#i really don't like the original version for its sound

[beevean]

Castlevania: Portrait of Ruin

Dark Academy (Crucifix Held Close)

[mirainotes]

you don't want to know the end of this dream, because it's not the world you wish for; yet still, i wish you'd love even this conclusion.

(redraw of the dreamless dreams PV!)

[neganium]

While Rockman.EXE has a pretty solid design all around, I've kind of always disliked how his design lacked visible eyebrows 90% of the time. It's not that he doesn't have any, but you just can't see them due to the shape of his helmet. You can't really see his hair, either, other than what little pokes out the back.

[radio-4-is-static]

WONDER BOY'S AKUMU CLUB - Yojiro Noda

[aleksatia]

Imagine the six days scenario with the boys, but it turns out the mission was supposed to be done in one day, and the reader went through he'll to get out and is met with this reaction? Imagine when she finally tells the reason she was away, would they regret their actions? How would they react? Don't know if if you take requests, if you do, consider this one.

If not, I am glad I got to read this masterpiece, thank you ❤️

Thank you so much for the request — I absolutely do take them, and I really appreciate this one! ❤️

I tried so hard to keep it short, since the “Six Days” theme has already been thoroughly explored... but, well, I failed spectacularly 😅 So here’s another deep-dive into a what-if/imagine scenario — one that can be read as either an alternate branch of the original storyline or... something else entirely. I’ll let you decide 😉

I’d love to hear your thoughts if you read it — truly means the world to me!

I’ve received so many requests for continuations — especially for Xavier — and yes, his already has a full-length, dramatic follow-up (because how could I not?). This one here is more of a request-based scenario, but it can absolutely be read as its own kind of continuation. Think of it as an alternate path the story could have taken. (One day I’ll write full versions for all the boys… but for now, consider this a little taste.) Hope you enjoy — and as always, I’d love to hear what you think! 💬💔 Here are the links to the previous parts in the series, in case you want to revisit or catch up:

Original Post | Xavier's Story

CW/TW: Psychological trauma, PTSD themes, Forced isolation, Violence / combat injuries, Mentions of starvation, Emotional manipulation, Past emotional abuse, Mental breakdowns, Intense guilt / self-blame, Brief implications of suicidal ideation (in self-sacrificing context), Adult intimacy (emotionally driven, not graphic)

The Truth — What Really Happened

It was supposed to be one day.

A clean, strategic infiltration. In and out. No complications. No room for error.

But no one accounted for the Wanderer.

No one predicted that the target—some nameless, faceless shade masquerading as a rogue—would be more than just dangerous. That he'd found a way to twist Protocore into something ancient and volatile. That he would trigger a fracture in time itself.

In a single blink, the world split. You fell into it. And the loop began.

Six days for them. Six weeks for you.

You lived, died, and bled your way through the same endless day.

Again. And again. And again.

Locked in a cycle of violence, decay, and despair—while everyone else moved on without you.

You clawed your way back—half-starved, half-mad, barely remembering your name. And when you finally escaped the loop, stepped back into their world, broken and still breathing—

They were waiting.

Angry. Unforgiving. And utterly, terrifyingly unaware.

Until now. Until you tell them.

💛 Xavier

It only felt right to write Xavier’s piece after the continuation I posted earlier. The original scene stood strong on its own, but this one—this is what came next. The moment after the storm. The truth laid bare. A quiet, alternate branch of the story, or perhaps a natural consequence of the one that already unfolded. Either way—I’m glad it found its voice.

You don’t ease into it. You sit across from him in the quiet of the morning, sunlight creeping up the walls like it’s unsure of its welcome, and you tell him.

Not six days.

Six weeks.

A loop. A fracture in time. An engineered nightmare that left you bleeding against the same hours, over and over, clawing through shadow just to return to him. Alone. Lost. Dying.

Xavier doesn’t speak. Doesn’t even blink.

But something in him breaks.

Not loudly. Not violently. It’s quieter than breath. Slower than thought. His fingers slip from the edge of the cup in his hand, and it falls. Shatters against the floor with a sound so sharp it startles the silence—ceramic shards skittering like teeth across stone.

Still, he doesn’t look at you.

He stands, but not with purpose. With instinct. His body moves before his mind can catch it. He turns, walks toward the far wall like he’s searching for air, like the room is suddenly too small to hold what’s happening inside his chest.

You rise—hesitant, aching—but he lifts a hand to stop you. Not cruelly. Gently. Like he’s afraid that if you touch him, he’ll fall apart in a way he can’t recover from.

He presses his palm to the wall. Just one. The other curls into a fist at his side.

“I thought you abandoned me,” he says at last, voice raw in a way you’ve never heard from him. “And I punished you for it.”

He turns back.

And there’s nothing left of the man who told you to ask again in six days. Nothing of the controlled strategist, the ever-collected ghost of war. His jaw is clenched too tight. His eyes are glassed over with fury—but not at you.

At himself.

“I accused you. I mocked you. I dismissed what little strength you had left and threw my pain in your face like it was the only thing that mattered.”

He crosses the room again, slower now. Purposeful. His hands don’t tremble, but his voice does.

“I let you stand there, in front of me, broken... and I thought I was the one who’d suffered.”

He kneels.

Not dramatically. Not for effect.

He lowers himself before you like a man who no longer believes he has the right to stand. His gaze stays down. One hand reaches inside his coat, and when it returns, you see it:

A blade.

Polished. Ritual-cut. Ceremonial. One of the old ones—etched with language you don’t recognize. But you understand that these words mean oath, atonement, belonging.

He offers it to you in silence. Flat in his palm.

“Where I’m from,” he says, quietly, “a wound like this is paid in blood. A betrayal like mine is not survived—it is surrendered to.”

Your hands don’t move. Your breath barely does.

“If you want justice,” he whispers, “take it.”

You stare at him. The weight of the blade between you. The weight of everything.

And then—slowly, gently—you take it from his hand.

Only to let it fall.

The sound is soft this time. Barely a whisper of steel on floorboards.

Then you fall with it.

You drop to your knees in front of him, wrap your arms around his shoulders, and let your tears fall freely.

“I don’t want justice,” you breathe into the curve of his neck. “I want you.”

He doesn’t pull away. Doesn’t speak. Just holds you, arms banding around your waist, face pressed into your shoulder like he’s trying to memorize what survival feels like.

When he finally speaks, it’s not confession. It’s surrender.

“After what you endured… after what I made you endure alone… I don’t know what anything means anymore. Not the mission. Not the cause. Not the point.”

You pull back, just enough to see him.

His eyes are hollow with grief. But deeper still—something flickers.

“I thought I understood devotion,” he says, voice barely above a breath. “But I was wrong. What I gave you wasn’t loyalty. It wasn’t love. It was pride. Control. Fear, dressed in logic. And I used it to wound you when you were already bleeding.”

His jaw tightens. His gaze falls.

“I was cruel.”

It’s not said for effect. There’s no tremble in his voice, no self-indulgent break.

It’s simply true.

“And I’m sorry.”

The silence that follows is soft. Dense. Not empty.

You brush your fingers across his cheek, tilt his face toward yours.

“I forgive you,” you say. Steady. Clear. “Because not everything in this world is black and white. And I understand why you did what you did. I know the shape of your fear.”

Your thumb brushes beneath his eye. His breath catches.

“I didn’t tell you to hurt you. Or to punish you. I told you because…” You pause. Your voice thickens with truth. “Because you’re the only one I trust with all of it. The only one who would understand. Who wouldn’t fall apart under the weight of what I’ve lived through.”

You lean forward.

Kiss him. Gently. Not desperate. Not demanding.

Just there. Warm. Real. Home.

Your hands slide up to his temples, fingers massaging slow circles at his hairline, coaxing the tightness from his brow. You feel it—inch by inch—how he softens beneath your touch.

“Let it go,” you whisper. “Don’t carry this weight. Not for me.”

He exhales, shaky. Silent.

You hold him tighter.

“You are my light, Xavier. You illuminate the path. You anchor me when everything else turns to ash. And in that place—those six weeks—do you know what kept me alive?”

Your voice breaks, but you keep going.

“I couldn’t bear the thought of you mourning me. That’s what kept me breathing.”

He says nothing for a moment.

Just rests his forehead against yours. One hand moves to your chest, flattening over your heart like he’s grounding himself with your pulse.

Then—softly, firmly, as if carving the words into stone:

“You will never carry pain alone again. Not while I draw breath.”

No grand vow. No poetry.

Just fact.

And somehow—that’s what makes it a promise.

💗 Rafayel

The morning sun slips in like melted gold, tracing the edge of the sheets, catching the soft arch of your cheekbone. You lie half-curled beneath the covers, his T-shirt clinging to your body like second skin.

And in that sacred hush before the world stirs—you speak.

Not because he demands it. Not because you owe it.

But because somewhere between the echo of his heartbeat and the way his arms wrapped around you like the only anchor you had left—you remembered how to breathe.

You tell him.

About the mission. The Wanderer. The fracture in time.

About the loop.

How six days for him were six weeks for you.

How you woke up every day inside the same nightmare. How you died. How you clawed your way back. Alone. Over and over.

And when you fall silent, your voice scraped raw from remembering—he still doesn’t speak.

He just looks at you.

Like the sun never rose until he saw your face again.

His hand brushes your cheek, feather-light. His voice—when it comes—is almost a whisper.

“Are you ready to share the rest?”

You blink. “The rest?”

