Got a guy coming over in a couple hours. She must have missed it, lost in her studies. But still, something in the text ignited anger in her chest.
"You could have said the guy was Mal."
Zoya shrugged, so frustratingly nonchalant. "What does it matter?"
It matters because I am so hopelessly in love with him, and you're supposed to be my friend, and now I have to blast music so I don't hear the sounds of you two fucking, she thought.
"He's my best friend," she said. "It's just a little weird, I guess."
"Don't worry, Starkov," Zoya said, turning toward the kitchen, probably to grab Mal so they could get the night started. "It won't affect anything between you two."
Alina waited until the two of them were tucked away in Zoya's room. Then she pulled on her old running shoes and slipped out — there was just no way she could be here, knowing what was happening in the room across from her own.
She ran with no destination in mind, pumping her little legs as hard as they could go, music pounding from her headphones. When she became too tired to go further, she checked her surroundings and sighed. Of course, her feet took her to one of her favorite places in the city.
It's not anything, really. A quiet street with an old abandoned building at the end of it. But on the building's brick wall is one of her favorite pieces of art. A mural of the sun, complex in its simplicity, using colors she had never seen used to express the sun before, yet perfectly capturing the feeling of a warm sunny day.
Alina leaned against the wall, slid down until she was sitting on the old, cracked sidewalk. Only then did she realize that she was crying. Turning off her music, she called Genya, and told her everything.
"You have to talk to Zoya," Genya said.
"No!" she said quickly. "I don't want her to feel bad. It's not her fault. And if Mal likes her — well, it's not like he's shown any interest in me. I'm not going to get in their way."
"Alina," Genya sighed.
"It's fine," she promised. "I just—" A sob escaped her throat, the pain overshadowing any coherent thought. It was not fine.
"Send me your location," Genya said, and Alina did.
She spent the night at Genya and David's that night, David promising he was more than okay with taking the couch so her and Genya could have the bed. Which was needed, because Alina had a lot more crying to do.
"Just don't tell Zoya," she said.
"Alina, I don't know."
"Promise, Genya. Please."
Finally, Genya sighed. "All right."
That was four months ago. Zoya had told her it wouldn't affect her close bond with Mal, but it had. Alina never invites Mal over anymore, too afraid that he'll come to watch a movie, sit on the couch beside her — much closer than most friends sit. They would point out everything terrible about it, because they loved to watch bad films together as they stuffed their faces with popcorn. Then the movie would end and Mal would say goodnight, but instead of leaving, he'd go to Zoya's room, and the popcorn they ate would sour in her stomach.
There were so many little changes, too. Like when they hung out as a group, and suddenly Alina was questioning every move she made around him. Was it still okay to playfully ruffle his hair, to sit close enough that their shoulders pressed together, to look at him like he personally hung the sun and the moon in the sky, all while Zoya was there to see? Was it wrong to look at his lips and fantasize about how they would feel against her own, pressed to her collarbone, sucking her most sensitive spots? Zoya and Mal were a casual thing, they had both said so. But still, the natural intimacy her friendship with Mal had built for the past two years suddenly felt wrong, and she hated it.
Needless to say, Alina has been looking into new rooming possibilities for next year. She can't do this anymore. Every time Mal comes over, she waits for them to lock themselves away in Zoya's room, and then she leaves. She runs to her sun, sometimes just sitting and letting her sad song playlist make her sadder, sometimes bringing her sketchbook to at least make art out of the pain.
But tonight she has a very rare opportunity — the apartment to herself. Only for a couple hours, but still. She has spent most of the time so far blaring music, and her neighbors probably hate her, but damn it, they can deal with it for a night.
She lets the music play as she takes a much needed shower. Sure, she could have gone the bath route, but she doesn't want to waste all her time getting clean. Alina has decided her hours alone should end with a much needed date with her vibrator and an Owen Gray video that she's going to watch without headphones.
Olivia Rodrigo's Brutal is pounding from her speaker, and though Alina's twenty-one, not seventeen, the lyrics hit all the same. She's so into the music, thinking about her life for the past four months, thinking about moving as soon as she possibly can, thinking yeah, it really is fucking brutal out here, that she does not notice the telltale signs of someone entering her apartment, and even more worrisome, someone entering the bathroom. Not until it's too late.
"Thought you were too cool for Olivia Rodrigo," a very male voice says, and then the shower curtain opens.
Screams fill the air from both of them. Alina's already holding her conditioner bottle, and on instinct, hurls it at the man's chest while her other hand reaches for her razor.
"Oi!"
Only then does her mind register that it's not a strange man come to sexually assault her, it's Mal. Her best friend. Her roommate's casual lover slash fuck buddy slash whatever. It's Mal, completely naked before her. She gets a quick glimpse of his cock, half-hard, before he curses and turns around.
It doesn't help that his backside is just as nice to look at. He's well toned, muscles flexing as he reaches to grab the clothes he must have just discarded. He bends, giving her the most sinful view of his ass, and Saints, her mind goes wild. She pictures him turning back around and pushing her against the wall, slamming inside of her. As he fucks her, she would reach around and grab that delicious ass of his, dig her fingers into the plump skin, and leave little half-moon indents.
Mal is apologizing over and over again — "I thought you were Zoya!" — as he gathers up his clothes and makes a beeline for the door. Alina finally snaps out of her filthy fantasy and slides the shower curtain closed with a shaky hand. She leans back against the tiled wall, breathing hard. Her heart is pounding like never before.
The song is winding down. Olivia is crooning, God I don't even know where to start.
Neither does Alina.
~
By the time she musters the courage to finish her shower and leave the bathroom, her robe clutched tightly around her, there’s no sign of Mal in the apartment. Zoya isn’t back yet, either.
With a sigh of relief, she flops onto her bed. Her previous plans were out the window now. Taking a breath, she goes over the facts in her head. 
One: Mal has now seen her completely naked. 
Two: she has now seen Mal completely naked. 
It was the wrong thing to think about, because now she’s picturing the smooth expanse of his skin, his perfectly tight ass, and the quick glimpse she had gotten of his—
Heat pools between her thighs. She’s positively aching, when she should be feeling horrified. She should absolutely not be reaching for her vibrator as she lets the images of Mal’s naked body settle in her mind. It’s wrong, because Mal is, at least somewhat, Zoya’s, and Zoya is her friend. Besides, it was Zoya that he had come looking for, Zoya that he wanted to fuck against the shower wall. 
But Alina does grab her vibrator, and as it buzzes her to multiple releases, she imagines Mal shoving her against the wall, pressing kisses to her neck, fucking her like it’s his sole reason for existing. Fucking her like she’s his, and he’s hers.
~
She doesn’t see Zoya until the next morning, passing out sometime after orgasm number three. Saints, if the memory of Mal’s bare skin had been enough to keep her going for three rounds, she wasn’t sure she could even handle actually being with him. 
When she walks into the kitchen, Zoya is sitting at their tiny excuse for a table. “Good morning,” Alina says as naturally as possible. 
Zoya only says, “Sit down, Starkov.”
It’s unnerving, how quickly can could take over her entire body. Saying nothing, still going for casual, Alina sits across from her. “What’s up?”
“That’s my question, actually.” Zoya arches a brow. “What happened with you and Mal last night?”
Shit, shit, shit. “I don’t know what you’re talking about.”
“Oh, I think you do. I know he stopped by before I got home. When I asked why he left, he got all weird and said something came up with Dubrov. But I know that’s a lie, because Dubrov was happily posting drunken stories last night. So obviously something happened when he was over.” Zoya sits back in her chair and stares her down, making her insides twist. “And since I don’t live with him, the only person I have to grill is you. So get talking.”
Alina sighs, knowing she isn’t strong enough to deny Zoya when she’s like this, and babbles out the story. Really, it wasn’t her fault. Mal was the one that walked in on her. It was just incredibly embarrassing for both of them. 
When she finishes, Zoya lets the information sink in, and then she laughs, harder than Alina has ever seen her laugh.
“Well I’m so glad this is funny to you,” she huffs, arms crossed over her chest.
“It is! I can only imagine your faces, shit.” Zoya wipes at her eyes. “Too bad you already know each other, that would make for one hell of a meet cute.” She pauses and says, “Well, it still could be your origin.”
Alina frowns. “Our origin?”
“You know, if you guys dated.”
She momentarily loses her breath. “What? No, you guys are a thing.”
Zoya rolls her eyes. “We’re fucking, Alina, that’s it. And actually, I was planning on cutting it off after last night.” She stands and pours herself what is at least her second up of coffee. “There’s someone else I’m interested in.”
“Someone else? Who?” Zoya says nothing. Alina pops up as it comes to her. “Oh! It’s that rich blond guy from the bar, isn’t it? The one that transferred here this semester. Nikolai or something, right?”
The tiniest blush spreads on Zoya’s face, and Alina squeals. “It is him! Saints, he’s attractive.”
“Yes, he is,” Zoya snaps. “And not bad for conversation, either.”
“Conversation?” She grins. “Why, Miss Nazyalensky, do you actually have feelings for this guy?”
Zoya scowls. “Shut it, Starkov.”
“Oh, you totally have feelings for him!”
