#i really don't like the original version for its sound

[beevean]

Castlevania: Portrait of Ruin

Dark Academy (Crucifix Held Close)

[mirainotes]

you don't want to know the end of this dream, because it's not the world you wish for; yet still, i wish you'd love even this conclusion.

(redraw of the dreamless dreams PV!)

[radio-4-is-static]

WONDER BOY'S AKUMU CLUB - Yojiro Noda

[incompleteloveletters]

the danish dub of monster high freaky fusion goes so hard

[evasive-anon]

Jason Attacking Tim at Titans Tower

Fanon vs Canon

We've all seen the versions in fanfiction but I'm not so sure everyone's seen the original so if you're one of those batfam fans who doesn't want to read the comics (regardless of reasons) but you are curious about how it actually went this is for you.

What I'm addressing:

What does Jason actually say to Tim during the attack?

Did Jason drug all the other Titans?

Did Jason really wear a Robin costume?

Did Jason slit Tim's throat or call him replacement?

Did Jason actually break Tim's bo staff?

Was Tim crying or scared?

Did Jason write a message on the wall in Tim's blood?

Did Jason's eyes glow green?/Did he follow pit rage mechanics?

Panels and details below. This is a LONG one.

What did Jason actually say to Tim during the attack?

Dialogue in fanfiction during the Titans Tower attack varies based on what kind of fic you're reading but usually its either 'time to clip Replacement's wings' if its staying a beatdown whump 'or oh no precious lil bby why is no one watching you' if its an accidental child acquisition. Not judging either option, but this ain't about them its about the real shit.

Look at these opening lines:

Hey, Tim. I was here first.You're the Red Hood. You've been cleaning up Gotham the easy way. Easy? What do you know about easy, Tim? You had a father that looked after you. You went to a private school, right? You slept in a bed. I slept on the streets, I lived in the alleyways in Gotham. Trying to survive. Until Bruce took me in. I trained as hard as I could. I did whatever he asked. . . at least at first. But it didn't matter. They said I wasn't tough enough to be robin. But today, they say you are. Show me, Tim. Show me what you have that I didn't.

Jason really puts himself out there in all of his dialogue in this encounter, the struggle of having to fight for anything and everything he got in life, even the things that came to everyone else for free, and then being told he wasn't even good enough for the things he fought for.

There's a trope in fanfics that if Jason knew Tim stalked Batman and forced his way into being Robin that it would change how Jason felt about the situation but that's even addressed in this comic:

You were a kid, worried about how Batman was spiraling down into darkness. You spent weeks tracking the dark knight. Solving a mystery no one else could. You discovered who he was behind that mask. Millionaire Bruce Wayne. You were so pleased with yourself, I'm sure that you forgot who you were really dealing with. I know Bruce Wayne. And let me tell you, Tim if someone was trying to find out who Batman really was. If someone was stalking him for weeks. He'd know about it. You can't be that good. I am. He let you find him. And I bet he said the same thing to you as he did to me, didn't he? That you had a talent to make a difference in Gotham. That he needed someone he could trust in war on crime. That you were one of a kind. The light to his darkness. Robin, the Boy Wonder.

Tim saying 'I am' is really such a moment that doesn't come through in text because he is right that he really did do that but I also completely understand why Jason wouldn't believe it.

TBH my favorite part is how done Tim honestly sounds with Jason thoughout all his trauma dumping. Like imagine a grown man who used to work the same part time job as you breaking into your house, dressing up in your work uniform, ranting about how much the job ruined his life while he beats your ass??? God, and he probably had to write a fucking report about it after. RIP Timmy.

What do you want? Do you want to be Robin again? Is that it? You... want to take it away from me? Why in the hell would I ever want that? Don't you get it? When I died no one cared! No one remembered me. Are you completely insane? No one could forget you. I've spent my entire career wearing this mask under your shadow. I had to convince Batman to let me try this. All because he'll never stop blaming himself for what happened to you. You ask me, that's the only reason he hasn't taken you down. He's holding back. But me? No freakin' way. That's the Robin I wanted to see. Still. You do realize the whole idea of training a teenager to fight against something he'll never eradicate is a mistake. It didn't even surprise anyone when I died. When I failed. I failed-- but I'm still beating you. Do you think you're that good now?! Do you really, Tim? Yes.

Tim bashing Jason across the face as he says 'no freakin' way'? *chefs kiss*

Jason drugging the other Titans to knock them out?

Little bit true, Kory was actually just already away from the tower and BB and Cyborg were about to bounce because of the drama going on with Donna's return but Jason like super tazes them and then drugs Raven who he thought already went through enough shit without him knocking her out violently.

Note: Jason says in the text here that he never rolled with Cyborg or BB but like he actually did in some comics so?? The continuity is lie I guess idk.

Did he show up in Red Hood gear or a Robin costume?

Both tbh but he spent most of the time in the Robin costume but bro actually made a stripper rip away version of his Red Hood gear so he could dramatically reveal the Robin costume underneath. I can't believe no one ever includes that in their fics its so fucking funny.

Does he call Tim 'replacement' or slit his throat?

No, this came from a Batman comic with Hush not Teen Titans. That incident takes place in a graveyard not Titans Tower and he calls Tim pretender not replacement.

Does Jason break Tim's staff?

Tragically, no. The bo staff snap would have been iconic. Instead he just takes Tim's staff and beats Tim up with it and breaks stuff. BUT!! He uses it to bust a statue in the TITANS MEMORIAL ROOM which is a place in Titans Tower just for having statues of dead previous titans and Jason is rightfully pissed he didn't get one. Like Tim is correct in saying no one forgot him still but like I would be hurt too if all my friends made cool statues of friends that died and then just left my zombie ass out, like wtf.

Note: I am seriously losing my shit that I have never seen someone bring up the memorial room in a fanfic. That is so much angst material. 😭

Tim crying/ being scared?

Hell no. He's a fucking Robin you know he's being a sassy boy the whole time, even towards the end when he's about done he's still saying he's her and I love Tim for that.

Note: There are a few different times where Tim does a flippy Robin move and then Jason just fucking copies it like flexing that he can do it too, and its just so petty and stupid he's trying so hard to be better than an actual child. 💀I get why in the context of the situation but its still so ridiculous.

Message on the wall in Tim's blood?

TBH I really don't know for sure on this one?? Like its implied that he did but Tim isn't bleeding all that much throughout this beatdown and like we don't see Jason do it just the Titans reacting to seeing it after. It could be Tim's blood, it could be red paint, and it could even be that Jason packed an actual bucket of blood to bring with him to write a message with after he finished. TBH the world is your oyster on this one.

Note: If anyone can find another comic where this event was brought up where they actually clarify it was Tim's blood hmu and I'll update this but I couldn't find any.

Pit rage/ glowing green eyes?

Fanon only at this point in the comics. Jason is seems to be himself and even thinks Tim and his friends are pretty cool at the end, and he's just like reflecting on if he had good friends if he would have turned out better as he leaves.

[thewertsearch]

The heroes chose to accept this bargain, and scratched their session. In doing so they jumpstarted the reality in which the twenty-four figures of legend would together be created - and I as well - and then sent back in time to take our places in history. Though I was delivered well before history even began, before the dawning of life on their planet. This time around, I would oversee its development, and thus fulfill the mother's promise of an aggressive, ruthlessly prepared group of heroes. One that would not rest until victory was secured.

It sounds like Scratch's changes weren't really about combat ability at all. Instead, he was more concerned with ensuring the trolls were psychologically prepared to face the game. We don't really know what made the pre-Alternians so bad at Sgrub, but Scratch solved any and all such problems by replacing them with a group of belligerent power-gamers who sought to conquer the universe they made. Thanks, Doc!

Also – this might be a little pedantic, but did the post-Scratch session really count as a victory? I mean, when your frog is terminal, your universe is sealed off, and your species is almost extinct, can you really say you won?

The pre-Alternians might have grounds to sue, is what I’m trying to say.

The young twenty-four would again be scattered in two groups, twelve modern contemporaries, and twelve ancients. But in addition to losing their memories of everything that had happened before the scratch, there was another catch for the failed heroes. In the new reality, they would not serve as the heroes. They would mature to become the ancestors of the twelve they formerly regarded as theirs, and this twelve would be chosen for glory.

...the Ancestors were Alternia's original Players.

I speculated that the kids might change Guardians after the reboot - but for some reason, I never even considered that a Guardian could become a Player. If this is how a Scratch actually works...

This... this changes everything. This is Act 6's hidden twist - the fact that we're not going to be getting our kids at all. Homestuck's new heroes, the next session's champions, are Joan Egbert, Roxy Lalonde, Dale Strider, and...

and...

PEN-PAL IS THE SCRATCHED VERSION OF GRANDPA.

