#i really do like this story idea

[mooifyourecows]

could i ask another one for the wip ask?

15. royal pain in the ass ?

of course 🥲

that one is my daisuga fantasy/royal au in which Adventurer Daichi becomes the personal guard of Prince Koushi who just so happens to be half siren and horrible at controlling his power. RIP daichi's sanity

here's a little scene excerpt:

[beaulesbian]

One Piece Live action season 1 + hints or similarities to future One Piece moments (specifically after East Blue saga) - part 1: episodes 1-3

This wasn't meant to be a comparison between the live action and the animanga, but more so seeing these added/modified scenes that differ from the manga, yet with some of the acting/writing includes clues and hints to different and future canon material, or even characterization that necessary doesn't fit East Blue yet, but fits well enough into later arcs.

Luffy not knowing his world directions both in Opla (ep 1) /// Skypiea arc, in anime ep 168. But it could be for honestly any other arc (Funny thing is, in Opla he rang the bell that unfortunately alerted Alvida's crew, and only when I was rewatching that scene it made me connect it with the great Luffy moment at the end of Skypiea.)

The matches that Zoro has on the Island of Sixis in Opla ep 1, possibly manufactured on Baldimore (?), with a name Beast of Baldimore. /// After Sabaody Archipelago Franky was sent to Baldimore by Kuma, finding Vegapunk's homeland and laboratory, and also developing more of his science projects, as well as causing funny incidents, such as the Burning Beast. (It has probably nothing to do with the matches, except for the 'tiger on fire' motif and the name of Baldimore, but the details of Opla are just so fun!)

Zoro's first meeting with Luffy in Opla episode 1 is really different but fun nonetheless, especially with wording of the line that he doesn't want to 'play pirates' with Luffy. It's such a great setup line for his development to truly be one of the very first to understand how much Luffy means everything he's doing /// Zoro in ep. 323 Post Enies Lobby arc, making sure both his crew and the audience know how seriously he takes being part of Luffy's crew and what it means for future arcs.

Opla ep 2, Luffy mentioning Shanks' way of thinking about fighting (or not fighting someone who's not worth it) /// ep. 146 Jaya arc, Luffy saying to Zoro not to fight Bellamy's crew, which was direct influence from Shanks not fighting the Mountain bandits in the first chapters of the manga. It's interesting that for both of these scenes both Zoro and Nami are there to hear this.

This is just a fun bit, but seeing Nami excited about having a bath was cute. Opla ep 3 /// anime ep. 326, just after they get Sunny and everyone was finding out what space there is for them.

Garp and Koby playing the game of Go, Opla ep 3 /// CP0 agents playing Go while discussing the outcome of Strawhats & Oden's crew's raid on Onigashima against Kaido. It seems like a game that maybe Marines play more/enjoy (?) & above, up to CP ranks.

Usopp 'retelling' a story about eating a dragon, Opla ep 3 /// Punk Hazard ep 580, Zoro killing the dragon and planning with Luffy what's the best way to cook and eat it. Lol. In next chapters Luffy was carrying a big chunk of it, seemingly ate a bit part of the dragon already.

This one is self explanatory. Zoro is so gone for Luffy in Opla it's insane. Every time I remember that I get emo. ep 3. /// One of the first really fond smiles that Zoro keeps smiling at Luffy, a mixture of proud and understanding how Luffy works. ep 63, but it's just so much better in the manga, just look at it. Smitten™ (ch. 104)

[wheneverfeasible]

Omegaverse AU where Steve presents as an alpha just like his father always wanted, just like everyone expects, just like he was supposed to. He exclusively dates betas, scoffing and saying omegas weren’t good enough for him. He said they were too needy, too annoying, too pathetic. He was an alpha.

He hates it.

The truth is that Steve always wanted to be an omega, always wanted to soft and taken care of, wanted to be pupped up, wanted to avoid the stupid knotheads that he was forced to surround himself with, forced to pretend to be. He never dated an omega because he wants to be one and wants desperately for another alpha to take him as their own.

Enter Eddie, an alpha unlike any other. He scorns alphas like Steve and Tommy and Billy and all the other knotheads who act like they’re so much better than anyone else just because of their secondary gender. He rants on top of cafeteria tables about it, has ever since he presented and actually had the other alphas try to talk to him at first as if he was one of them.

