#i played ever new level and i need them to do the same

[alacants]

Ok you might not be interested in this but you seem to be the tennisblr discourse person and your takes are so great so feel free not to answer haha - but I feel like this fandom collectively is sleeping on the potential of Novak/Carlos? Something about this Fedal baby appearing when all Novak's real rivals are gone who is openly affectionate with Nole like neither of them were. & the pain of Carlos losing matches he's expected to win very publicly to him all the time & getting criticised for falling for Novak's "mind games" (lol) but still not making any effort to stay away from him. And all the titan/titanito stuff IDK it compels me

kdlfjakldjf idk if i would describe my niche in the ecosystem in such maximal terms but. flattery will get you everywhere.

most importantly, you are RIGHT. there is massive potential here, in both their on-court history and their off-court dynamic. in fact there's so much material that i'm struggling to shape my thoughts into a coherent answer SORRY IN ADVANCE. ← need to stop acting like this isn't the norm.

ok first of all. rpf aside, this rivalry is fascinating because carlos alcaraz is doing more than anyone else around to validate novak's current day stature as a tennis player. and novak's at the stage of his career where you start to think about your legacy not just in the wider world but within tennis—how will you be remembered and talked about by those who inherit the sport from you. 

roger federer is the very, very obvious measuring stick. take this video (obligatory zverev & kyrgios warning). in a vacuum you'd never know who barely played half these guys versus who was out there making mincemeat of them on the regular while also holding every record known to man. such minced meat that those achievements aren't necessarily seen as a success for you so much as a referendum on them. 

and then along comes carlos alcaraz. and for reasons fair or unfair, tennis fans are so hungry for his arrival. they want to a new star, they want to see him dominate, and they want it to look exciting. and some tennis fans, in particular, would love to see novak djokovic get washed. 

which at first is what looks like is gonna happen. carlos wins his first wimbledon final at novak's expense. the emperor's been toppled, ding dong the witch is dead—and then cincinnati. then wimbledon again, and not even close, he's really for real dead, this time it's gonna take—and then the olympics. which is the first major final loss carlos has ever experienced, tears and all. and then the australian open, where carlos has set his sights loudly and uncompromisingly on the title and the career slam and the record. only guess what. not yet. 

and now novak is indisputably part of carlos' narrative, an active agent in a living breathing rivalry with a flesh-and-blood player instead of ghosts and record books. everyone says carlos alcaraz is the real thing. and that means that so, still, is novak. 

(meanwhile, in the space of 12 months jannik sinner happened. but i can't get into that or this post will REALLY get out of control.)

that's on court. where carlos plays not like rafa but like roger, and there's no way novak doesn't see that. ("spanish never die" notwithstanding.) off court, it's like falling into a mirrorverse. carlos isn't just willing to share the spotlight he's eager to have company. he is singlehandedly trying to yank the player he's identified as his closest peer up there on the same level with him well before anyone else gets it. and he thinks novak is one of the greats.

like yeah man WHAT IF time-traveling roger federer actually loved you. here's round two with a certified tennis genius who doesn't resent you and everything you represent and does laugh at your jokes and respect your achievements and speak in glowing terms about how you play tennis. it's gotta feel good, right?

and yet. not good enough to stop novak from doing what he has to do to win.

there's something similar yet very finely distinct about novak and carlos as top players and people persons. i'm boiling it down to, for novak it's being friends won't stop my talent and for carlos it's my talent shouldn't stop us from being friends. (i would say that's also roger coded, except imo roger's initial take, in the mid-00s, was that his talent very well MIGHT stop you from being friends and that's okay, he doesn't hold it against you. <3) in both cases, the feelings are genuine, and so is the confidence. 

novak's always wanted to be liked. he's the funny guy, he wants to make people laugh, he wants to be friends, but he is absolutely and totally unwilling to compromise the things that might make it easier to keep those friends. given a choice, he will always choose being the best. and if someone, or someones—especially someones—doesn't like him, well. for better or worse, he's learned to feed on it. this is no different. friendship and respect and affection and praise are not going to stop novak from using every tool at his disposal to win. every bit of understanding he's gained about his opponent as a person and a player. 

(my take on this is not actually negative by the way. if you're a professional athlete it's your responsibility to use those tools and to play the person as well as the player. also coming to the mind games sport and complaining about the mind games is like going to the circus and complaining about the clowns.)

i think that ao qf moment was so telling—the moment carlos was faux-limping and looking over at novak's bench with this sort of injured confusion like, why are you doing this to me. betrayed dog vibes to the max. the comments afterward as well. the tear was very real, but the reaction says a lot. like welcome to the novak djokovic experience kid! bff phrased it as "the phenomenon of accepting novak djokovic's overtures of friendship and inadvertently letting him into your psyche just enough for him to fuck with you the next time you play. he should talk to rafa about it." this isn't the only interpretation, but it sure is a tasty one.

and yet. carlos is demonstrably a lover not a hater. i would bet anything that—especially with the injury details out there—it's not going to change anything even if, like, IT SHOULD. there is this bit in anon's fic one is silver and the other gold, which is one of my favorite carlos & novak dynamics: Carlos wants to hate him. It would be easier; everything would be easier if he could hate all the people he's supposed to, for "proper competitive mindset" or whatever. But as usual, he just doesn't have it in him.

idk i think there is a ton of fascinating stuff to dig into wrt regret and cycles and second chances and novak's impending mortality and the nature of genius. i do think it's ultimately doomed but it's still really interesting. 

(or alternatively i mean. maybe the impending mortality DOES make the difference. maybe novak does get out of the time loop! like, i am most personally compelled by all of the above with the invisible presence of andy murray haunting the narrative BUT there is a pretty funny romcom alternative with novak's friend (!!!) and coach andy murray immediately clocking what's up and being like nole please don't get your heart broken by a twenty-one year old, which, HEY novak's been around the block a few times he's not gonna do something stupid… <- he is absolutely gonna do something stupid.)

[concretejunglefm]

hear me out. so we know Folio’s the overeager sub type, struggles with obedience, and Noah’s the resident good boy sub (when he’s not being a brat).

well, Nick’s always been very concerned with what goes on behind closed doors. ratting Noah out to you for punishment, endless ribbing about the sounds coming from the hotel room the night before (all of which were Noah’s high pitched moans as you’d ridden him til he saw stars), nonstop teasing and just overall trying to get a rise. (he also has a sneaking suspicion that that piece of jewelry Noah never takes off is some sort of ‘collar’)

but like you said, the question is. does he wanna be Noah or join in?

so maybe you let him have a little glimpse. maybe you have your best boy model how to be the perfect sub for you.

‘s definitely a fun dynamic because Noah is very much your good boy while Nick is steeped in mischief and loves to tease the shit out of him, not to mention try to get him to misbehave. there also might be a little vying for your attention, but that’s nothing new. at any rate, what can it hurt. it’s just for the night :3

- @somebodyels3

It's just for the night, what harm could it do, right?

CW: smut which includes mention of dom/sub dynamics, overstimulation, use of cuffs, orgasm denial, cum play.

Smut under the cut 🔞 Minors DNI.

You’ve meticulously planned this since the idea struck you. You’ve deliberately selected a night during their tour when there’s an off day the following day, solely for them to both rest and recover. Naturally, Folio couldn’t help but laugh when you shared the plan with him, and that only fueled your determination to make him come out whining more than he’s ever heard from Noah, or taunted him for.

With strict instructions, you told Folio to come to your room at a specific time, and he obeyed without question. However, his eagerness got the better of him, and his disregard of your warnings, multiple times, result in both he and Noah being tied up.

Usually, Noah wouldn’t mind, but your sweet boy had been trying his best to tell his friend to be quiet and listen to you. He had been attempting to demonstrate the advantages of being a good sub. Now, however, both Folio and Noah are restrained on a hotel room desk chair each, their wrists cuffed to the backs, and their ankles tied against the legs, preventing any movement.

They’re seated facing each other, their bodies close, and their crotches even closer for your convenience and entertainment.

It went from being a visual lesson to participation-based, the moment Folio opened his mouth and cockily insisted that he could hold out better than Noah ever could.

“Are you certain about that?” you tease, your gaze dropping to his lap and noticing the growing wet patch on the front of his boxers.

Unlike Noah, who you had completely undressed for your entertainment, you had deliberately left Folio in only his boxers, as if to emphasize that he would not receive the same level of attention and treatment that Noah would.

He needed to earn that.

“Oh, that?” he’s completely unbothered by the growing wet patch on his boxers or the trickle of cum rolling down his thigh from beneath the leg. What truly surprises you is how he’s still twitching and hard. “Don’t worry, baby. I have plenty in tank.” He winks at you, and if it were anyone other than Folio, you’d roll your eyes at such a remark. But somehow, you find that prospect only enticing, as if he’s willingly offering himself to be your new plaything, challenging you even.