“The weight of it,” he says. “Not the facts. Not the fight. The dark. The ache. The part that still won’t let you sleep.”

His voice is gentle. Too gentle for a man like him. It trembles with caution, as if even asking is a violation.

You hesitate. The memories flicker like shadows across your mind—distorted, aching, sharp.

“No,” you answer truthfully. “Maybe not ever.”

His gaze doesn’t falter.

He nods once. No protest. No press.

Then his voice, lighter this time—almost a whisper:

“Then I’ll just have to help you forget.”

And he does.

He lifts you carefully, as if your body might shatter beneath his hands. You expect the weight of a blanket, but instead—he wraps you in something else entirely.

A covering like seafoam. It feels like nothing you’ve ever touched—gossamer, weightless, but cool and smooth against your skin. A whisper of silk and tide.

“It's from home,” he murmurs, adjusting it carefully over your shoulders. “Woven from the ocean’s first breath. They say it keeps sorrow out.”

Then—he scoops you up like you weigh nothing. Carries you to the kitchen with quiet reverence, as if this moment is sacred.

He sets you down on the marble countertop and kisses your knee.

Then he starts making coffee.

He hums as he moves—something aimless and tuneless and purely him. You close your eyes for a moment, letting the scent of roasted beans and vanilla settle around you.

And then—

“So,” he says casually, not looking up, “a cat broke into the studio last night.”

You blink. “A cat?”

He nods solemnly. “Orange. Loud. Looked like he owned the place. Knocked over three canvases and nearly drank my turpentine.”

You raise a brow. “And naturally, you assumed this was my doing.”

“Who else would weaponize cuteness to such chaotic effect?”

You laugh—quiet but real. “I’m not that cruel.”

“No,” he agrees, turning to face you with a soft smile. “But I do suspect you’re still hoping I’ll change my mind about cats.”

You sip your coffee. “I might be.”

Later, the bath is warm, the water laced with something lavender and soft. He sits behind you, your back pressed to his chest, his arms a steady weight around your ribs.

His fingers move slowly—massaging your shoulders, your forearms, your palms, like he’s trying to erase every echo of pain from your body with touch alone.

You both talk, but nothing heavy. Just stories. Old memories. Little things. The shape of the moon that night. The smell of burnt sugar in his favorite gallery. How he once mistook a mannequin for a person and apologized to it for five minutes.

You laugh again, softer this time. And it makes something in him melt.

He wraps you in the softest robe he can find. Carries you again—this time to the bedroom. The ocean glows outside, waves catching the last of the sun like pearls tossed across the horizon.

But he doesn’t stop there.

“Come,” he says, offering a hand. “Tea. Sunset. Company far superior to mine.”

You smile. Follow.

And when you step onto the veranda—there it is.

A small white basket. A red ribbon.

And inside—

A snow-colored kitten, curled like a pearl in a nest, blinking up at you with impossibly blue eyes.

You freeze.

Turn to him, wide-eyed.

He shrugs, just slightly. Nervous. Like he’s bracing himself for mockery. For rejection.

You blink again. “You—Raf, you hate cats.”

He exhales through his nose. “I fear them. Different thing.”

Your eyes shimmer.

He moves toward you slowly, hands lifted in surrender.

“I wanted to make you smile,” he says simply. “That’s all. Just—smile. Like you used to. Before I—” He swallows.

He crouches down before you. One hand comes up to gently stroke the kitten. The other finds your knee.

His eyes lift to yours—and there’s no performance left in him now. Just Rafayel. Just the man beneath the glitter.

“I was so awful to you.”

You open your mouth, but he shakes his head.

“Don’t say it wasn’t that bad. I know what I am when I’m scared. I threw wine over grief and laughter over longing because I didn’t know what else to do. I ruined canvases with your name on my tongue and strangers in my house, and the whole time—I just wanted you to walk through that door.”

His fingers tighten on your leg.

“And when you did—when you came back—I was so full of rage at the idea you’d left me, that I didn’t even ask if you were okay.”

He breathes. One hand comes up, presses lightly to your ankle.

“I don’t know if I deserve this. Any of it. You. The right to hold your hand. To be the one who touches you when you’re tired. Who makes you laugh. Who paints your name into the ocean.”

You slide your fingers into his curls, threading gently through the soft waves.

And he stills. Like he’s afraid to move.

You whisper, “I never wanted perfect. I wanted you.”

He exhales.

“I swear,” he says, softly now, firmly, “on every color I’ve ever touched—never again. I’ll never put my pride above your heart. I’ll never leave you alone in the dark I made.”

Then—he leans forward. Presses his forehead to your knee.

The kitten meows softly, curling into the basket.

And finally—you smile.

Because this?

This is home.

💙 Zayne

You expected something.

A tremor. A breath. A word. Anything.

Instead, Zayne listened. Like a doctor reviewing a chart. Like a man auditing loss.

He didn’t speak when you finished. He simply nodded—once—and turned away, reaching for the drawer by the bedside as though the moment hadn’t cracked the very floor beneath his feet.

His hands, always precise, always godlike in their stillness, carried a faint tremble now. Just at the edges. So minor you might’ve doubted your own eyes, if you didn’t know how obsessively exact they always were.

“I asked,” he said, adjusting a monitor. His voice was quiet. Neutral. Not for you—for himself. “I asked if you’d caught a cold.”

He finished adjusting the drip, typed something into the tablet. Still no eye contact. Still no softness in his voice. But the line of his shoulders was off. A degree too low. A breath too far from centered.

Then—he turned back to you.

His gaze met yours at last. And though his voice didn’t change, the words did.

“I would like to conduct a full diagnostic. Neurological, cellular, metabolic.” A pause. Then softer, with exquisite restraint: “Please allow me.”

You hesitated—not because you doubted him, but because you recognized the plea underneath the logic. He wasn’t doing this for the data. Not really.

You nodded.

And he breathed again.

He worked in silence. Gentle. Thorough. Every sensor placed with hands that barely touched your skin. Each test executed with a reverence that spoke more than words ever could. He treated you like something sacred—something already broken that could not, must not, fracture further.

When sleep finally came, it swallowed you whole.

And when you opened your eyes again—the world was still. Dim. The sterile light of early morning filtered through the blinds.

Zayne sat in the chair beside your bed. Unmoved.

He hadn’t changed clothes.

The same shirt. The same faint stain near the cuff from yesterday’s blood draw. One elbow rested on the arm of the chair, his fingers curved over his mouth, gaze lost in some calculation too heavy for paper.

When he noticed you stir, his posture didn’t shift. But his eyes warmed—just barely. Just enough.

“I cancelled my procedures for the week,” he said simply. “Transferred patients to colleagues. For now, my only case is you.”

You blinked, silent. Then your gaze drifted down, to the low table by the bedside.

There, lined with the kind of hesitant care that comes from someone unused to gifts, sat a modest row of familiar things. A bouquet of white jasmine, fresh and fragrant. Two of your favorite candies in delicate wrappers. And—absurdly, heartbreakingly—three new plush toys, small and soft and so clearly chosen by someone who’d spent an agonizing amount of time in the gift shop second-guessing every decision.

Your heart folded inward.

“Am I dying?” you asked, quieter than you meant to.

He didn’t smile.

But his voice, when it came, was soft and absolute.

“I won’t allow that.”

A long silence passed.

Then you shifted—carefully, your muscles aching—and reached for him.

“Come here,” you murmured.

For a moment, he hesitated. Not because he didn’t want to, but because some part of him still didn’t believe he deserved the invitation. But he came. And when he lay beside you on the narrow couch, his body held a tension that didn’t ease until your head rested on his shoulder.

He stayed still. Let you move first. Let you curl against him the way you needed. His hand hovered over your back, uncertain, until you nudged it gently into place.

Only then did he hold you.

Not tightly.

Not desperately.

But with the kind of quiet conviction that said he would stay as long as it took.

You felt his breath in your hair before you heard his voice.

“I don’t pray,” he said, low, clinical as ever. “I believe in medicine. In numbers. In protocols.”

A pause. His fingers brushed your spine, feather-light.

“But if you hadn’t come back... I would’ve made an exception.”

You didn’t answer. You didn’t need to.

Because some things, even with Zayne, are understood in silence.

And in that silence, held against the rhythm of his heartbeat, you felt it clearly: you were no longer his patient.

You were his entire world.

❤️ Sylus

For a moment after you speak, the room holds its breath. So does he.

Sylus doesn’t ask questions. Doesn’t deny it. Doesn’t demand proof or press for detail. He simply stands there, stone-still, with your words unraveling him from the inside out. The way you say it—quiet, unshaking, without accusation—is somehow worse than if you’d screamed.

His gaze drifts over you then, and you feel the moment the veil lifts.

It’s in his eyes first—how they widen, flicker, and fixate. He takes in the shadows beneath yours, the pallor of your skin, the hollowness in your cheeks. His breath catches when he sees how your clothes hang looser than before. How your hands tremble faintly, barely perceptible unless one knows you too well.

And Sylus knows you.

His chest rises once, sharp and shallow. Then he moves.

Not fast. Not sudden.

But with purpose.

The next second, he’s in front of you, reaching—his fingers brush your jaw, feather-light, as if afraid that even the weight of his touch might bruise. He doesn’t speak as he leads you gently—gently, from a man whose hands have broken bones—into the nearest chair. One knee hits the ground beside you. He opens your jacket with slow precision, not to expose, but to check. To see. To know.

