#i really struggled with how i wanted to post these

[lottiestudying]

19.09.2024—not an aesthetic post really, but i just wanted to say how grateful i am to be able to study again. i feel like i have my brain back. to those struggling to study with a mental illness, i promise it can get better. thank you all for the lovely responses to my last few mental illness posts, it means the world. so grateful to you all 🤍

[abyssal-ilk]

A thing that people always forget when chastising vivienne for being so apathetic to cole is the fact that she is a circle mage. People whom are forced to learn that you should not trust demons nor spirits or else they’ll put you down AS A RITE OF PASSAGE. Think back to what Mouse says in DAO. “Keep your wits about you, mage; true challenges never end.” She knows that for the rest of her life, demons will tempt her and try to possess her. She has seen mages turn into abominations, knows how they get them- of course she will support templars who have the skills to subdue them. And now to have a spirit scurrying around without supervision what is the last bastion against a Tevinter Sidereal… I too would be worried as hell if i were a circle mage.

EXACTLY!

not only is vivienne a circle mage, but there are also a few other factors that play into it that make cole so untrustworthy to her. vivienne underwent her harrowing when she was young– in fact, she was the youngest mage to have ever gone through a harrowing and survived it. we don't get to learn much about what she went through during her harrowing, but we DO have this banter between her and cole:

harrowings on their own are already traumatic enough, and with the added insistence from the circles that all spirits and demons are dangerous (which we see vivienne repeat above, "all it can do is harm."), it makes complete sense on why vivienne would be so put-off by cole! especially given how kind he is! she thinks that kindness is a ploy, and why wouldn't she if her harrowing was anything like the warden's in DAO?

and then that's not even acknowledging the fact that cole isn't just ANY spirit. he's the ghost of the spire. he's killed mages before and admits to doing so. and even though he was wrong to do so and realizes that what he did was wrong, that does not mean that vivienne automatically has to suddenly be okay with what cole did. of course vivienne takes cole being the ghost of the spire harder than everyone else in the inner circle. she is the only circle mage there. it is entirely plausible that she sees cole as a threat and views herself as being the person most able to recognize that threat because of what she was taught. it's why she struggles so much to empathize with cole on any level.

ive already talked about this briefly on another post, but cole is also fairly antagonistic to vivienne as well. it's easy to look at their dynamic and think that, well, cole is just trying to help vivienne but he... isn't? his version of helping her is prying into her thoughts without permission and continuing to do so even after she has shown clear discomfort with it.

cole drags her worst memories and thoughts out publicly in front of not just vivienne, but the rest of the party and anyone else who may happen to be standing near them. it's DANGEROUS, what he does, because vivienne is a player of the game. her position at court is a precarious one, and to have someone like cole who can just pick into her brain whenever he wants with no repercussions? it's scary! it's scary because vivienne has no defense against it, especially if the player supports cole and downplays the harm he does. and what can vivienne do about it? she's an ally of the inquisitor, and that makes her cole's ally by proxy. telling cole to stop doesn't work, insulting him doesn't work, trying to get the inquisitor to intervine doesn't work– nothing seems to deter cole.

which is why THIS piece of dialogue is so important to me:

despite everything i've said above, vivienne still cannot help but care about cole. no matter how dangerous he is, no matter what she was raised to believe, she still cares about him and worries for him. their dynamic is SO interesting to me and i really wish people dug into it a bit more rather than just dismiss it as vivienne being needlessly cruel to cole. it's so much more than that.

[polarisjisung]

LOVE ON THE COURT | 20 ... WITH BENEFITS??

SYNOPSIS | every college student has their struggles, but raising her younger brother has Y/N top of the list, struggling her way through college whilst balancing her academics and basketball captaincy is difficult no doubt and with Jaemin, her ex best friend and captain of the guys basketball team, and his growing one sided hatred towards her, it doesn't seem to be getting any easier

WARNINGS | swearing, sexual innuendos, kys/kms jokes, y/n has daddy issues for the sake of the plot

NOTES | I have no idea why this update took me so long to post I'm so sorry 😭 I don't like making chapters like this too sad (don't worry there's still gonna be some angsty chapters) but I don't want the written stuff on its own bcs that feels too espresso depresso or wtv the phrase is so this is a bit of a longer chap than usual.. anyways if ever you feel bad for y/n, don't worry you're gonna feel worse

19:21, dinner the night before

Y/n shuffles in her seat.

Jaemin greets her with a smile, and though she offers one back, that sinking feeling in her stomach doesn't seem to settle.

Suddenly now that she finds herself face to face with her once best friend, no menus in hand since they'd already given their orders, no way to avoid conversation for just a couple seconds longer, Y/n finds herself at a loss for words.

What was anyone supposed to say in this situation?

Sure a thank you would be ideal, considering Jaemin had somehow managed the impossible, but the words escaped her. Like they rested at the tip of her tongue but she lacked the drive to speak them.

It's not that y/n wasn't grateful, no, she wouldn't be here if she wasn't, in fact she didn't know what it was, what confused her so deeply that she sat there silently. Her thumbs twiddling against one another, as she stared down at the table in front of her.

There was a nagging whisper in her mind, one that cast shadows over her once clear thoughts, leaving her in that haze of uncertainty that she recognised all too well. Recently it was all she could feel around the captain.

Something about this situation in particular makes her palms sweaty and the hairs stand on her neck, every glance at Jaemin feeling like a shadow of what had once been, a reminder of how it had all been lost.

Even just sitting opposite Jaemin isn't simple.

Not at all.

It's like sitting across from a mirror that once reflected shared laughter and secrets, now distorted by fractures of lost trust and unspoken words. She supposed that was the thing about mirrors and shattering. No matter how hard you tried to glue the pieces back together, it would never quite be the same.

Perhaps that's why y/n is lousy in her attempts, grateful to Jaemin but unbothered to express it. The thought that no matter how desperately she hoped, this couldn't be restored. That there was no point in pouring energy into a friendship that would never be resolved.

"So" it's undoubtedly jaemin who breaks the silence, a soft tone to his voice, not quite as gentle as the other night but still warm "are you feeling better? like really okay?"

For a moment she wonders whether she'll break at the sound of his voice like she always had. Would she go back to that point in life where it was so easy to lie, so easy to say she was okay, so easy to pretend, in front of everyone else but never in front of him.

"I'm fine, honestly." She lies.

There's a shy sheepish smile that creeps across her lips and slightly accents her words

Jaemin hasn't seen much of her positivity be directed his way, and seeing this ignites the little hope in him that they could move on from this, from everything.

"You didn't have to work on it without me you know, it was just as much my project as it was yours and you putting in all the effort isn't fair on you."

"You did most of the preliminary stuff anyways, and I really didn't want to ask you because of the other night" Jaemin finally admits, though not willingly, his words extracted more so by her sharp stare and the cold atmosphere.

"Right..." Her attempts at changing the subject, clearly in vain— he really needed to stop asking about the other night. Y/n wasn't sure how much h longer she could hold back the tears, the looming feeling of inadequacy as a guardian still strong. She should have been more careful.

She knows its her turn to speak, opening her mouth to do so.

But again, y/n struggles.

The words play hide and seek in her mind, leaving her to grasp at empty. The atmosphere grows heavy with the weight of unspoken words. Her mind races, a jumble of what to say, thoughts of how easy conversation once was, how effortless it had been, all such a stark contrast to now.

Jaemin watches, a mix of intrigue and concern in his eyes as she contemplates in front of him, quiet but with an expression that spoke volumes.

The silence between them seems to bite louder than any conversation they once held, each dish in front, a reminder of the bitter aftertaste of a friendship turned cold.

"It's just Minjun and I" she breathes out, voice shaky, and Jaemin realises that those nervous cues in her slumped posture and shaking hands had never changed "It's just been the two of us for a while" she whispered. "That's why I was so scared"

Jaemin's hand hovers uncertainly beneath the table, unsure if the gesture would be welcomed or misunderstood, caught in the delicate balance of care and concern.

Admittedly, Jaemin catches himself slightly intrigued, still confused what could have lead to her practically perfectly family turning into this.

But he knows better than to let his curiosity get the best of him.

He wants to stop her, tell her that whatever it is that causes her brows to knit together and her pretty eyes to gloss over isn't something she needs to force herself to talk about, but he doesn't know how.

For a moment he's kicking himself under the table— how had he ever let go of the person who meant so much to him?

Even now, knowing everything she had done, he couldnt help but question why hadn't he tried to get past it then?

At the sight of her downcast features suddenly everything that he once despised her for seemed so trivial.

Jaemin sees himself, a younger, less mature version that stands on the court, hair matted to his forehead from the rain, a ball long forgotten somewhere behind him, cold, betrayed, and so painfully alone. Those burning tear stained cheeks, the harsh whistles of wind, the bitter feeling of failure still clinging to his skin, he remembers it all.

But every feeling he recalls so well, so vividly, is so easily dismissed when her eyes shine with a painful tint, red from the piercing tears that she holds in them.

"My dad" she cuts him off, gaze now avoidant as he grabbed her cold hands in his, "he walked out on us not long after ...whatever hapenned between you and me. He never came back, didn't answer a single call, not even a text, no form of communication except the papers he sent in the mail so I could become Junnie's legal guardian."

I missed you, she wanted to say. I needed you she'd liked to add.

"That's why it's just the two of us now" she said instead, trying to find more words to stop the tears from flowing, like her words were the only thing that could hold them back.

Back then, Y/n remembers vividly the feeling of wanting to fall, to sink, to drown but still somehow keeping her head above the surface to hold on and stay strong for her younger brother. She wondered if Jaemin had been there, would it have been easier? Would she have let herself fall, would she have someone to give her a hand, to pick her back up again and hold her hand through it all? Would things have ended differently?

"I'm sorry" his words weren't new, they weren't special, they were the same as what everybody else would say but the fact that they came from him, Na Jaemin who now stood by her side with his arms wrapped around her, was enough to dissolve the feeling of emptiness.

08:25 present time

Y/n looks over at Minjun, still deep in slumber, smiling before she steps out of the room.

There's way too many toys sprawled out across the living room floor, a blanket she finds herself folding as she subconsciously begins to clean up. Her eyes land on the kitchen counter, wondering what to make for breakfast. She was never particularly good at cooking, but she'd been learning for her brothers sake.

When she gets to the black jacket resting over the couch, it hits her. She catches sight of her puffy eyes in the mirror, and a hand runs through her hair hurriedly.

"Why the fuck did I tell him all of that" she let's out a frustrated sigh, running her hands across her face, "I'm supposed to hate him" she reminds herself, though her tone isn't convincing in the slightest.

"You don't hate him though" Heeseung's voice comes out muffled, the toothbrush between his lips making it difficult to understand his words.

He had been the one to stay over last night, her friends still taking turns to accompany Minjun and her every night since he'd walked out of the apartment, a gesture that made her heart swell. Although up until now she was pretty certain he was still asleep. Clearly not.

"I can't hate him" she sighs, falling back into the couch "is it bad I want to be friends with him again?" she asks, even though Heeseung had retreated to the bathroom to finish brushing his teeth.

Regardless he pokes his head out into the hallway, a sly smirk across his lips "with benefits?"

Y/n rolls her eyes.

He emerges again not long after, smiling from ear to ear "no y/n it's not bad if you want to be friends again" he takes a seat beside her "you can only fight your feelings for so long, let yourself be vulnerable, take the risk and try again" he says, hands resting on both his knees.

"and if you're feeling really risky, you can always—"

"shut up Heeseung" she smiles, lightly pushing against his arm "I guess it is worth a shot though"

"he's right next door anyways so sneaking around won't be hard at all"

"I meant being friends. Just friends." she stands up, walking over to the kitchen "you down for pancakes?"

He nods.

"You know it could be good though, he's hot, you're hot, there's enough tension to make things interesting and it ticks your not ready for a relationship box pretty well too"

Despite the pointed look the captain offers him, Heeseung doesn't let up, and secretly, she wouldn't have it any other way.

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[awhitegirlspassion]

'Snowbunny - a term that needs to be redefined!

As a young white woman who define myself as a 'snowbunny', but also used to struggle about being open and honest about my preference towards black men, I see a dire need to redefine the term 'snowbunny'!

When I see how the term 'snowbunny' is being used, I almost always see it in a sexual context where the term 'snowbunny' almost is a synonym for a sex-crazed white woman who focus merely on shallow physical desires. That's not what it means to me at all being a snowbunny and it honestly breaks my heart when people use it like this! To me, being a snowbunny means that I have a romantic and intimate preference towards black men. It means that I have the utmost and deepest respect for black men and black culture and that I see myself as a progressive young woman who has a deep emotional and romantic attraction towards black men. Of course this attraction also entails a physical attraction, but this is only a small part of the deep bond us snowbunnies share with black men.

I really think we need to redefine what it means to be a 'snowbunny', so that more young white women who have a preference towards black men can identify with- and feel comfortable coming out as 'snowbunnies'. The way we use the term today honestly alieanates many young women and thats such a shame! I used to date white boys when I was younger because I was afraid of being labelled as the type of girl who only focused on sex and physical attraction. I knew how my affection towards black men couldn't be trivialised and simplified to that, so I was afraid to call myself snowbunny. I think many white girls want to be open about their feelings about black guys and if we manage ro redefine the term 'snowbunny', I feel almost certain that we'll see WAY more young women coming out as 'snowbunnies'.

I KNOW that many young white women endure relationships with white boys because of how snowbunnies are being stigmatised and how it makes them feel miserable, unfulfilled and insecure! How do I know this? Because I used to be one of those girls and because I know many young women who hide their attraction towards black men because of the stigmatised perception poeple have! Today I'm a happy and proud snowbunny who are open about my feelings and I'm finally able to 'say no to white boys' and be the snowbunny I want to be!

I know this post won't change how people use the term 'snowbunny' over night, but I just felt I needed to put it out there to help other white women coming to terms with being a snowbunny and to feel comfortable and happy about how they feel. There are no shame in being a snowbunny just as there are no same in saying no to white boys!

Hugs and love from a passionate snowbunny

[cosmicdahlias]

What You Deserve

Part 2

MINORS DNI

warnings: smut, msub, slight bondage, choking, impreg mention

this is my first continuation to an already existing fic! hopefully you guys like it! okay it’s like 2:30am i’m gonna post this and pass tf out and hopefully have ford dreams okay byeeeeeeee

You laid naked on the cold lab tile, Ford’s trench coat draped over you.

“Y/n, I’m so sorry. I never meant for this to happen. I didn’t know Bill would follow through on his threats.”

You looked up at him. “What threats?”

Ford swallowed. “Bill said- he said if I wasn’t going to be a man and tell you how I felt that he would do it himself. I’m so sorry, if I had just been honest none of this would’ve happened. I-“

You sat up, grabbing his tie, pulling him to you and pressing your lips to his.

He looked at you, struggling to find the words.

“I don’t understand, after what Bill- what I did I didn’t think you’d ever…” He trailed off.

“Ford I want you, not that sick fuck Bill.” You said, leaning in to kiss him again.

Ford wrapped his hands around your waist, pulling you closer. He felt like he didn’t deserve this, not after how he treated you.

“So, where do we go from here? How can I make it up to you?” He asked.

You bit his lip. “You can let me fuck you.”

