#i need to read more canon fics lmao

[forrestcas]

💖 fic recs !! 💖

just sharing my fav fics that i read in the last 6 months :)

where living doesn't feel like falling by februyuri - 39k | E |

The year is 2002 and Castiel is a part-time student, full-time gas station sales associate living in Rexford, Idaho. One day, a handsome young man in a black Chevrolet drops by the Gas-N-Sip and changes his life forever.

Castle on a Cloud by whelvenwings - 122k | E |

Dean Winchester has his whole life planned out. Becoming a warrior is all he’s ever dreamed about, since he was tiny - saving people, hunting monsters; quests and deeds and swords and glory. He’s done his training and he’s ready to become a Savaşçı, a knight of the realm. All that stands in his way is the Vigil, a night-long contemplation of his past and future in the chapel just outside the city walls. The only rules: no eating, no speaking, and no opening the door. Easy, right? Very easy. Until there’s a knocking, and a voice from outside that pleads for his help… So begins Dean’s journey, and his path will take him far - across the desert, through the forests, over the mountains and beyond. But his mysterious blue-eyed companion is keeping secrets, and Dean has a few of his own. Will he be able to let go of his fear before they come to the Castle on a Cloud?

the cheapest room in the house by biggaybenny - 89k | E |

what if instead of a very sincere and earnest love confession dean just found out cas was gay? no confession, no god-jack endgame. just post-s15 stupidity. just dean being deranged. the dean downloads grindr for cas fic

the origin of love by dothraki_shieldmaiden - 121k | E |

Having a soulmate isn't always a good thing. Castiel Novak knew, from the age of four, that he had a soulmate. He could feel every bit of pain that his soulmate experienced--every injury, every hurt, every disappointment his soulmate suffered, he felt. By the time he's eighteen, Castiel has felt the pain beyond his imagining, and he's left with the simple question: why does his soulmate hate him so? Dean Winchester never wanted a soulmate. He grew up watching how the loss of his soulmate destroyed his father. Unfortunately, when he's four years old, he finds himself saddled with one. He spends his teenage years desperate to deny even the smallest comfort from his soulmate. When tragedy strikes, Castiel sets off on a mission of revenge that will send his life crashing into Dean's. Determined to defy fate, the two separate, only to come back together, only to separate again. But when a demon deal threatens not only Dean's life but Castiel's, the two have to connect in order to save each other, themselves, and maybe, while they're at it, the world.

Roll With It by saltnhalo - 73k | E |

For two years, Dean’s been slaving away beneath his boss – many label him a secretary, but he fucking hates that and feels like it only applies to someone wearing a pencil skirt, so he insists on his title of Executive Assistant. And for what? In the vain hope that one day he’ll manage to become an editor for Sandover Publishing, and that he’ll see the manuscript that he’s slaved over since college finally realized in print. That’s the dream, anyway. Right now, he’s fucking late. Dean wants to be an editor. Castiel just wants to stay in the country. ‘The Proposal’ – as you’ve never seen it before.

It's The End of the World (As We Know It) by tiamatv - 139k | M |

The year is 1996, and Dean’s stuck in Kankakee, Illinois while Dad’s on a long-haul hunt. It’s not too bad. He’s even got a friend, now—even if Cas is a weird, gawky loner kid who gets way too intense about his sci-fi novels and doesn’t know how to stop staring. Just business as usual. Until his dad comes back, and it isn’t. The year is 2011, and the shadows known as ‘angels’ and ‘demons’ are falling from cracks in the sky, raining death, destruction, and monsters where they pass. When the Joint Task Force asks for their help in stopping the end of the world—John Winchester, his sons, and a ragtag band of hunters—well, that’s just business as usual, too. Until Dean meets the cold blue eyes of their team liaison—Dr. Castiel Novak.

carving deep blue ripples by dothraki_shieldmaiden - 85k | E |

With his little brother at Stanford and his father searching out leads on the monster that killed his mother, Dean Winchester is left to hunt alone. It's fun, except in the ways that it really blows. Things start to turn around when he meets Castiel Novak, another hunter. Castiel is aloof and maybe a little too sarcastic, but he's good backup (and pretty easy on the eyes. Not that Dean's looking or anything). After a few hunts, Dean is willing to make his and Castiel's partnership permanent (and he's not exactly averse to adding another component to their partnership either. After all, he's caught Castiel looking at him just as many times as Castiel's caught him looking). But Castiel is hiding a secret, and it's so explosive that it threatens to not only tear them apart, but also tear apart everything Dean believes in.

Heavyweight by emmbrancsxx0, valleydean (emmbrancsxx0) - 206k | E |

Brooklyn, 1927. The Golden Age of Boxing. Two years ago, light heavyweight champion Dean Winchester and heavyweight champion Castiel Novak had a secret affair. After a scandal tarnished Cas’ name and stripped him of his title, the two parted ways. Now, with a heavyweight tournament on the horizon, Dean aims to up his weight class so he can compete for the title. He finds unexpected competition when Cas comes out of retirement and returns to New York to fix his reputation. Upon their reunion, the two contenders learn that, outside of the ring, some bruises never really heal.

And This, Your Living Kiss by opal_bullets - 60k | M |

Only a very few people in the world know that the celebrated and reclusive poet Jack Allen is just Kansas mechanic Dean Winchester, a high school dropout with a few bucks to his name. Not that it matters anymore; life has left him so wrung out he never wants to pick up another pen. Until, that is, a string of coincidences leads Dean to auditing a poetry course with one Dr. Castiel Novak. The professor is wildly intelligent, devastatingly handsome...and just so happens to be academia's foremost expert on the poetry of Jack Allen.

Right Where You Left Me by outdean - 93k | E |

Ten years after the empty swallows Cas up, it spits him right back out—but a lot can change in a decade. OR The "Cas comes back from the empty to find that Dean is married" fic.

Hidden Language by chevrolangels - 60k | E |

Las Alas Academy. A formidable-looking place, all brick building and ivy climbing the walls, nestled in the heart of the city. To be accepted is a pipe dream, to succeed is a miracle. When Naomi Alas left the National Ballet, amidst much gossip and whispered rumors, she walked out with her head held high, and started her own school the next year. Within five years it was one of the most prestigious names in the country, hell—any kid with a pair of ballet shoes and a teacher worth their salt instilled in them the hope of one day walking the hallowed halls of Alas. So why was Dean here again? Castiel supposes life could be a lot worse. He’s finally got out of ballet, he hasn’t got kicked out of his apartment yet, and oh, yeah—he’s got a competition coming up that’s his entire future on a plate. The last thing he needs is a distraction.

for the love of a triangle by dothraki_shieldmaiden - 75k | E |

She’s seventeen years old, with the world in the palm of her hands, but she wants more. Cassie Robinson is hungry, the kind of hungry with teeth, the kind of hungry that hunts down life like a pack of wolves, and she won’t stop until she gets everything. OR Dean, Cassie, and Castiel meet at college and fall in love.

[oceanwithouthermoon]

ive come to realise that i dont actually hate kubokai, i just hate the way people write them

[imavikingo]

There is something that I can’t understand and will never understand about fandom “culture”

Why EVERYTHING (or a lot of things) need to be canon or acknowledged by the actors/directors/producers to be accepted by the fandom? In specific ships?

And why when a “ship” (two characters, really) have more screentime than others/other characters aren’t in the picture anymore, people take that as a victory as see their ship as more valid and “actually canon”? And mock/harass others for it?

Also there is this thing people have been doing a lot too: Thats calling everyone that doesn’t like the ship you like names (and also calling them terms that before actually meant something awful but nowadays can be said for simply tagging the incorrect ship in a fucking post)

Canon isn’t always the norm here kid. At least when it relates to ships and scenarios. (Bc if we’re talking about characterization… yes it needs to be canon in a sense or we’re writing/making ocs out of canon characters)

Most of the more popular ships will never be canon and have never been, especially the gay ones. (See Drarry, Narusasu, Frodo/Sam, Johnlock, etc, etc)

So why suddenly we care so much about what NEEDS to be canon or not?

Why people NEED to see their ships be canon so badly?

Sure, I can be seen as a hypocrite because Ive been talking about Stucky a lot in the canon and what happened in EG, but they actually did that themselves. The directors talked about gay characters, the actors talked about Stucky. So actually it isn’t something ludicrous or anything. (I’ve never thought they would actually make the ship canon -bc that would be a big problem for them “how can you make Cap America gay!” And shit- but I thought they would at least make them still be friends or friendly or acknowledge the “bromance” and they just killed the friendship in one scene with the most ooc shit ever). In fact, I’m more annoyed by that. They assassinated Steve’s character and Bucky’s progress.

Nevermind…

Why people fight so much about ships and use terms that shouldn’t be brought into stupid shit like this?

Fandoms are supposed to be fun and to have discussions (in good faith) about the canon. What we like and what we don’t like about it.

Besides, a lot of current media are about stuff that’s been remade over and over again. So they have a lot of adaptations and you can pick and choose too, if you want.

And if you don’t like the canon? Easy! Do analysis, criticize it, write fics, do fanart, do creative shit or simply ignore it! No one is forcing you to keep on watching the show or the stuff you now hate/cant stand. That’s what Im doing at least.

Sure, I criticize some people and movies a lot and get actually annoyed by the disrespect towards/assassination of some characters, but at the end of the day I can only shrug and say “it is what it is” and leave it at that. (Meaning not giving them money for the new stuff/not watching nor caring about it and only acknowledging the old things I actually care about and like)

But I don’t insult or disrespect other people in fandom because of it. And also I don’t harass the directors or actors either, ffs.

Idk, Ive always been on the sidelines of the stuff I follow, I’ve never been on the thick of fandoms so maybe thats why I don’t understand.

And I’ve also not seen so many crazy shit (the most crazy stuff Ive seen is people calling others racists for tagging a ship incorrectly and also others inflating the tag of a ship in ao3 so their ship would be “the most popular” with most fics, in that fandom) because I actually curate what I see. I don’t like a ship? I mute, if I can’t stand a person or a ship? I block em. Simple and easy.

I’ve always drawn stuff for myself, read fics and made headcanons. Only recently I’ve been sharing stuff more openly, so maybe it’s that.

Idk.

I’m just tired of seeing discourse and people fighting over this stuff.

[starlooove]

“There is no fanfic on Stephs treatment I have checked” that’s like the whole point.

[labyrinthofcrystals]

drew goblin and wow I really lost the fucking plot with this AU huh

[stabbyfoxandrew]

okay alright so.

i have the next three chapters of cosmic lost and found basically done sooo like when i get four done maybe i'll start posting them? like one chapter on sundays? and i think that might give me time to write the next four?

[bbnibini]

Why do I keep getting hyperfixated on lore heavy series didn't I learn enough with fate

[firendgold]

Since I saw that you're doing the violence ask game can you answer 22, 25 and 7??

I sure can.~

This one got long af though, so another readmore.

(still choosing violence)

22. your favorite part of canon that everyone else ignores

This is another one I've answered already, but tbf... it was yesterday. So I can pull my second favorite part of canon instead so you don't have to re-read an older answer.

There's two moments that tie: one in year 5 and one in year 6. Year 5's moment is a nice warm-and-fuzzy "the trio are such good friends" scene, in the midst of Umbridge torturing Harry with her quill:

It was nearly midnight when Harry left Umbridge’s office that night, his hand now bleeding so severely that it was staining the scarf he had wrapped around it. He expected the common room to be empty when he returned, but Ron and Hermione had sat up waiting for him. He was pleased to see them, especially as Hermione was disposed to be sympathetic rather than critical. “Here,” she said anxiously, pushing a small bowl of yellow liquid toward him, “soak your hand in that, it’s a solution of strained and pickled murtlap tentacles, it should help.” Harry placed his bleeding, aching hand into the bowl and experienced a wonderful feeling of relief. Crookshanks curled around his legs, purring loudly, and then leapt into his lap and settled down. “Thanks,” he said gratefully, scratching behind Crookshanks’s ears with his left hand. “I still reckon you should complain about this,” said Ron in a low voice. “No,” said Harry flatly. “McGonagall would go nuts if she knew—” “Yeah, she probably would,” said Harry. “And how long d’you reckon it’d take Umbridge to pass another Decree saying anyone who complains about the High Inquisitor gets sacked immediately?” Ron opened his mouth to retort but nothing came out and after a moment he closed it again in a defeated sort of way. “She’s an awful woman,” said Hermione in a small voice. “Awful. You know, I was just saying to Ron when you came in . . . we’ve got to do something about her.” “I suggested poison,” said Ron grimly.

Just seeing the trio bounce off each other is soothing (especially after reading days or weeks worth of fanfics where they all suddenly hate each other or were never really that good of friends or whatever). Harry's gratitude and stubbornness, Hermione's caretaking and forethought and plotting, Ron's voice of reason and necessary dash of humor... all perfect. Also, just... Harry is so used to going things alone, toughing things out by himself. It's heartwarming and sad that he still doesn't expect Ron and Hermione to do something as simple as waiting up for him to get back from hellish detention. Also also: Crookshanks curling up with him. ^^

Year 6's moment is just between Harry and Hermione:

Hermione stopped dead; Harry had heard it too. Somebody had moved close behind them among the dark bookshelves. They waited and a moment later the vulture-like countenance of Madam Pince appeared round the corner, her sunken cheeks, her skin like parchment and her long hooked nose illuminated unflatteringly by the lamp she was carrying. ‘The library is now closed,’ she said. ‘Mind you return anything you have borrowed to the correct – what have you been doing to that book, you depraved boy?’ ‘It isn’t the library’s, it’s mine!’ said Harry hastily, snatching his copy of Advanced Potion-Making off the table as she lunged at it with a clawlike hand. ‘Despoiled!’ she hissed. ‘Desecrated! Befouled!’ ‘It’s just a book that’s been written in!’ said Harry, tugging it out of her grip. She looked as though she might have a seizure; Hermione, who had hastily packed her things, grabbed Harry by the arm and frogmarched him away. ‘She’ll ban you from the library if you’re not careful. Why did you have to bring that stupid book?’ ‘It’s not my fault she’s barking mad, Hermione. Or d’you think she overheard you being rude about Filch? I’ve always thought there might be something going on between them …’ ‘Oh, ha, ha …’ Enjoying the fact that they could speak normally again, they made their way along the deserted, lamplit corridors back to the common room, arguing about whether or not Filch and Madam Pince were secretly in love with each other.

Very, very cute scene showing Harry and Hermione getting along casually, something we're not often treated to even in canon. A frankly disturbing amount of fans (particularly fans of A Specific Ship I Will Not Mention Here) have bought into the propaganda that Harry and Hermione aren't really that good of friends just because during GOF, when he'd just experienced his first ever schism with a close friend, Harry privately confessed to missing Ron and enjoying the things he did with his male best friend more. The trio is not "Harry and Ron, then Ron and Hermione". It's "Harry, Ron, and Hermione"; all three of them are necessary pieces of the whole. Harry and Hermione's friendship is different than Harry's with Ron, but it's no less valuable, and not any weaker, or else Hermione wouldn't have stayed in that damned tent.

25. common fandom complaint that you're sick of hearing

Every bit of discourse about Sirius not getting a trial. We know. The injustice is the point. The cruelty is the point. The POINT is to show that wizarding Britain is glitz and glamor and not all that fair to its marginalized peoples and underclass, you nimrods. Frankly, the fanfics that purport to 'fix' it by giving Sirius his "restored Lordship" or a bunch of seats on the Wizengamot or immediate "wizarding guardianship" over Harry or some unnamed hot babes for him to fuck on or off-screen are very... shallow and unsatisfying. Either that or they give him a bunch of money, though this would at least be on brand for the Ministry. But like... yeah. I'm tired of this complaint always going in the same direction and not being a gateway to Greater Commentary On The Series and the World. Because it's not like Sirius and/or Harry become the type of people who rebel against this ideology. If anything, they embrace the pureblood nonsense in a lot of these fics and are just mad that Sirius was the target that one time. Gaaaah.

And, and. Every bit of discourse about Dumbledore leaving Harry at the Dursleys and/or the sacrificial lamb throwaway line by Snape, especially because 99.9% of people discussing it either haven't read the books, haven't read them since the first time and desperately need a re-read, have only seen the movies, are parroting opinions from some other wrong person on the internet, are all read-up but blatantly ignoring what Dumbledore and Harry say (and don't say) over what they THINK they mean, or some other lovely form of ignorance that leads to the same long-debunked takes being re-introduced as GASP-DID-YOU-EVER-CONSIDER soundbites over and over and over and OVER again. I'm so sick of it.

I get it, JKR's a TERF, you don't want to re-engage with her work, and you don't have to. You don't have to give her any more money. Hell, you shouldn't, ever again. But please, fucking make sure your knowledge is correct and not fandom telephone when it comes to Harry's childhood and Albus Percival Wulfric Brian Dumbledore. I'm not-even-lowkey sick of some of y'all at this point.

7. what character did you begin to hate not because of canon but because of how the fandom acts about them?

I... don't have an immediate answer for this, so I'm going to have to think about it. To you it's only going to take me one line, but for me it'll actually be like... an evening or something.

...

Okay.

This is difficult because (to use the exact terminology) I can't think of a character I've come to hate because of how the fandom acts about them. I definitely have characters whose most popular fanon versions are so irritating or repulsive that it has caused me to look more critically on the real versions of them, though. I guess maybe I'll list those here.