And that sounds like a challenge you were more than willing to accept.

Your boy, Noah, always had an incredible ability to hold on. You’d repeatedly pushed him to the brink of orgasm, the denial of it becoming sweeter with each passing hour. The sounds he made during those moments were unlike anything you could have imagined, all thanks to your touch, which triggered them. However, you couldn’t deny that you didn’t relish the thought of teasing Folio to the edge and then pulling him back just to repeat the process, especially since he was easily aroused without any stimulation.

You knew what he had done. You caught the way his stomach muscles flexed along with how his cock twitched. He knew how to make himself cum without touching himself, let alone you touching him and it made you contemplate the possibility of them learning from each other and sharing skills.

Noah undoubtedly had his own unique talents, and you found immense pleasure in witnessing the trembling of his stomach muscles whenever he drew nearer, observing his struggle to resist the release you were withholding. Sometimes, you would even lick up the beads of sweat that formed on his torso with his steady concentration. Just that contact on his skin was enough to trigger the eruption, but he always needed your touch to fully pull it from him.

While Folio had already one strike against him, due to his orgasm, Noah trembled in response to your advances as you stood behind him, your hands roaming across his bare tattooed chest and down over his stomach. You felt the muscles flex beneath your fingertips as you move further, hearing the soft plea of a ‘please’ from him as your hands pushed down past his twitching cock, sinking down onto his inner thighs and squeezing them. You gently kissed along his jawline as a form of praise for his politeness, knowing that he was doing his best to maintain his composure in this situation.

It almost made you want to force him to beg, but you knew you needed to drag his pleasure out more to achieve that, but it wouldn’t take long.

By the time you’ve wrapped your hand around him, stroking him, and alternating between quick, determined strokes and agonizingly long ones that prolong his pleasure, he becomes a bumbling mess, writhing against your hand due to the sensitivity of his cock. Your free palm presses to the reddening sensitive tip and purposefully circles over to make his hips jerk and him writhing against you, knowing he can’t pull away and is forced to endure the pleasure you’re inflicting.

When your eyes meet Folio’s, his usually boastful tongue is gone, replaced by a complete transfixed gaze as he watches his friend being teased and toyed with. Your eyes then descend to the tent in his boxers, and you find yourself yearning to allow him to join in on the fun. You consider that he may have finally earned it—learning to remain silent and at least not back talk.

Pulling the front of his boxers down, you free Folio’s hard cock from its confines, and your hand swiftly moves in synchronization with the one you have on Noah’s. You notice the difference in their thickness and length, but that only intensifies your desire to tease them, as they both start squirming in response.

They’re so close that you can have their cocks less than an inch apart while you work your hands on each of them, observing the way pre-cum leaks from both their reddened tips. You use it, intentionally collecting it and switching hands to use the pre-cum on the other, allowing them to mix. You continue this until they’re both whining and squirming, trying to pull away as you jerk them through their first real release of the night—the first one you’ve so generously given them without the need of asking for permission.

As your hands become coated, you switch over again only to use their cum on each other, continuing to push them through their release and the wave of pleasure that has them both trembling and begging beneath your touch. You can barely decide where to look; your eyes flicker between their faces scrunched up in ecstasy, the way their bodies writhe and their stomachs tense, or how they raise their hips and attempt to pull away, as if they ever could.

They both understand the option to tap out if they feel the need. The safe word is readily available if they choose to use it. However, when you ask them, all you get is a series of whines and whimpers, with the word “green” repeated as they desperately plead for you to continue.

[thetorturedbolter]

can someone please inform dan and phil that golf with friends has like four or five new levels because i need them to revive that series more than i have ever needed anything in my entire life

[itsalwaysdark]

im like umm ummm. idk. i feel quite unfulfilled but idk what i want

[mithrun-house-of-kerensil]

Lately, I've been thinking about Mithrun and the ways he is dehumanized in canon.

Before I get started, we know that elven society is incredibly afraid of death and illness. This is obvious in how they look down on the short lived races and see them as weak and childlike. We also know that Mithrun himself had ableist views toward his brother and these values did not leave him once he, himself, became disabled. He is a product of the society that raised him, but I also think how Mithrun is currently being treated contributes to his view of himself.

Mithrun has had three different caretaking groups over the years. The first are the ones his brother hired for him. From what we can see, they did the job, but we can understand that they did not know what to do with him. No one had ever recovered from having their desires eaten so the focus was less on rehabilitation and more on keeping him alive.

Later we see Milsiril take an interest in him because of his desire to return to the dungeon. Since she did not bother to visit him for decades after finding him, we can assume that there is an ulterior motive here. Timeline-wise, this was when the majority of the canaries had just been wiped out. They needed more men, and Mithrun is set up to be the perfect single-focused soldier.

Honestly, we can assume that Milsiril doesn't really care about him or see him as a person. Mithrun is just a new project for her to play with. We can see this in how she's focused on superficial level concerns like the fact that he doesn't look nice and wanting him to be overly grateful toward her. She also talks about him like he's not in the room and can't hear her. This is a dehumanizing trait shared by many characters when talking about Mithrun.

When he finally does recover enough to return to the canaries, the military does not make any effort to accommodate his needs. We know the canaries are understaffed and the ethics are already bad, but they really did not even try to care about Mithrun's safety at all.

Entrusting a criminal with his care was questionable at best, especially when Cithis immediately took the opportunity to abuse her power over him and no one stopped her.

While acknowledging the light-hearted nature of the manga, it's uncomfortable that Mithrun was treated like a child and an animal by Cithis for her amusement. Regardless of her 'learning to respect him' later, the point is that Mithrun was taken advantage of and degraded because she believed he couldn't say no. No one bothered to do anything about this until Pattadol yelled at her.

Truly his treatment is summarized well by Milsiril here. Mithrun is extremely vulnerable to being abused by those taking care of him because he won't advocate for himself. He has one desire so he won't fight for himself in any other way.

It is obvious that Mithrun was not treated well by his caretakers and this has resulted in him identifying his needs through a disconnected and frankly, infantilizing lens.

I understand that it may have been a translator's decision, but I always thought it was interesting that Mithrun says that he's "not sleepy" which is a childish term. Otherwise, he speaks like everyone else, if not rather posh.

This, followed by the fact that he is responsive to Kabru treating him like a literal infant to get him to eat, paints a clear picture of the fact that Mithrun is not unfamiliar with being treated like this. He responds to it because he's used to it and has no desire to argue with being treated this way. When we consider the fact that the chapter started with Milsiril treating an older child Kabru in the same way, it is likely that she also did the same thing to Mithrun when he was under her care.

In these panels, we see that Mithrun does not believe that he can sleep without magical assistance, even though it is immediately refuted when Kabru takes the time to bundle him up and help him relax. Not only does he fully believe he can't sleep without external assistance, but he states directly that there is no point in him getting comfortable.

As Kabru observes, Mithrun's inability to recognize his needs applies to needs such as hunger and exhaustion, but it obviously also applies to emotional needs. Kabru just wanting to feed him something delicious and not wanting him to give up on life is the most consideration someone has given Mithrun in years.

The relationship they form over the course of a single week is enough to shape Mithrun's behaviour completely. Mithrun ignores Cithis's demand in favour of asking Kabru's opinion. It is Kabru's hand Mithrun takes to pull him out of his defeated state. It is Kabru Mithrun confessed his true desire to.

Do you realize how depressing that is? All it took was the new perspectives from Kabru and Senshi to make him consider the fact that he should keep living despite no longer needing to fulfill his duty. Being treated well could have helped Mithrun much sooner and this shift in the way he sees himself contributes to his recovery going forward.

TLDR: Mithrun has no desire to be respected, but why does that make people feel comfortable acting like he doesn't deserve it? Someone not caring about being treated well doesn't give you permission to treat them poorly. This feels like a playschool-level consent lesson: just because he's not saying no to a humiliating or degrading act doesn't mean it's a yes and therefore okay to do. Acknowledging this is the bare minimum of treating him as a person.

[st4rpiece]

nipple piercings pt. 1

NSFW

characters: luffy, zoro, and sanji x fem! reader summary: the monster trios reaction to your new nipple piercings content warnings: established relationships, nipple sucking, breast play others: lowercase intended, not proofread, pictures from pinterest

_____

Monkey D. Luffy

you had recently gotten them done, so while they healed, you wore thin clothing instantly drawing luffy's attention. he was immediately fascinated by your new piercings.

he'd probably poke at them with a childlike curiosity, his eyes wide with wonder. "wow, these are so cool! do they hurt?" he'd ask, genuinely intrigued. surprisingly, as you explain the sensation and the reason behind getting them, luffy would listen intently, absorbing every word.

as the days went by, luffy would occasionally bring up the piercings in conversations, always with the same level of excitement. "babe, show me those cool piercings again," he'd say, his eyes sparkling with interest. he'd honestly never get tired of seeing them.

your first time fucking after getting them ignited a side of luffy you rarely saw in bed. luffy was extra careful and attentive as his hands trailed up your body before resting on your breast. his calloused hands cupping them as his thumb softly ran across the piercing, tracing its outline.

