#i really hate feeling weak

[karokawwo]

I'll be honest I really hate height differences in vns... like I'm short so technically that writing should be geared towards me, but personally it just feels very infantilizing and it's so annoying. I know a lot of people are into it but it to me it's just kind of upsetting

[icewindandboringhorror]

On average, what is the total MONTHLY amount that you spend on dining out*?

*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)

*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)

(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )

(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)

[utilitycaster]

feel free to ignore if you feel like it's too theoretical/parasocial/etc. but: I see how the campaign as a whole is off because of how lack of prep influenced the cast to create somewhat unfit characters, but as someone who got immensely annoyed by this episode, I'm wondering why has that throughline carried out for so long. why haven't the cast decided to start playing their characters in a way that leads to a more cohesive and satisfying story? is the hesitation and bizzare opinions on gods a very dedicated RP choice or do you think the players themselves are also at a loss? I'm honestly very confused about that, given how driven and decisive they played VM and M9 during their oneshots. I don't want to feel like I'm singling anyone out to hate but e.g. the way taliesin plays caduceus vs ashton is particularly puzzling to me.

Hey anon,

This is all highly speculative (as, to be fair, was the original idea the cast was given very little information, and that turned out to be right) but I think it's the far-reaching consequences of that initial lack of prep combined with the fact that it's been a very central-plot focused campaign that failed to allow the characters to develop into more decisive people. It also, I think, centers the Ruidusborn such that I suspect a lot of the rest of the table is taking their lead.

The Mighty Nein, we know, involved a lot of prep with Matt specifically offering feedback and vetoing certain aspects. Every character came in with pretty clear goals, and because it was a character-driven campaign we got to see those goals change as they learned more: Caleb and Fjord notably abandon their original goals in favor of new ones. Veth and Caduceus achieve theirs; Jester as well, and she develops new ones as she becomes less sheltered. Beau and Yasha's exact goals were much more nebulous, but they have the opportunity to confront their pasts at length and find new purpose and peace throughout the narrative. I don't think it's productive to rehash everything every time but: lack of pre-existing long-term relationships and more work on the short-term friendships that existed, the fact that Beau and usually Molly due to Yasha's absences (and later Caduceus) were free agents who didn't know anyone prior to their meeting, and the fact that the party had like 2 gold to their name and had to double up in odd configurations plus their willingness to engage in conflicts led to a fairly quick and deep bond, which also influenced their goals and dynamics.

Vox Machina were initially very generally sketched out characters, but after they began doing more there was a similar effort put into to backstories, and I think going back after they'd already played a bit meant they knew more about who they wanted these characters to be. The pre-stream plot, as we can tell from the origins comics, was also heavily backstory focused; the Briarwoods arc is when most people feel the streamed campaign really takes off.

We have seen the backstories of the characters of Bells Hells, but a lot of them are deeply tied into a long-running main plot that doesn't really allow for the same development over time. Like, Percy, for example, actually does his "plot" about quarter of the way into the campaign; but this kickstarts his development. Fjord is rather similar; he learns the source of his powers quite early on, but grapples with them until the halfway point and then the rest of the campaign is him embracing something new. To compare, I suspect Laura envisoned Imogen's story as being not dissimilar in the sense of "learn what my powers come from, find a way to better control or perhaps get rid of them" and so upon finding out this is the lynchpin of the entire plot, Imogen never has that post-resolution time to cook, essentially. Even for those who had slightly more rewarding plot beats they kind of felt like "let's address this problem so we can get back to the moon stuff" (Chetney, Laudna) and in some cases, I think it felt to the players, rightly or wrongly, like those plots were actively rushed to the point that they couldn't explore them (I suspect this happened for Ashton during the solstice split). There's been a hurry-up-and-wait sense of urgency over the whole campaign because it's a plot that was introduced very early and has never let up. There's been no "what do we do" type breaks and I'd be shocked if there are. We've sort of run out of plot because we've speed run everything that would have been a plot in a different campaign.

So I think the players don't know how to evolve their characters because there's been no in-world impetus to evolve, really. Now, as someone who prefers to play people who are already decisive, the fact that most of the cast went for kind of indecisive/impulsive types isn't my bag, but that is valid; but it means no one's really had the chance to organically move from that.

I also think that the fact that there's one big plot that really centers the ruidusborn is another factor. Even if Orym, for example, were the type to shut down the party, what is one person who can't reasonably stop two spellcasters from going into the Hallowed Cage going to do? I think this post makes a good point; I think putting the pressure very heavily on two players who (very understandably! for a number of reasons!) are among the most averse to making a hard and potentially alienating or unpopular choice has sort of prevented anyone else from taking a wild swing. The other campaigns had a much more even distribution of who could make decisions within the party, and I think that reflects that. I also think this is uniquely an issue for longform campaigns; I haven't seen this hesitancy from Laura nor Ashley in Candela, Downfall, nor in the various Daggerheart one-shots and miniseries, since you have to swing big there.

