#i really have no idea how to be concise lmao

[manicpixiedreamedwins]

Alright. I've been talking about writing a meta about Charles and jealousy for a while, so here it is. It's a mess. I tried to make it more concise than it was, if you can believe that.

Be forewarned, below the cut we'll be diving into some canon compliant content like Charles' home life. Please, please, please note that now is the time to leave if you are not in a good space to read about those.

Okay. First I want to establish a few things before I get to analyzing the scenes, because I think it is important that we have empathy for Charles here. This might be a bit of a long preamble, but if you could stay with me I'd appreciate it. I promise I am going somewhere with all of this.

I think a lot of us have been told, perhaps by a parent or a friend, that jealousy is unbecoming or bad. Think about it. I know growing up that is a message I heard frequently even though I saw adults exhibit it. This was actually pretty confusing to try and work out. Anyway, now with this almost puritanical obsession with good pure and healthy relationships in media, it's gotten worse. We're told any human flaw we have is something we have to fix or we are not deserving of love. Yes, including jealousy.

Only if that's the case, Charles is fighting uphill here. Here's why:

For reference 41:30 -42:00 in episode 4 is the flashback that The Night Nurse shows Charles of his home. If we unpack this we can learn a lot of things, but there are two that I would like two draw your attention to today:

Charles' dad clearly isn't someone Charles could form a secure attachment to. He seems to only be acknowledging Charles when he's angry, and only acknowledging him in a very violent manner. He's also not really communicating with him, and expecting Charles to know what he's upset about I guess? Truly, this man is terrifying. He knows his family is afraid of him, and he knows they'll scramble to try and fix whatever his issue is.

Charles' mom doesn't intervene. Now, I do not want to hear any vile junk in my notes. She's a battered woman and has probably been in the same position that Charles has, considering Charles himself is worried about her once he is dead. He's worried enough that he checks in on her every week. It makes it all the more heartbreaking that Charles is the one who has taken it upon himself to try and "make it better" (although this is not uncommon among kids who grow up in abusive households, alarmingly).

It definitely drives home that there is a clear hierarchy in the home (everyone tries to please the most volatile person), and you're at the bottom of the pyramid. Even if it's just because you and everyone else in the household is too terrified to do anything about the most abusive person's behavior, you still feel the weight of never being put first. You will never be put first, because how could you be? "You never made it better than you died" (via The Night Nurse) holds a crushing amount of meaning here.

Alright. Now we have established that Charles had some messed up stuff happen at home. Let's take that a step further. Adverse childhood experiences can lead to a variety of attachment styles that are not secure and... you guessed it, jealousy can get thrown in the mix. (This link leads to an abstract of a very interesting research article. If you request the full test directly from the researcher they will provide it for free, but it takes time. The basic idea here is that if kids aren’t able to form secure attachments to their parents, then they will struggle to feel secure in their relationships as they grow up. Sometimes that can manifest as jealousy).

Still with me after all of that? You are god's strongest soldier, lmao. Now let's get into the good stuff.

Charles dies, but there in the attic he meets Edwin. Charles chooses Edwin over the blue light without a second thought. He comforted him when he was dying, and that tenderness is foreign for Charles. The choice is an easy one.

He enjoyed it, and he enjoys Edwin. Edwin, in turn, turns out to be is someone who unequivocally, continuously, puts Charles first. He also does something really important- Charles seeks reassurance, and Edwin gives it ("You ever think, what if Death did catch us? She'd force us to go to the afterlife and split up" Charles asks. "I will make sure that never happens" Edwin answers, all while they're hanging on the side of their office). This is one of the first things we learn about them in the pilot. Charles knows he can count on Edwin. This wasn't something he had from anyone in life.

So things go fine for Charles for a long while. Edwin hasn't given him any reason to feel insecure in all that time it seems. He’s done a great job making Charles feel safe. Charles even feels secure enough that it is his idea to try and integrate Crystal into the agency, although Edwin clearly hates it. Crystal isn’t a threat to his friendship with Edwin, so it would appear Charles still feels reasonably secure in their relationship at this point.

Charles even explains or excuses a lot of Edwin's reactions to try and smooth things over. He tries to mediate between them during their first plan to rescue Becky from Esther's house the best he can. He allows Edwin to have a leg of the case with just the two of them, but he tries to frame it as protecting Crystal.

But then it's Edwin's turn to shake up the foundation that their relationship is built on.

Edwin had a lot of issues to attend to this season, and he tried to deal with most of them alone. Most of the problems Edwin had to handle put definite distance between him and Charles- how couldn't they? He was being hit on, which was a very new experience for him. He probably didn't even know how to talk about that at first, as evidenced by his description of the CK speaking closely to his ear (oh sweet summer child). He also learned about his feelings for the first time, which Monty had to finish spelling out for him.

This all, however, is where we see a shift in the dynamic. It's significant.

Edwin uses magic on a cat and has to go and meet with the Cat King. Whoops. 🙃 Charles slides easily into his role as a protector, but… Edwin stops him.

Honestly, Edwin had a good reason to do this. He pointed out that cat scratches can cause serious harm to ghosts, and they were surrounded. As endearing as this was, this wouldn’t have been an easy fight. They can just talk this out, right? He gets whisked away for a few minutes to do that (and then winds up opening a bigger can of worms).

From Charles’ perspective though, Edwin doesn’t allow him to help him, and then vanishes for a long period of time. Then he absolutely won’t tell him anything about it when he does come back. Charles knew Edwin was a little mad at him in the pilot, but they were still communicating for the most part. The secrecy is a shift, and it’s not one he’s coping well with. He tries a few different ways to reconnect.

First he tries gentle. He just asks what happened from a place of concern. This might have worked actually, only I’m not even sure Edwin knows how to fully describe what happened during their encounter. He rushes through a description, and Charles still feels like something is missing. He doesn’t like that someone else has a secret with Edwin— for thirty years they’ve been connected. This feels frightening to him, and Edwin doesn’t seem particularly worried that they’re not on the same page.

He tries to pick the conversation back up later when they’re searching for the dandelion shrine, but Edwin doesn’t give any additional information. So he slides back into his role of being a protector again and defends him against the ambient skeletons, because at least he can protect him from that easily. For a moment, things almost seem normal again, but this resurfaces in a later case.

Edwin meets with CK again in episode 4. Charles is still raw after the events of the Devlin House, and now he’s just pissed. He’s hurting, and Edwin is still keeping this weird secret. They end up bickering back and forth. The bickering tells us something interesting about Charles’ concerns.

Charles: What did he want? He didn't whisk you away again? Got that bracelet off?

Edwin: I'd be back at the office right now if the bracelet was off. He wanted to know if I counted the cats, and my guess was unsatisfactory.

Charles: Thinks he can come and go... He can't show up in the middle of cases. Did you tell him that?

Edwin: Matter of fact, I did.

Charles: Can't believe you didn't tell us. I've had enough of secrets about that wankеr.

Edwin: Why are you getting so angry?

What stands out to me here is Charles is upset about a few things: he hates that Edwin is getting taken away from him by a being they can’t control (a logical fear, considering they’re running from death together). He hates that this is happening in the middle of case time that is supposed to be for him and Edwin (and their friends, who Charles trusts). He is still really upset that Edwin has a secret with someone else (I really don’t think he’d be bothered if the secret was with him).

That’s why he’s upset. Charles isn’t feeling secure. He doesn’t feel like their relationship is on good footing right now. Whether or not he knows how to phrase that or ask for support is a different question.

Onto Monty (sorry these are a bit out of order— I put them by character for this part).

Charles wasn’t aware of Monty. This probably already bothered him a little, considering the mystery surrounding the cat king, but he tried to be a good sport. Monty wasn’t outwardly threatening. He came with gifts. He seemed friendly. Charles tried to match that… only to get snubbed. Ouch.

Charles likes to claim he’s aces with other people, but he ultimately died because his friends turned on him and killed him the second he stood up for what was important to him. I think peer relationships are a particularly sticky situation for him. I think he knew how to fit in the same way he knew how not to rock the boat in a volatile home. With Edwin it was different though— Edwin just liked him. Edwin was special.

But of course yet another boy their age doesn’t like him (probably a little upsetting, considering how he died). The only thing that’s confusing to him here is he didn’t really do anything wrong— he was polite. He followed along with all the little niceties people do, even when they don’t want to. Maybe this wouldn’t have bothered him so much in another situation, but now Edwin is wrapped up with him instead of Charles. He's picked him instead (in Charles' mind).

He can’t even shake this when Monty isn’t there.

Charles tries to get Edwin's attention... and fails. so he begins to have a conversation with himself. Perhaps he was trying to make Edwin laugh. Perhaps he was trying something over the top. Still, he fails. Ultimately, he goes the broken record route and asks him the same question a couple of times.

This moment probably really hurt- there's actually no reason for Edwin to be ignoring him, in Charles' mind anyway. They're alone together. Usually they'd be talking or bantering or at least Charles would be able to get Edwin's attention. It's just that he can't, because now Edwin is stuck on that fucking book from that fucking bloke who blew him off earlier.

This was probably a little activating for Charles. Even if he didn't completely put together why it upset him, Edwin putting someone who just treated him poorly right in front of his face first is a dim reflection of what he went through in his home. Now, I am not saying Monty is anywhere near that level of bad- he's a literal cream puff. He could not kill them when his life depended on it.

What I am saying, though, that Charles perceives a subtle threat here. He's also not sure what to do with it, because he never overcame that hurtle in life. No one else ever put him first, and he never figured out how to fix that. Edwin kind of just centered Charles automatically when they met. Now he's not doing that anymore and it’s jarring and uncomfortable for him. He’s feeling this loss of stability, on top of the fact that Edwin still won’t tell him what’s going on with the CK.

"...try not to forget that we're trying to leave" is what Charles comes up with after that exchange. Edwin makes an attempt to console him finally and offers to talk, but Charles shuts it down and tells him it's that he wants to leave town. They start on a case after that.

(Note that I did this a little out of order for organization’s sake— some of their CK arguing happened during the case they went on next).

Charles does finally catch a break here. In spite of all of this, he’s missing something very important: Edwin has feelings for him. That’s probably the most pressing issue that’s gone unspoken between them.

So Edwin dresses nicely, catches Charles attention, and finally tries to initiate a conversation. Charles seems relieved.

He does assume Edwin is just trying to come out by telling him about his time with Monty, before the teethface incident. Charles isn’t bothered, since Monty isn’t really in the picture anymore as far as he’s concerned. Things are fine, it’s just the two of them again and Edwin likes boys. Wait…

... Fuck. Forgot about the Cat King.

He resorts to threatening the CK. I know lots of people have lots of different theories on this, but consider this perspective also: Monty is no longer a threat. He’s abstract. He’s a memory. The Cat King is still very real and is a thing that can come between them, has done so, and has successfully taken Edwin from him. And as accepting as Charles was trying to be in that moment, he just can't handle that (from the perspective of this meta).

Anyway, this is all interrupted by their foray into hell. Charles does rescue Edwin, Edwin confesses, and honestly I feel like that just needs to be a different thing entirely but I did type a little bit about how I think Charles interpreted all of that here.

They return. Charles is processing Edwin's confession on the roof. This whole scene mystifies me a little because yes, he didn't seem to know exactly what to say to Edwin's confession in hell (I think he did not want to ruin it by saying the wrong thing). The more rewatches I go through the more... satisfied he looks to me? He might be processing, but also he might be a little giddy that Edwin has feelings for him specifically. I'm still trying to figure out how to read this one because the lines seemed rushed but the microexpressions say so much.

Then he starts blatantly flirting with Edwin. Honestly Charles, what the fuck?(afffectionate) Truly I’m still trying to work out if he’s just testing out how Edwin reacts or if he is working through his own feelings here, but I really want more of this in S2.