"does it feel good?" you nod, back arching, pushing your breast further into his hands. without warning he'd roughly flick the piercings, soaking in your reaction with a mischievous grin.

"i wonder how they taste," he'd say before leaning in to give them a teasing lick, his warm breath sending shivers down their spine. the saltiness of your skin mixed with the metallic taste of the metal bar tasted so good. he licked, sucked, and bit, giving your nipple the attention they deserved.

Roronoa Zoro

zoro would have a more intense reaction to your new piercings. you quickly ran to go show him the minute you and nami returned back to the sunny. you found him resting against the headboard of your shared bed.

his eye opened the second you entered the room, waiting for a kiss (something you always do after returning to him) instead you just stood there at the foot of the bed with a mischievous grin.

"what?" he'd asked, instead of answering you lifted up your shirt and showed off your new piercings.

he would stare intently at your bare tits and the contrasting silver bar with a playful smirk on his lips. "didn't think you had it in you," he'd tease, his voice a deep rumble laced with arousal.

"come here, i want to get a better look," the second you are close, he would pull you over his lap in a straddling position. while his hands rested on your hip, his eyes never left your breast. he wanted nothing more than to take them into his mouth and hear how you sounded to a new sensation. but first, he had to make sure you were okay. be began throwing questions at you.

did it hurt?

how much did they cost?

and lastly, how sensitive are you right now?

once he knows that you are okay, his grip on your waist will tighten, pulling your body closer.

without reserve, his lips would pepper you with kisses trailing from your neck down to the piercings, giving them a gentle tug with his teeth. causing you to grip his hair releasing a moan from the sensation, one he hadn't heard before.

"mmh, i like that," he'd grunt against their skin, his breath hot and tantalizing. "these suit you well, baby." his voice husky as he lifted his eyes wanting to watch your reactions closely as his fingers tugged and pulled on one while his mouth bit and sucked on the other. his eyes darken with lust as he takes in the pleasure written on their face.

Vinsmoke Sanji

before parting ways with nami you tell her to send a message to sanji about you needing him in your room. you sat on the bed, nervous and excited ready to show sanji how you spent your evening.

sanji, ever the romantic, would be utterly captivated by your new piercings. "holy shit baby," his eyes would widen in surprise and admiration, a very noticeable blush spreading across his face. "how did you manage to make yourself even hotter," he'd say, his voice filled with genuine awe.

"may i?" you nodded, even though you were still pretty sore, you craved his touch. he'd gently cup you breasts, his fingers brushing over the piercings with a feather-light touch. loving the contrast between your soft warm skin against the cool metal bar.

his touch would become more confident, his fingers teasing the piercings with a mix of tenderness and desire. causing you to let out a kitten-like moan. which further turns him on, "i want to make you feel incredible," he'd whisper, his breath warm against your skin.

his lips would follow the path of his fingers, kissing and licking around the piercings, his touch sending waves of pleasure through your body. "look at how swollen these bud are," he says, pinching your nipples harder.

"sanji," you managed to moan out.

"hold on my love, i'm just getting started," with lips still attached to your breast, his hands toy with the band of your shorts, dipping inside skimpy underwear.

_____

I just wanted to thank everyone for reading and liking my work >.<. it means a lot!!

I'm working on part 2 atm still, I hope you guys enjoyed this one!!

in the meantime, feel free to check out my kid one shot >.<!

[trustmypoison]

SVT when a sasaeng harasses you

Requested: Yes!

Request: ‘hey there! jgh from work and thought of a scenario, i was thinking about what svt's reaction when they heard that a sasaeng attacked you while their at work (non-idol!gf x svt)’

A/N: I’m not totally comfortable with the concept of violence here, so I switched this to be about harassment by a sasaeng instead. I certainly don’t condone that either, but it allowed me to be more delicate about the issue with this. To the requester, I hope you still enjoy. 

Out for blood - Seungcheol, Woozi, Minghao, Seungkwan

Guard dog mode is activated the moment you tell him about an interaction that you had at work. These guys are so viciously protective that once he knows you’re safe, he’s making multiple calls or just straight up showing up to make some demands. He’s all but threatening to quit if his company doesn’t get a handle on this and back him up, and he won’t hesitate to breathe down your management team’s necks to address the concerns with a swiftness because harassment of any kind shouldn’t have happened. Period. I think if this becomes a repeated issue, they might even make a statement themself, regardless of what their company thinks. He does not play for a single second when it comes to your health and safety. 

Requires certain protections moving forward - Jun, Wonwoo, Chan

Will have a slightly calmer approach from the last group. Don’t get me wrong, he’s still making all the same calls and having the same meetings, but he’ll be much more strategic about it. He’s level-headed about demanding for more security at your work or at the very least for you to not work alone at any point so someone else can step in and help you if necessary. Until things cool down, you also will not be able to convince him that you don’t need a body guard to and from work or anywhere else you want to go. Don’t be surprised if you also come home to find a shiny new security system, just in case it ever becomes a problem outside of work. Also doesn’t play when it comes to your health or safety, but he’ll respond in a steadier fashion than the previous group. 

Just flat out asks you to quit your job - Jeonghan, Mingyu, Vernon

I see them encouraging you to not work or at least not work there anymore, since it’s been determined that it’s not safe. He’s not confident that his company or your place of work will effectively deal with this situation, though he’ll still make demands, and at the end of the day they’d rather just remove you from the situation entirely. They’ll absolutely respect if you want to keep working, either for financial independence or if you just really enjoy your career. But they won’t let you stress over finances or the job you have if being there might mean sacrificing your safety and security. 

High key feels guilty - Joshua, Hoshi, DK

Oh, don’t get me wrong, he’ll do all of the above in some capacity, and he does not want to make it about himself under any circumstances. But he’ll have a hard time dealing with the guilt about the fact that he’s the reason you’re in this predicament in the first place. I don’t see any of them cutting things off with you without talking for a long time with you about it to decide if that’s really for the best. Ultimately, I think all three of these guys would just need some assurance that this kind of trouble is worth it to be with him. He still might come away being a little bitter about how his career doesn’t afford him the same privacy as others. 

[perseidlion]

Streaming in Kaos

Well, it happened. I can't say that I'm surprised that KAOS has been cancelled by Netflix. I am a little surprised at the speed at which it was axed. Only a month after it aired, and it's already gone.

That has me wondering if the decision to cancel was made before the show even aired. We have to remember that marketing is the biggest cost after production. If the Netflix brass looked at the show and either decided (through audience testing, AI stuff or just their own biases) that it wasn't going to be a Stranger Things-level hit, they probably chose at that moment to slash its marketing budget.

That meant there was pretty much no way that KAOS was ever going to hit the metrics Netflix required of it to get a season 2.

What makes me so angry about this (other than the survival of a show relying on peoples' biases or AI) is that it becomes a self-fulfilling prophecy. If you decide before a show is ever going to air that it won't be a success, then it probably won't be. If you rely on metrics and algorithms and AI to analyze art, you will never let something surprise you. You'll never let it grow. You'll never nurture the cult hits of the future or the next franchise.

Netflix desperately needs people behind the scenes that believe in stories and potential over metrics. Nothing except the same old predictable dreck is ever going to be allowed to survive if you don't believe in the stories you're telling.

The networks and streamers have a huge problem on their hands. They need big hits and to build the franchises of the future to sustain their current model (which is horribly broken.) But people have franchise fatigue and aren't showing up for known IPs like they used to. The fact that Marvel content is definitely not a sure thing anymore is a huge canary in the coal mine for franchise fatigue. People aren't just tired of Marvel, they're tired of the existing worlds both on the big screen and the small one. Audiences are hungry for something new.

It is telling that the most successful Marvel properties of the last few years have been the ones that do something different. Marvel is smart to finally pull out The X-Men because that is a breath of fresh air and something people are hungry to see more of.

There's pretty much no one behind the scenes (except for maybe AMC building The Immortal Universe) that is committing to really taking the time to build these new worlds. Marvel built the MCU by playing the long game. That paid dividends for a solid decade even if it's dropping off now. That empire was built not with nostalgia for existing IP (don't forget the MCU was built with B and C tier heroes) but with patience. Marvel itself seems to have forgotten this in recent years.

Aside from that, I think people really want stories that aren't connected to a billion other things. That takes commitment on the part of the audience to follow and to get attached to. People WANT three to five excellent seasons of a show that tells its own story and isn't leaving threads out there for a dozen spinoffs. We're craving tight storytelling.

KAOS could have been that. Dead Boy Detectives could have been that. So could Our Flag Means Death, Lockwood and Co, Shadow and Bone, The Dark Crystal: Age of Resistance, Willow, and a dozen other shows with great potential or were excellent out of the gate.