“You’ve lost weight,” he murmurs, voice rough and uneven, like gravel sliding beneath steel. His fingers glide down your arm, finding the sharp edges of bone where softness used to be. “Why didn’t I see it sooner?”

You try to speak, but he shakes his head, already rising.

He moves through the room like a storm with no wind—silent, but charged. Opens drawers. Pulls out clean clothes, a blanket, a glass of water. Then he’s back at your side, crouching again, one arm draped over your lap like a bridge between his fury and your exhaustion.

His hand wraps gently around your ankle, thumb pressing lightly against the bone there as he stares at it like it personally accuses him.

“I told them to take you.” His voice is lower now. Hoarse. “Told them to scare you. Make a point.”

He looks up at you. And for once, his face is completely unguarded.

“I hit you.”

It wasn’t hard. It wasn’t brutal. Not for someone like him.

But it was enough.

His voice falters, only slightly.

“And then I said I wouldn’t look for you.”

He exhales, and it’s not a breath—it’s a confession.

“That was the worst one, wasn’t it?” he asks. “Out of all of it. That’s the one that stayed.”

Your silence says enough.

And something in him breaks again—quietly, like a structure folding inward with no one left to hold it up. His forehead presses lightly to your knee, his arm tightening around your thigh. You feel him breathe you in, like scent alone might bring you back from the half-place you escaped.

“I should’ve known the second I touched you that something was wrong. I should’ve seen it on your face.” His voice cracks, just once. “But I was so angry. So fucking angry I couldn’t feel anything but the space where you weren’t.”

He pulls back. Looks at you again—slowly, steadily. And something inside him hardens, not with rage, but resolution.

“You’re not lifting a hand again. Not for food. Not for water. Not for anything. I don’t care how long it takes. I don’t care what it costs. You’re going to rest, and I’m going to fix this—you—with my own hands, piece by piece.”

And when he stands, it’s not the usual slow menace or calculated power.

It’s reverent.

He lifts you—not like someone injured. Like something sacred. And when he carries you out of the room, wrapped in warmth and silence, there is no doubt in your mind:

Sylus will not let go again.

Not even if time itself tries to take you.

💜 Caleb

You aren’t even halfway through when it hits him.

Not like a punch. Not like a wound.

Like an organ failing.

He blinks once. Twice. And then nothing. No movement. No breath. Just silence.

Then, quietly—almost absently—he mutters, “I’ll resign.”

You look up, startled, and the absurdity punches out of you in a short, cracked laugh.

It’s the wrong moment. Too sharp, too bitter. But it slices through the tension like a scalpel.

And still—he doesn't move.

His hands press against the table, white-knuckled. Not to steady himself—he isn’t swaying. He’s rigid. Locked. Like something in him has calcified to hold him upright.

“I’m not fit to lead,” he says, voice flat, low, scorched. “Not when I see betrayal in the only person I’ve ever trusted.”

Whatever breath of amusement you had left dissolves instantly.

“I didn’t just fail as someone who was supposed to protect you,” he adds. “I failed as your—” He stops. Chokes it down. His jaw clenches so hard you can hear the sound of his teeth grinding. “As your Caleb.”

And then—he moves.

Quick, purposeful. Gone in a flash. You hear the kettle filling, the sharp click of a drawer, the dull thud of something fragile hitting the counter too hard. The way he clutches at control would be laughable if it weren’t so violent.

Then the bathwater starts.

Hot. Too hot. He’s not measuring anything. Just pouring. He throws open the cabinet, snatches towels, drops one, curses.

When he returns—his phone is in hand. “I’ll call Dr. Navik. I want a full neurocardiac scan, and we need to rule out—”

He stops. Mid-sentence. Thumb poised over the screen.

You don’t say a word. You just watch as something slows in him. As if time, for once, is merciful.

He lowers the phone. Turns toward you.

His voice—when it comes—isn't clipped or cold or distant. It's frighteningly gentle.

“Pip-squeak.”

He kneels before you, as if he’s afraid standing over you might shatter what little is left between you.

When he reaches out, it’s so slow. So reverent. The back of his fingers graze your cheekbone, barely there. Not because he doubts you—but because he doubts himself.

“How do you actually feel?” he whispers. “Not what I can fix. Not what the scans will say. Just you.”

You breathe. Only once. It shakes.

“Like roadkill,” you murmur. Then softer, almost smiling: “A hot bath wouldn’t hurt. And sleep. Maybe a week of it.”

Your faint attempt at a smile breaks him.

Not loudly. Not outwardly. He doesn’t cry. But something in his face folds in on itself, like it’s suddenly too heavy to wear. He draws a slow, trembling breath.

“I accused you,” he says, and now his voice is wrong. Hoarse. Quiet. Dismantled. “I accused you of being with someone else. After you went through six weeks of hell.”

You try to speak. He doesn’t let you.

“I thought you left me,” he says, and this time his voice cracks—just barely, but it’s there. A faultline in steel. His eyes are on the floor now, unfocused, as if he’s speaking to ghosts.

“I believed you would.”

His breath falters, like the truth is costing him oxygen.

“That it made sense. That I wasn’t enough.”

A pause. His throat works hard around the next words.

“Or worse—too much.”

His hand curls into a fist against his thigh, knuckles white. Not from anger. From restraint. From the effort not to collapse under the weight of everything he’s never said.

“That you’d finally find someone who doesn’t smother you with love that borders on obsession.”

He shifts, like his own skin is too tight. His jaw clenches. His eyes squeeze shut for half a second before he forces them open again, forces himself to keep looking at you—even if it kills him.

“Someone who wouldn’t try to chain you close,” he whispers, “just because he’s too selfish to breathe without you.”

He looks at you now—really looks—and the devastation in his gaze is endless.

His voice breaks on the last word.

“Someone who wasn’t… me.”

And for a moment, he’s not a soldier. Not a leader. Not even a man.

He’s just Caleb. That boy who loved you before he had language for it. And who never stopped. Even when it ruined him.

His hands curl into fists against his knees.

“I interrogated you. Like a stranger. Like a traitor. And all the while you were trapped—alone, dying, fighting—and I was worried about your silence in my bed.”

A breath. And another. Like he’s drowning in air.

“I loved you before I even knew what that word meant,” he whispers. “I carried it for years, swallowed it, starved it. I told myself it was wrong. Forbidden. And the moment I finally had you—really had you—I destroyed it with my own hands.”

He doesn’t look at you. Not until your fingers find his.

Then he shudders. And looks up.

“You always forgave me,” he says, voice breaking now. “Even when I didn’t deserve it. But this time… if you don’t. If you can’t…”

His hand trembles in yours.

“…I’ll understand.”

You shake your head. Just once.

And in that second—he folds into you, arms curling around your waist, forehead pressed to your stomach like a prayer he doesn’t believe he deserves to say out loud.

When he finally carries you to the bath, it’s not in silence. He keeps murmuring things—small things, promises, broken confessions, names only he calls you. He doesn’t try to be strong. He only tries to be there.

And when you’re finally in bed again, drowsy and warm, you find him already beside you. Fully clothed, facing the ceiling, his hand resting on the sheets between you like a lifeline.

You whisper his name.

He turns his head, eyes dim in the dark.

You reach for him, and he comes to you instantly, without hesitation. He lies down beside you, and when you press your head to his chest, he exhales like it’s the first real breath he’s taken in years.

His hand strokes your hair once.

And then, quiet—so quiet it almost isn’t real—

“I’ll never be the same.”

You don’t respond.

Because you both know it’s true.

And because you both know he doesn’t want to be.

[thewertsearch]

The heroes chose to accept this bargain, and scratched their session. In doing so they jumpstarted the reality in which the twenty-four figures of legend would together be created - and I as well - and then sent back in time to take our places in history. Though I was delivered well before history even began, before the dawning of life on their planet. This time around, I would oversee its development, and thus fulfill the mother's promise of an aggressive, ruthlessly prepared group of heroes. One that would not rest until victory was secured.

It sounds like Scratch's changes weren't really about combat ability at all. Instead, he was more concerned with ensuring the trolls were psychologically prepared to face the game. We don't really know what made the pre-Alternians so bad at Sgrub, but Scratch solved any and all such problems by replacing them with a group of belligerent power-gamers who sought to conquer the universe they made. Thanks, Doc!

Also – this might be a little pedantic, but did the post-Scratch session really count as a victory? I mean, when your frog is terminal, your universe is sealed off, and your species is almost extinct, can you really say you won?

The pre-Alternians might have grounds to sue, is what I’m trying to say.

The young twenty-four would again be scattered in two groups, twelve modern contemporaries, and twelve ancients. But in addition to losing their memories of everything that had happened before the scratch, there was another catch for the failed heroes. In the new reality, they would not serve as the heroes. They would mature to become the ancestors of the twelve they formerly regarded as theirs, and this twelve would be chosen for glory.

...the Ancestors were Alternia's original Players.

I speculated that the kids might change Guardians after the reboot - but for some reason, I never even considered that a Guardian could become a Player. If this is how a Scratch actually works...

This... this changes everything. This is Act 6's hidden twist - the fact that we're not going to be getting our kids at all. Homestuck's new heroes, the next session's champions, are Joan Egbert, Roxy Lalonde, Dale Strider, and...

and...

PEN-PAL IS THE SCRATCHED VERSION OF GRANDPA.