Ford’s cheeks turned pink. He stammered. “I- if that’s really what you want.”

You nodded. “It’s all I want.”

He gingerly scooped you into his arms, his trench coat falling to the floor. He carried you up the stairs.

“If we’re going to do this I want it to be somewhere more comfortable.” He said softly.

He reached his room, opening the door and setting you gently on his bed. Oh my god you were in his bed. You grabbed his shirt collar, pulling him on top of you and kissing him deeply. He felt himself grow hard, god the way you took control was so hot, he knew you really wanted him. His hands traveled down your body, your skin was so soft. You broke away.

“Strip for me.” You whispered.

He got off the bed, obviously nervous, no one had ever wanted to see him sans clothes before. He loosened his tie, dropping it to the floor. He began unbuttoning his white shirt, revealing his torso. You licked your lips, his chest hair made him so much hotter. His hands traveled to his belt buckle, he undid it and let his pants fall to the floor. He hooked his thumbs in the waistband of his boxers and slid them off, his cock now on full display.

You sat up on the edge of the bed, spreading your legs.

“Come here, get on your knees for me.” You cooed.

He sank to his knees in front of you. Lifting your legs over his shoulders.

“I hope I can do a good enough job for y- mmf.” You grabbed is hair and shoved his mouth onto your clit.

He swirled his tongue around it, making small circles. You moaned at the feeling of his hot breath on your pussy. He slid two fingers inside you, pumping vigorously.

“God you taste so good, stardust.”

Stardust? You liked that. You thrusted your hips against his mouth and he responded with a moan into your clit. He curled his fingers against your g-spot.

“You’re such a good boy.” You purred.

Ford blushed and his cock throbbed hard. God he loved your praise, no one had ever called him that before. He returned your praise by quickening the pace of his tongue and fingers. He wanted to feel you cum on his tongue.

A growl escaped from his lips, the rumble vibrating on your clit. Your breathing increased, you felt yourself getting close. You tightened your grip on his hair and he sucked your clit furiously.

“You’re doing so good for me, ah.” You said, right on the edge.

You came undone on his mouth, he didn’t want to stop, you deserved to feel like this after what he did to you.

“Was I good?” He looked up at you, glasses askew.

“Yes,” you smiled, stroking his cheek with your thumb “very good. Now, get on the bed and lie back.”

He did as you said without hesitation. You bent over and picked up his black tie off the floor.

“You ever been tied up before?”

He shook his head.

You laughed. “I guess you’re gonna learn today.”

You pinned his wrists above his head and bound them together with the silk tie.

“Does that feel tight enough?”

“Mhm.” He nodded.

“Good, you look so sexy tied up for me.” You said as you leaned down and kissed him.

You straddled his hips and began to lower yourself onto his cock. You felt your pussy stretch around him and moved slowly to adjust to his girth. He moaned loudly.

“Oh my god you feel so fucking perfect. I- ah, I didn’t get a chance to feel you before, Bill wouldn’t let m- hmp.“

You shoved your hand over his mouth. “Shut up about Bill.”

You rocked your hips, feeling his cock slide in and out of you. He looked up at you, his eyes full of adoration. You left him spellbound. He never wanted this to end. He throbbed madly inside of you.

“Nhhhgh, please don’t stop, you feel t-too good.” He moaned.

You started to speed up, the bed groaning underneath the both of you. You reach a hand down, putting it to his throat and squeezing. He lets out a strained moan, stars forming in his vision.

You roll your hips at a fast, steady rhythm. You leaned down and cupped his face in your hands and kissed him deeply, he moaned into your mouth.

“Untie me, I want- I need to touch you, to feel you cum on my cock.” He pleaded breathlessly.

You loved seeing him tied up underneath you but the idea of cumming with him deep inside you was too enticing. You pulled the knot loose, tossing it aside. With his hand free he let it travel down to your clit, and began to trace figure eights into the sensitive flesh.

After cumming once already it wouldn’t take long to get there again. You thrust your hips against his fingers, the momentum stroking his cock.

“Fuck, just like that, stardust. You’re too fucking good at this.” He panted.

He increased the pressure and speed to your clit, you were seconds from cumming. Your hands gripped his shoulders and you grinded in a frenzy on him. Your threw your head back as you felt your orgasm surge through you. Your pussy contracting around his cock. His brow furrowed and his eyes shut tight.

“Dear god that feels so- ah fuck- incredible. C- can I- nnngh- cum in you?”

“Beg for it.” You demanded.

“Please, let me cum in you. I want to- hhhngh- knock you up, I don’t care about the consequences. I just need to see you, stomach swollen with our child growing inside you. I’ve wanted it for so long. Please, I’ll do anything. I’m begging you, stardust.” He whimpered desperately, his eyes pleading.

“Goddam, you really can be a freak, sixer.” You taunted.

“I- is that a yes?”

“Have me, Ford.” You smirked.

Both hands grabbed your hips. He bucked into you wildly.

“Mmmh, that’s my good boy.” You cooed.

That sent him over the edge. His grip on your hips tightened as he slammed you down on the full length of his cock. He came deep inside you, throbbing with each rope he shot into you, the warmth flooding your insides. His eyes rolled back as the waves of pleasure rolled through him like the ocean.

A playful grin creased your lips and you started moving your hips again. He drew in a sharp breath.

“No no no no no, stop that’s too much I can’t- I can’t take it. I- ah, I already came, it’s too sensitive.” He whined.

“I’m sorry I couldn’t help myself, I had to see what you looked like when you’re overstimulated. And it was worth it, you looked so cute.” You said, tilting his chin up into a kiss.

You slowly pulled yourself off of Ford, eliciting a small whimper from him. You laid down beside him and he turned on his side, wrapping an arm around your waist and resting his head on your breast. You stroked his hair. You felt your eyelids grow heavy, the warmth of Ford against you lulling you to sleep.

-

You awoke to the morning sun streaming through the window. Ford spooning you, him pressed against your back, his arm underneath your chest. He stirred softly.

“Mmm, good morning, stardust.” He mumbled sleepily, pressing a kiss into the back of your neck.

“Morning, sixer.”

“Last night was incredible, I didn’t know sex could be THAT good.”

“Glad I could enlighten you.” You chuckled.

He stayed pressed against you for a long while before he spoke.

“I’m gonna get up and make us breakfast, it’s the least I can do after all you’ve done for me.” He said, pressing another kiss to your neck before getting himself out of bed.

He fumbled through his dresser, putting on a t-shirt and grey sweatpants. He was making his way to the door before he stopped.

“Oh I almost forgot.”

He returned to the dresser and pulled out an old BMU sweatshirt and green athletic shorts.

“I haven’t worn these since college, but hopefully they should fit you fine enough.”

You pulled on the sweatshirt and shorts. “How do I look?”

Fords heart thumped in his chest, something about you wearing his clothes did things to him.

“Like my stardust.” He said, walking over to you and kissing you. “Now, I’m going to go sort out that breakfast.”

He left the room, shutting the door behind him. You flopped back down on the bed and stared at the ceiling. Replaying the events of last night over in your head, starting with what happened down in the lab.

You felt a twinge of shame for trusting him after what happened, sure it wasn’t his fault, it was Bill’s. But still, Ford was the one who made a deal with him in the first place. You took a deep, long sigh. You had known Ford since college, pined for him from the moment you first met, leapt at the chance when he called you up asking for you to come work with him in Oregon.

He hadn’t betrayed your trust before in the decade you’ve known him, perhaps this was just a misfortune of outlying circumstances. You made the executive decision to go with your heart and put your faith in him, come hell or high water. Not even the looming threat of Bill’s wrath would stop you.

[naomistares]

since your art style has changed (and i love how expressive and mischievous? it feels now, idk if that makes sense but i admire the heck out of your growth) what does your process look like now? do you use the same brushes as before? do you want to talk about what you love about your work now? i saw your tag about tlt redraws now that you like your art and it made me curious. anyway love your art so much, nori!

hi!! thank you so much for this very cool question!! i guess before i just drew without much putting any thought to like... anything at all haha, only when i started doing comics was when i actively tried to make myself enjoy the process more.

i just thought about what I hated and tried to change it and just do a lot more art studies in my own time and try to really think about everything... like composition ! and like with colors, i didn't like how i only used to use desaturated tones, when i enjoyed more colors in other art i see.

or with poses, i didn't like how everything i drew felt very static to me, it still does but i'm getting better!! so i've studied dynamic-ness and whatnot.

i didn't like how "realistic" i would naturally go with proportions while drawing when my personal taste enjoyed more cartoon-ish and whimsical proportions, so i tried to be a little bit more loose with that but i'm not all there yet. for example, when i do some reference studies in my own time i find myself copying it 1:1 as it is, so now i try to incorporate it into a specific style without just copying it, it doesn't feel like i benefited otherwise!

i'm also trying to currently improve my lineart, i'm finding it much more enjoyable to draw with a thin brush! my lines were often thick and bulky and not super clean.

and yes!! i used to be loyal to like one or two brushes but i'm just trying new things constantly and it definitely affects the general vibe of the drawing, i've been obsessed with pencil brushes but i'm retiring it for a bit for a more jagged brush that i'm obsessed with now lol (still haven't posted anything with that, (working on it) but it totally changed the vibe.)

i feel like i often know when something looks right but i struggle on how to get there at times, but lately i've been seeing more right than wrong and just generally enjoying drawing.... drawing is my favorite thing.... i clocked in 9 hours yesterday on procreate.

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 14 Dissection

I can't think of how to introduce this dissection other than just saying "god damn??". This chapter-- especially its second part-- has been a wild ride, and one that it appears we're nearing the end of. However, we still have one important question left to answer, which I'm sure I'll talk about here. So, let's chat.

SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14.

Also, I will be discussing Ace and Eden as equally likely blackened candidates in this post. If it will upset you to hear about the prospects of either or both of them being the killer, you might want to sit this one out.

Given what happens later in the episode, it's very interesting that the episode began with (more or less) Ace "admitting" that he has no idea how the murder mechanism worked. A truthful method of disqualification, or a masterful play by Ace to ask Teruko to ask him about the murder method only to pretend that he has no idea what it was? Time will have to tell on that one, because I honestly have no leads.

Similarly, is this Eden being genuinely shaken up and not remembering what transpired in the Gym, or trying to play the helpless innocent card to get out of having to help Teruko explain the murder method that she stole? Spoilers for my thoughts later in this dissection, I guess: they're so evenly matched that it's crazy.

I've always thought that Hu is the prettiest DRDT character, and this episode did nothing but prove me right. Hot damn, ma'am.

The insistence that this questioning is "traumatizing [Nico]" makes me think that Hu could be projecting her own experiences on to them. Perhaps she was once an innocent in a situation for which she kept taking the blame? That would be interesting as another connection between Hu and Nico, of both of them having taken the blame for someone else's follies.

This was a hilarious comeback; never change, Ace. Or, maybe you do need to change slightly, to become a less cowardly and impulsive person. Or maybe I should at least be rooting for you to have the chance to change in the sense that you live long enough to have that work out for you.

Yet another instance of J being the one to say that murder is bad. I wonder if this has to do with her character/backstory in some particular way (although given what we know about her past I have no idea what that would be), or if DRDTdev just needed a judgmental and confrontational person who would snap back at anyone to take over these kinds of lines.

(That's not me dunking on J's character btw she's valid for this)

This was a really clever way for Charles to phrase this to make Hu listen and settle down. I appreciate the out-of-the-box yet logical thinking. (Also I missed hearing Charles' voice :,D)

Woah, I was not expecting to get a Closing Argument comic for the Gym murder, but I am obviously delighted that we have one! Also, OH MY GOD, THE CEILING GRATE. How did none of us even think to consider that as part of the murder mechanism?

However, there are still some aspects of the state of the Gym that haven't yet been accounted for with this version of the murder timeline. I don't really think it's anything that would stop Nico from being Ace's would-be killer at this point, but I'll list them out here in case they are or in case they turn out to be relevant to Arei's murder. I'll also be trying to debunk them, though.

Moved Benches: Some of the benches near the pullup bar were knocked over. These probably fell either in some sort of struggle while knocking out Ace, or when Ace's body fell from the fan.

Moved Weight Rack: The weight rack was moved closer to the bench press and flipped on its back. I guess this really was also knocked over in the same fashion, no matter how unrealistically difficult it should have been to move due to its weight? Or it really was "workout preferences"???

Nico's Missing Cowl: When Teruko and Eden found Nico at the scene of the crime, they weren't wearing their typical dark cape thing. I have no clue why. You could say that Nico was trying to look less instantly recognizable, but it's not as if anyone (other than maybe Teruko) who saw a dark-haired 5'5" individual in a blue shirt instead of a gray cowl would think it was anyone other than Nico. There's also ye olde theory that they might have used it to soak up blood somewhere, but 1) Ace seems to have lost less blood than it may have seemed, and 2) the cowl was still not seen anywhere in the crime scene. I think I remember speculating that after Nico hypothetically used it to soak up blood (or, on second thought, maybe used it to gag Ace with the turpentine), they then stuck it in the fridge to hide it for the time being, at which point MonoTV discarded it and Nico got a new cape from their room. Maybe if it was used to apply the turpentine, Nico also could've put it away to prevent themselves from being affected by the fumes? I guess that's what I'm going with.

Lack of Tape on Pullup Bar: So, this one is obviously relevant to the murder already because Rose not being able to do a pullup is part of what tips off Teruko to the fact that something is off with the tape. However, I have no idea why the tape actually got removed from the bar. I still maintain that I don't think anyone could have stolen the tape off of that bar and repurposed it elsewhere-- most online sources seem to agree that kinesiology tape isn't reusable, and the fact that it was already wrapped around the bar in such a tight spiral would make it difficult to conform to any new specific shapes. My best guess is that Nico might have tried to use the bar instead of the light grate at first, determined that the tape was preventing the wire from sliding properly, and then removed the tape before determining the bar still didn't work. Or, Nico could have tried using the bar before settling on the broom, and thinking that it wouldn't work with tape on it... for some reason? Kinda scratching my head here.

I wonder how long ago it was. It's been four days since the Chapter 2 motive was revealed, although Ace was attacked only two days after the motive. Furthermore, Ace had started bullying Nico to some level already by the end of Chapter 1. I'm sure that Nico must have known what their secret was and probably didn't want it to be shared. My guess would be that they probably started cooking on murder pretty shortly after the new motive was released. That would also work with Charles-via-Whit letting everyone know what the custom weapons were in the first Class Trial.

This was the perfect response for Nico's character. They don't understand why an untruthful "sorry" would actually serve as a courtesy for most people, so they try to say what they feel and get ostracized for it.

Gotta say though, Ace, that was a pretty aggressive reaction from someone who said he "didn't need other people to tell him lies just to keep him happy" ;) (/j)

Damn, way to throw Levi under the bus. I can see why, for someone like Nico, they would want to assert themselves as not the most abnormal person here, though. I just want them to be neurodivergent buddies :(

If that's the case, then I'd have to imagine that we won't be seeing Nico as a killer again down the line. However, they could also just mean "getting caught"/"going in without a solid gameplan," so it's still possible we will. There's also the possibility of them doing something more like a sacrifice kill, although it would take a lot of character work to make something like that feel within Nico's nature.