If you look at past metrics, you only learn what people used to like, not what they want now. People are notoriously bad about articulating what they want, but boy do they know it when they see it. Networks have to go back to having a dozen moderate successes instead of constantly churning through one-season shows that get axed and pissing off the people who did like it in a hamfisted attempt to stumble on the next big thing.

The networks desperately need to go back to believing in their shows. Instead, they keep cutting them off at the knees before they ever get a chance because some algorithm told them the numbers weren't there.

[jeondesu]

ೀ⋆ 🍂 SKZ + WAYS THEY SHOW “ I LOVE YOU ” !

── ✧ ˚. ꒰ pairing ꒱ ˒˓ ot8 x gn!reader ˒˓ established relationship genre: fluff warnings: not many… just some mentions of food & kissing <3

this is an old repost from my deleted blog !

방찬/BANG CHAN.

chan is the most perfect boyfriend you could ask for. he’s the type to never let you lift a finger when he’s around you. whether it be fixing a broken pipe in the house or carrying all of the groceries; it wasn’t a problem for him at all. he may get consumed in his work sometimes but that didn’t mean he spends less quality time with you. he’d call you throughout the day to check up on you and tell you how much he misses you. he’d share what he was working on and update you on small things. always smothering you once he comes home— no seriously, he does not let you breathe. he’d pepper kisses all over your face whilst having you wrapped tightly in his arms. the warmth of his loving embrace made you feel the safest and utmost protected.

리노/LEE KNOW.

lovesss taking you out on fun interactive dates. movies, bowling, mini golf, fruit-picking, and candlelit dinners were a just a few to name. minho enjoyed going to small family owned restaurants, he loved desserts and would order a milkshake with two straws on each side. you’d be playing footsie under the table like little kids, teasing you while staring into each others eyes trying not to burst out laughing. he loves you just as much as he loves his cats and that’s saying a whole lot. he has a picture of you playing with soonie and dori as his lock screen, it was probably the cutest pic he’s ever taken of you. he calls you and his cats a little family >\\< he loves the way they all get along with you and it affirms even more that you really are the one for him.

창빈/CHANGBIN.

constantly showers you with dozens upon dozens of compliments. could write a full-fledged novel on simply everything he adores about you. he’ll write sweet notes from time to time and leave them in random areas for you to find. your relationship with him always kept you guessing, he was so full of pleasant surprises. he noticed the littlest details about you and could practically read you like a book. he knew immediately when you were in a slump, it became his personal mission to cheer you up. is super touchy feely with you but does it with the most pure intentions. pressing feathery kisses along your hands and the insides of your palms, then trails further up your arm. he loved seeing how flustered you’d get by it, only wanting to keep doing it more.

현진/HYUNJIN.

treats you as his artistic muse. his deep infatuation with you fed his inspiration with new ideas constantly. his paintings were a reflection of his mind, his most inner thoughts and emotions. almost every painting he’s done was inspired by you in some way, shape, or form. art and photography are one his favorite hobbies so naturally he’s going to always wanna snap pictures of you. whenever you two go on dates he takes pics of you without you knowing, smiling to himself and thinking how lucky he is to have you. he tells you often how much you mean to him, he was a very vocal partner. you didn’t need to ask for reassurance because hyunjin would just give it to you anyway. it was like he could read your mind, he understood you on a intuitive and spiritual level.

한/HAN.

he is completely and authentically himself when he’s with you. your relationship is the most easy going thing in his life, he couldn’t imagine life without you. he loves that your humor is the same and you’re both always goofing off. he feels most accomplished if he can make you laugh until your stomachs start hurting. almost everything was a joke to him but the love he had for you was definitely not. he share’s everything with you, his clothes, favorite snacks, deepest secrets, nothing off limits for him. never stops talking about you with the other members, every little thing reminds of him you so he has to announce it. he could be doing something serious and then one of your inside jokes would randomly pop in his head, smiling like an idiot to himself. he was so proud to have you as his lover and best friend.

필릭스/FELIX.

the most sweet, nurturing, individual in the universe. put a million heart emojis next to your contact name and never fails each time to get a stomach full of butterflies every time he’s with you. hears a song that reminds him of you and instantly sends it; will make monthly playlists for you too. he gets lost in your eyes all the time, can’t help but feel his heart beat out his chest by your ethereal beauty. you could be having an in-depth conversation with him and he’d zone out from just looking at you. he can’t stand being away from you when he’s gone and gets real sad and lonely if he can’t hold you >.< will send you LENGTHY messages of what he loves most about you and how much he wants to be with you. if he can’t physically be there, he’ll do all he can to still feel like he’s right beside you.

승민/SEUNGMIN.

thoughtful gestures were his love language. he would notice your shoe is untied as you’re both walking and stop everything he’s doing to fix it for you. will do anything you ask him to at the drop of a hat. does chores and tasks around the house when you aren’t feeling up to it, he never complains about it either which you love. lots and lots of hugs and kisses !! he especially loves hugging you from behind and resting his head within the crevice of your shoulder. he’d kiss your knuckle before dancing with you in the kitchen and acting like an old married couple. the two of you would be slow dancing and lock eyes, your lips would collide as you both sway to the melody of the song. it was soft moments like these that proved seungmin owned all of your love.

아이엔/JEONGIN.

very much into showing PDA and lots of it. doesn’t really care about what the other members think when he touches or kisses you in front of them. likes to give you unexpected forehead and neck kisses, intertwining his fingers with yours while doing so. he bought you a necklace with his initial on it as a gift and you never took it off since the day he gave it to you. whenever he’s gone for long periods of times that necklace would get you through it all. he’d also buy matching couples pajamas and plan a night in where you do face masks and watch movies (^o^). late night cuddling was his forte; you’d be all tangled up in bed together and he’d leave short series of pecks to your cheek until you lull asleep in his arms.

[alotofpockets]

Flirting & friendzones | Leah Williamson x Arsenal/Swiss!Reader

Where Leah is a flirt and you are scared to give in to your feelings

Woso masterlist | Words: 1.6k

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Moving to a new club always brought some nerves with it, but luckily your national team captain and close friend Lia Wälti had been at your new club for years. Through her you had met some of her teammates for quick moments on the field during national team games over the years, but you didn't have much more of a connection with them. 

While that connection wasn't there, you had kept one secret from Lia, and that was that you had a crush on her best friend Leah ever since she first introduced the two of you on the pitch years ago. You had never acted on your crush on the England captain more than following her on Instagram, but now you'd be playing at the same club as her, which brought a whole different wave of nerves your way.

You were welcomed at Arsenal with open arms, as Lia had ensured you. Each and everyone of your teammates, and the staff members made you feel right at home. Lia had helped you secure an apartment before you had arrived, so you had your own space right away. 

After your first training, Lia invited you to come hang out and Beth and Viv their place. A regular hangout spot according to her, especially since they just got a new puppy. Lia drove you home from training, and told you she’d pick you up in an hour to head over to Beth and Viv’s.

An hour later your doorbell rang, but when you opened the door it was Leah instead of Lia. “Hey, Lia had to run some errands before heading over to the girls, so she asked me to pick you up instead.” Leah had taken the request to ‘pick you up’ to a whole new level as she started flirting with you. 

“You look great by the way.” She started while you walked over to her car. Just a simple friendly comment you thought, but still the blush rushed to your cheeks. “Thank you.” You said before quickly getting a step ahead of the blonde, to make sure she wouldn’t notice your blushing.

Of course Leah noticed right away and would now make it her mission to see you blush. “I mean it, you clean up nice. Haven’t seen you outside of football kits in person.” You reach the door and she opens your side for you. “Seems like a great date outfit too, if you even need a dinner date to wear it to, you know where to find me.” She left you frozen in place with her comment, and closed your door only to get in on the other side with a big smirk on her face.

“So, how has London been treating you so far?” You started telling Leah about your first week there, happy to no longer be the target of her flirting. At least that is what you thought until she followed up with, “Good to hear! If you ever need a tour guide, I am more than happy to volunteer.” On its own it wouldn’t be flirting, but the way she looked at you while you said it, gave the sentence a whole different meeting. 

“I really appreciate it, but Lia is showing me around already.” You said as you got out of the car, as you arrived at the girls' house. “Always Lia, huh?” She acted hurt. “Well, if she ever gets too busy, give me a call.” You walked up to the door quickly, “Oh look at that, we’re here.” You say as Beth opens the door. Darting inside without even saying a proper hello, propping yourself up between Viv and Kim who were already cuddling with Myle. 

Beth turned her attention to Leah, “Damn, what did you do?” She shrugs her shoulders, “Nothing.” In return Beth raised an eyebrow towards Leah, but she didn’t push further. Instead she turned her attention to you. “Glad you could make it. I see Myle made a new friend already!” Myle had gotten comfortable in your lap and started taking a nap there only moments after you had sat down. “She’s very cute.” You comment while looking at the pup lovingly. “I understand why everyone wants to hang out at your place.” You joke.