Fleur came to mind first. She seems (and can be) very shallow and haughty in canon at first, but shows compassion and hidden depths in all three of her appearances. She has some veela hair in her wand from her grandmother, and a deep devotion for her younger sister. However... many fanfics (especially harem fanfics or flowerpot fanfics) paint her as either this femme fatale who uses her "veela allure" at will and Cannot Fathom the idea of a man who can resist her (and is thus more vulnerable to falling in love with such a man) or as a super-powerful witch whose family is basically running Magical France (since of course, she is the only French character we know, so why wouldn't she be the most influential person there? /s). Basically, the "foreign" version of what people do to fanon Daphne Greengrass. Ironically, the best fanfic portrayals of Fleur I've seen are the ones that keep her shipped with Bill (with a few flowerpot exceptions, see A Beautiful Lie by MaybeMayba as the prime example), or ship her with Hermione or Ginny... which is sad because I love me some ship variety. (And I still think Bill/Tonks would've been rad as hell.) So I don't dislike canon Fleur, but fanon's "over-attention" to that possible veela heritage and the weird implication that Harry was just "forced" not to notice this perfect woman in his life, rather than just noticing her beauty and not being interested, rubs me the wrong way and disinclines me from including her in many of my own works.

The Bones family is next. Yes, both Amelia and Susan. Susan isn't as bad (I think she has... two lines in Order of the Phoenix? maybe?), but as with most "mostly undefined" HP girls, the personality the fandom has given her (the super sweet politically-savvy Hufflepuff girlfriend of "just do independent!Harry with Lordships and pro-Ministry propaganda and plenty of Wizengamot meetings between Hogwarts classes") is one I've seen so many times it has come to negatively affect my view of the real girl, even though I think the way she calls Amelia "auntie" in canon is adorable. As for Amelia, fanon likes to make her either the Only Sane Man in the Ministry or the leader of the sane faction, who magically is able to fix or ignore all the corruption in said Ministry and can railroad through whatever decisions Harry needs done once he needs to Do Political or Pureblood Stuff Outside of Hogwarts--provided, of course, he's been nice enough to Susan recently.

The closest actual answer to this question I have is Tom Riddle. I didn't like him in canon by any means--I'd probably say I was neutral toward him, just seeing him as "the young Voldemort before he did his magical girl transformation". But fanon kind of acts like he and Voldemort are... two different people? There's these pervasive ideas that either Tom could've been "saved" if Certain People Just Did More (to stop him sneaking around and bullying and murdering???), or that Tom wasn't really so bad when he was gathering up supporters, murdering his family members and the few people who trusted him, and generally going around Becoming the Dark Lord--it was just when he made the switch that he became bad. And like... no. I can't buy that. Even in fanfic, I can't get fully behind the idea of a sane Tom Riddle who was Doing Good until he got sidetracked Oh Nooo. He wasn't. I believe Voldemort was saner before he tried to kill a baby and it backfired, but I don't think there was ever a point where he could have been saved. At every fork he made the wrong decision--to soothe his ego, to feel powerful, to feel special, to feel better than others and make them feel that way too. Tom Riddle's a prick. If anything, we should've seen him squirm a little more before he died.

The last one stings, because it's a character I adore: Hermione. Hermione is a very polarizing figure in canon and always has been, I get it. But what particularly hurts me about her fanon portrayals is that they are VERY SELDOM accurate, or even balanced. Either the author sees her as Their Wife and so she is perfect and never does any wrong and basically becomes the main character of the fic (even if she is not actually the main character), or they overinflate her flaws and use it as a reason to hate on her and bash her to oblivion. There's rarely an in-between. I'm not sure which one is worse. If you held my feet to the fire, I might say the former because a character without any flaws or one who takes over the entire narrative and doesn't let other characters breathe is not fucking interesting to me in the slightest.

This especially hurts because I am a huge Harmony fan and like 60% of bad Harmony fanfics are always the same fucking tropes/plotlines. Hermione is unironically referred to as The Brightest Witch of THE Age (incorrect, not what Remus said. he said "the brightest witch of your age I've ever met", basically meaning she's unusually smart for a fourteen year-old girl). She's treated like the next female Dumbledore who has all the answers (even about stuff she wouldn't know) and often guides Harry's every move.

And speaking of Dumbledore--the same girl who is supportive of him in canon and (after Harry) is MOST likely to recognize Dumbledore as a human who can make mistakes is ALWAYS turned into a Dumbledore Skeptic Who Has Been Suspicious of His Motives All Along, and who will do whatever it takes to get her boyfriend away from his manipulations... by taking manipulative!Dumbledore's place. That's right. This version of fanon Hermione ALWAYS becomes the same thing the author is supposedly railing against, because Harry becomes her mouthpiece, spends all his time with her to the exclusion of anyone else, and can't have a single meeting or meaningful scene with any other character unless she is also present.

Haphne fics do this too, but I swear they got it from bad Harmony fics and it makes me so mad. For once, I would love to read a Harmony fic where Dumbledore is portrayed accurately and both Harry AND Hermione are equal, independent partners who don't have panic attacks if separated for more than five minutes. Especially because as a child Hermione never struck me as the kind of person who even would get married or have a serious relationship distracting her from her Great Work!

But yeah. That last one hurts the most because I love Hermione as an individual, as the very important third of the trio, as a potential partner for Harry (though this isn't the right blog for that!), and just as an iconic character.

I... think that's all? Yep. Thanks~!

[microwaving-tesilid-argente]

lying face flat on the floor passed out, vatican trio and their "if i get news of you dying another time i'll fucking get you" and "please take care of my friend this time as well".

the way that their designs are both archetypes that suggest they're not super in touch with their emotions (aloof black-haired guy and airheaded jock) but they're in fact both so casual and vocal about how much tesilid means to them

[twentyfivemiceinatrenchcoat]

:((((((((( i ran out of tags . tumblr hates to see me thrive!!!!!!!

ok niku just . read the tags first and then come back here ok 🙏🙏 i have a lot i still need to say this is so important to me . this fic changed my life .

(WARNING this got long ….. really long ….. mysteriously. i got carried away 💔 PLS don’t feel the need to respond to any of this btw i mean that sincerely i know this is kind of a Lot i just need you to know much i adored this fic <3333)

BACK TO GOJO ok so his talk w reader…… it was just so satisfying to see them finally get to tell someone about their experience. it must’ve been such a great feeling for them !!!! to get some of it off their chest :((( … and to have Gojo Fucking Satoru our safe harbour of a man there to believe them and listen to them and reassure them. he’s so mature when it comes down to it and you captured that so well…… like as much as he acts childish and teasing this is exactly how i picture him interacting w someone he doesn’t know in a situation like this!! he’s flirty and unserious but he tells you he’ll protect you and means it. (i’m so down bad it physically hurts)

sorry i’m abt to go on a tangent i think BUT I JUST 😔😔 really… REALLY love their dynamic…. how it evolves so much even though he doesn’t even know reader exists for most loops!! and to them he’s just this beautiful Something that they can’t help but look at…… ”inhumanly attractive” is a great way to put it like he’s just….. this magnetic force……….. and i feel like even before they speak to him for the first time they probably find some kind of hope in him.

AND that’s so important bc to me that’s like . the main Theme of the fic? hope. reader has to find some kind of hope to make it through shibuya and more often than not they find it in gojo!!! in just seeing a familiar handsome face, in learning how to navigate the timeline through his actions, in talking to him and finally having him on their side. their choice to trust him fully at the end just made me soooo insane. and obv the hope theme continues even after that because gojo believes in them!!! believes that they’ll be okay in the prison realm….. more on that later actually bc i Still. have a lot to talk abt 😔👉👈 i’m just wildly flipping through my notes at this point i’m sorry to throw this at u when we’ve barely interacted but in my defense this fic reached into my actual skull and started rewiring my brain so!!!! yeah.

i got completely sidetracked there but . yes!! the conversation between them when gojo gets sent back in time is. so good!!!!! so wonderfully written!!!!! i haven’t mentioned it that much yet i think but i love your writing i devoured every line…… i struggle w the flow of my own writing SO much but this just flows so incredibly well??? it was sm fun to read????? and the rhythm of the paragraphs (that sounds. Insane but i hope u know what i mean 😭😭) is so distinct!!! and ofc there are SO many banger lines in this in general…. the gore descriptions and the lines abt reader and their fixation on hope. on gojo!! ”He's a terrifying sort of beauty and you can't help but be captivated by him.” <- this is just one example but!! idk i’m just so enamored by ur writing style.

and the dialogue!!!!!!!! i cried!!!!!! it’s so consistently gojo…. him going all ”oh?” ”interesting…” but not explaining anything … the ”ding ding ding!” after making reader guess what he should just be telling them (it’s the teacher in him <33) AND AND AND these too!!!! :3

“Just think of it like having a lot of MP.”

“You know, your technique kind of reminds me of save scumming.” 

THEY JUST FEEL SO CANON that’s our gojo…… that’s exactly what he would say…… he’s so unserious and so funny and so charming 😔😔 sigh.

ANDDDDD reader telling him good luck!!!! gojo beaming and squeezing their shoulder!!!!! the lil wave!!!!! 🥺🥺 that made me smile so wide niku he’s so infuriatingly cute . it felt so genuine!!!! pls know that this gojo will probably live in my brain forever like genuinely . i’ve been brainrotting over him all week and this was the final nail in the coffin. i’ll never be free.

ok but also !!!! extremely important !!!!!!! before i get to the ending i just need to tell u . how much i loved kenjaku in this ……….. kenjaku nation (me & six others) will never forget these crumbs of content like he just feels so real!!!!! and he’s so interesting!!!!! made me realize how truly down bad i am for him bc these lines made me so fucking happy 😭😭 brain started releasing serotonin like CRAZY i’m so ashamed.

“You can come out, you know.”

”How interesting.”

"I'll be nice, though. I'll make it painless."

…….. he’s just ….. yeah. yeahhhhh. 😔😔 i’ll never be normal abt him. i think it’s SUCH an interesting detail that he always makes reader’s death painless in every single loop…. he never lies about it. that feels so in character to me too!!! he’s kinda fascinated at first and when that interest disappears he kills them. but he doesn’t make it unecessarily cruel because there’s just. no need. kenjaku is a sicko but he’s oddly polite at times and i’m just……. yeah. gonna need you to take over for gege akutami actually 🙏🙏 get in the writer’s chair!!! the fandom needs u!!!!!

wait while we’re on this topic pls just know the entire confrontation between reader and kenjaku was one of my favorite moments in the entire fic <333 not JUST because i’m a kenny stan ok……… reader’s resignation and ”I appreciate it.” made my brain spin because it’s just . kinda chilling? kinda sick? that they aren’t even really afraid of death anymore… or more like they’re just so frighteningly used to it.

AND AND ANDDDD niku your writing in this scene 😵‍💫😵‍💫😵‍💫 gutted me like a fish.

Time doesn't flow in the box. He didn't lie. You die again.

i exploded btw . ackkk i wish i could explain it better i just!!! :< adore your writing. these lines made me go completely batshit they’re just so good. and the ”time doesn’t flow in the box” line … how that ties in with the ending and reader’s choice. whewww.

segway time <3333 this is the final rant i promise!!! i just need to talk about the ending bc it was so perfect and like many other things in this fic it made me insane …. have i said that already …. probably at least a couple times 😔👉👈 it’s true ok!! it’s just sooo interesting to me and obviously so wellwritten and fitting and just. thematically ties everything together so well? i was FLOORED

hhhhh i don’t know where to begin so i’ll just start w the final convo between reader and gojo :> he asks for their name !!!!!!! i cried !!!!!!!!!! calling someone by their name or knowing their name as a form of like . Closeness or Affection is one of my greatest weaknesses and i also think it’s soooo telling that GOJO wants to know Your Name. he wants to know you. to hear that from someone who seems so inhumanly beautiful and violent….. for him to kind of extend a final olive branch and attempt to connect w you :((((( it just says so much without spelling it out and i. started chewing at my desk. it’s so good!!!!!!! such a genius way to tie everything together!!!! and reader’s final words to him…

“Thank you, Satoru Gojo.” You burn the glittering glow of his brilliant bright blue eyes into your mind.  And then, everything is engulfed in an unending black. 

first of all!!! so so sooooo pretty. wowow. second of all THE THANK YOU ☹️☹️☹️☹️☹️ that’s also such a perfect conclusion…….. reader finally put their trust in someone and had that faith returned. and they thank him!!!! i like to think it means something to gojo too…. likeeee how often do people really thank him for what he does? how often is his hard work to protect people acknowledged and appreciated? sorry to bring gojo back into the discussion all the time sadly i AM in love w him….. 😔😔 and this fic made it worse so technically it’s your fault. kind of.

okay so my brain is kinda spinning away again so i’ll get to the final final thing!!!! for real this time!!!!! reader’s decision to be imprisoned in gojo’s stead… that’s so . genius? i’m so in awe??????? it makes so much sense from a character perspective based on what they’ve been through — after being at the mercy of time for so long, wouldn’t it be nice to be free of it? completely? it’s almost kind of chilling and just the idea of it scares me LMAO but it makes sm sense that reader would be drawn to it.

AND like i mentioned before!!! how it leads to a deeper connection between them and gojo, and how at the very end of the fic he’s the one who has faith in them. faith that they’ll be alright, of sound mind.

…… and that brings me to the final final final thing because. it’s just like the opening poem!! reader is the cat in the box. nobody can say for sure if they’re alright, not to mention alive, until the box is opened. and we don’t get to know!!! you leave us on a cliffhanger and that’s so good bc it really is like the cat in the box…. we can only wonder but it also gives us the freedom to decide for ourselves if we think they come out okay or not and i’m just………….. in love. with this fic. and the ending and the reader and gojo and you.

hopefully you’ve noticed atp but i really did go completely insane reading this 😭😭 i said it at the beginning but just to reiterate!!: for SURE one of my all time favorite gojo fics . AND loopfics in general…. thank you sm for your hard work :’3 aaaa i can’t tell u how much i admire the time you spent working on this??? your storytelling and writing and characterization skills????? i genuinely feel sooo giddy and excited and happy rn bc. i just adored this fic!!!! i’m so lucky i got to read it!!!!! :33 pls pat your gojo on the head from me and let him know i love him…. it’ll boost his ego but that’s a risk i’m willing to take 😔😔 i hope you have theeeee loveliest day or night a human being can have bc you made mine <3333333

beyond the unending night (reader + satoru gojo)

notes: it's finally here. the long awaited halloween fic. yes, i know it's march, but i did start working on it in september. haha. there's so much i could say, but i will leave it at that this fic is, in every sense, a fic that i would not normally write. and yet here we are.

contains: f!reader (no physical description or gendered language is used), no explicit romantic pairing (though you don't have to look hard to find the reader x gojo implications), major character death (played with), semi-graphic depictions of death, blood and violence, minor suicide ideation, canon retelling (lines of dialogue are pulled from the jjk english dub because i'm a dirty dub watcher). opening poem is from higurashi no naku koro ni (minagoroshi-hen). fic title is from giga's beyond the way.

please note that this is a time loop fic and, by nature contains repeating scenes (particularly from canon). please do not read this fic if you do not like that sort of thing.

wc: 21,883 read on ao3 (account required)

Please tell me what happened in this night. It's like the cat inside the box.

Please tell me what happened in this night. You don't know if the cat in the box is dead or alive. Please tell me what happened in this night. The cat in the box was dead.

The first time, it is instant— you don’t even know what’s happening.

The second, it is by flame, but you barely realize it, barely feel it— a second of mind numbing heat before nothing.

The third time, it is something slicing across your throat; you see the blood spilling everywhere, then the pain follows— a moment of pure agony before nothing.

The fourth time you realize what’s going on; what’s really going on.

You realize you’ve been dying.

You think your head is going to explode.

At first, you think it’s because the subway platform is crowded, insanely so— there are hundreds of people shoved into this space alongside you, packed like sardines in a can. You’ve never been one for crowds, but it’s the reality of things when you live in Tokyo. For the most part, you’ve learned to accept it, but even this crowd is a little much and you wish you hadn’t listened to your friends when they said you should go party in Shibuya for Halloween; you don’t even like partying.

There’s a sharp pain in your temple followed by a thought so loud that it feels like someone is screaming it at you through a megaphone positioned right next to your ear.

It’s the night of October 31, 2018— Halloween in Shibuya.

For the eighth time.

Before you can even question the thought, images flash in your mind’s eye, blurry at first before they come into focus. The platform gates open. Chaos ensues. People dropping onto the subway tracks— spontaneously bursting into flame— their heads, necks sliced off, stomachs cut open—

Bile rapidly builds up in your throat, and you clamp your jaw shut, trying to force it down. Not here. Not now. You try to focus on something else, anything else happening outside of your brain. There’s a pair next to you musing about the people standing on the subway tracks, wondering what the two (the four?) of them are talking about. You blink back tears as you look. You can only see two: a freakishly tall man with white hair dressed in all black, and another man, dressed in strange, yet more traditional looking garb. Are those costumes too? You don’t have a lot of time to think about it as another image forces its way into your brain.

Your corpse— lifeless on the ground.

Your corpse— burning to ash.

Your corpse— bleeding out.

You can’t hold it in any more. Every fiber in your being screams at you to get away from the subway tracks, but instead you rush toward them, shoving people left and right as your hands desperately reach the stability of the gate. You grip it like a lifeline as you retch over the side of it, the contents of your stomach spilling all over the subway tracks.

There’s a quiet murmur of disgust behind you but you can’t be bothered to respond. You need to get out of here. You need to leave. You need to do it before—

The gates open and the crowd starts to move like a tidal wave, pushing and shoving their way through the gate. You’re swept away, vomit long forgotten as you and a few dozen others tumble onto the railway.

Alarm bells go off in your brain, loud and deafening. A voice in the back of your head screams for you to get off the track! Get off the track now before—

The platform erupts into a cacophony of screams, drenched in horror, saturated in fear. You are surrounded by people, by corpses— beheaded, sliced open, bursting into flames.

Your terror roots you to the ground as the carnage ensues around you. It’s only when another person, another corpse, dressed in a magical girl costume collides with your body that you can finally move. But it’s too late, you realize, despaired and helpless, as your bodies fall to the ground.

It’s too late.

You die an eighth time.

You think your chest is going to explode.

At first, you think it’s because it’s so hard to breathe, frustratingly so— there are hundreds of people squeezed into this space alongside you, packed like cattle for slaughter. You've never been one for crowds, but it’s the reality of things when you’re in Shibuya. For the most part, you’ve come to accept it, but this crowd is way too much and you wish you had just stayed home and ordered a pizza; though honestly, the thought of pizza kind of makes you sick.