No fucking thank you.

Steve is…not enamored, but curious about the super senior. Nancy broke up with him, he and Tommy are sort of on the outs though still barely friends, and Billy has a one-sided rivalry for the crown Steve currently wore, not that Steve truly cared about it.

Blah blah blah, Steve propositions Eddie after watching him for a while, realizing that Eddie might just be the sort of alpha who would fuck Steve and let him pretend to be an omega for a little while, meanwhile Eddie thinks King Steve wants to start shit with him like a knotheaded alpha and is wary and lightly mocking at first, until he realizes what Steve wants.

Steve and Eddie become fuckbuddies, nothing more, where Steve gets to role play as an omega and have Eddie dominate him, who seems to know that Steve wants to pretend to be cared for rather than playing the slut role he’s been doing as an alpha, and Steve actually breaks down in tears the first time Eddie calls him “good boy” and “good omega” though they both pretend he didn’t.

And you see, bitching isn’t really well known yet. It’s not really a thing that’s spoken about amongst polite society. So neither of them clock it when, as their feelings for each other grow, Steve becomes a little more emotional, a little more irrational in regards to Eddie’s attention, and they use scent blockers and neutralizers all the time to keep their affairs secret, so they don’t notice Steve’s scent changing, or the fact that he’s starting to become more than just artificially wet, or his knot doesn’t really pop like it used to because they both steadfastly had ignored it for so long to play the role right.

And it’s just not known. It’s not something that’s really spoken about, so they’d never think about it.

So no, they don’t notice anything until it’s too late, until it happens, and Steve is suddenly thrown into a spontaneous heat after an intense basketball game or something, the final stages of his transition. There was too much sweating, too much testosterone, that the blockers and neutralizers don’t really cut it anymore.

Billy makes the winning shot as the heat hits, making Steve’s legs collapse under him as slick coats his drawers and shorts, dripping down his thighs. All alpha heads suddenly towards him as his new true scent bursts out, surprise on all their faces, even hunger on some.

Billy and Tommy both take a step towards him but are forced to stop by a growl that reverberates through Steve as if it were his own as the familiar scent hits him of blockers and tobacco and weed and leather and that stupid cheap shampoo/conditioner/body wash 3-in-1 that Eddie uses as strong arms wrap around him and dark hair cascades around him.

Because he’s there. His alpha. He’s always there, hiding in the corner or under bleachers or somewhere where Steve can’t see him and he’s always there because this stupid thing between them has become so much more than either of them ever expected and he’s so protective of his omega because Steve is his omega even when he was an alpha because he was always an omega even when he wasn’t biologically.

It isn’t ideal. It far from fucking ideal, but Eddie whisks Steve away in his arms, whispering those words of praise that used to only belong in their role play, but Steve is burning up and he can’t wait can’t wait can’t wait can’t wait can’twaitcan’twaitcan’tfuckingwait—

And Eddie pulls him into classroom, locks and bars the door with desks and chairs and whatever else, and then he’s there he’s there he’stherehe’stherehe’sthere.

Eddie wants to bite, wants to mark, wants to claim, but he knows now isn’t the time so all he does is help Steve through it while he’s all but delirious from the sudden heat rewriting him completely.

Afterwards, they will talk. They will confess. They will admit. They will acknowledge that they were his alpha, his omega, and had been for longer than either of them realized. They will slink to Eddie’s car, go to Eddie’s trailer, will wash off all scents artificial and other until the them, finally just them and they will find the truth in each other. They will find a love that thrived against all odds. A love that beat fate itself.

Eddie does eventually bite him, and Steve completes it with his own, and eventually Steve gets his and his alpha’s pups like he always wanted and he can bask in the knowledge that he was exactly where he was always meant to be, with an alpha that loves and cherishes him exactly as he is, with a pack both of his own pups and the pups he all but adopted as their babysitter and real friends he gathered along the way he never thought he would be lucky enough to have.

It’s not easy at first. Of course it’s not. Something practically unheard of happened in a small conservative town like Hawkins. There were bigots and hateful people galore, and at times it even tested Steve and Eddie, but they always survived and always came out on the other side hand-in-hand and triumphant in their growing love.