The conversations between everyone started flowing freely, and you felt immediately accepted into the group of girls. Leah continued her flirting with the rest of the girls around, which piqued the interest of the girls, though they didn’t say anything. Only the occasional chuckle when you would turn Leah down again.

It was hard having to say no to the woman you had been crushing on for years, but you had just joined a new club and she was co-captain of it, as well as Lia’s best friend. It didn’t seem right to act on your feelings, even though Leah was acting on them plenty. You came here to play football, you kept reminding yourself. 

Half an hour later Lia arrived, carrying in a few bags of groceries. “Sorry, it was quite busy at the store. What did I miss?” Some of the girls looked between you and Leah and wondered if they should poke some fun at the situation, but before they could, you answered her question. “Nothing much, we were just talking about how cute Myle is.” 

Lia, who had handed the groceries over to Viv, sat down beside you with a smile on her face. “She really is adorable. I’m glad to see you fit right in, I was worried about leaving you out here on your own.” It really did feel like you fit right in. 

“You don’t need to worry,” Leah interjected smoothly. “she wasn’t alone. I was here to make sure she’s well taken care of.” Her comment earned her a loud chuckle from Vic, who hurried to the kitchen to hide her laughter. Lia shot her best friend a look. “I’m sure you were, Lee.”

After dinner, Lia drove you home. “I am so happy you’re feeling at home already. How are the girls?” She asked while exiting the parking space. “Yeah, they’re really kind. I couldn’t have asked for a warmer welcome.” Lia was truly happy you found your spot within her little family at the club. 

She turned to you with a smirk. “What?” You asked instantly, already not liking the look on her face. “Don’t what me.” She laughs, “I was just going to ask what about Leah?” The slight blush that creeped up to your cheeks should’ve said enough. “Leah has been kind too, very kind.” Lia chuckled at your expression. “Kind? That girl has been flirting with you since the moment you arrived.” Your eyes widened, Lia had noticed. 

“Relax! Why do you think I introduced you all those years ago? You are literally perfect for each other. Back then I didn’t tell you my reasoning, because I didn’t think it would be fair to try and set you up with someone that lived in a different country.” She let that set in for a moment before she asked again, “So, what about Leah?” Her smirk grew again.

“Leah is great. I think I’ve kind of been pushing her into the friendzone though.” Lia stopped the car. You hadn’t been paying attention, not that you knew the roads yet, but you knew that you weren’t at your place or Lia’s. “It’s a good thing that Leah doesn’t easily give up, go shoot your shot.” You sent her a confused look, “Right now?” She points to the building ahead of you, “Yup, right now. That’s her place right there. Her car is here already, so she just got back as well.” She unbuckled your seatbelt, “Go!” You shake your head at her but get out of the car anyway. “Call me when you need a ride back.” 

You walk up to Leah’s door nervously, but knock nonetheless. When Leah opens the door, Lia decides to drive off. “Oh, hi, come in. Finally done with Lia?” You roll her eyes at how her flirting turned right back on. 

She walks you into her home, and you get right to the point. “Can we talk about today?” Leah’s face turns serious, feeling like she might have messed up. “Oh, I’m sorry if I was taking it too far. I thought there was a vibe, sorry if I read that wrong.” You shake your head, “No, no don’t worry. Actually it was me wanting to apologise. I was kind of pushing you towards the friendzone, because I didn’t want to mess anything up with Lia or the team.” 

Leah’s lips curve into a smile again, “But now you’re throwing me a ladder to come back out of the friendszone?” Her tone is hopeful. “If I’m not too late, yeah.” The blonde shakes her head, “Definitely not too late.”

Now that the big conversation was out of the way, you finally felt like it was okay to sit down. “You know Lia has been rooting for us for years?” You nod remembering the conversation in the car. “Yeah, she told me on the way here. I had no clue that this had been her intention all along.” 

Leah sits down beside you, “You know, I’ve liked you ever since we met when our teams played against each other that time Lia introduced us.” Your cheeks heat up again, “I have liked you since that day too.” 

Her eyes light up, “So, can we give this a try?” Her tone was hopeful again. “Yes, I’d like that.” With that, Leah closes the distance and presses a gentle kiss to your lips. When you pull back, both of you are smiling. 

“Want to stay for a while? I can drive you home wherever you want to go home.” You smile, “Yeah,” You’d love to spend more time with Leah. “I’ll text Lia and let her know that I won’t be needing that ride anymore.”

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💗 If you enjoyed this fic, please consider liking, commenting, and reblogging! You can also supporting me by leaving a tip 💗

[anim-ttrpgs]

Help Save the World of TTRPGs and Their Creators.

Okay I’m being a little dramatic, but at the same time I’m pretty serious. This is a call to action, and the livelihoods of myself and lots of other people, many of them (like myself) disabled, are depending on it. This is a post about why, what you can do about it, and (perhaps least often answered) how.

This post is actually an accompaniment to another discussion by someone else. If you don’t want to listen to a 90-minute in-depth discussion of much of what I’m about to tell you, you can just keep reading. Otherwise, click here or here and listen to this either before or after you read this post. (They’re the same thing, just different sources.)

If you have ever made or reblogged posts urging people to switch from Google Chrome to Firefox, you should be willing to at least give a try to other TTRPGs besides D&D5e for much the same principle reasons. I’m not telling you you have to hate D&D5e, and I’m not telling you you have to quit D&D5e, I’m just asking you to try some other games. If you don’t like them, and you really want to go back to D&D5e, then go back to D&D5e. But how can you really know you won’t like other games if you have literally never tried them? This post is a post about why and how to try them. If you’re thinking right now that you don’t want to try them, I urge you to look below to see if any of your reasons for not wanting to try them are covered there. Because the monopoly that WotC’s D&D5e has on TTRPGs as a whole is bad for me as a game designer, and it’s bad for you as a game player. It’s even bad for you if you like D&D5e. A fuller discussion of the why and how this is the case can be found in the links above, but it isn’t fully necessary for understanding this post, it’ll just give you a better perspective on it.

If you’re a D&D5e player, I’m sure at some point or another, you’ve been told “play a different game”, and it must get frustrating without the context of why and how. This post is here to give you the why and how.

[The following paragraph has been edited because the original wording made it sound like we think all weird TTRPGs suck.]

Before that though, one more thing to get out of the way. I'm going to level with you. There’s a lot of weird games out there.

You are gonna see a lot of weird TTRPGs when you take the plunge. Many of them try to completely reinvent what a TTRPG even is, and some fail spectacularly, others really do even up doing something very interesting even if they don't end up being what a core TTRPG player wants. But not every indie RPG is a Bladefish, lots and lots of them are more 'traditional' and will feel very familiar to you, I promise. (And you might even find that you like the weird experimental bladefish type ones, these are usually ideal for one-session plays when your usual group can't play your usual game for any reason.)

You're also going to probably see a lot of very bad games, and man have I got some stories of very bad games, but for now I'm just saying to make sure you read the reviews, or go through curators (several of which will be listed below), before you buy.

Now that that is out of the way, I’m going to go down a list of concerns you may have for why not, and then explain the how.

“I don’t want to learn a whole new set of rules after I already spent so much time learning D&D5e.”

Learning a new set of rules is not going to be as hard as you think. Most other TTRPGs aren’t like that. D&D5e is far on the high end of the scale for TTRPGs being hard and time-consuming to learn and play. If you’ve only played D&D5e, it might trick you into thinking that learning any TTRPG is an overwhelmingly time-consuming task, but this is really mostly a D&D5e problem, not a TTRPG problem as a whole.

“D&D5e has all of these extra online tools to help you play it.”

So what? People have been playing TTRPGs without the help of computers for 50 years. To play a well-designed TTRPG you won’t need a computer. Yes, even if you're bad at math. There are some TTRPGs out there that barely even use math.

“I’m too invested in the narrative and characters of my group’s current ongoing D&D5e campaign to switch to something else.”

There are other games, with better design made by better people for less money, that are the same kind of game as D&D5e, that your current characters, lore, and plot will fit right into and do it better. And no, it's not just Pathfinder, there's others.

“I can’t afford to play another TTRPG.”

You probably can. If you’ve only played D&D5e, you might have been made to think that TTRPGs are a very expensive hobby. They aren’t. D&D5e is actually uniquely expensive, costing more than 3x more than the next most expensive TTRPG I can think of right now. Even on the more expensive end, other TTRPG books will cost you no more than $60, most will cost you less than $20, and a whole lot of them are just free. If you somehow still can’t afford another TTRPG, come to the A.N.I.M. TTRPG Book club mentioned below, nominate the game, and if it wins the vote we will straight up buy it for you.