There’s a dull throbbing in your forehead, followed by a thought so loud that it feels like someone’s hollering at you from a loudspeaker that’s been installed in your brain.

It’s the night of October 31, 2018— Halloween in Shibuya.

You think it's the ninth time now.

Behind you, you hear a woman screaming, her voice crazed and terrified. You turn your head automatically to look at her and when you see her you realize you recognize her yellow and white magical girl costume. You can say with certainty that you’ve never seen her before and yet—

Before you can ruminate more on it, images— memories assault your mind’s eye with a clarity that is absolutely sickening. That woman colliding into you, your bodies slamming into the subway tracks before you both— Your stomach churns violently,

and you feel like you’re going to puke, but you force it down— can't afford to right now. Instead, you make your way over to the woman.

Her head is in her hands as she mutters over and over again about how everyone is going to die. People around her figure that being stuck in here with the crowd has probably gotten to her. You, however, know better.

“...hey,” you say softly.

Her muttering comes to an abrupt halt and slowly she raises her head to look at you. There’s a flash of recognition in her eyes and she grabs you violently by the shoulders. “You! You know, don’t you? That we’re going to die?”

If it weren’t for the fact that you have indeed experienced death here eight times already, then you would have thought she’s lost her mind. Slowly, you nod and she seems relieved by it, her grip on you loosening.

You can’t help but feel a little relieved too— glad to know that you’re not the only one experiencing this nightmare. There’s a voice in the back of your mind that’s confused though. Why is she only remembering now? But then again, it took you a few times before you realized yourself.

Around you people start to gasp, and you glance back toward the railway to see an abnormally tall man with white hair and dressed in all black jump down from the atrium onto the railway. He lands rather gracefully for someone who jumped at least one floor and starts to converse with the other three people (you think they're people— two of them are in some pretty wild costumes) on the track.

Wait. Isn’t it supposed to be just two people: the tall man and the one in the traditional clothes? Where did the other two come from?

“We have to get out of here,” the woman says. “Before they kill us.”

Her grip shifts from your shoulders to your arms and she starts to shove at everyone around you, trying to force her way through. She seems to know, just as well as you do, that any second now the gates will open and the crowd will start spilling onto the railway, littering the tracks with bodies and ash. Neither of you can let yourselves get swept up with the rest. If you do and you end up on those tracks, you’re as good as dead.

People move aside at a snail's pace, many of them too focused on trying to see what is going on on the subway tracks. This isn't good. You need to move faster or else—

The collective sound of the gates opening echoes in your head, a metallic hiss that makes your stomach fold into itself. Before either of you can stop yourselves, you both whip your heads back to look, to confirm, but it’s a mistake.

The briefest lapse in attention is enough to pull you both into the current of people, and try as you might to fight against it, the crowd splits you and the woman apart as it swallows you both whole. You’re both spat onto the tracks at the edge of the platform and your head collides with the metal rails of the track. It feels like your skull is about to crack in two, and it takes every fiber in your being to scramble to your feet. You're close enough to the platform that if you can just climb up it, then you'll be—

“Help! Help!”

It’s the woman’s voice. You turn to see that she ended up a couple meters away from you. She’s staring at you, eyes brimming with fear filled tears as she extends her hand in your direction. You take a step toward her, reaching out.

And then, her entire body is engulfed in flames, the skirt of her magical girl costume a ring of fiery death around her.

Her blood curdling scream is the only thing you can hear, her burning flesh, the only thing you can see. You don’t know what to do.

You can’t save her.

There's something touching your back. You can barely feel the pressure, but it's hot, scorching hot, mind numbingly hot, painfully hothothot.

You know this sensation. You have felt it before. The scent of burning cloth, burning hair, burning flesh clogs your nostrils. It's too late, you realize, helpless, despaired as the flames eat at your body— your soon to be corpse.

It's too late.

You die a ninth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the tenth time.

Your head hurts, but you ignore it. There’s something more important that you need to attend to. You immediately make your way to the woman you met during your last round, the one you watched burn to death. Her costume is still pristine, unmarred by fire and death.

For now.

She’s not screaming this time and while there’s a little voice in the back of your mind that’s concerned by this, you try to ignore it.

“Um, excuse me?” you say when she doesn’t acknowledge you as you approach.

The woman turns to look at you. You’re taken aback by the distinct lack of recognition and it feels almost as if the woman you encountered previously and the one before you now are two separate people. In a way, they technically are.

“Do I… know you?” she finally asks when you don’t say anything.

Your mouth is dry. How do you even answer that? You don’t know her. You just watched her die twice. You know her. She begged you for help. You couldn’t save her.

If you explain all of this you know she’s just going to think you’ve lost your mind. Maybe you already have— you’ve died nine times after all.

You give her a weak smile. “I… just wanted to tell you that you think your costume looks great.”

She blinks, taken aback by your words. There’s no doubt that she wasn’t expecting you to say that. It’s the truth though, her costume is nice; she’s dressed up as a character from a magical girl anime that was popular a couple years ago.

“Thank you! I made it myself!” The woman breaks out into a genuine smile and your heart hurts. In a few moments she’ll die and the costume she worked so hard to make will be nothing but ash on the subway tracks.

“Sorry,” you blurt out before you can stop yourself.

“For?”

For watching her die. For not being able to save her.“...I just kind of came up to you all of a sudden…”

She laughs. “It’s okay.”

It’s not.

You consider telling her that she should try to move. That if she stays here she will die. You don’t want her to die. Again. You can still hear her screaming in your ears as she burned to death. You want to tell her.

You don’t.

“Stay safe, okay?” you say. It almost sounds like you’re begging.

She gives you another smile, kind and gentle and you think you’re far too undeserving of it for not telling her what fate will soon befall her. “You too.”

“I’ll try,” you say and move away from the woman just as the gates open and the crowd surges toward the railway. You do not fight it as you are swept up into the crowd and despite what you said, you do not try, this time, to stay safe.

You die for the tenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the fourteenth time.

There’s a slight ache in your head, but it’s subtle enough that you can ignore it. The pain you feel lessens with each round and you think it’s a sign that your body no longer feels the need to remind you of the precarious situation that you’re in.

Or maybe you are just becoming numb to everything: your death, the death of the people around you, the death of the woman in the magical girl costume—

You try not to think about it too much as you reach into your bag to check the time on your phone: 8:37PM. There’s not a lot of time: you need to move.

At the very end of your last attempt to escape this nightmare you realized something. You need to know exactly what is going on around you so you can plan accordingly: where to not stand, where to not go. Up until now, you’ve relied almost solely on the knowledge gained from your previous failures to try and survive, but obviously it’s not enough to keep you alive. You’re not sure why you didn’t realize this earlier. The panic, maybe? The fear?

Maybe you really are becoming numb to all this.

Unlike previous iterations, this time you elect to move closer to the gate, positioning yourself somewhere against it where you’re unlikely to be pushed off the platform in a couple minutes when they open. You take great care to place yourself where you can see the ones responsible for the slaughter very clearly. At the beginning, you could only see one, the one who looks the most human, but with each repetition, the other two have become more and more clear. You wonder why. You don’t have time to think about it.

Murmurs nearby alert you to the arrival of the fourth major player involved in the night’s events. You look up and see the white haired man dressed in all black descending upon the platform like an angel from the heavens. This is your first time really looking at him and you realize there’s something almost inhumanly attractive about him. You can’t quite put your finger on it, but it occurs to you that you shouldn’t even try; you don’t have the time to be drooling over some handsome stranger.

You’ve naturally never taken the time to try and listen to whatever the conversation the man and his opponents have before all hell breaks loose on the platform, but you try and lean closer to listen. It’s hard to hear over the dozens of conversations going on behind you, but you try anyway. There might be a clue to what’s actually going on— or better yet, a clue on how to get out of it.

It’s obvious that you’re missing context from what bits of the conversation you do manage to hear, but honestly it all sounds like stuff out of a shounen battle manga. There is one part of the exchange that you manage to hear with a startling sort of clarity. It feels almost as if your heart stops beating as your blood turns ice cold in your veins.

“If I run away, you’re just gonna kill everyone here, right?” the man in black asks.

There’s a pause, and if your heart was still beating it’d be long enough for just four heartbeats.

“If you run away?” The monster with cane repeats, the sadistic grin spreading wide across its features, displaying its charcoal black teeth. The gravelly sound of its voice sets fire to the blood in your veins, your stilled heart thumping wildly, in fear, in anticipation. Soon. It’s happening soon. You brace yourself. “We’re going to do that even if you don’t!”

You die a fourteenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the seventeenth time now.

Things are going surprisingly well, even as the people around you tumble onto the tracks. You manage to hold on, desperation keeping you from falling into the abyss. This is good, you tell yourself, despite the fact that it’s not the first time you’ve achieved this. Every little victory is worth celebrating, but you have to remain vigilant. This is yet another information gathering loop, and while you know that maybe this time you’ll be lucky and live, there’s still a chance, a big one, at that, that you will die again.

You have to make the most of each and every death.

It’s such a morbid thought, but the ends justify the means, or so you tell yourself. If you have to die a few times to make it out of this unending nightmare, then so be it.

The spot you’re in is a good vantage point; it’s easier to see everything happening below you. It’s so good that it’s actually sickening. You watch as the monster with the cane and one with what looks like branches for eyes slaughter the people on the track, mowing them down, setting them aflame. In another life, in another many lives, that was you down there, and for what feels like the first time in forever, you feel like you’re going to be sick. You feel like, at some point, you likened the scene before you to some kind of shounen battle manga, but you think that was wrong.

This is borderline horror.

Everything plays out before you like a scene out of an action horror flick. If you didn’t know better, you’d think you were just an extra on set, but you know the reality is that you’re just an extra to whatever phantasmal battle is taking place in front of you. The monsters and the strangely dressed man all try to attack the man in black, but he manages to block every hit effortlessly, as if he is protected by some sort of invisible barrier. When it seems the two monsters are about to hit him, he merely jumps out of the way and the two monsters seem to collide, the force of their combined strength sending a gust of air throughout the crowd. The man in black neatly lands on a nearby platform half wall and says something about curse users, whatever those are, to the monsters, before he starts to mock them, pulling down his strange blindfold in the process.

And this, you’ve found, is where you start to get in trouble.

You clearly remember thinking, at some point, previously, that there was something attractive about this man. You still don’t know what it is. You haven’t had the time to try and figure it out, but there is one thing that you do know: you can’t keep your eyes off of him.

He drops back down onto the tracks, antagonizing his opponents in an arrogant tone as he approaches. When he comes to a stop between the two monsters, the second round of their fight begins. They try to hit him, but he dodges still, gracefully, fluidly, like the three of them are embroiled in some sort of passionate, yet violent dance.

You cannot turn your eyes away as he cruelly rips off one of the arms of the one-eyed monster.

You cannot turn your eyes away as he brutally kicks the branch-eyed monster in the abdomen, sending them flying to the other side of the platform.

You cannot turn your eyes away as he effortlessly hurls the one-eyed, now one-armed monster in the same direction, sending them smashing into the wall.

Only when the man in black seems to fly to the other side is the spell over you seemingly broken. Still, your eyes give chase, and your body too, rushing from one side of the platform to the other. You can’t lose sight of this fight, you tell yourself, settling in a spot you recall being safe during your last round. Doing so could mean another death, another loop, another October 31.

You watch as the man in black acrobatically dodges what looks to be vines or roots that the monster with branches for eyes seems to have summoned from the depths of the Tokyo metro. He lands on the monster’s shoulders, balancing on them as he uses its branch-eyes for leverage. The look in the man’s eyes is so crazed that you can see it from where you’re standing. He says something to it and then—

With a feral and sadistic smile, he rips their eyes straight out of their skull.

Your heart is pounding wildly in your chest as you watch the fight unfold. It is horrifyingly, disgustingly violent, yet still you watch as people on the track are killed by the human-like person, blood raining down as their freshly beheaded skulls go flying into the air. He and the one-eyed monster launch their counter attacks against the man in black and the blowback is so intense the power goes out causing everyone to scream.

There’s a faint glow where the man in black is standing that starts to grow brighter and brighter. You can make out his form turning to face the wall, and it seems almost like he’s slammed the monster that had branches for eyes against it with some sort of telekinetic power. Despite the panic from the people around you, you manage to hear him, chuckling like a mad man as he draws closer and closer to the monster.

The one-eyed monster yells out a name, a name you think must belong to the man, but he doesn’t hear it. He doesn’t hear the one-eyed monster as he extends his hands out toward the eyeless monster, exerting some kind of force that you can’t really see. He doesn’t hear the one-eyed monster as the eyeless monster’s entire body is vaporized in a flash of blue light. He doesn’t hear the one-eyed monster, as the lights flicker back on revealing a smoking crater stained with purple blood where the eyeless monster once stood.

But you do.

Satoru Gojo.

You make sure to remember that.

It’s October 31, 2018— Halloween in Shibuya.

And this is the eighteenth time.

You watch as the man called Satoru Gojo stalks through the crowd of people on the subway tracks, chasing after the one-eyed fire monster. It throws people at him, in a clear attempt to slow him down.

It does not work.

Satoru Gojo climbs back onto the platform in a way that you can only describe as inhuman, and the people nearby shriek and move away from him, out of terror, out of fear. You, on the other hand, draw closer, refusing to lose sight of him.

He is relentless in his pursuit of the one-eyed monster. It continues to throw person after person at him, but he does not stop and the people float there, suspended in midair before they are gently lowered to the ground by some unseen force and scramble away.

No one dares get close to Satoru Gojo, everyone on the platform seems to know that doing so means certain death, yourself included. But you still feel the need to keep an eye on him. The monster and the strangely dressed man are focusing more on him than the crowd— anyone in between is just collateral damage.

But not you.

Especially since you’ve made it this far— you’ve never made it this far before.

A voice echoes throughout the platform; you realize it’s the automated announcement.

An eight car train is pulling in. Please wait behind the yellow line.

You can hear everyone’s relief coming from all sides. The train is coming! The train is coming! A ripple of hope makes its way throughout the crowd. With the train comes the chance to get off the platform and the senseless violence that’s been happening here. Some of the people around you are talking excitedly and others are running toward the gates, toeing the yellow line they’ve been instructed to wait behind. And you, you should be excited, you should be hopeful.

All you feel is dread.

It eats at your stomach, at your chest, at your mind. Clawing and gnawing at you in a way that leaves you paralyzed on the platform. There’s something wrong here. You can’t be sure because you’ve never made it this far, never survived long enough for the train to come, but something is just not right.

No.

You must be paranoid. The train coming is a good thing. It has to be a good thing. You are just paranoid. It’s normal. It’s natural. Dying seventeen times would do that to anyone— rob them of hope, condemn them to an existence full of fear.

It is not lost on you that the thought of dying more than once, much less, dying seventeen times is not normal or natural in the very slightest.

But you need hope, you crave it, wildly, desperately. The hope of freedom, of escape is the only thing getting you through this unending nightmare. Every time you die, every time you wake, it is with the hope that maybe, just maybe this iteration will be different, maybe this one will be the one where you make it out, make it back to your friends who must be waiting for you, make it back home where you can be safe and sound. You need the hope to keep going. Because without hope, what will you have left?

The train screeches as it pulls into the station and the people around you laugh in both disbelief and relief. They start to push and shove toward it, fighting to be able to board because there’s no way everyone here will be able to get on an eight car train and being left behind at this point is practically synonymous with death. Unable to decide if you believe in the train as a symbol of hope or a new layer of fear, you are pushed along with the crowd toward it.

The doors of the train cars slide open and the current passengers all rush off as they disembark. You as well as everyone else on the platform can see with a horrifying clarity that the train is filled to the brim with monsters. Monsters that reach out and grab anyone their hands can reach. The woman to your left. The person to your right.

You.

Hope is gone.

What do you have left?

You die for the eighteenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is probably the twenty-sixth time now.

If there is anything this entire ordeal has taught you, it is that you are resilient. Whether it is some innate trait that you never had any reason to uncover before or just a byproduct of being trapped in an unending cycle of being dead and not dead, you don't know. What you do know, though, is that even if you no longer have hope, you at least have your resilience.

Whether you want it or not.

You check the time. It’s 8:35PM. Something flickers in your chest, like a faint light in a sea of darkness, but you ignore it. You don’t have time right now.

With a nimbleness born from your previous failures, you weave your way through the crowd. You’ve done this enough times to know where the gaps are— who will yield and who won’t. Your destination is the escalator that leads off the platform and up to a higher part of the station. You’d noticed previously that the escalator along with every other entrance onto the platform will eventually be blocked by vines or roots of some sort (the work of the branch-eyed monster probably). It’s not a perfect plan because you don’t know what happens on the other side, but whatever it is has to be better than whatever is happening on the side that you’ve been on.

You’d tried to get to the stairs during your last two rounds, but you’d just missed it. You hadn’t been fast enough and had gotten caged and slaughtered along with the rest. But this time, this time you have more time. It’s just one minute, but it’s enough. You know it is.

The flickering in your heart grows stronger. Hope. You try not to pay attention to it— you don’t want to be disappointed yet again. But you want to so badly. A voice in the back of your mind tells you to focus on the good, tells you that if there was truly no way out of this endless nightmare, then why would you get more and more time with each round to escape your fate?

With that thought in mind, you break out into a run, recklessly rushing through the crowd, shoving anyone who will not yield to the side. Out of the corner of your eye you can see the stark white of Satoru Gojo’s hair as he descends upon the platform.

You need to get up those stairs.

Now.

If you remember correctly, the roots and vines don’t close off the area the moment he touches down, but a little after they start talking, so you think there is probably some time, but you can’t leave it to chance.

The stairs are packed, and for some reason no one is moving. The escalator right next to it is just as full and the power doesn’t seem to be working. You don’t have time for this. You clamber onto the escalator’s rubber handrail, ignoring the weird feeling that passes through your body as you do so. You don’t have the time to worry about whatever that is. The people around you start exclaiming around you, but you don’t care, you don’t listen. You wobble as you try to balance yourself and when you think you’re steady you try to run.