“Keep it up and you will pay for this. I’m devising a plan as we speak.”
Alina just laughs. “Okay, Mrs. Whatever Nikolai’s Last Name Is.”
Under her breath, Zoya mutters, “Lantsov,” and stalks off with her coffee as Alina laughs harder. 
~
Zoya, apparently, hadn’t been kidding when she said she was devising a plan. 
When the weekend rolls around once again and Zoya texts the group chat they have with Genya about getting lunch, Alina jumps at the idea. She missed Genya, and it had been a hell of a week between juggling exams and thinking about her encounter with Mal. They haven’t spoken at all, and she had used her classes as an excuse to get out of any hang outs where he might show up. 
Zoya’s words from the morning after had been on her mind a lot, too. It still could be your origin. Could it? Was Mal even interested in her — and would he even want to try, after he’d had something with Zoya, or would it just be inevitably awkward?
Alina approaches the restaurant and sucks in a breath. She’s decided to finally tell Zoya about how she’s had feelings for Mal all this time, and maybe with her and Genya, the three of them can come up with what the hell Alina should do next. 
Zoya had texted five minutes ago saying she grabbed them a table in the restaurant’s outdoor patio, so she makes her way there. Only it’s not Zoya or even Genya waiting for her.
It’s Mal. 
He looks just as surprised to see her as she is to see him, and for a moment, she believes it really is some crazy coincidence. 
“Alina,” he says, standing. Neither of them can quite meet the other’s eye. “What are you doing here?”
Her hand is doing some nervous twitchy thing at her side, so she shoves it into the pocket of her dress. “I’m supposed to be meeting Zoya and Genya.”
Mal curses under his breath. “I’m supposed to be meeting Zoya, too.”
“Oh.”
“Yeah.”
Shaking her head and feeling incredibly stupid, Alina takes out her phone and fires off a text to Zoya, WHAT THE HELL????
The next message she receives comes from Zoya — only not in the text chat between the two of them, but rather a newly created group chat with the two of them and Mal. 
consider this the official end to our fuck-mance, oretsev. yalls little bathroom flash show was the perfect opportunity for a new beginning, because yes, i see the doe eyes you give alina when she’s not looking. you too, starkov. i’m sorry for getting in the way for so long. have a good date, no throwing bottles at each other xoxo
They finish reading at the same time, looking up from their phones, eyes meeting before flickering away again. 
Mal sighs. “I think I hate her.”
“I think I hate her, too.”
He scratches the back of his neck. “We don’t have to do this if you don’t want to.”
Alina bites her lip. Because he doesn’t want to do this, she thinks. “Oh, well, I guess—”
Mal cuts her off. “But it might be a nice chance for us to talk.” Her head snaps up, and this time when their eyes meet, neither of them look away. He smiles shyly. “I missed you this week, Lina.”
Her smile matches his. “I missed you, too.” 
They sit, and after the waiter takes their order for drinks and an appetizer for them to share — a sample platter, both of them too indecisive for any singular thing — Mal starts to stutter out an apology. Alina stops him with a hand on his arm. He looks down at where her fingers brush against bare skin, and she wonders if he’s thinking about all the skin they’ve bared to each other now. She certainly is.
“You don’t need to apologize, Mal,” she promises. “It was an accident.”
He shakes his head. “Still, I can’t imagine how terrifying that was for you.”
“Well, it was,” she admits, then adds, “at first.”
“At first?”
She shrugs, but says nothing, thankful for their drinks arriving to save her from answering. Because the truth was she had been scared for maybe three seconds. Once she had realized it was Mal, she’d only felt desire.
With their awkward shower encounter out of the way, they fall into fairly easy conversation, complaining about exams and projects, annoying classmates and neighbors. Soon enough, they’re back to being themselves. Alina pulls out her phone to show Mal all the memes and TikToks she had wanted to send him this week, and he does the same. Hours fly by without their notice, and now the dinner crowd is filing in. 
“Oi, I think our waiter is silently praying for us to leave.”
She laughs, pulling out her wallet. “Definitely.”
Mal waves her off. “Let me get it,” he says, taking his own wallet out. “I mean, since this is apparently a date and all.”
Alina hesitates, a little flutter in her chest even though he’d said it teasingly. “Okay, fine. But I’ll get the tip.”
“Deal.”
When everything is paid for, they stand. Going home is the last thing she wants right now, and not just because Zoya will be there. 
Mal looks ready to pull her into one of their standard hugs, but pauses. “Do you want to come over? We can find something shitty to watch. Mikhael and Dubrov will be around, but I just really don’t want to see Zoya right now.”
Alina smiles, the flutter in her chest returning with vigor. “Yeah, okay.”
~
At Mal’s flat, they settle onto the sofa together, close enough that their shoulders brush. Mikhael and Dubrov tease them about looking like lovebirds, but otherwise surprisingly leave them be. She doesn’t mind their company — but admittedly, she was glad they stayed to their respective rooms tonight. Mal puts on an indie horror flick that’s so bad it’s good, and they laugh and joke with each other throughout, per usual. 
About halfway through the film, they share a knowingly look — their that foreshadowing is so obvious, RIP to that character in twenty minutes look — and sport matching grins. But when the moment passes, neither of them looks away. 
“Alina,” Mal says softly, and her breath hitches. Has he ever said her name with such longing before?
His eyes flicker down — to her lips. She thinks of Zoya’s text then, basically calling both of them out for having feelings for each other. And while neither of them had confirmed it, they hadn’t denied it either.
Her heart is beating so fast. She gives him the tiniest nod.
Mal understands, he always does, and then he’s leaning in. Their noses brush before their lips do, and it could be silly or awkward, but instead it’s a different kind of intimacy she hadn’t known she wanted.
“Alina,” he breathes once more, and then he kisses her, so softly at first, it’s barely anything. Her stomach is doing cartwheels regardless. She takes initiative, kissing him back. Still soft, still careful, afraid that whatever this is between them is something fragile, something that needs delicacy. In some ways, it is. Her closest friendship, blossoming into something more. 
Mal lets out the softest moan, and it snaps something between them. 
He pulls her closer, his hand on the back of her neck, and now Alina is the one moaning, fervor replacing the softness, the delicacy. It’s the kind of kiss she’s been fantasizing about, made even better from how obvious it is that they’ve both wanted this for a long time. A desperate kiss bursting with desire. 
Alina shifts closer until she’s practically straddling his lap. Mal brings one hand to rest on her lower back, the other curling into her hair. His lips move to her neck, trailing down until he reaches her collarbone, where he nips and sucks, undoubtedly leaving a mark. 
“Mal,” she sighs, her head tipped back from the feeling as her hips roll against his. He curses against her skin. Her hands move to the hem of his shirt, ready to pull it off. 
All of a sudden, Mal pulls away, stopping her hands with his own. “Alina, don’t.”
She blinks her eyes open. “Do you want to move to your room?”
Mal bites his lip and shakes his head.
Alina frowns, any warmth in her chest turning cold. She quickly returns to her own side of the couch. “I don’t understand. I thought you wanted this.” Wanted me, she thinks but doesn’t say. Because he certainly had no issues with Zoya.
“I do!” he says quickly, taking her hand again and trying to pull her back. She holds her ground, pulls her hand out of his. “I do want this, Alina. Saints, I do. But this is technically our first date, right? I don’t want to do first date sex, not with you.”
Alina rolls her eyes, looking down and tugging at a loose thread on her dress. “Is this where you say something you think sounds respectful but really just puts down all the girls you have had first date sex with?”
“Alina, please look at me.”
Grudgingly, she does. 
“You’re different because you’re my best friend, and because I’ve been hooking up with our mutual friend.” She flinches, but Mal continues. “I don’t want you to think we have to have sex because of that. What I had with Zoya — it was good, and I care about Zoya, but it didn’t go beyond the physical. That’s all we wanted from each other. But that’s not all I want with you.”
Mal closes his eyes. Alina’s unconsciously holding her breath. He exhales and opens his eyes again, holding her gaze. “I want everything with you, Alina. I want your highs and your lows. I want to take you against the wall as much as I want to hold your hand.” He does so now, both of his hands around one of hers, and this time she doesn’t pull away. “And if you didn’t want to be physical? I’d still want you. I don’t want you to think there’s anything we have to do. That’s why I want to wait — even if I also want to take you to my room and pin you against my bed, too.”
“Oh,” she says, barely audible. Alina shakes her head, a little speechless. “I don’t know what to say.”
The corner of his mouth tugs up. “Was that too rom-com confessional?”
The tension breaks. She laughs and climbs onto his lap again, wrapping her arms around his neck. “You’re such a dork, but you’re the perfect dork. So we’ll wait.” She pauses and looks up at him with innocent eyes. “But will you kiss me again?”
Mal grins, pushes her down against the couch, and does just that. 
~
When she gets home, Zoya is waiting in the living room, reading a smutty romance book Genya had recommended. “Hey, how’d it go?” she asks, too casually to actually be casual. 
Alina ignores her and walks straight to her room. She’s decided to let Zoya sweat it out a bit for the weekend after her little stunt, even if it was successful. 