(By the way, if you had any of the above concerns about trying other games besides D&D5e, that really makes it sound like you are in a textbook abusive relationship with D&D5e. This is how abusers control their partners, and how empires control their citizens, by teaching you to think that nothing could ever get any better, and even though they treat you bad, the Other will treat you even worse.)

“If I don’t play D&D5e, which TTRPG should I play?”

That’s a pretty limited question to be asking, because there will be no one TTRPG for everything. And no, D&D5e is not the one TTRPG for everything, Hasbro’s marketing team is just lying to you. (Pathfinder and PbtA are not the one system for everything either!) Do you only play one video game or only watch one movie or only read one book? When you finish watching an action movie like Mad Max, and then you want to watch a horror movie, do you just rewind Mad Max and watch it over again but this time you act scared the whole time? No, you watch a different movie. I’m asking you to give the artistic medium of TTRPGs the same respect you would give movies.

“I want to play something besides D&D5e, but my friends won’t play anything else!”

I have several answers to this.

Try showing them this post.

If that doesn’t work: Make them. Put your foot down. This works especially well if you are the DM. Tell them you won’t run another session of D&D5e until they agree to give what you want to do at least one try instead of always doing only what they want to do. This is, like, playing 101. We learned this in kindergarten. If your friend really wants to play something else, you should give their game a try, or you’re not really being a very good friend.

If that doesn’t work, find another group. This doesn’t even mean that you have to leave your existing group. A good place to start would be the A.N.I.M. TTRPG Book Club which will be mentioned and linked below. You can also go to the subreddit of any game you’re interested in and probably meet people there who have the same problem you do and want to put together a group to play something other than D&D5e. You might get along great with these people, you might not, but you won’t know until you try. Just make sure to have a robust “session zero” so everyone is on the same page. This is a good practice for any group but it is especially important for a group made of players you’ve just met.

“I only watch actual plays.”

Then watch actual plays of games that aren’t D&D5e. These podcasts struggle for the same reasons that indie RPGs struggle, because of the brand recognition and brand loyalty D&D5e has, despite their merit. I don’t watch actual plays, or else I would be able to list more of them. So, anyone who does watch actual plays, please help me out by commenting on this post with some non-D&D5e actual plays you like. And please do me a favor and don’t list actual plays that only play one non-D&D5e system, list ones that go through a variety of systems. The first one I can think of is Tiny Table.

“I can just homebrew away all the problems with D&D5e.”

Even though I want to, I’m not going to try and argue that you can’t actually homebrew away all the problems with D&D5e. Instead, I’m going to ask you why you’re buying two $50 rulebooks just to throw away half the pages. In most other good RPGs, you don’t need to change the rules to make them fun, they’re fun right out the box.

“But homebrewing D&D5e into any kind of game is fun! You can homebrew anything out of D&D5e!”

Firstly, I promise that this is not unique to D&D5e. Secondly, then you would probably have more fun homebrewing a system that gives you a better starting point for reaching your goal. Also, what if I told you that there are entire RPG systems out there that are made just for this? There are RPG systems that were designed for the purpose of being a toolbox and set of materials for you to work with to make exactly the game you want to make. Some examples are GURPS, Savage Worlds, Basic RolePlaying, Caltrop Core, and (as much as I loathe it) PbtA.

“I’m not supporting WotC’s monopoly because I pirate all the D&D5e books.”

Then you’re still not supporting the smaller developers that this monopoly is crushing, either.

Now, here’s the how. Because I promise you, there’s not just one, but probably a dozen other RPGs out there that will scratch your exact itch.

Here’s how to find them. This won’t be a comprehensive list because I’ve already been typing this for like 3 hours already. Those reading this, please go ahead and comment more to help fill out the list.

First, I’m gonna plug one of my own major projects, because it’s my post. The A.N.I.M. TTRPG Book Club. It’s a discord server that treats playing TTRPGs like a book club, with the goal of introducing members to a wide variety of games other than D&D5e. RPGs are nominated by members, then we hold a vote to decide what to read and play for a short campaign, then we repeat. There is no financial, time, or schedule investment required to join this book club, I promise it is very schedule-friendly, because we assign people to different groups based of schedule compatibility. You don’t have to play each campaign, or any campaign, you can just read along and participate in discussion that way. And if you can’t afford to buy the rulebook we’re going to be reading, we will make sure you get a PDF of it for free. That is how committed we are to getting non-D&D5e RPGs into people’s hands. Here is an invite link.

Next, there are quite a few tumblr blogs you can follow to get recommendations shown to you frequently.

@indierpgnewsletter

@indie-ttrpg-of-the-day

@theresattrpgforthat

@haveyouplayedthisttrpg

@indiepressrevolution

Plenty of podcasts, journalists, and youtubers out there do in-depth discussions of different systems regularly, a couple I can think of off the top of my head are:

Storyteller Conclave (I’m actually going to be interviewed live on this show on April 10th!)

Seth Skorkowsky

Questing Beast

The Gaming Table

Rascal News

Lastly, you can just go looking. Browse r/rpg, drivethrurpg.com, indie press revolution, and itch.io.

Now, if you really want to support me and my team specifically Eureka: Investigative Urban Fantasy, our debut TTRPG, is going to launch on Kickstarter on April 10th and we need all the help we can get. Set a reminder from the Kickstarter page through this link.

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, there’s plenty of ways to get one!

Subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

Donate to our ko-fi and send us an email with proof that you did, and we’ll email you back with the full Eureka prerelease package with the most updated version at the time of responding! (The email address can be found if you scroll down to the bottom of our website.)

We also have merchanise.

[huggywuggysuppy]

once you finish Empires S1 i'd like to hear your thoughts about esmp1!gem. she's genuinely one of my favorite characters to analyse because she is so nuanced and interesting in so many ways anywhere you look at her. her twisted determination to achieve peace at ANY cost, her rigid thinking and neurodivergency, her relation with symbols like her tower or the end and the moon, or her genuine wish to be a good person and so many other things. there's so much that is impossible to grasp at first (<- <- me, lesbian who is really normal about her favorite gem)

She's right.

Essentially, Gem understands the role a wizard PLAYS in a story. She's never the cause of something, but she sure amplifies both the problems and the solutions. She's morally gray, she's playing both sides, but nobody ever challenges her on that because of course Gem's helping the heroes too -- they need artifacts! She's a plot device, a questgiver, a weapon. She's the voice of reason, the straight man in any comedy duo, yet makes the same questionable decisions as anyone. She's experimenting, she's out of her comfort zone, she's having the time of her life. Wizard Gem is, ultimately, a real wizard.

That's the short answer anyhow. Longer analysis, well, I'm so glad you asked. I can't talk about character without diving into the content creator metanarrative (feature not a bug) so let's get into the noodles! What about Wizard Gem makes her so fantastic?

Wizard Gem is a catalyst.

From the beginning, Gem is mixing up dynamics and forcing new inspiration by opposing what's static. The way the rest of the Wither Rose Alliance sort of? Molds? Around her. How Sausage and fWhip are beefing until the day she alliances with Pearl and suddenly the four are besties. How she adds moral nuance to the villain side, both by mixing relations with the hero side, and just by insisting the Wither Rose are seeking peace, really, they're trying their best! This stops things from being so cut and dry and basic. Instead of Xornoth's vain forces against the heroic bumbling fish people (with the plant and animal empires in between), there's all sorts of messiness and drama. And Gem's aware of this, of how she's changing things, and so the effect is amplified.

On a CC level, even her origins are experimental. Gem was originally planning a more naturey plant wizard, but since Shubble, Katherine, AND Pearl, were plant based (& arguably Joey too) she adapted into amethyst and rocks. And it turned out amazing! That foundation of experimenting made it easier to take larger risks both content and character wise. All the empires folk enjoyed the lore centric storytelling: only getting deeper into it through the season, but Gem especially paved the way for embracing rp and outfits and items and fun.

But back to C! As the Wither Rose alliance progresses, terrorizing the server included, Gem maintains her peace loving stance. Taking on the role as fWhip's (and later Sausage)'s PR managers is genuinely so important to me. She never really stops them from doing bad things, but she's always discouraging them and talking them down one or two degrees. Ultimately loyal to her alliance, she's also taking responsibility for the consequences. Helping out Jimmy behind the scenes to lessen the blow, both for him but also herself.

At her core, Wizard Gem wants peace.

For herself and friends at least. Unfortunately, the Crystal Cliffs aren't in a bubble, so she keeps having to save the world anyway. She dreads conflict at best and fears it at worst. Her concerns are her kingdom, her neighbors, whatever magic / building she's invested in right now, and maybe a light shenanigan here or there. She'll help fWhip get out of trouble because they really do love each other, he's always helping her out too in his own ways (ex: making her stuff,) and she'll protect the realm so the problems stay far away from their doorsteps. When things do eventually fall into her lap, she definitely deals with them. Just... not 100%. Enough that they stop breaking the peace for now.