But you trip.

And you die for the twenty-sixth time.

It’s October 31, 2018— Halloween in Shibuya.

This marks the thirtieth time.

And you have, finally, finally made it up the escalator, up the stairs with barely a second to spare. You pause, glancing back as the roots or vines or whatever the hell they are seal off the entrance to the platform. You notice that the area where the plants come down is actually fairly clear, despite the crowd. It seems weird, but you don’t dwell on it.

A strange feeling envelops your entire body and your legs turn into jelly. As you sink to the floor, you realize what you’re feeling is relief as all the tension, maybe thirty iterations of Halloween 2018 worth, seeps from your being. You don't remember the last time you felt anything other than fear and dread; it’s weird, but not unwelcome.

That voice in the back of your mind tells you that you can't relax just yet: October 31st isn’t over. Even though you have repeated this night again and again, burning the events that play out on the platform into your memory, you do not know a single thing that happens over here. It would be smart to scope everything out.

Legs still shaky, you rise to your feet and start walking. You think it’s probably for the best to try and head up to the surface and you make your way up to the next floor.

It’s packed with people here too, but relatively peaceful, especially when you compare it to the pandemonium taking place beneath your feet. Still, you can make out the undeniable hum of displeasure resonating throughout the crowd. People complaining about how uncomfortable their costumes are, people complaining about how much they want to go home, people complaining about how much their nights have been ruined because they couldn’t meet up with their friends and—

A thought hits you like an eight car train.

You were supposed to meet up with your friends.

That’s why you were on the platform in the first place— you were waiting for them to arrive, but then the trains stopped working, and people just started pouring into the station out of seemingly nowhere (you think you heard some people say they’d come from the crossing?). Soon after that is when everything went to shit.

You check your phone, though, for once it’s not to look at the time (8:56PM). Instead, you open LINE to check your friends’ group chat. There’s no signal here, for whatever reason, so if there are any new messages, you haven’t received them. The last one was from Kei, mentioning he was enroute, but as far as you know, you’re the only one who made it to Shibuya before the trains stopped.

Did one of them maybe make it here though? Surely, you would have run into them if—

The image of a woman in a magical girl costume fills your vision, burning to death before your very eyes as her screams echo in your ears. It is the first time in what feels like forever that you’ve thought about her and your stomach churns violently. You couldn’t help her, you can’t even help yourself, so how could you even expect to do the same for your friends if they were here? The mere thought of having to watch them die over and over is almost enough to send you over the edge. You don’t know if you could do it.

Would you even have a choice?

No. You can't think like that. You have choices. You've had choices. If you didn’t then, you would still be down below, among the fire and brimstone. Dying, if not dead already. However, instead, you are up here, where, for the moment, it is quiet and peaceful.

That thought, in of itself, is enough to give you a shred of solace, a glimmer of hope.

You take a deep breath and fiddle with your phone a little more, changing your lock screen to a picture you and your friends took at a photo booth not too long ago. The four of you are huddled together, faces squished as if you're all struggling to fit in the frame, despite there being plenty of room. You're mid-laugh because it's the first time you've been in a photo booth in years, Mio and Shin are grinning mischievously and finally, Kei is smiling, but only just slightly, the embarrassment clear on his face. It's probably only been a few months since you all took this picture, but the fact that it feels like it's been years makes your heart ache.

You press your forehead to the screen, like a prayer, like a promise.

You will make it out of this nightmare.

No matter what.

A shrill scream yanks you from your thoughts and you are instantly on your feet, alert as your eyes flit around frantically to identify the source. It doesn't take long for you to find it and when you do, you think you might have stumbled upon a new layer of horror to this nightmare.

It’s not the corpse, dangling by a noose, that terrifies you— by now you’ve seen dozens upon dozens of dead bodies that the sight of just one more doesn’t faze you in the slightest. The thing that’s the most mortifying, that’s the most disturbing is that right next to where the body is tied are two girls, two teenage girls still dressed in their school uniforms.

You can accept monsters and weirdly dressed men being responsible for the carnage tonight, but children too? Both girls look like they’re barely in high school and try as you might to rationalize things, to chalk it up to coincidence, you cannot ignore the ominous energy radiating from them.

The very notion that these two children could have killed someone here is a hard pill to swallow, but so is the fact that you’ve died.

And you’ve had to swallow that pill thirty times now, so what’s once more?

“Listen up!” one of the girls yells over the crowd, but she is mostly ignored; you don’t think everyone here has noticed her and the corpse dangling from the rafters. She scowls and turns to the other girl and says something quietly to her. The other girl nods and almost instantly she’s stringing up another person, another example. You want to look away so badly, and yet you cannot bring yourself to and you watch the poor soul choke to death.

“I said listen, you dumb monkeys!” the girl shouts, and this time she’s caught most of the crowd’s attention. “If you don’t want to end up like these two, you’ll listen to what we have to say!”

There is clear dissent among the crowd, people dismissive as they utter their disbelief. Some seem to think it’s a prank, but you know better. It takes two more examples before the crowd goes silent before the two high schoolers.

“About damn time!” The girl roars and then points toward the atrium, which is currently covered by roots and branches. “All of you move over there!”

You have a bad feeling about this.

Still, you comply; the girls have made it abundantly clear that failure to do so will result in death, though, at this point, you're almost certain this iteration is a bust and death is all but imminent. You try to keep positive— thinking you can at least gather information or, who knows, maybe there's a chance that this one is the one.

Yet when you step onto the mound of vines and branches that cover the atrium it feels as if you've crossed the threshold into hell. Your footing is stable… but for how long?

An eight car train is pulling in. Please wait behind the yellow line.

It's faint, but you can hear the announcement from below. The liquid in your stomach curdles at the sound as you recall the train and, in particular, what is on board. Soon enough, those monsters will be swarming the platform, massacring everyone in reach, guzzling down their blood, feasting on their flesh—

It dawns on you that the people on the platform are the monsters' first course.

And you, and those around you here in the shrubbery, are the second.

As you realize this, the branches and vines disintegrate beneath your very feet and suddenly you are mid air— falling, falling into the abyss below.

You die for the thirtieth time.

It’s October 31, 2018— Halloween in Shibuya.

You've done this nearly sixty times now.

After countless failures, you've decided that you're just not going to go upstairs any more. No matter where you try to go, you still end up herded onto the death trap above the platform where you ultimately fall to your death. You've tried positioning yourself in the same spot, tried bracing yourself for the drop— but nothing seems to work: upon landing, assuming you manage to land without hurting yourself or dying in midair (which has happened a couple times) you get grabbed and killed by one of the monsters from the train. It's probably not impossible, you just don't have the physical prowess or reflexes for it.

If anything, you can try again later, but you sincerely hope you don't have to.

It's 8:32PM, and you have plenty of time to get to your chosen spot for this loop— it's close to the stairs, in the very center of the platform. Here, there's little risk of getting pushed off onto the tracks when the gates open. You'll probably have to move when the train comes, or even before (assuming you survive) to avoid the monsters, but you'll get to that when it's time.

You can't really see the fight once it breaks out after Satoru Gojo arrives, but you still try to keep track of it as best as you can. You see when he hurls both monsters across the platform and you're not sure if it's muscle memory or what but you have to fight the urge to move to the side and watch. It's been a while, yes, but you've seen the fight countless times before— it doesn't change. Satoru Gojo will give chase. He will rip the branches from the branch eyed monster's skull. He will use some kind of power to eviscerate them.

You don't need to watch, but there's something in you that wants to.

It doesn't make sense, you've seen it all before; if you're unlucky you'll see it all again.

The lights go out and people start screaming; Satoru Gojo is ending the life of that one monster. Soon enough he'll be back on the platform, in pursuit of the other. You think at that point it would be good to move, reposition yourself as far from the incoming train as possible.

When he rises from the tracks like a demon straight from hell, you realize it's the first time this loop that you've actually gotten a good look at him. You remind yourself, again, that this isn't the first time you've seen this man, this scene. You can't help but watch, but stare at Satoru Gojo as he stalks through the crowd in pursuit of his prey. His expression is an eerie sort of calm that's at odds with the acts of violence you've seen him commit— his eyes an unnaturally bright blue.

He's a terrifying sort of beauty and you can't help but be captivated by him.

An eight car train is pulling in. Please wait behind the yellow line.

The sound of the announcement sends your heartbeat into a frenzy, snapping you out of your little trance. The train is coming and you need to get moving. As you dart to the edge of the platform, the thought occurs to you that even if you avoid the initial wave of monsters, it's likely you will inevitably be caught by them and killed. It wouldn't be impossible for Satoru Gojo to turn his attention to them instead of the two he's currently facing, but he's just one man— can he truly defeat all those monsters?

You can see the train pulling in and you brace yourself, praying that it'll work out somehow.

The doors hiss open and the screaming starts again as the monsters come bursting out of the train, biting and mauling anyone they can get their hands on. Those who were lucky enough to not be at the front start to scramble away and the monsters give chase. Your body is taut, ready to try and dodge any that come your way.

Out of the corner of your eye you notice something moving through the air. A person? With blue hair? You take the risk to look— they're attacking Satoru Gojo. He tries to punch them but they fly away from him to dodge— disappearing into the crowd.

You hear a loud cracking sound over the cacophony of the crowd and your stomach twists; you know what that sound is. The roots above the atrium disintegrate and bodies from above start to rain down onto the platform.

And then, you're not sure what happens— it's so quick that you only manage to see what looks like an explosion of blood surrounding Satoru Gojo. Corpses litter the ground around him and even from here you can tell he is shaken by the carnage.

The monsters have finally reached where you're standing, and you duck under one as it lunges at you. Although it's big and scary, you realize it's moving kind of slow. Right after it another one comes at you and you take a side step to avoid it; this monster is kind of slow too.

Maybe you can do this.

As soon as you think that a strange feeling courses through you. Every hair on your body feels like it's standing on edge and the voice in your head is telling you to look at Satoru Gojo. You don't understand why because you think he's the least of your worries right now, but you do it anyway.

He's in some sort of stance, one hand raised to his face, fingers bent in some kind of gesture. There's some sort of aura, oppressive and frightening emanating from his form.

Satoru Gojo is doing something.

You just can't tell what.

It’s October 31, 2018— Halloween in Shibuya.

And you are utterly confused.

Barring your first few loops when you weren't fully aware of what was happening, you have very distinct memories of how each of your previous iterations of this night have gone— of each and every one of your deaths. But for your last round, the last thing you remember was feeling the immense power radiating from Satoru Gojo's body, but that's it.

You do not remember dying.

In fact, you don't think you did.

And yet, here you are again, back at the start: it's 8:32PM and the monsters and strangely dressed man are standing on the subway tracks waiting for the arrival of Satoru Gojo.

You don't understand what's going on; you didn't die but you're still stuck in this damn loop. Up until now, your death has served as the trigger to restart the loop. It's not impossible that maybe you suffered a quick and painless death but you're almost certain that isn't the case.

Something else must have happened.

Something having to do with Satoru Gojo.

You have to find out what. If you don't, you won't know how to avoid it, and if you can't do that, then you really might spend an eternity stuck in this nightmare. And so you take great care to repeat the steps of your last round. You need to make sure to survive to the same point you made it to last time.

Miraculously, you do.

The moment you feel that sensation again, a prickling sort of feeling that envelops your entire body, your eyes are on Satoru Gojo— trying to figure out what the hell he's doing. His eyes are crazed with a desperate kind of focus. You see his mouth move— he's saying something. A spell? A prayer? A curse?

You don't know.

You do know.

Your brain feels like it's going to explode.

Again.

It’s October 31, 2018— Halloween in Shibuya.

Again.

You do not know how many times it's been the night of Halloween in Shibuya: you stopped counting around the hundredth loop. It feels like it's been a while since then. Or maybe it hasn't? You don't know any more.

What you do know is that this night ends up going one of two ways before you are forced to repeat it. Either you die, in some way, shape or form or something happens just after nine that forces you to reset. You still don't know what it is exactly; you only know that Satoru Gojo is responsible for it.

You do prefer it to dying— it's far less painful.

But if anything, you wish you could just die permanently and never have to repeat this night ever again.

Unfortunately, you know better.

The only good thing you’ve noticed about all of this is that you really do seem to keep waking up earlier and earlier. The last time you checked, it was at around 8:30. It might take hundreds of thousands of loops, but eventually you’ll certainly wake up early enough to avoid this damn entire mess.

But by the time that happens… will your sanity still be intact? Will you really be able to go back to a normal day to day life after living the equivalent of hundreds of years, repeating the same night over and over again? You don’t even know how you’ve managed to stay sane all this time and as much as you want to believe you could do it…

There has to be a breaking point.

For both your mind and this time loop.

If you’re lucky, you’ll reach the latter first.

There’s a dull ache in your head that feels foreign yet familiar. Your mind is foggy, all your thoughts hazy as you try to recall what the word for this feeling is.

Groggy.

It feels as if you’ve woken up from a nap and you blink the sleepiness away from your eyes. When was the last time you took a nap? It’s been a while… You think you maybe tried once or twice, but you were too nervous, too on edge. Awake or asleep, it didn’t matter because, either way, you were doomed to repeat this nightmare.

As you think this, you realize that something is different.

You’re used to how the start of each loop feels like waking up suddenly and abruptly and it becomes clear to you that you haven’t looped. This is completely uncharted territory.

You need to find out what’s going on.

The first thing you notice is that it’s quiet. Almost eerily so, especially when the last thing you remember was screaming and chaos. You glance around you and find that it looks like all the monsters from the train are dead, the ground littered in their bloodstains and corpses. There were so many of them, you don’t know how someone could have wiped them out so quickly… Could it possibly have been Satoru Gojo’s doing?

More concerning than the complete eradication of the monsters is the fact that nearly everyone else on the platform is standing stock still, their mouths ajar with blank expressions on their faces. It’s almost as if their souls have completely vacated their bodies…

Were you like that too before you woke up?

You hear voices, and your body immediately goes tense as you turn your head in their direction. A little ways ahead of you, you see a man dressed as a monk conversing with the blue haired person from earlier and before them is—

Your heart nearly stops: it’s Satoru Gojo, restrained and on his knees.

Honestly, you can’t make heads or tails of the conversation they’re having; it’s more shounen battle manga nonsense. Satoru Gojo doesn’t seem to be enjoying their conversation either, and he interrupts them, clearly annoyed.

“Are we gonna do this or what?” he asks. “The view sucks and I’m just kinda bored.”

“I wanted to enjoy this sight for a little bit longer, but you are right,” the monk says. “I wouldn’t want anything to happen— gate, close.”

When he says that, Satoru Gojo’s restraints move, the weirdly shaped cubes at the ends of them closing in around him, trapping him in a giant red cube. It starts to shrink until it’s small enough to fit in the monk’s hand.

You gulp and hope they don’t notice that you’re awake. The fact that they haven’t slaughtered the rest of the people standing around you is a good sign, but you don’t want to find out what happens if they know you’re cognizant.

It’s not hard to play the part of a living statue, especially when you compare it to everything else you’ve had to suffer through on this night. You watch as the monk’s allies, the ones who had attacked everyone on the platform, wake up, but before they can do or say anything, the box holding Satoru Gojo slips through the monk’s fingers and makes a dent in the concrete. The look on the monk’s face makes it clear that it’s a problem he wasn’t expecting.

You don’t know a damn thing about Satoru Gojo, but you feel like this kind of thing is the norm for him.

The blue haired person suddenly looks in your direction and you nearly stop breathing. Have they noticed you? It takes everything in you to keep perfectly still, in hopes that maybe they didn't, that maybe they’re looking at something else. They raise their arm and it extends, their hand acting like some kind of projectile. You almost shut your eyes and brace yourself for impact, but their hand flies upwards and hits something on the ceiling, destroying it.

Inwardly, you breathe a sigh of relief— you’re still safe.

For now.

You listen to their following conversation and while you still don’t fully understand everything, it’s clear they’re talking about what to do next since they’ve taken care of Satoru Gojo. Something having to do with someone named Yuji Itadori? The group seems split on what to do about him but it’s clear he’s their next target.

Eventually, everyone but the monk (you heard the blue haired person, who is apparently named Mahito, call him Geto?) runs off, probably to find this Yuji Itadori person. Once they’re gone, Geto speaks and, at first, you think he’s talking to you, but it becomes clear he’s addressing someone else. “Those cursed spirits are actually smarter than the two of you.”

“Give him back!” a voice hidden among the crowd hisses. Your blood runs cold at the sound. You recognize it; it’s one of the high school girls from the upper floor.

“We cooperated with you fully and kept dropping monkeys for you,” says another voice; it must be the other girl that was with her, the one who hung all those people.

“Now give us back Master Geto’s body like you promised!”

“Don’t toy with Master Geto any further than you have!”

You blink in confusion. Isn’t the monk named Geto? The way the girls are talking it sounds like they’re talking about someone else… Is it possible that the body is ‘Geto’ but the person they’re talking to is someone else possessing it? It sounds kind of crazy, but then again, so is every single thing you’ve experienced tonight.

Your suspicions concerning this ‘Geto’ are confirmed only seconds later as he says, “Now begone, or is it your desire to be killed by this body?”

One of the girls vows her revenge and you hear shuffling somewhere else in the crowd as they scurry away. Now you think it’s just you and whoever it is that’s puppeting Geto’s body. You see him plop down in front of the box (the prison realm, you think he’d called it) that’s holding Satoru Gojo.

“You can come out, you know,” he says after a while.

You freeze. The rest of the platform is completely silent. This time you think he might actually be talking to you.

“I know you’re there,” ‘Geto’ adds, his voice casual. “If you’re insistent on hiding, you should know that I’m not afraid of using whatever means necessary to smoke you out.”

Given everything his allies have done, there’s no doubt in your mind that he’s serious. You were hoping to hide out among the crowd until he decided to leave, but it looks like you won’t be able to now.