Sorry to keep screenshotting every little thing Nico says but they keep saying really interesting things. The fact that Nico specifically mentions their father as opposed to "parents" or "family" makes me think that we'll hear more about their father specifically sometime in the future. Or, who knows, maybe their other parent left or died.

Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.

This was very interesting as an addendum to the above screenshot. What exactly did Nico "ask for" forgiveness for in the past? Was it just more social blunders, as they described in ch2-e2, or did they get into more trouble closer to this level than we realized? It could also be an indication that Nico has spent time with people who believe that being nonbinary is a crime that Nico needs to feel sorry for. Fascinating stuff, indeed.

Points for Ace being the killer. We know that he went into this trial looking to suspect Nico ("[...] I'm pretty sure I know who the murderer is. It's not David, it's Nico"), so if Ace is the killer, it would make sense if he'd want to make the crime scene resemble Nico's to make his bait more credible.

Hey, it's the aforementioned T A P E T I M E, motherfuckers :D (still /j) Personally, it's quite gratifying to hear that it wasn't just a visual malfunction or a minor detail blown way out of proportion.

You're, uh... getting to this point much faster than I expected, queen. I don't think she's now going to go down the exact same distrustful rabbit hole that she was in before, but there's definitely still potential for her hopes to be crushed by the end of this chapter. Or, maybe she will accept some people as genuine friends, and instead in the future have to confront how she feels when she loses a genuine friend, or not blaming herself for the effects of her luck, or something along those lines. I like that Teruko isn't a static edgy protagonist, though. Like, don't get me wrong, I've always known and appreciated that she has depth, but it's refreshing that she isn't someone who's so stubborn about her own way of thinking that she refuses to admit when she's in the wrong. Teruko really wants friends, guys.

TERUROSE REAL??????

(Also Rose's speech was excellent as well I just didn't have anything in particular to say about it other than "wow" at the moment)

Yahoo, lockdown logic strikes again! Also, a quick

Is Teruko Correct In This Assumption?

Personally, I fully think yes, only Ace or Eden could be the culprit at this point. MonoTV confirmed that it tried to restore the Gym to the best of its ability but couldn't return the tape, which means both that there was no tape in the Gym to be taken and that there was never any spare tape in the Storage Room that MonoTV could have used to replace the roll. I guess you could say that there was an extra roll of tape in the Storage Room that someone else took before the murder took place, but that level of coincidence seems implausible at this point in the Trial.

No, for anyone other than Eden or Ace to have acquired the tape, they must have either stolen it from one of those two or asked for it from one of those two. Asking them seems very unlikely-- for starters, if it was Ace who took the tape, I don't think he'd be giving free hand-outs to anyone. And, if Eden isn't the killer herself, that means all of her fright regarding stumbling upon Ace's body was genuine. I don't think she's naive enough to then hand over what was used in Ace's murder to anyone asking... or at least not without bringing it up now. Beyond that, anyone who would ask either of them for the tape would have to know that the tape was used in the murder attempt, knowledge of which was very limited. This episode went to lengths to establish that Nico was the sole culprit behind the attack on Ace, and while it's still possible it could all be an elaborate lie, the explanation Nico gave felt very in character and important for their characterization moving forwards. So, while Nico would obviously know it was used, if Nico asked either of them for the tape, surely neither Eden nor Ace would trust them. Otherwise, I think Rose is the only one who could have found out it was gone, but even so, given that neither Eden nor Ace have tried to argue that Rose asked them for the tape, I don't think that happened.

You could also say the same of neither Eden nor Ace claiming to have had the tape stolen from them-- but I could see either of them feeling like claiming to have taken the tape at all right now would be a death sentence, so I understand why they wouldn't say it. Still, I don't know if the narrative is there to support the tape having been stolen from them. On the day after the Gym murder (Day 7), Eden isn't seen in the daily life at all. If someone stole the tape from Eden on that day, I would think that DRDTdev would at least want to show us who Eden was spending time with on that day (given that he put in the effort to make the tape sprite disappear from the Gym at the time it did), so that we would have any idea who might have done so. Ace is seen once in the Day 7 daily life, arguing with Hu, Nico, Levi, Veronika, and Arei. However, having just been attacked, I imagine he'd be hyper-aware of anyone getting close to him, and therefore would be more likely to notice if someone was rifling around in his pockets (if he has pockets?).

Really, I think the only possible candidates for who could have stolen tape from Ace or Eden would be Levi (mostly just for Ace) and Arei (from either of them). Levi might have had an opportunity to take the tape from Ace on the night he was attacked, the night of Day 6. Eden said last episode that Levi "kept trying to help him" after Ace was attacked, which could imply that Levi was the one to put bandages around Ace's neck. Furthermore, he does have a criminal past, which could make him better at stealing. Similarly, Arei is confirmed to be a good pickpocket, stealing Min's pen without Min noticing at all. I think she's the only one with the proper buildup to have taken the tape from Ace at that breakfast, and would be the most likely to have spent time with Eden when Eden was off-screen. (Although, it would have to have been before lunch, because Eden says the last time she saw Arei was at lunch.)

However, I don't think many people think that Levi is the killer anymore, and if Arei stole the tape from Eden or Ace only for the killer to then steal the tape from Arei, I would start to wonder why DRDTdev even made the tape such a scarce resource in the first place. Remember that, if the killer was purposefully trying to recreate Nico's idea, they likely knew in advance that they would need the tape to pull off their plan. It was used in enough places that seizing the opportunity to take it off of Arei seems unlikely, as it was too fundamental to the plan's inception. Besides, for the killer to replicate Nico's plan in the first place, the killer likely needs to be Nico, Eden, Ace, or Teruko, who are the ones who could have most easily taken the tape on their own.

I've already seen people accuse this Trial of being bloated, and while I strongly disagree (I only think cases are bloated when they're stalling for time and have nothing of interest to discuss, and we've still had PLENTY of interesting stuff to discuss), if we spent a whole 'nother who-knows-how-many episodes reversing all of the progress we just made to say that either Nico wasn't actually the one to kill Ace or that someone who didn't see the crime scene killed Arei, that bloating problem would only seem worse to those people.

I understand if you don't want to believe that Eden or Ace has to be the culprit for whatever reasons-- whether that be that they're your favorites and you don't want them to die or you really like your theory and don't want it to be false-- but I really think that this episode cemented that either Ace or Eden will be voted for as the blackened for all of the reasons above. Therefore, I shall be proceeding accordingly.

She was WILD for this. Hilarious line of reasoning.

What's Up With the Body Discovery Announcement?

The "reveal" of this line of logic was no surprise to me. As someone who's believed that Eden is the culprit for quite a long time, we've had to figure out ways to get around this thing before, and besides perhaps "not witnessing the murder," someone else seeing the body before the BDA rang is the most obvious way to cheese it.

However, in order for this to be a thing, we have to ask ourselves-- who would have actually seen the body first?

David claims to, but he has an alibi starting at 7:30 AM with Veronika and J. Both because Arei theoretically wasn't dead before then and because we've been operating off of the assumption that a meal takes about 30 minutes to eat, I don't think any of the three of them could have stumbled across Arei in the morning. Nico and Hu both have an alibi, which I'm going to consider solid enough to remove them from possibility-- one of them spotting the body would be helpful to make Eden the killer, and I think the only people who believe that Hu and Nico are lying only believe so under the condition that one of them is the killer. Whit is out, because him seeing the body beforehand doesn't actually accomplish anything, and so is Charles, because we can assume that, if he saw the body, he would be out of commission. I'm also going to strike Rose from seeing the body before breakfast, both because she's very likely to have been asleep and because if she had already seen Arei's body in the Playground, she probably wouldn't have refused to draw a diagram. That would leave only Ace, Levi, and Arturo as non-blackeneds who could have helped facilitate culprit!Eden from not being caught by the BDA.

However, we also have to consider that "before 8 AM" isn't the only time someone could have stumbled across Arei's body. They also could have seen it before Teruko, Eden, and Whit did while everyone was looking for Arei. So, what do we know about what happened during the search for Arei? Not much. Hu says that they should split up, while J says she's going to check Arei's room. Teruko says that most people are probably searching the first floor, an assumption that's supported by Teruko, Eden, and Whit not seeing anyone else while they check the second floor. You might think that would eliminate the possibility of anyone else seeing Arei's body during the search, but Teruko did say most people, not all. There's also what MonoTV said when Teruko and Veronika were investigating the Gym.

MonoTV: It's too high! If you stood in the movie screening room on floor one and started punching through the walls, you'd fall into the playground.

This not-yet-addressed piece of evidence got me thinking about the possibility of someone seeing Arei's body from above, standing in the Motive Screening Room. It still probably couldn't be Teruko, Whit, Charles, Rose, or J, but anyone else would theoretically be back on the table if that were the case. That being said, I can't find any visual differences in how the Motive Screening Room looks between the beginning of Chapter 2, when the search for Arei begins, and when Teruko goes to check the motive secrets (other than a curtain being added over the screen in the third case). So, unless there was already a heretofore unmentioned hole to peek through in the room, I wouldn't count on that being the case. The connection between the Motive Screening Room and the Playground will probably just be relevant to a different chapter.

Therefore, that leaves us once again with Ace, Levi, and Arturo. The main problem with believing that any of them could have seen the body beforehand is why they wouldn't have brought that up at this point in the Trial. Here are my best guesses as to why:

Ace: I have genuinely no clue why Ace wouldn't have brought up that he saw the body in the morning (assuming that he actually did) to defend himself at this point. It's not like it would make anyone more suspicious of you.

Levi: Levi does seem to be a bit dense regarding what is and isn't helpful behavior in a Trial, so the most likely possibility to me is that he just didn't realize that confirming he saw her was helpful. Like, "oh, I didn't realize that me confirming that I saw Arei would help us pin down Eden as the killer. I was just trying to figure out how David and I both saw Arei's body this morning and I didn't see him." "Wh-- David was obviously lying!" "He was?" "I already told you he was lying before..." "Levi... we talked about this..." Bonus points for it not being out of character for Levi to be unfazed by seeing a body, though.

Arturo: In Arturo's case, I think it would have to be that he'd still be worried about people seeing him as suspicious for saying he found Arei's body in the case of accusing Eden specifically. They already have a past history of conflict, and I could see someone brashly accusing Arturo of throwing Eden under the bus just to get revenge on her for the secret thing (even if I don't think he would actually do that). He also made an enemy out of Arei, so I don't think he would be particularly fazed by seeing her corpse either-- similarities to Felicity's cause of death notwithstanding. However, I also find it likely that he trailed after J in going to check Arei's room.

So, what's our conclusion here? Does this mean that Eden is basically fully cleared by triggering the BDA? I wouldn't count her out just yet, but the evidence isn't looking great for her. It's quite possible David only brought up this argument to A) hold out suspension of disbelief that it's not just Ace for a little while longer, B) drop this logic as foreshadowing for a future killer's plan, C) characterize the kind of logic he uses in a Class Trial, or D) bring up this argument in canon so that the people who theorized that the BDA might not clear Eden or Whit wouldn't be like, "wait, but what about...?" However, it's also possible that one of the possibilities I listed above, something I might have missed, or the "see no evil" idea (as FF put it) could keep Eden in contention. That dynamism is part of what makes Ace and Eden feel so evenly matched.

See, this is what I assumed David was getting at after Nico reminded me of his early-morning alibi. But then he just kept talking...

I'm not going to delve into what David was thinking here too much, because I already have an anonymous ask about what I think David's rationale was that this will almost certainly come up in. However, as a short version, I imagine that David is trying to get everyone angry at each other in the hopes that it'll incite another murder that he can get the class to fail? Or to cause enough discord in the group that they just fail this one. That would be why he also rags on Rose for not remembering the tape, and insults Arturo's sister-- he wants no one to trust anyone so that the murder-solving process will be as un-streamlined as possible.

The fact that he targets Teruko so specifically is probably because he (accurately) assesses her as the only real threat there. Charles and Rose can help, sure, but their mental struggles make them easy enough to eliminate if you play your cards right. Teruko's main flaw is her lack of trust, so if David wants to weaken her, it makes sense to go right for that jugular. Furthermore, by stating his plans so plainly and publicly, it might incite other people to fight back against him and say that Teruko should trust them. However, that kind of olive branch might make Teruko even less inclined to get close to them, if what Teruko said to Eden at the end of ch2-e03 can tell us anything. Didn't stop Eden from trying at the end of this last episode, though!

After taking some more time to think about what David was up to this chapter, I might change my mind on those being his goals. But, this post does serve as my initial thoughts of sorts, and that's what I initially think about this scene.

I wholeheartedly agree.

Does Ace Have Nothing To Do With Arei?

What Ace has to say is more or less true-- barring the breakfast in which Arei didn't talk at all (AKA, no conversation), Ace has literally never been in a small group event with Arei. However, although they didn't talk to each other, Ace did overhear the conversation between David and Arei, which does give him a connection to Arei. Quite relevantly, Arei did say this to David during their conversation:

Arei: You said that sharing our secrets would help fight against the motive. But when I think about it, not a single good thing has come out of that. Eden was stupidly naive, as usual, and tried to talk to Arturo, so now I have to protect her.

From this, Ace could probably surmise that Eden had Arturo's secret, she talked to him about it, and that Arei stepped in to save her from Arturo. He was one of the few people who could have known that Eden and Arei grew closer before the murder occurred: another connection Ace had to information about Arei.

However, before you use that evidence to call Ace the killer, let me remind you that he still doesn't have enough information to write the note from just eavesdropping on this conversation alone. As I outlined in this theory (same as the one I just linked above), whoever wrote the note had to specifically know that Arturo's secret was about his sister, which Arei doesn't divulge (quite possibly because she didn't even know) to David. Therefore, although Arei mentioning Arturo and Eden in this conversation is interesting, it doesn't actually make Ace any more likely to be the killer, because he still would have needed to find some way to spy on Eden's secret and/or Arturo and Eden's conversation to write that note. (Unless mentioning the sister specifically was an oversight plot hole, but I never want to use that as my reasoning.)

So, do I get what Arturo is getting at? Yeah, Ace and Arei were never particularly involved, and Eden clearly has a greater connection to the victim. However, there is more to the Ace/Arei bond than it might first appear, and it's possible that could come up in the Trial moving forward.

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

... BUT THEN HOW THE FUCK CAN EDEN GO AND SAY ALL OF THIS, BE THE KILLER, AND THEREFORE PROVE DAVID RIGHT???

AND THE "BECAUSE THAT'S WHAT FRIENDS DO" REFERENCE??? AT THIS HOUR????? I DON'T EVEN KNOW IF THAT MAKES HER SEEM MORE OR LESS SUSPICIOUS!!!!

OUGH AND THE MIN PARALLELS TOOOOOOO

MIN WAS TERUKO'S FRIEND BUT ALSO A KILLER. DOES THAT MEAN EDEN IS GOING TO BREAK THE CYCLE OR DOES IT MEAN THAT WE'RE STUCK IN A DOOMED STORY IN WHICH TERUKO IS THE PROTAGONIST? IT COULD GO EITHER WAY!!!

Jumping back in time for just a moment...

A Piece of Evidence That Lines Up to Them Only

I thought about making this its own separate post, but decided not to. If you guys want me to make this part it's own separate post so it's easier to find/comment on directly, let me know, and I'll set that up.