Though really, she didn’t think it would bother Zoya that much. Hard as steel Zoya, who never let anything get to her. But on Sunday, she bursts into Alina’s room, interrupting her studying. 
“Okay, I know you hate me now or whatever, but at least let me tell you that I’m sorry. I didn’t know how much you liked him, Alina. Not until Genya told me.”
Alina closes her book, frowning. “Genya told you?”
Zoya nods and sits at the end of her bed. “Recently, when I told her about Nikolai and that I was thinking about cutting things off with Mal. Don’t be mad at her, just be mad at me.” 
“Well—” she starts, but Zoya cuts her off. 
“And honestly? The worst part is, part of me did know. I saw the looks you gave each other, but I brushed them off because I was selfish and enjoying myself. I was a really, really shit friend to you, and I’m so sorry, Alina. You don’t have to forgive me, but I just—
Zoya stops mid-sentence, cut off by the laughter bubbling out of Alina. 
“Saints, I never thought I’d see the day that Zoya Nazyalensky grovels.” She shoots her a grin. “I accept your apology. And as much as I want to hate you for your meddling stunt, it worked, because we definitely spent the night making out. I just did the whole silent treatment to make you suffer a little.”
A moment passes — Zoya is completely still, too still — and then she grabs one of Alina’s pillows and smacks her with it. “You little rat!”
Alina only laughs harder, fighting off Zoya’s pillow attack with her hands. “I don’t think I’ve ever heard you say sorry non-sarcastically! You did so well, Nazyalensky!”
“And you’ll never hear it again! You’ve lost apology privileges! 
Eventually, Alina moves into the living room to study, and Zoya joins her. When their brains need a break, Alina tells her about her date with Mal, and Zoya tells her about her own with Nikolai. If this is their new normal, Alina finds that she really likes it. 
~
The next week is outstandingly better than the previous. She’s back to talking to Mal each day, even more than before. Halfway through the week, he sends her a song with the message, This song made me think of you the first time I heard it, still does every time. It has her heart beating extra fast as she listens on her walk to class, not only because it’s incredibly sweet, but because Mal has played this song for her before, months and months ago, which means he’s felt this way the whole time. 
Early Saturday evening, Zoya announces that she’s spending the night at Nikolai’s. “He has his own apartment, so it just makes sense. I’ll be home in the morning, probably.”
Thank the Saints for rich boys. 
She texts Mal, and Zoya’s barely gone for ten minutes before he’s there. They make dinner together — well, Alina sits on the counter while Mal does the actual cooking, but he spends any down time kissing her, so she likes to think she was the moral support. They eat on the couch, watching their favorite trashy reality television, and play a few rounds of Mario Kart afterwards. Really, it’s just like how things were when they were simply best friends, except now Alina drapes her body over his as they watch their show, Mal’s thumb moving in slow circles on her ankle, and instead of talking or playing on their phones during ad breaks, they pick up where they left off in the kitchen, their lips pressed together in a blissful ease. 
They’re on their fifth game of Mario Kart, Alina in the lead, as she has been every round. She’s bragging about how she’s going to beat him again when suddenly her vision is blocked as Mal presses his lips to hers. 
Her surprise doesn’t stop her from dropping her controller and kissing back. She’s just getting into the kiss when Mal pulls away as quickly as he had started the kiss. He stands, and only then does she see he never dropped his controller. Picking up right where he left off, he steers Luigi towards the finish line. (“Who the hell picks Luigi?” Alina had asked him once. To which Mal responded, “It’s not fair people only care about his brother when he probably works just as hard at their plumbing business. It’s just like people only knowing Adam Levine and ignoring the rest of Maroon 5—” which led to a very cute rant that Alina spent less time listening to and more time staring at his lips while he was distracted.)
Alina fumbles for her controller, but it’s too late. Mal hasn’t come in first — some of the computers still beat him. But he’s beat her, which by the smirk on his face, was his only goal.
“You’re such a cheater!”
“It’s not cheating, it’s strategy.”
“I suppose you need your strategy, since you don’t have any skills.”
Mal raises a brow, a devious look in his eyes. “Is that so? Perhaps I should show you my skills, then.” He moves in front of her and kneels on the couch, a leg on either side of her body, essentially pinning her there, and kisses her again. 
Immediately, she can feel the difference from the strategy kiss and even the ones from earlier that night. He’s kissing with purpose, cradling her face with one hand, the other on her waist, and Alina is melting against him. She is putty in Mal’s hands, his to mold how he pleases. 
He’s holding himself so that his weight isn’t pressing down on her, but that’s exactly what she wants. Her hips buck up against his, and Mal pulls back to moan, “Fuck, Alina,” so she does it again.
“Please tell me we can have second date sex.”
Mal chuckles. “Are we even going to bother with the dating process?”
“I don’t know, are we?”
“I don’t know. Do I need to ask you to be my girlfriend?”
Alina grins. “I wouldn’t mind hearing it.
“All right. Alina, my beauty, my beloved, will you bless me with the honor of calling you my girlfriend?”
Her grin widens, and giddy butterflies dance inside her chest. No, not butterflies — fireflies. She can feel their warmth and wouldn’t be surprised if she was glowing from their light. “Oh, I suppose.”
Mal laughs. “I can’t stand you,” he says, and kisses her again.
Alina returns the kiss for a moment before murmuring against his lips, “You don’t have to stand me, but now that you’re my boyfriend, can you fuck me?”
He practically growls as he says, “Saints, yes,” standing and lifting her with him. Mal brings them to her room, kissing her the whole way. He unceremoniously shoves her school books off of her bed, laying her down and crawling over her. “You don’t know how often I’ve imagined this,” he murmurs, lips on her throat. 
“Tell me,” she gasps.
“Every time I came over, Alina. Every time.”
A shiver runs down her spine. “Even when you were here to—”
“Especially then.”
She has no idea what to do with this information. Her head is empty of thought save for the screaming need for more of him, so she pulls his shirt over his head. This time, Mal doesn’t stop her. Her hands roam over all the places she’s been dying to touch; down his back, tracing along his spine, up over his stomach, fingers running along the muscles of his chest, brushing over a few scars he’s accumulated through the years.
“You’re so perfect,” she whispers. Smooth in some places, rougher in others, but so incredibly warm everywhere.
Mal tips her chin up, kisses her lips once, hard, and then another to her jaw, down her neck, her collarbone. Then he’s the one tossing her shirt aside, his lips continuing their decent. He’s pressing soft words into her skin as he kisses her — beauty, beloved, cherished, my heart —murmuring his love for her even as he brings her nipple between his teeth.
“Shit, Mal,” Alina breathes. Her hips keep bucking, far beyond her control. He chuckles, murmurs something along the lines of no patience, and quickens his pace. Soon enough, he’s got her undressed completely — which isn’t too unnerving after the shower incident. Any lingering nerves flee once his head is between her thighs. She’s suddenly very thankful Zoya isn’t home, because even though it’s never been a problem during sex before, she absolutely cannot control the noises she’s making — and she’s loud.
Mal returns to her with glistening lips. She kisses him and tastes herself, a thrill better than any rollercoaster. Her hands move to the waistband of his pants, giving a half-hearted tug. “Off.”
“So lazy,” he teases, unclasping the button on his jeans, tugging down the zipper. “I could always make you work for it.”
“Have mercy on me, Oretsev. I’m still recovering from the pleasures of your cocky mouth.”
He looks so proud of himself, she wants to kiss him just to wipe the smirk off of his face. “If you enjoyed my cocky mouth, just wait until you feel my—
“Do not finish that sentence.”
But then he’s pushing down his boxers, and all Alina can do is stare as the cock in question springs free. He’s fully hard this time around, and her thighs squeeze together at the sight. He watches her as she practically drools over his dick, his smirk becoming even, well, smirkier. She reaches out and curls her fingers around his length, giving him two quick strokes — both to clear the smirk from his face and because she so very much wants to touch him. 
“Fuck, Alina,” he hisses. He’s reaching for his jeans, probably to grab a condom from his pocket, but she grabs his hand.
“I’m on the pill, and I’ve been tested recently.” Of course, there’s still a slight risk. But it’s Mal — finally Mal — and she wants to feel every inch of him.
He pauses, then nods. “Okay.” Crawling over her, he takes one of her hands and intertwines their fingers. With his other hand, he grips his cock and drags the tip through her folds like the damn tease he is, eliciting needy mewling from her that he seems to enjoy. In her ear, he murmurs, “How do you want this, Alina?”
“I don’t want to be able to walk tomorrow.”
Mal chuckles softly, but the sound so close to her ear sends more shivers down her spine. “As you wish, moya solnishka.” My little sun.
She has only a brief moment to bask in the sweetness of his words before he’s slamming into her all in one go, anything sweet flying out the window. Mal keeps a steady rhythm while sucking on her neck, which is good, because all Alina can do is moan incoherently as her nails leave scratches down his back.
When he senses her getting close, Mal brings his finger to her clit, circling just right. “Saints!” she cries, and comes undone beneath him once again. But this time, she gets to watch him fall over the edge with her, his eyes so incredibly dark as he moans his release. He’s the only man she’s ever let come inside of her, and it feels very right that it’s Mal — she doesn’t want anyone else filling her like this, marking her in a sense as his spend drips down her thighs.