Jesus christ, everything fits. He's a child with Grandpa’s mannerisms because they’re time-duplicates, and it's looking increasingly likely that memories can bleed between the two. He recognizes Jade as his 'grandmother' because in his timeline, Jade arrived before he did, and became the new matriarch of the Harley family. He knows about Earth culture because he grew up on another Earth. His access to the bunny's endgame weapons... is still a little confusing, actually, but this fits literally everything else. I am absolutely, 100% confident that this is the answer to Homestuck's most maddening riddle.

I can't fucking believe what I'm reading. Literally every prediction I have about Homestuck's future is going to have to change.

[egophiliac]

As someone who hasn’t played the twst game very long I just got into it. I wanted to know about events? Like do some not come back? For example do the Masquerade, Port, Beanfest, Ghost bride, starsending events. Do those come back? I hear people say how they missed their chance to get this great card like as if it won’t ever come back and then someone on Reddit will say something like “Oh beanfest happened twice on the JP server” so which events have gotten reruns so far? I would ask about more recent ones like the Easter one but idk if it’s too recent to know if get rerun or if they clarify that it won’t come back? I was really sad to find out about the Silk outfits I missed out on when they visit the scalding sands. I also was really sad to find out i missed out on the anniversary cards because I didn’t play the game yet. I wish they would add the anniversary cards to the store at least…I want to be apart of the celebration :’)

I was looking in the shop and saw all the different groovy items you need to groovify event cards and this question just came to me so I had the urge to ask someone…

welcome to Twst! 🎉 it is a bit confusing to jump right into, especially because. they're not always consistent. :') it sounds like you're probably playing on Eng, which I'm less familiar with, but I'll try based on what I know! (I also don't always remember everything, so somebody please correct me if I get something wrong!)

first, I do recommend the Twst wiki.gg, which seems to stay pretty up-to-date on events for both the Eng and JP versions! it's a great resource for when you want to see if/when an event ran or rerun. in general, I believe that the Eng version only does reruns that have already happened in JP, so if JP has a rerun that hasn't happened yet in Eng, they should get it too eventually! on the other hand, I don't think either version has ever rerun an event more than once. :( BUT this doesn't mean you're entirely out of luck, because:

anniversary events (March for JP, January for Eng) will usually offer a chance to get both an older event SSR and an older birthday SSR in the shop, via buying a special item with exchange currency (which you get by doing pulls on the anniversary gacha, I think you need to do 100-150 pulls for enough currency to buy the item to exchange for an SSR). only SSRs though, and you're limited to one each (one birthday, one event). so if there's an SSR you REALLY want and it's already had its rerun, it's probably worth planning to save up some keys for!

as for actual reruns, they seem to come in a few different flavors:

straight-up rerun, no changes or extra cards

unchanged event story, with a new SSR of a character who wasn't in the story (e.g. Applepom Jamil)

slightly rewritten event story that includes a new SSR (e.g. Ghost Marriage, they don't seem to do this anymore though)

completely new event story that acts as either a sequel or alternate-universe version of the original (e.g. Beans Day part 2, Fairy Gala IF) (though this is pretty rare and might actually count as a separate event, rather than a rerun?)

Master Chef/Culinary Crucible events have never gotten reruns (though they might start now that we've finally gotten through all the characters in JP, time will tell). birthday and Halloween events will also rerun the previous version in addition to the new one -- for instance, Eng should be getting a Glorious Masquerade rerun this year, followed by the new (Playful Land) Halloween event. and a birthday campaign will, in addition to the new card, have a separate pickup for the previous year's birthday card.

for the specific ones you mentioned -- I think Beanfest, Ghost Bride, Fireworks, and Starsending have already rerun in Eng, so those most likely will not be rerun again (at least not anytime soon). Masquerade should be coming back for you guys this Halloween, and Portfest JUST got its rerun in JP, so that should be coming too sometime in the future! (no new SSR though, alas, I was really hoping for a little marching band sailor boy Leona. 😔) the Easter event is the White Rabbit Fest, right? that one hasn't gotten a rerun in JP yet either, so it's still on the table!

all that said, it's entirely possible they'll change the rules at some point and start doing more reruns/chances to get older event cards, especially since the game's been going on for a few years now and some cards haven't been available for a pretty long time! there's only one card that they said was for-realsies limited-time-only and wouldn't ever be available again -- Platinum Grim, since he was to celebrate the 100th anniversary -- so. there's always a little bit of hope for everything else. :D (fairy gala Ortho PLEASE COME BACK SOB)

[inaconstantstateofchange]

Who Builds Theseus' Ship?

This ties in to a greater discussion about Larian's changes to the game post-Full Release, and whether you consider those changes to be a good thing or a bad thing. Personally speaking, the quality-of-life and gameplay mechanics improvements were appreciated, while the direct changes to characters and especially characterization were not so much.

In such discussions, I often see people downplaying the actual changes to characterization that have been made thus far as "minor" things, but I often see one of the most glaring examples of a characterization change left out, because so many people aren't even aware of it ever happening:

Halsin.

For those who don't know, if you were romancing Halsin at the time of the original full release, and for almost four months afterward, if you took him with you to Act 3's orgy scene in Sharess's Caress, he would open up about a situation in his distant past. He would tell you about how he had briefly been "something between guest, prisoner, and consort" in a drow House, and been kept there for three years before escaping.

He stated that this was something that happened "a long time ago", when he was "a foolhardy young druid", which would mean it would likely have been between ages 100 and 245 — or at minimum 105 years ago, and at (likely) maximum 250 years ago. He closed the discussion with a line that really struck me, and that gave me such an appreciation for his character, and for the writers who had created it:

The passage of time has a strange way of polishing even the most arduous of memories into precious keepsakes.

As someone in their late-20s, with a number of traumatic events in my past, this resonated so much both with my experience of those events – once harrowing and haunting, now just simple happenings that do not affect me the way they once did – and as an inspirational message, that hurt would not necessarily linger forever.

Not only that, I really valued the insight it gave into Halsin's personality, further showing him to be someone who was deeply complex and meditative, always looking for meaning and something to take away or learn from any experience. It also served to showcase the likely reality of the relationship elves and druids both would have to the concepts of time and memory. (Another example of this is the experience of Shadowheart's father compared to her mother at the hands of the Sharrans.)

I started playing the game almost immediately upon its release in August, and was intrigued by Halsin from the start. He was someone who was kind and heartfelt, but also very settled in himself and with a simultaneously rigid and very flexible moral code. It was that complexity that drew me to him, and I appreciated the inclusion of a character distinct from the Origin companions, all at close to the lowest point of their lives.

It was to my surprise to find that this appreciation for his character and perspective on his Act 3 revelation was not unanimous. As it turned out, there was a vocal group of people claiming that this writing was problematic, and that Halsin clearly didn't even realize he was actually traumatized, and that Larian needed to fix it. Not everyone joining in with this crusade had even played the game.

And, ultimately, in a pattern they have continued to follow, Larian responded. They fixed it. At the end of November, as part of Patch 5, they uploaded an edited version of the scene with new dialogue, where the player could express this "reality" to Halsin, in one of the most gallingly patronizing statements I've ever seen.

Sounds traumatic. You may need to reflect on that.

(If someone said this to me after I had opened up to them about my trauma and my experience of it to them, we would not be maintaining a cordial relationship afterward.)

Halsin's new response to these dialogue options is a cringing, self-deprecating cascade of how the player is of course right, and he should have known better, and time could "prove to be a trickster on one's recollections" and that perhaps he had "lost perspective".

Quite frankly, it is a completely different character answering, and an almost directly opposing overall message about the role of time in healing, and the path forward when it comes to trauma. No more "one day these events will not hurt to recall the way they do now". In its stead: "only healing that looks a specific way and follows a specific path is acceptable - anything else and you are simply a poor fool lying to yourself."

The following quote is from a comment left on a video of Halsin's original dialogue in that scene, before the changes, and is just one example of how much that representation meant to more than just me to see:

That said, Halsin is trauma recovery goals for me absolutely. Being able to remember without actually being triggered? Being able to fully and freely engage HOW ID LIKE TO instead of being fettered by trauma responses? Goals. I don’t know if I’ll ever get there 100%, we don’t get elven lifetimes irl, but his level of healing brings me hope.

Ultimately, this post is not meant to argue that you should agree with me that one is better than the other. More so, I want to highlight that this existed — for many people, this was their experience of events and characters, and that is not so easily redacted. And I also want to just state, for the record, that Larian's way of approaching narrative and characterization changes to their full-release game has been incredibly frustrating. I did not agree, in August, to play an Early Access game with the inherent understanding that any potential narrative aspect might change at any time. I purchased a full-release game, and immersed myself in the story and the characters, to get to know them as the writers had originally presented.

And when Larian makes these changes based on fan feedback, they are explicitly making decisions about which fans matter, and specifically, which fans matter most. Rather than allowing everyone to experience the story they decided to tell, and draw from it what they take away, and let that spark discussion and engagement, they made the decision to defer to some fans over others, and prioritize their experience of the narrative — something that, no matter how well-intended, is always going to leave a bitter taste in my mouth.