Jesus christ, everything fits. He's a child with Grandpa’s mannerisms because they’re time-duplicates, and it's looking increasingly likely that memories can bleed between the two. He recognizes Jade as his 'grandmother' because in his timeline, Jade arrived before he did, and became the new matriarch of the Harley family. He knows about Earth culture because he grew up on another Earth. His access to the bunny's endgame weapons... is still a little confusing, actually, but this fits literally everything else. I am absolutely, 100% confident that this is the answer to Homestuck's most maddening riddle.

I can't fucking believe what I'm reading. Literally every prediction I have about Homestuck's future is going to have to change.

[evasive-anon]

Jason Attacking Tim at Titans Tower

Fanon vs Canon

We've all seen the versions in fanfiction but I'm not so sure everyone's seen the original so if you're one of those batfam fans who doesn't want to read the comics (regardless of reasons) but you are curious about how it actually went this is for you.

What I'm addressing:

What does Jason actually say to Tim during the attack?

Did Jason drug all the other Titans?

Did Jason really wear a Robin costume?

Did Jason slit Tim's throat or call him replacement?

Did Jason actually break Tim's bo staff?

Was Tim crying or scared?

Did Jason write a message on the wall in Tim's blood?

Did Jason's eyes glow green?/Did he follow pit rage mechanics?

Panels and details below. This is a LONG one.

What did Jason actually say to Tim during the attack?

Dialogue in fanfiction during the Titans Tower attack varies based on what kind of fic you're reading but usually its either 'time to clip Replacement's wings' if its staying a beatdown whump 'or oh no precious lil bby why is no one watching you' if its an accidental child acquisition. Not judging either option, but this ain't about them its about the real shit.

Look at these opening lines:

Hey, Tim. I was here first.You're the Red Hood. You've been cleaning up Gotham the easy way. Easy? What do you know about easy, Tim? You had a father that looked after you. You went to a private school, right? You slept in a bed. I slept on the streets, I lived in the alleyways in Gotham. Trying to survive. Until Bruce took me in. I trained as hard as I could. I did whatever he asked. . . at least at first. But it didn't matter. They said I wasn't tough enough to be robin. But today, they say you are. Show me, Tim. Show me what you have that I didn't.

Jason really puts himself out there in all of his dialogue in this encounter, the struggle of having to fight for anything and everything he got in life, even the things that came to everyone else for free, and then being told he wasn't even good enough for the things he fought for.

There's a trope in fanfics that if Jason knew Tim stalked Batman and forced his way into being Robin that it would change how Jason felt about the situation but that's even addressed in this comic:

You were a kid, worried about how Batman was spiraling down into darkness. You spent weeks tracking the dark knight. Solving a mystery no one else could. You discovered who he was behind that mask. Millionaire Bruce Wayne. You were so pleased with yourself, I'm sure that you forgot who you were really dealing with. I know Bruce Wayne. And let me tell you, Tim if someone was trying to find out who Batman really was. If someone was stalking him for weeks. He'd know about it. You can't be that good. I am. He let you find him. And I bet he said the same thing to you as he did to me, didn't he? That you had a talent to make a difference in Gotham. That he needed someone he could trust in war on crime. That you were one of a kind. The light to his darkness. Robin, the Boy Wonder.

Tim saying 'I am' is really such a moment that doesn't come through in text because he is right that he really did do that but I also completely understand why Jason wouldn't believe it.

TBH my favorite part is how done Tim honestly sounds with Jason thoughout all his trauma dumping. Like imagine a grown man who used to work the same part time job as you breaking into your house, dressing up in your work uniform, ranting about how much the job ruined his life while he beats your ass??? God, and he probably had to write a fucking report about it after. RIP Timmy.

What do you want? Do you want to be Robin again? Is that it? You... want to take it away from me? Why in the hell would I ever want that? Don't you get it? When I died no one cared! No one remembered me. Are you completely insane? No one could forget you. I've spent my entire career wearing this mask under your shadow. I had to convince Batman to let me try this. All because he'll never stop blaming himself for what happened to you. You ask me, that's the only reason he hasn't taken you down. He's holding back. But me? No freakin' way. That's the Robin I wanted to see. Still. You do realize the whole idea of training a teenager to fight against something he'll never eradicate is a mistake. It didn't even surprise anyone when I died. When I failed. I failed-- but I'm still beating you. Do you think you're that good now?! Do you really, Tim? Yes.

Tim bashing Jason across the face as he says 'no freakin' way'? *chefs kiss*

Jason drugging the other Titans to knock them out?

Little bit true, Kory was actually just already away from the tower and BB and Cyborg were about to bounce because of the drama going on with Donna's return but Jason like super tazes them and then drugs Raven who he thought already went through enough shit without him knocking her out violently.

Note: Jason says in the text here that he never rolled with Cyborg or BB but like he actually did in some comics so?? The continuity is lie I guess idk.

Did he show up in Red Hood gear or a Robin costume?

Both tbh but he spent most of the time in the Robin costume but bro actually made a stripper rip away version of his Red Hood gear so he could dramatically reveal the Robin costume underneath. I can't believe no one ever includes that in their fics its so fucking funny.

Does he call Tim 'replacement' or slit his throat?

No, this came from a Batman comic with Hush not Teen Titans. That incident takes place in a graveyard not Titans Tower and he calls Tim pretender not replacement.

Does Jason break Tim's staff?

Tragically, no. The bo staff snap would have been iconic. Instead he just takes Tim's staff and beats Tim up with it and breaks stuff. BUT!! He uses it to bust a statue in the TITANS MEMORIAL ROOM which is a place in Titans Tower just for having statues of dead previous titans and Jason is rightfully pissed he didn't get one. Like Tim is correct in saying no one forgot him still but like I would be hurt too if all my friends made cool statues of friends that died and then just left my zombie ass out, like wtf.

Note: I am seriously losing my shit that I have never seen someone bring up the memorial room in a fanfic. That is so much angst material. 😭

Tim crying/ being scared?

Hell no. He's a fucking Robin you know he's being a sassy boy the whole time, even towards the end when he's about done he's still saying he's her and I love Tim for that.

Note: There are a few different times where Tim does a flippy Robin move and then Jason just fucking copies it like flexing that he can do it too, and its just so petty and stupid he's trying so hard to be better than an actual child. 💀I get why in the context of the situation but its still so ridiculous.

Message on the wall in Tim's blood?

TBH I really don't know for sure on this one?? Like its implied that he did but Tim isn't bleeding all that much throughout this beatdown and like we don't see Jason do it just the Titans reacting to seeing it after. It could be Tim's blood, it could be red paint, and it could even be that Jason packed an actual bucket of blood to bring with him to write a message with after he finished. TBH the world is your oyster on this one.

Note: If anyone can find another comic where this event was brought up where they actually clarify it was Tim's blood hmu and I'll update this but I couldn't find any.

Pit rage/ glowing green eyes?

Fanon only at this point in the comics. Jason is seems to be himself and even thinks Tim and his friends are pretty cool at the end, and he's just like reflecting on if he had good friends if he would have turned out better as he leaves.

[vulchak]

So. I watched the live action Lilo and Stitch. (Completely unrelated but Jack Sparrow is one of my favorite Disney characters, anyway-) The original is my favorite 2d Animated movie. I wanted to wait a couple days just to get my thoughts in order but I think the notes I took while watching are more accurate to how I feel about this insult to animation, storytelling and character

It got long so TL;DR, This whole movie feels gutted. Gutted of the themes, of the atmosphere, and of the heart. A downright insult to the original. How this badly acted, lit, and animated thing is getting good reviews is beyond me. It doesn't hold up neither as a remake, nor as a movie in its own right

Right off the bat the pace is 5 times quicker than the original. Nothing has time to sink in, I feel like I'm watching the movie at double speed

And they've moved things around for no reason, Stitch is shown first, then Jumba is brought in, which just dampens the impact of both their introductions

Jumba sounds 20 years younger and way more boring than he should, he sounds like a stock random guy, not an experienced and unhinged genius. His grammar is fixed but his accent is also gone which just makes him sound less unique. I don't blame the VA, he did great as the Lego Joker but he was just miscast here

The grand councilwoman is done so dirty already. In the original she sounds genuenly hopeful Stitch can show signs of goodness and be spared. Nope, here she's so monotone it's like she's obligated to ask him to say something

She doesn't ask for an expert, Pleakely comes running in himself. In a cowboy hat for some reason. She also has a bizarre amount of modern slang like "crikey" and "you're kidding" which feels extremely out of character and forced

She also gets Stitch's biology wrong? "Water increases his molecular density" the fuck it doesn't, HIS OWN molecular density is great, which makes him sink. He's dense, that's the point. Water doesn't affect him he just can't swim cause he's heavy

She doesn't seem to care about her own people because she doesn't tell no one to back away from Stitch's ship when he engages hyperdrive. Which in the original was also a built up dangerous thing he did, here it's blink and you'll miss it. We don't even see him properly escape anything. The guns just blow up the door, we see him running down a hall for 2 seconds, next time we see Stitch he's on the ship, that's it

Pleakley is excited to go to earth and Jumba is the one who SUGGESTS it, he basically blackmails the grand councilwoman, saying he'll capture 626 in exchange for his lab back. Pointless changes that only serve to make the story less impactful and more childish. And this whole thing goes by in 5 minutes, in the original I swear it was at least twice as long. (Edit: I checked, it is twice as long)

The social worker scene, completely different, no "my friends need to be punished" line. Overall just, worse version of the original, not much to say

Nani is now outright stated to be studying to be a marine biologist instead of the subtle environmental storytelling of her being a champion surfer from the original. Not a bad idea? But it should've been more subtle, so far it feels like this movie thinks you're stupid and need to be told everything, despite supposedly being "the more mature version for adults"

David is cringe now and that's his whole joke. He's not really endearing anymore

Stitch wrecking his own spaceship is just stupid

Lilo and Nani's argument and subsequent make up talk have absolutely zero impact compared to the original. The constellation thing is cute I guess

When Nani is being shoved out the room so Lilo can make a wish, she didn't even fall on Lilo, and Lilo's wish is worded much worse than the original. More long winded. Stitch coming out from the crash site is SO UGLY compared to the original

If I had a nickel for every movie that's got a blue CGI character crashing a wedding and Uptown funk in the soundtrack I'd have two nickles. Which isn't a lot but at least SONIC 2 WAS A GOOD MOVIE

Lilo meets Stitch. MISSED. THE POINT. OF THE SCENE. ENTIRELY.