They stay like that for a while, foreheads pressed together, sweaty and sticky, but blissfully so. 
“So, is the sex still good on this side of the apartment?”
In answer, he dips his head and bites down on one of her tits.
“Shit, Malyen!”
“Ridiculous questions get ridiculous responses,” he teases, then wraps his arms around her, tucking his face into the crook of her shoulder. “You’re all I’ve wanted for two years, Alina, and this still beat my expectations.”
Smiling, she rests her chin against the top of his head. “Good. I would hate to have to start fucking in Zoya’s bed just because you like the airflow better there.”
“Smart ass,” Mal mutters, but he’s smiling. Then he says, "You know, this may not be my first time fucking in this apartment, but I’m still checking off a first tonight — of many, I hope.”
Alina rolls her eyes. “Yes, I’m aware this is your first time fucking me in this apartment, dumb ass.”
"That’s not what I meant, rude ass.”
She frowns. “Then what did you mean?”
He squeezes her hip. “It’s my first time spending the night.”
Her heart does a little jump in her chest, and she doesn’t even have it in her to tease that she hasn’t actually asked him to stay yet. But stay he does, though he gets her off a few more times before they pass out for the night — definitely beating her vibrator. One time it’s with his fingers, so incredibly long that she knows all her fantasies will involve the slender digits now. Another is after Alina murmurs about how filthy she is and that she really ought to take a shower. 
Mal waits long enough to join her that she starts to worry he hadn’t understood her intent. But then she hears his footsteps, and the shower curtain opens. There’s no bottle throwing this time, though she can’t say the same for the screaming. He steps into the shower, kisses her slowly, sensually, then pushes her back until she shivers from the feeling of cold tile against her bare skin.
“I meant to ask, you do know you have mirrors in here, right?” Mal murmurs huskily into her ear. She’s too disoriented with want to understand until he says, “I saw you staring at my ass last time.”
Then he slams into her, and Alina no longer has to imagine how it feels to be fucked against the shower wall.
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amelialincoln · 3 years ago
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The Way Life Goes (2)
She thic and she important. Feel free to leave part 3 prompts or theories in my ask box. As always, enjoy...
TW: substance abuse
“Have you seen Amelia?” Was the first thing the general surgeon asked Link at the beginning of the work week on Monday. Link shrugged, pushing his overgrown shaggy hair out of his face and tugging his Ipad aggressively out of the charger.
“Nope.” He popped the ‘p’. Meredith eyed him in a way that made him uncomfortable enough to continue. “Scout and I have been crashing at Jo’s since Friday. I’d assume she’s at my apartment.” He didn’t get very far before Meredith stepped in front of him.
“Look, as irritating as it is, the minute shit is going down in her life she’s at my house in seconds. She didn’t come to the after party and hasn’t shown up for her shift yet today. I really doubt she’s just hanging out in your apartment.” She crossed her arms, looking somewhat terrifying, despite the fact that he loomed over her.
“I can't talk right now, I have surgery.” He replied, pushing back any fears of where she might be and focusing on the chart in front of him.
“She rejects your proposal and now you’re just done? What happened to you guys?” Link’s jaw tightened so hard you could hear the sound of his teeth clashing.
“She doesn’t want to be with me. It’s as simple as that.”
“I don’t think she doesn’t want to be with you. She just obviously isn’t ready to get married. And I think you knew that.”
“Whatever, Meredith.” Link’s throat was tight as he pushed past her, swallowing down his guilt.
She had somehow found herself to Link's apartment in a daze, praying he wasn’t there as she pushed through the door. He wasn’t. She grabbed some clean clothes and more cash before leaving once again.
It was somewhat exhilarating, living on the edge. Chasing high after high and making sure that the timing is perfect to prevent any meaningful thoughts from actually surfacing. So far she'd been excelling at it. However, it was when she was halfway back that she realized she had fucked up. Anger and self hatred hit her like a ton of bricks and she almost staggered back. The high had worn off and her mind had started to scream. You are so weak. Back here again after you promised the last time was the end. So many promises, she thought. So many empty promises that she’d broken time and time again. The promise that she’d made to be a good mother. Failed, again. Why should she even attempt to pick up the broken pieces after she found herself back to square one each time? Why not stop trying to fix it and just accept herself for who she truly is, an addict? Why keep disappointing the people that care about her over and over? There was no point. Not anymore. Scout’s name was blaring in her mind like an alarm. He’s better out without you. She convinced herself. Don’t let yourself ruin him. You destroy everything you touch.
“Amelia.” Camilla was looking at her weird. She tried to focus on her new friend, attempting to calm her shaking hands. “Wait too long?” She asked, digging into her bag. All Amelia could do was nod and pull out the cash. “This one’s on me.” Camilla placed a reassuring hand on Amelia’s shoulder as she rolled up her sleeve. She paused, with bated breath, until the image of Scout faded from her mind.
“Can you hear me?” Meredith practically yelled into the crackling phone. “I’m sorry, I know this is your honeymoon. I just still haven’t heard from her and you know her better than me so I need you to tell me what I should do.”
“Is this about Amelia?” Maggie’s groggy voice asked into the speakerphone. “You still haven’t heard from her?”
“I wouldn’t have called if I hadn't. I’m worried about her.” She could practically hear Maggie’s hesitation. “Don’t come back. Don’t even offer that.”
“She’s been having a rough time,” Maggie sighed. “Richard doesn’t let on too much but I know COVID has been hard on her. Link has good intentions. He just hasn’t ever had to see her at her lowest.”
“You think she’s using?” Meredith’s voice was hushed as she passed her Ipad to a nurse and thanked her quietly before letting herself into her office.
“I mean if I rejected a proposal from a man who meant a lot to me because I wasn’t ready I’d probably down a bottle of wine out of guilt." Maggie smiled bitterly.
“She’s stayed sober through a lot worse,” Meredith countered, glancing up to find Bailey waiting at the door with an expression she knew too well. “Hey, I’ve got to go. Tell Winston I say hi.”
“I will. Talk to you later.” Meredith placed her cell phone in her scrub pocket before meeting an irritated Bailey at the door.
“Where’s Shepherd?” Meredith knew what she was going to say before she even spoke the words. She bit the inside of her cheek, not knowing how to respond.
“Why?” She asked, receiving an eyebrow raise.
“Because she’s got a gliosarcoma in an hour and she hasn’t clocked in,” Bailey stated, fixing her lab coat and giving Meredith an exasperated look. “Look, whatever drama she and Doctor Lincoln are having, I don’t care. She can show up to work.”
“I don’t know where she is,” Meredith responded. “I honestly have no idea.”
“Wha--” Bailey started. She let out a grunt of disapproval before waving an agitated hand in the air and storming off. Meredith bit the nail on her thumb, sending yet another message to the missing neurosurgeon and wondered guiltily, for a moment, why she was so self destructive.
Link spent a lot of time in the ER compared to his colleagues. Compared to most other specialties, the majority of cases that presented themselves in the emergency room were ortho related. Most of the time it was pretty mundane, whether it be a broken ankle or a dislocated shoulder, but to keep the hospital from impending lawsuits, he was usually needed to supervise the interns, who were prowling in the ER looking for cases and trying to pop limbs back into place or reset joints, thinking they could handle it easily on their own.
As a result of this, Link was already in the OR when the trauma came in. He was sitting in the swivel chair behind the desk, dragging his feet across the floor to propel him side to side. He wasn’t paged so he was unfazed by the ambulance pulling up. Then again, he wasn’t really fazed by much these days after falling into a somewhat self deprecating state. He stared at the clock, hoping he’d be let off early.
“Did you hear about this?” Bailey asked Richard, as she secured her gown around herself and handed him a pair of gloves.
“Yeah,” Richard’s voice was a tone that Link couldn’t quite decipher. “Bunch of overdoses at Quilchena, saw it on the news in the lounge. Must’ve been something laced in whatever they all were doing.” He snapped his gloves aggressively over his hands as if he were mad at something. “This kind of thing has been happening all the time because of COVID. Addicts have been struggling during the pandemic. Never seen meetings so full.” Link found himself wondering if he was talking about Amelia. Bailey nodded to Richard sympathetically ask they rushed to meet the gurney’s being pushed into the ER.
“John Doe,” the paramedic announced. “Got naloxone at the scene, friend administered it. Conscious but having trouble breathing.”
“Page cardio,” Bailey ordered to a resident. Link watched curiously as Richard froze in place.
“Jane Doe,” the paramedic continued. “Unconscious but breathing. She--”
“Put her in trauma one,” Richard ordered firmly. Link wished he could see what was going on as he watched the blood drain from Bailey’s face. “Don’t let anyone see her. She wouldn’t want that.” It clicked in Link’s brain at that very moment when the pair of them turned to look his way. He got out of the chair he was in so fast that it clattered to the ground behind him.
Her face was so pale it was practically grey and her arms and lips were tinted a purpley blue. She looked so slender he felt like one could reach out and just snap her in half. Her expression was almost peaceful though, and that’s what haunted him most. The image of her was burned into his mind immediately and he knew, as they wheeled her away, that it would never be forgotten.