I do want to cover one point specifically, which is that I actually find Ashton to be one of the better played characters. I disagree with them, to be sure, but like, Caduceus is a character who can be arrogant in his fairly limited worldview, but who is also consistently very empathetic and kind. Ashton has that arrogance, but without those priorities. Caduceus isn't really invested in hurting those who hurt him; he's interested in stopping those who would hurt his home, family, or friends, and if that requires hurting them he's okay with that. Ashton really does want to beat up those they deem responsible for their own pain, justified or not. I think taking the shard was a great move and stand by that [though, admittedly, it and the bit about Predathos needing a vessel just now have me like. the consequences have been conveyed in a crystal clear manner to ME and somehow the cast is not getting Matt flat-out saying in game THIS IS WHAT WILL HAPPEN, so idk what's up with THAT.] and my issues stem specifically from his decision to claim to speak for the weak and then immediately accept the titans saying that a remade world in which only the strong survive is fine. Like, I don't think there is a problem in how Caduceus is played vs. Ashton, in that I think they are both internally consistent as characters; I think it's just. Caduceus is someone who tries to make decisions that minimize broad harm to that which he deems good, and Ashton is often, by their own admission (episode 78), selfish and conceited. Like, Taliesin is just. Playing someone who is often not a great person this time. And that's a valid choice. But I think it's in a narrative that didn't really permit enough time and space for characters to change meaningfully so Ashton is a bit stuck there whereas, while Caduceus didn't have nearly as much of a gap between who he already was and the hero he needed to be, he had far, far more room to grow.

[illmoraineakoi]

As much as I adore the idea of Alan being like a dad to the Color Gang, I am absolutely feral for interpretations where that’s not really the case.

Or, more specifically, when those feelings are very one sided.

The CG look up to him and adore him as a parental/guardian figure, loving him almost like a father, especially Orange in particular who 110% sees and loves Alan as a father figure, while Alan himself sees himself more as a tolerant friendly landlord; just a dude who’s letting five stick figures live on his computer and not really interacting with them (except for Orange) very much beyond playing a few games for them or sparring with them. And even with Orange, it’s more of a friendship relationship than a parent-child one. Just generally pretty emotionally detached/distant towards them, not really feeling very strongly about any of them. Sort of how IRL Alan speaks about them as characters; fond, but not loving*. He still largely just sees them as stick figures. Like smart little living desktop pets.

Which makes all of the potential scenarios where they meet on more equal grounds (Stick!Alan AUs and IRL!Sticks/Human!Sticks AUs) potentially very juicy.

The CG and Orange in particular are always very excited to meet and actually interact with Alan, and Alan just feels overwhelmed and awkward by all the affection/attention. Or perhaps even confused about why they seem to like him so much.

Which can very quickly turn into a situation where the Gang notices that Alan doesn’t seem very comfortable around them, that he’s not nearly as excited and enthusiastic about finally being able to touch and hug them as they are with him. That he seemed to be kind of distant from them, withdrawing away from them. Oh, he’s friendly and polite, and he’ll talk to them, he’s not being mean or ignoring them or anything, but it’s not really like how they always imagined meeting him would be. It’s not as happy and joyous. He doesn’t interact/engage with them on his own. Doesn’t offer hugs or pats or much affection at all. He’ll do it if they initiate or ask, but he never gives anything of the sort freely.

Perhaps they think it’s because everything is so new and fresh, that maybe he’s feeling a bit overwhelmed. Maybe he just needs a little time to get used to them.

But when they give him that time…nothing seems to change. And they’re just left even more confused and concerned. Why was he acting like this? He was never like this before… (or so they think.)

Or perhaps a situation occurs where it’s revealed that Orange sees him like a father, or perhaps Orange even calls him his father, and Alan denies it. Corrects him. Tells Orange that he’s not his parental figure, that he always thought they were just friends. That all of them were just a bunch of sticks he was letting live on his computer. He wasn’t their dad, where in the world did they get THAT weird idea from? He was just Alan, the owner of the computer they made their home on. He barely even knew them.

And the Gang is both shocked and heartbroken. They hadn’t known Alan felt that way, just as Alan hadn’t been aware of how they felt. It was so easy for misunderstandings and misinterpretations to happen between them when they couldn’t really communicate very well.

But Orange, Orange is devastated. It hurts, so bad, because Alan literally created him. Alan was his creator, the closest thing to an actual parent he had. And yet Alan didn’t want to fill that role towards him, didn’t want to be his father. He could have seen and understood Alan not considering himself the others’ parent, since Alan hadn’t made them, but Orange was undeniably his.

But Alan didn’t want him like that. Didn’t see him like that.

He was just a stick figure who frequently helped him animate and lived on his computer. The fact that Alan made him appeared to be irrelevant.

So Orange puts on a smile and accepts it, apologizing for misunderstanding. But inside, he’s raw. The rejection feels so awful.

And it stings just how relieved Alan looked after his apology, like he was grateful that they weren’t arguing about it.

Because they don’t. What more was there to say? Alan had made his feelings on the matter very clear, and who were they to try argue against that? To challenge him, and demand he change his feelings towards them? To demand he love them? No, that’s not how things worked. That wasn’t how love worked.