First of all he's supposed to go "Haaaiii" after he heard Lilo way hi to him first. How the fuck does he know to say hi when all she did was scream? Second, he's tiny, Lilo picks him up. He's supposed to be so dense adults can barely hold him, how the hell is Lilo just, carrying him around? And if it's water that makes him heavy for real. Then that's just stupid

Also love how no one is freaking out about it, the lady working there casually leashes him and sounds so disinterested. Every person in the movie (except Lilo she's doing very well) sound like they don't wanna be there

They're giving Nani less to do and making her worse. In the original, they were at the dog shelter because she heard Lilo's wish and wanted to make it come true. Now its the neighbour taking Lilo, and not even to the shelter, not to adopt a dog, they just kinda. Do. Without Nani's permission which is another problem

Cobra being CIA and involving the authorities as a whole is. Dumb

Oh so Nani came up with the name Stitch. Wonderful. One stupid decision after another

"I read her text messages." People in present day still keep diaries there was no need to change that. Hello fellow kids ass line

Nani being mean to Lilo after losing the job and making it very clear it's Lilo's fault, instead of comforting her and going along with her bug imagination. Way to ruin the best big sister in your history, Disney

They turned the "Ohana means family" scene comedic. WHO THE FUCK THOUGHT THAT WAS A GOOD IDEA AND WHICH SLUG-BRAINED MORON APPROVED IT?

Nani being a jackass again. "We were left behind" that's exactly what you say to your grieving 6yo sister about the parents who tragically passed, Nani, way to go. Makes it sound like they ditched them on purpose

Telling us about the room full of trophies instead of showing us. This movie is for babies in a way the original never was

Stitch spelling out he has no family instead of the again, much more mature and subtle dialogue of the original

The teaching Stitch hula thing was alright I guess

Nani doesn't even see Stitch being a record player is lame. Followed up with a fart joke

Remix of Hawaiian Rollercoaster ride is worse than the original in both sound and placement. It was a personal moment for the family. To take their minds off the bad day of not finding jobs. Now it's just. Full of tourists, and Nani teaching/being at her job

Also Stitch being the one to ask to go in the water first. Goes against the story, he's supposed to be shown it's OK first, by being taken in by Lilo. But no, just sees a dog, decides he wants to. FUCKING STUPUD

Whole hospital insurance thing seems so showhorned in. Not having a job was reason enough for that contract

And Stitch not being directly blamed for it. Again. Zero. Impact. They've literally turned this into a stock "CG character stuffed into a plot with live humans" movie. And it's disgusting to watch

Jumba is turning into a villain. Lame. His dynamic with Pleakely is also fucked

The hammock scene is again just. A worse version of the original, I don't know what to say at this point. This whole movie is somehow so fast and so sluggish at the same time, it's impressive how bad the pacing is

Stitch doesn't even see the ugly duckling book, doesn't talk to Lilo, doesn't go to the woods with the ducks just. Goes to his crate??? For some reason??

And LILO finds HIM. NAH, missed thr entire point, AGAIN

Wedgie joke, butt joke. More completely unnecessary childish humor

The portal gun is an alright gimmick but. Meh. And no song playing over it. So immediately less memorable scene. Elvis as a whole is very absent from this movie

NAH WE AIN'T DOING A LIAR REVEALED WITH STITCH, WHAT EVEN IS THIS MOVIE

Stitch himself feels like a non character in his own movie somehow, he's just there to be a dog, a cute CG character to sell merch. So many of his important scenes are missing or so watered down it barely feels like the same character

Reference to the other experiments is neat but thats not how 627 is made, you can't just turn one experiment into another

Cobra being the one who turns and helps them. Stupid. He was supposed to be a good guy the entire time

The climax is so anticlimactic compared to the original too. Painfully obvious they were out of a budget

Lilo having to leave Stitch to drawn should hit hard. It doesn't. That thing spent the whole movie being annoying, stiffly animated, and frankly I don't care if it drowns. That's not Stitch. It's a badly made imitation

Oh and now they're recussitating him. With jumper cables. And he threw up the important family photo. This isn't Lilo and stitch. In writing, acting, or soul. And I swear they're reusing voice lines for Stitch in some scenes

The reason for Stitch staying before was such a beautiful simple solution. He was adopted, as a pet, he's Lilo's. But now. Overcomolicated, stupid, and again, the councilwoman used to geneunly want to give Stitch a chance and let him stay. Now she seems much more reluctant and it doesn't work as well. The mosquito thing didn't come up, Stitch doesn't let his antenna and extra limbs out for Lilo to see

David is being so fucking stupid- they turned one of the best Disney men into an annoying stock moron. Oh and Nani doesn't have a job and can't be in charge of Lilo. Sure putting her with the neighbours and letting Nani go study is fine, I guess? But it isn't nowhere near satisfying and misses the entire point of Nani's character

Not sure if there's anything past the credits, I didn't watch those.

[thestarsaboveme]

Lads men x Reader who's really into horror movies

masterlist

this was a request from a kind anon.

summary: reader who really likes horror movies.

xavier | zayne | sylus | caleb

rafayel x reader | fluff

Rafayel watches you from where he's lounging sideways on your couch, head propped on a pillow like some tragic Victorian poet. He looks criminally comfortable for someone sitting through a 1970s horror slasher. The kind with grainy film and uncomfortably long shots of people doing absolutely nothing before something awful happens.

But you, you are in your element.

You're sitting cross-legged with your notebook in your lap. Well, notebook is a strong word. It's more like a fabric-bound monster of its own. A monstrosity of dog-eared pages, scribbled thoughts, bookmarks made of candy wrappers, and a paperclip that's given up on doing anything useful.

You're scribbling furiously with a glittery gel pen as the killer's silhouette appears behind the protagonist on screen.

''You see that?'' you say, eyes gleaming as you pause the movie, so you can better gesture with your pen. ''They used high-contrast techniques to create deep shadows and strong highlights, blurring the line between the physical and the psychological. It's a callback to The Cabinet of Dr. Caligari-expressionist influences, full circle. Ugh! So good.''

Rafayel raises a perfectly groomed eyebrow.

''Cutie,'' he says, voice thick with amused affection, ''only you could make murder sound like a love letter.''

You grin without looking up. ''I don't like the gore, I like the craft. There's intention in every frame. Every light. Every angle. The violence is just…contextual punctuation.''

He hums thoughtfully. ''A semicolon of suffering.''

''Exactly!''

There's a moment of silence as you flip a few more pages, trying to find your breakdown of the film's lighting progression. Rafayel leans over a little, pretending to peer into the book, but mostly just using it as an excuse to get closer.

He taps one corner gently. ''Is that…a pressed flower?''

''Yes. From the Suspiria screening. The remake, not the original.''

''Of course,'' he murmurs, clearly having no idea what that means but delighted all the same.

Then, softly, ''You carry entire universes in this book of yours.''

You blink, caught off guard. ''It's just a notebook.''

He smiles like you've said something heartbreakingly naive. ''It's a testament. To what you love. To how your mind works. And if I may say so,'' he traces the notebook's tattered edge with a fingertip, ''that is its own kind of romance.''

You feel your face heat up.

''I mean, if you really want romance,'' you say, trying to regain footing, ''we could watch Crimson Peak next. The actors have said that it's a very passionate love story, supported and complemented by fantastic elements. And not to forget, it's the first film in the Mystery Horror Genre. ''

He exhales a laugh. ''That might be the most you version of flirting I've ever heard.''

You bump your shoulder against his, smiling. ''You're still here listening.''

''Cutie, I would sit through a thousand jump scares and a dozen cursed VHS tapes just to hear you talk about third-act structure and prosthetic gore.''

''…Even found footage films?''

He shudders. ''Let's not test the strength of my devotion.''

You laugh, leaning your head against his shoulder as you unpause the movie. He adjusts slightly, letting you rest against him while your chunky notebook stays balanced in your lap. His hand finds yours, thumb brushing softly over your fingers as the scene resumes.

Blood erupts on cue, the soundtrack crashing down like a closing curtain.

And Rafayel smiles, because nothing makes him feel more enchanted than seeing you light up in the dark, explaining why fear on film is just another way to understand the human heart.

[inaconstantstateofchange]

Who Builds Theseus' Ship?

This ties in to a greater discussion about Larian's changes to the game post-Full Release, and whether you consider those changes to be a good thing or a bad thing. Personally speaking, the quality-of-life and gameplay mechanics improvements were appreciated, while the direct changes to characters and especially characterization were not so much.