As Bailey and Richard steered her gurney away he felt frozen in place before finally, and without any indication from his mind, his feet began to follow them.
“She’s seizing,” Bailey exclaimed, her hands flying up to either side of her head to avoid holding any of her limbs in place. “Where the hell is trauma?” Link watched as she twitched, bile building up in the back of his throat. He felt slightly dizzy. He’d never been one to get queasy, even in med school while the rest of his peers either fainted or threw up during their first time observing in an OR. That’s when he knew he wanted to become a surgeon. He wasn’t sure if it was his ego telling him that he was superior for being the last one standing or the tiny and quick glance of approval the attending gave him before going back to ignoring him completely. Though, there must be something different about seeing someone he loved in this situation because he had to place a hand on the doorway to steady himself and looked away. Teddy came through the doors at that moment, brushing past him as if he didn’t exist. For a reason he couldn't quite explain let out a breath of relief that it wasn’t Owen. Something in his mind was screaming your fault, your fault, your fault. And selfishly, he hoped that Meredith, or really anyone who cared for Amelia half as much as he did, wasn’t at the hospital, and theorized that she’d probably beat him to a pulp.
“Can I help?” He found himself croaking, receiving only a glance from Richard.
“Absolutely not,” the general surgeon replied firmly, before finally getting Amelia connected to the monitor. Everyone in the room kind of paused for a moment, reading the levels and unanimously thinking to themselves silently, fuck.
“She’s coding,” Teddy proclaimed, as the alarm-like sound began to reveal itself. Link’s heart sank and he reached out to grab her hand, ignoring Richard’s orders for him to leave. Her palm was cold like ice, but not the dead kind of cold. Cold as if she’d just run in and out of the water, grinning and calling to him as if the ocean’s touch had electrified her, sending a rush of serotonin through her veins. Link remembers that look from when they’d gone down to California, for a conference that she was speaking at, like it were yesterday. She’d convinced him to go swimming, despite it being mid February, and had explained that diving into the frigid waves replicated the feeling of euphoria she used to get when a really good high would hit her full force. She’d told him about how she would swim a lot when she was first getting sober, craving the way the world felt like it was on pause and the way that silence filled her ears when her head was completely underwater. That was really the last time she’d grinned at him like that. Right before Covid had really hit. The first time they’d left Scout for the weekend with his parents. Coming up out of that water like she had been brought back to life.
He’d been so blind. He’d watched her slip into a mindless routine. Go to work. Drive home. Feed the baby. Put the baby to bed. Go to bed. Wake up. Every day, over and over. She would walk around like a ghost, stuck between life and death. He had ignored the way she'd fill her free time with meetings and when she had started going to sleep before he got home, brushed it off as postpartum and told himself that everything between them was fine. Postpartum doesn’t last this long you idiot.
“Clear!” Teddy’s calm voice echoed through the room, snapping him back to reality, and he pulled away his hand last minute before her chest rose and fell. His eyes flicked to the heart monitor, nothing. “Again, charge to three fifty. Clear!” The room fell silent as the compression pads thumped. Nothing. Teddy paused, staring at the monitor.
“Dr. Altman?” The nurse called out. “Again?” Her voice was quiet as the trauma surgeon lifted a hand in response.
“Wait,” her voice had become soft. The monitor beeped as a small peak rose and fell. “Come on, Amelia,” Teddy muttered.
“Charge again,” Bailey ordered.
“Just give her a second,” Teddy pleaded, not taking her eyes off the screen. “She’s fighting.” The trio of doctors stared at the monitor while Link fixated his eyes on his girlfriend and slid his hand into hers once again, interlocking his fingers with hers. Don’t die, don’t die, don’t die. The monitor beeped, and then beeped again, and then again. Link forced himself to look up and watched as the numbers climbed.
“Thank you, god.” Bailey brought a shaking hand to her face before closing her fingers into a fist and pressing it to her forehead. “We are lucky that the lord is looking out for this woman because the people in her life seem to not be.” The comment cut through Link like a knife.
“Bailey, that is not fair!” Richard exclaimed. Link had never heard the man raise his voice with such aggravation, even Bailey winced as she stormed out of the room, throwing her gloves to the side.
“She’s lost a lot of people...and a lot of surgeons,” Richard muttered in apology to him.
“Can she breathe on her own?” Link choked, looking at Teddy, who shifted on her feet.
“She’s weak. I’d like to keep the tube in for a couple of hours at least. See how she does. I’d also like to get neuro down here to give her a check. Let’s get her up to the ICU for now and monitor her closely. She’s stable. Let’s focus on that for now.” Link nodded, not knowing what else to say as Teddy pulled off her gown and tossed it into the bin before practically staggering out of the stuffy room.
“I didn’t know.” Something about the way Richard was looking his way was causing a buildup of defensiveness inside him.
“How?” Richard shook his head with disappointment, massaging his throbbing temple and trying to block out the emphysematous but rhythmic breath sounds coming from the breathing tube. “How, did you just not know?” His colleague was radiating judgment and Richard’s eyes narrowed into tiny slits before his entire body slumped, in no effort to lecture Link about something he should be hearing from Amelia. He looked at his friend, without a trace of condemnation, knowing, so easily, that it could be him in that hospital bed and her where he was standing. “It’s not my place,” he finally stated, tearing his eyes away from Amelia and blinking away any buildup in his tear ducts. He turned to the nurse and thanked her, always polite. “When you take her up can you make it discreet?” He knew the woman had recognized Amelia immediately. “Her reputation is on the line.” The nurse nodded as if she understood. Richard thanked her again before exiting the room.
Richard had ended up telling Meredith, who stopped by to let Link know that she and Hayes would pick up Scout from daycare and take him home with them. Link couldn’t read her expression, it was clouded as if she was undergoing an internal conflict that caused her to wince and look away upon glancing at Amelia. Some of the colour had returned to her cheeks, they looked as if someone had applied too much blush to a pale complexion and were hot to the touch. Teddy had removed the breathing tube about an hour ago. She’d gasped at first, her lungs whistling and wheezing in protest. Enough to make Teddy almost contemplate putting it back in before the breathing had settled.
“You didn’t look for her,” Meredith blurted out, as if she’d been trying to keep the words at bay. The look on her face told him that she regretted saying it almost immediately.
“Neither did you,” he bit back, more aggressively than he would’ve liked. Meredith’s face snapped away from him so quickly it was as if he’d physically hit her.
“If you really loved her. Enough to marry her. Her response shouldn’t have mattered,” her voice was as sharp as a knife. “She loves you and she’s been unfortunate enough to have most of the people she’s loved taken away from her. Do you know how rare it is for Amelia to come to Maggie and I teary eyed because she finally feels safe and loved and not being pressured into anything by the person she loves? " Meredith took a step back as if she didn't want to continue but couldn't help herself. "Amelia is a runner. She breaks under the expectations that the people that she loves have of her and she functions under the fear that the people she loves are going to leave her or die. So if you want to be an ass and make her feel like she isn’t enough for you because she doesn’t feel the need to commemorate her love to you on a stupid peice of paper, I will remove you from my sister’s life.” She was gone before he could even think of a reply and he stared wordlessly at the spot she’d just vacated.
“No,” the voice was so soft he could barely hear it. His head whipped to where she was lying. “No, no, no, no.” Amelia’s eyes were wide and she recoiled as he reached out to touch her. Her heart monitor climbed and he pulled back his hand. She was looking at him in a way that made his skin crawl. He realized, then, that she was looking at him in fear. She looked scared. It shocked him how quickly everything had fallen apart. How quickly he’d gone from someone she’d loved to someone she felt as though she barely knew. But it wasn’t really that quickly, a part of him was whispering over his shoulder. You just didn’t want to accept it.
“Hey.” The words sounded stupid as soon as they left his mouth. “It’s okay. You’re okay.” He found himself wondering what had happened to her over the last couple of days, the bruises scattered along her arms had become more evident as colour had returned to her skin. She gagged suddenly, moaning in a way that made him sick and he slid a kidney dish under her just in time. There didn’t seem to be much in her stomach so it was mostly dry heaving. Her heart monitor climbed every time he tried to touch her and he gave up on trying to hold back her hair.
“She’s awake?” Teddy stood in the doorway. Amelia looked up at her blankly before laying her head back against the hospital bed and staring up at the ceiling. The shame in her eyes were evident. Link nodded to Teddy, who gave him a somewhat genuine smile. “I’ll just do a quick vitals check.”
“No,” Amelia moaned, the pain in her voice causing Teddy to stop in her tracks. “I just want to go home. Let me go home.”
“You’re not going to go home though, are you?” Link glanced up to find Richard standing at the foot of the hospital bed, arms crossed. His stern expression was slightly wavering. Link wondered how hard it was for him to even be within two meters of her.
“Shut the fuck up,” Amelia spat, pulling her IV out of her wrist and throwing it across the room hard enough that the machine screeched against the concrete floor. Link grimaced as the IV site began to bleed. The sudden bout of energy seemed to exhaust her as she collapsed back onto the bed.