But before you can make your decision, I suppose I have to explain what I aim to do here. Basically, Teruko has told us that she's still torn between Eden and Ace (mood), and that, while she'll start off attacking Ace, she's looking for any pieces of evidence that could prove that only one of them could have committed the crime. Problem is, we have no indication of what that specific piece of evidence could be, and, trust me, it could be a lot of them. Thus, what I'm going to do in this "mini" theory is list out every piece of evidence that I can think of, and say whether it points to Eden being the culprit, Ace being the culprit, or it can't point to either of them. Perhaps once we're done, you'll see why I'm so conflicted on which of them it would be.

I'm going to tier these pieces of evidence in terms of least likely to be the missing piece to most likely to be the missing piece, starting with all of the aforementioned unexplained gym evidence. The knocked over benches and weight rack were not part of the replicated crime scene, and I have no idea how Ace or Eden would have wound up with any version of Nico's cowl. The missing tape on the pull-up bar has the greatest likelihood to be relevant, but as we're already suspecting both of them for having the tape, I don't think it'd be a decision maker. Any of those pieces of evidence would be likely to come up in proving that Nico wasn't the one behind Ace's murder, but this theory is operating under the assumption that Nico is the one who tried to kill Ace, and either Ace or Eden killed Arei. If you want the answers for your own theory, do your own homework. (/lh)

Ace or Eden will get a point for any evidence that I think would better be used to accuse them as being the culprit. Therefore, winning points is actually a bad thing if you want to be innocent. For convenience of "scoring," Eden will be purple because of her shirt and Ace will be pink because of his "maroon" hair... and because I needed red and orange for the likelihood ranking.

UNLIKELY FINAL PIECES OF EVIDENCE

Arei's Body Swinging: This evidence has already been used to establish that Arei was killed in the morning, not at night. Either Ace or Eden could have killed Arei at 7:30 AM, so point to neither of them.

Ace Trying to Assign Himself to Guard Duty: This one is obviously a point for Ace if it were the final piece, but it's such a minor happenstance that I doubt Teruko would think to bring it up as the main thing against him. Like, she could bring it up in general, but I don't think it'd be her crowning jewel. Still, it's a piece of evidence we haven't discussed yet, so credit where credit is due.

Arei's Bound Wrists: Bound by the grippy tape that either of them could have stolen. Point to no one.

Broken Playground Lights: The lights in the Playground are broken, likely from the mechanism being hung up through the ceiling rafters. You could argue that this is a point for Ace's strength, but I don't think throwing a ball that high requires so much strength that Eden couldn't do it, especially if you might be able to use the see-saw to launch it somehow. Point to no one.

Dried Up Puddles: This has nothing to do with either of them. Point to no one.

Carousel Wrapped in Tape: Again, either could have had the tape, so point to no one.

Two Pieces of Rope: Either of them could have taken the rope from Storage and cut it; point to no one.

Food/Utensils/Napkins in Trash: Probably David's dinner. Possibly evidence of Eden and Arei having breakfast together, but that's a stretch. Point to no one.

Cups/Tissues/Palette in Trash: Rose says these were hers. Point to no one.

Incense in Trash: I know thebadjoe had (has?) theories about this being used to conceal the scent of Arei's body being hidden in the Relaxation Room a day earlier than anyone thought, but I find that to be too much of a stretch to accost Eden for it here. I think it's just filler. Point to no one.

Grippy Tape in Trash: I should just stop writing out tape evidence. Point to no one.

Broken Jugs: The killer used jugs of water to make Arei heavier, which broke when she fell. They probably had the fish water in them, but we're not talking about the fish themselves at the moment. I'll say point for Ace because the jugs are probably from the Gym, and we've seen Ace in the Gym far more times than we've seen Eden.

Needle and Black Thread: This evidence... might have to do with the ball of clothes, which we'll get to later. However, if this is relevant to the murder, it's probably from the Dress-Up Room, in which we've seen Eden but never Ace. Point to Eden.

Construction of the Note: After a bit of internal debate, I'm going to call this a point for no one. Why? Well, it's because Eden would have reason to help construct the note whether she was the killer or not. If she is the killer, she might have wanted to guide the discussion that followed its reconstruction, to urge to Rose and Whit that she's innocent and that someone must have framed her. It would also give her reason to come into the Trial already having a handwriting sample on her. However, if Eden is innocent, she also easily could have just wanted to help out. Most importantly, Eden already brought up the note being constructed in her initial defense, so I doubt Teruko would reuse it as the nail in someone's coffin.

Splashing Arei With Water: Either of them could have thought of this and accomplished this. Point to no one.

SOMEWHAT LIKELY FINAL PIECES OF EVIDENCE

Body Discovery Announcement: While this may very well play an important part in solving the case, I don't think it'll be the final smash, so to speak. That's mostly because we already talked about it a lot in determining whether Eden could have done it. In the end, I think we'll either have to come up with a way to justify Eden having cheated the BDA-- by Levi or Arturo having seen it or via see no evil-- or we'll accuse Ace without the BDA being a problem. I guess I have to call this a point for Eden because if the BDA were to be the damning evidence, I think it'd have to be for her. However, in my heart, this is totally evidence supporting Ace being the killer.

Arei's Broken Neck: I'm using this as a stand-in for the strength of the killer, in the sense of lifting Arei up and being able to stop the carousel. This is a point for Ace, because he's a professional athlete and Eden is generally the weakest person in the cast.

Scratches on the Ground: This evidence certainly seems to indicate that there was a struggle at the Playground, but is there anything more to it than that? I'm more willing to believe that Ace could have beaten Arei in a fight, but does that point to Eden because there would've been more of a struggle, or Ace because Eden wouldn't have wanted to fight Arei at all? Ace also normally wears heels (while Eden and Arei don't), which is what Hu cites will naturally scratch up the floor. This evidence is vague enough that I don't think it'll be used to point to either of them, but if it did, I think it's more likely to be Ace.

Ball of Starched Clothes: For starters, I'll share (I think it's) thebadjoe's theory that the ball was adhered together using starch from the Relaxation Room that's sprayed on the plants at night, because I saw some people questioning how the clothes could have been stuck together. Anyways, the ball of clothes itself is definitely a point for Eden, because we saw her in the Dress-Up Room specifically looking for Teruko's clothes. Although, Ace certainly saw Teruko and Hu's new fits, so he could have figured it out for himself.

Actual Acquisition of the Tape: I don't think this will be used as the final piece just because I feel like the narrative is pointing towards the damning evidence relating to Arei's actual murder as opposed to Nico's. However, it's relevant to discuss, so I'll list it here. Although Teruko says that Ace and Eden had equal odds at the tape, on the surface, it really makes much more sense if Eden was the one to take it. Star explained it well here, but I'll add my own recap: in the moments when the tape must have been taken, in between when Nico leaves and when MonoTV kicks everyone out, Ace is recovering from unconsciousness, covered in blood, full of rage, and has all eyes on him. Meanwhile, Eden is scared, sure, but she had a clear moment to actually examine the scene of the crime and is also knocked to the ground-- potentially right next to the tape-- with all her wits about her. While it's not impossible to believe that Ace sleight-of-handed the tape, Eden had a much clearer path to taking it. Point to Eden.

MOST LIKELY FINAL PIECES OF EVIDENCE

Arei's Missing Glove: To my memory, Arei's glove hasn't been brought up in the Trial at all, which is definitely strange, because it must be missing for a reason. If DRDTdev is crafting so much detail into the BDA that the swinging of the body is plot-relevant, there's no way he would have just missed giving Arei her glove. The question is, what was this used for? Those who are familiar with my theories should know that I've never been a fan of dress-up theories, so I'm going to discount that possibility. The thing I thought was the most likely was that the killer donned the glove so that their hands wouldn't get super scratched up from grabbing the grippy tape-d carousel bars, before gleamingtempest reminded everyone that both Eden and Ace already wear gloves. Still, looking at them, Eden's gloves are probably made of something more like cotton while Ace's gloves likely have some sort of tougher grip on the inside. So, Eden would probably be more likely to need something else to protect her hands. Also, given that both of Arei's wrists have marks on them, the glove was likely taken off before her wrists were tied. I can't figure out why Ace would have taken off Arei's glove before restraining her or how he would have gotten Arei to take it off otherwise, while for Eden, at least, I can imagine her asking Arei to take off her glove. Therefore, I'm going to call this one a point for Eden, while also throwing out that it might just be missing if Arei didn't bother putting on her glove for the early morning meetup.

Fish on the Playground: You've heard it from me before, Eden has an alibi through the entire time the fish could have been taken. With seemingly no accomplices (other than possibly Arei) in sight, I don't know how Eden would have gotten her hands on those fish. Meanwhile, Ace had a great opportunity. Point for Ace.

Pieced-Together Note: This evidence is very confusing, because I don't see how/why either of them would have implemented it. For Ace, I wrote that entire theory (I'm not going to link it a third time) about how, based on the information in the note and the layout of the first floor, it really seemed like eavesdropping was impossible, and the person who wrote the note had to be Arturo or Eden. Then there's what thefandomenchantress pointed out about Ace's pedantry making it seem like he wouldn't misspell "responsible" in the note, and that he just doesn't give me the vibes of someone who writes in cursive. By all accounts, it really seems like Ace can't have written that note. But then again, why would Eden have written that note? Okay, bad phrasing; she wrote it to get Arei to come to the Playground. But still, why would she sign it? Or if she were to sign it, to make sure that Arei knew it was her, why include so much detail about what Arturo's secret was? More importantly, why wouldn't Eden have just stuffed the ripped up note into her belt, or her pockets, or her room if it would serve to incriminate her? Put it wherever she put that glove! Hell, why not eat the note, if it's a life or death situation? There's the "reverse psychology" argument, but similar to what Teruko said this episode, it would have been much simpler for Eden to have pretended that Arei came to the Playground for some other reason without the killer planting some sort of note meant to frame her. And it's not like I think Eden is really the type to misspell "responsible" either. So, I'm kind of at a loss. It's such a major piece of evidence that I feel it has to come into play again somehow, but I'm not sure how. I think I'm going to call this one a point for Ace because at the very least I understand why he would want to leave this evidence here, even if I don't know how he created it. For Eden, I don't get why she'd leave it lying around, even if in pieces. You can call it revenge for Eden getting the point on the BDA, if you wish.

So, what are the results? If you add up all the points together, you wind up with 6 points for Ace and 6 points for Eden. Funny. If you tier the points, however, with 1 point for unlikely pieces, 2 points for somewhat likely pieces, and 3 points for the most likely pieces, you get 12 points for Ace and 10 points for Eden. Of course, that's using my tierlist of which pieces of evidence are most likely and on top of that, assigning the BDA and the Note the way that they are (if you flip them it's 11-11), but still. If you're invested in my findings, these are the results.

Needless to say, I hope you can understand why I'm having such a hard time determining which one of them will turn out to be the killer. Although, I must add...

If we're suspecting Ace first before we've done our Debate Scrum, that's not a good look for Eden never being suspected again in this Trial.

Concluding Thoughts

What? A conclusion? I've never done one of these on a dissection before?!!

Yeah, well, this time, I have stuff to say that I couldn't really correlate to one image in particular! And also I ran out of images, so this is what you get!!!

I spent that whole "A Piece of Evidence" section talking about the physical evidence that could support Ace or Eden being Arei's killer, but in it, I really didn't get to talk about the narrative implications of either of them being the killer at all. I know that Narrative Defenses are typically Venus' thing, but I have my thoughts on this, too. Namely, that both of them are riddled with narrative problems for being the killer at this point.

(Note: I don't mean "problems" in the sense that DRDTdev has written anything poorly. What I mean is, my own perception of how the characters are conveyed has me currently raising red flags about how either of their stories will pan out as a killer or how the rest of the story will pan out without them. At the time the answer comes, I have full faith that I'll be satisfied with the results.)

Let's start by looking at Eden, the spotlight character of the end of this episode. After that whole heartfelt speech with the CGs and the tears and the brilliant voice acting and the everything, how could Eden possibly be the killer?! I'm the one who was trying to defend the possibility of her still being the culprit after her little rant last week, and while I could probably do that again with this speech, it just felt so... I dunno, sincere. You can really feel Teruko's reluctance to put her faith in Eden, but her choice to do it anyways. Teruko already showed signs of growth this episode by admitting that she can't always solve mysteries by herself, so could that be a sign that she might come around on the group faster than we initially anticipated? If Eden was the killer, it would crush Teruko so hard. Is there any recovering from that? Can we really prove David right?

On the other hand, Ace is, quite possibly, one of the most intertwined members of the cast. He's probably Levi and Nico's #1 correspondent, and he's up there for Hu as well-- assuming they both survive the chapter, I'm sure their animosity towards each other will only grow in Chapter 3. With Ace just having given up on Levi, having just been the target of Nico's battery and Hu's verbal lashes, can the story really work without him in it at this point? Eden hardly has connections with anyone other than Teruko-- Hu's probably next, but Eden probably ranks, like, fourth on her list after Nico, Ace, and David-- which should make her more expendable. Is it really Ace's time already?

However, despite my complaints, I also think that both of them could be really good options as the killer here-- the two options I prefer over anybody else.

Eden is the character who's most connected with Arei. She plays into the chapter themes of being a good person beautifully. She's a good person, a tragic figure, that killed not because she wanted anybody dead, but presumably because she had something back at home that she had to get back to at all costs. Killing her off would break Teruko-- would break everyone. With the reveal of everyone's secrets, next chapter is going to be a living hell, so why not make that hell worse by removing the biggest conflict de-escalator here? It would force other people to step up to bat. It would give everyone a chance to change, what Eden wanted for Arei most of all. Eden's development isn't an arc, per say, but a fall-- a reminder that even the "most good" people can do the unspeakable.

Meanwhile, Ace has perhaps the most obvious reason to kill someone: he literally almost fucking died himself. Ace's execution would be a reminder of the physical reality of the killing game. That actions have consequences. Even if the guy who started all those fights is dead and gone, you can still feel his presence lingering in the arguments between the others. The guy you underestimated most of all-- not for being kind, but for being dumb-- can send you into a multi-hour spiral in which you accuse even the sweetest of participants. Ace's development isn't an arc, per say, but a fall-- a reminder that reveling in your own distrust and anger might lead you to do the unspeakable.

For someone who's spent so long believing that Eden is the culprit of the chapter, it's really amazing how down-to-the-wire DRDTdev has made the end of the case, where either option feels so believable that it's like you can picture the rope in their hands. Whether my theories, old or new, were right or wrong, I am highly looking forward to watching next week's episode and discussing it with you all. See you on Friday-- just try not to freak out too much before then, alright? (/aff)

[catofadifferentcolor]

Terrible Fic Idea #92: Percy/Apollo, but make it The Trojan War

Into every fandom, a time travel fic must fall - or in this case a second one, because I somehow got to thinking about the delightful PJO trope of Percy being thrown back in time to The Trojan War and realized that doing so misses out on a fantastic opportunity.

Or: What if post-TOA Percy Jackson and Apollo time travel to shortly before The Trojan War?