That’s about all the thoughts I think I can organize on this for now without it getting obscenely long (it already is pretty long for a half baked idea that turned into a meta). Thank you for reading 🖤

[http-finnick]

𝐟𝐚𝐯𝐨𝐫𝐬 - 𝐟𝐢𝐧𝐧𝐢𝐜𝐤 𝐨𝐝𝐚𝐢𝐫

finnick odair x fem!reader

summary: as finnick sneaks back into your cart during the victory tour, you start to pity him as he wraps his arms around you, knowing that this is all for the captiol and none of it is true...at least not for you.

cw: almost one-sided love, katniss and peeta trope, no smut, and lots of crying.

with how the trains speeds you feel as tho you're flying, laying in your bed with the new weather outside your window. yesterday it was snowing, now it's spring.

the silk bedsheets mold your skin as you lay there, regretful.

a hand snakes under and up to your abdomen, the scent of musk heavy on your nostrils as he pushes himself closer to your back.

he sighs once he has your touch back into his grip and you stay put, hoping he falls back to sleep.

it was a mistake, letting him back into your bed again.

it wasn't like you two did anything..it's just for the nightmares. but still.

he thumbs your shoulder softly, brushing the finger on your body to test your awareness, you feel his eyes on your neck.

once he gets no indication of your conciseness, he dips down to lay a soft, quick kiss on your neck.

it makes you shiver, a little fever sparking in your spine for that moment. it wasn't forced for his own excitement, it was a little good morning for you.

and that just makes it worse.

you pretend to flutter your eyes and he quickly sinks back into the silk sheets. you sit up and drowsily grab a towel before walking towards the bathroom that's connected to your cart.

you eye him as you take tip-toe steps, as if not to wake him. but you catch his lips flashing a soft smile before forcing down into a line.

you sprint into the bathroom and turn on the shower as you feel your chest heavy with breaths. you lock the door and sink down as you choke on air and have tears rush out of your eyes

he loves you

he loves you so much.

your mind brings you back to Annies sobs and pleas for you to return finnick to her, safely. to bring her love back.

I wonder how she felt seeing you brush his hair back in the arena before dipping down to kiss his puffy lips.

I wonder how she felt when 'her love' came home with a new love.

you confessed to him on the train that it was a lie. your love wasn't real and you watched him fight back tears while putting on a sad smile

"it's okay, really"

that's what he told you when you turned to look back out the window of the train car. you knew it wasn't your place but your cloudy mind thought it was a good idea

"fin...um...Annie was talking to me before the games and-"

"please. I don't want to hear anything about annie cresta."

so you both sat in silence as the train brought you back to four.

and now, on your victory tour with the capitol and everyone breathing down your neck, you realize that you will never have a life without odair being next to it.

you can't help but claw at your chest with sobs as the shower spits water at you, because finnick takes this as a chance, a chance for you to love him.

but you would never give yourself that chance

not with that promise you gave to annie.

and not with that vow you gave to yourself.

an: I might do a part 2 for this, katniss and peeta trope is such a good one I just had to make some angst for it. I hope that you guys liked it even though its short :( I'm sorry I cant do super super long ones, I just write when I can and post right after lmao. Also my babies!!! We got to 70 followers! I love you guys so much, when I started this acc I didn't think anyone would still be around for thg content, but you guys came through and made me love the fandom even more...I love you guys so much! mwah!

part 2

[nicromancytarot]

HOW I GOT STARTED IN TAROT AND MY TIPS FOR ANY OF YOU WHO ARE NEW TO IT!!!

I love to offer advice if you can’t already tell, and I also love tarot, so let’s talk about things that I have learnt from my journey as a tarot reader.

My journey

I started tarot at 14 years old while living with a family member who was shut off to the idea of spirituality, as it had hindered the life of my own mother, and caused her mental health issues in the past.

I decided to go against their requests and start practicing in secret, I didn’t have my own income so I wasn’t able to buy my own deck, instead I decided to make one. (Tarot is a tool, you don’t need “actual” tarot cards to be able to read.)

I used old train tickets that I had since I would take a couple of trains 5 days a week, which would give me 1, if not 2 tickets per day.

I was mainly focused on love, so I created little tarot cards with small details about love on them, and I would use these on my friends just for a bit of fun.

Eventually these got taken away from me, so just after my 16th birthday, after not doing tarot for around 3 months at that time, I decided to buy my first tarot deck as I was now living back with my mother, and although she was sceptical about the idea, she allowed me to have my first deck and supported my journey as I dove deeper into divination.

I practiced every so often, one time I had a crush on this guy and I wanted to know how he felt about me, every spread I got for him would give me the 4 of cups… yeah, I used to think that meant he was just a little demotivated, until I realised like a year later that it meant he was absolutely not interested in me, lmao!

But this is good, learning always comes with mistakes, so do not let that discourage you.

My decks

- the Rider-Waite tarot (my main deck)

- Spirit song tarot (my favourite deck)

- (I had a purple one that I spiritually didn’t need, so it went missing and never returned like a week after I got it)

- Ethereal visions tarot

- The nightmare before christmas tarot

- Angels of abundance oracle

- Casanova tarot (for 18+)

I also use little pieces of paper that I wrote 18+ stuff on, which I now use for any explicit readings to highlight the things someone would do to my collective sexually!

Having multiple decks

I personally love having this many decks, and I 100% will be getting more, as soon as I’ve finished learning the meanings of some of the casanova tarot!

Tarot is a tool, sometimes I read explicit stuff off my main deck, and I still get very accurate messages using that, you do not need to splash out on extra decks to try and read one specific theme.

I enjoy having multiple decks as they’re all just so beautiful, and I feel blessed to be able to have them.

Having one of my decks fall off the face of the earth a year and a half ago, proved to me that I needed to really make sure that I wanted a deck and felt connected to it before buying. This deck itself was 1 actually instinctively didn’t want to buy, but went back to get for other reasons.

So don’t impulsively buy, if it’s meant for you, you’ll know.

How I do my readings

If I decide that I need to cleanse my own energy, I will do a 15-30 minute meditation, but I normally only feel called to do so when I’m doing a really intense reading that I feel I need to protect my energy from.

I start off with a simple affirmation, welcome my spirits to help guide me through the session.

“I am calling upon my ancestors and spirit guides to make sure I am protected during this reading, and that I get the most accurate and concise messages.”

Then I knock on the deck twice before doing 1 shuffle thrice, knocking twice and doing the final shuffle thrice, knocking twice.

That is my own personal way of cleansing my deck after other energies have been channelled through it. I let my decks rest with some crystals every night, and they see the moon when it’s full for an extra cleanse.

I personally find the knocking to be very simple and cleansing for my cards, and it has proved well.

After I’m done cleaning, I ask my spirits the question out loud, and then I knock twice before shuffling to get the spread.

I only take 1-2 cards at a time, if there’s more, I put them back and start shuffling again.

If no cards fall after a while, I do a final shuffle and pull from the top.

The spread varies for every reading, normally I pull around 15 cards from my main deck, and then I pull an animal from the Spirit song tarot deck, and sometimes around 12 from another deck if there’s anymore questions needing to be answered.

When reading for other people, I personally only pull upright, unless we’re doing yes or no questions (which I do upright for yes and reverse for no), I’m not a fan for reverses, although I’ve started off with them, I just find it easier to do only uprights.

I pull reverses for educational purposes when I do my own readings, that way I can make sure I learn them more than I already do, and so I can get quicker with identifying them.

As of the beginning of April 2024 I started a new spread, this is my new favourite one for mainly advice readings or something to do with the future.

I like to grab 16 cards, you can take 15, but 16 is my personal number, then I line all the cards up into 3 groups, until I pin the negative cards, this is just something I do instinctively (doesn’t have to be death, tower etc, it could literally be the 2 of cups which seems negative in the reading), on the left I set up the negative ones, and then I add a present feeling or reaction card to do with these negative things, then between the negative and feelings, I put a card to describe why the person feels like that. Then for the rest I basically branch down like the roots of a tree, it’s very sporadic and random, but it creates a story, whichever card is next to another relates to the situation, thoughts and feelings of those cards, then when you get to the right bottom side, you end up with the future energy.

LEFT —> past MIDDLE —> present RIGHT —> future

Random things that I believe in

- The star and the 4 of cups are connected, the 4 of cups represents being fussy and ungrateful, and in the the Rider-Waite tarot, the illustrations are all connected, the star happens in front of the tree which is where the 4 of cups is set, so I like to think that the star is letting go of fussiness and allowing yourself to be free.

- Death and moon are connected, death tends to talk about something you need to let go of, and you already intuitively know about it. This is since death happens in front of the moon.

- The temperance happens in front of the tower, so when you pull the temperance, it means to make a decision before the universe makes it for you, bringing you a tower moment. A good example for this is pulling it in a “how does he feel about me” reading, if you get the tower during this, I would say he feels like you’re his last option, like a plan B if his A falls through. (People hate when I tell them that.)

- The queen of cups represents stability, this is since in the the Rider-Waite tarot, she’s chilling on her throne on a small island, meanwhile the king of cups is floating in the water, showing to me that he’s just going with the flow (weirdly, when I see the king of cups, I associate him with Aquarius energy.)

- The empress is all about loud and proud energy, she’s totally the one to boast about her achievements and what she’s working on, knowing that she will succeed. The emperor is the opposite, he works in silence, he only tells everyone about his newest achievements after he’s sure about them, he likes for people to be in surprise over his success.

- If I pull some cards to check energy for the reading, and the emperor upright, or the empress in reverse comes out, probably means the person I’m reading for isn’t ready to hear this message. This is because the emperor is physical (3D) realm energy, meanwhile the empress is spiritual (4D) energy, this is because spirituality is feminine energy, if you take part in spirituality, you are tapping into your devine feminine.

- The knight of wands represents exes. The night is going to the left (the past), the wand represents fire, fiery passion/fiery ending.

Does this mean my spread may be explained differently if the illustrations are different?

In short, yes. I love symbolism with my whole heart, so when I can make something symbolic out of the illustrations on the deck to describe a reading, I absolutely will.

What does channelling and visualising look like for me?

On a good day, I’ll hear another voice that sound identical to my little internal narrator inside my head, this can be identified as my spirit guides. They will use this to tell me things I need to know, but clairvoyance isn’t really my strongest, so normally I just hear the word “catapult” over and over again, since my main spirit guide seems to love that word.

I honestly channel the most through writing, it’s like I gain so much more information when I start writing down readings, whether it’s in my notes, on tumblr, or in a notepad.

Visualising is interesting, again back with the symbolism, it comes to me in a little story for me to unfold and find a moral of, it’s very time consuming, and I often get confused and think I’m insane, so I’ll pull some cards on it just to be sure I have the story right.

Important notes

- communicate to your spirit guides, I like to tell them exactly how the reading is going to go, just so they understand the format and what, I am looking for.

- Don’t do readings when you don’t feel like you should, if you’re mentally not doing ok, don’t feel bad if you need to step back and away from it, forcing yourself will just give you confusing readings.

- Your spirits hide answers from you, one time I asked my spirit guides how life works, and they refused to tell me (and then had a silly moment and told me like 3 months later for whatever reason.)

- This is not future telling, I cannot tell you what your future will be like, but I can tell you what it might be like if you make certain decisions.

- Don’t use tarot to intrude on someone’s personal life, like no sex readings on your ex for the love of God.

- If a reading doesn’t resonate with you, remember what it said and then come back to it to see if it does now, an example of this was when someone gave me a past life reading that didn’t match up until I reversed it and realised that I was the second person in the reading, rather than the main.

- Have fun with readings, it shouldn’t feel like a chore.

- Allow yourself to make mistakes, that’s the only way you will improve.

- Be patient, don’t think you will know everything about tarot after like 1 week of learning it.

- There’s always more to learn when it comes to tarot, you will never have enough knowledge.

- You can buy yourself decks, even your first one. You don’t need to have another person buy it for you.

I hope you enjoyed this! It took me an hour to write up lmao, but I had fun.