Looks like this loop is a bust after all.

Your heart starts to race as you weave your way through the crowd. In every single one of your loops, you were always treated like a bit character, never noticed or singled out by any of the major players of the night. Although this is your first time encountering this ‘Geto’ it’s clear to you that he’s involved with everything that’s happened here and honestly, you get the feeling he might actually be the mastermind behind the massacre.

That makes you even more nervous.

You come to a stop in the place where Satoru Gojo was once kneeling before he was put in that box. Now that you’re out in the open, ‘Geto’ looks you over with some sort of nonchalant curiosity.

“You’re…” he starts, sounding thoughtful, "not a sorcerer, are you?”

Sorcerer. You heard that term thrown around by him and his group a few times. It’s what they’ve been referring to their enemies as. It probably wouldn’t be smart to lie and say you are one; you get the feeling he’d see through your lie anyway. “I’m not.”

He hums. “How interesting.”

“...what do you mean?” you ask before you can help yourself.

“It’s just you have an abnormally large amount of cursed energy for a non-sorcerer,” he explains. “Though, I suppose that all just sounds like gibberish to you."

You nod and look down at the box lodged in the floor. It has eyes, big creepy looking eyes. "...are you going to do the same thing to me as you did to that man?"

He laughs, "...fortunately for you, the prison realm only holds one person at a time and I need him sealed away more than you."

"...does that mean you're going to leave him in there forever?"

"If I'm feeling nice, I might unseal him in a hundred years or so."

One hundred years? At this point, you've probably lived roughly that amount of time through your loops alone, but for Satoru Gojo… "Won't he die first?"

"Only if he decides to," 'Geto' says, looking completely and wholly unbothered. "Time doesn't doesn't flow in the box, so when I unseal him, he'll be the same as he was just now. Physically anyway. Who knows how deteriorated his mind will be after all that."

Time doesn't flow in the box.

The words echo in your mind over and over. Time doesn't flow in the box. In other words, that means time has stopped in the box, and if that's the case then—

"Anyway, rather than worry about him, shouldn't you be more worried about yourself?"

You look at 'Geto' and he's smiling at you, it's friendly, but ominous. There's no doubt what is going to happen next, though you had already resigned yourself to this iteration being a bust; it was only a matter of time.

Time doesn't flow in the box.

"I was thinking I might keep you around, even if you aren’t a sorcerer, your wealth of cursed energy would serve my plans well," he muses. "But… it would be too much trouble trying to teach you how to use it in time."

As he talks, you realize this is probably the first time your death is intentional— every other death you've suffered has just been a byproduct of the ongoing slaughter. You were just another casualty, a victim, never a target.

You're scared.

Even though you know that once he kills you, once you die, you'll just loop back to around 8:30 again. You'll be on the platform again. And you'll play out some sequence of events before you eventually die again. And again and again.

Time doesn't flow in the box.

"I'll be nice, though," 'Geto' says, raising a hand and another monster appears out of nowhere. You don’t even bother trying to figure out from where. It doesn’t matter, especially since this monster will surely be the one to end your life. "I'll make it painless."

"...I appreciate it," you say and close your eyes hoping that he's not lying about it.

Time doesn't flow in the box.

He didn't lie.

You die again.

It’s October 31, 2018— Halloween in Shibuya.

And you're trapped.

You don't know how and you don't know why, but you are stuck in a time loop— forced to suffer through the horrific events of the night before you die and begin it all again. It's been a long time since you stopped counting how many loops you've gone through, but if you had to guess, it's probably somewhere in the hundreds now.

You are so very tired.

But it doesn't stop. It won't stop no matter what you seem to do. You are stuck. You are trapped. You are doomed.

“Time doesn't flow in the box.”

Ever since that first loop where you heard whoever is possessing Geto's body say that, the words have been stuck in your head, playing on loop.

You finally realize why.

“Time doesn't flow in the box.”

It's 8:25PM when you wake up; that should be plenty of time.

You need to find Satoru Gojo.

After hundreds of loops you've come to a singular conclusion: you need to prevent him being sealed in the prison realm. You've witnessed it enough to know that you won't be able to do it alone; you'll need his cooperation.

You rush upstairs as fast as you can, ignoring the shiver that runs down your spine as you step onto the stairwell. According to your previous loops, Satoru Gojo arrives on the subway tracks at 8:40PM. With how crowded the upper floor is, you don’t know if you’ll have the time to intercept him and talk to him, but if you can at least figure out where to find him, then you can try and talk to him during a subsequent loop.

When you reach the fourth basement floor, however, you don’t know where you should even start. He’s pretty tall so you think you could spot him in the crowd, but… there are still so many people. It occurs to you that maybe it would be better to try and look from a higher vantage point so you head to the stairs that lead up to the third basement floor. You check your phone again. It’s 8:35PM; you need to hurry.

Luckily for you, you find him very easily on the third basement floor.

The only problem is that he’s in a hard to reach spot— squatting above a sign hanging over the crowd.

You check your phone again. It’s 8:38PM and he’s starting to move, presumably to meet with those waiting for him on the subway tracks. It’s good that you found him, but there’s no doubt about it.

You’re going to need more time.

The moment you wake up, you immediately bolt toward the stairs. It's taken many, many more loops, but you've finally brought the time you wake down to around 8:15. You're still not sure if it's enough time, but there's only one way to find out.

You barrel your way up to the next floor and zig zag through the crowd to get to the next flight of stairs. By the time you get to your destination, you're completely out of breath, your chest heaving as your lungs clamor for air. You’ve done this so many times, yet your body acts like it’s always the first. It sucks, but there’s nothing you can do about it. You slow to a brisk pace to catch your breath and check the time. It’s 8:27— a new record. Hopefully it’ll be enough.

The goal is to catch Satoru Gojo before he moves to his lookout point above the crowd. While not impossible, it would be difficult for you to follow him there. You eye the safety barricade that blocks off the area where he’ll be moving in just a few minutes warily.

Yes, getting over there would be extremely difficult.

You don’t want to think about it right now; you’ll deal with it when the time comes.

Especially since Satoru Gojo has now entered your field of vision.

Your heart starts to race at the sight of him and it feels like it’s beating a million times a second. There isn’t a lot of time. You need to talk to him, but your legs only wobble, your feet planted firmly to the ground. This is not good. You need to move. You need to move.

Finally, after what feels like both an instant and an eternity, your feet finally budge, propelling you in Satoru Gojo’s direction. The beating of your heart only grows louder as you make your way toward him, mingling with the single thought that’s echoing throughout your mind right now: will he even hear you out?

You need to make him.

“Excuse me!” The words nearly come out in a stutter as you realize that you are actually talking to Satoru Gojo. You have watched this man at a distance for so long that it almost felt like he wasn’t real, like he was just another fixture in this nightmare that you’ve been living for far too long. And yet, here he is, right in front of you, in the flesh.

And his attention is on you.

All sound stops: the crowd around you, the thoughts in your head, the beat of your heart. Even though you cannot see them through that blindfold of his, you know that Satoru Gojo’s eyes are on you and the thought of that, the knowledge of it is actually a little overwhelming. Your mouth is dry and suddenly you don’t know what to say, but you need to say something. You need to say something before he thinks maybe you bumped into him by accident and just walks away without a word.

“I need to talk to you!” The words just burst out from your mouth and something about it is just absolutely embarrassing. You’re not sure if it's desperation or the fact that you haven’t really talked to anyone other than the existence occupying Suguru Geto’s body in nearly forever.

Satoru Gojo’s lips slowly start to form a smile, “Oh, yeah?”

The sound of his voice makes your mind go blank. There’s something different about it right now; more playful, amused even. Maybe it’s because he’s talking to you, a harmless human being and not a monster trying to kill him. It’s almost kind of jarring, but you know, with certainty, what Satoru Gojo’s voice sounds like. And the fact that he’s actually talking to you right now has you kind of excited. You nod, doing your best to not show how thrilled you are that he’s not ignoring you.

He hums thoughtfully, “Sorry… but unfortunately I kind of have some business to attend to right now.”

“I—” You start to say that you know that he’s headed down to the platform below to fight with…Choso and Jogo, you think their names are— you don’t know the name of the monster with the branches for eyes. “It’s— it’s really important!”

Gojo tilts his head a little, clearly thinking. You should probably say something else, something to try and convince him to stay a little longer and hear you out, but your mind is both full and blank. Where do you start? From the beginning? Or do you start with what is most important? Maybe you should say what you think will get his attention. You’re not sure, and you realize you really should have thought about this earlier because you’re running out of time right now.

“...mind handing me your phone?”

You stare at Gojo, completely and wholly confused, but he just holds out his hand expectantly. When you don’t move, he wiggles his fingers a little, a silent gesture telling you to hurry it up. Without thinking, you reach into your bag and unlock your phone before handing it to him.

“Kind of sucks that cell service isn’t working right now,” he remarks as he types something into your phone before handing it back. “But! Here's my number.”

You look down at your phone and, sure enough, Satoru Gojo has added himself as one of your contacts. He’s even added a little star to the end of his name. That’s… a little unexpected. Why his number though?

“Are you… hitting on me?” you mutter in your confusion.

He laughs, “Well, you said you had something really important to talk to me about, right? So just give me a call when you get home or some time tomorrow and we can talk then!”

You’re not going to make it home, or even to tomorrow, and neither will Satoru Gojo. As you start to tell him this, he steps past you. Desperate, you try to grab him, but somehow, for some reason, you can’t. You remember he did this with Jogo and the other monster, made himself untouchable.

This is not good.

He gives you a little wave, cheery as he says, “I’ll talk to you later!”

You watch, helpless as he hops over the barricade beyond your reach.

Gripping your phone tightly, you take a deep breath. It's fine, it's not like you didn’t expect things to go well anyway.

You'll just have to try again.

Every time you’ve tried to solicit help from Satoru Gojo, it has gone the same way. He just won’t give you the time of day, and in some ways you can’t blame him; he’s clearly here to deal with the monsters down on the platform. You’re fairly certain that he probably thinks that whatever is going on with you is a much lesser issue in comparison.

Plus, it probably doesn’t help that in the times that you’ve approached him, you haven’t been able to articulate yourself particularly well. Once you start talking to him, you just get hit with something akin to stage fright and the connection between your mind and your mouth just stops working. It’s gotten better with each attempt, but…

It’s just so frustrating.

It is interesting that Gojo has given you his number every time, star symbol and all. You’re not sure what kind of person you were expecting him to be, but after witnessing him literally and viciously rip monsters apart, you’d figured he’d be a little more somber. However, in the fragmented conversations you’ve had with him he’s come off as far more friendly and playful than you would have thought. Is he the type of person to get more serious when the situation calls for it? You can’t help but wonder, but ultimately, it doesn’t really matter.

What really matters is that you’re able to convince him to help you.

You have to convince him.

“Excuse me!” you say, stepping in Satoru Gojo’s path. You don’t stutter this time, and your voice is more sure. This is good.

“Yes?”

His head turns in your direction and you gulp. Gojo’s gaze, despite that blindfold of his, still feels just as overwhelming as it did the very first time you approached him. You have no doubt that he’s sizing you up, but there’s just something about it that makes you feel like you’re being picked apart.

You take a deep breath and step closer to him, hoping your voice sounds firm enough as you say, “I need your help. I’m trapped.”

He chuckles a little, “I know, but yours truly is on his way to go beat up the bad guys keeping you all trapped here, so soon enough you’ll be all free to go on your merry little way.”

Right. You were so caught up in your own plight that you nearly forgot that technically you’re not the only one ‘trapped.’ Satoru Gojo obviously knows that everyone else is confined to this station, but you doubt he knows that you’re confined to this night alone.

“That’s not what I mean!” you sputter.

“Then what do you mean?” Gojo asks. Should you tell him that you mean that you’re trapped in a time loop? You’re honestly not sure— in the movies and manga you’ve read about time travel, revealing that sort of thing risks creating a time paradox which seems to be a bad thing. If you have to tell him, you will, but— “Oh, I get it.”

You stare, bewildered. Did you maybe just spew all of that aloud?

Gojo gives you a mischievous smile. “You’re hitting on me, aren’t you?”

“No!” The word comes flying out of your mouth. You can’t deny he’s attractive— you’ve thought it all this time, but that is not what’s happening here.

“No need to be embarrassed,” he continues, ignoring you. “I totally get it, so if you want, I’d be happy to give you my number!”

Again? You’ve received Satoru Gojo’s contact details in every loop you’ve talked to him, star symbol and all— you even have his number memorized. There’s something kind of odd about how he keeps giving you his number. Part of you wonders if he’s got some sort of ulterior motive, but you haven’t thought too deeply about it. There are way more important things going on.

“I don’t need your phone number,” you say. “I need to talk.”

Your response seems to give Gojo pause. Did you somehow manage to get through to him? No way. Your suspicions are all but confirmed when he gives you that familiar apologetic smile.

“Like, I said, I’m sort of in the middle of something, but…” Gojo reaches into his pockets and rummages around until one hand fishes out a folded up piece of paper. The other hand keeps digging around in his pocket and when Gojo seems to give up on whatever he’s looking for, he turns his attention back to you. “Got a pen?”

What?

Gojo tilts his head. “Well?”

“I do, but…” You trail off, unsure why he’s asking.

He holds out his hand waiting for you to just hand him the pen. You still don’t get it, but you reach into your bag’s front pocket and pull out the pen and hand it to him. Gojo looks almost like an excited child when he takes it from you, quickly scribbling something onto his paper before shoving it and your pen back into your hand.

You look at the paper; it looks like a receipt. For a disturbing amount of mochi that Gojo bought earlier today. The amount of money he spent is almost sickening; way too much to be paying for mochi. More importantly, you notice something juxtaposed over the receipt’s print.

It’s Satoru Gojo’s name and number.

He even drew a little star next to his name.

“If you change your mind later, just give me a call!” he tells you cheerily. “I promise I’ll make it worth your while!”

You gawk at him. He cannot be serious. You literally just told him that you didn’t need it and yet he still gave it to you. He must want you to contact him later, but you can’t even begin to understand why. It can’t have been something you said or did, right? Unless, he’s actually—

“Later!” Gojo’s voice cuts through your thoughts and you notice him walking off with a wave.

You can’t let him get away.

Again.

You crush the receipt in your hand and rush after him. Despite the crowd, Gojo seems to move through the people with ease and it almost seems like they are yielding to him naturally. It’s good for you. Makes him easier to chase.

“Wait!” you yell, but Gojo doesn’t even look back. Bastard. Your muscles strain as you try to run faster. You know you won’t be able to grab him if you get to him, but there has to still be something you can do to stop him. Circle around him? Cut him off before he—

Satoru Gojo reaches the barricade.

“Wait!” you yell again. “Satoru Gojo, wait!”

He does not even acknowledge you.

You’re almost there though. Almost. If you reach out your hand, then maybe, maybe you can grab him. Something in your head tells you that it’s useless; you’ve never been able to touch him. But, you don’t care, you don’t care because you have to try. You stretch out your hand, desperate and hoping, but just as you do, Gojo effortlessly jumps over the barricade, moving to survey the crowd.

Due to your momentum, you almost collide into the barricade, but you manage to stop yourself. You stare at Satoru Gojo through the glass. He watches the crowd for at most three minutes. Is this just another bust? Is there really nothing you can do? There must be a way you can get his attention. Is it possible to climb over the barricade? No, it’s too high. There’s nothing you can grasp onto or use as footing either.

This fucking sucks.

Another minute or two and Gojo will be on the move again, and there will be no way you can follow, no way you can get his attention. You press your hands against the glass, pushing against it. Naturally, it doesn’t budge. Why would it? If only you could get it out of the way. If only you could break it. This stupid barricade is the only thing between you and Satoru Gojo and there’s no way you can climb it, but if only you could break it.

If only you could fucking break it.

Suddenly, the glass feels warm. Satoru Gojo’s image starts to look a little distorted as the warmth beneath your fingers grows. Something is happening. The glass starts to vibrate and shake. Violently. The tremors grow stronger and stronger. You should stop. You should back away.

You don’t.

The barricade starts to crack and fracture and soon the sound of shattering glass resounds throughout the entire room. Everyone starts screaming. No one knows what’s going on— not even you. But you don’t care. It’s gone. The barricade is gone.

You take a step forward, toward Satoru Gojo. He’s on a beam that’s about a two meter drop from where you’re standing. That’s fine. That’s okay. You can make it. You have to. Without a second thought, you jump—

And you land on the beam. You look up and Satoru Gojo’s attention is back on you. He’s finally, finally turned toward you, face twisted into an expression you can’t decipher or even comprehend, but—

Something’s wrong; your world is turning on its axis, but—

Satoru Gojo is looking at you, and—

Up is very quickly becoming down, and—

Satoru Gojo is coming closer, but—

You’re slipping—

But he’s right there, and—

You’re falling, but—

He’s trying to catch you, but—

It’s too late. It’s too late.

The last thing you think you feel—

—is Satoru Gojo’s arms around you.

It’s October 31, 2018— Halloween in Shibuya.

And you are causing a commotion.

“Shit! Fuck!” you curse loudly. The people near you start to shift away but you barely notice; you don’t really care.

You were so close, so fucking close and yet… yet here you are again. It’s quarter past eight and you are back on the goddamn platform. You don’t know what happened; you remember falling and thinking you were going to die, but you are absolutely certain that, once again, this time, you didn’t die.

Is Satoru Gojo at fault again? Did he do something? Like he did all those other times you looped without dying? When you think about it more, you don’t think so. You don’t know what happened; all you know is that you tried to get to him, but you slipped.

And he caught you, you definitely remember that.

You still don’t understand why you looped, but there’s not much you can do about it now; it’s not like you can go back anymore. It just sucks, because you think he might have actually listened if you’d talked to him.

Or he would have come after you for… whatever happened with the barricade. It could have been taken as an attack on the crowd… But if he thought you were doing that, then why would he catch you?