Just imagine it:

Everything follows canon through TOA, with one exception: rather than struggle to catch up in the mortal world following the Second Gigantomachy, Percy elects to stay at Camp Half-Blood. There he can homeschool at his own place with programs tailored towards ADHD children and still visit his family on the weekends - and not get into any more ridiculous situations in the mortal world when one of the gods kidnaps him or sends him on a quest to find their sneakers.

This, naturally, stresses his relationship with Annabeth - who, now that she's no longer living at camp full time, calls it the easy way out. But Percy is tired and struggling in mortal high school where everyone thinks he's a delinquent idiot when another option exists seems foolish. Percy and Annabeth break up and drift apart.

Enter Apollo, fresh from his latest stint as a mortal. He's trying to do his best by his children, which includes popping by camp as often as he can get away with - which in turn means spending a lot of time with Percy, who at this point is unofficially running CHB because it's not like Dionysus or even Chiron have done a brilliant job of it in recent times.

(First aid, strategy, and mythology classes are made mandatory. Percy personally ensures every demigod knows enough about self-defense to be able to survive long enough to run away or for help to arrive. Bullying is cracked down on so hard that it's this, not Percy's generally parental nature, that has people calling him Camp Mom.)

Percy and Apollo become friendly. Enough so that some of Apollo's kids assume they're dating and keeping it on the down-low so as not to draw Zeus' ire. Or Poseidon's. Or anyone else's. It's on one of their not-dates that they're yeeted into the past, without warning or explanation.

And so 19-year-old Percy Jackson and post-TOA Apollo find themselves in Ancient Greece c. 1220 BCE, roughly thirty-five years before the destruction of Troy.

The time travel is immediately obvious, as Apollo becomes the closest thing a god might experience to being high the moment they land in the past - being a powerful god in modern times is nothing like being a powerful god at the height of his power in ancient times. It's overwhelming (and somewhat alarming from Percy's POV, but kind of funny in retrospect.)

The specific date is harder to determine, but made clear when Hermes shows up and starts going on about you'll never believe what father's done now: he seduced the Spartan queen as a swan and she's laid an egg. Hera is furious - especially as they're saying the girl that hatched from it is the most beautiful in the world, even though she's only a few days old. It's nuts. By the way, where have you been? You missed the last two council meetings. Do you want Dad to punish you?

Apollo at this stage is very high. He's also been USTing over Percy for quite some time and is worried what the gods of this era might do to Percy without divine protection (smiting or seduction, it's all on the table). But mostly he's very high, and so to keep Percy close and safe he declares he's been off having the dirtiest of dirty weekends with his latest lover and that Hermes' presence is ruining the mood. So if he would kindly leave, please and thank you, he'd really rather get back to it without an audience.

This, naturally, is a surprise to Percy, but he rolls with it because 1) he doesn't have any better ideas on how to get rid of Ancient Greek Hermes so they can figure out what the hades is going on and 2) he's been USTing over Apollo ever since he recovered enough from Tartarus to start feeling attraction again.

Fueled by mutual UST, they put together a cover story that should hold the next time a god with too much prurient interest shows: Percy is now Prince Persē of Gadir - a Phoenician colony that will grow into the future Cadiz - well past the edge of the Greek world at this stage but not beyond belief for Poseidon to have visited, as it's obvious who his father is. They claim his mother is the King of Gadir's youngest sister and as such Persē had a royal upbringing, but was far enough down the line of succession that he was free to chose to sail east and explore his father's homeland. Apollo caught sight of him on his journey, one thing led to another, and here they are.

(Are there easier, more sensible cover stories? Possibly. But the UST refuses to let them consider any of them now that a fake relationship is on the table.)

Deciding what to do about The Trojan War is much harder. On the one hand, it's a lot of senseless death and destruction. On the other, without it we don't get The Iliad and The Odyssey - two of the most influential works of literature in western civilization - and Aeneas doesn't go off to Italy (leading to the founding of Rome, which would change the history of western civilization a lot). In the end, they decide to let the war happen but do their best to mitigate the worst parts of it.

And so Percy goes off and becomes a hero of Ancient Greece while pretending to be in a relationship with Apollo.

This stage of things is filed with angst from both parties, as both Percy and Apollo want a real relationship with each other but think they're abusing the other's trust by eagerly faking their relationship. There's a lot of PDA, a lot of feelings, and limited communication. It goes on for quite a while and would probably exasperate quite a few people if everyone in the know didn't think they were already in a relationship.

It's also filled with modern day Percy being confronted by realties of life in Ancient Greece. It's not just mortals knowing about - and interacting with - the gods: it's everything. It's food and clothes and language and culture and housing and travel. He can play a lot off it as being a traveler from the edge of the known world, but some of it has him asking Apollo if he's being rick rolled.

Apollo, meanwhile, is having troubles of his own. He is not the god he used to be and it's hard pretending otherwise. He tries to walk the line of doing enough to be believable and holding back enough not to despise himself, but it's a fine line, he fails often, and he spends a not insignificant amount of time worried he's backsliding.

And so it goes until 7-year-old Helen of Troy is kidnapped by Theseus to be his wife.

This, naturally, does not fly with Percy, who by this time has built up something of a reputation as a hero. He teams up with the Dioscuri to rescue Helen.

One would think this would earn him Zeus' favor. It doesn't. Instead, Zeus sends monsters to harry him for refusing to let Castor and Pollux take Helen's captors' loved ones captive and raze Aphidna for Theseus' crime. Percy manages to hold his own for quite a while but eventually, exhausted from the near-constant fighting, is gored and left for dead by the reformed Minotaur.

...and when Apollo arrives, frantic, to heal him, Percy ascends instead, becoming the greek version of Saint Sebastian - a minor god of heroes, strength in the face of adversity, and athleticism; sort of halfway between Hercules and Chiron.

Then and only then do Percy and Apollo finally get their act together, confessing to each other how much they care for the other and how much they don't want this to be fake any longer.

History proceeds apace - albeit with Persē being a second immortal trainer of heroes.

24 years after their arrival in the past, 16 years after Percy's ascension, The Trojan War begins. Despite their best efforts, there's only so much they can do - war is war and gods are gods. They are able to stop some of the worst excesses on both sides, but in the end Apollo still sends the plague that causes Agamemnon to take Briseis for his own, which caused Achilles' departure from the field, Patroclus' death, &c - not because Apollo was trying to maintain the timeline, but because in the instant he sent it he was angry and reverted to his old ways.

Troy falls...

...but when Zeus tries to use this as an excuse to ban gods from interacting with their demigod children, Apollo is able to say that's a bit extreme isn't it? with enough backing from the rest of the council that Zeus is forced to amend his ruling so that the gods are only allowed to freely visit their children on the "cross quarter days" that fall between each solstice and equinox (1 February, 1 May, 1 August, and 1 November).

This changes everything and nothing.

Time continues its inevitable march. Greece has its golden age before being conquered by Rome, which splits apart under its own weight and forms several smaller countries, which eventually spread their cultures around the world...

Apollo and Percy are there for it all. Persē is a minor figure in mythology, but never forgotten. He is ever-present in Apollo's temples - though the Church will later try to rewrite their myth so that they were merely sworn fighting partners, rather than lovers who eventually had a quite lovely wedding on Olympus (and then, at Poseidon's insistence, an even bigger ceremony on Atlantis). Percy takes over day-to-day operations of CHB from practically the moment the Trojan War ends.

...and so Persē is there the day Sally Jackson tries to get her son to camp, and is able to intervene when the Minotaur attacks on their border. He's able to meet her and her young son, Perseus ("Mom named me after you and the guy that killed Medusa since you're the only two heroes to have happy endings!"), and guide him through the trials that come with being a child of prophecy.

One day that Percy will hand Luke - who was never happy with the limited attention the gods were allowed to give their children - a cursed dagger so that Kronos can be defeated. That child will be offered godhood, turn it down, and go on to have a happy life with his eventual wife, Annabeth. He will never have his memories erased and be sent to Camp Jupiter. Gaia will not rise until long after that Percy's grandchildren are dead, and Zeus will not be quite so bullheaded when the proof of it is brought before him. That Second Gigantomachy is swift, well-coordinated, and fought without another Greek/Roman war brewing in the background.

And when they finally arrive at the day Apollo and Percy were originally sent back in time, Percy admits that while he is happy some version of him was better prepared for the war he was asked to fight in and allowed his peace afterward, he would change nothing about his own life, for it brought him to Apollo. The sunrise the next morning - on the first morning of the rest of their lives - is particularly spectacular.

Bonuses include:

Gaslighting Poseidon into believing that he's met Percy before the first time they're introduced. ("What do you mean you don't remember me, Father? You were present when I came of age! You gifted me this trident! Have I displeased you in some way?") It's an absolute masterclass that eventually manages to convince Poseidon that, yes, of course he knows Percy - and, maybe, he should check in on all his other demigod children to make sure he's not missed someone. (Two. He lost track of two of the others. Maybe he should be more careful about siring children in the future.) Apollo practically has to stuff his fist in his mouth to keep from laughing.

As much historical accuracy as can be crammed into the Percy trying to make sense of Ancient Greece chapters as possible. Think Of a Linear Circle - Part III by flamethrower levels of historical research. As much as can be shoehorned in without bogging down the plot.

Percy and Dionysus bonding over their mutual dislike of Theseus, though Percy generally gets along with his other half-siblings, especially the ones who come to camp young enough to keep from getting big heads over being the children of Poseidon.

Though Percy adores all the children in Cabin 7 (most of whom are born via blessing this time around), he and Apollo have at least one child of their own - maybe a demigod born before Percy's ascension to sell their fake relationship? Maybe a minor god who's later attributed a different parentage by mortals? Dealer's choice on details.

It never being made clear who, or what, or how, Percy and Apollo were sent into the past. All of Percy's oddities are attributed to him being foreign or formerly mortal, all of Apollo's to the fact that he's in love with someone who didn't die before their first anniversary, and no one ever guesses time travel is responsible for their eccentricities. Or that time travel was ever an option.

And that's all I have. As always, feel free to adopt, just link back if you ever decide to do anything with it.

More PJO Ideas | More Terrible Fic Ideas

[yukidragon]

Sunny Day Jack - Oopsie Baby 2

I've been scrounging up spoons as best I can to continue with the Jack accidentally getting Alice pregnant idea. I did a small continuation of it in a reblog replying to some tags, but I figured I'd make another proper post for as long as my spoons last.

Let's touch on a bit of the timeline for how this sort of AU might unfold. Beware of spoilers for Sunshine in Hell.

Content Warning: This post contains some spicy talk about sex and intimacy, both positive and negative experiences. I mean, how else is babby formed? There's also discussions about pregnancy, birth control, chronic illness, sickness, contemplating abortion, manipulative behavior, and a dash of overprotective sketchy yandere spice.

@channydraws @earthgirlaesthetic @sai-of-the-7-stars @cheriihoney @illary-kore @okamiliqueur @kurokrisps

As you may remember me mentioning from previous posts, Sunshine in Hell is my personal alternate continuity of the Something's Wrong with Sunny Day Jack story and won't follow the games one-to-one. For example, as I've also mentioned in previous rambles such as this one, the relationship that develops between Alice and Jack is more of a slow burn, and that includes being intimate. Their first kiss isn't going to be the same day or just a couple days before they wind up making love for the first time.

Still, the morning after they go all the way for the first time is the same day Shaun shows up to stay at Alice's place. It's just too hilarious to me to imagine how flustered she'd be about the whole thing, especially after Jack seduces Alice while Shaun is there to mark his territory.

So it'd be even more hilarious that this is when Jack accidentally gets Alice pregnant. She was already mortified and upset after she figures out he intended for Shaun to hear them, so why not have that moment cause further drama later~?

Though I suppose their first time could be when it happened as well. I mean, getting knocked up isn't an instantaneous thing. It takes a while for the sperm to reach the egg and what not, and Jack is definitely going to seduce Alice a fair amount of times before the seed that he planted starts to take root.

Which is more reason why Alice kicks herself for not buying Jack condoms. Maybe the surreal and supernatural aspect of their relationship made such consequences slip her mind. Being with Jack is like living in a happy dream, detached from the regular struggles of reality. There's also the fact that condoms are expensive, and she's barely struggling to keep afloat with her meager paycheck.

It's so easy for Alice to forget such troubling details when Jack is there, whispering sweet words into her ear, caressing and kissing her body so lovingly. He makes her feel so beautiful, desirable, perfect, and irreplaceable. It's so easy for her to get swept up by him. She's never felt so loved before. No relationship has felt so right. It scares her sometimes how naturally they fit together, so effortless in spite of challenges they face. It's nothing like her previous relationship.

Not to mention their connection causes his horny urges to rub off on her, increasing her libido. Sex with Jack is actually a pleasure for Alice, unlike previous experiences, and she's found herself hornier than ever after they start getting intimate. She never thought penetrative sex could feel so good, make her feel so connected to someone without any barriers between them.

Granted, Alice was a lot more cautious when she and Ian were together, and she always made sure he wore a condom when he was going in down south. Despite often losing control of himself when horny, and really, really wanting to do it bare, he was pretty good about making sure he was always wrapped.

Though I wonder if Ian remembered to use a condom when he cheated. I mean, he clearly forgot he was in a relationship at the time, so I'd imagine using protection would slip his mind as well. Hopefully he didn't get his affair partner pregnant. That would make things so much more complicated.

Ian and Alice had discussed having kids before, but as a far, far future thing. Though Ian was terrified about being a father, as he wasn't sure he'd be a good one. He never knew his father. The closest thing he had to a father was Alice's dad, Ambrose, and even then Ian felt guilty even thinking about as Ambrose like that, like he was betraying his mom somehow. Perhaps it was because of all his mom's talk about him being selfish with his desires and how all men are cheating scum...

Alice had yet to talk about kids with Jack.. well, outside of him being a kids TV host and being fond of them in general. Certainly, he imagined having children one day with his sunshine, but Alice was taking things slowly with Jack.

Of course now the topic is at the forefront whether they're ready for it or not.

Alice was so distracted by her new relationship with Jack and all the pleasure and complications that comes with it, pregnancy never crossed her mind. Too much is going on for that to come up.

First there's the relationship itself, then using introducing Jack to Shaun as a trial run before Alice tries to do the same with her family. This comes with the whole embarrassing incident of Shaun overhearing Jack and Alice going at it and having to deal with the awkwardness that follows. There's also helping Shaun move into his own place and getting settled in.

It's only after things settle into a new normal that Alice starts bracing herself for how she's going to introduce Jack to her family, though she's started talking about him to them without yet mentioning his supernatural nature.

It'll probably be sometime after Shaun gets moved into his place that things start seeming amiss. Alice suffers from chronic illness, and sometimes this causes her cramps, exhaustion, nausea and food aversion/sensitivity. As such, when these pregnancy symptoms manifest, she just assumes it's business as usual, more or less, even if the nausea gets pretty intense. She's learned she just has to deal with it by this point.

It's only when Alice realizes that she hasn't had her period for way too long that the thought pops into her head.

One missed period is something to take note of, but not necessarily anything bad. Sometimes a period skips a month. Two though... that's when things get dicey.

Heck, Alice could even be as far as three months in if she mistakes the light bleeding that's common to experience in the early weeks of pregnancy for her period.