[genericpuff]

1. Have you read Circe by Madeline Miller + Song of Achilles ~ if you have what are your thoughts

2. In the original what was your favorite male character drawn out (mine was Hermes only bc I found him hot😓)

3. How long do you think it’ll take you to ‘finish’ your story, like do you have a set date: 2026,2027, even 2030🙈🙈

4. What’s your backstory on tattooing and art, was this your initial plan

5. Fave girl character, (mine is Minthe only bc she reminds me of my younger self since I seemed to only choose realtionships where I get here)

thank youuu

ahaha so many questions! I'll answer them as concisely as I can :>

1.) Song of Achilles is on my shelf, I've been meaning to read it all but I haven't been able to make time for it, I might try and do so before the new year! I've definitely heard great things :>

2.) Hephaestus! He gives me such older brother vibes, he just seems like a really chill and snuggly guy LOL Only complaint about his character design is the fact that he's constantly using running blades (sure they look cool but they're not practical for casual wear, you're supposed to use them for, y'know... running lmao) but that's really it, I think his arc with Aphrodite in S3 was poorly written tbh especially with how rushed it was, but overall not the worst treatment out of the cast.

3.) Definitely don't want it to take until 2030 LMAO It's gonna depend on a few variables, including update schedule (I'd really like to get back to posting once a week again like I used to but I don't think it's gonna be possible for a little while u.u""") and how long the final scripts come out to be. Ideally though I'd like it to be wrapped up within another year or two. This definitely isn't one of those "work on it indefinitely" type projects, I have an end goal in mind and I don't want it to take over half a decade like my last comic project did LOL

4.) Never expected to wind up making Rekindled or in tattooing. I'm kind of a "fall into it" type person, I do what feels right in the moment even if it's not what I initially planned for (within reason, of course! I've learned to sit on new ideas and plans for a bit before pursuing them to ensure I'm actually into them before diving in lol it helps me avoid the impulsive ADHD-fueled decisions 😆). I sort of had a plan for myself back in primary and high school - I wanted to become a video game concept artist, but over time as I got into making comics and after I graduated college, it just never really happened. It's never too late, of course, but right now I'm having a lot of fun tattooing and making comics in my free time ! I think I'd still be making comics even if I ended up in game dev, it satisfies my storytelling side haha

5.) If you mean specifically LO, yeah, Minthe here too. Which is wild because I remember when I was still a huge fan of the comic and was on the "fuck Minthe!" train. Now that I've explored the comic with a more critical eye, I sympathize with her way more and I really hope she had gotten a more satisfying conclusion. Still, she got away from Hades and Persephone's nonsense so that's better than nothing LMAO but I definitely want to explore her side more in Rekindled as the story unfolds, I have some fun plans for her <3

[atopvisenyashill]

so I’ve been stewing a bit on rhaenyra and jace’s relationship in season 2, and i feel like they’re showing SOMETHING with the way that jace is so clearly chafing under his mother’s control and yet refuses to take that final step and eclipse her completely.

he keeps bringing up them needing daemon but is also sometimes trying to step into daemon’s role and be rhaenyra’s partner in leading their side. and rhaenyra seems to struggle with deciding whether to accept him as that partner or continue treating him more as a child. and part of that is the normal parenting quandary of your teen transitioning to adulthood, but i think part is also the knowledge that treating him as a man rather than a boy puts her in danger of losing her authority to him.

but daemon wasn’t his only (or even his main) role model for how to interact with rhaenyra growing up, so perhaps the restraint he shows (in comparison to how we see aegon and aemond interact with alicent) comes from always ranking BELOW his mother rather than above her, and from seeing her largely interact with men who were below her in rank.

i dunno, my thoughts aren’t quite coherent, but i feel like jace sometimes wishes he could be his mother’s superior rather than the other way around, perhaps even recognizes that it might be easier to get the lords to listen to him than to her because he is male, yet as frustrating as he finds it, he keeps turning to rhaenyra as his authority figure anyway. what are your thoughts on how their relationship has been portrayed so far?

My thoughts concisely are: I really love what they're doing and I love how it plays with the "eldest daughterson" of both of their stories.

More in depth though and note I did not proofread this because I'm tired lmao-

I think you nailed it that Jacaerys both wants to overrule her but is careful not to. I think a large part of Jacaerys feels...maybe not quite like he would be a better leader than his mother but maybe more like, if she named him Hand and let him take the lead in the War Shenanigans, he would do a better job at keeping them all safe. Like when Rhaenyra was a young girl, Jacaerys wants an outlet to prove himself with, wants to get out in front of The People and be seen as competent, fearless, and bold. If this was a "normal" situation where Rhaenyra was a man, Jacaerys could argue publicly with his father without worrying that he's undercutting her authority - look at how Tywin openly fights with his own father while Tytos is still alive! But in this case, because Rhaenyra is a woman, Jacaerys has to tread carefully. He can't overrule her or he makes her seem weak, and no longer a viable candidate for the throne. Because Jacaerys is a good heir who is clearly tuned into the dynamics he's part of, he doesn't want to make her seem like she doesn't know what's doing. I think this is why he tends to phrase his criticism not as "that's a dumb idea" (look to how, for example, Aegon, Aemond, Viserys, and Daemon frame their criticisms at Small Council meetings - they aren't afraid to be mean!) but more as "that idea would get you harmed" aka he's not dismissing her plans outright, moreso attempting to point out that she's being reckless with her own safety.

I think Jacaerys is being genuine when he says he wouldn't want to be ruled by anyone else but his mother. I think he really does love her and believe in her ability to be a good ruler. I also think he just has a lot of hangups around dads and their ability to rule effectively - Viserys completely shoots Rhaenyra in the foot before she's even been crown princess a year, Laenor seems to have been inconsistent (due to several factors, one of them mpossibly being thatRhaenyra did not want Laenor to be an active father, and Laenor being strong armed by his wife may also play a role in how Jacaerys sees his mother, parenthood, and power), Lyonel ~took Harwin away from them, and Daemon is just as unreliable as Laenor but in a much different way. hell even Corlys is much less reliable as a parent and grandparent than Rhaenys is. All around him, Jacaerys is faced with fathers that don't measure up and mothers with strong wills, chief among them his own mother. I do think some of his hostility towards the men of the council and Daemon specfically comes from the fact that he feels like they don't see Rhaenyra the way he does - as this noble, endlessly suffering queen without peer. He knows his mother has flaws, yes, but when he looks at her (up until this argument in the last episode) he sees a woman who has had her back against the wall since the day he was born but has handled it with grace and dignity and grit, and it bothers him that the men of the council and Daemon seem so willing to overrule her words.

At the same time, Jacaerys has grown up in a very patriarchal society and under normal circumstances, at his age, he would be his mother's superior. I do think that is something on his mind whenever they fight. I think he sees himself - or wants to be - her sword arm, her shield, the warrior in front of her taking the damage. I think you're right that his multitude of paternal figures come into play here. Harwin was literally her sworn sword, Daemon wants to be her rabid dog, Corlys and Rhaenys had a largely equal (in private) relationship, every other man who interacts with Rhaenyra except Viserys is supposed to defer to her, and so I think in order to not eclipse his mother, he's taking his cues from them. Like you said, taking too much authority from her means she might never get her authority back, and not only does Jacaerys love his mother and feel like she deserves to have a Loyal Heir, A Good Son, A Proper Shield Arm By Her Side, he knows that if he eclipses his mother too much, he's throwing his own claim into question. We see this tremendous distance between Jacaerys and Aegon & Viserys in a way we don't see between him and Joffrey. I think he's terrified of his little brothers and what happens when his mother dies, and since Rhaenyra has always been his staunchest supporter (even though he doubts often whether she really is supporting him or whether she plans to name a little one over him, again until that argument when he realizes exactly what's going through her mind), he needs her around as long as possible so he can cement his claim and establish himself as A Proper Prince And Heir. This is also, imo, why he seems to want Daemon back despite clashing with him - I think he feels he and Daemon can tag team on Rhaenyra in private to get her to see things their way, but he resents a) Daemon's place at her side and b) that Daemon is, idk ~reckless~ enough to challenge Rhaenyra in front of other people. He lets Daemon threaten the Kingsguard because he doesn't inherensagree with Daemon's violence! But he attempts to put Daemon in his place when Daemon seems to barrel over what Rhaenyra desires.

And from Raenyra's PoV it's like - it's just exactly like her and her father. Obviously Rhaenyra treats her other children better than Viserys treats Alicent's kids (not that this is hard, lol), but in the same vein as being Queen and knowing the prophecy is confirmation and validation that yes, Viserys chose her, he loved her the most, he believed in her, Rhaenyra feels all of that for Jacaerys. She has never once looked at Aegon the Younger as a viable heir because for Rhaenyra, there IS no other heir but Jacaerys. She chose him, she loves him, she trusts him, she believes in him and she feels like she's shown this to him time and time again. But just like Viserys, she's incredibly short sighted and not working hard enough to ensure there's no succession crisis after she herself dies because like her father, she believes that she can simply make the world as she wants it to be simply by speaking it into existence. I don't think entitlement is the right word - she was named heir by her father, it's not "entitlement" the same way that Alicent's issue with Rhaenyra lying about having pre-marital sex is not just Alicent being religiously repressed. there's more to it, yes that's a factor but it's more complex because of the nature of feudalism where every action is both personal and political - nor do I think Rhaenyra and Viserys believe themselves to be gods. It's more like...they believe they have the ear of the gods, like they have a direct phone number extension to The Gods Above (whomever they may be) and that since they have that link, they have a responsibility to lead people in the direction the gods want them to go. They're not crazy, it's everyone else that's insane, everyone else can only see their thread but Rhaenyra and Viserys have been given a glimpse of the entire tapestry (again, my Stannis comparisons here - it's not just that Stannis is real high off his own supply, it's that he feels he has a responsibility to save the world. This is not an inherently bad trait to have - I'm sure a lot of people feel they have a responsibility to make the world better! But it becomes a problem when you convince yourself that Only You are capable of doing the saving and ignore all the evidence pointing towards this maybe not being a good or healthy path to walk). So I think Rhaenyra feels like... "my father chose me but he fumbled several times when it came to protecting my claim because of Those Evil Scheming Hightowers but i will be Viserys But Better by making it clearer to Jacaerys that I choose him" and she thinks that's all she has to do to fix the situation. I think Rhaenyra feels like her father had advisors that took advantage of him (she's not wrong here either she's just wrong that Viserys holds no blame for the situation) which is why she keeps Jacaerys close but seems to subtly undermine him in public. She knows she can't give him too much authority but she also knows she needs to keep her heir looped in at all times, she needs to do what Viserys didn't and keep her Daemon/Rhaenyra close by, on her councils, having a say, and supported. The problem is that she will always prioritize her own claim over Jacaerys'. The problem is that she doesn't act to combat her problems until it's far too late.

[elviraaxen]

ive really been loving the pacing of your story and i enjoy the concept and the bits that have been released about the plot! youre doing really well, and i admire it greatly!!

ive been having trouble figuring out an overall plot in my own work, i just have character ideas and the vaguest idea for a storyline. i try to just write but then i usually end up taking a break (re: dumping it) because i don't have anymore ideas for how to complete the plot. i've laso been curious about how you go about writing for a comic (do you write then do thumbnails? do thumbnails then go back to figure out dialogue? a third thing?) so i was wondering if you had any advice or resource tips for writing? both for comics and for overarching plots, if that's okay

if you don't have any ideas tho, no worries. i was just curious. good luck with Felt World! i love everything that's coming out so far, thank you for gifting us it!!

Oh thank you so much!! I can't say I'm a comic book artist at heart because I really don't have much experience, I was only an illustrator for a short while and never wrote anything myself, but learning from past mistakes (i.e. I don't stick to plans), I've so far done this and it seems to work:

I'm one of those that don't like to plan strict layouts for the entire thing, because chances are I will not stick to it, so what I've done for felt world is just write a sketch for the overarching plot, the b-plot and c-plot, with rough estimates in what order I want the major plot points and settings to be. My current sketch looks like this;

(which is done in Miro) and as you can see there aren't that many plot points, because I want to have the wiggle room to come up with something on the spot. And also, my comic focuses a lot on interpersonal relationships, character development, and themes rather than the plot, which means it needs to be concise or else the comic is gonna take 6 million years to finish.