They know that the best things in life are worth fighting for. And they vowed to never stop fighting. For themselves, for each other, and for everyone and everything they hold dear.

And they have fantastic sex along the way.

[bongosinferno]

A devastating and confusing thing about the Fallout setting, when you explore the pre-war aspects, is what the creators think about pre-war America. In the first games we only get hints of the pre-war world, but they seem to be some sort of wild fascist nation invading Canada. In Fallout 1, the first thing we're introduced to of the pre-war society is seeing a soldier shoot civilians and laughing.

Now, for the first 2 games and New Vegas we don't really know much. What we know is that there's a fascist military group known as the enclave who were a sort of US deep state even before the war, and that the government teamed up with corporate interests to preform vaguely MKULTRA-ish experiments with the Vaults. Basically, the government was an extreme version of the 50s American jingoism and McCarthyism.

This is well and dandy, I guess issues come up more when we get to the later games, especially 4, where it seems like none of this extreme plotting and societal civil unrest which would exist is seen. The society as presented in 4 also seems quite progressive, gay people are featured in the opening, and none of the baggage of say, civil rights not existing are included. Now on a baseline, I don't want settings to be more conservative, homophobic and sexist etc., but it becomes a very confusing setting when it's displayed both as this jingoist extreme thing with fascist tendencies aswell as a progressive place where everyone is seemingly equal. If you're focusing on the 50s as your setting, and American nationalism in the 50s, then you can't have McCarthyism spoofs and anti-communism as a societal paranoia norm while also general equality is the norm without misunderstanding why McCarthyism and nationalist jingoism is bad. A massive harm done in anti-communist paranoia is how it degrades and vilifies any progressive movements (women's rights, civil rights, homosexuality) as being morally un-American and therefore connected to communism. To ignore this just makes any critique of MacCarthyism and jingoism weird!

Basically, pre-war America in Fallout 4 becomes this both sides thing where America is both pure and equal and white fences in every instance that we see as the player (the intro), while also supposedly being this dystopic MacCarthyist hellscape that's broadcasting gladly about their war crimes in Canada, and wants to root out communism. I guess the only fix for this issue without getting into the fine print like they had to do is just not to focus too much on the pre-war world.

[amphibianaday]

day 1821 - half a decade!

redraw of day 1, 364, and 1000, but with a twist - now it's also my frogsona :D

for now i'll be taking a (maybe permanent) break for at least the rest of the year! see you in 2025!

previous versions for comparison below!

[shywhumpauthor]

A Whumper with fire powers branding their Whumpee not just with their name or initials, but their handprints.

Two palms scarred against either side of Whumpee’s neck, fingers wrapping around their throat in a collar that can never be removed. Hands on their sides, just below their broken ribs, a touch that will never relent. Fingers wrapped around their wrists in shackles that won’t be unlocked. A handprint against their face, cupping their cheek that had already suffered so many punches. The small of their back. A single hand just between their shoulder blades. Dragging down their thighs.

Just. Branded handprints.

[smile-files]

mommy let you use her ipad, you were barely two

and it did all the things we designed it to do

now look at you, look at you!

(objectober 2024 day 10: internet)

[3liza]

you have $100. due to a squid games type escapade, you are currently trapped in Whole Foods and can't leave or someone will take you out with a bullet to the brain. you have to buy all the food you eat. you can't shoplift it or steal it from the other competitors. a carton of 12 organic eggs costs $10.

your friend Greg has $100. due to a competing squid games franchise, he is trapped in a Costco. he can't leave, or they'll set the dogs on him. he still has to buy all the food he eats. he can buy 36 eggs for $7

which one of you will starve first? are you or Greg functionally "wealthier" within your respective squid game?

[filurig]

so i might be making a picture book about my blorbos for uni...

