#i often forget that i also look like my art

[kafus]

took this video of me drawing bc of smth on discord (holding my phone in my left hand Felt Odd so not only was my drawing quality slightly off but i also didn’t have access to undo so i picked smth very muscle memory lol)

it’s really surreal to look at, i have a lot of dissociative issues with my art where i forget that i’m like… a person that makes the thing? and a lot of other issues. it’s why i post so many WIPs and often take photos Of my tablet with my hand in em. but idk if i’ve ever taken a little video like this and it’s like woah… that’s my hand… What

[prof-president]

i think it’s important for himejoshis to create yuri like fujoshi create yaoi, that being to be entirely delusional and somewhat ignore canonicity in favor of headcanon. and also a healthy dose of Projection.

the downside here is that i physically cannot write abt akimberly i cannot put my headcanons and ideas into words. but, to summarize: kimberly is absolutely not normal, she is just slightly more normal than jamie and luke. this girl was a pure math major and solves ciphers for fun.

i think you need an actual taste of what pure math is because she is not doing any computations or algebra. this girl does proofs and topology and theory of numbers—this is not some fun equation shit this is the reason why those equations do what they do. i cannot stress enough how batshit insane mathheads are, and i say this as someone who likes math because being good with numbers gives you that. math lovers occupy an entirely different dimension because math makes sense beyond numbers.

anyways, this is all to justify that kimberly is extremely silly and only typically isn’t because she doesn’t have as severe adhd and a homoerotic rival. yet.

aki is fucked up for reasons that are obvious, but i do want to address her relationship with fang. mainly, how she wouldn’t be able to be with anyone else bc she’s in love w fang, obsessively.

first of all…fang is 🏳️‍🌈👨‍❤️‍💋‍👨👨‍❤️‍👨💅💅✨💖, like it’s not even subtle. he’s just a gay villain henchman in every stereotypical sense. and from the official art, it seems aki’s attraction is wholly one sided, but it is still attraction.

of course, then we get into headcanon about this attraction because considering her backstory, it may just be a twisted sort of obsession and need for validation that’s interpreted through sexual and romantic attraction. what all this boils down to is i don’t think aki is “supposed to be with fang” and i don’t even think that a romantic interpretation is the only valid one. it could be that fang is just her drag mother and she really is just plainly obsessed for his approval and attention, but not looking for much else. think nanami from revolutionary girl utena and touga sort of dynamic.

also, outfit 3 is gay asf. ergo, kimberly is into weird shit and lesbian, aki is the weird shit and bi/lesbian, therefore akim

anyways, i wanted to elaborate on what i think about luke and jamie because i don’t really draw luke. it’s not that i dislike him, it’s more so i tend to draw things i don’t see very often, and there is a lot of luke content so i just draw him less by proxy.

but i do think sometimes there’s a bit of a jump in luke and jamie’s dynamic from enemies to friends/lovers—not much in between. i’m not terribly interested in drawing lukejamie myself, but i hope to provide some in between friendship headcanon art/comics at some point. for now, the headcanons!

luke and jamie are like guinea pigs jockeying for power. what this means is that if they are alone with no barrier between them, they will fight and scrap and try to kill each other for territory. but, as soon as something is put between them, they immediately forget any ill will and fixate on the new thing instead. as soon as that new thing leaves of becomes boring, they immediately start fighting again.

basically, they’re two bitches with severe adhd and just focus on whatever’s most exciting or pressing to them. and that includes working together, which i imagine they do seamlessly. like, they can get alone perfectly fine and normal as if they’re best friends and not even realize it as long as they have something else to focus on.

in this case, it’s “what the actual fuck are you doing kimmy” but that’s neither here nor there. they’re very similar in beliefs and mindset, so it’s rather easy to forget the more negative parts of their rivalry if they have a shared goal or person to annoy.

using my 5d chess brain (kimberly = next chun li, aki = next juri; kimberly x aki) i created the worst kind of yuri.

unfortunately, for most sapphics i know—and it does not matter how sane they appear on the surface—if they got into a relationship w an older dom woman who may or may not’ve tried to kill them at some point they would still follow her to the ends of the earth and then some. guy’s wisdom is infinite, if defeatist.

…and the full image!

[grzybjek]

think. artists resemble their work the same way dogs resemble their owners

[puppyeared]

moshi moshi..

[bluehairperson]

Sometimes I see posts about how "I, Strahd" Tatyana has the personality of a cardboard but I don't think I agree honestly.

We only see her in very few scenes (all from Strahd's POV) and she's always very gentle and soft spoken.