And now,, I think this might just be how I work, but I think it's easier to be creative when you have strict restrictions rather than all the choices in the world.

for me, personally, I restrict an update of 10 pages tops, because instagram only allows max 10 images per post! This means I have to 1) fit all I want to say in 10 pages, 2) it has to be concise or else I infodump on readers, and 3) I have to answer some sort of question within the update, or else I said nothing and I start over.

As for scripts, I tend to write one or two sentences of what's going to happen for the update, and then I get to thumb-nailing and sketching right away! I come up with most of the dialogue on the spot too.

And also, I think what's most important, is that you take your damn time! If you aren't immersing yourself in your own world, how do you expect your readers to do the same?

I'm very much a believer that the stories you are telling are something that comes to you naturally if you just sit with it and listen rather than demand that it makes itself known to you. When I brainstorm for felt world I quite literally sit in my bed and go "omg!! And then what? :0" TO MYSELF LMAO as if I'm not making everything up myself! I think that's extremely important that your story is engaging to you first and foremost!

And as for more practical tips

carry a notebook with you or use your notes app AS SOON as you get ideas to write them down! No you will not remember, lol.

set rules of what you're not allowed to do with your story so that you don't fall into lazy trope territory! You can do that when you brain storm, but finesse the story post brainstorm to just make it.. smarter.. if that makes sens For example, don't kill your gay characters, don't make sensitive men the butt of the joke, don't make your women fight over men (unless it's the point), etc.

set physical restrictions! For example, max amount of pages per upload, max amount of pages for the whole story, max amount of characters, etc.! That literally forces you to problem solve, which by definition is creativity! Like, oh you can't do this the obvious way? Do it the creative way! That's way more fun!

I could probably go on, but this is too long already! But I hope it at least helped somewhat!

[khalixvitae]

★Stitched ★

Idia Shroud x Reader | ~5k words

Warnings: none really??? Idia is self deprecating as usual. Allusions to book 6 lore but no spoilers. I leaned into Idia’s weird hybrid inferiority/superiority complex (he’s frustrating and annoying but that’s my wife). I wrote way more than I intended lmao.

Info: GN Reader with no physical descriptions. slowish burn, potential to be friends to lovers? No resolution in the end, a smattering of angst bc Idia is… well he’s himself. Heavily based on his vignettes, Home Screen idles, etc etc (this is for the detail oriented baddies and by that I mean I have capital A Autism and I’ve been fixated on him for months). I have been very into the idea of Idia making cosplays and props since becoming obsessed w his Halloween card, so uh. Yeah! There’s no mention of what the reader’s costume is, so it can be whoever you want! Only mentions that it’s from a manga so go wild! <3

——————————————————————————

When Ortho Shroud suggested that you commission his brother to build a prop for your Halloween costume, you’d agreed enthusiastically. You’d even said something about how sure you were that it would look great- a compliment he’d pass on to his reclusive sibling. After all, Ortho was living(?) proof of Idia’s handiwork, so making a prop would be playing on easy mode. Ortho did neglect to mention that his brother was not taking commissions (and frankly never would if Idia had it his way), but it wouldn’t be that big of an issue, right?

Wrong. The second Idia’s phone pinged with a message from an unknown number, from your unknown number, he was convinced he was going to die.

You were lucky you’d stated your case all in one message- if you’d started with just a greeting and expected small talk he would’ve just preemptively blocked you to avoid your little side quest. Besides, who messaged someone so early in the morning? Another look at his phone through bleary eyes would show that it was actually 6 pm, but nonetheless! He’d just woken up, so it was still far too early for that kind of shameless extrovert behavior. At least your message was pretty concise; Ortho had passed along his number because you wanted to commission him, and you’d offer payment in exchange. As clear as that was, there was still a lot to unpack. Ortho’s intentions to find friends for him were clearly at play here, which would’ve ground his gears more if it all wasn’t so well meaning. But giving someone his number for a cosplay commission? That felt a little excessive! What kind of meet-cute scenario was this? And how on earth did you plan to pay for a custom piece anyway? Not that he would actually make it, of course, but hypothetically. He’d heard through the grapevine (read: Azul’s chattering during board game club meetings) that you had a part time gig at Monstro Lounge, but surely you wouldn’t be spending your limited in-game currency on a cosplay prop. While he thought it would be a stupid decision, he had to respect your dedication.

Hypothetically, of course.

Despite any reluctant interest he had in knowing what costume you were putting together, there was no way he’d actually agree to a commission. Besides, it was probably a lame request anyway. And who cares if you’d probably (definitely) look great in your costume? Certainly not Idia, no sir. And he totally didn’t think about how happy you’d be if he were to accept your commission (which he’d never do, of course), or how you’d look holding a piece of his unquestionably perfect work. No, he wouldn’t lie awake thinking about any of that at all. Thus he decided to ignore your text indefinitely- it’s not like he had his read receipts on or anything. He’d just kick back, work on his own nearly finished costume, and maybe even send a halfhearted “soz, just saw this :/��� a day or two before Halloween night. No unnecessary and draining social interactions, and you wouldn’t have to be inevitably disappointed by… well, by him. His craftsmanship was S tier without a doubt, but he had a charisma stat of 4 at most. So he’d just let the message sit there. That would be easier for everyone involved.

Well, that was the plan. But as it turned out, Ortho would have none of it. When he’d caught wind that Idia hadn’t bothered to answer your message a whole day later, he’d immediately bombarded his big brother with endless arguments for your case. It was the usual string of points- that Idia would be happier if he had irl friends (as if), that his general quality of life would improve if he had some positive social interaction (no way!), and so on. At least he was sure Ortho’s logic processors were working as irritatingly well as ever, though Idia found his points far too idealistic. But logos wasn’t the way to go when talking Idia into something he had no interest in doing- it would have to be pathos all the way baby, appealing to what really made him tick. Unfortunately for him, Ortho knew that too.

“I need you to make a friend before you graduate,” he said abruptly, arms crossed like he was prepared for a one shot k.o. “Just one. I’m sorry I gave them your number without permission, but I really think this could be fun. You make the coolest stuff ever, and it’s your favorite holiday, so I thought it was a good opportunity for you to talk to someone.” He was silent for only a moment, as if deciding whether or not to deliver the final blow. “I just need to know my big brother will be okay after graduation. And I’d like to see you have fun every once and a while, you know.”

There it was, the absolute punch in the gut Idia was dreading. “You see me having fun all the time, Ortho. We hang out every day.” It was a weak argument and he knew it.

“Yeah and I love hanging out with you, but that’s different! And I know other people would love hanging out with you, too! You’re the coolest person ever, big bro.”

And how could he ever say no to that?

“What’s the costume anyway?” Idia muttered, pulling his lower lip between sharp teeth.

“I’m not sure. They told me it was someone from a manga they really like! You should ask them about it!” Ortho was absolutely beaming. Something in Idia’s chest ached.

His response to your message was short and simple. He asked what your inspiration would be, and what prop you were looking for. Price could be negotiated, etcetera.

You responded with astounding speed; it made him nauseous. At least you were courteous, though. You gave him a lot of info to say the least- more than he needed considering he was a fan of the same series. Ortho had definitely known that, but that was a complaint for some other time. He had to admit it was a good choice- and the character you had in mind would suit you well (he’d never put that in writing so long as he lived). You sent him all of your inspo pictures- purely from the manga, you explained, as the anime adaptation had changed some of the details and you had a strong preference- as well as any measurements he might need. Idia couldn’t resist pointing out that the anime had made a number of phenomenal aesthetic choices, which did start somewhat of a tangent. Before he knew it, he was caught in a back and forth with you. It was… easy. Way easier than he had expected. When you stopped replying he was even a little disheartened; that is until he realized it was nearly 4 am. It had been that long of a conversation? Something about that made him warm all over. He’d ignore it for the moment.

When you messaged him back the following morning he felt the same rush of… something wash over him. And so a tentative back and forth between you two began. Draft sketches and material concepts on his end, and what felt like endless amounts of praise from you. That’s not to say you never brought any criticism to the table. You were just as fickle as he was, it seemed- and he liked arguing with you. Whether it was about the commission or over some unrelated tangent (which the two of you frequently succumbed to), there was something uniquely fun about debating your shared interests.

Over the week or so leading up to Halloween, your communication persisted outside of his prop updates. You even sent him photos of Grim! It was hard to stomach that he’d hit it off so well with some normie, but if you were sending him cat photos and had some (several) based media takes he’d tolerate that discomfort. Part of him kept waiting for the other shoe to drop, of course. The exchange was transactional- after Ortho delivered the prop to you, there would be no need to keep socializing with him. He couldn’t imagine why you’d want to anyway. Speaking of transactions, the two of you hadn’t decided on a price point. Or rather whenever you’d ask, he pushed the question aside by saying he ‘wasn’t sure yet’. He’d given you a relative range, but no exact number. He felt pathetic, but part of him didn’t even want to charge you for it. It wasn’t like he needed the money anyway, and Ortho had been right about the whole arrangement entertaining him. He couldn’t believe he was going so soft. But it wasn’t entirely his fault! Every time he’d start to work up the nerve to give a number, you’d do something so nice it made his head hurt. Sometimes it was asking questions about his games, or sending him voice messages so you could keep the conversation going when you couldn’t text. You’d even asked to vc once or twice! He’d denied that request, but nonetheless you asked! How was he supposed to follow that up? “Oh haha yeah, it’ll be like half your last paycheck sry lmao”? He’d rather die! He knew what his work was worth (and frankly so did you), but the idea of charging you that amount was a little nauseating. How fucking lame could he get?

And the other shoe did drop eventually, just not in the way he’d expected. It came as a lull in your late night banter, followed by ‘[name] is typing…’ for quite some time. That totally didn’t make him want to puke, no way. The message that followed was as short as it was sweet.

“Hey, so ik it’s not really your scene, but I’m having a Halloween thing at Ramshackle. Idk if I’d call it a party but yk it’s something. I was wondering if you’d want to stop by? If not that’s totally cool!”

Idia stared at that message for a while. Shit. Of course there was no way he’d go, not a chance, but he couldn’t just say that could he? He’d rather be dropped headlong into Tartarus than to go to some gathering of extroverts and npcs when he could be collecting his Halloween login rewards. At the same time, giving you a resounding ‘fuck no’ sounded just as unpleasant. So he just sat there and stared for a while before doing what he did best: he gave some vague, noncommittal answer.

“uhhh idk. I don’t wanna intrude haha. plus i have a raid planned so idk if i could make it sry”.

It seemed like you got what he was trying to say; Idia was beginning to resent just how well you listened to him.

“Totally get it! Just thought I’d ask :)! Send pics of ur costume tho! I wanna see it all put together :D!”

He tossed his phone aside, opting to throw himself face down in his pillow with a resounding groan. Why did you have to be so considerate? You had to have known he’d reject that request, so why even ask? And why did it mean so much to him that you had? His moping was interrupted by Ortho knocking at the door. Idia just grunted in response, turning his head to face him.

“What’s the matter bro?” Ortho hovered in the doorway, glowing eyes keenly focused on Idia’s sprawled figure. At times like this, only illuminated by blue screens and his own artificial fire, he had an uncanny effect that was hard to shake.

Idia peeked at him through his flickering bangs, huffing a little and sending the flames askew. He subsequently realized that they were streaked with a mortifying shade of pink, one that made him want to scream into the pillow all over again. “Nothing, I’m good. What’s up?” It was obviously a lie and he wasn’t helping his case by rolling over to face the wall.

“I wanted to see if you were up for a few pvp rounds before I set up to charge for the night. But what’s going on? My scanners detect no signs of physical injury, but your vitals indicate distress. Do you need medical attention?” Idia didn’t have to turn around to know his ‘brother’ had hovered closer.

“It’s nothing. It’s stupid-,” he planted his face back into the pillow defeatedly. “It’s- [name] invited me to some stupid Halloween thing.” It was muffled, but that didn’t matter. There was no way Ortho wouldn’t hear him, so there was no need to sit up.

“They invited you to a party? That’s awesome! We could go together! I know, you could even give them the prop in person and see their costume completed!”

“I’m not going.”