Let's be honest, Wizard Gem is firmly in denial. She's down for burying the corruption and letting it claim whole towers of her base. Often she'll just accept whatever another player brings to her: buying Scott and Katherines plush, whatever weird scams Lizzie tries on her, etc. When Scott gives her the Elsa curse, she hangs out in the nether, takes Shrub’s dodgy Xornoth cure, and stubbornly "it's fine"-s her way through avoiding a real solution until fWhip drags her to Katherine. It's telling that her (short-lived) corrupted evil version is more confident, while others become hyper or angry. This isn't laziness: it's fear. She doesn't want to step on any toes and start any conflicts. You can see it in how she talks to Jimmy and fWhip: giving them what they need not to win, but to end things.

This is how Gem maintains the story role of a wizard: she's always trying to stop things, so she's never starting new things, only making them better or worse. But how does Gem get away with it? She's simultaneously one of the most invested players in the lore, yet playing a character who'd rather be anywhere else. That dichotomy is entertaining, sure, but there's something else here.

Wizard Gem is loyal, curious, and moral. Just... not obviously.

Gem is unfathomably loyal. While she plays both sides, she's always standing alongside her allies in battle and all her actions are ensuring they're safe. She may be exasperated, yet treats her immediate alliance members with kindness. How fWhip drags her into things, but he never asks her to, it's always Gem CHOOSING to follow him because what else is she gonna do? Let him do it himself? How Sausage makes her laugh with his absurdity, even when they're fighting. How she's always a little uncomfortable, even in her great empire, except in the quiet simple moments with her allies between schemes.

(Still can’t believe roseblings isn’t canon. Like fWhip’s line about how he blew up relations with Scott because he messed with Gem, "it's okay fWhip I'm fine now," their tones, ohhhh devious work. They don't need to be canon, nonfamilial platonic relationships and all that, but STILL. I'm only human.)

Gem's also invested in magic and learning more about it, and she learns to trust and share that with others. The Crystal Cliffs Academy demonstrates growth: from solving problems herself when they’re too big to ignore, to actually addressing things at the source. Explicitly, the goal is to strengthen other empires magic knowledge so less crises happen. That’s preventative instead of reactionary. Even choosing the Ocean Queen as her first student is intentional: not an ally, causes a lot of medium scale ruckuses, in text Gem sensed her using transformation magic that wasn’t hers and wanted to guide Lizzie towards at least controlling it. Start of season Gem would’ve just kept handling any crises herself.

Essentially, Gem is trying SO HARD to be good. As anon said, she has a sort of rigid thinking (again, fun contrast between CC experimental and C rigidity) that creates this fantastic mix where she's staying true to the Wither Rose because she loves them and wants to keep them safe as their friend, but also trying to act for the greater good as a wizard, even though she'd rather focus on her own things. It's not a stable point of view, and is constantly challenged, creating the amazing series of events that we get to see unfold.

Also, Wizard Gem is straight up cool.

Regarding imagery, Wizard Gem has a distinct style that’s so fun to build and draw and write about. She's magical and otherworldly (dragons, the end) but also ethereal and magnificent on a human scale (towers, the moon.) Amethyst itself is inherently unique: something about forming deep under pressure, growing slow and beautiful, sought after as thrones and paths alike. These aesthetics have infinite storytelling potential, and look cute doing it.

And all these things are carried into Gem’s imagery as a whole! Losing her eye to and getting corrupted by the end portal in Life Series, building dragons and towers and villages all across her mc worlds, often using the moon in builds like her hc10 lighthouse. She’s solidly the moon in shinyduo sun/moon dynamic (while they both employ sun/moon all the time, Pearl builds and lores solidly more sun, let alone their comedy dynamic.) Even the struggle between embracing/chasing excellence versus holding herself back out of fear: that's Gem in every world! Emp1 is combining a lot of Gem's themes into one single character. And turns out she's really awesome!

This character wholeness lets Gem maintain her signature exasperated excellence over the other players. Like PVP prowess and building skill, she's an expert here too, and delightful to watch and interact with. Wizard Gem is amplifying everything, trying to keep her loved ones safe, learning that she needs to make peace herself, all while staying true to her beautiful masterful self.

Finally, CC!Gem is delighted to roleplay like this.

Every time she turns to the camera to give disclaimers and talk about her character, there's an infectious joy and "I can't believe this is my job." She often compares it to D&D, which ohh the parasocial brainrot is taking so normally, but also there's an unapologeticness to it. If you don't like her character / the roleplay / etc, stop watching, whatever, this is fun for the rest of us. Her and other CCs have talked about the crippling pushback from playing antagonistic characters -- and there's no shortage of that in emp1, she has to put disclaimers on the RP portions! But unlike Life Series where she's constantly fighting demons (it's own post, really) Wizard Gem is having too much fun to care. I think that's why emp1 hits different, at least for us Gem girlies. She's taking this seriously, and she's having the time of her life.

I originally posted about Worldhopper/Watcher Gem because that adds an extra layer of spice to her in all series, but it's still really awesome by itself. Summoning the dragons from ANOTHER WORLD? Hello?? Don't think I missed her using the nether portal to change skins either. Giggling during convos with Xornoth, undaunted by the Empires Crown, the list goes on. One day someone will assemble all her characters into the same room to compare notes and that someone will either be me or Geminitay herself.

In short, Empires S1 Gem is a Wizard. She's a catalyst, she ultimately wants peace, she's loyal curious and moral, she's straight up cool, and she's having fun. And isn't that just the most magical joy of all?

Anyway, accepting empires fic recommendations in reblogs / directly into my inbox. What a privilege to get to watch so much great art. Thank you for reading!

[artsekey]

Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

 When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”).  She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too!  Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

              What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

              But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

              In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

              While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.  

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

              But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

            It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

 But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

              Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

              It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

              They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

 The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

[alittlebitofloveliness]

Darry does not parent anyone in the gang except Ponyboy. No, not even Soda, and definitely not Johnny or Dally.

I’m going to be honest and say I genuinely don’t understand where the idea of Darry being the ‘dad’ of the group, or some kind of father figure to Dallas or johnny of all people comes from, because it’s so explicit in the novel and even the movie that he isn’t (I haven’t seen the musical but from what I understand there's some sort of rivalry between Dallas and Darry there, so there probably isn’t any paternal dynamic there either). To claim Darry is a father figure to ANYBODY- even Ponyboy- is completely antithetical to his character. Darry is twenty years old. He’s a big guy, who has respect from most greasers, and he is the LEADER of the gang, looks out for all of them the way a brother would, but he does not PARENT any of them.

Even after the Curtis parents’ deaths, when he gets guardianship of both Ponyboy and Soda, the only one he actually attempts to parent is Ponyboy- and he clearly struggles with it. It’s not just the main source of tension between him and Ponyboy,  it’s the ONLY source of it. Canonically, Pony and Darry got along fine before the Curtis parents' deaths, were close even, because Darry is good at being an older brother. He always has been, because he is used to it and it doesn’t carry nearly the same level of responsibility as guardianship does. Darry never had to be a parent before, let alone to his brother, and he’s flying blind trying to figure it out. He doesn’t know what limits to impose that seem fair but not stifling, can provide materially but doesn’t know how to provide emotionally, because he’s a new parent who is struggling to raise a teenager instead of a newborn, and has no experience for what he’s doing. Darrel Curtis is DROWNING trying to figure out what being a parent means when he has only ever looked at Pony as a little brother instead of a dependent. He’s not happy. He’d never give his brothers up, but this new role is killing him, and it’s plain for anyone to see. 

This brings me to my next point: Darry is so overwhelmed trying to parent Ponyboy, it never even crosses his mind to try parenting Soda too. This isn’t even my interpretation- it’s textual. Soda doesn’t get hollered at, Darry doesn’t really care where he goes or what he does, and he never punishes him the way he punishes Ponyboy. It doesn’t help that Soda and Darry are closer in age than he and Ponyboy are. Soda is almost seventeen, he has a job and is street smart in a way Pony isn’t. Darry doesn’t have to worry about him as much so he doesn’t, because Soda could survive on his own if he had to, whereas Pony couldn’t. It would also be harder for Darry to discipline Soda if he wanted to, given Soda’s age and his agency, but again, Darry doesn’t want to. Soda doesn’t need raising, because he’s already been pretty raised, and Darry couldn’t handle raising him. Darry can already barely handle raising Ponyboy, and Soda has a tenuous role in the house as he plays confidante to both of them. Soda and Darry’s dynamic is pretty solid because their dynamic is still that of brothers, there’s been no upheaval in their relationship, and so there’s no major friction either. Besides that, there’s the fact that Soda is helping raise Ponyboy, not being raised himself. It’s a joke I’ve seen a few times that Darry plays ‘dad’ and Soda plays ‘mom’ to Ponyboy after the Curtis parents’ deaths, but there's an element of truth to it. Soda handles Pony’s emotional needs, gives him advice, reminds him he’s loved, where Darry provides discipline and material needs. Now, we see clearly in the novel this creates an unhealthy dynamic in the house and in Pony’s relationship with both his brothers, making him ‘hate’ Darry and idolize Soda, but it remains true nonetheless. Darry doesn’t know how to parent, so he follows the traditional social ‘script’ of what fatherhood meant in the sixties, and the rest of the household molded to fit the new Darry into the mold he cast himself in. But despite Darry’s best efforts and Soda’s help, Darry proves over and over he’s not good at parenting, and definitely isn’t filling the role of Pony’s parent let alone his father- and it all culminates with The Slap. 