Which makes completely sense since she was a lowborn orphan trying to make a good impression on her future brother in law, who is not only the ruler of the valley but also a feared war criminal. Of course she would try to be as nice as possible in front of him.

I also think that Strahd was extremely genuine in thinking he was in love with Tatyana, it's just that he never really knew her the way Sergei did. He only knew a facet.

[marco-polar-klepsky]

Fuck it I have decided to post my silly little Cuddles sketch

I could probably do better (if it wasn’t a sketch and shit) so idk I’ll think about it. If anyone possibly recognizes my art style and connects it back to my main blog: No you didn’t, nuh uh

[sourtomatola]

I FINISHED IT! What was mean to be a joke I didn't think I'd finish, I finally did, full color bro (No background cause screw that)

@naffeclipse I hope you see this one!!

Youtube ver

[qwuilty]

Annually remembering i can draw whatever shit i want and making it everyone your problem

[blondeaxolotl]

i just think of something silly lol i imagine like maybe r!ciel o!ciel and alois having a little tea party and they asked claude and undertaker to get stuff because undertaker was playing pretend as a butler and claudes already one and they look for them and see them smooching

The thought of Claude kissing Undertaker makes me fully believe this mans taste in men CAN and WILL get worse the moment you start to think it can't get worse

[killjoy-prince]

I was reading manga telling myself to go to bed to no avail when my brother called telling me to open the door because he forgot his keys. When I opened the door, I told him he was lucky I was reading manga bc no one else was up right now and so he thanked me and then went to my room and said in a cutesy voice "Thank you manga~!"

[scientia-rex]

When I was in ninth grade I wanted to challenge what I saw as a very stupid dress code policy (not being allowed to wear spikes regardless of the size or sharpness of the spikes). My dad said to me, “What is your objective?”

He said it over and over. I contemplated that. I wanted to change an unfair dress code. What did I stand to gain? What did I stand to lose? If what I really wanted was to change the dress code, what would be my most effective potential approach? (He also gave me Discourses on the Fall of Rome by Titus Livius, Machiavelli’s magnum opus. Of course he’d already given me The Prince, Five Rings, and The Art of War.)

I ultimately printed out that phrase, coated it in Mod Podge, and clipped it to my bathroom mirror so I would look at it and think about it every day.

What is your objective?

Forget about how you feel. Ask yourself, what do you want to see happen? And then ask, how can you make it happen? Who needs to agree with you? Who has the power to implement this change? What are the points where you have leverage over them? If you use that leverage now, will you impair your ability to use it in the future? Getting what you want is about effectiveness. It is not about being an alpha or a sigma or whatever other bullshit the men’s right whiners are on about now. You won’t find any MRA talking points in Musashi, because they are not relevant.

I had no clear leverage on the dress code issue. My parents were not on the PTA; neither were any of my friend’s parents who liked me. The teachers did not care about this. Ultimately I just wore what I wanted, my patent leather collar from Hot Topic with large but flattened spikes, and I had guessed correctly—the teachers also did not care enough to discipline me.

I often see people on tumblr, mostly the very young, flail around in discourse. They don’t have an objective. They don’t know what they want to achieve, and they have never thought about strategizing and interpersonal effectiveness. No one can get everything they want by being an asshole. You must be able to work with other people, and that includes smiling when you hate them.

Read Machiavelli. Start with The Prince, but then move on to Discourses. Read Musashi’s Five Rings. Read The Art of War. They’re classics for a reason. They can’t cover all situations, but they can do more for how you think about strategizing than anything you’re getting in middle school and high school curricula.

Don’t vote third party unless you can tell me not only what your objective is but also why this action stands a meaningful chance of accomplishing it. Otherwise, back up and approach your strategy from a new angle. I don’t care how angry you are with Biden right now. He knows about it, and he is both trying to do something and not doing enough. I care about what will happen to millions of people if we have another Trump presidency. Look up Ross Perot, and learn from our past. Find your objective. If it is to stop the genocide in Palestine now, call your elected representatives now. They don’t care about emails; they care about phone calls, because they live in the past. I know this because I shadowed a lobbyist, because knowing how power works is critical to using it.

How do you think I have gotten two clinics to start including gender care in their planning?

Start small. Chip away. Keep working. Find your leverage; figure out how and when to effectively use it. Choose your battles, so that you can concentrate on the battle at hand instead of wasting your resources in many directions. Learn from the accumulated wisdom of people who spent their lives learning by doing, by making mistakes, by watching the mistakes of their enemies.

Don’t be a dickhead. Be smarter than I was at 14. Ask yourself: what is your objective?