“We’re good for now, Doctor Altman,” Richard said softly, not wanting to watch as his coworker, and friend, incriminated herself in front of someone she’d regret. “You can go home with Maggie or I can check you into a rehab clinic, the choice is yours.” Link’s eyes fell to the floor, his face burning at the idea that he couldn’t be trusted to take care of her.
“Maggie’s on her honeymoon,” Amelia mumbled, the anger dying out in her eyes as she realized what his response would be before he even spoke it.
“I called her,” Richard confirmed her prediction. “Meredith is taking care of Scout and I shouldn’t even be in the same room as you.” Hot tears spilled down Amelia’s cheeks as she glared at him. You ruin everything. The voice in her head had been telling her over and over since she’d woken up.
“Rehab. I choose rehab. Call her and tell her not to come.” Maggie had arrived at the hospital an hour ago but Link decided to keep his mouth shut.
“Fine,” Richard sighed. “I’ll call right now.” He stepped outside where his daughter was waiting anxiously and placed both hands on her shoulders trying to calm her down.
“I need to go in and see her,” Maggie’s breathing was asynchronous, she held her shaky hands into her chest, trying to look into her sister’s hospital room.
“Don’t,” Richard warned. “She’s not herself right now. I shouldn’t have called and stressed you out. She chose rehab.” He watched as her face twisted in confusion.
“What? That’s ridiculous.” Maggie shook her head in disbelief. “Let me take her home.”
“I wasn’t expecting her to be this bad. It’s too much responsibility to put on anyone. I...I just don’t think it would be a good idea, Maggie.” He pulled her into a hug as she started to sob.
“Link, is he…” she trailed off as she buried her face into her biological father’s scrub top.
“It’s not anyone’s fault,” Richard sighed. “But out of everyone, he’s the last person that should be taking care of her right now.” Maggie nodded, cursing herself for not doing more as she had watched Amelia change over the last couple of months. “Has she mentioned anything about her friend Charlotte? She needs an ally, someone who understands how her brain works. I know how much you care about her, Maggie, but you can’t help her the way she really needs in a couple of days when the realization of what she’s done has hit.”
“Charlotte, the one in L.A.? I’ve talked to her a couple times, never really for too long, just over FaceTime when Amelia used to call her while living at Meredith’s.”
“Amelia brought her up a lot at meetings,” Richard bit the inside of his lip, hoping that he was making the right decision. “I think we need to call Charlotte. I think that she knows Amelia on a level that not any of us in Seattle can really understand.”
“Okay,” Maggie nodded, pushing her own feelings aside. “Get St. Ambrose Hospital in Los Angeles on the phone,” she loudly ordered to the intern, sitting at the nurses station, who had been just out of earshot, “And tell them I need to speak to Doctor Charlotte King.”
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iamanartichoke · 3 years ago
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[please blacklist spoiler tags: #loki tv series spoilers, #loki series spoilers, #loki spoilers]
Yes, I did just watch episode 2 at 5:30 in the morning.
No, I am not sorry. Not at the moment, although when I inevitably crash later this afternoon, I will be.
Just some very, very quick - and scattered and messy - thoughts: That is a straight up lie; they’re definitely scattered and messy but not very quick at all.
Under the cut for spoilers and length.
I’m going to start with Loki’s characterization. My honest opinion is that Loki’s overall characterization feels like a fic characterization. He definitely is not Avengers Loki, like, at all. I don't know if Tom just, like, forgot how to play that Loki or ...?? That, or Loki was so much more mind-controlled than we realized and getting hulk-smashed just completely reset him back to zero but also fucked him up a little bit and affected his personality, kind of like how some people completely develop weird new personality quirks after a traumatic brain injury.
… yeah, I think that’s where I’m gonna land for now. TV series!Loki feels like a more-or-less canon version of Loki, but if that Loki got hit in the head really hard and now he’s just a little bit fucked up but overall no worse for the wear. Which - it may be that it’s so early in the morning, but that’s actually really fucking funny to me, lmao. God, I kill me. It’s not funny.
No, but, that’s pretty much how I feel. He’s ooc but he’s also ic, and the reason I’m not particularly bothered by the inconsistency, for lack of a better word, is because that’s what pretty much every fic Loki already feels like to me? (Including my own, so I’m not, like, saying that in a derogatory way.) Which is why I say Loki feels like a fic!Loki and to try to explain it better - there is always, for me, a little suspension of disbelief that I employ when I read fic. The reason for that is because the context, the plot, and the dynamics of the fic are usually pretty different than what we ever get in canon, so it becomes a matter of taking film!Loki and, like, bending him a bit in order to fit him into the perimeters of the fic.
The result ends up being that I don’t see the exact Avengers!Loki or TDW!Loki, and thus by definition the portrayal is ooc, but the version that I do see feels like a genuine extension of the canon version, possessing enough of Loki’s overall traits and characteristics that he feels authentic, albeit a bit pretzeled for the new context.
I honestly think that’s something that’s unavoidable, just due to the fact that in fic - and now, in this series - there are a lot more variables at play than there are in the films, wherein Loki is not just a supporting character but also the villain/antagonist and is therefore very limited in what he does/what the narrative allows him to do. When those limitations are taken away, what are we going to see? Probably a lot of different things, and yeah, a lot of them are going to feel a little ooc. And, like in fic, even if the characterization mostly lands, there are definitely bits and pieces (some fics more than others lean this way) where the author didn’t stick the landing or got carried away or otherwise probably forgot for a while that they were writing Loki, not their own OC.
That’s the point where it strays into cringe territory for me (and where the ‘heh, he’s Loki but with a brain injury’ aspect comes in), but while I had to consciously decide to just ignore those moments, overall the tone in this episode felt a bit more balanced between the new, the old, and the cringe, and less whiplash-y from the beginning of the episode to the end.
… I have no idea if that makes sense, but what I’m basically saying is that while I am enjoying this version of Loki, I do recognize all of the ways he’s ooc but, unlike how I feel about Ragnarok!Loki, the ooc-ness feels genuine and unavoidable rather than just a fundamental and careless misunderstanding of the character altogether. In other words, I feel like any ooc-ness here is happening despite the writers taking care to do their best, and isn’t just a result of Loki being lazily written by a person or persons who just doesn’t want to bother with him at all.
Again, I don’t know if that makes sense, but fuck it, there we are and I’m moving on.
I liked all of the little details, including again, things that felt straight out of fic, like Loki asking Mobius why he has the jetski magazine. (Also, if any of my thorki friends read this, was I the only one who noticed that when we see Loki reading the magazine, it just happens to be open to a page with a picture featuring a jet skier who looks like Thor? l.m.a.o.)
Loki interrupting things to explain the difference between illusions vs the other power (I can’t remember which one, off hand, and if I stop writing to go look it up I will lose my train of thought and not finish this) was great, but his overall input and contributions to the missions inspired very mixed feelings for me. On the one hand, I loved that the narrative, via Loki, is reminding us of all these things that he’s capable of that the films generally left out or brushed aside or ignored - but, every time he spoke, he was met with eye rolls and sighs and just a general feeling of “someone please shut this guy up” and I didn’t like the narrative treating him that way.
But also, it’s understandable bc none of the people on his team are actually on his team. None of them want him there (story of Loki’s fucking life), none of them trust him, and none of them are particularly interested in hearing what he has to say. So it’s like, I understand why they reacted the way they did, and I don’t think their reactions are meant to support an overall narrative undermining of Loki’s skills and input - but, the tone is hard to read for me bc I am very defensive and protective of Loki. I can’t quite determine the line between the TVA agents being unreliable narrators (ie, they’re annoyed by Loki bc of who he is to them, but that doesn’t mean the audience is supposed to feel the same) and the TVA agents validating that Loki is just being a nuisance (and, thus, the audience is supposed to feel the same).
That is, I know how I am consuming the narrative (that they’re unreliable narrators), but I’m not sure if that’s how tptb are intending for me to consume the narrative - and I guess it doesn’t really matter, but it’s worth mentioning.
In general, I really liked, again, Loki existing in his own space and watching the way he carried himself. I especially found it interesting that his hands were almost always in his pockets - for one thing it's a stance I tend to imagine him taking often in fic, but also it’s kind of a weird choice bc pockets don’t seem to be a thing in Asgardian clothing. It makes me feel like Loki is the kind of person who never knows what to do with his hands but is always conscious of them, as is common among anxious and self-conscious people, and I just find that relatable on a weird level.
I am really kinda torn on Mobius in this episode; when not interrogating Loki, he’s much less antagonistic toward Loki and therefore I’m more inclined to take-him-or-leave-him but I’ll go ahead and take him I guess. Yet at the same time, bc he’s not interrogating Loki he’s also not trying to put on a show for Loki and when you take that away, he really doesn’t seem to like Loki at all. It supports that Mobius only wants what Loki can do for him and doesn’t actually particularly care about him as a person, which is fine and more or less what I figured, but it contributes to me not really being able to decide how I feel about him in general. Idk, though, I kinda like their dynamic? Like I want them to end up friends?