You don’t know.

All you know is that you have to try again.

The only problem is that you don’t know how you managed to shatter the barricade. You think about it as you make your way up to where you’ll find Satoru Gojo. There is the possibility that it wasn’t you and something else happened to it instead, but that feels way too coincidental. It had to be you. That’s the only thing that makes sense. You just can’t figure out how you did it outside of wanting, wishing, praying for the barricade to break. It’s not like you have supernatural powers like Satoru Gojo and his enemies.

Despite your mind being completely and wholly occupied by trying to figure out how in the world you managed to break through that barricade, you still manage to make it to the second basement floor of Shibuya Hikarie by 8:25PM— a brand new record. Satoru Gojo doesn’t show up until around 8:34PM, so that gives you almost ten minutes to try and figure out what you need to do to try and replicate shattering the glass barricade again.

Except—

Except Satoru Gojo is already here.

The thought that maybe you’re mistaken flashes in your mind before it’s quickly dismissed; there’s no way you’d mistake anyone else for him. There is absolutely no denying it: that is Satoru Gojo. Bewildered, you double check the time on your phone. Maybe you misread it and you’re actually late but sure enough you read it right— Satoru Gojo is here early.

What the hell is going on?

Of the thousands of times you have experienced this night, this hell, this sort of thing has never happened before. Everything happens at a specific time, as if adhering to an unseen schedule. It’s likely that what happened in your last iteration did delay Satoru Gojo’s arrival onto the platform, but other than that there has never been a deviation to the time table.

And yet, here Satoru Gojo is, nine minutes early now.

You realize that that’s not the only thing that’s strange: he’s not moving. In previous rounds, when you encounter Gojo here, he’s walking to the lookout spot beyond the barricade. But, right now, he’s just standing there, hands stuffed in the pockets of his jacket. It almost looks like he's waiting for something.

Or someone.

This unexpected turn of events has you rooted to the spot. You’re not sure what you should do. No. This shouldn’t change anything. You need to talk to him. As concerning as a change like this is, the extra time it gives you should be a good thing. Despite knowing that, your feet are still firmly planted to the ground.

The crowd shifts and you see Satoru Gojo start to move. Toward the barricade? No. He’s not heading in his usual direction, rather he’s—

You stop breathing.

He’s headed toward you.

All sound stops: the crowd around you, the thoughts in your head, the beat of your heart. Even though you cannot see them through that blindfold of his, you know that Satoru Gojo’s eyes are on you and the thought of that, the knowledge of it is absolutely mind numbing.

He comes to a stop before you, lips curled up to form an amused sort of smile as he says, “Soooo, you needed to talk to me?”

You try to answer but no words come out of your mouth. Are you dreaming? You have to be, right? There's no way that this is actually happening. Could it be that, after thousands of loops, you’ve finally lost it? Your mind shattering along with the glass of the barricade at the end of the last one?

Gojo tilts his head, indicating that he's still waiting for an answer. When you open your mouth, at first, nothing comes out, the words stuck in your throat. You force them out, your voice cracking, “...how did you know?”

He smiles, looking almost mischievous as he reaches up and lightly taps the side of his head. “I remembered, of course!”

All you can do is stare at Satoru Gojo. He remembered? How is that possible? From his perspective, this is the first time you’ve met and while it shouldn’t be possible for him to remember there’s something in your mind that’s keeping you from completely dismissing the possibility.

Gojo laughs, “I take it from the look on your face that you’re not used to this sort of thing happening. Is this the first time?”

“No.” The fact that the word is out of your mouth before you can even really think about it surprises you and you really have to think. Your face scrunches together as you try to remember. Is this really not the first time? Then, the memories assault you, overlapping as they replay simultaneously in your head— a woman in a yellow and white magical girl costume— begging you for help as she burns to death— smiling as she tells you she made her costume herself. “...it happened just once a long time ago.”

“‘A long time ago,’ huh. Sounds like you've been at this for a while now.”

“...unfortunately.”

Gojo hums. “So when you said you didn’t need my phone number…”

“You’d already given it to me a few times,” you say, figuring that’s where this conversation is going.

“Really now?”

Does he not believe you? Or is he just being an ass? You’re not sure, but since you had taken the liberty of memorizing Satoru Gojo’s phone number you recite it back to him to prove your point.

Just when you think you may have stunned Gojo into silence he starts to laugh, obviously finding something funny about the fact that you know his cell phone number. “Seems like you've got quite the fascinating technique there.”

Technique? What is he talking about? Your confusion must be plain on your face because he adds, elaborating, “The time travel.”

You continue to stare at him. You don't think you'd consider what you've been going through time travel, because traveling implies moving from point A to point B, but you've been stuck walking in circles at point A for a long time. What really gets you is… “What do you mean by ‘technique?’”

“You mean you don’t— oh. I get it; no wonder you’re trapped.”

That does not answer your question in the slightest. “Can you please explain what you're talking about? What do you mean by ‘technique?’”

“Right, right… So basically, a technique is like a special sort of power,” he finally explains. “Like I said, your technique seems to be a kind of time travel. Whenever you activate it, your mind is sent back in time.”

What he's saying makes sense, but… “How come you were sent back too?”

He laughs again. “Isn't it obvious? Think back to before— do you remember that I caught you as you were falling?”

You nod slowly. The memory of his arms around you is almost embarrassingly vivid. “...is it because we were touching?”

“Ding, ding, ding! That's correct! Anyone you happen to be touching when you activate your technique gets affected by it too!”

Something about his tone annoys you, but you try to ignore it. He could have just told you rather than make you guess. “How do you know that for sure?”

“Well,” he continues. “You’ve done your little time loop a bunch of times, right? If your technique affected everyone, or even a few people in a select range you would have noticed for sure. And if it affected only just you then we wouldn’t be having this conversation right now, now would we?”

When you think about it, you do think that the woman in the magical girl costume might have bumped into you before the loop where she remembered.

“That’s honestly just conjecture, but I've got pretty good eyes, so I’m hardly ever wrong.”

Gojo gives you a grin and while you do think that his reasoning is sound enough his confidence is a little grating. More than that, though, you’re glad that this conversation is actually going really well.

“Either way,” he says thoughtfully. “It doesn’t look like you can control your technique. Usually a person’s technique manifests when they’re a kid, but you seem to be a special case… in fact, I bet your technique activated for the very first time tonight— probably under some pretty extreme circumstances, too.”

“...dying counts as an ‘extreme circumstance,’ right?”

“Oh, absolutely. Or legitimately thinking that you’re gonna die, but it seems like your body has been unconsciously activating your technique as a sort of defense mechanism. Which is why you’re trapped.”

“So, if I could control it I’d be able to make it out of this time loop.”

“Yeah, but in this case it probably wouldn’t end very well for you,” he points out with a chuckle. “It’s not like you actually want to die, right? I mean, if you did, then your technique wouldn’t even activate in the first place.”

You don’t; what you want is for this night to finally end. To be free from the endless cycle of dying over and over again and again. You don’t think death is quite the answer; even if you were to learn how to control this supposed technique of yours, there’s no guarantee that you would just unconsciously activate it when the grim reaper comes knocking on your door. No, the answer is…

“Anyway!” Gojo’s cheery voice cuts through your thoughts. “I highly doubt that you’re the type that makes a habit of jumping off ledges for the funsies, so the fact that you’ve been dying tells me that some pretty gruesome stuff is about to go down, so, tell me what happens tonight.”

The sudden drop of his voice sends a shiver running down your spine. If it weren’t for the fact that you’ve seen how serious Gojo can get, the sudden shift in demeanor would probably freak you out a bit, but it doesn’t. This is the Satoru Gojo you’re familiar with.

You do have one concern though. “That… won’t create a time paradox or anything, will it?”

“Nah,” Gojo shrugs. “You wouldn’t cause one with the way your technique works, besides, if you’ve only been going back at most an hour or two in time it’s hard to believe you’d be making a really big impact… unless you really believe in the butterfly effect.”

You’re still not quite sure.

“Trust me, it’ll be fine.”

His voice sounds strange. Gentle. Kind. It's the most soothing thing you've heard in a long time and it makes you want to believe him.

“...okay.”

Anxiety is still gripping at you, but you try to dispel it, taking a deep breath before beginning your explanation. For the sake of brevity, it’s probably best that you’re as concise as possible. There isn’t much need to really get into the nitty gritty of things unless he asks specifically.

Naturally, you begin with his arrival onto the platform and how soon after a fight breaks out and how the crowd is unfortunate enough to be involved. Gojo’s expression is passive for the most part, but he does crack the faintest hint of a smile when you mention how he manages to eviscerate one of the monsters.

It disappears once you tell him about the arrival of the train. Between the dozens upon dozens of people being dropped onto the platform by those two high school girls and the hoard of monsters disembarking from the train, everything devolves into pandemonium.

“Wait,” Gojo holds a hand up and you pause. This is his first interruption since you started recounting the night’s events for him. “Everyone is able to see the monsters?”

You stare at him. What a weird question. “...yeah?”

His mouth twists and it looks like he’s thinking about something. You can’t even begin to imagine what. Finally, he comments, “Makes sense.”

It does not, but you don’t ask him to elaborate. Surely if it was important he would have just done so.

“Anyway, in the middle of all that, you… you do something.” Your brows bunch together as you remember the stance Gojo took, the crazed and desperate look in his eyes, the feeling of your head about to explode. “I don’t know how to describe it. At first, it would just force me to… activate my technique, I guess. But now, it just knocks me out for a few minutes.”

Gojo frowns and he rubs at his chin, obviously thinking about what you’ve said. Eventually, he raises a hand and bends his fingers into a familiar gesture. It’s the one that preludes whatever he does on the platform. “Do I do this?”

“Yeah.”

He hums. “Interesting.”

You wait to see if he’ll explain. He doesn’t. Great. Even if he doesn’t think you need to know, it certainly would be nice to. It’s annoying otherwise, but you ignore the feeling and continue. “I can’t tell you what happens when I’m knocked out, but when I come to everyone is basically a zombie and all the monsters from the train are gone. I think you kill them.”

“I probably do,” he says casually. “But what about Volcano Head?”

“...you don't…get a chance to kill him,” you say slowly. Gojo tilts his head, waiting for you to elaborate, but you hesitate. You have to tell him, you know you do, but…

You have seen the interaction so many times and though you don't know the exact nature of the relationship between them, you can tell that seeing Suguru Geto (or rather seeing his body) shook Satoru Gojo to his very core.

There's no doubt in your mind that he will not take this news well.

“Come on now,” Gojo's tone is light-hearted, unaware. “Don't keep me in suspense here.”

It's as if you're withholding the punchline to a joke. In a way, you suppose you are, but you don't think he's going to find it funny.

You take a deep breath. You need to tell him. The worst thing that could happen is that he doesn't believe you, but if that's the case… you'll probably just end up repeating this all again until you find a loop where he does.

Having made it this far, you'd like to avoid all that.

“Before you can get Volcano Head you get restrained by something called the prison realm,” you say slowly, “by someone calling themselves… Suguru Geto.”

The second the name leaves your mouth, there is a clear and obvious shift in the air. Gone is Gojo’s laid-back and frivolous demeanor, replaced with something more somber and almost frightening. The tension grows more and more palpable to the point that you think it might almost choke you.

You almost wish that it would.

“You can’t be serious,” Gojo finally says, once your words have fully sunk in.

“I—” You start to speak, but come to an abrupt stop when you see him shove his hand into his pocket to yank out his phone of all things.

The both of you know full well that there’s no reception here, but you don’t think that he’s planning on making any calls. Gojo scrolls and scrolls on his phone before he stops and shoves the screen in your face. It shows a picture of three people— a teenage girl with a cigarette in her mouth, a younger, happier version of Gojo sporting a pair of round sunglasses and—

“When you say ‘Geto’ is this who you’re referring to?” Gojo demands, using his other hand to point at the third person in the frame— a handsome young man with long dark hair pulled up into a bun.

“Yes, but—”

“That’s impossible. It can’t be him,” Gojo interrupts, his voice firm, cold even. “He’s dead.”

There’s a note of finality in his words that is definitely meant to leave no room for argument. It doesn’t stop you, though. Instead, you glare at Gojo’s stupid blindfold and say, “...being dead doesn’t mean a damn thing! I’ve died hundreds of times and yet I’m still fucking here, but—”

“Your situation is different,” he interjects, the temperature of his tone hiking up, his words like heated hissing. “I killed him almost a year ago. There's no way—”

“You didn't get rid of the body properly!” You cut him off, raising your voice in hopes that he'll take even just a second to stop and listen. It seems to work and you add something you remember ‘Geto’ saying. “You should have had Shoko Ieiri get rid of it, but you didn’t and now some… some kind of gross brain thing is possessing the corpse!”

The air between you both is silent as the grave. Though you can't see it, you can feel the weight of his gaze pressing down on you. He’s definitely having second thoughts about everything you’ve said so far. There’s a chance he might even think you’re his enemy now. You stare him down though, refusing to look away. You’ve made it this far, you can’t— you won’t back down.

“...you’re not lying, are you.” Gojo’s words are more of a statement than a question. There’s no doubt in your mind that he knows the answer, and yet he’s still asking. You wonder if maybe he’s clinging onto some vain hope that maybe, just maybe this all a sick, cruel joke that’s gone way too far.

“I’m not.”

Gojo holds your gaze for a second longer before he lets out a curse. “Fuck!”

“...I’m sorry,” you say quietly, mostly because it feels like the most correct thing to say at this moment. You don’t know the whole story, but it seems like they were close. If so, then it must have hurt Gojo a lot to have killed him, and must hurt even more to know that someone is desecrating the body. You hate that you, a complete and utter stranger, happened to be the person to tell him, but…

It had to be done, for the sake of getting past this unending night, it had to be done.

Gojo runs a hand through his hair and lets out a ragged sigh. “Okay. What happens after that?”

You give him a rundown of what follows; he gets sealed, the monsters wake up and all but ‘Geto’ leave in search of their next target. When you mention the high school girls demanding the brain give Geto’s body back, Gojo snorts loudly.

“Fat chance of that,” he says derisively.

You nod in agreement. It was clear to you that the brain parasite has no intent on giving it up any time soon. “After they leave, he… talks to me.”

“Probably couldn't ignore all that cursed energy you have,” Gojo remarks offhandedly.

You stare at him, expression twisted in a way that shows that you have absolutely no clue what that means. It should be fine for you to ask this one question; it actually concerns you after all. “What does that even mean?”

“Exactly what it sounds like, though… probably doesn't make much sense to you, does it?”

You give him a pointed glare and all Gojo does is laugh.

“Just think of it like having a lot of MP.”

“...Like in a video game?”

“Exactly!” Then, Gojo tilts his head, clearly thinking. You don't bother asking; you don't feel like he'll explain.

“He does ask me if I'm a sorcerer, whatever that is. Is that why?”

“Probably. Ordinary people don't have even a fraction of the energy you're packing.”

‘Ordinary people’ he says as if you’re not an ordinary person who got caught up in all this supernatural sorcery bullshit. Or at least you were, but if the time loops are really a product of your own doing…

“Does he kill you when you answer?” Gojo asks to get the conversation back on track.

“Not right away. What happens next kind of varies,” you answer. “He usually lets me have a question or two before he kills me; I've asked him a couple different things.”

“Really taking advantage, aren’t you?” Gojo says and you're not sure what to make of his tone. Is he mocking you or is he easing back into that laid-back persona of his?

“If I’m doomed to repeat the same situation over and over, I might as well make the most of it,” you respond flatly.

“You know, your technique kind of reminds me of save scumming.”

He’s definitely gone back to acting almost completely unserious— all signs of his earlier agitation are nearly gone.

“So what did you learn?”

“Well, the prison realm only holds one occupant. Once they’re sealed, time stops for them and the only way out is if the bearer unseals them or if they choose to kill themselves.”

“I see… And what about our body jacker?”

“He didn’t go into detail but he said something about… striving toward the evolution of mankind?” You frown a little at the memory. He didn’t explain further because he said that you wouldn’t understand.

“Huh. Interesting. Wonder how he was gonna go about doing that.”

“I don't know, but I can't imagine you'd like it since he goes out of his way to seal you into that box,” you say. “Said you’d get in the way because you’re too strong.”

Gojo shrugs his shoulders and grins a little. Cocky. “Well, I am the strongest sorcerer around, you know.”

You would think him overconfident if you hadn't seen the magnitude of his strength first hand.

“Anyway, that's as far as I ever go. When he's decided he’s done talking to me, he kills me and I loop back.”

“So, in short, what you want help with is getting past that point, right?”

“More or less.”

“And all I have to do is avoid getting caught by the prison realm?”

You nod.

“What’s it look like?” he asks. “A big cage with a bunch of metal bars?”

Now that you think about it, you haven’t woken up early enough to see it before it traps him, but you can’t imagine it looks that much different. “No.. It’s a small box with eyes… It gets big enough to fit you in it, though.”

“Huh.” He stretches his arms out above his head as if he’s trying to emphasize how large he actually is and shoots you a grin. “Should be easy enough then. I bet our body snatcher used the shock of seeing Suguru to trap me but since I'll see it coming, avoiding it'll be a piece of cake.”

Gojo makes it sound so easy, and maybe it really is as simple as that, but you can't help but be worried still.

“Don't tell me you don't think I can do it,” he says, tilting his head.

“It's not that,” you admit. “I'm just concerned I might die before we can get to that point.”

Truthfully, since you know that will just result in another loop you're less concerned with dying itself and more worried about losing the progress you've made in convincing Gojo to help you. Even though it's been clearly proven you can loop him as well, there's no guarantee you'll be able to make the physical contact needed to do it upon death.

“You've made it pretty far on your own, though, right?”

“Yeah, but… I’ve messed up plenty of times.” More than you can even count. “There's also the possibility that taking the time to talk to you might have thrown things out of whack.”

Speaking of time, you check your phone. It's 8:39PM. You curse.

Gojo leans over to check your phone. “Let me guess, I'm supposed to be somewhere right now.”