[derinthescarletpescatarian]

what’s the story about the generative power model and water consumption? /gen

There's this myth going around about generative AI consuming truly ridiculous amount of power and water. You'll see people say shit like "generating one image is like just pouring a whole cup of water out into the Sahara!" and bullshit like that, and it's just... not true. The actual truth is that supercomputers, which do a lot of stuff, use a lot of power, and at one point someone released an estimate of how much power some supercomputers were using and people went "oh, that supercomputer must only do AI! All generative AI uses this much power!" and then just... made shit up re: how making an image sucks up a huge chunk of the power grid or something. Which makes no sense because I'm given to understand that many of these models can run on your home computer. (I don't use them so I don't know the details, but I'm told by users that you can download them and generate images locally.) Using these models uses far less power than, say, online gaming. Or using Tumblr. But nobody ever talks about how evil those things are because of their power generation. I wonder why.

To be clear, I don't like generative AI. I'm sure it's got uses in research and stuff but on the consumer side, every effect I've seen of it is bad. Its implementation in products that I use has always made those products worse. The books it writes and flood the market with are incoherent nonsense at best and dangerous at worst (let's not forget that mushroom foraging guide). It's turned the usability of search engines from "rapidly declining, but still usable if you can get past the ads" into "almost one hundred per cent useless now, actually not worth the effort to de-bullshittify your search results", especially if you're looking for images. It's a tool for doing bullshit that people were already doing much easier and faster, thus massively increasing the amount of bullshit. The only consumer-useful uses I've seen of it as a consumer are niche art projects, usually projects that explore the limits of the tool itself like that one poetry book or the Infinite Art Machine; overall I'd say its impact at the Casual Random Person (me) level has been overwhelmingly negative. Also, the fact that so much AI turns out to be underpaid people in a warehouse in some country with no minimum wage and terrible labour protections is... not great. And the fact that it's often used as an excuse to try to find ways to underpay professionals ("you don't have to write it, just clean up what the AI came up with!") is also not great.

But there are real labour and product quality concerns with generative AI, and there's hysterical bullshit. And the whole "AI is magically destroying the planet via climate change but my four hour twitch streaming sesh isn't" thing is hysterical bullshit. The instant I see somebody make this stupid claim I put them in the same mental bucket as somebody complaining about AI not being "real art" -- a hatemobber hopping on the hype train of a new thing to hate and feel like an enlightened activist about when they haven't bothered to learn a fucking thing about the issue. And I just count my blessings that they fell in with this group instead of becoming a flat earther or something.

[peapod20001]

Gbb hhjj

[saturngalore]

afrofuturism🪐

☆ one ~ solange hair by darknightt (tsr warning) ☆ two ~ loretta hair by @simtric ☆ three ~ bahati braids by @sheabuttyr ☆ four ~ isonoe hair by octetsica ☆ five ~ binah braids by @sheabuttyr ☆ six ~ cornrows & curls hair by @leeleesims1 ☆ seven ~ indie hair by @sashima ☆ eight ~ loc petals by @shespeakssimlish ☆ nine ~ mnemosyne hair by octetsica ☆

mini dedication essay to black simmers and ts4 creators below! pls read if you have the chance! <3

this edit is a small homage to afrofuturism and the various unique black hairstyles (and especially the black creators of most of these hairs) that i have downloaded and admired over the years! some of these are old and some of these are new.

to me, afrofuturism means constantly honoring/reclaiming/challenging the past while constantly creating/dreaming of a better society/world/future. a society/world/future that embraces and empowers all of our differences, ingenuity, aspirations, and unique lived/cultural experiences. a society/world/future that does not limit us through the various systems of marginalization and oppression (racism, homophobia, transphobia, fatphobia, sexism, xenophobia, ableism, classism, colorism, etc.) that often affects how we, as black people, live today.

blackness is so diverse and intricate yet it's always been a struggle to find my culture within a game that's known for being so limiting, bland, and extremely eurocentric when it comes to hairstyles, clothing, food traditions/events, etc. black simmers have always had to figure out how to make this game more inclusive and make it resemble either more like how our ancestors lived, how our current lives are, or how we would want our lives (and even our children's lives) to look like in the future no matter how dystopian the real world look and feel now. fortunately, these hairs and their uniqueness bring a huge sense of culture and style to this game. they have always inspired me and made me feel extremely proud to a part of the lovely african diaspora (and the ever-growing black simmer community).