[andcars]

# 𝗢𝗣𝟴𝟭 ─── I WANNA HEAR YOU MASTERLIST⠀REQUEST ME⠀TAGLIST⠀PATREON GUIDE⠀AO3

RACE WINNERS HAVE PRIVILEGES. those privileges don't always apply to their partners though. sometimes they have to earn things to get what they want. sometimes they're too fucking bratty to get anything ────── original prompt req.

PROMPTED DIALOGUE . . . # “You want me to beg? I don't think a winner should beg" PROMPTED TAGS . . . # gender neutral reader, submissive oscar piastri, praise kink, cum play ADD. TAGS . . . # light bondage, tied up, edging, mean reader for a bit, open ending WORD COUNT. . . # 1.1k

────── AO3 VERSION

Every Formula 1 win is special. You know that; the fact has settled in quite nicely when you’re dating such a great F1 driver. When Oscar wins for the first time, you know you need to make it special for him. Even if his team doesn’t think so.

Oscar is sat on the bed, hands bound tight with a red rope. The same rope follows from his hands to the rest of his limbs—forming a nice shape around his chest, wrapped around his hips and to his thighs. The rest is for pure aesthetics, and it's been done beautifully.

He's breathless as he's looking at you, cock red, and eyes glaring in need.

"Don't tease me," he grunts, more sounding like a whimper as he throws his head back.

Your hands act innocent as it's wrapped around the tearful cock—it leaks pre-cum with need. He lets out a silent moan as you play with him. Uncaring of how much pleasure you’re really relieving, you tease him as you believe he deserves.

“Fu-u-ucking~...” Oscar’s thighs shake in it's bounds. “Mmph... You're so annoying—"

"Am I?" you ask, smiling down at him. He tries so hard to fight it off but his hips are moving to your hand. Everytime he thrusts his hips, you loosen your grip. "Am I annoying, Oscar?"

"Yes," he hisses, "So annoying. I just want you- fuck."

"Then beg for it—" your hands tighten on his cock, a silent moan got his jaw to drop—"Beg for it, Oscar. I wanna hear you."

Weeks of edging him (and it's been weeks, you refuse to touch him if he doesn't score you a win again after Hungary) has his body moving feverishly. He can't stop shaking. His skin blushes red and dripping with sweat. Your boyfriend tries to keep himself still but you know all he wants is to fuck your hand.

Shaking his head, he says: "No. I w-won a race. Mmph... I don't need to beg."

Fine. "Have it your way."

You immediately pull away from him. His head flickers up to you, watching you as you stand from the bed. He's calling out to you but you're undressing yourself as you take something from the bedside drawer.

"Since my sweet boy doesn't want to co-operate, I guess I'll just have to make use of myself, hm?"

With your underwear thrown to the floor, you pull out some lube and a vibrator. You saw the moment his eyes cloud with lust; he gulped, stopping himself from drooling; his gaze fell to your sex as you position yourself on top of his face; his arms jerk in its restraints as it begged to touch you.

He calls out your name again. You ignore him. Instead, you pour lube on the toy and turn it on—the whirring of it silences Oscar. He watches as you press it against you, he watches as you moan softly at a toy pleasing you instead.

"I wanted to make you feel good tonight, baby," you say, grinding a little on the wand, "but you just don't wanna play with me."

"I do," he says, his bottom lip pouted. "Just... Don't wanna be teased anymore."

"I asked you to beg- fuck." You press it to you a little harder. He opens his mouth as he sees you drip a little. "You won't listen to me. So I guess I'll have to postpone my gift, hm? Make myself feel good instead."

Desire is etched into his expression. With his mouth agape, cheeks pink, and tongue eagerly awaiting for a single drop of your arousal, he's lost needing you.

But you keep your hands to yourself. He's forced to watch you relieve yourself. You know him. He's itching with the need to touch you. A safe word could be on the tip of his tongue but you know that this is the point where he wants to be good for you.

"Please," his voice is small and almost unheard through the loud vibrations. "I want... I want you again please."

You shake your head. "No, Oscar. You're gonna fucking watch me come all over your face before you get even anything."

He whines. "Please..! Just—If you let me go I'll be so good for you. Please..."

Though you want to hold him, use him, make him feel so special for his race win, you hold your promise. Lowering down to his face, he breathes you in and mouths just below your sex. He needs to put his mouth on you, you watch as it gets him so manic. It's getting a bit pathetic honestly.

"You look so good, baby," you say, finally giving your lost boy some attention. "I know that you can be good for me. Wait for me, okay?"

He whines. You tsk and shake your head. "None of that, baby. Be good for me and stick your tongue out—" he does immediately—"good boy. Good boy, Oscar. See? All you needed was... all you needed was to be shut up for a bit."

"I'm sorry, please, I want you so bad—"

"And you'll get me," you tell him. "Stay like that. I'm so fucking close. Stick your tongue out like a good boy and take me."

It's not long until you feel yourself approaching your end. Oscar lays so pliant beneath you. He keeps begging under his breath, just quiet enough to hope you're not listening. He knows when you're near. He's getting more twitchy—panting as if he's the one about to cum.

"Fuck, I'm gonna cum," he moans at your words, "I'm gonna cum, baby. You wanna taste me? You wanna fucking taste it?"

He nods. He's getting dizzy as he tries to push his head up to get more of you—yet you keep pulling away. "Cum on me please," he begs, tongue out and anticipating the taste of you.

The sight drives you fucking mad. With a few strokes of the toy on you, you cum all over his awaiting mouth.

Oscar laps up your release eagerly. Your fingers go down to push some splattered cum from his cheeks and drag it down his lips. He thanks you silently as he licks your fingers. Eyes half open, he treasures your taste.

Your dirty fingers trail down his lips and to his chin. Your release makes a trail down and he's only showing you more of his skin. A laugh leaves you as he practically begs to be painted in your fluids.

"Such a good boy for me," you coo. "You wanna get your treat now?"

He's agreeing so quickly that it makes you wanna frame this moment. The moment when race winner Oscar Piastri is begging for you. You smile. "Okay, it's gonna be a long night, baby."

It's not like he would ask for anything more

🗒 𝗣𝗔𝗣𝗘𝗥 𝗧𝗥𝗔𝗜𝗟 . . . short oscar piastri fic cuz i was out my entire bday LMAO. anyways, hope anon saw this cuz i </3 am sorry for all these late requests. my next fic is literally a request of a daniel fic during the singapore gp BEFORE it was announced he was leaving... so uh... yeah. mb. anyways, hope ya'll had fun w this cuz i literally edged ya'll too lmao ˎˊ˗ ᝰ. ──── 📨 @Delululeclerc @hiireadstuff @rtorresblog @Jamie2305

you support me best on tumblr with reblogs and comments ! ── by andcars ⟡

[necromancer-at-abattoir]

All right, ok, LISTEN. I don't know who needs to hear this, but I'm pretty sure that some people do. It's ok to hate Percy Jackson because it depicts the Greek Gods in a terrible way. Rick Riordan has the creative license to write them however he wants, but it's still fine to be annoyed at how they're portrayed.

It's ok to hate the fact that PJO wasn't in Greece and that the explanation for why it was in America was terrible.

It's ok to hate the fact that Zeus, Hera, Ares, Athena and a whole lot of other gods were portrayed in a negative light.

It's ok to be furious because Ares is a bad parent in PJO.

It's ok to tear your hair out over the way Artemis and her hunt were written.

It's ok to be angry that Athena had children with mortals when she was a virgin goddess in the myths.

It's ok to be angry that Hades cheated on Persephone in PJO (even if you like Nico and Bianca and Hazel. It's fine to do both).

It's ok to be angry that Persephone and Demeter don't have a good relationship and that Demeter is largely painted to be an overbearing, helicopter mother.

It's ok to resent the fact that Artemis, the former's hunt and Hestia, the goddess of the hearth and another virgin goddess, were portrayed as literal CHILDREN despite there being no reason for Rick to do that.

It's ok to be annoyed with the fact that Poseidon was sanitized when he could've been such a morally gray character.

It's fine to cry about the fact that Aphrodite was largely reduced to a stereotypical, modern cartoonish version of RomANtiC lOvE when she was the goddess of LOVE, not just ROMANCE, SEX AND BEAUTY.

It's ok to like Trials of Apollo but want to smash things because Apollo was depicted as an incompetent dumbass. It's ok to seethe at the fact that Zeus was portrayed as an abusive father to Apollo when in the myths, he was quite loving.