You can’t try to force someone who doesn’t love you to love you.

Instead, Orange goes to his room, and sobs. It hurts so much. It feels like a chunk of his heart has been ripped out, leaving a giant empty gap where it had been. He can’t stop thinking about why Alan didn’t love him even though he made him. He can’t help but wonder if it’s because somehow he wasn’t good enough. Or if he’d done something wrong.

Or if it was because he was just a stick figure. Not human. Not a “real” person in Alan’s eyes.

He doesn’t know, but it hurts all the same.

The others, too, mourn the loss of the only parent-like figure they’ve ever known. They never knew their own creator, whoever the person who actually made them even was, they only ever knew Alan. It stings, how all of his weird recent behavior now makes sense. He hadn’t needed time. He had never loved them as much as they, apparently mistakenly, thought he did in the first place. It leaves them feeling empty and bereft, at a loss for what to do with themselves now.

And Alan is left totally oblivious to just how badly he’s just hurt them all.

And totally oblivious to what he himself has just lost, the potential for what could have been.

…At least, until he goes through some Character Development and inevitably has some Realizations that “Oh shit, those actually ARE my kids, oh fuck what have I done?!” And he needs to claw back the gangs’ love and affection and trust they’d since given up on.

* - [Or at least that’s how it always felt for me, watching AvG reactions, though that could just be because IRL Alan just sounds kinda bland and introverted in most of his commentary on his own animations lmao “I mean I like Orange.” Bro that is your main character that has been spearheading your entire career for a literal decade, why do you sound about as enthusiastic about him as if someone just asked you about your favorite weather type lmao jk jk]

[septimusmoonlight]

You doing ok?

hi

[akkivee]

was going over the tdd manga and interestingly enough, kuukou is the only leader whose initial reaction to coup was not shown to us. we are eventually told how he reacted to it in the nb drama track and looking at the reactions:

1️⃣: muses their new leader better have power to make change

🐴: laughs that if the new women in charge expect the men to be violent, he’ll gladly oblige and show that violence

🍭: is entertained by the chaos and chance at change

💉: muses even if conflict is ending, there will always be lives to save

🎋: questions how samatoki can laugh in this situation

these line up with their philosophies!!!! and so kuukou, who is always yapping lol, shown to be guiding with his words, notably within his songs, is the only one who was excited about the mics themselves 🤭

[hyusolk]

have some drawings i never posted/finished

[hetchiew]

I still don’t feel well and it’s making me all emotional

Currently hugging my squishmallow and trying not to cry😭💔

[uncontrol-freak]

.

[arkiwii]

very sad still see the saria/silence divorce headcanon still going around

have you ever tried to consider that they never dated before lone trail because it would be unrealistic with the timeline and the events and also because it would be overshadowing the actual truth of why they couldn't get along

[aelswiths]

*screams into the void*

[wereh0gz]

Guess who's thinking abt Rue being envious of Sonic and how he can appear as mostly normal despite suffering from essentially the same condition as her again

[dykedvonte]

you make really good points, I think I used the term karmic wrong sorry. I think of it more as not how I personally think he deserved all that happened to him (which thinking back os exactly what karma means, I messed up sorry), but as his fate being directly tied/parallel to anyas. I handnt noticed the toxicity of jimmy and curlys relationship, from the first playthrough I watched and the first interactions I had w fandom I saw so many ppl just. dismiss the terror Anya went through and focus too much on him as the "ultimate victim" and that just didn't sit well w me. I really dislike seeing ppl go "oh well nothing could've been done" I think it's much more complex than that. also I forgot to mention in the last ask that I really appreciate you bringing the point that this game isn't just about the harm of patriarchy but also very very critical to capitalism, I haven't seen too many ppl touch on this. I hadn't thought too deeply about how it makes "he deserved to become disabled as punishment" come up and I agree that's really messed up. I'll try watching a playthrough again with all of this in mind. but either way thanks! I really appreciate your answer 🫶🏼

I guess this is just part of being in a fandom like this. I've noticed a lot of people don't actually see posts outside of their curated view. So some people only get like anya posting or jimmy or curly and it can make it seem like that is what is saturating the conversation.

I mainly just follow the general tags and look for anything new because I'm like obsessed but I know some are only looking for what they want or believe to be the case and can get weird about other ideas.

Sorry if I came off mean its just a last few of the asks have been like circular conversations like this and its not draining per say but seeing all the nuance and details get overlooked to fit a straightforward and basic narrative really sucks cause there's a lot to explore character and theme wise.

[dent-de-leon]

I think if he had more time, Caleb could have fixed him (Lucien Tavelle)--

[bayofwolves]

i was on the most random nostalgia kick and rewatched the prince of egypt yesterday and let me just say... that movie is truly one of the greatest animated films of all time.

[581ism]

begging lando norris to stop airing out his personal confidence issues infront of everyone and the world. it's making you look sooo bad bro and i say this with as much understanding as is possible and only a little bit of contempt