In such discussions, I often see people downplaying the actual changes to characterization that have been made thus far as "minor" things, but I often see one of the most glaring examples of a characterization change left out, because so many people aren't even aware of it ever happening:

Halsin.

For those who don't know, if you were romancing Halsin at the time of the original full release, and for almost four months afterward, if you took him with you to Act 3's orgy scene in Sharess's Caress, he would open up about a situation in his distant past. He would tell you about how he had briefly been "something between guest, prisoner, and consort" in a drow House, and been kept there for three years before escaping.

He stated that this was something that happened "a long time ago", when he was "a foolhardy young druid", which would mean it would likely have been between ages 100 and 245 — or at minimum 105 years ago, and at (likely) maximum 250 years ago. He closed the discussion with a line that really struck me, and that gave me such an appreciation for his character, and for the writers who had created it:

The passage of time has a strange way of polishing even the most arduous of memories into precious keepsakes.

As someone in their late-20s, with a number of traumatic events in my past, this resonated so much both with my experience of those events – once harrowing and haunting, now just simple happenings that do not affect me the way they once did – and as an inspirational message, that hurt would not necessarily linger forever.

Not only that, I really valued the insight it gave into Halsin's personality, further showing him to be someone who was deeply complex and meditative, always looking for meaning and something to take away or learn from any experience. It also served to showcase the likely reality of the relationship elves and druids both would have to the concepts of time and memory. (Another example of this is the experience of Shadowheart's father compared to her mother at the hands of the Sharrans.)

I started playing the game almost immediately upon its release in August, and was intrigued by Halsin from the start. He was someone who was kind and heartfelt, but also very settled in himself and with a simultaneously rigid and very flexible moral code. It was that complexity that drew me to him, and I appreciated the inclusion of a character distinct from the Origin companions, all at close to the lowest point of their lives.

It was to my surprise to find that this appreciation for his character and perspective on his Act 3 revelation was not unanimous. As it turned out, there was a vocal group of people claiming that this writing was problematic, and that Halsin clearly didn't even realize he was actually traumatized, and that Larian needed to fix it. Not everyone joining in with this crusade had even played the game.

And, ultimately, in a pattern they have continued to follow, Larian responded. They fixed it. At the end of November, as part of Patch 5, they uploaded an edited version of the scene with new dialogue, where the player could express this "reality" to Halsin, in one of the most gallingly patronizing statements I've ever seen.

Sounds traumatic. You may need to reflect on that.

(If someone said this to me after I had opened up to them about my trauma and my experience of it to them, we would not be maintaining a cordial relationship afterward.)

Halsin's new response to these dialogue options is a cringing, self-deprecating cascade of how the player is of course right, and he should have known better, and time could "prove to be a trickster on one's recollections" and that perhaps he had "lost perspective".

Quite frankly, it is a completely different character answering, and an almost directly opposing overall message about the role of time in healing, and the path forward when it comes to trauma. No more "one day these events will not hurt to recall the way they do now". In its stead: "only healing that looks a specific way and follows a specific path is acceptable - anything else and you are simply a poor fool lying to yourself."

The following quote is from a comment left on a video of Halsin's original dialogue in that scene, before the changes, and is just one example of how much that representation meant to more than just me to see:

That said, Halsin is trauma recovery goals for me absolutely. Being able to remember without actually being triggered? Being able to fully and freely engage HOW ID LIKE TO instead of being fettered by trauma responses? Goals. I don’t know if I’ll ever get there 100%, we don’t get elven lifetimes irl, but his level of healing brings me hope.

Ultimately, this post is not meant to argue that you should agree with me that one is better than the other. More so, I want to highlight that this existed — for many people, this was their experience of events and characters, and that is not so easily redacted. And I also want to just state, for the record, that Larian's way of approaching narrative and characterization changes to their full-release game has been incredibly frustrating. I did not agree, in August, to play an Early Access game with the inherent understanding that any potential narrative aspect might change at any time. I purchased a full-release game, and immersed myself in the story and the characters, to get to know them as the writers had originally presented.

And when Larian makes these changes based on fan feedback, they are explicitly making decisions about which fans matter, and specifically, which fans matter most. Rather than allowing everyone to experience the story they decided to tell, and draw from it what they take away, and let that spark discussion and engagement, they made the decision to defer to some fans over others, and prioritize their experience of the narrative — something that, no matter how well-intended, is always going to leave a bitter taste in my mouth.

[bassiascoparia]

All right, ok, LISTEN. I don't know who needs to hear this, but I'm pretty sure that some people do. It's ok to hate Percy Jackson because it depicts the Greek Gods in a terrible way. Rick Riordan has the creative license to write them however he wants, but it's still fine to be annoyed at how they're portrayed.

It's ok to hate the fact that PJO wasn't in Greece and that the explanation for why it was in America was terrible.

It's ok to hate the fact that Zeus, Hera, Ares, Athena and a whole lot of other gods were portrayed in a negative light.

It's ok to be furious because Ares is a bad parent in PJO.

It's ok to tear your hair out over the way Artemis and her hunt were written.

It's ok to be angry that Athena had children with mortals when she was a virgin goddess in the myths.

It's ok to be angry that Hades cheated on Persephone in PJO (even if you like Nico and Bianca and Hazel. It's fine to do both).

It's ok to be angry that Persephone and Demeter don't have a good relationship and that Demeter is largely painted to be an overbearing, helicopter mother.

It's ok to resent the fact that Artemis, the former's hunt and Hestia, the goddess of the hearth and another virgin goddess, were portrayed as literal CHILDREN despite there being no reason for Rick to do that.

It's ok to be annoyed with the fact that Poseidon was sanitized when he could've been such a morally gray character.

It's fine to cry about the fact that Aphrodite was largely reduced to a stereotypical, modern cartoonish version of RomANtiC lOvE when she was the goddess of LOVE, not just ROMANCE, SEX AND BEAUTY.

It's ok to like Trials of Apollo but want to smash things because Apollo was depicted as an incompetent dumbass. It's ok to seethe at the fact that Zeus was portrayed as an abusive father to Apollo when in the myths, he was quite loving.

It's ok to do this because PJO is one of the if not THE MOST major media that depicts Greek Mythology. It's basically a Greek Mythology fanfiction MODERN AU. And yes, it's helped thousands of children and adults and made them feel better, and it's almost as popular as Harry Potter for a reason. But it's still fine for Greek people, Hellenistic Pagans and even people who aren't Greek or Hellenistic to be angry with how Rick Riordan is continuously bastardising the Greek Gods and making them look more and more of a joke.

A lot of people who got into Greek Mythology used PERCY JACKSON as their first reference, and while Percy Jackson is a great start for venturing into Greek Mythology- PLEASE, PLEASE BEAR IN MIND THAT PJO GODS ARE NOT AS ACCURATE AS THE ORIGINAL.

POSEIDON IS NOT THAT GOOD.

HADES IS NOT SO VILLANOUS.

ATHENA IS NOT SO COLD AND UNCARING. SHE'S A MAIN PATRON OF HEROES AND RARELY ABANDONS THEM EVEN AFTER THEY'VE COMMITTED WAR CRIMES

DIONYSUS IS NOTHING LIKE HIS PJO COUNTERPART.

ARES IS A GOOD FATHER.

DEMETER AND PERSEPHONE HAD A BEAUTIFUL, LOVING RELATIONSHIP.

HERA IS NOT SO HORRIBLE. SHE HAD HER GOOD MOMENTS

ZEUS WAS NOT THAT BAD IN GREEK MYTHOLOGY AND HE WAS ALSO A CARING FATHER. HE SENT BLOOD RAIN DOWN TO MOURN HIS SON SARPEDON WHO WAS FATED TO DIE.

I know this sounds like I hate PJO, but I really do like the series. It's fine to like PJO and its characters while also disliking how the gods were portrayed. It's ok.

[andcars]

# 𝗢𝗣𝟴𝟭 ─── I WANNA HEAR YOU MASTERLIST⠀REQUEST ME⠀TAGLIST⠀PATREON GUIDE⠀AO3

RACE WINNERS HAVE PRIVILEGES. those privileges don't always apply to their partners though. sometimes they have to earn things to get what they want. sometimes they're too fucking bratty to get anything ────── original prompt req.

PROMPTED DIALOGUE . . . # “You want me to beg? I don't think a winner should beg" PROMPTED TAGS . . . # gender neutral reader, submissive oscar piastri, praise kink, cum play ADD. TAGS . . . # light bondage, tied up, edging, mean reader for a bit, open ending WORD COUNT. . . # 1.1k

────── AO3 VERSION

Every Formula 1 win is special. You know that; the fact has settled in quite nicely when you’re dating such a great F1 driver. When Oscar wins for the first time, you know you need to make it special for him. Even if his team doesn’t think so.

Oscar is sat on the bed, hands bound tight with a red rope. The same rope follows from his hands to the rest of his limbs—forming a nice shape around his chest, wrapped around his hips and to his thighs. The rest is for pure aesthetics, and it's been done beautifully.

He's breathless as he's looking at you, cock red, and eyes glaring in need.

"Don't tease me," he grunts, more sounding like a whimper as he throws his head back.

Your hands act innocent as it's wrapped around the tearful cock—it leaks pre-cum with need. He lets out a silent moan as you play with him. Uncaring of how much pleasure you’re really relieving, you tease him as you believe he deserves.