in a way, being a black simmer and cc creator usually means that we are often digitally creating our own worlds as afrofuturists to varying degrees (whether we know it or not) every time we open our game, make our sims, make houses, and/or make black cultural cc. also, now i know that cc making is not easy to do and is extremely time-consuming so this post is also just me giving all black cc creators especially those who create for free their well-deserved flowers! here are some other black cc creators who created cc that have greatly impacted my game since i first started playing sims 4: @/leeleesims1 @/simtric @/hi-land @/yuyulie @/sims4bradshaw @/ebonixsims @/xmiramira @/sheabuttyr @/qwertysims @/oplerims @/sleepingsims @/shespeakssimlish and so many more im forgetting probably (im too shy rn to tag ppl but i greatly appreciate y’all fr i hope y’all telepathically get this message somehow 😭).

last but not least, i am hoping that this inspires somebody to keep creating or start creating regardless of what they think their skill level is! somebody will absolutely fall in love with your work and/or your art/work will 100% change someone's game forever <333

[cripplecharacters]

Hi! I’m working on an original character project that I want to include a lot of casual representation in (“casual” meaning that the characters don’t need a justification for being disabled/fat/POC/etc, they just are because people can and do exist that way in reality!)

I was wondering if you had any suggestions for finding resources for drawing facial differences(and maybe other visible disabilities), especially in a cartoony style. I’ve looked through the Facial Equality Week tag but would like to see more examples, and since my art is so… goofy, for lack of a better word, I would love any help I can get in integrating differences without being offensive or upsetting.

Sorry if this is a bother, and thank you for all that you do!

Hi!

I'm not aware of any guides for drawing facial differences specifically (or at least, good ones. There's 1 billion tutorials telling you that scars are just a Singular Line, always, but that's not... correct), but perhaps someone in the notes could help out?

For my own advice, you could check out this old post I made. Because you mentioned your art being cartoony, I would specifically urge you to not overexaggerate facial differences the way they often are. Prime example would be how a lot of cartoons portray strabismus;

It's just a funny gag to them rather than, IDK, how some of us look like. Not to mention that one of these is also a mockery of intellectually/developmentally disabled people with "Derp" in the name, but that's beside the point here.

It's the whole "the character is crazy/stupid/wild/whatever and that's why they have it" that's the problem with how it's often shown. You can also see it in how characters who don't even normally have it will be shown with it for a scene where they're saying something nonsensical, etc.

Another example that's nowhere near as rampant is the like... split-face thing with various facial differences being used. Mostly vitiligo but sometimes also facial palsy. I'm talking about this weirdly perfectly halved face that looks extremely different on each side, often used to signal that a character is two-faced or that the author doesn't know how vitiligo looks like.

[note: vitiligo also shows up on lighter skin. I wanted to make sure it's visible here for tutorial clarity purposes.]

This one is just weird because it straight up doesn't look like that? I have no idea where it came from, but it should go back there. Facial palsy doesn't make someone look like the antique comedy/tragedy theater mask.

Unless I'm forgetting some other annoying cartoon trope, these would be the big ones that you should stay away from.

Outside of that, it's really on a case by case basis on how a specific FD should be drawn because they're so different! A birthmark can just be a differently colored patch of skin, but a craniofacial difference would require some more changes to be included. Alopecia is well, lack of hair, and can be done very easily but ectrodactyly can be more complicated to show properly because of the limitations of a cartoony artstyle when it comes to hands. And while I do think it would be great to see more of those facial differences that tend to not be included in art at all, there's nothing wrong with deciding to go for the things you can represent more faithfully, especially if you're just starting.

I will say that if you're making an honest attempt at being respectful and trying to get it right, most of us will still be excited to see your work. Even if it's not perfect or has some inaccuracies. I will take a "'yeah more or less' correct with a happy, human character" over a "Very Technically correct but tagged as #tw burns and with blood splattered on them" any day.

Lastly, I wanted to share some art featuring characters with facial differences (and other visible disabilities) that are done in a cartoony, or at least somewhat simplistic artstyles (I'm using both terms very widely here, but like. Not Realism) - maybe it will give you some ideas!

Man with Treacher Collins syndrome (also one of the first pieces online where I saw a character with an FD portrayed in such a lovely way! A fav of mine) Girl with Pfeiffer syndrome Too many characters to count! Woman with burns Woman with a limb difference Multiple characters again Animation featuring people with Down syndrome [youtube] Multiple characters, including a girl with neurofibromatosis, a burn survivor, a girl with a cleft lip and another with TCS! [twitter]

If you have a more specific art question ("how do I draw a person with XYZ facial difference?") you can send me an ask on @saszor! I prefer to stick to the writing theme on this blog but would still like to help if you need it:-)

Hope this helps!

mod Sasza

Edit: apologies for the lack of alt text on one of the images, it has been fixed!