“What? Why not? You’ve had so much fun talking to them and working on this commission! You should go see them!” Ortho was gearing up for another uphill battle, one Idia was once again going to resist him on.

“Because I don’t want to. You can go, I guess. I mean I’m sure you’re invited. That’s probably why they asked me, right? Because we’re a package deal? You’ll have more fun without me there to weigh you down. And anyway, I don’t wanna be around that many people. It’ll probably be total npc shit anyway.” He fell silent for a moment, the quiet whir of machine fans filling the air in his stead. Ortho didn’t try to interject.

“It’s not like- it’s not like they wanna see me anyway. Maybe my costume, I mean its S tier, but not me. And I can’t even get on a vc with them- I’d be seriously delusional if I thought I could hang out with them irl.”

“Hey, they totally want to see you. I mean, I’m sure they want to see your costume too. But I know they want to see you. If you don’t feel like going that's okay, but I don’t want you to miss out because you think their invitation wasn’t genuine.”

“Why? Like I know we get along fine over chat, and they’ve interacted with my tablet, but what if they see me irl and get all weirded out? ‘Oh, why is he blue all over? What’s with his teeth? Ewww’. I think I’ll pass.” He chewed at his sleeve, nervous over the mere prospect of facing you like that. “Even if they’ve seen me in passing like once, being up close is a whole other level.”

There was another long pause before Ortho spoke again. “They like your hair.”

“What?”

“They told me they like your hair. Like you said, they’ve seen you irl once or twice in passing. Should I play the recording for you?”

Idia felt a little conflicted about that. It felt a little invasive somehow. But a far less conflicted part of him (his massive ego) needed to hear it, and ultimately triumphed. “Yeah, fine. Go ahead.” He curbed his anxious enthusiasm by biting his sleeve even harder.

“Sure thing! Commencing playback.” There was the sudden background noise of hallway chatter, followed by your voice. “I think I saw your brother in the library yesterday. Well, I’m assuming it was him, he looked a lot like you. He’s got great hair, I’ve never seen anything like it. It must’ve taken forever to grow it out that long.”

There was a measured click as the clip came to a stop. “Recording ends. See? They don’t think you look weird. And there’s nothing else in my data logs to indicate that they would.”

“That’s… not exactly reassuring,” Idia muttered, watching as the mess of curls surrounding him flickered to life with the same rosy hues as before. Of course you wouldn’t tell Ortho that you thought he looked weird, that was his brother. But nevertheless, that was technically a compliment. A win was a win right?

“We should go, I think they’d love to see you there in person. We could even go super early to drop off the prop and leave before everyone else gets there,” Ortho chimed in, clearly trying to find some loophole in his brother’s anxiety. “And we can show off our costumes again.” There was another long pause.

“Fine. But just to drop it off.”

The remaining few days passed without incident, aside from Idia’s mounting anxieties (which he was sure would culminate in sudden death). Half dressed for the function, he sat on the edge of his bed and sent you photos of the final product. At the very least he was sure you’d like it- how could you not? He was a master craftsman after all. Your response came back at the typical lightning speed. He doubted he’d ever get used to that.

“Holy shit, it’s perfect??? Thank you so so much, I love it!! <3 did u sign it?”

“no lmao?? y?”

“Bc it’s your work??? And u should be proud of it and put ur name on it ??? Duh??? And bc I want you to ofc.”

Well that was certainly unexpected. He sat there for a minute and mulled it over- what could you possibly gain from him signing it? Did you really just want that, plain and simple? God you were fucking weird. It did feel kind of nice though. Nice enough for a smile to fight its way onto his face as he meandered back to his workstation. What was the harm in indulging that request?

“can do ig. i charge extra for autographs tho, soz. so ik ortho was gonna drop this off, but is it cool if i come? want to make sure it doesn’t need any adjustments etc yk”

Even though it took him a few (fifteen) minutes to type, it came out smoother than he’d expected. He’d consider it a win. Of course the piece didn’t need any adjusting, it was perfect and he knew it, but he had to justify his sudden appearance (mostly to himself).

“You can make it ??? Nice !!! Yeah ofc! Come over whenever :D !!! <3”

Hearts. Were you trying to kill him? And why did your texts read like the logs of a dating sim? Maybe he should lay off the otome games.

Getting fully into costume was a little more complicated than he’d anticipated. Combined with putting the finishing touches on Ortho’s matching specs and engraving an insignia onto your prop, there was no way the Shroud duo would arrive early. In fact, they’d be perfectly punctual (which Idia loathed). Halfway up the driveway to Ramshackle he started digging his heels into the dirt. Even from a distance he could see light streaming through the dingy windows, along with far too many figures crowded on the porch. Part of him wondered how many students such a dilapidated structure could support- he decided to drop that train of thought before he collapsed in your front yard. “Hey- maybe this is a bad idea. Even if they wanna see me-“

But it was too late. Cater was the first to spot the two, and immediately came down the stairs to greet them. Oh great, a boss level extrovert right off the bat? He had to get out of here!

“Hey hey! I didn’t expect to see you two here! Ooh, whatcha got there? And nice costumes! Did you make them yourself?” The redhead had a cup in one hand and his cellphone in the other, his head cocked as he observed the brothers.

Idia’s mouth just sort of stopped working, and the more questions Cater asked the more he wanted to dip out. Luckily Ortho was way better at navigating normie conversations.

“Hi Cater Diamond! [Name] invited us! And yes my brother made our costumes, aren’t they so cool? We’re kind of in a hurry though, we have the last piece of [Name]’s costume! Once we get it to them, we’ll have more time to talk.” He started to move past Cater, who was now more than ready to usher them through the throng of people in the foyer. Idia followed behind in amazement. Having Ortho around was such an op move.

“Oh nice! They should still be upstairs. Once they’re all set the three of you should come back down so I can snap your pics, ‘kay? You guys really went all out!” Cater slipped away easily before either brother could refuse his invitation. Well, Idia would just have to make sure the coast was clear when he decided to make his escape. The two made their way up the rickety staircase (seriously, how was this place still standing?) and onto the landing above. Your bedroom door was open so at the very least you were easy to locate. Before Idia would go any further he slipped on the pumpkin helmet, properly obscuring his face. That felt a little better- maybe he’d actually be able to look at you.

He lingered behind Ortho as if it would block him from your view (despite being much taller than the android model), knocking at the door frame twice. “Uh… hey. Can we come in?”

You looked up from your phone with a start, eyes widening as you took them in. “Idia? Wait, holy shit, you guys look sick.” You were fully in costume- had you been waiting for them? The way you said his name nearly made him keel over right then and there. “Like I knew they would be cool, but this is insane.” Your gaze flickered to the prop in his hands. “And that’s for me? Dude, it’s perfect. Seriously, thank you so much. I’m so glad you came.”

Idia didn’t process half of it, including you taking the prop from his grasp. You looked so good he felt lightheaded. Forget talking to you, now he was worried about remaining upright. “You- uh- yeah. You too,” he stammered weakly. You too? That didn’t make any sense! “I mean- I mean you look cool. And yeah this is for you.” Breathing in the helmet was a bit of a challenge and he couldn’t recall a time his throat had ever been drier. Ortho made no effort to intervene either- he was just watching, practically on standby mode as his brother made a fool of himself. Great. So much for his op cheat code.

He decided that looking anywhere but at you was his best option, his eyes scanning along the walls of your bedroom. It did look liveable, he’d give you that much. You even had a small shelf with a decently sized manga collection- considering how long you’d been there and the wages Monstro paid, he was kind of impressed. It was cute (you were cute). Your voice snapped him back out of his meditative scanning.

“Sorry there are so many people. I would’ve given you a heads up, but I had no idea it would be this crazy. People just started posting about it and,” you sighed. “So now like half the school is in my condemned house. Happy Halloween I guess? Deuce and Jack got a few of the other first years to preemptively agree to help with post party cleanup, so that’s nice.” You were still looking at him intently; Idia had to remind himself that you were checking out his costume and not him, of course. Unfortunately that didn’t stop the ends of his hair from flickering a dull but obvious pink. He knew it caught your attention, but you didn’t mention it. Instead you opted to change the subject entirely. By the Seven, how were you so good at this? “Anyway, I wanna hear all about your costumes. I got bits and pieces over messages but give me the rundown!”

Now that he could do.

Infodumping was an art form, and boy had Idia Shroud mastered it. From the materials he used to the classic inspo, he was more than happy to tell you all about his creations. It took him a little warming up, but he was quickly in full swing. Down to the sound effect rigging, he gave you a thorough explanation of his work. You seemed particularly delighted in how he and Ortho’s costumes were a matching pair, and of course that opened the floor for him to explain the intricacies of making new specs for his brother. In his excited haste, he’d even taken off the helmet to show you its interior. He didn’t notice for quite a while, nor did you make any mention of it. You just watched him, smiling and nodding attentively. By the time he picked up on just how greatly his range of vision had improved, it was far too late. With his peripheral unblocked he also realized that Ortho was gone. A wave of panic washed over him as he reassessed his surroundings. It was just the two of you, standing beyond the threshold of your bedroom, alone. How long had he been talking? And why were you looking at him with those big, starry eyes? He tried to tell you to stop staring, but no sound came out. Once again, Idia was convinced he was going to die.

You definitely caught onto his nervous demeanor- he wished you’d stop doing that. “Hey, so how much do I owe you?” You asked, your voice gentler than he’d realistically want it to be. Why were you being so nice to him? You had the prop already, so just kick him out! There was a whole party going on downstairs, yet here you were spending god only knows how long alone with him! Wasn’t that depressing?

“Nothing. Don’t worry about it. It wasn’t a hard ask, and only noobs care about production costs,” he muttered, his tone not entirely unkind but thoroughly dismissive nonetheless.

“Oh- are you sure? Idia, it’s really beautifully done. Even if it wasn’t hard to do, you still took the time to do it. I owe you something.”

“I could make another one in my sleep. Just take it,” he was planning his escape, but could see no easy way out besides just turning tail and running. “Sorry for uh- well, for keeping you up here for so long. You’ve got a party to get to.”

“I’ll take it if you’re sure. Thank you, seriously. And don’t apologize, I like talking to you. I know this really isn’t your scene, so I really appreciate you coming out tonight.” The way you looked at him had him itching to put the helmet back on in record time. Your next words would foil even that half baked plan and freeze him in place. “If you wanted, maybe you could come over and hang out sometime? It’s not normally this crowded, it’s usually just Grim and I. You’re welcome here whenever, and so is Ortho.”

Every turn of phrase felt like you were whittling a hole in his brain, which made it increasingly difficult to think straight. What angle were you trying to work here? Was it just to embarrass him? He couldn’t think of a single thing you could gain from befriending him, which frankly made your kindness even more concerning. You had him one friendly gesture away from counting five things he could see, four things he could touch, and so on in the middle of the function. “I’m gonna go find Ortho,” he stated, abruptly turning on his heel. Now was not the time to go nonverbal, but that was steadily where he was headed. And he’d been doing so well! He’d talked to you irl, face to face! You hadn’t even seemed grossed out- if anything it felt like the opposite (which he would ignore). But of course his brain had to catch up and ruin everything. No, he had to ruin everything, just like always. This fucking sucked. The pumpkin helmet was back on, and he wasn’t showing his face until he was safely back at Ignihyde.

“Oh! Yeah, of course. I’ll walk down with you.” You wasted no time following after him, still holding your new prop. The trip down the main staircase was a silent one, but the raucous sounds of the party below more than made up for it. You didn’t push him to speak, which he was begrudgingly grateful for.

It was no surprise that your arrival from upstairs with Idia in tow drew a little attention. Cater even snapped a photo, saying something about how “cammable” you two looked (Idia didn’t have the strength to wonder where that photo would end up). You handled your entrance to the gathering like a pro, deflecting all the attention away from him with a small smile. He really couldn’t decide whether or not he hated how considerate you were, but that would be a viable train of thought once he was safely in his own bedroom. As he slipped away to find Ortho, he heard you discussing your costume with those gathered at the bottom of the stairs. Working up the nerve to risk a look back, he saw you proudly showing off the piece he’d made for you. The way you were so eager to credit him for it was debilitating.