“Yeah, this is when you’re descending down onto the platform.”

“You know where I am down to the exact minute?” He asks and you tilt your head back and forth a little. It’s not exact per se, but it’s close enough. Gojo chuckles a little. “Man, I didn’t realize that you were actually that into me.”

That earns Gojo a glare from you, but he just laughs it off. “I doubt being a few minutes late is going to make a big difference.”

You certainly hope so.

“Don't worry,” Gojo says and you notice he's using that tone from earlier. “You won't die.”

It’s hard to argue with him when he uses such a reassuring sounding voice and yet, you still open your mouth to try— to voice your doubts, but what he says next silences you before you even can.

“I'll protect you.”

You think your heart stops beating in your chest and your words dissolve in your throat.

He grins at you. “Did you fall in love with me just now?”

That catches you a little off guard. You're willing to admit he's hot, but surely he must be joking. “How could you even think of something like that at a time like this?”

Gojo laughs again. “Well, since someone is so worried about their time table being all messed up, I better head down there; can’t keep Volcano Head and friends waiting, right?”

You blink. Is that it? “Wait, shouldn’t we make a plan or something?”

“Isn’t the plan for me to not get caught in the prison realm?”

Yes, but… “But what about me? Is there anything I can do?”

Gojo stares at you, or at least you think he does. “...I don’t know, is there?”

You’ve seen the encounter between Satoru Gojo and those monsters so many times and you try to picture a version of it where you intervene and… all you can see is yourself getting in his way. You’re no fighter, no… sorcerer, or whatever he is, you’re just some ordinary person that was unfortunate enough to get all caught up in this mess. The most you can probably do is kick the prison realm out of the way when the time comes, but otherwise… “...no, I guess not.”

His expression turns sympathetic. “You’ve done plenty by telling me everything that happens. So just wait up here, and let me handle the monsters.”

You almost nod. Almost. But then you remember what transpires up here above the platform. You know it sounds safer up here where you’re less likely to get involved in the carnage, but… “Wait, no, if I stay up here then I’ll fall to my death when those girls—”

Gojo laughs, interrupting you. “Don’t worry about that. It’ll be fine.”

“How?”

“Just trust me.”

“I…” It’s hard to. After everything you’ve gone through it’s hard to trust in anything, to believe in anything. Even though you’ve made it this far this time, the worry that something will go wrong and that you’ll have to do it all again still lurks in the back of your mind.

Despite all that, you want to believe.

You want to believe that you can make it past this unending night, that one day you’ll wake up and it’ll no longer be October 31, 2018. And the first step towards that is trusting in Satoru Gojo.

“...okay,” you say quietly. “Okay.”

Gojo chuckles then asks, “Anything else before I head off?”

You start to ask if there’s anything you should say, in case things don’t work out, but you stop yourself. You’re choosing to trust him, to believe in him— you can figure out that stuff later if things end up going south after all. So, instead you give him a smile and it feels a little weird because you don’t remember the last time you did. “Good luck!”

For a split second, Gojo looks almost surprised, but then he laughs again, beaming widely at you. He starts to move past you and reaches out to give you what you think is meant to be a reassuring squeeze of the shoulder and then he’s off. You turn to watch him go, the crowd, once again, parting almost naturally for him.

When he reaches the barricade, he pauses, raising his hand as if he’s giving you one last wave. Then he jumps over it onto his little perch and then less than a minute later he’s gone, descending to the platform below.

Now, all you can do is wait.

You check your phone again and it’s 8:44PM. If you remember correctly, the high school girls start threatening everyone right before 9PM. With Gojo’s arrival being shifted back almost five minutes, does that mean that they’ll be shifted back too? It would make sense, but you’re not too sure.

Out of habit, you keep checking your phone and at nearly 9PM, you hear the shrill voice of one of the girls over the crowd, commanding everyone to do what she says, her partner stringing up bodies until everyone listens. Everything plays out just as you remember it, which is mildly comforting, though you know that the events that happen up here are more or less independent from what happens below.

Surely, just as Gojo said, a few minutes aren’t going to change anything, but—

No.

You agreed to trust him. To trust that everything would be fine.

When the girls start to demand that as many people as possible climb onto the roots and vines covering the atrium your heart starts to hammer in your chest. In just a few minutes, all the foliage will disintegrate beneath you, and you and everyone else here will fall into the abyss below.

You are afraid.

There isn’t a single loop where you’ve really survived this fall. If you don’t die in midair, you die right after landing. It’s a death trap, and that’s why you’ve stopped coming up here. There’s a part of you, the part that knows what’s about to happen, that wants to try and run back onto stable footing. But you can’t, because you know if you do then the girls will kill you for sure; you have to stay.

It’ll be fine, you tell yourself, it’ll be okay.

You just have to trust Gojo.

An eight car train is pulling in. Please wait behind the yellow line.

You hear the announcement faintly below you. It’s almost time. You brace yourself and try to stay calm. Gojo said he would protect you, that you wouldn’t die. You don’t know how he intends to keep that promise, but all you can do is believe in his words.

It’ll be fine. It’ll be okay.

The vines and roots start to crack and the ground beneath you starts to give out. You squeeze your eyes shut as that sickening weightless feeling overtakes you. It occurs to you that this is actually quite literally a trust fall— will Satoru Gojo really be able to catch you?

As you fall, you realize almost instantly that something is different.

You’ve experienced this fall dozens of times and so, even though it has been a while since you’ve gone this route, you are very familiar with what it feels like. Something is different. You’re falling faster. The trajectory is changing. It’s like some force, other than gravity, is pulling at you.

Is this Gojo’s doing?

Just as your body collides with the ground you hear the sounds of mutilating flesh meld with the screams surrounding you. Blood and severed limbs litter the ground, but you try to ignore it. You need to focus on your own survival right now. Quickly, you scramble to your feet scan the area around you; you’re on the platform right now and right in front of you is—

Right in front of you is Satoru Gojo.

His back is turned to you, his focus currently elsewhere. Looking at him you realize you recognize this scene, though it’s much closer and at a different angle. He’s about to do that thing, that thing that knocks you out.

Something in you tells you to move closer to him, after all, he used his mysterious powers to deliberately bring you closer to him, right? You rush toward him and as you do something he said earlier pops up in your mind.

Anyone you happen to be touching when you activate your technique gets affected by it too!

Whatever he’s about to do… Is that his ‘technique?’ And if it is, would it work the same way as yours? If so, there’s only one way to find out: you need to touch him. You dodge monsters and other people as you run toward Satoru Gojo and—

A monster still manages to grab you, its large hands wrapping around your wrist. You try and yank it free, but it's much stronger than you are.

“Shit!” you hiss as the monster starts to pull you toward it and away from Gojo. What do you do? Your other hand is still free, should you try to punch it in the face? Or—

Before you can do anything, something blasts the monster’s head clean off. Shocked, you stare as the monster’s body slumps onto the ground, its grip loosening on you instantly. You whip your head around to find that while Gojo still has his back to you, his arm is bent back in your direction, his palm open as if he fired some invisible blast from it.

Then you feel it again, something pulling at you, but this time it's more forceful. Your body is yanked toward Gojo and the second you feel his hand press against you, you see him make that gesture with his other hand.

“Domain Expansion,” he whispers in a strained voice. “Infinite Void!”

Something happens and your vision flashes for a fraction of a second. And then—

The room is enveloped in an eerie stillness; all the violence and bloodshed coming to an abrupt stop. Monsters and humans alike stand like the living dead, unconscious with their eyes wide open as if they are staring into an infinite abyss. You recognize this scene, you’re familiar with it because it’s similar to the one you wake up to after being hit by Gojo’s ‘domain expansion.’ The only difference is the presence of the monsters, who are all but gone when you regain consciousness.

The pressure from Gojo’s hand is gone and he says to you, his voice still low. “If you’re squeamish when it comes to blood and gore, it might be best for you to close your eyes.”

And then he’s gone.

You do not take his advice. You do not close your eyes. How many loops were you unable to witness what’s about to unfold? A few hundred? A few thousand? And if all goes to plan, then you will never get another chance again: there’s no way you could possibly look away.

And what you see unfold before you is that Satoru Gojo was right.

He is the one to kill all the monsters.

It’s not as if you really had any doubt, after all, it seemed like the most logical conclusion to come to and yet…

There’s a difference between knowing and seeing.

All the violence resumes and the platform is engulfed in the sounds of carnage and slaughter once more. The lack of terrified screams makes everything more disconcerting— without them, all you can hear is the squelching echo of mangled flesh and blood splattering all over the place. You can’t really see him, but you can tell where Satoru Gojo is in the crowd as he leaves dozens upon dozens of decapitated heads soaring in his wake. Once or twice, he leaps out of the crowd and even from where you stand you can see the crazed glow of his inhumanly blue eyes as he massacres monster after monster.

Even though you don’t think you have anything to be scared of, you are still terrified: Satoru Gojo is no longer a man, but violence incarnate. You want to move closer to where Gojo gets trapped, but you’re afraid to. What if you get in his way? What if he kills you by accident?

Dying again when you’ve made it this far is definitely not ideal, but isn’t being killed by Gojo the best case scenario? Because then the two of you would probably loop together again and—

No.

Gojo said you wouldn’t die.

He said he’d protect you.

It’s hard to believe when he’s in the middle of a massacre, slaughtering monsters left and right, but you remind yourself yet again that you have to believe in him.

You take a deep breath and start moving, taking care to keep an eye on where Gojo is. You don’t know how long this is supposed to take, but you do know where he ends up when he’s just about done. The closer he gets to that spot, the sooner the prison realm will be unleashed upon him.

There’s a small group of zombified people nearby and you settle yourself among them. It’s not super close, but you think it's close enough that you'd be able to run over and kick the box away from Gojo if you have to. You do a quick survey to see if you can spot the body snatcher, but he's nowhere to be found. Hopefully, he hasn't noticed you moving around, or, if he has, he's more concerned with Gojo than he is with you. Given that you always seem to be the last thing he acknowledges, you'd like to think that he doesn't consider you a threat.

Which you're not, not really anyway.

The sounds of slaughter start to die down and you look to see Gojo approaching the spot where he gets caught. He looks beat, his eyes unfocused and his breathing heavy. You do another quick scan around him and notice a small box a few meters away from him, wrapped in what looks like paper charms or seals or whatever they're called. That has to be the prison realm— though it looks different than what you saw before. Gojo seems to notice it right after you do, his gaze honing in on it, examining it with some measure of bewilderment. Then, some invisible force slices through all the paper seals covering the box and it expands, the corners of the box floating up in midair to reveal what looks like a large sheet of dark red flesh with a large bloodshot eye stapled to the middle.

Disgusting.

If Gojo didn’t realize before, he seems to now, because he takes a step back, away from the grotesque thing. Good, good—

“Hey! Satoru!” Your blood runs cold at the sound of the body snatcher’s voice. He emerges from the crowd, smiling widely as he gives Gojo a wave. “Long time no see!”

Satoru Gojo’s entire body goes rigid. Shit. You told him, you warned him about what was going to happen, who he was going to see, but was that not enough? It’s possible that no amount of warning would have been enough to mentally prepare Satoru Gojo for the sight of the man he said he killed a year ago. After all, you know that there’s a stark difference between knowing and seeing. Even then, if Gojo doesn’t gather his wits and move now then he’s going to get caught and you can’t let that happen.

Your body moves before you can even think about it.

You scramble out from your hiding spot in the crowd and throw yourself in between Satoru Gojo and the prison realm. There’s no way you can kick it away from him now, not when it’s in this form, but maybe, if you get between them you can at least keep it from capturing him.

The eye quivers erratically, as it flits from Gojo to you. Every hair on your body stands on end as it watches you, the pupil dilating and contracting uncontrollably. You can’t look away from it, your own gaze fixed to your image reflected in the black abyss of the pupil. Something in the back of your mind tells you to stop, to get away, it’s dangerous, but you keep your feet firmly planted to the ground.

A second, or maybe even a minute passes and the prison realm shifts, its fleshy form morphing to restrain you.

The body jacker looks at you, his frown tinged with disgust. “Don’t you think you’re being rather rude by butting into what could have been a touching reunion?”

You scowl. Is he still trying to play the role of Suguru Geto?

He sighs and looks past you at Gojo. “Satoru, I thought bringing lesser sorcerers to fight alongside you was more trouble than it was worth?”

You hear Gojo snort from behind you, “It is… but this person here isn’t a sorcerer… Just like you aren’t Suguru Geto.”

The faker almost pouts and presses his hand to his chest as if Gojo's words have wounded him. “Satoru, I’m hurt, how could you say such a thing to your best friend?”

“Cut the bullshit,” Gojo snarls. “You can’t fucking fool me. You might be in Suguru’s body but I know with all my heart and soul that you’re not him.”

The corpse snatcher stares at Gojo, expression blank before he sighs once more. Then, his gaze shifts back to you, his eyes narrowed as he looks at you with sheer disdain. It feels as if you’ve been drenched in ice cold water. There's no smile this time but you already know what's going to happen.

He’s going to kill you.

“I intended to deal with you later since you seemed harmless enough,” he says, raising a hand to summon a monster— the same one he always uses to end your life. “But you’re in the way. So, I think it’s for the best if I just get rid of you right now.”

Instinctively, you try to take a step back but the prison realm’s restraints keep you in place. Not that it would have mattered much, even in the loops where you’ve tried to escape the faker’s monster, it still kills you, too fast and too agile for an ordinary human like you to avoid. All you can do is squeeze your eyes shut and wait for the monster to kill you. At least, it’s always painless.

Something touches your back.

Your eyes shoot open.

Before you is the monster, wiggling and writhing only mere centimeters from your face. It gurgles and snarls at you, desperate to fulfill its master’s wishes and kill you but it doesn’t move any closer. You stare at it with wide eyes, unsure of what to do.

Someone behind you clicks their tongue— Gojo. You try to turn your head to look at him, but your movements are too limited, the most you can do is turn your head to the side. The sounds the monster is making start to change, sounding more frenzied, almost as if it’s in pain, and you flit your eyes in its direction just in time to see its entire body explode. The monster's guts and bright purple blood fly off in every direction, getting on the floor, the ceiling, the zombified bodies of the people unfortunate enough to be nearby, but not on you.

This is Satoru Gojo’s doing.

He steps in front of you, half turned towards you as he moves in between you and the body snatcher. His hands are shoved in his pockets as he loudly says, “Did you really forget about me?”

You’re not sure if he’s talking to you or the body snatcher.

Past him, the imposter scowls, raising his hand once more, probably to summon even more monsters, but Gojo’s quicker, and it almost looks like his eyes are glowing even brighter, the blue looking almost white as he whips his head in the faker’s direction. The sound of mangling flesh and breaking bones echoes throughout the room as Gojo, using that mysterious power of his, seems to break the faker’s arm.

The body snatcher hisses loudly and despite the fact that his face is twisted in very obvious pain, he tries to shoot Gojo a mocking smile. “Do you really think you can kill your best friend again?”

“I already told you,” Gojo turns to fully face the monster inhabiting Geto’s corpse. He tilts his head a little to the side and some force starts to squeeze at the faker’s neck. “You’re not Suguru.”

You hear a loud crack as Gojo telekinetically snaps his neck.

The head rolls onto the ground and you almost look away, but then you notice his eyes still moving, looking around. Is he still alive? Then you remember: the thing possessing Suguru Geto’s body was some kind of parasite. “Gojo! Wait! The brain!”

He reacts almost instantly, head turning and in an instant the skull is crushed and all that remains is red splotch on the ground.

You almost relax. Almost.

But the body is still standing.

Horrified, you watch as it quivers violently before falling to the ground. Then what looks like dozens of black spirits start to erupt from the corpse and the entire room is engulfed with a shrill howling.

What the hell is going on?

“Those must be all the cursed spirits he consumed,” Gojo explains uselessly, voice barely audible over the screaming. “Guess he was empty before.”

You don’t bother asking what he means. There are bigger problems right now. “What do we do?”

“No choice to exorcise them,” he answers plainly.

For him to exorcise them, he means. You both know that there’s not much that you can do. You still can’t move and honestly, you don’t even know if it’s possible to get out of the prison realm’s restraints. Not without dying. And if you die now…

Everything will have been for naught.

You’ll reset time and have to do this all over again— assuming you can even get to this point again.

There has to be something, you just have to think outside the box.

Or rather—

“Gojo!”

He glances back at you.

“You need to seal me in the prison realm!” you exclaim. He turns to face you fully, looking bewildered and you start to explain as fast as you can. “Those things are going to attack any minute right? I can’t move or try to hide and I can’t expect you to protect me the entire time and if I die then I’ll end up looping time again, but— but, if you seal me in the prison realm then that won’t happen.”

Gojo frowns, looking conflicted. “You don’t think I can do it?”

“Wouldn't it be easier if you didn’t have to?”

He tilts head and you think he’s conceding your point.

“Please,” you beg, staring at him desperately. “We don’t have much time. The other… cursed spirits will wake up soon too!”

You don’t have to explain that you mean Volcano Head and friends.

It takes only a second for Gojo to consider the very few options you have. “...how do you seal it? Do you know?”

“I think so,” you answer. “There’s no guarantee it’ll work but I think that if you say ‘prison realm, gate close’ it should seal me inside.”

If anything, it’s worth a shot.

Gojo nods. “Do you know how to break the seal?”

“I… don’t,” you confess. You never asked, and you don’t think the body snatcher would have told you even if you did. He only told you that it holds one and that…

That time doesn’t flow in the box.

“...you don’t have to break the seal.”

Gojo frowns, “Wait a sec—”

“Even if I make it past tonight… What if this all happens again? What if I inadvertently trap myself in another time loop?” you ask. “I… I don’t want to have to go through all of this again. It’s better for me in a place where time doesn’t pass.”

You don’t know for sure if it’ll be better, but right here, right now, it seems like the best option.

It feels like an eternity passes before Gojo says anything.