It's possible Jack noticed something different about Alice. Being a ghost(?) he might possess more supernatural powers than we've seen thus far in the story. It's possible a part of him picked up on some sort of change in her warm light that he can't quite put his finger on. Maybe to him it's like she's glowing even more radiantly than she used to?

Though Jack is more focused on taking care of his poor sunshine while she's sick. Alice has to work even on days when she's throwing up. It's so unfair. If only he could work in her place. If only he could provide more. He spoils her even more to compensate, and she appreciates how far he goes to take care of her, but he can't take away all of her troubles and woes.

Once Alice has the thought she might be pregnant, that's when the fear sets in. She hesitates to say anything to Jack, at least not until she takes a pregnancy test, but it'll be very hard to hide anything from him. Since she's been sick lately, he's particularly keen on going with her everywhere, especially if she's doing something to exert herself. Still, she does manage to talk him into staying home to cook dinner while she picks up "a couple things" from the corner store, one of which being a tester.

Alice doesn't like keeping secrets from Jack, especially since they've become so intimate, but this fear feels... irrational? Like she shouldn't worry Jack about something that might not even be possible.

Like she shouldn't crush his hopes considering how isolated he is...

It's even possible she had a pregnancy scare in the past with Ian and, well... I have a feeling that would've been a very stressful situation involving a lot of tears and fears.

It's better if Alice is the only one freaking out about what might be nothing at all.

Besides... Alice is on birth control. There's no way it failed... right?

Jack does pick up there's something amiss when Alice starts acting dodgy around him. When she rushes immediately to the bathroom after coming home from the errand, he's willing to chalk it up to being related to her illness, but the feeling of panic he senses from her when she takes a while to come out has him soon knocking on the door asking if she's okay.

When Alice gets the positive result from the pregnancy test, at first all she can do is just stare at it in disbelief. She did buy a second one, just to be sure or in case she somehow messed up the first, but the result is the same.

That's when the panic sets in.

When Jack knocks on the door and Alice hears his sweet, concerned voice, that's when she has a bit of a breakdown. She didn't tell him to come in, but when he heard her sob through the door, he couldn't stop himself from rushing in.

Home pregnancy tests in the 80's weren't an easy to read stick, but a whole miniature chemistry set, so Jack isn't likely to recognize the iconic little device Alice is holding in her hand. As such, he has no idea what's wrong and needs to calm her down so she can tell him.

Needless to say, Jack is floored when Alice tells him through tears that she's pregnant.

At first, Jack stares at her, stunned, then when it's clear that he heard her correctly, he's overcome with emotions - disbelief, joy, and worry being chief among them. The idea of being a dad is terrifying, but at the same time he's elated. A part of him wants to spin her around in the air and shout for joy.

It's her fear and tears that mollifies his excitement.

Jack focuses primarily on reassuring Alice, tucking away his excitement and his own worries for later. His sunshine needs him now... as does their unborn child.

Alice is so angry with herself. She should've thought about this possibility. She should've known better... bought condoms, got better birth control, done something! It's all her fault. After all, it's not like Jack can get his own birth control, and he always dutifully follows her lead. How could she have never even thought about this before? She was so reckless.

Jack remains strong for Alice, talking her down from spiraling while cuddling her close. He gets her off the bedroom floor and onto their bed where where it's comfy. She's not hungry for the dinner he made for them, but that's okay. He can heat it up later. Right now taking care of her comes first.

The situation is complicated. Jack understands full well that this is going to be a huge challenge, but he assures Alice they can both handle it. He promised to always be there for her and take care of her after all. He'll take care of her and their child, no matter what.

Alice worries about the logistics of it. This place is too small even for two fully grown adults, let alone a baby. Her apartment in Sunshine in Hell is much smaller than the one she lived in with Ian, with only one bedroom, one bathroom, and a common room sectioned off into a living room and kitchen/dining room.

Her paycheck is pathetic. Even though Alice always makes sure Barry doesn't stiff her on all the overtime she works, it's still barely above minimum wage. She has student loans to pay off, medical bills she has to pay with chronic illness and the like... plus having meals with Jack so he can feel more like a regular human means she's spending more on grocery money. How can that pitiful paycheck stretch enough to handle a baby on top of all that?

Then of course there's telling her family. Alice hasn't even told them about her situation with Jack yet. How is she supposed to explain this?

How is this even happening?

The rest of the day is spent with Jack comforting Alice and talking her through her panic and anxieties. It worries him how upset she is by this news that overall has made him so happy. He does share with her that he's worried too, but he knows that together they can handle anything. They'll be good parents.

Alice does consider abortion as an option, but the idea is too much for her to handle. She can't even vocalize the thought. She's pro choice, but that means understanding herself and what choice is best for her. As hard as having a baby will be at this point in time, the idea of getting in an abortion... she can't even think about it. It's just too much.

Fortunately, she doesn't have to. Jack does pick up on this line of thought and how hard it hits Alice, so he redirects the conversation away from it gently. He gets her to focus on the things they can do to make things work.

It might be happening a little sooner than Alice expected, but she said she wanted to have kids one day, right? It was something she mentioned while they were still just friends (likely when finally spilling her guts about Ian and lamenting all the dreams that were destroyed there). Even if the situation isn't ideal, she has a partner who loves and supports her. No matter what, Jack will be there for her and their baby. He's taken care of her so far, hasn't he?

After quite a long and emotionally exhausting conversation involving a lot of reassurance and love, Jack does manage to coax Alice into eating a little before she finally passes out. They have a plan of action in place, to see the doctor as soon as possible to get this confirmed and make sure she and the baby are healthy. After that, they'll take things step by step.

Money is the biggest issue in this capitalist society. Jack knows it all too well. Though he runs away from memories of being Joseph, the days when he was a penniless drifter still haunt him. He won't let that happen to Alice and their baby.

It's not a good thing what Jack is considering, but he did promise to take care of their little family, didn't he? What kind of man would he be if he just sat back and let Alice do all the hard work?

Still... Jack can't bring himself to go too far (yet). He's Sunny Day Jack! Sunny Day Jack would never consider doing something underhanded and illegal, even if he really needs the money.

But maybe... a few nudges to her boss might help grease the wheels a bit. Barry is such a bully, constantly forcing Alice to come in, especially when she's sick, pushing her to work long hours, trying to squeeze extra free hours of labor from her where he can. He owes her for all of that, as well as all those days off he yanks away at the last minute and overtime he just expects her to do day in and day out.

Jack always thought Barry was taking advantage of his sunshine. He encouraged Alice to stand up for herself more and make sure she got what was owed. He helped on her end, but clearly it's Barry that truly needed the lesson here.

Besides, it's not like a nightmare ever hurt anyone before, or a few sleepless nights for that matter. Jack is just teaching a naughty boss a lesson about respecting his employees and treating them fairly. A hefty raise and some bonuses are the least Barry can do after all the suffering he put Alice through.

If that's not enough... well, Jack will just have to brainstorm more ideas about ways he can take things into his own hands.

What's for sure is that Jack isn't going to let Barry push more overtime on Alice either. If anything, she needs more time off to rest! Pregnancy is hard on the body - especially a body that's already suffering from chronic illness!

Jack doesn't go too far, at least not right away. Terrorizing Barry is something he can excuse as justified in his mind right now. Outright theft or other highly illegal activities to acquire money? Not so much.

At least... not until Ian comes back into the picture, trying to act like the hero and save Alice from her plight.

Ian doesn't find out about the pregnancy until Alice mentions it on her socials. She joined some online support groups for people unexpectedly expecting for the first time, and Ian stalks every single account and who she follows to snatch up any scrap of info about her that he can.

It crushes him. At first, Ian almost believes that it's his baby Alice is pregnant with. It must be.

But that's just impossible. They've been broken up for over a year now.

Not to mention Alice has talked about a new boyfriend in some posts. Ian was going crazy trying to find more than just some drawings she posted about him, but this "Jack" character is like a ghost, with no footprint online.

Ian isn't even sure Jack is real. After all, that face paint and strange outfit look an awful lot like the part he's been hired to play. He actually convinced himself that Alice was stalking him like he was her (which makes it totally okay!) and found out about the part, which means she's indirectly telling him that she misses him by drawing "him" as his new persona that's going to make him a star.

But Ian doesn't say as such to her. No, not with how Alice is stubbornly distancing herself. She's been vulnerable since they broke up. She nearly accidentally killed herself after finding out he cheated. Anyone could've swept in while she was vulnerable to take advantage of her then dip out when she got knocked up.

It boils Ian's blood to think of such a predator targeting Alice like that, especially after he hurt her so badly already. Now more than ever he needs to step up and help her. He needs to cross the boundaries she put up to keep him out, for both their sakes.

So Ian gets in contact with Alice through a mutual friend. Heck, maybe even gets them to trick her into meeting with him someplace where he's waiting with a bouquet of flowers and a tearful apology.

Which isn't going to go over well. Alice would be freaking out at the ambush, especially since she'd be very visibly pregnant by this point and extra emotional due to hormones.

Ian was prepared for that though. He manages to keep Alice from running away and puts his metaphorical foot in the door. He apologizes. Not only that, but he offers her money, claiming there's no strings attached. He owes her at least this much for all that he's put her through.

It's a very unpleasant conversation for Alice to say the least, but she knows Ian well enough to know he's sincerely sorry. She knows he's in pain. He might have tricked her with this meeting, but he does care... He knows she wouldn't have the heart to abort or give away her baby. She's so kind, and she'll be a wonderful mother. He always knew she would be.

Ian feels sorry for himself for a bit, lamenting his mistakes, but he's going to make it up to Alice. She and the baby need help, and he'll do that for her... It doesn't even have to mean they're back together as a couple. Conceding this point is like a spiky lump in his throat, but he reminds her how they've always been each other's best friends, and he wants to be her friend again now. He won't push anything on her. He just wants to help.

Of course we all know Ian isn't going to be satisfied with just remaining friends, but he's learned over the past year or so since they broke up how to adjust his tactics. He's had to learn the art of the deal and how to make people want you in order to make it anywhere in his model and acting career.

Is it manipulative? Of course not, Ian would insist! How could it be? He's just making things up to Alice and showing her how sorry he is. He's proving it with his actions and not just his words. If he proves it well enough then he'll be able to make amends and make things right between him and Alice.

Ian doesn't even care who the father of her child is. He's not ready to be a father, but he views it as a sacrifice he's willing to take in order to have Alice back. He'll do his best no matter how scared he is, since losing Alice has been far worse than all the what ifs and fears he built up in his head.

If not for the pregnancy, Alice would turn down the money. She left the big apartment, her old job that she enjoyed, and a lot of possessions behind after the breakup just because they were tied to Ian. She willingly threw away all that money just so she wouldn't be reminded.

But Alice has a baby to think about. Her child is far more important than her hurt feelings or how icky she feels about accepting charity from her ex. Sure, Barry has surprisingly given her a pay increase lately, but it costs so much to get baby supplies and rent a bigger apartment. Plus there's the medical bills...

It... it should be fine, right? Ian owes her for all the pain he put her through and this makes them even... right? But how can she tell him not to contact her again after accepting it? He might claim there's no strings attached, and maybe he believes it, but the emotions tied to it can't be so easily severed.

Naturally, Jack is anything but pleased by this whole thing. He can't do much to stop it, save encourage Alice to leave, but Ian keeps drawing her attention away from him with pitiful attempts to gain her sympathy. Alice is so kind. Even after how much Ian has hurt her, even though this meeting itself is painful, she still doesn't want to hurt him.

Jack does help bolster Alice's resolve to turn down the money, at least initially, but Ian is surprisingly insistent. He drops the money into her account before she can stop him. He still has her account details from when they lived together and had started intermingling their finances. Alice forgot about that since he never did anything related to it since the affair.

When Alice sees that amount hit her bank account, she's just stunned. How the hell did Ian get so much money? Sure he looked good, and he was wearing expensive clothes and product, but...

Then again, Ian has that modeling job now. He's popular. He talked about this show he got a starring role in. It's hush-hush right now, but he'll let her in on the details since she's his oldest friend.

Alice isn't interested in details. She keeps trying to avoid letting this situation get more personal... but Ian has become more confident since he moved away. He's so different in a number of ways that it's hard to recognize him... yet he's also the same in ways that are maddening and make it so hard for her to stop caring about the little bullied boy who was her only friend in school.

Jack helps Alice cut the meeting short, or at least shorter than Ian would've liked. Ian accepts her retreat reluctantly, but offers that she can contact him at any time. If she needs more money, help with anything, a shoulder to cry on, or anything else, all she has to do is ask. He's there for her... always.

Oh you bet your butt Jack has a lot to say about that sentiment.

Unfortunately Jack can't tell Ian off, at least not there. Sure, he could expose himself, write a message like he did with Shaun, but that needlessly complicates things.

They'll just need to have a private discussion later.

For now, Jack focuses on Alice, reassuring her that she doesn't need Ian or his money. She doesn't have to deal with feeling hurt or awful like she does whenever she even thinks about Ian. She has Jack, someone who loves for her and their baby and will move heaven and earth for them.

Alice did make it clear right away that she's in a new relationship with someone else. She's happy now. She even mentioned Jack by name, though that resulted in Ian giving her strange look she couldn't quite understand. He didn't seem as crushed as she expected him to be. He even asked about Jack, and Alice declined to answer, not wanting to prolong the conversation.

Ian caught how Alice winced when he asked to meet Jack, maybe get his phone number or photo. Her avoidance of any of these just felt like proof to him that he was right about the identity of this "boyfriend" of hers.

The entire encounter was stressful, and felt far longer than it actually was. Alice was left feeling a bit conflicted and unhappy with herself for letting Ian get to her like this. Fortunately, Jack was with her the entire time. It was reassuring to have him holding onto her while she had to face Ian. He gave her the strength she needed and made dealing with suck an icky situation just a bit easier with his reassurance that it was okay to just leave Ian behind. Jack continues to reassure and comfort her after the meeting, which she needs badly after being so shaken.

Keeping the money is something Alice is the most torn about. She doesn't feel good about it, and Jack says they don't need Ian's help, but... they do need money. She's living paycheck to paycheck, and the baby isn't even here yet! She's barely keeping her head above water.

Can Alice really let something as petty as pride keep her from giving their baby a good life?

Jack has been helpful the entire time. His help has been invaluable. Alice doesn't think she could hold it together without him. This money doesn't take away from how important Jack is to her or how much she loves him. It doesn't change who her baby's father is.

Jack can't do anything his sunshine doesn't want, and that includes returning the money.

So Jack will just have to take matters into his own hands. As long as Alice doesn't need that money, she won't feel pressured to keep it.

Alice also won't have to feel obligated to let Ian back into her life if Ian is the one who decides to leave her alone once and for all.

Alice was right that a parent can't let their pride get in the way of taking care of their child. That includes Jack's pride in being the flawless role model of Sunny Day Jack.

So what if a law or two is broken? It's not like the law applies to someone who doesn't legally exist. Jack might as well take advantage of this almost nonexistent state he's in to get away with things no one else can.

Ian might have a lot of money to throw around, but Jack can do so, so much more than Ian could ever dream.

Jack just has to figure out a way to not get caught by the only person who can see him. It's not that Alice would reject him for what he did for her and the baby, oh no! It's just not good to stress her out more than she already is.

Alice doesn't need to know, just like she doesn't need to know about the person Jack used to be. He's still clean as long as she doesn't know. Jack can stay clean and perfect and everything Alice will ever need.