It's ok to do this because PJO is one of the if not THE MOST major media that depicts Greek Mythology. It's basically a Greek Mythology fanfiction MODERN AU. And yes, it's helped thousands of children and adults and made them feel better, and it's almost as popular as Harry Potter for a reason. But it's still fine for Greek people, Hellenistic Pagans and even people who aren't Greek or Hellenistic to be angry with how Rick Riordan is continuously bastardising the Greek Gods and making them look more and more of a joke.

A lot of people who got into Greek Mythology used PERCY JACKSON as their first reference, and while Percy Jackson is a great start for venturing into Greek Mythology- PLEASE, PLEASE BEAR IN MIND THAT PJO GODS ARE NOT AS ACCURATE AS THE ORIGINAL.

POSEIDON IS NOT THAT GOOD.

HADES IS NOT SO VILLANOUS.

ATHENA IS NOT SO COLD AND UNCARING. SHE'S A MAIN PATRON OF HEROES AND RARELY ABANDONS THEM EVEN AFTER THEY'VE COMMITTED WAR CRIMES

DIONYSUS IS NOTHING LIKE HIS PJO COUNTERPART.

ARES IS A GOOD FATHER.

DEMETER AND PERSEPHONE HAD A BEAUTIFUL, LOVING RELATIONSHIP.

HERA IS NOT SO HORRIBLE. SHE HAD HER GOOD MOMENTS

ZEUS WAS NOT THAT BAD IN GREEK MYTHOLOGY AND HE WAS ALSO A CARING FATHER. HE SENT BLOOD RAIN DOWN TO MOURN HIS SON SARPEDON WHO WAS FATED TO DIE.

I know this sounds like I hate PJO, but I really do like the series. It's fine to like PJO and its characters while also disliking how the gods were portrayed. It's ok.

[ladyshinga]

I keep being told to "adapt" to this new AI world.

Okay.

Well first of all, I've been training myself more and more how to spot fake images. I've been reading every article with a more critical eye to see if it's full of ChatGPT's nonsense. I've been ignoring half the comments on stuff just assuming it's now mostly bots trying to make people angry enough to comment.

When it comes to the news and social issues, I've started to focus on and look for specific journalists and essayists whose work I trust. I've been working on getting better at double-checking and verifying things.

I have been working on the biggest part, and this one is a hurdle: PEOPLE. People whose names and faces I actually know. TALKING to people. Being USED to talking to people. Actual conversations with give and take that a chat bot can't emulate even if their creators insist they can.

All of this combined is helping me survive an AI-poisoned internet, because here's what's been on my mind:

What if the internet was this poisoned in 2020?

Would we have protested after George Floyd?

A HUGE number of people followed updates about it via places like Twitter and Tiktok. Twitter is now a bot-hell filled with nazis and owned by a petulant anti-facts weirdo, and Tiktok is embracing AI so hard that it gave up music so that its users can create deepfakes of each other.

Would information have traveled as well as it did? Now?

The answer is no. Half the people would have called the video of Floyd's death a deepfake, AI versions of it would be everywhere to sew doubt about the original, bots would be pushing hard for people to do nothing about it, half the articles written about it would be useless ChatGPT garbage, and the protests themselves… might just NOT have happened. Or at least, they'd be smaller - AND more dangerous when it comes to showing your face in a photo or video - because NOW what can people DO with that photo and video? The things I mentioned earlier will help going forward. Discernment. Studying how the images look, how the fake audio sounds, how the articles often talk in circles and litter in contradictory misinformation. and PEOPLE.

PEOPLE is the biggest one here, because if another 2020-level event happens where we want to be protesting on the streets by the thousands, our ONLY recourse right now is to actually connect with people. Carefully of course, it's still a protest, don't use Discord or something, they'll turn your chats over to cops.

But what USED to theoretically be "simple" when it came to leftist organizing ("well my tweet about it went viral, I helped!") is just going to require more WORK now, and actual personal communication and connection and community. I know if you're reading this and you're American, you barely know what that feels like and I get it. We're deprived of it very much on purpose, but the internet is becoming more and more hostile to humanity itself. When it comes to connecting to other humans… we now have to REALLY connect to other humans

I'm sorry. This all sucks. But adapting usually does.

[nmoroder]

i know benjamin had a lot on his plate already but hear me out... an au where ayin for his reasons puts ben in charge of extraction team and not the arbiter who must have deserved to be there (not stating the reason. so don't immediately hate on A and all that. see the full text below for a load of details, and also english translation of text on pics 4 & 5)

it has the atziluth sephirot swap their colors (i've already did a post on color swap btw. but purely color) and the age of their filtered appearance; the full color swap (not just color change of department and uniform but colors of their hair, their bodies too) is required for original scheme to stay, with the colors corresponding to fixed sephirot and so on. names, too, would swap to what their respective kabbalah nodes should be and former benjamin is kind of pissed about his mentor's decision to give him work which is enough to drive a meaty human to insanity, even though after his escape he returned and tried to pry ayin off the plan in the earlier time, and overall he did all he could for the man. for him, the virtue would still be about the past and the future though as he'd have to come to terms with what ayin did to him, and his meltdown would probably have not the 'i want you to stay here with me and live at least somehow, i don't want to go' but instead 'i will make this place your tomb just like you did for me'. i guess it kinda sounds close to angela's feelings in ruina and that's also why both atziluth sephirot would've probably backed up her rebellion idk. its a fun little idea which blooms into a shitton of different things to think about

oh and also pics 4 and 5 have roland converse with library version of ben (he MUST be named binah at that point but i KNOW this will just bring confusion) and it's the quote from their first talk in original game. "i've dedicated my entire life to the wish of a single person", then roland asks "and the person's a rotten egg, eh?" to which ben explodes with OH THAT'S AN UNDERSTATEMENT. they'd probably get along as well over their similar feelings about ayin, which is funny. still not sure whether the respective floors would've been swapped for them... i mean either hokma still stands for religion and binah for philosophy and ben being the current binah would take the philosophy floor, or it's just color swap and religion would be dark with stars and philosophy the white hall and all. the anomalies of both floors fit very well with the color schemes and overall topic and i dont wanna meddle into that really but ehh... food for thought ig

[eye-may]

A Post Where I Clumsily Trundle Through An Incoherent Web Of Thoughts On The Discrepancies Between OLC (Wayne Sleep) Mistoffelees and OBC (Timothy Scott) Mistoffelees, Specifically Regarding Their Vocal Tracks

I sit in a ✨rapt contemplation✨ of how much I do and don't think Mistoffelees should sing, based on the interpretation of the character I have scrunged together after two months' worth of obsessing over the subject, trying to make sense of the expansive history, and all the variations, of CATS. It doesn't help that, as far as I can tell, the most enigmatic (read: inconsistent as fuck, affectionately) fixture on the franchise is its own Conjuring Cat.

Read below the cut if you're at all interested in me trying to transliterate my thoughts! I promise you it will be confusing. ❤️

The gentle, vaguely mysterious way Mistoffelees sings "Have you been an alumnus of heaven or hell?" in the OLC recording is actually so beautiful and so personal to me. I could rationalize ad infinitum why it just makes sense for the inexplicably magical cat to have this line, but suffice to say: it just works. And of all the London-based productions in which I've heard this specific arrangement, my favorite delivery of that line still belongs to Sleep. His airy, almost pensive (?) inflection stands out so much from the rest of the cast, in a way that I think really befits the character.

Then he goes on to sing Jenny's number, again, with such conspicuous gentleness and sweetness. Everything he sings sounds almost like a lullaby, a trapping that works well for a song about a cat that lazes about and sleeps all day. it's a stark contrast to Munkustrap's operatic, romantic grandiosity. to say nothing of the fact that the Mr. Mistoffelees instrumental motif is what LEADS UP to the first line of that song; in my opinion, that's a vestigial indication of the original intention to have Mistoffelees narrate this part of the show.

When it's time for Old Deutoronomy to arrive, Mistoffelees opens up the lyrical announcement, again, with a voice that is soporific, melodic, gentle, sweet. He sounds youthful and unassuming, and yet is clearly a member of the tribe who is knowledgeable of its hierarchy and its history, and one who is so intimately trusted that its leadership bequeaths him the responsibility of making introductions, of musically guiding all and sundry through various beats and developments. I've heard others refer to this version of Mistoffelees as something of an 'assistant' to Munkustrap (shout out to this post, which singularly kept me from going insane while I tried to write this), a righthand cat as it were. I think later on, the closest we have to such an entity is Alonzo, the Secondary Protector; but this, in my opinion, is an incomparable archetype. Wayne Sleep's Mistoffelees is (I think) the most physically diminunitive version of the character there has ever been in a professional production. (Maybe except for Dane Wagner, whose actual height I cannot find anywhere on the internet, so jury's out). He doesn't cut the figure, per se, of a trusty backup during a violent altercation. Rather, his position on the community ladder is attributed to his acuity, which he conveys in his lilting, unaffected explanations. There's not exactly a pretense of showmanship, and Mistoffelees doesn't seem to come off esteemed as an entertainer. Rather, he's a member of the tribe who, although he's small and sweet-sounding...proverbially missable in a crowd...there's something about him that gives the rest of the tribe the impression that he's worth listening to. As much as, even, the tall and dignified Munkustrap, or the barely-hinged Rum Tum Tugger.