Regardless, Tom and Owen have amazing chemistry and it’s really funny to me bc (not to be a jerk) I honestly didn’t know Owen Wilson could act. Like, I’ve never seen him in a role where he wasn’t just playing Owen Wilson. So for him to not only be playing Mobius so well but also having such chemistry and a sense of holding-his-own against Tom Hiddleston is like, color me surprised but pleasantly so.
I like B-15 a lot, even though she obviously hates Loki, so idk why I like her but I do. I like Renslayer less, but meh. (Side note - when I was in undergrad in Syracuse, I took the Amtrak from Syracuse to Boston and back more than a few times, for reasons that aren’t relevant, and that route always had a layover at Albany-Rensselaer and every single time I see Renslayer’s name, I want to call her Rensselaer instead.) Shout out to the guest appearance by Casey, sorry Loki stole your juice lmfao.
The moments from the trailer that were very cringe were less so in context (though still kinda cringe, tbh). I think we’ve seen most of the content from the trailers in the first two episodes now, though, which means going forward, it’s going to be like 95% previously unseen material (aside from the brief apocalyptic shots and so forth).
One thing I fucking loved was how Loki, reading about Ragnarok, was visibly affected and even teared up a bit, and you could tell he was in his feels about it, but then later when Mobius expresses sympathy, Loki is just like, “Uh huh, very sad, but anyway.” It was a subtle (well maybe not that subtle) but effective way to remind us that what Loki presents to other people is more often than not a mask and he keeps his true feelings close to the chest. It makes last week’s breakdown have even more of an impact, I think, bc clearly Loki was at the end of his rope to allow himself to show that much raw emotion and vulnerability, but also - for me - there’s a niggling little doubt there that wasn’t there before, in that there was probably more performance in it than I thought.
By which I mean, I think his reaction to the film of his life when he was alone was genuine but, while I previously thought his admission to Mobius later was also genuine, I now think was probably half genuine and half performative. I know others already figured that out, but I’m a little slow and, also, I don’t mind changing my opinion and interpretation from week to week.
Along the same lines, I wasn’t exactly surprised to see that Loki is “undercover” in the TVA, but it was nice to see it acknowledged fairly quickly. Not sure I buy that Loki wants to overthrow and rule the TVA - it’s still a little too “Loki only wants a throne” for me, but again, just because that’s what he told the variant doesn’t mean that’s actually what he’s after.
And, finally, I like the variant, I love Loki’s reaction to seeing her, and while I realize that the show has acknowledged Loki’s gender fluidity and we’re meant to assume that Lady Loki (I guess? Not sure if we’re going with that or not here) is Loki, I saw a theory somewhere about how this is actually not Loki-Loki, but - I wanna say her name Sophie but that’s the actress, again I can’t go look it up bc I will lose my train of thought - but it’s a character who is similar to Amora and who was created by Loki and models herself as Loki but she’s actually someone else.
Ugh I can’t remember the details of the theory, but I am kinda going with it bc I don’t think that Loki would look so - not surprised but just kind of “oh, well, I wasn’t expecting that” if he were seeing the female version of himself. Like, he doesn’t seem to recognize her the way I assume he would recognize himself, male or female. Not only does that make me feel like she’s actually someone else, but also not recognizing her as the female version of himself doesn’t necessarily mean Loki doesn’t recognize her at all. He may very well recognize her as this other Amora-similar character and, if so, I really want to see how that character fits with MCU Loki (as I think she’s a comic book character but, again, I’d have to go back and find that theory).
Edit: I found a version of it here.
Overall score, B-. Mostly solid, but needs moar Loki breakdowns and tears. (That's just me, don't fucking judge me.) Also, I really hate that we have to wait a week between episodes. I wish they were following Netflix’s method of dropping the entire season at once but, then again, if they did that, I’m not sure any of us would survive.
I gotta get ready for work and I deleted and rewrote so much of this and it still seems nonsensical to me, lmfao fml. Anyway feel free to interact/send me asks/whatever, it’s going to be a long fucking day with all of this on my mind. I’ll be working my way through my dash as best as I can.
Oh, also! Loki is so fucking pretty in this episode! The TVA suit is ugly, but he makes it work, and his hair's combed nicely and he looks like he finally got an opportunity to sleep and shower and eat something and, yknow, it's working for him.
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nellie-elizabeth · 3 years ago
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Grey's Anatomy: Should I Stay or Should I Go (18x16)
Oh man, lots of sadness in this episode! Jeez.
Cons:
I love me some good angst, but honestly I feel like Levi is being a tad unreasonable? He did in fact break up with Nico. Yes, he was going through trauma, and yes, I'm sure Nico realizes that the circumstances are extreme. But I'm sorry, if someone says "we're over, leave me alone," is Nico really such a monster for listening to him? I hope we get some satisfactory resolution for these two. I like the drama, but I don't know that Nico really did anything wrong! I feel so bad for him.
I felt like the unifying theme of this episode, this idea of burnout, was sort of weakly used... it was basically just Bailey being worn out, and then taking vacation days, and Catherine being grumpy about it. Considering how much Catherine annoys me as a character, there just wasn't all that much to grab onto here.
Richard and Bailey are both acting like little whiny baby schoolchildren about Meredith. Especially Richard, like, what the fuck. If someone you care about gets a job opportunity that they're excited about, you're allowed to be sad that they're leaving, you're allowed to express that sadness, even, but to act all entitled like you're owed their career or something? No! Gross! I was glad Meredith stuck to her guns. It's odd, because now I sort of want Meredith to go to Minnesota, just because Richard is being so unreasonable about it. 
But also... Nick is still as boring as drying paint, and I don't care about his plan to stay in Seattle to get to know Meredith better. He can run away now, please.
Oh, goodness, Link being all weird about Jo's new boyfriend... and we're being told that this nice guy is too nice for Jo and that she's trying really hard to like him... ugh, put me out of my misery with this whole Jo and Link thing. A best friends to lovers story can be great, but this one is super not compelling to me.
Pros:
That was a lot of cons, but I actually felt pretty positively about this episode overall.
For all that Richard is being a childish baby in my opinion, I did like the way Meredith behaved herself for the majority of the episode, then had her outburst at the end. She really did take the high road here, which I appreciate. She's grown up a lot, and her teachers still see her as a young screwup sometimes. Addison didn't have a ton to do in this episode, but I liked that she was the voice of reason who cut through Richard and Meredith's squabbling in a time of serious loss.
And the woman who lost her pregnancy, that she'd fought so hard for... that was so rough! I'm used to feeling more of an impending sense of dread when a patient is going to suffer or die on this show, and I wasn't prepared for Addison's arrival to have such a sad conclusion. Levi sitting with the grieving woman in prayer was a lovely touch, though. You can see how Levi is handling his own recovery with care. He's such a lovely character.
Once again, I'm in the strange position of putting an Owen and Teddy subplot in the "pros" section of my reviews... it seems that it's quite possible that Leo is trans, given that this little child is continually dressing as and even referring to themself as a girl. Owen and Teddy continue to use he/him pronouns when discussing this, which makes a certain amount of sense. Owen seems a lot more ready to just roll with it, listen to what Leo is saying and treat this young child accordingly. Teddy is worried about getting something wrong, which also seems highly relatable! In the moment she shuts Leo down and says "no, you're a boy", but later she expresses her regret for this. She just doesn't want to make a mistake in handling things, and worries about the potential confusion and pain. I like that we're getting to see this play out, and I'm proud of Owen for his way of handling the situation.
I also liked the story with Winston and his troublesome little brother. Some good tension there, some good awkwardness as Maggie and Winston both try and put a good face on it and make things work, but it turns out that Winston's brother is in some hot water, and it sounds like not for the first time. I like opportunities to delve more into Winton's character. He seems like a really good person, but I still don't feel like I know him all that well, compared to some other characters who might be more recent, but feel a bit more developed.
Looks like Jo is going to stay in her residency program and work as a general surgeon to help Bailey out, with Link's help looking after Luna while that's happening. It remains to be seen what this will do to her, seems like a crazy workload to me!
The big looming threat of the season is still there, that of the residency program being on probation. I loved Addison speaking her truth to Richard: of course she didn't complain about her own residency back in the day. Complaining wasn't presented as a real option. But it is unreasonable, and it does cause a lot of harm to people, the way doctors are forced to train.
So there you have it. There are enough plot threads that I feel invested in, mostly the fate of the hospital, little Leo's gender journey (lol), and Levi and Nico's fractured romance! We'll see where it all goes.
8/10
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reyeslonestar · 3 years ago
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Question what are some things you wanna see in season 3 of lone star? Character development, plots, anything
I want to see Tonya Kong write every episode. that's all. thanks for asking!
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sadfkja I joke, I do have other ideas, but that is definitely high on my wish list! i'm gonna go through by character and talk about what I'd like to see for them, so this is gonna get quite long whoops...
the main thing that I'd like to see overall, though, would be evidence of an overarching season plan or arc - it doesnt necessarily have to be a plot that stretches through all the episodes or anything major, but I'd love them to have plotted out the season before they start. from watching this season and then reading interviews after the finale, they dont appear to plan many things from the start and end up throwing in ideas as they go along. if they plan it from the start they can foresee how theyre going to affect character development more, and they can have a bit more balance in the types of episodes they have, so that the season is less insane and more naturally ebb-and-flow with a few light episodes to break up the drama.
okay, onto the characters! just going to do this in billing order for simplicity's sake. customary reminder that these are just my own opinions and thoughts, and this is more of a wish list than a realistic expectation.
if you want to search for a specific character, ctrl F for one of these terms including the dash at the start:
-Owen
-Tommy
-TK
-Grace
-Judd
-Marjan
-Paul
-Carlos
-Mateo
-Nancy
press “j” to skip the whole post.