Things might've gotten a bit out of control, but that's okay. Jack can fix it. He's quite the problem solver. All Alice needs to do is take care of herself and love him with all her heart, just as she's been doing.

Jack has been given a second chance. He'll never let anyone get in the way of that.

I think I'll wrap things up on that fun yandere note, as I'm starting to run out of spoons. Maybe next time I can go into the King family's involvement and how Jack might try to win over his new in-laws despite a lot of obstacles standing in his way. I hope you enjoyed this ramble about the drama that comes with unplanned baby making!

[miraculouslbcnreactions]

Last post you talked about your ideal version of canon, I was wondering could you share it with us? If not, that's ok

Oh man, I could go on about my dream version of canon for ages! I've talked about various aspects of it on here with stuff like my "sugar" posts on Nino and Alya, but the broad strokes are:

Serialized story where it's basically one large narrative told in chunks

A true teams setup where Adrien, Marinette, Alya, and Nino feel like this amazing, tight friend group who grows into a found family as they get older, giving platonic and romantic love more equal billing

No guardian order, just have it be a single-person role that gets passed on from person to person

Kagami and Luka in supporting roles that have nothing to do with being love interests

Sympathetic Gabriel who feels like a truly tragic figure, but who does NOT get redeemed

Emilie gets an actual character

No sentinonsense

Revised miracle box that is way smaller and that has strong lore

The Agreste's aquiring the miraculous is far more morally complex, makes sense, and was not done for explicitly selfish reasons

Reverse the love square right from the start and never have the crushes flip

I've talked about all of these things on here, but the one thing that I've only briefly touched on is my love of a reverse square setup. I am passionate about that one, so let's take a moment to talk about why since it's probably going to be the most interesting to read.

I don't hate the canon setup for the crushes, but also I don't think that they're the ideal crushes. When it comes to romance stories, you want to design your love interests around each other. You want them to feel special and like they bring something unique to the table. Canon doesn't really give us that. There's nothing all that special about Adrien that makes him feel like the person that Marinette would be drawn to above all others. Same goes for Chat Noir and Ladybug, but we'll get to them in a second.

What is Marinette's biggest struggle? Her role as Ladybug.

Who is her main support in that role for most of the show? Chat Noir.

Who is her main support on the civilian side even before the reveal? Alya.

So why is Marinette's crush on Adrien and not Chat Noir? I don't know. It's the lesser setup by far and that goes beyond just the logic elements of who it makes the most sense for her to fall in love with. A lot of Marinette's worst behavior actually feels justified in a reverse crush setup, allowing you to write her without major changes to her character.

For example, Marinette keeping a chest of gifts for Adrien is kind of pathetic. She's friends with Adrien and she gives her friends gifts all the time, why can't she give him gifts, too? Reverse the crushes and suddenly this behavior makes perfect sense. Marinette isn't storing up gifts because of overblown fears of rejection. She's storing up gifts for legitimate fears about how her partner will explain these random gifts, thereby risking his identity, meaning that she has a sold argument for waiting until the time is right (post reveal) to give them to him.

There's also the legitimate fear that confessing her love could ruin their dynamic and put Paris at risk. Keeping her feelings to herself is now an act of self-sacrifice and not just an act of nerves. Basically everything about Marinette's hesitance just makes so much more sense if it's on the hero side.

But what about Adrien? How does this fix him?

I love the idea of our male romantic lead falling for our female lead because she's bold and brave, but it honestly doesn't fit Adrien's character. He is surrounded by powerful, confrontational women. Nathalie, Chloe, Kagami, Amilie, Audrey, and Tomoe are all no-nonsense women who get what they want. This means that Ladybug doesn't bring something unique to his life. She fits the standard mold. Adrien falling in love with her after she talks down Hawkmoth doesn't feel like the right choice for his character because it doesn't feel like something he'd be wildly impressed by.

Meanwhile, Marinette is shown to be a generally wonderful friend. She cares about others and will do what she can to make them feel welcome and accepted. That's a much more unique thing for Adrien to experience. Think about the umbrella scenes and imagine if it was Marinette apologizing. Marinette owning that she treated him poorly and asking his forgiveness. How often do you think Adrien gets moments like that? Doesn't it make more sense for something like that to make his heart flutter?

We see Marinette doing things like making banners to celebrate her friends (Timebreaker) and making sure everyone feels included (Reflekta). Imagine her giving Adrien that kind of treatment because it's just who Marinette is. She shows up to his fencing matches to cheer him on. Brings him his favorite snacks as a treat just because, surrounding this poor boy in honest, genuine love and support. Add in respect, too, and he'd be a goner because those are the things that he's not getting anywhere else! The things that make Marinette unique.

This brings us to our new civilian dynamic. In canon, it's Marinette failing to confess in ever more spectacular ways as Alya tries and fails to help. In a reverse crush setup where everyone is friends without gender barriers, it's things like Adrien coming up with his canon confessions and then watching Alya and Nino react with genuine horror because, dude, you're going to give her a panic attack! No! Bad kitty! Stop that! No confessions until you come up with a plan that we approve of and read at least five books of dating advice because holy shit did homeschooling do you dirty in this area!

Then, while Adrien is working to learn how dating works, he learns that Marinette is in love with Chat Noir and, oh no! He thinks she's into his public persona, totally unaware that she knows the real Chat Noir and loves his dorky self. So he tries to emulate his sexy alter ego while Nino and Alya suffer and Marinette is just generally confused because she doesn't think of Chat Noir like that, so she doesn't even notice what Adrien is doing.

This also adds a nice mitigating factor to Adrien's unwillingness to give up even though it's pretty clear that Marinette isn't interested in his civilian self. If he knows that she loves him, then his persistence is less concerning and more comedic. It's not that he can't take a no, it's that he honestly knows with 100% certainty that the answer is NOT no because she's told him that to his face. He just needs her to realize that the guy she's in love with is right here, ready and willing!

The potential for comedy is just so much more broad and so much less mean spirited because Marinette has none of Adrien's reserved nature, so her friends would totally know about her massive "celebrity crush". Adrien comes over for school projects and just stares longingly at her Chat Noir posters, wishing he could tell her his secret, but knowing that he can't.

In my world, that is so much more fun than canon's setup where Marinette has no reason to hope. I also wouldn't draw the crushes out anywhere near as long as canon did. I like getting couples together in the mid-game. It's a nice early plot to hook you in, but defeating the villain is the end game, so we don't need to draw the romance out that long. Romance isn't that special. It's not all that different from an arc about two characters becoming friends.

That's far from the only major change I'd make to shape canon into my ideal version, but it is the probably the change that I love the most. It's also the change that requires the least context to explain, so there you go!

[plusvanity]

Hii, a few posts back you said you have your opinions on Faust and Euronymous separately could you make a post on that?

Love your analysis :)

Øystein has an interesting personality. I talked a bit about him in comparison with Varg at some point because they do share a few characteristic features.

I would describe Øystein as ambitious, talented, creative, hard-working and a leader. I don't think he worked very hard (as Varg, for example) to gain admiration from the people around him, I think that his ingenious ideas and musical innovation attracted people naturally.

He knew how to make himself be respected by his peers because he was open-minded, understanding, and had an optimistic attitude (as many described him) towards life.

It's pretty clear that he wasn't as mentally unstable as others in the scene, but it doesn't mean that he had no issues. I believe he had a bit of an inclination to be people-pleasing while also trying to remain firm on his views and beliefs.

He was prideful, confident (especially about his music), enjoyed the position of power and influence in which he was but didn't abuse that at all. He was arrogant at times and full of himself, but there is a fine line between the character that he was playing (Euronymous) and the real person he was inside.

I see him as having a few narcissistic features but not enough to consider him in the NPD spectrum. He was also quite understanding (especially when Euperor got signed by Candlelight Records) and you don't really see full-blown narcissists being reasonable and understanding.

Unfortunately, because of his strong personality and leadership attributes (dominant, assertive), he managed to attract a very toxic person in his life that lately became his murderer.

The fact that he had a healthy relationship with his parents tells a lot about him. He seemed to have much more authentic confidence than Varg ever had as well as discipline. He seemed much more thoughtful about consequences than Varg, and this became apparent when he took a step back from a situation that would have brought him extra fame, but also MASSIVE implications (negative attention). He also closed his shop at the suggestion of his parents.

These attributes generally come from a 'good enough' household.

Later on, it's quite evident that he struggled with depression because of Pelle's death. There are some indications of 'self harm' and excessive drinking behaviour. But it is also possible that he had episodic depression in the time that Pelle was alive because we all know that depression and anxiety are socially transmitted mental illnesses (or at least we should know).

I personally find his implication in church-burnings a theatrical movement rather than a truly antisocial behaviour. So this makes me think that naturally, he had fewer violent impulses than he wanted to display to the public. In addition to this, he even tried to dissociate himself from the image that Varg's juvenile criminality was put on him.

He had an inflated sense of ego that I tent to see it as theatrical rather than real, but this is how they were 'playing the game' back then.

His coping mechanisms after Pelle's death were dubious, but it is what it is. There is no point in getting into details. People cope differently with trauma. Øystein tried to cope as best as he could.

This is a very rough summary of how I see him.

Now, when it comes to Faust, I know he was seeing Øystein as a mentor. He had a lot of respect for him, this is undeniable.

Now, not all people are able to commit murder, even if in self-defense. What Faust did was reacting on impulse. I don't know what was in his head when he did it, but he described in an interview as 'seeing himself out of his body as he was doing it' and this is due to adrenaline rush combined with the brain's inability to cope with what is happening on the spot. He dissociated at the scene and probably had a hard time believing what he did after that.

In the context in which Faust committed his crime, this is antisocial behaviour. Another detail that stuck out was how he described the incident. 'Stomping on his head' is nothing but cruelty and sadism, in my opinion.

I am not saying that he is in a 'certain way', but these are my thoughts on him for what he's done.

Remember that anyone who killed a person or an animal can do it again. This is a psychological fact. Maybe they will never repeat their mistake, maybe they will seek redemption, but once you've done something like this, you are very, very likely to repeat the behaviour.

I hope you find this useful, anon

[blackbat05]

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Jason Todd x Library Assistant! Reader

Plot: Your week has been difficult and the emotions start to pile up on you. Luckily, Jason has the perfect plan for a Friday evening self-care.

Genre: PG-13, Comfort

A/N: Wrote this one shot when I should have been sleeping🤡 The week has not been the easiest and you know my style… writing to release the steam. I hope you still enjoy and that it brings some sort of comfort if you’re struggling as well. Reblogs appreciated!

This week was really not it.

You were almost reaching the end of the week, where you could taste the sweetness of a Friday when shit had to hit the fan.

First, the kids weren’t listening to you as you tried to conduct story time. You tried to be assertive and authoritative as possible but frustrating was only the one word out of many that you had at the end of the day.

The next day wasn’t any better as you had to sit through a meeting that left a bitter taste on your tongue. You felt eyes on you as you walked around the campus but tried to keep your head up high.

Then, it happened.

You had to stop an actual physical fight in the library.

Unsuccessfully should be the prerogative word.

Teachers came out of the staff room like bees attracted to honey- or screaming in this case and you had never felt more embarrassed. Still, you had a job to do. Reporting and crowd control.

The aftermath wasn’t pretty. You kept trying to tell yourself that the suggestions were out of goodwill. But it didn’t help when you kept replaying it in your head and they sounded uglier by the second. As if it was directed at you and your incompetence.

It took a lot to squash down your anxiety and insecurity to back where it rightfully belonged. But you were valid to be upset at the injustice you were facing. You wished you had quicker comebacks at the remarks instead of a weak defense that only made you sound like you were just making excuses.

No. You had to be strong, you had to believe that you were doing the right thing all this while. The air felt thick again and you were glad when school ended and you could leave earlier on a Friday.

As you head down the stairs, you see a familiar motorbike parked next to the security guard post and a mop of black hair with a tinge of white.

“Jason!” You waved happily as you reached the bottom.

“Hey princess.” He opens his arms for a hug which you gladly accept. “Looks like I got here in time.”

“You have no idea.” You groan into his chest, earning a chuckle from him.

Waving goodbye to Sam, the friendly guard, the two of you prepare to set off on his bike and straight into the weekend.

The ride was everything you needed. The gust of fresh air was a much welcome reprieve. Suddenly, the emotions from the week start to swell in your chest and you fight the urge to cry by leaning further into Jason’s back.

“Let it out!” Jason yells to make himself heard over the howling wind as you zoom across the expressway. “You’ll feel better!”

So you do. You let your tears run even if it means you’ll probably look like a puffy eyed demon when you reach your destination.

It wasn’t easy, coming to this point of your job. You knew how hard you had to fight for everything that you had achieved so far. You made sure to not make the same mistakes and all was going well.

That is why you absolutely hated the fact that this week had rattled you very badly that it dredged up old wounds.

Blinking away your tears, the bike slows down and you find yourself in front of a Korean Restaurant that you’ve always wanted to visit.

“You’re too good to me.” You thanked Jason, still riding high on all the emotions. But you didn’t care about putting them on display because Jason was the only one who knew and understood what you were feeling.

“I did nothing.” Jason is modest and guides you inside the restaurant, ready for a sumptuous and hearty meal of spicy stew.

As you wait for the pot to boil, Jason looks at you through the rising steam as you recount to him your week. He doesn’t interrupt, making the right reactions at the appropriate times.

“You did everything you could. Don’t be too hard on yourself.” Jason says as you finish. “I wasn’t there but you sounded really badass.” He tries to lift the mood, earning a small smile from you even though you don’t say anything.

Jason frowns. “What did your boss say?”

“She said that it was beyond my control and I did everything that I could.” You sigh. “But maybe they’re right. I have to be stricter than these incidents will stop happening.”

“Then, it’s settled.” Jason is firm. “You’re not at fault. Did you do what Macy did the last time?” He asks, referring to your recent librarian and supervisor who left the job to go to Spain with her family.

“Yeah. I didn’t want to change it too drastically.” You respond and Jason nods as if all this was logical.

“Exactly. You did what she’s supposed to do. You’re continuing what she is doing. And if anyone has any smart-ass opinions, tell them to take it up to management themselves instead of directing their anger at the wrong place.” Jason becomes more heated by the second and you can’t help but to be a little amused by this. You’re grateful for a loyal best friend like him.

“I’m serious! If this happened previously before you came, then it’s not on you.” Jason insists. “And! Where was the help when you needed it! Do more fights have to happen before you get reinforcements?” He rattles off, taking a big gulp of water from the cup.

“Thanks Jaybird.” You take his bowl and pour some stew in. “I knew I could count on you to be on my side.”

“Always. Besides, you couldn’t do any wrong.”

You laughed, taking a sip of the comforting stew that instantly made your worries go away for that moment.

“But I’m serious.”

“About what?” You ask.

“That you’re doing a great job.” Jason states. “Not because I’m trying to humor you,” he clarifies. “I think you’ve went out of your way to try to fill that empty gap as much as possible for these kids. Considering what you went through back then, you could have just taken a back seat.”

As Jason’s encouragement spills out from the bottom of his heart, you realized that was all you needed. That despite shitty moments, someone told you that you did your best, and that was all that mattered.