This Mistoffelees, despite all that, is not above casual comingling. He's not sanctimonious or high-flown...at least not if his adorably repulsed line delivery during Tugger's number is anything to go on.

I feel like when the roles were changed for Broadway (something something contracts something something principals), and Mistoffelees's narration was shuffled to the Mungoteazer number, the beat of Mistoffelees mistakenly attempting to lead the song and then getting chastised by Munkustrap was a cheeky nod to the original arrangement. In a metacontextual way, we DO expect Mistoffelees to sing Jenny's song. Even if you're not familiar with the OLC version, his motif still cues him in for it. Subsequently, it became his motif teasing his cue...only for him (and the audience) to realize that he was mistaken.

Obviously I have no way of knowing if that beat was, in fact, acted out in the original Broadway production with Timothy Scott (I suspect that it was not, and that Valentin Baraian was the trailblazer in the original Vienna run, and Lindsay Chambers's seemingly de-aged Mistoffelees in the early 90s further cemented the Woobie-fied awkward version of the character) but either way, this makes it so that the audience is acquainted with Munkustrap as a revered narrator, thitherto without much of an impression either way of how Mistoffelees is regarded by the rest of the cats.

In taking on the Puppet Show sequence, Mistoffelees's air of leadership and wisdom is abated, and filled in with an image of an eccentric showman. This isn't the least bolstered by Timothy Scott's cryptoid make-up, and his express desire to play Mistoffelees as bombastic and fascinating, rather than cute. His animation of piles of trash into dirigible puppets is the most ostentatious foreshadowing of his magic that there has ever been in any replica version; therefore, rather than the audience feeling as though Mistoffelees should be listened to, and that he's an unassuming and affable guide...they're given the impression that they should be mystified. Scott's Mistoffelees is replete with showmanship and grandiosity, in a more literal and traditional sense than Munkustrap or Tugger. He introduces himself before Tugger ever gets a chance to, resoundingly clapping himself on the back for his aptitude as a magician (the greatest magicians have something to learn...etc). In my opinion, this doesn't come off as egoism so much as it does a collateral feature of trained stage presence. He has bits. He's a professional.

Too much of a professional, even, to tease Tugger during the latter's number. I suppose the "bore" line is sung by Munkustrap and Alonzo at least, like it usually is in Broadway-based adaptions. In some productions, I think, Mistoffelees joins them for the delivery to form a trio. But, again, no way for me to know whether that's the case with Scott. I assume that he isn't just because it seems like his version of Mistoffelees is a touch too turgid to be bothered with Tugger at all.

The way he BANGS out Mungojerrie and Rumpleteazer in the OBC recording...his voice and inflection so dynamic, using his magic to bolster his showmanship, to entertain, to be a storyteller...it feels very proper for the self-proclaimed magician to present his abilities with such aplomb. (He sings with equally stratospheric energy during Invitation, which Wayne Sleep did not sing in the OL version...and I almost feel like it's too high-energy and playful a tune for the 'gentle guiding' version of the character). He has none of Wayne Sleep's timidity. He is no longer gentle. He's hyper, florid, dynamic, and loud, singing in an unhesitating, playful baritone that takes on a growl during his most dramatic deliveries. Wayne Sleep's and Timothy Scott's versions of Mistoffelees seem almost incomparable.

I think about the characterization of Mistoffelees as vague and aloof, and, you would think there was nobody shyer. I could see that, yes, with Wayne Sleep's Mistoffelees; while he's seemingly comfortable with being the center of attention amid his group of friends, and while he's all too happy to come in clutch very flashily during the eleventh hour, he still gives the impression of softness that one could construe as timidity. He's able and willing to assist Munkustrap, to elucidate in front of a group, to be heard and seen, but it's not too difficult to imagine him reverting to a state of unassuming quietness in any other contexts. It may just be me, but I feel that two "Presto!"'s during his number are almost formative, or at least uncharacteristic and something you'd only hear in such an extenuating context. It's like watching the peaceful, wise mentor abruptly kick ass when the hour is nigh. Is Wayne Sleep...Trojan Horse Mistoffelees...?

Anyway. Timothy Scottfelees, on the other hand, is more difficult to brand as a supposedly avoidant and coy character. He can be aloof, maybe, if the magnitude of his specialness ends up making him truly peerless. But this is the version of the character often called the "consummate showman," and an evidently eager one at that. After dynamically spinning the Mungoteazer yarn, he then goes on to sing about himself for part of his own number, ironically delivering lyrics that are antithetical to the idea of their own subject conveying them. (This is partly why it's fucking stupid that Mistoffelees sings his entire ass own song in the 2019 movie but that's neither here nor there).

But I get it, again, with the contracts and the him needing to sing two songs to have a principal contract blah blah blah blah. I guess the director didn't want him to sing Gumbie Cat and Mungoteazer. I wonder why, if they had him perform the latter to get around casting two additional actors for the mischief twins (and instead had the psychic twins dress up as garbage), that they couldn't simply have him sing Old Deutoronomy like the OLC Mistoffelees did. Instead they initiated the tradition of having Tugger and Munkustrap duet it, when Tugger didn't need that extra singing credit to fit the criteria for a principal contract because he already sings his own number and also Mistoffelees's number. I know it makes sense for Tugger and Munk to be singing it if you subscribe, as seemingly most do, to the interpretation that the two of them are Deutoronomy's sons. But I don't think Mistoffelees's original part precludes that implication. I think it would be neat, even, for the three of them so sing it.

Tangentially, I cannot figure out why John Chester (OLC George) is credited in the studio recording for Old Deutoronomy. When I listen to it, it just sounds like Mistoffelees and Munkustrap alternating, and then the ensemble, and then Brian Blessed (Deut) singing his part. Maybe George is the one to escort him? (Weird that he would be given a track credit for that). Or maybe his voice sounds remarkably similar to either Sleep's or Shankley's and I'm just not able to discern when he is, in fact, singing.

I got all into these mental gymnastics because lately I've been bouncing between the two eras, trying to make sense of the directorial adjustments, and also trying to decide the implications for Mistoffelees's character and which tracks I prefer for him. Incidentally, it's wild to me how inconsistent and evolved the Mistoffelees character is in the grand scheme of CATS. He has a plethora of roles, personalities, and tracking variations the extent to which no other character compares. All of the cats have been interpreted and played differently, of course, depending on the company and the direction. But it seems to me like Mistoffelees is far and away the most varied.

All right. So these are my (barely) conclusive thoughts, formatted handily to mimic the inane back-and-forth constantly beleaguring my internal monologue. Buckle up for some unsolicited, worthless opinions!

Should Mistoffelees sing "The Pied Piper's Assistant," (Broadway), or "Have you been an alumnus of Heaven and Hell"? - The latter! No matter the character's vibe! The inexplicably magical and visually demon-coded character should have this line. It just ✨makes sense.✨

Gumbie Cat - I have grown rather fond, after listening to Wayne Sleep's version, of the idea that Mistoffelees sings this number. That is, however, in no small part due to how well Sleep's lullaby-ish voice works for the tune --- better than, I think, the deeper and more powerful registers you typically hear from Munkustraps. That being said, Mistoffelees singing this demystified him pretty quickly, and arguably ages him up just because you're given the impression that he's privy to, and comfortable with, the tribe's alumni, and furthermore is in a position to express his opinions this way. So all that being said, while I enjoy Wayne Sleep singing Gumbie, in the alternative blip of spacetime where I direct CATS, I'd go the typical route of having Munk sing it.

I think it may be interesting, though, to see a version where Munkustrap and Mistoffelees duet it; and this could be done in a way similar to the Munk/Misto combination for OLC Old Deutoronomy, but in a way where you don't get the impression that Mistoffelees is a peer to Munkustrap. The Broadway Revival seemed to restore bits of the OLC's impressing upon the idea that Mistoffelees is something of an Assistant Director to Munkustrap, just not by singing. (It's stuff like helping her out of her coat, pushing the mop off the stage, moving things around, etc). I really like the idea of Mistoffelees being an adolescent hopeful, sort of shadowing Munkustrap, bottomlessly eager to be helpful, and perhaps even being set up to lead the tribe one day.