-Owen
okay so I'd love to see them actually develop his character. Owen has been given a lot of backstory with lots to play with development-wise, but to me it feels like the show never goes anywhere with it. he's got a lot going on what with 9/11, feeling responsible for the fates of his fellow firefighters, the codependence of his relationships etc. I'd like to see him go to therapy and see him grow some self awareness and seek to manage himself better, rather than all his screentime devoted to him being a hero when other characters have the situation handled. it would really show him as a good leader if he drew on the skills that his team has and refer to them for advice/ideas. realistically he is the main character, so I'd like them to develop him like one.
also, I kind of love the chief role for him? I think it would suit him really well. but it would drag him away from the 126 and split up the dynamics too much so it would make for bad tv and I wouldnt actually want to see that. good for his character though.
-Tommy
I love Tommy :) just wanted to say that.
so obviously Tommy's got a lot of grief to handle next season, and I don't want them to shy away from that. I want it acknowledged and processed. (I'd also like a little bit of seeing the twins' grief too, because they're also suffering a massive loss). maybe something with Judd helping Tommy learn to manage her grief with his own experience of losing the original 126, encourage her to go to therapy, plus Tommy, Grace and Judd all feeling the loss of Charles together. after all, Grace and Judd were his friends and they will be grieving too.
I'd also kind of like to see Tommy have something outside being a working mother. obviously we're going to need to deal with that a lot especially now that Charles is gone, but I feel like she's been assigned the Character TraitTM of being the working mum and I'd like to see them give her a hobby or something. idk. and give her a night off with Grace or something. give her something just for her.
-TK
okay so I think theres a fair likelihood that theyre going to return to looking at TK's addiction next season which im not averse to. I think him struggling with his sobriety would be worthwhile to see for his character and to show that its not a straightforward path, plus it makes sense with all the insane stuff they've thrown at them in s2. however, Id like to see it in the context of his friends and family rallying around to help and support him and show him that he's got people to rely on, and that he's allowed to rely on them, plus the support of his AA meetings and therapy. I also need them to lay the groundwork for him struggling, so putting in signs of him deteriorating so the situation makes sense. this storyline doesn't need surprises to be interesting or good, and frankly it shouldn't have any.
as for him and Carlos, I definitely want to see them househunting! I'd like to see the combination of househunting/Carlos with Tommy's kids/Grace and Judd having their baby have an impact on their perspectives regarding their future and spark that conversation (like, looking at houses with more rooms and thinking about kids, future, marriage etc). I think that maybe one of them, probably TK, or maybe both of them those boys have way too many parent issues having anxieties about being a dad could be an interesting way to add tension without being too drastic, and then that can be resolved in a way that reassures them of their relationship and reaffirms their strength as a couple. the talk about the future would also lay the groundwork towards a proposal at the end of s3.
-Grace
grace :) my love :)
I could watch episode after episode of Grace kicking ass and saving people over the phone. I'd love to see an episode set there? like, some kind of story within the call centre with all the handlers having to resolve that between them, but also tie in the first responders, so we see the fire team, the paramedics and Carlos all working but we only see the bits that Grace and the other call handlers hear, if that makes sense? also an actual Grace/Carlos team up where they are coming in from the different angles with different amounts of evidence and figuring out the best way to solve something together. plus I'd like to see her maybe get some recognition for being awesome at her job, maybe another handler coming to her for advice on how to solve something.
of course we've got the baby Ryder on the way, and I want that to go comfortably and smoothly for her. she deserves that. lots of wholesome excitement for her and Judd from the whole extended firefam, baby shower, gifts, the full works. pamper grace please.
-Judd
judd4captain2k22. please.
yeah I know its not gonna happen, but I loved judd stepping in as captain this season and I'd love to see that continued with him taking more leadership, and Owen deferring to him for advice/council in a work environment rather than personal life. maybe set up a long term idea about judd being a captain someday.
he's gonna be a dad :') so what are his anxieties about that? why were they putting it off before? was it related to his PTSD? he's got lots of people relying on him now, how does that make him feel? what if his kid loses him? id like to see him still using therapy as a tool to help himself deal with everything. lots of meaty questions to dig into there :D
-Marjan
I'd quite like to see more of her balancing her daredevil nature with the impact of that and realising how much danger she puts herself in sometimes. or on the flip side, maybe the team is dealing with a really dangerous situation and they utilise her fearlessness to save people. her relationship with social media could also come back? but bring in the development they gave her this season, and her Firefox presence is more serious, less flippant?
I think that theres now a space for her to explore her sexuality/romantic experience now that she hasn't got her engagement with Salim as a kind of failsafe. maybe she wants to put herself out there and date, but thats really daunting as shes never really had to do that before? personally I think this could tie in really well with a self discovery/exploration regarding her sexual orientation, but I doubt they’d go there with her, so thats just my headcanon.
-Paul
I want them to draw on Paul’s observational skills and perceptiveness more, especially on calls and in emergencies. I remember someone (sorry I cant remember who) pointed out that he would have been a great character to centre the arsonist plot around in terms of noticing the clues etc, so id love a storyline that revolves around him dealing with an emergency like that. I also really want a Carlos and Paul friendship so maybe them collaborating on a call to solve something, that’d be cool.
can we give Paul a girlfriend please. if im not complely insane, there was a reference to someone in like,, 2x04?? someone who put mayo in his sandwich? idk I havent checked (edit: it was aioli in his banh mi! thank you @meneatyoghurt), but if there is someone can we show him having a fun and loving relationship please. I dont need there to be any drama. just them having fun on a date or something.
-Carlos
so I know that some people are keen to see him in his police role more but I really don't need much of that. on calls with the 126 I'd like to see him be the officer in charge more, but I don't need police-exclusive storylines. I've talked about it here if you want to know why.
the only area that I'd like to see would be in the direction of reform/addressing the flaws of the system, and I think they can do that on a personal level for him, because he and Mitchell need a chat. if they'd gone with her decision in 2x08, he, Mitchell and the bank robber would all be dead, and I think thats gotta have some impact. also the fact that he was suspended for trying to preserve life. theres a lot they could work with there and maybe have him thinking about how he can do good and how he can effectively protect and serve. not to mention, the opportunity that would provide in terms of addressing his relationship with his dad and how he maybe sought approval by pursuing a police career?
also I’d like him to learn that he doesnt need to accept blame/preemptively put blame on himself and that he doesnt need to apologise when someone else hurt him. kind of want to send him to therapy. kind of want to send all the characters to therapy. but yeah, him learning that he can accept apologies and understand that he doesnt have to make people feel better for hurting him. hes allowed to be hurt and feel pained about it. and that can tie into his relationships with Mitchell, with TK and with his parents.
I think I mentioned most of the tarlos stuff in TK’s section, but I wouldn't mind at least one instance for them where we see it all from his perspective instead of TK’s.
finally ive mentioned above how i’d like a team up with Paul on a scene and both of them figuring it out together. I'd also like them having a friendship outside work, just the two of them, bonding over books and being relatively sane people compared to the rest of their friends.
-Mateo
Mateo is so sweet. I loved 2x14 and the recognition he got, more of that please! also theres still so much I want to know - one of the more consistent things they set up for him in s2 was his faith, so I want to know more about that. what's his relationship with religion and God? he's pretty isolated from his family so how does he feel about that? is his religion something that helps him feel connected to them? maybe the church helped him find a community when he first came to the states, before he got settled with the 126, and he finds reassurance in faith that God is looking after his family while he cant be there? I think maybe there's scope for a conversation between Marjan and Mateo about that, about that distance and caring for their families through faith and prayer.
also, if he's still with the horrible firehouse, I'd like to see the other firefighters being won round by his resilience and stepping up to look out for him, and someone backing him up against the captain. Mateo is used as the butt of the joke most of the time, but I'd also like to see a bit more acknowledgement of things like losing his house and the bullying hes going to get more of from this firehouse.
-Nancy
I think that her speech to Tommy in 2x14 was really telling, and I'd love to see them expand on that a bit more. first on the loss and fear of losing her friends and coworkers, but then also on her hopes and aspirations - she said she wants to be a paramedic captain so lets see her working to take her exams and qualifications, and showing initiative on scenes etc.
id like to see more of her being integrated into the 126 group. she and marjan turned up to the hangout together, so lets develop that relationship more. I would love it to be romantic but I'd also love to see that as a friendship. but also her forming bonds with others in the group as well as more of her and TK being a chaos duo. I love that they stole the ambulance, more of that insanity please!
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I think thats it? if youre still reading, youre insane and I appreciate you a lot! honestly im open to all sorts of things in s3, this isnt a prediction or anything, its just stuff I think would be interesting based on where the characters are now. 
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