Part of him wondered what would happen if he walked back over and joined the crowd. He knew he didn’t belong there, of course, but hypothetically. He couldn’t stop himself from imagining what it would be like to stand there by your side for just a little longer, to even let people photograph the two of you together. You hadn’t seemed to mind it a moment before. But maybe you were just being nice. You were always so nice. Regardless these were only hypotheticals, and he was bound to ruin your time if he stayed any longer. He’d be doing you a favor by leaving, right?

Right. With one last look at you, he resolved to find Ortho and get the hell out while he could, for your sake and his own.

Maybe next year, then.

——————————————————————————

Tag list: @v-anrouge @vtoriacore @phoneymedic @gum-gum-time @heatofmyexoheart (dm to be removed or added! <3)

Soz for not posting for a while (and this late as hell Halloween fic eek!), I obliterated my ankle about a week ago and have just been taking time to recover (that is a lie I’ve had to go to work every day on it but I digress!!!)

[historicallyaccuratecheese]

I’m now halfway through The Magnus Archives’ 1st season, so I thought it would be cool to just post my thoughts on each episode so far :). (Spoilers, I like all of them, and this podcast is going to be all I care about for a while.) Also NO SPOILERS PLEASE!!!

Link to Masterpost (contains all of these thought posts)

- Episode 1, Anglerfish 🚬

Statement of Nathan Watts, regarding an encounter on Old Fishmarket Close, Edinburgh.

Really strong start, not the scariest episode so far but definitely unnerving, and it gives a good first impression and layer of intrigue. While the story is simple in comparison to the later ones, it was still enjoyable, and I was just appreciating the atmosphere and framing device of the episode as well.

- Episode 2, Do Not Open ⚰️

Statement of Joshua Gillespie, regarding his time in the possession of an apparently empty wooden casket.

This is still one of my favorites. The whole time I was on edge, and this was the first episode that really kept me up at night. I went from wanting to know what was inside the coffin desperately, to wanting to stay away from it as much as possible. Joshua’s insuring dread and creative solution to his problems was fantastic, and it ends with some intriguing plot threads being set up.

- Episode 3, Across The Street 📓

Statement of Amy Patel, regarding the alleged disappearance of her acquaintance Graham Folger.

I think I share a common sentiment when I say that Amy stalking Graham was almost as creepy as the actual horror lmao. Overall I don’t have that much to say about this one, but it was very enjoyable, and I feel really bad for Graham in retrospect :(.

- Episode 4, Pageturner 📕

Statement of Dominic Swain, regarding a book briefly in his possession in the winter of 2012.

I…feel like I should hold off on talking about this one for now. While it was definitely well written and creepy, it just seems to be so full of setup for future plot lines that I almost don’t feel like I can form a concise opinion on it until I really get what’s going on. Honestly, my only complaint with this episode is that maybe it’s setting up TOO much in one go, but I still had a good time with it overall.

- Episode 5, Thrown Away 🗑️

Statement of Kieran Woodward, regarding items recovered from the refuse of 93 Lancaster Road, Walthamstowe.

This one actually did a pretty good job at getting me to think about waste disposal workers lmao, I never really thought about them like that before. This one was just really creepy, but also kind of fun in a weird twisted way. It did a great job keeping me on edge as well.

- Episode 6, Squirm 🪱

Statement of Timothy Hodge, regarding his sexual encounter with Harriet Lee and her subsequent death.

I am simultaneously horrified, and unfortunately aroused by what happened here.

- Episode 7, The Piper 🔫

Statement of Staff Sgt. Clarence Berry, regarding his time serving with Wilfred Owen in the Great War.

Having an episode set nearly 100 years ago is a really fun idea, and it’s executed perfectly here. It was interesting how it also featured a real person, and I liked how the paranormal activity felt more metaphorical here, it really did feel like it was showcasing the horror of war.

- Episode 8, Burned Out 🌳

Statement of Ivo Lensik, regarding his experiences during the construction of a house on Hill Top Road, Oxford.

I found this one to be very nerve-wracking, since not only was the whole scenario with the tree just, like…three creepy things happening at once, but the fact that the statement was given by someone with schizophrenia did a good job making me question it’s validity, even though I’m certain it’s true after listening to a later statement. I also hope that I get to see how the history of the house is unveiled in the future.

- Episode 9, A Father’s Love 💡

Statement of Julia Montauk, regarding the actions and motivations of her father, the serial killer Robert Montauk.

This one made me feel really sad :(. I really felt Julia’s despair in this one (Jonathan Sims does such great voice acting for every statement btw, both the character and the actual person), and I was even more saddened by the implications of why Robert did what he did. If my assumptions are correct, then…SCREW THE MOTHER! It was also the first one that got me thinking about where exactly all of the paranormal stuff comes from, and later episodes only add to my theory that it’s all due to demons/cults/higher powers.

- Episode 10, Vampire Killer 🧛🏻

Statement of Trevor Herbert, regarding his life as a self-proclaimed vampire hunter.

Much like Episode 8, this one did a really good job at making me question the validity of the statement, although I became more sure of its truth a bit earlier. I also just love how nonchalant Trevor comes off as, compared to all of the other traumatized horror victims. (Also, I’m guessing that the name Trevor and the episode title are meant to be a Castlevania reference?) While vampires aren’t the most creative thing for an episode, at least in comparison to everything else, the beast-like execution here more than made up for it in my opinion.

- Episode 11, Dreamer 💭

Statement of Antonio Blake, regarding his recent dreams about Gertrude Robinson, previous Head Archivist of the Magnus Institute.

Yeah…Gertrude Robinson did not die a normal death. My guess is that she was caught by ✨the horrors✨, but I’ll wait and see. This was another very tense episode, with the prophetic dream world being really, REALLY creepy. I do hope we get to see more of “Antonio” in the future, as I think he could be quite important. (I also hope he gets punched for DUMPING GRAHAM IN HIS TIME OF NEED-)

- Episode 12, First Aid 🏥

Statement of Lesere Saraki, regarding a recent night-shift at St. Thomas Hospital, London.

OMG GERARD KEAY HI HI HI HI HOW ARE YOU!!! Yeah I audibly gasped when he showed up again, it was such a cool moment. Anyways, hospitals already creep me the fuck out so this was pretty effective. Definitely some great setup here, and it helped to make a bit more sense of Pageturner, now that I have a better idea of what Gerard’s whole deal is. It also added some good fuel to the whole cult idea, and my god this poor nurse. Having to deal with all of this in a single night sounds like hell.

- Episode 13, Alone 🌫️

Statement of Naomi Herne, regarding the events following the funeral of her fiancé, Evan Lukas. Statement taken direct from subject.

Having a new voice in this episode was really cool, and Katie Davison did an excellent job as Naomi! It was also cool to see how Jon interacts with other people, he was…nicer than expected. This episode honestly felt like it was calling me out, as I am also someone who’s confident in my independence, but if I was in Naomi’s place I would also probably be scared shitless. I really hope she’ll get a happy ending :(. Also, The Lukas family is quite intriguing, especially since we now know they have a connection to The Institute…

- Episode 14, Piecemeal 👆

Statement of Lee Rentoul, regarding the murder of his associate Paul Noriega.

Firstly, this is probably my favorite of Jon’s vocal deliveries. His performance of Lee Rentoul just feels perfect. (Once again, this applies to both the writer and the character, I’m genuinely convinced the latter is an ex-theatre kid.) Outside of that, THIS ONE CREEPED ME OUT. The body horror was very effective, with the only thing holding it back being the fact that Lee isn’t the most likable protagonist in the podcast, but if this happened to someone else I’d be even more upset. Still though, it was a very creative concept, and the whole vibe and execution of the episode made it great.

- Episode 15, Lost Johns’ Cave 🕯️

Statement of Laura Popham, regarding her experience exploring the Three Counties System of caves with her sister Alena Sanderson.

What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fu-

- Episode 16, Arachnophobia 🕷️

Statement of Carlos Vittery, regarding his arachnophobia and its manifestations.

The way they tackled the concept in the title was really well done. Arachnophobia is seen as an irrational fear by a lot of people, so having it portrayed as an effect of childhood trauma was a good call. And as someone who is not arachnophobic, this episode got me close to feeling that way. What ever force was making Carlos relive his trauma is a sick fuck. Also the cat was a real one, glad he survived the whole situation. (Also THE WORMS, HOLY SHIT IT’S THE SEX WORMS!!!)

- Episode 17, The Boneturner’s Tale 🦴

Statement of Sebastian Adekoya, regarding a new acquisition at Chiswick Library.

This episode really compelled me to get out the rubber bands connecting images lmao. I really liked all of the connections to past statements here, like the presence of another book from the library of Jurgen Leitner, to the mention of Micheal Crew. The body horror here was once again very creepy, (outside of the flat rat, that was morbidly funny), but my favorite part of the episode was the introduction of Elias, which was a humorous, but also very intriguing scene. Also, the themes of books containing power was great as well. Great stuff all around.

- Episode 18, The Man Upstairs 🥩

Statement of Christof Rudenko, regarding his interactions with a first floor resident of Welbeck House, Wandsworth.

…ew. Ok in all seriousness, this is probably my least favorite episode so far. Still very far from bad, but after all of the extremely interesting themes and plot threads, having an episode where the idea was just “What if a guy had a house covered in meat? Wouldn’t that be fucked up?”, felt just a little bit underwhelming. Which like, the fact that my least favorite episode’s biggest problem is that I find it slightly pales in comparison to previous ones is just a testament to how much I’ve been enjoying the podcast. Still though, there were definitely a few things I really liked. The reveal of the room was creepy (especially considering the meat that seemed…alive…), and as someone who has had to deal with upstairs neighbors making noise for hours during construction, this episode definitely scared me.

- Episode 19, Confession, and Episode 20, Desecrated Host ✝️

Statement of Father Edwin Burroughs, regarding his claimed demonic possession.

This, alongside Lost Johns’ Cave, was one (or I guess, two…) of those episodes that seriously fucked me up. While I am not religious, I have always had fears of how religion can negatively affect me and the people around me, despite the good that it seems to do for so many people. So seeing Edwin be charged for every “sin” he committed by a higher power that wishes to steal its faith, and then not get judged by it, but by the people around him for his one true sin, was absolutely haunting, and I hope he turns out ok in the end. Outside of the horror, the episodes were fantastic. Listening to the events of Episode 8 from Edwin’s perspective, and seeing how Ivo’s actions saved him, was really cool, and solidifies in my mind that Ivo’s experience was real. The connections to demonic magic and Latin script thickened, and it was overall just a great mid-season finale. In conclusion, I hope that Martin feels better soon, and if he isn’t actually sick and is being plagued by ✨the horrors✨, well then I hope he survives :).

Thank you for reading my silly little thoughts if you’ve made it this far, it really means a lot to me :). I’ll probably update this every time I finish half of a season, so hopefully my thoughts on episodes 21-40 will be here in the Reblogs soon. :)

[snailchasers-den]

What about Tigerclaw x Spottedleaf has made you like the ship so much? I don't dislike it but I don't quite understand it either.

Well, the thing that kicked off my initial interest was the scene they had together in the first book, which I read as some type of flirty banter as a kid, and it later on snowballed from there the more I thought about it nowadays, I think LMAO Since then it's been like, my all time biggest ship in warriors, and I think about them all the time, even if I can't post about them a ton, I check the tag regularly and kinda just rotate them in my brain LMAO

It's customary at this point to mention I'm writing this while extremely tired, as I do most of my asks, so fair warning if any of this is kinda clunky. Other people have explained it WAY more eloquently than me, so if you're curious, I recommend looking in the SpottedTiger tag, cause others explain it in way more concise and understandable ways. I write most shit like I'm a madman at a whiteboard, but if that's your jam, you've asked the perfect person.

It's really a mixed bag why I started liking it-? A whole lot of things added up and got me hooked.

The difference in demeanors is fun, with Tigerclaw being threatening and ambitious and dramatic, while Spottedleaf is sweet and compassionate, yet extremely sassy, I feel like they'd play off of eachother nicely even in just comedic, non-romantic scenes.