All that, granted...I also do like the beat of him getting embarrassed. I could do without it, but I like how it contributes to the interpretation of the character as young and sometimes awkward. God I don't know. o(-<

"The Rum Tum Tugger is a TERRIBLE BORE!" - Mistoffelees should absolutely be the one to have this line. Primarily because it adds that extra vitriolic and playful layer to the supposed relationship between the two characters. And it is also, I think, funny to suggest that Mistoffelees, of all cats, is the one who is not impressed by such prurient behavior, because we see later that he's objectively more impressive and worthy of adulation. (Tugger would agree with me). I honestly think that part of the reason Terrence Mann had so little to contribute to the expansive "Tuggoffelees" discourse is because Mistoffelees wasn't the one to deliver this line in the OBC version. And, secondarily, I prefer a Mistoffelees that isn't peerless, and isn't immune to kiddish ribbing. I have my opinions about how this line should be delivered but that's frankly a whole other post.

Mungojerrie and Rumpleteazer - I think we need the OBC version of this somewhere in the CATS ether, but modified. I agree with this post that is does create an issue where the foreshadowing of his magic is too conspicuous, to the point that it knocks the grandiosity of his Hero Moment down a notch when it's time for his big number. I war with this, however, because I love the idea of Mistoffelees using his magic to be an entertainer and a storyteller. I'd love to figure out some kind of synergistic version where Mistoffelees presents the legend of Mungoteazer in song, incorporating his magic, in a way that doesn't preclude the actual existence/presence of Mungojerrie and Rumpleteazer. I saw a post floating around recently proffering the possibility of the three of them singing it as a trio...I'm a huge supporter of that idea.

Given currently extant versions of the song, I'd forego the puppet show and have the titular characters sing it, in keeping with the tradition.

So now I'm going right ahead and taking away Mistoffelees's expositions after all that. 😩 Let's continue.

Invitation - He should sing it. I don't feel super strongly about this one, but I simply like it better when Mistoffelees sings it versus Munkustrap. Even when we have the quieter, more kiddish versions of Mistoffelees, it doesn't disrupt those elements of his character. It feels like an exciting moment for an inchoate showman. It also seems to give him a "reason" to burst onto the stage amidst an orchestral explosion and pull Victoria into a step.

Old Deutoronomy - Mistoffelees can and should sing at least that first part that Wayne Sleep sings, and maybe the first chorus with both Munkustrap and Tugger. I have the impression already that the three of them form a trifecta of Jellicles who are specially favored by Old Deutoronomy. However...I also think Mistoffelees (rather than Skimble) should be the one to escort Deutoronomy to the stage...so I'd have him sing the first bit, then get signaled by Munkustrap to leave, and then the rest of the song is left to Tugger and Munk, and then of course the ensemble. Perhaps continuing to forego the verse about flatulence.

And then, finally:

Mr. Mistoffelees - Tugger should be the one singing the entire song, full stop. I feel very strongly about this because I want there to be as much emphasis as possible on the astronomical estimation Tugger, in spite of his apparent egoism, has of Mistoffelees. It's also silly, to me, when a character sings about himself being quiet and shy. I do need him, however, to say "Presto!" which, as far as I can tell, he pretty much always does. Timothy Scott is something of an outlier unless we're talking about the Mutestoffeli.

I end this diatribe...not much more resolute than when I began. Obviously this hemming and hawing did not even really touch the Mute Mistoffelees phenomenon and all my feelings about that. I guess all I'll say in conclusion is that I love all versions of Mistoffelees, and I love that his evolutions, interpretations, eras, and iterations are so different and so dynamic. I love that so many amazing performers have been able to have so much fun and creative freedom with the character over the years.

I just want yall to know that up to this very moment I keep looking shit up and re-reading posts and wiki pages and I'm only getting infinitely more confused about which Mistoffeli did what thing which way at whatever time, so I'm going to give my brain a break before it liquifies. <3

[scam-alerts]

🔎Scam Exam(ination)🔍

Seen as: I accidentally reported your account Scam Type: Account hijacking/take over

Platform: Discord

Hello everyone!

Today's scam examination was requested by @2broschlininahotub who was kind enough to send me screenshots of such a scam via an ask. Thank you for contributing!

Today we're going to talk about the "I accidentally reported you on discord account for <reason>" scam that's actively going on that- if you fall for it, will result in your account being taken over by a scammer who will then use it to scam your friends and/or buy things like nitro and gift it to them and their scam buddies.

If you use discord and don't know about this scam, I highly suggest reading this post so you know what to look out for.

If you don't want to read this post, you can watch a video instead!:

Otherwise let's get started!

-----

How it starts:

This scam starts with one of your friends falling for this scams.

Sadly if they can't warn you they fell for it via another platform (facebook, twitter, bluesky, ect), you might think that what your 'friend' sends you is a legitimate call for concern. But, thankfully, it is not, no matter how convincing it may seem.

If you find yourself encountering this scam, please report your friends account for being hacked. Discord will usually lock the account and hopefully contact the original owner of the account to fix the issue.

Part 1 - First contact.

If you are messaged by someone and they try to get your attention, and then say something akin to:

"Idk how to say this because I accidentally reported your account instead of someone else."

or

"hey there, I encountered a situation on discord where someone with a very similar name to your profile attempted to deceive me. Instead of reporting the deceptive user, I mistakenly reported your account. I'm sorry, it was all an accident. I didn't mean it."

or

"I accidentally reported your discord account instead of someone else. I mean im the one who reported you accidentally I'm sorry I got panicked and I lost control, its not good cause it was quiet alarming cause I told some of my friends to report you that's why I reached out to you to see what the discord emailed me and I'm scared cause I don't want you to get ban bc of me, I just really need your help so I can fix it."

Sounds familiar?

If you're at least a little familiar with the infamous 'I reported your steam account on accident because I thought you were a scammer' scam.. This is the same thing.

If you choose to reply to their grab for attention, you will receive a message like the one above paired with an image or google doc of the 'email/form' that Discord (it is fake) supposedly sent them (the victim).

Here are screenshots provided to me by @2broschlininahotub:

Another version of this fake email looks like this taken from reddit:

TRANSCRIPT:

Hello, Thank you for reaching out to Discord Support.

Discord is focused on maintaining a safe and secure environment for our community. We've found the account that you have been reported and it irregulated our Terms of Service or Community Guidelines. We need you to contact [anotherhydra] to resolve this case.

On the other hand, we suggest you to reach out the reported user and have them contact to the same corporate team for proper identity matching. We have taken steps to do this action since they will not be notified about these claims due to the option selected for this report type..

• In any instances that you are not aware about this report activities, kindly reach out to our corporate security head by filing a friend request on Discord for investigation. Username: [petercho.support047]

• Failure to validate the legality of an account within a specific time frame (12 hrs) might lead to account suspension, limited or ban.

• Furthermore, we are working with some officials on this matter so that we can record all processes taken legally and are not violating "Title 18 of the U.S Code, Section 798 (Disclosure of Classified Information)" By that, we can also perform legal actions if said user is found guilty of chargers.

• By taking the measure of this process we can ensure that your Discord is not prone to fraudulent activities and personal information is not compromised since this could lead to any malicious activities.

Case: Attempting potentially fraudulent activity

Please get in touch with the person you unintentionally reported as soon as possible so they may file an appeal and save their account from being seriously compromised

Sincerely.

Discord Trust & Safety

----------

Part 2 - The scare tactics and red flags.

Going through the above transcript I'm going to highlight some very clear and obvious red flags that make this an obvious scam off the bat. Mind you this itself isn't the entire scam, only part of it.

In any instances that you are not aware about this report activities, kindly reach out to our corporate security head by filing a friend request on Discord for investigation. Username: [petercho.support047]

Discord will never, ever tell you to add a supposed 'corporate security head staff member' or another user as a friend to resolve any issue you may have had involving a scam.

Discord will only communicate with you through their website where you fill out a ticket, and via email with the account that is linked to your discord account.

Think about this: Why would 'Discord' tell the victim of a scam via email, to then contact the person they reported, to instruct them to then add a 'staff member' on Discord to resolve the issue?

Because Discord will not, nor ever would, do this. Ever.

Failure to validate the legality of an account within a specific time frame (12 hrs) might lead to account suspension, limited or ban.

This is a scare tactic. Paired with #1, 'add this staff member or your account will be terminated in 14 hours!' If you were reported by someone (for real) and you scammed someone (for real) you wouldn't be given a count down to talk to someone.

They'd look at the evidence, and you'd be banned. End of story.

Furthermore, we are working with some officials on this matter so that we can record all processes taken legally and are not violating "Title 18 of the U.S Code, Section 798 (Disclosure of Classified Information)" By that, we can also perform legal actions if said user is found guilty of chargers.

Again, this is a scare tactic that a lot of scammers use with their victims. "Follow these rules and do what I say or you will go behind the bars."

Please get in touch with the person you unintentionally reported as soon as possible so they may file an appeal and save their account from being seriously compromised

Discord would. never. do. this.

I say banging my fists on my desk.

If you report someone I'm also pretty sure it blocks that user for you and sends discord a report. Discord would never say 'hey you know that person you reported for <thing>? Yeah contact them and tell them to contact us. Okay? :) '

In a realistic world, this would never happen. But alas scammers will do everything to try and make money or steal from you.