“So don’t think about it too much alright? At least not tonight. Because we are going to have the best meal of our lives!” Jason declares, ordering a soju bomb. You protest at that but he waves the concerns away, mischievously waving a black credit card which you could only assume belonged to one person.

“Only for my best girl.” He grins, offering to clink glasses with you. “To being your biggest supporter and shitting on shit people!” He raises his voice, earning some stares from other patrons, causing you to giggle.

“Cheers! To trusting myself and not listening to shit people!”

Jason roars with delight at your loose lipped declaration and pours you another drink, continuing the carefree evening with good food, good laughter and the best company.

Yeah, you were going to be okay.

[mxtxfanatic]

@reinedeslys-central While I am enjoying our convo on that other post, I figured it would better to move it off of op's post since they haven't engaged with it. So in response to your last reblog, I don't think we're really disagreeing with each other for the most part, but I do have a question for you about when you said this:

It's weird for me to think he actually feels no remorse over his actions with the wen remnants though, because, hey, killing innocent people, so I guess that's why I'm more inclined to that interpretation of mixed feelings?

Why do you feel this way? Why is it "weird" that Jiang Cheng feel no remorse about this in canon? He certainly doesn't show remorse about it at any point in the text. He certainly never thinks about the wrongs he committed against the Wen remnants in the text as "wrongs." Jiang Cheng has a reputation for attacking, torturing, and killing a lot of people off the strength of his hatred for Wei Wuxian and the QishanWen along with him just being an overall bully (like at the Dafan Mountain hunt where he attacks smaller cultivators to force them to leave the competitive nighthunt). For me, to say that it would be strange for Jiang Cheng not to feel remorse is like saying it would be "strange" if Xue Yang didn't feel bad for all those villages he tricked Xiao Xingchen into massacring. Xue Yang didn't see those villagers as people deserving of life. Jiang Cheng didn't see the Wen remnants as people deserving of life, either.

Jiang Cheng brought Jiang Yanli to see Wei Wuxian because Jiang Yanli asked for it. Just like Wei Wuxian was invited to Jin Ling's 100-day celebration because Jiang Yanli asked for it, not because Jin Zixuan wanted to be nice all of a sudden. Jiang Cheng shouldn't get the credit for the idea just because he fulfilled it. On that note, the defection duel was agreed upon by Wei Wuxian and Jiang Cheng because Wei Wuxian refused to return the Wen remnants to the labor camp, and Jiang Cheng kept saying that it would affect the Jiang's reputation that he would do such a public thing while still a part of their clan. In this story, reputation doesn't mean shit if you have the power to put your money where your mouth is. But Jiang Cheng's character is that he is always seeking approval from figures he considers more esteemed than himself. So he could have stood up against the Jin and been fine, just like the Jin stood up for Xue Yang and were fine. His refusal to do so was pure vanity, not strategy.

As for how the Jiang were left off after the war: Jiang Cheng and Wei Wuxian didn't have to rebuild because Lotus Pier was never destroyed. Wen Chao and co. were living in it because it was the supervisory office. The only thing damaged in the place were the lotus symbols that the QishanWen had intentionally defaced. Whatever wealth the Jiang had was either kept in Lotus Pier, meaning it was reclaimed immediately with the reclamation of Lotus Pier, or it was transferred to Qishan, which means it was reclaimed after the war ended. On top of all that, all of the land and wealth of the QishanWen were split amongst the victorious clans of the Sunshot Campaign, likely with the biggest clans who contributed the most receiving the largest cut. Since Wei Wuxian was a one-man army key to the Sunshot Campaign's victory, that means the Jiang would get a good portion of this bounty, which means they would be richer than when the war started. And Jiang Cheng had recruited disciples during the war, while Wei Wuxian drew in cultivators during and after with his new cultivation. There's not a single piece of textual evidence that suggests the Jiang were struggling after the war, not material-wise and not reputation-wise. It was only Jiang Cheng who wanted to attach himself to the Jin Clan by any means necessary because the Jin were very overtly trying to fill the power vacuum that the QishanWen left behind in their downfall, and Jiang Cheng wanted on the boat.

[penkura]

Special [2/2]

Note: Second part from this request here! Sorry it took so long, I've been burnt out and just struggling to get things out lately. I'll have an update post later today, I think.

Sanji really does feel awful when he realizes what’s going on with you, why you walked away and said you wouldn’t bother anymore. He hates how he’s made you feel, without even realizing it, but he never expected you would actually like him back. He’d resigned himself to the fact that, in his mind, you didn’t have any feelings for him nor would you ever. He’s used to it but for some reason it hit harder when he thought it was you that would reject him.

So he never said anything. He treated you normally, as normally as he could when he thought you were so perfect, but it seems like he's made a mistake. He’s made you think there’s something wrong with the way you look, when it couldn’t be farther from the truth. Nami has heard it so much from him she’s started rolling her eyes while Sanji nearly cries to her about how much he adores you.

No, how much he loves you. He’s not told anyone else, only Nami, making her concern3d the moment she notices you avoiding and ignoring him. Once she gets Sanji to tell her what happened, she’s so close to smacking him upside the head for being so stupid.

“Of course she’s upset, you’re an idiot!”

Nami spends the better part of her afternoon berating Sanji, who cant even argue with her and just nods in agreement to everything she says. She stops him before he can even ask for ideas on what to do so he can make it up to you.

“No, you’re doing that yourself this time.”

It takes him most of the day to decide what he could do, what he could say, so it surprises you when he finally shows up after dinner that evening. He’s not looking you in the eyes, but he has your favorite flowers with him, it makes your heart ache a bit, believing he’s done this to every girl he’s ever upset in the past so you don’t move to take the flowers. You’re trying to stop your feelings, he's making it so hard though.

“Sanji—”

“[Y/N], I’m so sorry I made you feel like you aren’t special to me. I…it’s no excuse, but I didn’t think you’d ever have feelings for me like I do for you so I was trying to distract myself from you,” it starts to make sense, but you still don’t move, you’re not entirely sure you can trust him, “If you never forgive me I deserve it, but…can you give me a second chance? No, that’s not right…let me have the chance to make it up to you, and prove you’re so much more than to me than you think you are.”

You’re both quiet for a few moments, Sanji believes you’re completely done with him while you think it through.

A conflict between crewmates over something is always a possibility, but when it’s due to romantic feelings it feels weirdly worse to you. It feels like you’re letting it take over everything, but you’ve had these feelings for so long that you aren’t sure they’ll ever go away, even if you are trying to stop it. You still want to be his friend if nothing else, though it almost seems like he may want something more.

That’s something to discuss later.

Sanji starts to feel like things will get better when you reach out and take the flowers, not looking at him even when he looks up at you.

“…you can make my favorite dessert to start…and explain yourself better.”

The grin on his face makes you smile just a little bit in return, as Sanji nods and takes your hand to bring you to the kitchen.

“I’ll start right away while you put those in water! I’ll make you whatever drink you want too!”

“That sounds nice, Sanji…”

Before you get too much farther, Sanji stops and pulls you into a hug that you return.

“I’m sorry I made you feel like you weren’t special to me…you mean more to me than anyone else in the world.” You’re going to choose to believe him, especially when Sanji goes the extra mile to make sure you know how much he loves you.

[minjoonapio]

🎐 Wind Breaker CH.155: Oath

💭 Thoughts & Analysis

⚠️ SPOILERS ⚠️

Note: Sorry for the late post. I posted way ahead on twitter on the same day the chapter dropped.

Yeah I am…ecstatic about this chapter. It’s like the anime was playing in my head and for some reason Yuki Hayashi’s MHA OST was playing at the background during the turning point of the chapter lol. So yes this is added to my fave chap list 🙂‍↕️

We finally got a POV of Chika Takiishi! I am not sure if this means that Chika has Face Blindnesss. A condition where you struggle to recognize faces or can’t interpret facial expressions and cues. It can explain the push for him not to connect with people. Or it’s just solely, like he said, he has no interest in people.

But then people like Ume and Endo came along and kept shoving themselves in Chika’s path. Ume was seen as a nobody at first, a common boulder in his path. But with how they constantly insisting being in their path, Umemiya eventually became a goal to reach; a challenge to overcome. And Chika found enjoyment in that.

The fact Chika says “these THINGS called HUMANS” He completely disassociates himself as that. It also explains why he held this stoic face for most of his pages, not a single different emotion until he faces Ume. I guess he really does see himself as what Endo does—A god.

But I think it's not only because he chooses to be this way. If he really has a condition, he is sort of forced to choose not to care, and not to give so much effort in connecting with people.

Chika looks sad that the fight is over. Before all this started, he was walking around with Endo in search of enjoyment for the past 2 years. His world has shifted ever since he met Umemiya…or since Ume kept bothering him.

Now the leader is down. What now?

You don't even need to understand Endo's reaction alone. As someone who chose to disconnect from any human interaction, Chika finally said Umemiya’s name!

Callback to what Kotoha said: "Calling someone’s name is looking at someone properly and accepting them" Chika acknowledges Ume; thankful even that he had this much fun after a long time. He even surely respects him.

This was an unexpected reaction from Sakura. When we thought he had retracted from Ume, he actually held onto the hope of the leader he knew & the words he embedded in him. Ume didn’t do anything horrific yet that makes Sakura completely lose trust. He continues to believe, not taking Endo’s previous words of past Umemiya completely to heart (last chapter).

Perhaps Sakura and Umemiya will have a chat about that after all of this is over.

Sakura echoed the words Umemiya told him that day at the Ori rooftop (what is it with Wind Breaker and rooftops?). The words that Umemiya swore by.

The same words that snapped Sakura back into shape when fighting Endo. The same thing that’ll happen back to Umemiya.

AND HERE'S THE FREAKIN' CALLBACK!! FULL CIRCLE MOMENT!!! I’M SCREAMING.

We got our Umemiya back!

The facial expressions say a lot of things. Sakura's face is saying it's about time Umemiya is in his senses. He knew their leader wouldn't be defeated that easily. While Umemiya's face is saying how could he forget the words he swore by in front of his kouhai? And now, he is throwing those words back to him in the face. At the same time, he's glad Sakura is there and believes in him.

Imagine though Sakura said all that and Ume didn’t move. That’ll be funny. I actually thought Sakura would be mad when he said those words. I expected anger because he would have Endo's chitchat of Umemiya to his head, and would be internally conflicted. So he would want Umemiya to prove him wrong; that he's not like that.

But I guess calm was chosen to show how much faith Sakura has for the leader. That he was not easily swayed by Endo's words.

Y’all…Umemiya really freakin prettified the heck out of Chika. He first cutiefied Choji and now this? Look at how Chika's eyes are lit up. He looks more HUMAN. Less stoic. We’re getting more emotions out of him. It’s like he’s been set free.

(Not gonna lie, Umemiya looks pretty good despite all the blood, cuts, dirt and sweat.)

Umemiya admitted Chika truly got to him; he triggered his rage and blinded him, which led to his initial downfall. Since there never was a clear winner in their fights, Umemiya reminds himself that Chika was doing this just so he can finally be defeated.

I think Umemiya is not only saying this to clarify with Chika, but also to himself. He won't be blinded by his emotional impulses again.

If Ume and Chika were left alone on the rooftop, Ume would lose.

As a leader, Ume has always carried on his own this weight of protecting his beloved town and found family. He makes sure everyone is happy. Because of that, he would suffer under that weight and lose his strength.

With Sakura there in that rooftop, at the top, Umemiya is reminded that he’s not alone in carrying this weight.

It doesn’t surprise me that Umemiya would ask that of Chika. It’s so him. He’s all about connecting through conversations. Whether through fights or sitting down & eating together. I believe for the longest time Ume wanted to get to know Chika more, other than have him join them in the first place.

Chika finally accepting a deal with Umemiya is huge. He never took any interest in the so called “humans”. With the way Chika LOOKS at Ume, he has already acknowledged, respects, and is thankful to Ume. And I’m sure he wants to have fun fighting him again.

Oh the way Umemiya says those words so confidently. We’re gonna have one hell of an amazing fight in the next chapters. This last page I believe has already told us who’ll win.

--

I believe we will have that talk of Chika and Ume; Chika will talk more about himself. And Ume and Sakura will have a chat as well later on when it's all over; more details of how Bofurin came to be.

Someone in twitter hopes the BBQ party is still on. And I imagine that Chika and Endo will be there. Wouldn't that be a spectacle? 😆 I don't think it's impossible, given how the manga is so far.

[kentuckyfriedmegumi]

my thoughts on chapter 270 and why it feels like a slap in the face to megumi's character

overall, i didn't HATE the chapter but there are so many elements in it that really had me jaded. i'm gonna yap and i can't guarantee that this will be a short post.

i've been saying ever since the series ending announcement came out that i would like to see a good, emotionally-driven conversation with the trio; specifically, between yuji and megumi. not because of itafushi or whatever, but because this final arc has been leading up to megumi's return and him and yuji being reunited. we get 266 and 268 and both of those are good for there relationship, but we should have gotten MORE.

opening up at tsumiki's grave was such a good opening for megumi. i've BEEN saying that his character deserves a good conclusion and a lot of people think that that's what 266 and 268 were, but i think that there should have been one more, final meg-centric focus for his story to really feel like it's ending. unfortunately, tsumiki's funeral is like one page and we immediately jump to CG side characters that i (frankly) do not care for.

we return to our trio characters with the megumi and hana scene which….. personal opinions and thoughts aside, i thought was fine???? like it just felt so out of place and like really a meghana joke… of all things?? i was never a fan of hana's character, which is sad bc i hesitate to say that she IS a character with the way that gege has written her to be a plot device. like what are her motivations? her ideas? her goals?? they are all megumi-centric and it just falls so flat. she likes the IDEA of megumi and she doesn't actually KNOW him, nor does she understand his life, his struggles, his beliefs, or his pain.

it's this very reason why i am SO GLAD that megumi rejects her and i am HOPING that gege doesn't shoehorn in a meghana or a itazawa relationship. not only does it feel cheap, but they don't actually KNOW each other. they've barely interacted, both girls just like yuji and megumi on a superficial level. if there was more time to develop them, have them together and interact, then i would be much less opposed, but at this point having them get together would just be throwing in a relationship for the sake of throwing in a relationship.

on a personal level though, i wrote a separate post on megumi's and yuji's parallels and i fully believe for that reason that they ARE soulmates, whether or not it's romantic, and they deserve a romantic interest that understands them on that kind of level.

anyway, back to it. the rest of the chapter is more setup for what's to come. it feels like there may be a jjk 2, or a spin off, or like an epilogue short series to come after the series ends. honestly, i'm not sure how i feel about that, and i will hold off until the last chapter before i state my final peace.

but overall, i think that this all could have been done sooner, i think that this chapter could have been 269, and i think that the characters should have been the focuse. the MAIN characters, not the random CG side cast that we haven't seen in like a year. this chapter was fine, just fine. was it bad? no. was it good? absolutely not. if i had to rate it, i would say it's like a 4… maybe a 5 out of 10. i think that this all COULD have been great, but with the time that we have left and with the way that series is going, i'm hesitant to say that this will be a good ending.

i really, really do not want any canon relationships in here for the sake of giving our main cast a love interest. please, gege, if you're going to do it, make it fucking meaningful.

yap over.