Depending on how you want things to play out, you can basically sway how they effect eachother in however many different ways you want- Want an evil Spottedleaf AU? Tiger manages to convince her to join his side and we have a fun evil medicine cat. Want a however good Tigerclaw and a fluffier AU? Spotted is what he needs to soften him up just enough to not go feral and try taking over the clans. Want to tear them apart and have it be super tragic and kinda fucked up? Tiger still gets Clawface to kill her because he knows he can't bring himself to do it and knows she's his weak point. Something more canon-compliant? They were had a secret relationship before she died, and he sees her in Tawnypelt (I have a fic based on that idea, I love it. Obsessed with Tawnypelt resembling Spottedleaf by coincidence.) They're super flexible in that you can basically tweak and twist their story in so many different ways depending on how much you adjust the scenarios or their actions.

Make them mushy and sweet! Make them a badass medic/leader villain couple! Make them divorce eachother 3 different times and be bitter exes who throw snark and cold one liners! Make them be a tragic failed love story! Make them somehow make it work? Make them gay toms! Make them lesbians! Make them polyamorous with a cat of your choice! They're so versatile, and I love seeing anything people do with them.

I also like to throw a lot of religious/Starclan related things into the mix personally, because in different ways they both have connections with it in ways a lot of cats don't, and it can be both a good connecting point, and make it have an extra air of tragedy which I play VERY hard into in my False Prophecy AU. LMAO Spoilers for the AU that aren't really spoilers since I've drawn it before, but Tigerclaw doesn't actually commit a lot of his atrocities in that AU (Hence why I don't call him Tigerstar) and still goes to the Dark forest primarily due to literally lying about Starclan's word when they already wanted him dead from the moment he was born and 'corrupting a medicine cat', (And whatever else they could get him on, probably him being a bad mentor or having bad thoughts. They just wanted him in hell.) meanwhile, Spottedleaf, the golden girl of Starclan, despite being the one who ACTUALLY directly lied about their word and broke the code, is given a second chance and let in because 'She only loved too much'. (Because if they're going to say that line for someone like ASHFUR, I can twist it and use it for my AU in a more sinister manner, since Starclan is morally questionable here.) The ending of the AU's story also heavily relies on the afterlives, and though I won't go into it here since that's not what this ask is about and I genuinely do want to write it someday, I think it's a really fun way to twist things for them. It has such a poignant, vivid energy it carries with it, and I don't think it would feel the same with really any other pairing.

They're closer in age than most ships with them seperately, which is super nice, and makes it really fun to imagine them interacting as apprentices and their feelings building from those times into adulthood-

If you want to consider Spottedleaf's Heart, that could actually add to it too, seeing as they were both victims of Thistleclaw, likely even around the same time, and could seek solace in eachother over it- They're the only ones that truly understand, and that could drive them to want to protect eachother from other threats because they know they've been hurt in similar ways and don't want that to happen again.

I tend to imagine Tigerclaw to be a big ass Maine Coon while Spottedleaf is fairly small, and that just adds to it for me, since I think it makes the fluff between them 10 times better. My favorite warriors ship dynamic is when one of them is very, very fluffy and the other can basically just. Sink into their fur like a pillow. Hence why I also like MothCrow. I'm both unpredictable and incredibly predictable.

I also just don't really like a lot of Spottedleaf ships? She's one of my favorite characters, but I don't like basically any of the other pairings I've ever seen for her. Definitely don't like SpottedFire and never did, I see Mousefur as very very aromantic and relate to that, so SpottedMouse is very much not my jam- Anything else tends to be a rarepair or just something I don't really vibe with- She's not shipped with as many people as you'd expect. SpottedTiger was like striking gold for me- (Though Spottedleaf/Runningnose is also a nice one I think about from time to time, and is where I got Snailchaser as a character from LMAO)

Tigerclaw has always stood out to me and registered in my mind as being a romantic in a way too? It's a unique trait for a villain, especially in warriors, so I love emphasizing it, since god knows the Erins don't and won't. I know a lot of people like to joke about him kinda sleeping around or being a womanizer with him having two mates, but I love taking his multiple mates and interpreting it in more of a romantic sense- (And also I headcanon him as Polyamorous, but that's just me) He wasn't a good partner at all in canon, but something about imagining if he was makes him 10 times more compelling to me. He's a romantic! He's a family man! And he's a sadistic wanna-be dictator with the ambition needed to wreak havok and take over Shadowclan! Those traits 100% clash and that's the point. Putting him with Spottedleaf further complicates that by pairing him with a compassionate medic who does not at all share his lust for power. (Or might deep down, who knows! It's up to the writer!) I think it'd be fun to see internal battles and how the actual good traits he has fuck with his plans.

Though, if you know me at all, I'm also just really weird and love rarepairs and crack ships for Warriors. Hell, I basically made up the MothCrow tag on here by cautiously posting about Mothwing x Crowfeather- Even if my stuff's not completely canon accurate, I write in much more 'what if' scenarios and heavy AU usage. It's more fun and interesting to me to write in a more speculative "I love the version of this character that exists only in my brain" way, and out comes the stuff I make.

[zuureleena]

i drew the mercs, miss pauling, admin, and my tf2 oc on the plane to uni 😭

i did all of these a week ago and completely forgot to post them HAJAHAH miss p, the admin, and a rlly simplified ver of my tf2 oc miss lynn!! (zoey lynn hehe + js rambles abt her) under the cut

IM ACTUALLY REWORKING HER DESIGN RNNNN bcs i made her on the sims 4 LMAO and realised how much better and concise she looked, but i really wanna try and make her look like someone you'd js see irl? sooOOo tryna make her also recognisable from silhouette alone and blahablahblah tho she isn't the kind of character that would rlly make too much of a difference in the tf2 universe

i js wanted to make a loveable character LMAO who'd have more of an impact on the relationships and kinda the story?

i liked the idea of miss p having an extroverted bestfriend who's also her wingwoman bcs miss pauling is obvs an awkward lesbian mess who needs help in the love department, and vice versa bcs zoey is into scout and miss pauling is js so glad to have him move on n realise that they r better as friends!! and that he needs to be with someone who isn't annoyed by him 24/7 (IM SORRY, LWNAKS MY SELF-INSERTEDNESS GOT IN THE WAY HAHAHAHA I CANT HELP IT) also, i haven't rlly thought of any orientation for zoey... i'm thinking of her js being a het woman or js whatever u wanna interpret her as!! cuz her sexuality isn't a core thing abt her

she's an absolute harbinger of chaos who'd do anyt for money and some company (this girl has been hella lonely n stressed out of her mind and i'll explain why in an oc post🤭🤭) and even tho she never outright admits it, she does enjoy the freedom of violence she gets to have as a mann co assistant 😭 (which will ALSO make sense when i explain her background to u guys later on)

and bcs of her long experience w shady bosses and asshole customers she's had to deal within all the jobs she's had, she catches onto the administrator's whole thing with the australium fairly early into the job, but she's in tooooo deep now and is like "damn. do i get myself out of this fucked up job (that i am fucked up enough to actually enjoy) or do i stay bcs i literally have everything i've ever wanted....shit." like,, she did say she'd do anyt for money but at the cost of what 😭 [also MAN i wish we got that final comic so i can js make zoey's suspicions make sense??!?@ but in a way it js works bcs it's js this massive mystery that we don't even know of ourselves???? so likeee, im js assuming its smth rlly dangerous or smth bcs helen literally goes to the most insane lengths to get australium and finish off her final... thingy.. that uh DEBT is it... i forgot what she called it BUT WHATEVER BUSINESS SHE HAD TO ATTEND TO B4 SHE DIED QOABJASH]

OH AND YEAH, zoey hates how bossy the admin is and is an ass abt it at times, and the admin wants zoey gone so badly bcs shes an annoying little shit (which she is and honestly, her and scout can be annoying shits tgt <3) but miss p always convinces her to keep zoey BAGAHAHA and they do get things done much faster w zoey there sooOoOOo 🌝🤭

i mean she does try to kill both miss p & l anyway but still, she can't deny that they r both good at what they do

BWOSBQJS BYE I DONT THINK ANYONE IS GONNA READ THIS AHAGAH BUT THANK YOU IF U DID 😭 I HAVE SM ABT ZOEY AND I RLLY WANT HER TO BE LOVEABLE AUGHWGS

[strandedaylily]

New oc !!! Yippee !!

Well. Not new. I’ve had Grey for a while but never got around to making their introduction LMAO but here we go!! They’re probably my favourite oc besides Step ofc. They’re my beloved little guy (gender neutral). But yes here’s Grey’s playlist!! It’s actually. Very motivational in my opinion; I listen to it when I run teehee

Lore beneath the cut (for anyone interested!!)

I have. No idea where to start LMAO but I’ll try to make this short and concise for everyone’s sanity. Might make a more cohesive version later. Here goes:

Grey was built as an early generation two iterator, the second oldest in their local group. Their initial name was Solace in Absolution, or just Solace for short. Their local group goes as follows, from oldest to youngest:

“Wander”ing Asunder - he/him - late 1st generation

“Solace” in Absolution - they/them - early 2nd generation

Disruption of “Clarity” - he/it/vir - mid 3rd generation*

“Drift”ing Petals - he/him - late 3rd generation*

Clear Golden “Sky” - she/it/they - mid 4th generation

*Clarity and Drift had their projects started at the same time, but Drift’s took longer to complete due to the rough terrain and bitterly cold tundras surrounding their can.

Solace was never well acquainted with their local group and was appointed as an honorary group senior because of Wander’s inability to lead. They never really clicked with their group either due to their cold pessimism.

They never really liked the ancients due to their admins, (guy #1, whom I haven’t named yet) and Effervescent’s combined efforts to make them feel like Shit™ !!

After a while, the desire to just up and leave became unbearable.

However, another member of their High Council named Paradox (design still pending) saw their laments in a pearl, took pity on them, and gave them pirated instructions on how to go off the string, basically.

Idk, don’t ask me how that works because I’ve got No Idea.

While the ancients are still around, Solace… Doesn’t really know what to do with it. They just kind of modify the blueprints a little more to their desire. (And yes, those claws are just as sharp as they appear to be.)

When the ancients dipped, they saw their chance and decided to leave!! But not before they have a spat with the entirety of their local group and get their seniority status revoked lol. But they’ve left now and there’s no going back. And. Well.

In hindsight, this was a terrible decision for everyone involved.

Immediately after their departure from their can, they are attacked by another iterator. They’re nearly killed before a patrol of scavengers take notice, and a particular scavenger named Lindel saves them and chases the other iterator off! Unfortunately this event also just cements their hate of other iterators outside their local group :(

They join the scavenger patrol and are adopted + named Grey by the scavengers!! Wahoo!!

(The art here is a little outdated but the lore is still applicable!)

The scavengers teach them how to make bombs and sharpen rebar to make spears, and, in turn, Grey teaches them how to make electric spears, flashbangs, and singularity bombs from the rarefaction cells of killed iterators :) friendship yippee!!

And. Yeah! That’s what I got so far :) thank you for coming to my tedtalk

[starling-song]

(photo: lyrics as printed in the first cd edition of Hurry Up Mode, 1990)

HURRY UP MODE

Lyrics: Imai Hisashi | Music: Imai Hisashi

NIGHTLESS BABYLON Put on Media NIGHTLESS BABYLON Escape to the safety zone NIGHTLESS BABYLON Acting like a General NIGHTLESS BABYLON It’s giving Abnormal

※Lost in the night Out on the street (oh!) Lost in the night Out on the street (oh!)

NIGHTLESS BABYLON Searching for Pleasure NIGHTLESS BABYLON Pushing the way through Top mode NIGHTLESS BABYLON Burning through Slang NIGHTLESS BABYLON Shooing away Laughin’ voices

※Repeat x2

＊Those far too brilliant Have infinite Jealousy What failed to be won Was fleeting Merr[iment] Hide/Draw^ the neon Coloring Silhouettes I get it already “HURRY UP-MODE"

＊Repeat

※Repeat x2

＊Repeat x4

——————————————————

NIGHTLESS BABYLON Media wo haori NIGHTLESS BABYLON safety zone e nigekon de NIGHTLESS BABYLON General kidori NIGHTLESS BABYLON Abnormal kamoshidasu

※Lost in the night Out on the street (oh!) Lost in the night Out on the street (oh!)