Part 3: The actual scam

Upon reading this message and talking with the person who 'reported you,' they will tell you to add another user (as mentioned above) who is a member of Discord staff.

Remember:

This is not a real Discord staff member. This is also a scammer.

When you contact this 'staff member', they will use markdown tools to make their text look 'legit', and will talk you through a 'validation process' to validate you are who you are.

Here is an example of one of these fake discord staff members asking someone to send them money to complete this 'verification' process:

Keen in mind this 'staff member' may even be the same scammer who contacted you to begin with, or possibly even a friend or associate, or it may be someone different. Either way they're obviously working together.

These fake support scammers will have a profile on discord that claims they’re a discord support team member, and will usually have some sort of 'badge/image' of certification they show you right off the bat to try and prove that they are 'totally legit (no fake)' and in even ballsier cases, they will straight up steal the LinkedIn links, twitter urls, names, images, you name it, of actual Discord staff members.

An example of one of these fake images:

The scammer will ask for basic information like your age, date of birth, and other questions seemingly related to your account identity.

Then- the finale of the scam:

They will tell you that in order to secure your account, you will need to 'temporarily change' the email associated with your account to the email account they send you so that they can 'screen/verify' your account. You will even be asked to give them a verification code to complete the 'verification'.

WARNING: Changing your discord email that YOU registered with to any other email will link it to the scammers email and THEY will gain complete control over it.

The code sent to you is to verify that you want to change your email, and once you give it to them? It's game over and you've completely lost your account.

Now they have your account and will use it to scam your friends and those in your servers on top of using your credit card to buy nitro for them and/or their friends.

----------

But don't lose hope!

If this happens to you, and you get an email from discord saying that your appeal was denied, it's probably because they are now using AI/Bots, and your account wasn't reviewed by a person.

Here is what people suggest you say/do when you contact Discord Support (via their website) if you are tricked by this scam:

Fill out the form as:  Title: Got Scammed Description: Is there any way I could talk to a human? They didn't send anything for mine but the original guy got an automated response. It just turned into “awaiting response” then I sent: “My Discord account's email was changed. The login page says that my email does not exist. I cannot login.”

They also suggested:

You could try just directly saying “My Discord account's email was changed. The login page says that my email does not exist. I cannot login." as the description in your ticket it could prove the same results.

Also:

REMINDER:  Don't send multiple tickets.  Don't keep asking for updates unless it says “awaiting response”, this will push you to the back of the queue.  If its marked as "solved" try replying to reopen the request if not, create a new ticket. “However, if you received a reply that our team is unable to provide additional information or support for your account then we cannot assist further. To continue using Discord, you will need to create a new account.” One of the replies I got. Just create a new ticket.

-----

Final Thoughts:

If something seems fishy, trust your gut. Never click any links sent to you by strangers, even if it's with the promise of 'free nitro', free items in video games, free anything, really. If it's too good to be true, it's probably not real.

I hope this helps those who need it, and make sure that if you use discord to let others know about this scam too so they can avoid it. :)

Here's a post on some tips and tricks on spotting scam blogs.

Helpful guides on how to spot scams. (by @kyra45)

Current list of documented scammers: Part 3

[genericpuff]

Do you have any entry level recommendations for someone looking to learn a bit more about Greek mythology? I’d love to read up on it but I’m not sure how to find reputable sources and avoid Americanisation.

I mean, at the risk of sounding crass, you're likely going to run into Americanization no matter what you do because America itself was built on many cultures, especially that of Greek philosophy and storytelling.

Buuut if you mean you wanna read some actual Greek myth content that AREN'T modern American spins on classic tales, Emily Wilson is a popular choice for many people dipping their toes into translated mythology as her translations are both simplistic and concise in their language choices as well as fun in their structure to read both internally and orally (iirc her translations are done in iambic pentameter which is very familiar to anyone who's ever read Shakespeare). I've been working through her translation of The Odyssey, it's been pretty enjoyable :)

I've also heard great things about both Lattimore and Fitzgerald, the latter of whom I will be reading next after I finish Wilson's translation. That said, I haven't read either of their works yet, so take my recommendation of them with grains of salt! (I hope you enjoy them though if you check 'em out! If you beat me to it, let me know how they went!)

OH also, I know it's sorta the opposite of what you're likely looking for as it's VERY influenced by modern contexts, but thanks to another anon I recently got into Destripando la Historia which is a super fun animated Youtube series that retells the stories of various different gods from different mythologies. If you're into stuff of the goofy anime variety, you might enjoy them, it's a Spanish series but you can turn on captions to read the translations! It's super beginner-friendly, it covers a lot of different stories and myths without getting into so much detail that it's overwhelming (but gives you a good kickoff point to start with!) and the songs and animations slap, Afrodita is one of my favorites haha

Overall the biggest advice I can give you if you're trying to avoid fanfiction-y / "Americanized" retellings is just to cross-reference. If you find a retelling you really like but aren't completely sure of its legitimacy as a functional retelling, keep reading, watching, and learning more. It's a skill like any other, and the more you read, the more you'll be able to pick out what's a legitimate retelling from studied scholars vs. what's fanfiction that you don't need to take too accurately or seriously LMAO

And honestly, nothing wrong with the fanfiction stuff! Mythology, in its very nature, changes over time, it's an inevitability and many of the myths we still draw from today are often derivative in and of themselves from even older versions that pre-existed them (see: Ovid).

it's okay if your introduction to Greek myth is through derivative fanfic, stuff like Disney's Hercules and even Lore Olympus ARE fun to consume for a lot of people and make for a good entry point into learning more about the myths!

What's frustrating - and what I tend to criticize the most here - is when the fanfiction gets advertised / sold as legitimate retellings; when the fanfiction grossly misrepresents the actual mythology and yet tries to claim it as legitimate anyways which results in fanbases that are running around with completely false information claiming it as fact. If you can give the team behind Hercules credit for one thing, their rendition may not be completely accurate, BUT the folks who made it never bragged about how much smarter they were than other people about Greek myth or call themselves "folklorists" when they didn't even have any formal education/training/etc. in it cough like another creator we know cough 💀 If we want to make a comparison between LO and a Disney film in terms of how it grossly misrepresents the themes and cultural contexts of the original stories it was drawing from... Disney's Pocahontas does exactly that 💅

So if you want to avoid any "grossly" Americanized versions of Greek myth that are borderline disrespectful to the stories they're drawing from... yeah, that's usually a pretty indicative red flag LMAO

But outside of those very specific scenarios, just have fun with it, there really is no "right or wrong" way to engage with the mythology if you're simply just wanting to learn more, the beauty of it being mythology is that it's very diverse in its mediums and thus you don't have to be restricted to learning about it exclusively through academic translations or lectures. Of course, there are cultural intersections with these myths that shouldn't be ignored, we always have to treat it with care when engaging with it so that we aren't overwriting another culture's traditions or beliefs - but if you're simply wanting to learn about and entertain yourself with some amazing stories that have quite literally stood the test of time, do so however you see fit :)

[highdio]

Pleeease, write your thoughts about the musical lol. I really like your Dio meta posts <3

Just a disclaimer: this is really opinionated but I don't like to drag media for its own sake. There were lots of things to like in the Phantom Blood musical, just ... Dio wasn't one of them. Also, Mamoru Miyano threw himself into the performance he was asked for, so it's hardly his fault. It's just always amazing to me that people feel the need to rewrite Dio into someone else when the way Araki's written him is already perfect, complete and a lot of fun.

So, where to start? Basically, the Phantom Blood musical re-writes Dio, giving him a different personality and different motivations through OOC stage direction along with a bunch of original dialog and scenes. What results is a version of Phantom Blood where "Dio" is just a normal guy without charisma who had a bad childhood and spends most of the story being miserable. Dio as he's written in canon has an uncommon charisma and appeal that's allowed him to remain relevant as one of those 'all-time great' villains. Scene after scene in the musical prove that its creative team either didn't read the manga or just really didn't like Dio.

fwiw Araki wrote Dio as thoroughly fleshed-out, with consistent traits and behaviors and consistent motivations behind his actions. He also left a paper trail of interviews and author's commentaries that develop Dio even more fully beyond the manga. So there's really no excuse for media that treat Dio as some sort of empty vessel waiting to be filled by narrative cliches we already know and expect.

It's annoying too, because, along with its OOC content, the musical is peppered with occasional manga-consistent moments. It's like the musical is camouflaging its Very Bad Take on Dio by having Mamoru Miyano periodically re-enact the canon character's most famous panels. The musical wants simultaneously to take credit for bringing Araki's vision to life on the stage, while at the same time completely undermining its most important element: a capital V "Villain" who, according to Araki, "accepts and embraces his evil nature, and follows his dark path without hesitation." This is the biggest change the musical makes to Dio: musical!Dio has none of the confidence that allows canon Dio him to move so decisively and destructively through the narrative.