“Fu-u-ucking~...” Oscar’s thighs shake in it's bounds. “Mmph... You're so annoying—"

"Am I?" you ask, smiling down at him. He tries so hard to fight it off but his hips are moving to your hand. Everytime he thrusts his hips, you loosen your grip. "Am I annoying, Oscar?"

"Yes," he hisses, "So annoying. I just want you- fuck."

"Then beg for it—" your hands tighten on his cock, a silent moan got his jaw to drop—"Beg for it, Oscar. I wanna hear you."

Weeks of edging him (and it's been weeks, you refuse to touch him if he doesn't score you a win again after Hungary) has his body moving feverishly. He can't stop shaking. His skin blushes red and dripping with sweat. Your boyfriend tries to keep himself still but you know all he wants is to fuck your hand.

Shaking his head, he says: "No. I w-won a race. Mmph... I don't need to beg."

Fine. "Have it your way."

You immediately pull away from him. His head flickers up to you, watching you as you stand from the bed. He's calling out to you but you're undressing yourself as you take something from the bedside drawer.

"Since my sweet boy doesn't want to co-operate, I guess I'll just have to make use of myself, hm?"

With your underwear thrown to the floor, you pull out some lube and a vibrator. You saw the moment his eyes cloud with lust; he gulped, stopping himself from drooling; his gaze fell to your sex as you position yourself on top of his face; his arms jerk in its restraints as it begged to touch you.

He calls out your name again. You ignore him. Instead, you pour lube on the toy and turn it on—the whirring of it silences Oscar. He watches as you press it against you, he watches as you moan softly at a toy pleasing you instead.

"I wanted to make you feel good tonight, baby," you say, grinding a little on the wand, "but you just don't wanna play with me."

"I do," he says, his bottom lip pouted. "Just... Don't wanna be teased anymore."

"I asked you to beg- fuck." You press it to you a little harder. He opens his mouth as he sees you drip a little. "You won't listen to me. So I guess I'll have to postpone my gift, hm? Make myself feel good instead."

Desire is etched into his expression. With his mouth agape, cheeks pink, and tongue eagerly awaiting for a single drop of your arousal, he's lost needing you.

But you keep your hands to yourself. He's forced to watch you relieve yourself. You know him. He's itching with the need to touch you. A safe word could be on the tip of his tongue but you know that this is the point where he wants to be good for you.

"Please," his voice is small and almost unheard through the loud vibrations. "I want... I want you again please."

You shake your head. "No, Oscar. You're gonna fucking watch me come all over your face before you get even anything."

He whines. "Please..! Just—If you let me go I'll be so good for you. Please..."

Though you want to hold him, use him, make him feel so special for his race win, you hold your promise. Lowering down to his face, he breathes you in and mouths just below your sex. He needs to put his mouth on you, you watch as it gets him so manic. It's getting a bit pathetic honestly.

"You look so good, baby," you say, finally giving your lost boy some attention. "I know that you can be good for me. Wait for me, okay?"

He whines. You tsk and shake your head. "None of that, baby. Be good for me and stick your tongue out—" he does immediately—"good boy. Good boy, Oscar. See? All you needed was... all you needed was to be shut up for a bit."

"I'm sorry, please, I want you so bad—"

"And you'll get me," you tell him. "Stay like that. I'm so fucking close. Stick your tongue out like a good boy and take me."

It's not long until you feel yourself approaching your end. Oscar lays so pliant beneath you. He keeps begging under his breath, just quiet enough to hope you're not listening. He knows when you're near. He's getting more twitchy—panting as if he's the one about to cum.

"Fuck, I'm gonna cum," he moans at your words, "I'm gonna cum, baby. You wanna taste me? You wanna fucking taste it?"

He nods. He's getting dizzy as he tries to push his head up to get more of you—yet you keep pulling away. "Cum on me please," he begs, tongue out and anticipating the taste of you.

The sight drives you fucking mad. With a few strokes of the toy on you, you cum all over his awaiting mouth.

Oscar laps up your release eagerly. Your fingers go down to push some splattered cum from his cheeks and drag it down his lips. He thanks you silently as he licks your fingers. Eyes half open, he treasures your taste.

Your dirty fingers trail down his lips and to his chin. Your release makes a trail down and he's only showing you more of his skin. A laugh leaves you as he practically begs to be painted in your fluids.

"Such a good boy for me," you coo. "You wanna get your treat now?"

He's agreeing so quickly that it makes you wanna frame this moment. The moment when race winner Oscar Piastri is begging for you. You smile. "Okay, it's gonna be a long night, baby."

It's not like he would ask for anything more

🗒 𝗣𝗔𝗣𝗘𝗥 𝗧𝗥𝗔𝗜𝗟 . . . short oscar piastri fic cuz i was out my entire bday LMAO. anyways, hope anon saw this cuz i </3 am sorry for all these late requests. my next fic is literally a request of a daniel fic during the singapore gp BEFORE it was announced he was leaving... so uh... yeah. mb. anyways, hope ya'll had fun w this cuz i literally edged ya'll too lmao ˎˊ˗ ᝰ. ──── 📨 @Delululeclerc @hiireadstuff @rtorresblog @Jamie2305

you support me best on tumblr with reblogs and comments ! ── by andcars ⟡

[scam-alerts]

🔎Scam Exam(ination)🔍

Seen as: I accidentally reported your account Scam Type: Account hijacking/take over

Platform: Discord

Hello everyone!

Today's scam examination was requested by @2broschlininahotub who was kind enough to send me screenshots of such a scam via an ask. Thank you for contributing!

Today we're going to talk about the "I accidentally reported you on discord account for <reason>" scam that's actively going on that- if you fall for it, will result in your account being taken over by a scammer who will then use it to scam your friends and/or buy things like nitro and gift it to them and their scam buddies.

If you use discord and don't know about this scam, I highly suggest reading this post so you know what to look out for.

If you don't want to read this post, you can watch a video instead!:

Otherwise let's get started!

-----

How it starts:

This scam starts with one of your friends falling for this scams.

Sadly if they can't warn you they fell for it via another platform (facebook, twitter, bluesky, ect), you might think that what your 'friend' sends you is a legitimate call for concern. But, thankfully, it is not, no matter how convincing it may seem.

If you find yourself encountering this scam, please report your friends account for being hacked. Discord will usually lock the account and hopefully contact the original owner of the account to fix the issue.

Part 1 - First contact.

If you are messaged by someone and they try to get your attention, and then say something akin to:

"Idk how to say this because I accidentally reported your account instead of someone else."

or

"hey there, I encountered a situation on discord where someone with a very similar name to your profile attempted to deceive me. Instead of reporting the deceptive user, I mistakenly reported your account. I'm sorry, it was all an accident. I didn't mean it."

or

"I accidentally reported your discord account instead of someone else. I mean im the one who reported you accidentally I'm sorry I got panicked and I lost control, its not good cause it was quiet alarming cause I told some of my friends to report you that's why I reached out to you to see what the discord emailed me and I'm scared cause I don't want you to get ban bc of me, I just really need your help so I can fix it."

Sounds familiar?

If you're at least a little familiar with the infamous 'I reported your steam account on accident because I thought you were a scammer' scam.. This is the same thing.

If you choose to reply to their grab for attention, you will receive a message like the one above paired with an image or google doc of the 'email/form' that Discord (it is fake) supposedly sent them (the victim).

Here are screenshots provided to me by @2broschlininahotub:

Another version of this fake email looks like this taken from reddit:

TRANSCRIPT:

Hello, Thank you for reaching out to Discord Support.

Discord is focused on maintaining a safe and secure environment for our community. We've found the account that you have been reported and it irregulated our Terms of Service or Community Guidelines. We need you to contact [anotherhydra] to resolve this case.

On the other hand, we suggest you to reach out the reported user and have them contact to the same corporate team for proper identity matching. We have taken steps to do this action since they will not be notified about these claims due to the option selected for this report type..

• In any instances that you are not aware about this report activities, kindly reach out to our corporate security head by filing a friend request on Discord for investigation. Username: [petercho.support047]

• Failure to validate the legality of an account within a specific time frame (12 hrs) might lead to account suspension, limited or ban.

• Furthermore, we are working with some officials on this matter so that we can record all processes taken legally and are not violating "Title 18 of the U.S Code, Section 798 (Disclosure of Classified Information)" By that, we can also perform legal actions if said user is found guilty of chargers.

• By taking the measure of this process we can ensure that your Discord is not prone to fraudulent activities and personal information is not compromised since this could lead to any malicious activities.

Case: Attempting potentially fraudulent activity

Please get in touch with the person you unintentionally reported as soon as possible so they may file an appeal and save their account from being seriously compromised

Sincerely.

Discord Trust & Safety

----------

Part 2 - The scare tactics and red flags.

Going through the above transcript I'm going to highlight some very clear and obvious red flags that make this an obvious scam off the bat. Mind you this itself isn't the entire scam, only part of it.

In any instances that you are not aware about this report activities, kindly reach out to our corporate security head by filing a friend request on Discord for investigation. Username: [petercho.support047]

Discord will never, ever tell you to add a supposed 'corporate security head staff member' or another user as a friend to resolve any issue you may have had involving a scam.

Discord will only communicate with you through their website where you fill out a ticket, and via email with the account that is linked to your discord account.

Think about this: Why would 'Discord' tell the victim of a scam via email, to then contact the person they reported, to instruct them to then add a 'staff member' on Discord to resolve the issue?