NIGHTLESS BABYLON Pleasure sagashi NIGHTLESS BABYLON Top mode wo kakiwakeru NIGHTLESS BABYLON Slang tobashi NIGHTLESS BABYLON Laughin voice (wo) makichirasu

※Repeat x2

＊Azayakasugita no wa Musuu no JEAROUSY Tsukami soko neta no wa Tsuka no ma no MERRY Neon wo kakuse Irodoru SHILOUETTES Wakatteiru sa “HURRY UP-MODE”

＊Repeat

※Repeat x2

＊Repeat x4

--------------

^Imai doesn't use kanji for this word, which causes some problems. Frankly I can see how it could go either way so I decided to just use both, separating the two options with a slash. I even tried googling the phrase to see if I could pick up on any common usages and came up pretty empty- will ask a native speaker friend at some point to see if it makes any more sense to them but it may just be an Imai Original(tm) that we all have to live with lol.

T/N: Translation corrects spelling and english conjugation errors on the part of the band where necessary. Romanization includes words inside () said in the song that were blatantly missing from the lyrics- possibly just typographical errors. Both texts included additional repetitions wrt what's sung.

I borrowed some Gen Z slang for a line because, frankly, it really was the most accurate and concise way to express that idea in english lmao. Don't shoot me!! (plus the song mentions slang anyway so why not indulge a bit lol)

So far all these early songs are very short, cold, and punchy, very punchy, which is quite a contrast to the warm, fraught, and almost hallucinatory world that Atsushi later leads us in to. The punchiness, and Imai's aversion to kanji, makes them a pain to translate though so I will probably come back to this one later a few times- keep an eye on the version number!

--------------

Disclaimers: Please do not use my translations or photos without express permission. All photos of lyrics are mine- these are from my own collection, even if potato quality.💗

v. 1.0 (12.29.24)

[legobiwan]

i think so much about how painfully annoying (and devastating) of a duelist obi-wan would be be if he learned makashi and subsequently created a makashi-soresu fusion. we've already seen how hard maul and savage were struggling against his jar'kai/ataru/soresu mix, so obi is clearly great at connecting elements from multiple forms into a coherent and elaborate moveset even while under pressure (that whole fight is so good ugh).

imo obi-wan's soresu opening stance really lends itself so well to makashi. like, in the context of soresu, that stance is more of a high guard for defense, but it could also be a great base for some makashi lunges (in fact, dooku does a little two-finger-point and stab in that amazing fight on oba diah that reminded me a lot of obi-wan's opener)

that hyper-efficient offense/defense combo, especially in obi-wan's hands, would be incredibly powerful (and SO tedious for anyone to deal with). i'm not sure what dooku thinks of soresu in general but i feel like seeing obi-wan use both forms together would make him fairly proud lmao

Oh, I love this, anon.

What always strikes me about Makashi (especially in Dooku's hands) is how powerful it is in its concision. You rarely see Dooku flipping around (although he does in that fight on Oba Diah which consistently remains in my top 5 on-screen duels of all time), nor engaging in a lot of broad, powerful strokes. I mean, half the time, he's dueling with one hand behind his back and still winning. It's damn impressive.

Like Soresu, Makashi has this element of wearing down your opponent, which I think makes them a great marriage of styles, in that it could balance Soresu's more defensive emphasis with Makashi's more offensive one. I mean, let's not forget just how effective Dooku is as a duelist - he rarely loses and when he finally does, to Anakin, it's a matter of brute strength and Dooku's misplaced arrogance that finally is his death knell (although, here's an interesting idea - you have to wonder with Palpy sitting there the entire time on the Invisible Hand if he wasn't giving a little juice to Anakin on the sly just to be certain Dooku failed).

So yeah, if Dooku's Makashi-centered melange of styles served him well, I have no doubt an Obi-wan more trained in Makashi would be a delightful dueling menace and that Dooku would love to both witness and be the one to train and elevate.

In fact, there's a story I'm working on that gets into this a little bit...

[subskz]

hello my love! i'm finally here with the requested knowledge, sorry it took so long! ♡ i consulted my book written by the founders of mbti, and here are the results:

entps are original, individual, independent and perceptive. they are tireless at what interests them but find it hard to get other things done. they are full of ideas and operate by impulsive energy. they are very strong in initiative and creative impulse, value inspiration and have the power to inspire others. they are versatile, very clever, enthusiastic and they don't shy away from a discussion/debate! they are also very analytical and would make amazing inventors or scientists. our lovely grindset is very cool indeed 🩷

when it comes to intps: just like entps, they are analytical, independent, full of ideas and very perceptive. however, they tend to be a bit more reserved, outwardly quiet and detached. they are also curious and adaptable, persevering and are thought to be the most intellectually profound of all the types! many intps are university professors or theorists. our beloved catboy anon is a brainiac 🫶

the two types share a deep bond based on their passion for exploring ideas and engaging in discussions together! ��� they inspire each other and engage each other intellectually. they can grow together and have a very meaningful and long-lasting connection. in a way, the two types mirror each other and can find a space for mutual understanding. 🌸

it sounds very lovely in my opinion. 😸 i hope this has been at least a little bit helpful and accurate! feel free to summon me anytime ♡ -🌻 (the real sunflower anon)

hello hello my angel!! there’s no need to apologize at all the fact that you took the time to look into it and explain it to us is so kind of you, thank you so much ㅠㅠ esp to be so thorough that u read ur official mbti book…as expected of you!! 🥰

the way u describe them is so cool entp and intp almost remind of those misunderstood geniuses you see in movies…and i definitely see a lot of those traits you mentioned in our dearest catboy and grindset! especially grindset w her cleverness LMAO im always amazed by the details she catches on to and how witty her sense of humor is 😭 and she’s always sparking fun discussions here! (remembering the astrology debate of 2022)

our beloved catboy is a braniac‼️ i think the part abt being full of ideas speaks for itself hehe their genius brain never rests and they come up w some of the most deliciously creative concepts i’ve ever seen!! everything has that special catboy anon twist to it~ and they’ll probably try to deny the intellectually profound part but i know firsthand that it’s true >:)

“the two types mirror each other and can find a space for mutual understanding” that really does sound lovely 💗 u explained it so well and concisely esp for me who doesnt know much abt mbti! thank you again my dearest wife i appreciate ur thoughtful analysis so much and im sure catboy n grindset will too <33

[cowboyjen68]

Cowboy Jen I am having a bit of a butch crisis !! Please do you have any advice. So. My parents are two wonderful butches who love and accept me but who have raised around their very strong lesbian identities. For a very long while (since I started middle school) I have been suspecting I am a lesbian. But as a result of growing up with my parents ideals I can't separate lesbianism from being butch. I'm having a very hard time figuring out if I really am a lesbian or if I just want to be more masculine or if I am a lesbian but I'm not butch. I know you cannot tell me the answer but I was wondering if you have any advice on how to navigate my way through this indecision. Alternatively any suggestions for a short haircut that works with a round forehead and face shape would be appreciated lmao (every short haircut I have gotten in the past has looked a little silly lol. Maybe I just have a bad barber)

The good news is, in the grand scheme of life, you don't have to be correct right away. You can take time, try things on and figure it out.

For me being a lesbian is just a fact. I am a woman who is only and solidly sexually and emotionally only attracted to other woman. That was pretty easy to figure out once I was honest with myself and who I found attractive. Once I stopped listening to all the crappy stuff people try to attach to the word "Lesbian" I knew it was really just one concise word to describe my orientation.

The butch part was longer in figuring it out. I always knew I was masculine, ie different, at least in the perceptions of others. I also knew I felt like my masculinity seemed different from the other Tomboy girls I grew up with that were straight. We just experienced different reactions from the outside world and I reacted differently to the expectations put on me both as a little girl (then young woman) and as an adult woman.

My tomboy friends outgrew some things, like not liking boys and never wearing a dress (willingly). I did not out grow these things. It was no phase for me. If the word "Butch" resonates with you then it is more likely a fit. If you experience things like being told "you should have been a boy" or "why do you act like a man" those are decent indicators.

The word butch gave me a succinct way to describe many of my experience as I navigate the world and, probably more importantly, helped me find others who were like me and shared so many of the same stories. You having two butch moms does complicate things a little because you need to separate your experiences from theirs. Some reactions you might be getting because you are already in a butch centric world.

You don't need to figure the butch part out immediately and there is not any harm in figuring out if it fits in the long run.

Instead of a barber, go see a cosmetologist and walk through some ideas. They are much more likely to be trained in more complex hair style and what might look good with you head and face shape. Super short is not always the best look on everyone. It is not on me. (lesson learned).

[bigalockwood]

20 Questions For Fic Writers

Thanks @sunshine-rudberg for tagging me <3333

How many works do you have on Ao3?

7!

What's your total Ao3 word count?

175,665

What fandoms do you write for?

Young Royals. I used to write for other fandoms ages ago, but have no interest to write for any others right now.

Top five fics by kudos

(The results to this are kinda skewed, because I started posting my stories for users only after Royally Whipped, which drastically influences nr. of hits and kudos).

Royally Whipped

we'll make a home on the cracks (glowing review)

Simon Eriksson hates breeches

All Is Fair In Love and Secret Santa

arm-biting (vindictively)

Do you respond to comments?

I try my hardest, but when I was writing Royally Whipped I was insanely busy and got super behind on replying. So now I have a mountain of comments waiting for me to reply to . I'm trying my best to go through them and keep up with the comments coming in because of should've said no.

What is the fic you wrote with the angstiest ending?

No angsty endings for me. I guess in terms of what was angsty until close to the end, it would have to be glowing review.

What's the fic you wrote with the happiest ending?

Royally Whipped, I'd say. Season 3 completely derailed my plans for that one, so it's much less angsty than originially planned.

Do you get hate on fics?

Not yet. But I guess there's always first time for everything, right?

Do you write smut?

So far, no. Just weirdly suggestive scenes.

Craziest crossover:

Never written one.

Have you ever had a fic stolen?

Not that I know of. Hope it doesn't ever happen, either.

Have you ever had a fic translated?

Nope! (As far as I know, at least.)

Have you ever co-written a fic before?

In an old fandom, yes. It was fun but also super messy and definitely far from my best work.

All time favourite ship?

Wilmon! No one does it like them.

What's a WIP you want to finish but doubt you ever will?

There's a bunch of stuff in my drafts, but most of those are just rouch ideas or random scenes. So no WIP. I'm usually very good at finishing them (though there is an abandoned twilight fanfiction on another website, but I'm not touching that one with a ten-foot pole).

What are your writing strengths?

Questions like that always throw me off, because I genuinely don't know. But I think I'm pretty good at coming up with metaphors for my characters feelings that are hopefully not too cringy to read.

What are your writing weaknesses?

I ramble. A lot. Other writers could probably tell my stories in three chapters and be done. I'm unable to do that. Also too many details in general. Pretty sure I overuse and repeat certain words all the time. Generally just don't know how to make anything concise.

Thoughts on dialogue in another language?

I don't mind it when reading fanfic (actually barely notice), but personally choose not to use it. If the story is set in Sweden, then imo they're already speaking Swedish with each other, so no need to have them say Swedish words.

First fandom you wrote in?

Twilight lmao

Favourite fic you've written?

You're asking me to decide between my children??? Okay, I'll give it a shot. I think Royally Whipped will always have a special place in my heart because I wrote it in such a chaotic phase of my life. But I also really, really love Simon Eriksson hates breeches (I think it's very funny ngl) and had the best time writing glowing review.

No pressure tags @hergrandplan, @wilmonsfolklore, @gulliblelemon, @nerdyfangirl76, @iwouldnevergetintofanfic & anyone else who wants to do this (I could tag so many amazing people, but I have no idea who's already been tagged, other than those along side me)!