Musical Dio is introduced by a scene where he's bullied on his way home, before breaking into a song about how terrible his life is, where "everything is always taken from [him]" ("it's hell …I feel nauseated …[I'm] under a cloudy sky.") The song is alternately tearful and hopeful. "I'm going crazy from being robbed!" he laments and then pollyannaishly muses, "hey, Joestar, can you turn my [cloudy] skies to blue?"

If Dio being introduced as a sad sap and self-described perennial loser hoping for any break sounds attitudinally unfamiliar that's because it is. Araki went in the opposite direction: he started his story by subverting the cliche - wide-eyed poor boy victimized by circumstance leaves his sorrow-filled life hoping for a new start - and instead gave us a kid with surprising, even sinister agency. Dio is not just given a hero's upward narrative arc (something Araki crafted very deliberately), he's introduced improbably in his first scene from a position of control. This fact is important because in the manga it's a position he won't lose until four chapters and nearly 100 pages in, when Jonathan finally fights back. From the time young Dio is introduced - reading a book with his back turned to his bed-ridden father who he's secretly poisoning -

- to the time he's systematically broken down his adoptive brother's spirit by alienating him from his friends, taking Erina's first kiss, and of course kicking his dog, Dio is shown as being in control and on top (Erina drinking the muddy water is the only exception). It's OOC to imagine 12-year old Dio feeling sorry for himself because at the time he's introduced, he's already made a habit of getting what he wants. By the time he sets off for the Joestars after killing his first dad, he's already developed full confidence in his abilities and the inevitability of his rise to riches (something Araki has him explicitly state and then underscores with a panel illustration of a steam train signaling the rise of Modernity).

But the writers and director of the musical don't find this characterization interesting enough or something. So they lose the canon entirely and in its place they invent a version of Dio who's despondent. And they didn't get Araki's steam train memo so they miss the Modernity theme (even though Araki's tied Dio so tightly conceptually to the idea of the Modern that he has him "use a 20th century boxing technique in the 19th century"); instead they double down on class difference being determinative. It never occurs to them that Dio is written specifically by Araki with the freedom to move outside of his social status because he sees it as artificial (the "evil elite" monologue later reveals Dio thinks of the whole social contract thing is arbitrary and voluntary).

Throughout the musical, Dio (although it's not fair to Mamoru Miyano since he isn't responsible for writing this mess, let's use mamoDio from now on because it's easier) seems to idolize the Joestars for what he calls their "beautiful blood." Not "beautiful" because usable calories for the vampire he will become but "beautiful" because noble. The Joestars' noble status and the honor that's apparently behind that status become the shining "star" toward which mud-bound mamoDio flailingly, failingly reaches. I don't need to tell you that in canon Dio doesn't have respect for nobility.

"Mud and stars" is heavy-handedly introduced as a dominant theme of the musical. According to the play, Jonathan, noble and bright, looks to the stars while human Dio, pathetic, conflicted and even confused, can only see life as a mud-soaked prison.

Now, the mud and stars thing was only used in Part 1 as a single text element on a Volume 1 illustration but, in spite of its marginality, it's becomes a liturgical text for some fans looking for an explanation for Dio's actions beyond what Araki gives them in the actual narrative. To this sort of fan, a guy who embraces his inner talent for evil and never had the misfortune of developing a moral compass isn't the right type of villain because he's unapologetic. If the villain doesn't have excuses how can you apologize for him? So they need Dio and by extension Araki to give them a "good enough" reason to accept Dio's ever-escalating atrocities. If the reasons Dio has for doing the things he does lie outside of what's considered good or acceptable, they are simply rejected and new reasons are invented in the hope of making Dio much less objectionable.

Now, like I said earlier, Araki's repeatedly told us in his writings that Dio has an upward narrative trajectory, not a downward, "mud"-bound one. The mud and stars duality fails to describe the narrative journey of the two main characters: both look upward to transcend their circumstances and travel along a shonen manga hero's rising path. (In fact, it's Jonathan who needs a good push to realize his potential, something Dio happily provides). And it's Jonathan, not Dio, who Araki first gives a downward arc, being handed defeat after defeat for those first four chapters before gaining his footing and progressively rising to Dio's challenges. "Mud and stars" isn't just a bad choice of metaphor, it's a misleading one.

Back to the musical, mamoDio is the exact opposite. An air of sadness and insecurity haunts his performance. An original scene where George presents the mud and stars dilemma as a lesson highlights Dio's lack of confidence and the depression that lurks behind it, as Dio bemoans how people doomed to "struggle and die" cannot possibly summon the hope it takes to look up to the stars (he's talking of course about himself).

Likewise, and here's where mamoDio's failure as a character really comes into full relief, seven years after this, when Dio's machinations are revealed and he's about to be arrested, before he uses the stone mask, mamoDio drops to the floor and spends the better part of a musical number in tears, bemoaning his sorry life ("I'm trapped in a prison covered in mud… no matter how hard I struggle I'm crushed…") and his lack of noble blood.

(btw this is after the manga scene where Dio fake cries; here, mamoDio is genuinely distraught).

Contrast this to the actual scene in the manga. His expressions in these panels are memorable because of how assured Araki draws him. Dio's entire world - his poisoning scheme, his grab at what one can assume would have been the entirety of the Joestar estate - is about to end but instead of despairing, he launches into a philosophical soliloquy. His body language is haughty: this isn't mamoDio crawling on the ground and decrying his upbringing and lack of noble blood, instead this is a man who apparently, almost irrationally, perceives himself as noble. When he uses the mask, Dio is smiling widely. Metaphorically speaking, he's looking at the stars.

When mamoDio uses the mask? He's on his knees. He's in tears. On one night he interjects, "Mother…" In short, he's conflicted.

One of these depicts Dio. The other does not.

Now obviously the writers and director of the musical must think making these seismic changes adds something to Dio's character. But (and I feel like this is a theme whenever I write these things) I'd argue it only makes him more basic. It makes him predictable and formulaic, someone we've seen in countless other stories.

(Oh! and did I mention mamoDio repeatedly calls himself "useless"!! Because he does this.)

Now, because mamoDio has no confidence and as a human acts out of desperation, when he becomes a vampire he still isn't Dio. Mamoru tries to make his vampire Dio evil and scary by expending a lot of energy, running about the stage and sticking out his tongue ad nauseum. When you look at how Araki has Dio move physically throughout the manga, it's the opposite of kinetic. Dio is a point of fixity who's charisma draws others toward him (ask me for more on this if you want because there's enough here for its own post).

Now for the worst of the worst: at the very end of the production, after the manga ending that features Jonathan's death and Dio's (presumed) defeat as a head imprisoned in Jonathan's arms, the musical takes an original twist in which, following a finale number featuring most of the cast, mamoDio is lead offstage by Jonathan. You read that right. mamoDio is hunched over, resigned, and Jonathan seems to take on a paternal role. Although the lyrics would have you believe this has something to do with "two fates becoming one," it's clear from the stage direction that any embers of Dio's ambition are being tamed and extinguished as Jonathan takes Dio's grasping hand, subdues him, and leads him docilely into the darkness.

It turns out Dio's vampire arc was just a phase, a hurt and lonely child lashing out and making a mess for attention.

His body language here is obscenely out of character. Consider the following because, as I said in the opening, in spite of what all these re-writes of Dio would have you believe, Araki crafted Dio with specificity and consistency: Araki only draws Dio (with very few exceptions) 1) standing tall, looking down at you; 2) back turned, looking back and down at you; or simply 3) back turned, (performatively?) ignoring you. Dio is never on the ground except when he's knocked down (think, young Jonathan finally fighting back in the Joestar home or, much later, Jotaro stopping time and landing those punches). By constrast, mamoDio has spent an incessant amount of time of the ground, crouching, kneeling,, bowing, hunched down. Who is this guy? So his hunched-down exit in the final moments of the production, literally being led by Jonathan (controlled??), is so amazingly stupid that if I didn't have a gif as proof, you might think I'm just making this stuff up:

There's plenty more to unpack that I won't address here: ghost Dario. The lack of grave-spitting. The complete absence of true joy or leisure expressed by Dio especially during his vampire era: no woman eating her baby, no owlcats, no Poco's sister. No chaise lounge. No roses(!). No fun. Not for Dio. That would be too manga-consistent. That might mean Araki wasn't giving us the appropriate message that bad guys are actually just sad guys.

tl;dr Dio isn't in the Phantom Blood musical. He's replaced by a normal guy who's motivated by a lack of self-esteem and despair that he wasn't born into an upper-class household, or something. He's boring. The result? There can be no Part 3 in this musical's world (and presumably no Parts 4, 5 or 6, no Giorno, no Jolyne, … you get the picture) because mamoDio just gives up. It's a nicely produced little tale about Jonathan Joestar and some random other guy who at some point gets a funny green coat.