Now, knowing this, having read the book and seen, even through Pony’s biased narration, that Darry’s attempts at parenting Pony are a bit of a dumpster fire, it’s plain to say Darry isn’t playing dad to anyone else in the gang. If he was he’d be harsher to them, strict with rules he’d expect them to follow (Darry does not like to be disobeyed and he definitely doesn’t like his authority challenged), and cognizant of their whereabouts at all times. He doesn’t do this with any of them though, because he ISN’T trying to parent any of them, and even if he was no one in the gang would let him. Steve is too self-sufficient, Johnny is too independent, and Dally is too Dally for it to ever happen- even if the small age gaps between the characters wouldn’t make the attempt almost comical. Darry is, only ever has been, and only ever will be, a brother to them. It means he can offer up the couch and share food and look out for them while they look out for him in return, without ever being responsible for them. Yes, Darry is superman, he’s the oldest of the gang, seen as dependable and protective. He’s the guy everyone goes to when they get in trouble, a symbol of safety, but not because he can fix things the way a parent would. Dally didn’t call Darry from the phonebooth as a scared kid looking for a parent’s comfort, he called him as a reckless kid looking for a brother’s help to hide his misdeeds. Johnny doesn’t crash on the Curtis’ couch as anything but a kid staying at his friends turned family’s house. He looks at Darry as someone protective, but not as a father figure. In fact, he probably sees better than anyone (except maybe Soda) that Darry isn’t a great guardian, having heard Ponyboy’s rants and seen firsthand how the dynamic in the house has shifted. 

Darry Curtis is everyone’s brother, but no one’s father. He never will be. The only person he ever attempts to parent is Ponyboy, and he’s not good at it. That’s the whole point. Darrel Curtis is a dependable guy, a smart, cool, tough-as-nails gang leader, but he is also still a twenty year old kid, in over his head, who leans heavily on his friends despite his pride, and who is greatly unequipped for the level of responsibility that has fallen onto his shoulders. To portray him as a person who is able to parent a gang of delinquent teenage boys almost his own age is disingenuous and out of character.

Darry Curtis is no one’s dad. That’s the whole point. 

[notrebdomine]

Eric Harris letter to ID Software

︶⊹︶︶୨୧︶︶⊹︶

I'm sorry if you guys probably already saw this, but this make me cry ngl

︶⊹︶︶୨୧︶︶⊹︶

Transcript (js in case you can't read it clearly)

❝ID Software, 

Hello, my name is REB. I have been playing your mega-hit Doom for about four and a half years now, and no matter what new games are invented and sold, I always come back to doom2. The atmosphere and over-all feel of the game is still unmatched in my books. I have been creating my own levels and patches for about three years, and am still going strong. I have read all four books published by ID software about the Doom story. Fly and Arlene, and their adventures. I have noticed now that Quake is the new “story” in the ID books. However, I have been wondering for the past four years if a Doom 3 has even been considered by ID Software. Just imagine, all the old baddies and guns from doom, all the old textures and environments that made doom have such an impact, all of them on today’s and tomorrow’s newest gaming engines. Imps, humans, demons, spiders, all of them remade into an engine like the one used for quake 2. If it’s a story line that kept you from making Doom 3, that is the least of your problems in my opinion. If the Doom novels aren't enough, or suitable, then I am positive there are hundreds of legitimate stories out there. Even I could come up with enough of a plot to make another Doom game. The plutonium pack and such were great, but they were still all on the same doom engine. I believe that the world of the space marine should be taken one step higher, or one lift higher. How many times have you wanted to look up and down, go underwater, see the “other” side of the doom eye, climb on top of the E1M8 star, and so many other things in doom? Maybe it is just a fantasy of mine, but then again, it is so very possible to make it real. If you need workers for doom levels or graphics I could even be a start. With my background and love for the game, I don’t think there are many people at all in the world that know more about Doom than I do. I may not be able to make Quake 2 levels, but my doom levels could be one hell of an inspiration for new worlds. So, in conclusion, I have three questions…

1: Has it ever been considered that Doom 3 could be made on an engine like or better than Quake’s?

2: Is it possible to make even a Doom add-on for Quake, Quake 2, or other games of the kind? 

3: How about a Doom movie?

Please reply as soon as possible, and if it is at all possible, try to have the creators of the original Doom and Doom 2 read this letter. 

P.S. Would you like some screen shots of my latest doom levels, “Tier?” Maybe ID could use some of these levels…

- - - Loyal Doomer, REB.❞

I do wonder if John Romero and John Carmack read it sometime...

[annoyinglilbro]

Prince brothers??? Hello???

Older brother who is poised and put together, level headed and excelling in his lessons, good with words and can talk himself out of almost any bind. Ofcourse hes good in combat too if it should come to that, but he rarely has to resort to that. He’s so smart and knows so much and is the kings favorite son.

Younger brother who is messy and always late, who would rather be outside and playing than doing this lessons, which he’s falling behind in. He’s rowdy and loud and short tempered and often finds himself running his mouth and getting into scuffs with low lifes in the kingdom. Messy hair and scrapes all over his body.

Big brother who constantly has to pull him from fights where’s Hes definitely outnumbered and going to lose. Big brother who adores his little brother and wants to keep him safe but he’s such a brat and always rolling his eyes or making faces while his big brother talks.

“I don’t need you taking care of me all the time! I can handle myself, golden boy. Fuck off.”

“Would you stop acting like a brat for five minutes? You were not winning that fight, they outsized and outnumbered you.”

“Oh my gods! I would’ve been fine! I train with the knights, i can handle a few jerks with no real training. Why are you here anyway? Don’t you have some fucking meeting or something to be at? Shouldn’t you be by daddy’s side as his shiny little prince?”

Little brother scoffs, shoving past his big brother only to be pulled back the collar of his shirt and pinned to the grimey, alley wall. His wrists are wrapped easily in one hand and pinned above his head.

“Let go! You big jerk!”

“Stop it! I’m just trying to look out for you!” Big brother who pressed his forehead to his little brothers, forcing eye contact. “Why are you always so difficult? Just listen!”

“Go away!! Just leave me alone!”

“I can’t! I’ve tried, and I can’t. You don’t even…you have no idea…how hard it is..”

The younger pauses his squirming, looking up at the other with confused eyes.

“What are you talking about?”

The older Prince sighs, closing his eyes and keeping his forehead pressed to the other, his free hand finding its way under his brothers button up and squeezing at this hip.

“There’s something wrong with me, I know it. But you’re all I think of. My pretty little brother, with all your quirks and bad habits, you consume me. The restraint it takes to not take you…and everyday it gets harder.”

Little prince who is frozen in confusion, the fingers squeezing his hip new and foreign. This is different. This isn’t like when they train in the corridor together, or even like any of their scuffles they’ve had in the past. It feels…different. Realization starts to dawn over him.

“Are you infatuated with your fucking brother? Are you serious? That’s…oh my gods hilarious! The perfect son, the smart one, the one everyone fucking adores!” He laughs when his brother moves back and stares at the floor, face red.

“Do you touch yourself to thoughts of me?”

“Every night.” Older brother leans down, and buries his face into the younger’s neck. “Will you indulge me, little brother? Let me know what you sound like, what you taste like? Atleast once, just for my fantasies.”

His brother always was good with words, and now he was using them to make his head spin.

“I…we probably…shouldn’t…”

“Nobody will know. It can be between us, like when we were kids and you snuck extra cookies into bed. Or that time I covered for you with that stray cat. I miss that, when you would come to your big brother for everything? When you clung to me so desperately? You used to follow me like a puppy, surely you wouldn’t start to bite now, would you? Would you deny me the one thing I’ve ever asked of you?”

“I…that’s not fair it’s not the same I-“ his words are caught in his throat when his brother bites into the flesh on his neck. He couldn’t stop the little whimper that fell from his lips, his wrists were starting to go sore in his brothers grip.

“Stop running from me. I want to get along again, don’t you want us to get along?”

The hand on his hip has dipped down and past the waistband of his trousers. His brothers fingers, his mouth, touching and tasting him in ways he never imagined. He sounds so desperate, truely pleading for his little brothers affections again.

“Big brother…please.”