[puppyeared]

xīn yá ref update ^_^

[tea-cat-arts]

I simply think this fandom doesn't give Wei Wuxian enough credit for the various ways in which he saved Lan Wangji

[sheepwithspecs]

i don't normally make posts about things myself but i keep thinking about how the whole point of EW was that the strength you needed didn't come from a god, or a supreme being, or a primal or anything: it all comes from you

your love for this world and your friends and everything that you allow purpose and meaning- that is what gives you the strength to climb to your feet, even when you feel utterly alone at the end of the universe

In Shb we had Ardbert who gave us the strength to take that next step, but in EW we are alone (save for Zenos i guess but this ain't about him). That's why even though I agree that "it was the ancients" is becoming an extremely stale take, I still forgive MotR and the Twelve because it's hammering in EW's theme of being enough to handle what life throws at you without needing to rely on something much larger than yourself

EW's plot- and even the Omicron quests -point to the fact that dynamis alone does nothing. It has to be moved to action by feelings/emotions for it to work. As N-7000 says, "all [dynamis] requires is for us to ask "what if?""

Zodiark did not save the Ancients. Hydaelyn cannot save Her Children. The Twelve do not answer your cries. Primals are bound to the prayers of those that summon them.

The Warrior of Light is an imperfect being. More talented than most, but imperfect yet. EW does not make you a god. It shows that change can be wrought by anyone, at any time. You need not do it alone: there are others willing to come to your aid. But when you are alone, at the end of your rope, facing insurmountable odds: the strength you need can only come from within.

[shroommush]

So i drew some fanart of @pompadorbz sorry boys "still wakes the deep" au ! I had fun with the more action filled drawings, and definetly wanna do more >:P

While drawing, i got to brainstorming about what character roles the boys might take in the story. Like, charlies probably caz, and maybe phil is caz's friend whos a cook (i forgot his name) but then i thought about if characters like Rennick had a coresponding cc, and i immediately thought about schlatt. So, i have ideas about what expanding the au might look like, but this isnt MY au, so for now ill hold off on yapping my ideas and just share what ive drawn for now

But either way, i REALLY enjoy this au and love all the ansgt potential it has. Like i was thinking, who out of the boys would end up being the last one? (Aka, taking caz's place at the end of the story with the lighter) and thought that, out of the boys, it would just make the most sense to be tommy. And thats HORRIBLE, AUGH ITS SO SAD but i LOVE IT

Anyways, sorry for the rambling, i hope you guys enjoy the art :] i still have to draw that other scene with charlie on the elevator, tho, so i might come back with more later

[astriiformes]

Some of this is an expansion of a thesis that I was prodding at in my speech and debate piece ten years ago in high school (which was an admittedly somewhat naïve exploration of the relationship between science fiction, optimism about the future, and scientific progress, though I stand by elements of it), but there really is something fascinating about the way Back to the Future, as a piece of science fiction media, engages with its own genre.

In the "better" timeline, George McFly, an avid sci-fi fan, goes on to become a science fiction writer. Doc Brown was inspired to become a scientist by the works of Jules Verne (and in the video game, has another Eureka moment when he sees the 1931 Frankenstein film for the first time); in the musical, he describes his time machine as "A car for the stars / Like Captain Kirk's." As a sickly girl, isolated from her peers, Clara Clayton fell in love with amateur astronomy and stories about traveling from the Earth to the Moon.

I'm just so enamored with the fact that, unlike some other media, Back to the Future loves being sci-fi so much. There's a consistent throughline in every piece of BttF media--even the newer ones--that science fiction is something good, and inspirational, that makes people feel less alone, and forges connections, and encourages people to learn and invent. And that throughline is absolutely in conversation with the fact that the 2015 segment of the second film presented a decidedly aspirational vision of the future, even though other contemporary portrayals on the new millennium were starting to skew bleaker and more cyberpunk. It would come across as a little self-aggrandizing if it didn't feel so genuine--and it also helps that some of the positive impacts shown are smaller, and more personal. George finds a fulfilling career. Doc and Clara fall in love. It's more like watching a work of fiction earnestly believe it has something to say than it is watching it be self-important.

"You can accomplish anything if you put your mind to it," "Your future hasn't been written yet. No one's has. Your future is whatever you make it, so make it a good one." Do you see. Do you see it.

[klanced]

you are so lucky to not have watched s4-8

people always ask me 'katie why did you only watch half of voltron??' and i'm just like guys i thought we all agreed that voltron was not a very good show 💀

[beaulesbian]

And what's with the third sword?