Because Discord will not, nor ever would, do this. Ever.

Failure to validate the legality of an account within a specific time frame (12 hrs) might lead to account suspension, limited or ban.

This is a scare tactic. Paired with #1, 'add this staff member or your account will be terminated in 14 hours!' If you were reported by someone (for real) and you scammed someone (for real) you wouldn't be given a count down to talk to someone.

They'd look at the evidence, and you'd be banned. End of story.

Furthermore, we are working with some officials on this matter so that we can record all processes taken legally and are not violating "Title 18 of the U.S Code, Section 798 (Disclosure of Classified Information)" By that, we can also perform legal actions if said user is found guilty of chargers.

Again, this is a scare tactic that a lot of scammers use with their victims. "Follow these rules and do what I say or you will go behind the bars."

Please get in touch with the person you unintentionally reported as soon as possible so they may file an appeal and save their account from being seriously compromised

Discord would. never. do. this.

I say banging my fists on my desk.

If you report someone I'm also pretty sure it blocks that user for you and sends discord a report. Discord would never say 'hey you know that person you reported for <thing>? Yeah contact them and tell them to contact us. Okay? :) '

In a realistic world, this would never happen. But alas scammers will do everything to try and make money or steal from you.

Part 3: The actual scam

Upon reading this message and talking with the person who 'reported you,' they will tell you to add another user (as mentioned above) who is a member of Discord staff.

Remember:

This is not a real Discord staff member. This is also a scammer.

When you contact this 'staff member', they will use markdown tools to make their text look 'legit', and will talk you through a 'validation process' to validate you are who you are.

Here is an example of one of these fake discord staff members asking someone to send them money to complete this 'verification' process:

Keen in mind this 'staff member' may even be the same scammer who contacted you to begin with, or possibly even a friend or associate, or it may be someone different. Either way they're obviously working together.

These fake support scammers will have a profile on discord that claims they’re a discord support team member, and will usually have some sort of 'badge/image' of certification they show you right off the bat to try and prove that they are 'totally legit (no fake)' and in even ballsier cases, they will straight up steal the LinkedIn links, twitter urls, names, images, you name it, of actual Discord staff members.

An example of one of these fake images:

The scammer will ask for basic information like your age, date of birth, and other questions seemingly related to your account identity.

Then- the finale of the scam:

They will tell you that in order to secure your account, you will need to 'temporarily change' the email associated with your account to the email account they send you so that they can 'screen/verify' your account. You will even be asked to give them a verification code to complete the 'verification'.

WARNING: Changing your discord email that YOU registered with to any other email will link it to the scammers email and THEY will gain complete control over it.

The code sent to you is to verify that you want to change your email, and once you give it to them? It's game over and you've completely lost your account.

Now they have your account and will use it to scam your friends and those in your servers on top of using your credit card to buy nitro for them and/or their friends.

----------

But don't lose hope!

If this happens to you, and you get an email from discord saying that your appeal was denied, it's probably because they are now using AI/Bots, and your account wasn't reviewed by a person.

Here is what people suggest you say/do when you contact Discord Support (via their website) if you are tricked by this scam:

Fill out the form as:  Title: Got Scammed Description: Is there any way I could talk to a human? They didn't send anything for mine but the original guy got an automated response. It just turned into “awaiting response” then I sent: “My Discord account's email was changed. The login page says that my email does not exist. I cannot login.”

They also suggested:

You could try just directly saying “My Discord account's email was changed. The login page says that my email does not exist. I cannot login." as the description in your ticket it could prove the same results.

Also:

REMINDER:  Don't send multiple tickets.  Don't keep asking for updates unless it says “awaiting response”, this will push you to the back of the queue.  If its marked as "solved" try replying to reopen the request if not, create a new ticket. “However, if you received a reply that our team is unable to provide additional information or support for your account then we cannot assist further. To continue using Discord, you will need to create a new account.” One of the replies I got. Just create a new ticket.

-----

Final Thoughts:

If something seems fishy, trust your gut. Never click any links sent to you by strangers, even if it's with the promise of 'free nitro', free items in video games, free anything, really. If it's too good to be true, it's probably not real.

I hope this helps those who need it, and make sure that if you use discord to let others know about this scam too so they can avoid it. :)

Here's a post on some tips and tricks on spotting scam blogs.

Helpful guides on how to spot scams. (by @kyra45)

Current list of documented scammers: Part 3

[housemdork]

i think there's a really interesting metatextual component to how we view house md's finale. and this isn't taking shots at anybody because any and all interpretations of the finale are valid /gen. but i think we can relate some of the discourse back to how the show is told strictly through house's pov about 95% of the time.

i wrote a little bit about why i find the season 4 finale so successful here and the points still stands: when we're so entrapped by house's pov, we come to view wilson (among other characters) are entities that serve house's narrative. so when season 4 bursts that bubble/breaks open that box, so to speak, it's extra jarring. the scope of wilson and amber's tragedy goes way beyond what house can handle on his own, so the scope of the show expands at a textual level. like house, we're forced beyond an inherent selfishness as viewers of wilson's story. cool stuff!

and this happens again with the series finale (the cancer arc at large, really) in an even more overt way. wilson's cancer exists beyond house, and wilson's reaction to it are beyond house's control. all of 8x21 is house rejecting wilson's desires to die in peace, without any chemo, and only in the final hour does he accept this as an unyielding fact. he can change, contrary to his prior beliefs, at the very end.

so - to read the finale against the grain, or to believe that wilson ended up changing his mind and seeks treatment, reverts house md back to its original playbook. wilson exists within house's narrative. his textual choices are, at the end of the day, in service to house's perspective, and in service to the former ethos of the show that prided itself on house's namesake.

with all that in mind, and despite how much it hurts my heart, i have to believe that wilson stuck to his original plan and waited out the ~5 months till death. shortly after, then, house went with him. i read/enjoy other versions of the story because sometimes tragedy really is TOO MUCH, but this is my raw take on the ending. i hope i don't sound combative at all!

[toskarin]

is replicant remake -> automata a worthwhile sequence? is the original better?

flatly, yes, it's worthwhile

as for the second question, it's genuinely a really really really difficult one I'm gonna put below a readmore

the short version is "it's probably the best way to experience it as a new player in 2025"

there's so many tradeoffs being made to modernise the game, and while I do come out on the side of saying that the remake is probably the best way to experience it as a new player, it's still not a recommendation I can give without some tags hanging off it

I do think some people are pickier on the visual aspects here than I tend to be (I do wish some designs were preserved better), but the musical aspect is hard to ignore. I don't really like the updated soundtrack, and in a lot of cases, it feels like homogenising changes were made for sake of sounding "expensive" rather than out of a desire to preserve the original tone of the game

on the other hand, the remake is the only way at present to play in english with brother nier as the protagonist, and that alone is a pretty big point in its favour, considering the "translation" patch for the original release just ports over the script from the original english release, meaning you get the old translation's papa nier lines from brother nier

I think the best way to play it in english would be to port the old soundtrack into the new version (which has been unsuccessful as of current attempts) or to backport the updated translations minus the new content into the original version (which has not been done)

but barring those options, the remake's a fine one

[alexanderlightweight]

okay so this is a super short article and definitely isn't the best one but basically, there is a Turkish language that originated for long-range communication in the mountains of Turkey. Which I realize is random but:

this is really cool and interesting and also there sadly aren't many people left who speak it (as often is the case with older and ethnic languages and dialects since colonialism AND capitalism both stamp out culture and individualism etc)... anyways.

so perhaps nephilim have slightly different vocal cords and their version of enochian (I do have a fic planned for them being able to speak and read in an angelic language but thats different) or a demonic language is in fact, through whistle/chirp/singing noises that are both ideal for battles, but also while they're in the air since wind and movement makes it hard to decipher words (i'm looking at you house of dragon fanfics where the dragonriders can communicate just by talking (not even shouting) across DRAGONS. i'm sorry you can hear over the sound of the wind and their breathing and their wingbeats and the feel of their heartbeat that probably can be felt even through the leather of a saddle? one of my partner's (say because i'll throw them happily under the bus) has several special interests from star wars (obi-wan) to GOT/House of Dragons/TSOFAI (basically both literature and media) along with a bunch of other stuff.

so yeah. anyways. yes most things I see in RL get filtered through a 'can I make this malec' lens. most of the time its 'yes' whether I like it or not and sometimes it's 'this is garbage and not worthy of turning into malec'.

because of say loving got/house of dragons did I mentally figure out exactly how malec would exist in that universe? yes. do I feel pretty silly about it since I'm not planning on writing it? no, because I had to do something with all the trivia knowledge I learn from the background noise of Say watching lore videos and since i'm not going to waste mental time plotting without malec involved... so basically any time I see something interesting I use it as malec inspiration fodder instead

Nightshade is really mad at me (and when I say mad I mean he's upset and a little angry and the only way he knows how to deal with that is to either throw a tantrum (barking and zoomies) or sulk. Currently he is just out of reach. like, if he moved his nose it would touch my toes or I stretched my leg out (which I can't do because bad leg) I could maybe touch his ear but otherwise he's next to me but just out of reach and he's like 'see. we could be cuddling but you don't love me enough to move the laptop so... here we are. together but apart.'

i need people to understand how melodramatic this dog is. the moment I finally concede and move the laptop, he will be in my lap and 'forgive me' for my sins and the travesty of not giving him the highest priority in the lands.