[viharbinger]

Hi there! Saw your post of Ken Sato request. I was thinking about one I have and I had a OS in mind, a Ken Sato x Fem! Reader with the Bad Boy x Good Girl trope. Similar to Rapunzel and Eugene's relationship. Reader is an amazing artist and such a Sunshine while Ken is the opposite.

It's up to you how you wanna write it. Take your time and no need to rush.

Good Girl's Bad Boy

pairings: Kenji Sato x fem!reader

a/n: I loev him so much help

warnings: erm idk, parents disapproving of Ken lol, this is fluff!!

You and Kenji started dating when you both were in LA and were teenagers. Your parents hated his guts. He was egotistical, had a big bike, got into fights often, he's basically in every parenting 101 on who your kid should not date. Despite your parents disapproval however, it didn't stop you from dating him and they can't pull you away from him anyway. So the only thing your parents can do to protest is roll their eyes at him whenever he picks you up on his bike for dates.

They did not like having him around either, but that also didn't stop him. Up to 12am when you're doing your art assignments, he would often climb up your bedroom window. And get a couple of injuries along the way.

A soft knock was heard at your window. You peer at the window away from your painting, and notice a familiar figure. It was your boyfriend, Ken. Smiling, you move to pull up the window, helping him in so he doesn't trip all over your stuff. "You just don't listen to my parents, do you?" You deadpanned, smirking. "You didn't listen when they told you not to date me." He raised his hands up in defense.

As you were watching him talk, you noticed he had fresh injuries on his cheeks. You furrowed your eyebrows, placing your hands on his cheeks to check for further injuries. "Did you get hurt getting up here? Next time just call me and I'll let you in quietly from the front door." You pouted as he places his own hands above yours. "But then it wouldn't be so thrilling, right?" He raises an eyebrow, grinning.

"You're too much." You walk away to look for your bandaids in the bathroom. Unfortunately all you had were hello kitty bandaids, but that didn't stop you from giving it to him. Placing it onto his face, you can't help but giggle at how cute he looks. "You look so silly." You laugh, covering your mouth with your palm. "What? What did you do?" He furrows his eyebrows, walking to your mirror to look at his face. "Aww, seriously?" He whines, to which you stifle your laugh.

"I think it's adorable. You're adorable." You place a firm kiss to his cheek, his ears warming and turning red from the contact. "I can't let anyone see me in this... I've got a... A reputation to live up to!" He makes up an excuse. "Oh be quiet. It wouldn't kill you to have a hello kitty bandaid. I think it's pretty badass." You reassured him. "Seriously?" He laughs for a moment before flickering his eyes to your art piece.

"What're you working on?" He asks, watching as you move to excitedly show him what you were painting. "It's a cat!" You excitedly show him, it was detailed and coloured halfway, but there were outlines to show what you wanted to paint of course. He chuckles, he loves seeing you gleam when showing your work. "Beautiful artwork, sweetheart." He presses a kiss to your forehead.

Let's not forget he has a bike. A cool one. The first time you rode on it, you were like a scared cat, holding onto his waist tightly. Your parents hated this of course, because they much prefer a well suited man with a car.

Man... You wished Kenji would've shown a little less attitude when talking to other men that showed you even the slightest attention. The amount of fights he's gotten in for you. And the amount of first aid you've had to do for him. And meeting your parents for the first time, he had a bunch of bandaids on his face and arms, looking like a total thug that fights a lot. -10000 points for him. Your parents just want their angel daughter date someone nicer, you know?

Over the years, your parents eventually accepted him because he has been getting a lot of brownie points for being a big baseball star and.... Being considerably rich. Despite your family's disagreements on this, you moved to Japan with him, as well. After taking the most confusing and unbelievable news of him having to take over Ultraman, of course.

I mean, Japan is beautiful. It's a brilliant place to start your art career— that is, what Ken says when he convinces you to move with him. Moving in the same house was one thing, but moving together to a different country was a bigger thing! Hell, you've both done so many things behind your family's back that you just went right with it.

"Oh, what the heck! Let's move to Japan." You agreed to his proposal, to which he smiled brightly, planting a sweet kiss to your lips. You can definitely see the rest of your life in Japan. Cheering for him in the stands, treating his injuries after any kaiju incidents, and morning coffees together before work... What you didn't expect was a giant pink lizard wanting Ken as her daddy.

He was so frustrated of having to take over his father's job, and stressed out, only you could reassure him. He needs a little sun in his cloudy days, AKA you. You're like the soft breeze on a hot day, or the rainbow at the end of the road!