“...fine,” he agrees and you don’t quite know how to feel about it. The howling around you all grows louder. You wonder why the cursed spirits haven’t attacked yet. Maybe Gojo’s power is holding them at bay… for now anyway. You both know that he can’t ignore them forever.

“...before I do, though, mind if I ask you just one thing?”

You blink. “Not sure what I can do for you in this state…”

He laughs. “I just want to know your name.”

What an odd request. Though, now that you think about it, you don’t think that during this loop or any other loop really, you’ve ever told him your name. It only seems fair to tell him, since you’ve known his for longer than he’s known of your existence.

You tell him your name.

He nods, looking as if he’s committing to memory. Probably easier to remember than his phone number. “Any last words?”

You try to think of something. Nothing comes to mind and you just shake your head.

Gojo takes a deep breath, “Alrighty then… Prison realm, gate close.”

Just as it did the many times you’ve seen Satoru Gojo sealed away, the boxes and restraints around you vibrate a little before they start to close around you, growing large enough to fit your body as they approach.

You won’t see it, but once you’re inside the box will shrink and become small enough to fit in the palm of someone’s hand.

Will it be quiet inside?

In your final seconds, some words, some last words come to mind, and you say them, hoping that he hears them in time. “Thank you, Satoru Gojo.”

You burn the glittering glow of his brilliant bright blue eyes into your mind.

And then, everything is engulfed in an unending black.

It’s November 30, 2018— morning on the campus of Tokyo Prefectural Jujutsu High School.

Satoru Gojo strides through the school grounds, casually tossing a small silver box with eerie blue eyes known as the prison realm up and down in his grasp. Walking at his side is Shoko Ieiri, a pretty woman who’s been unfortunate enough to have been Satoru’s friend since high school.

“Are you sure this is a good idea?” Shoko asks, twirling a few strands of her long brown hair.

“What do you mean?” Satoru responds nonchalantly. “All my ideas are good ideas.”

Shoko hums in clear dissent, but doesn’t say anything more. Even she knows better than to try and waste her time trying to argue with Satoru. “I’m just worried about their mental state. Didn’t you say that time doesn’t flow in the box?”

“I’d be worried if it was some normal person,” Satoru says. “But after what they’ve gone through I think they’ll be fine.”

“...well, if you say so.”

The two arrive at their destination: the largest training area on the Jujutsu High grounds. Satoru places the prison realm at the center and takes a few steps back with Shoko standing behind him, in case anything happens.

He doesn’t think it will, but it’s always good to take at least a few precautions.

“Gojo, are you sure we should be doing this?” Shoko asks again. “Didn’t they want to remain in the box?”

“Of course I am,” Satoru says with his usual air of confidence before looking back at the prison realm nestled in the grass. He grins and then—

“Prison realm, gate open.”

if you made it this far. thank you. it's my sincerest hope that you enjoyed the ride. 3

[angel-eyes05]

to leave the warmest bed i've ever known

pairing: spiderwoman!reader x miguel o’hara 

summary: after miguel’s fight with miles, you confront him in his office

warnings: this whole thing is basically one big argument there’s SO much angst, implied suicide attempt, HUGE ATSV SPOILERS DO NOT READ THIS IF YOU HAVEN'T SEEN THIS MOVIE, im projecting a little in some parts of this ngl (i cried writing a certain section of this, you'll know it when you read it lmao), mentions and descriptions of blood, gore, and death

word count:  4.1k

notes: i watched the movie yesterday…and miguel is on my mind. but i remember reading this namor x reader fanfic after i watched wakanda forever of a similar idea to this and i loved it so this is HEAVILY inspired by that fic, but just make it miguel. i would link it but ngl that was so long ago and i dont remember the author. if i end up finding it again ill put it here. also, just pretend miguel has been doing this whole spider society thing for a couple of years at least, it just needs to work like that for this ik its probably not canon but just roll with it lmao. and yes the title is a taylor swift lyric im so glad you noticed (im so sorry she's in my brain rn with the eras tour)

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The anger boiled up inside your chest as you stormed your way across the lobby. Hundreds of different Spider-Man variants were scattered across the area, some more injured than the others. It sickened you sometimes. How he had so many people under his grasp and just decided to throw some of them at the walls sometimes, not caring how hard they hit the floor because they were all just ammo to him. How despite his denials of it, that’s probably what your role was to him as well. Nothing more than a bullet in his massive machine gun.

You normally tried not to think about it, how his determination towards his goal sometimes meant lack of care for others. But this time he had just gone too far. You always had a soft spot for Miles, watching closely on him whenever Miguel would let you go though scanners of all the different variants. You admired his struggle, but eventual success to taking up the previous Peter’s mantle, and always hated how Miguel talked about him. You knew there was no way Miles could’ve asked for any of this. For the pressures and struggles of being a Spider-Man, for everything causing such a strained relationship with his parents, for the death of his uncle, and for what will be the eventual death of his father. You definitely didn’t.

Ok lets do this one last time. Eh, whatever, there’s probably gonna be 50 other introductions after this one so it doesn’t really matter.

Being Earth-837’s Spider-Man has never been easy. Especially since you were bit when you were only 13 (another reason you sympathized with Miles and Gwen). Your life had followed the order of canon events to a perfect T, your older brother killed in a fight with a robber only two months after you were bit. You tried to overcome the burden of your powers by trying to live as normal of a teenage life as possible, but it was mostly in vain, having to give up multiple friendships and relationships in fear of those you love getting hurt. This was only elevated when your boyfriend Peter was murdered in the crossfire of an encounter with Doc Ock. You didn’t understand. You couldn’t. What you had done to deserve all of this. All you did was just be in the wrong place at the wrong time. You wonder sometimes what would happen if someone was in the same place you were when you got bit. If someone else went to the closed down area of that museum and ran into that spider. That stupid spider that ruined your life. Those thoughts slowly started to disappear for a bit. For a few years things were easy. Things seemed like they were finally going in your favor.

You were 25 when it happened. The last canon event. Ever since you were a little girl you hated your mother’s job. Losing nights of sleep over if she would come home or not. She always did though. She was good at her job. Too good though. Good enough to get promoted to police captain, which for who you were, was basically sealing her fate. She saved so many people that day. You were too busy fighting Venom to notice how much collateral damage you were causing in the process. Your mother’s job was to evacuate all the citizens away from the fight. She died shielding a child from incoming debris. A noble way to go. But god was it gruesome. You found her after the fight was over, two metal poles impaling her. One through her stomach and one straight through her face, pools of blood growing bigger below her as she was left there, all the paramedics busy trying to save the heavily injured. You froze when you finally recognized her, unable to at first due to how mutilated her face was from the pole. Suddenly, you were transported back to being a six year old, falling asleep outside the door to your mother’s bedroom so you would know exactly when she would come home. Purposefully falling asleep in her arms so that she couldn’t go anywhere.

When you used the key she had given you to get into her apartment that night, and you slept in her room, desperate to intake anything left of her before she was fully gone. You doused yourself in her perfume so it still felt like she was standing right behind you. You had always loved her smell. The smell of vanilla, curl product, and fancy perfume. They were attached to memories you had of her. Trying on her heels when you were a kid to try and be fancy like her. Smelling her hair in the morning before school to comfort you before she left for work. Despite all of this bringing you comfort, all it really did was cause further denial in your heart. That one day you were gonna hear the keys clacking in the keyhole to your apartment one more time. That’s all you really wanted. You would give everything up in a heartbeat just to hear her police scanner go off one last time. But it wasn’t going to. And it was your fault. Deep down you knew it was. You should’ve done a better job controlling the debris. You had always been a messy fighter, but you didn’t know it was going to mean anything until it was too late. 

How you got up to the top of that building is still a blur to you to this day. But next thing you know, you were looking at the New York City skyline from the very top of the Empire State Building. And at the very edge too. You heard some sounds behind you, but you just decided it was the wind howling from how high up you were. You were just so tired. Everything and everyone you loved was cursed all because of you. And with your mother as the most recent victim, you decided you finally had enough. You took a deep breath, eyes overflowed with water, as you set your foot forward.

Your plummet was interrupted by a sudden contact you felt to your forearm. Shock filled your body as you turned around to look at what had stopped your attempt. The blue hand was massive, nearly wrapping back around onto itself as it held onto you for dear life. You finally looked up at face that the hand belonged to. The mask that covered the massive figure was a strange one. Blue with strange red silhouettes for the eyes. It kind of reminded you of…your own costume? That couldn’t be though there was no way. This must be the afterlife or something. You already jumped and that's why you didn’t remember your way up to the top. This was some kind of creature trying to stop you from jumping down to hell below. His breaths were heavy and loud, almost like he was desperate to stop you. This convinced you that this was real, which caused you to try to escape from his grip. He was stronger than you, and was putting up a huge fight. You were slick though. Once you were out of his hand, you closed your eyes and quickly made your jump. Everything flashed before your eyes. Your brother, Peter, your mom. You were hoping to see them soon. This was very quickly interrupted again when you suddenly stopped falling. Something had attached itself to your stomach. You opened your eyes. A web? This web was much different than yours though. It was glowing a bright, neon orange.

The man was holding onto the end of it tightly with both hands. His mask then disappeared to show his face. His was long, matching how big the rest of his body was, defined cheek bones sticking out. Brown wavy hair slicked back with a few loose strands flying out in the wind. The look of desperation on his face stook out most of all. Why did he care so much? He didn’t know you, and you definitely didn’t know him. “Let me pull you up. Please,” he said to you between shaky pants. You stared at him for a bit before nodding. He slowly pulled you up with the string of his web, each move more careful than the last. As soon as your feet were planted safely back on the roof of the building, he wrapped you up in his massive arms. You appreciated the gesture, but you didn’t return it, still very confused about why he was so concerned. He was so big around your body though, you couldn’t help but feel a little comforted, feeling his still shaky breaths against the hairs of your neck. Soon after, he clicked on some buttons on his neon orange watch and led you into a portal.

The rest is history. You’re grateful he found you that day. It allowed you to meet so many people, Peter B., Jess, Gwen, Hobie, Ben, Pavitr, Margo. They all related to you and you felt like you could share things with them that you couldn’t do with anyone else. You had grown especially close to Peter and Jess, both of them having been in the game for a long time, just like you. They both knew how you felt, having lost so much and growing so tired after so many years. Peter even named you as Mayday’s godmother when she was born, a gesture that caused you to nearly kill him with your hug. Miguel though was different. He wasn’t nearly as social as the rest of your friends, but you found yourself having much more intimate moments with him (in more ways then one). You eventually found out why Miguel was so concerned for you the day you met. He had taken interest in your abilities early into looking for variants for his little “project”, but refrained from roping you into something so dangerous while you were still in your teens.

Once you were old enough though, he started paying more and more attention, hoping to catch you in a fight and recruit you then. But he was always pulled away with more important duties to attend to. That was until he witnessed your canon event. He had seen it happen so many times before through his scanners. It was going to happen. It had to in order for your universe to not collapse in on itself. But for some reason, yours hurt more than the rest to him. Especially how you coped with it. Seeing you wrap yourself up in her blankets and clothes broke his heart. He knew where this would lead to. That’s why he was there that day. To save you. He had to, or he wouldn’t be able to forgive himself. You got your own watch immediately, along with your own room in the Spider Society headquarters. He stayed close with you for the first month of you being a member of the team. When he wasn’t out on missions, he was with you. You didn’t really know what to label you two as, but whatever was going on, you liked it. And he did too.

That is until Miles came into the picture. Once Miles was bit, all hell broke loose for Miguel. He was always in some alternate dimension catching some Spider-Man villain who got out and rangled them back over here, falling back over to you more beat up and bruised than the last time. You couldn’t imagine how much stress he was under, the fate of the entire multiverse up to him. You had some ways of helping him relieve his stress, but you wish you could convince him that he wasn’t alone in this. But nothing ever got through to him. He had become distant, aloof even. You tried bringing it up to Jess every so often, but she would just brush it off.

“That’s how he’s always been.” Not to you he hasn’t. This week has been hell though. With Spot making it over to Miles, Miguel had been going into rages all week. You had put up with it for now, but that was all about to stop. Watching how harsh he was being on Miles, throwing so many Spider-Men at an innocent boy, risking all of their lives in the process. Disregarding everything Gwen and Peter were feeling and then throwing Gwen back into her broken world with nothing. He had gone too far. No one else was going to stand up to him about it, so you knew it had to be you. Maybe he would listen, maybe he wouldn’t. It didn’t really matter. He just needed to hear it.

“It’s not worth it you know.” The voice snapped you out of your thoughts, stopping you in your tracks. “You know how stubborn he gets over these things,” said Jess, trying to convince you to save your breath. “I don’t care. I have to at least try,” you responded, monotonically. “I just don’t understand how you can follow him so blindly and not see what he’s doing is wrong.” “Because he isn’t wrong. I don’t know about you, but I’m not just gonna stand by and let some kid’s stupid decisions destroy another Earth,” Jess argued. “He’s just trying to save his dad, I can’t understand how that makes him such a bad person,” you said, finally turning around to face her, shocked when she was closer to you than expected.

“You know exactly why. Don’t be so naive, y/n,” she shot back. “You can’t stop me,” you said staring straight into her. She shrugged. “Then I can’t help you.” She began to walk away. You did to, until you heard her say. “You don’t know how much he cares for you.” You turned around to face her again, but her back was still to you, her head tilted ever so slightly to look at you. “If you really do care for the kid, watch what you say to Miguel right now. Cause you might just give him the final push he needs to do what needs to be done.” You didn’t give her a response, and just simply kept walking. You felt Jess’ eyes on your back as you entered the elevator to get up to Miguel’s office.

The elevator ride up felt longer than it should’ve, as you tried to gather all of your thoughts and emotions together so even if he didn’t listen, your words would still stick with him in some way. You didn’t necessarily want to hurt him (though your fists were telling you otherwise), but you did want him to be aware of what he’s done. Once the doors finally opened, all of that work flew out the window as rage took over your body again, seeing Miguel up there looking at the scanners. The fact that he looked just as normal as he always does made you furious. It’s like nothing happened.

“You know, I could hear you coming in from the lobby,” he said, almost stopping you in your tracks. You hated when he did that. Claiming that he knew what your every move was going to be. Like you were under his control or something. “Yeah, well then you must’ve heard me talking to Jess, which means you know exactly what this is about,” you shot back, stopping to where you could see him perched up there. “Why don’t you just save me the conversation about morality and just come up here and kick my ass already. It’ll save both of us time,” he said, not even taking his eyes off the scanners to look down at you. This only added to your fury. “That’s not what I’m here for Miguel, so don’t you dare try to twist my words here. What you did to that kid was fucked up and you know it.” “Oh yeah, then why didn’t you try to do anything to stop me?” he questioned.

“Because I’m not stupid Miguel. I’m not gonna try to take down hundreds of Spider-Men at once.” “Oh, cause you’re so much better than that?” This wasn’t like him at all. That gentle, kind, and caring Miguel you once knew was gone, taken over by some sort of personal vendetta he had against Miles. “Listen, I don’t know what’s going on with you, but this all needs to stop before it gets taken too far. You’re getting into a fight you can’t win. That kid’s strong and so are his allies. And if you go any further into this, I won’t be here to help you.” He stayed still and only turned his head to look at you. “And what makes you think that you’re so important to my plan that it’ll fall apart if you leave? Have you really become that pretentious?”

Your body froze. Have I really? No no no, that’s exactly what he wants. If you begin to doubt yourself now, you’ll stay and nothing will change. You knew you were right. He was trying to crumble you down, but you wouldn’t let that happen. “And you really think that one kid is going to ruin something that you’ve been working for for years? How insecure you’ve become.” “You have no idea what you’re talking about,” he said, turning back away from you. You did the same, wiping off your face in anger. “I hate it when you do tha-,” you said as you turned back around, but were cut off to find Miguel standing there right in front of you. He was close. Too close to your liking, although in any other circumstance you would’ve found this attractive.

He tilted his head up, but his eyes were down staring daggers into yours. You hated how much he tried to make himself seem more superior to you. “You have no idea what you’re talking about,” he repeated, this time slower as if you were a child. “He’s just a kid Miguel,” you said in a low, quiet voice. “An anomaly. And a dangerous one at that.” “God Miguel, all he wants to do is protect his dad, do you know how insane you sound right now?” you said letting out a slight laugh when you finished. You backed away from him a little. “He doesn’t know how much damage he’ll do with this. Saving his father will only prolong the inevitable. His world will be gone within hours if he does this. All I’m trying to do is make him understand,” he tried to explain. “By trying to kill him.” “You always have to exaggerate the situation,” he said palming his face. “But that’s essentially what you’re trying to do isn’t it? Why not snuff out the problem entirely by taking him out!”

He signed and began to walk away while you were talking, bringing up your anger even more. “Yeah, use all the power you’ve accumulated over the years and just take out the small problem! Except this isn’t just a fly on the wall Miguel. This is a child! An innocent boy who didn’t ask for any of this to happen to him, just like how we didn’t. I get it, I’m sorry that this job is stressful, I really am. But that gives you zero right to act the way you are!” You were screaming at him at this point. You didn’t want to. You didn’t want your emotions to get the best of you. But he was being too stubborn. This was the only way you thought you could get to him. You might not have wanted to, but you needed to hurt him now. It was the only way.

“You can’t be so power blind that you refused to accept the fact that there could be a way around Captain Davis’ death. You said we saved Earth’s before, I’m sure we could do it again.” Your anger only kept rising when he kept walking away and didn’t respond. “This is a personal thing isn’t it?” you asked calmly. You knew it was working now when he stopped walking. “Yeah, it it. You won’t let Miles get his happy ending. Because why should he be pardoned of his burden while the rest of us have suffered so much. While you’ve suffered so much.” The answer to your question was confirmed when Miguel stayed silent. “Just because you didn’t get the life you wanted Miguel, doesn’t mean you have the right to stop other people from getting theirs.”

You knew you overstepped the line when Miguel turned around and started walking towards you, fury burning in his crimson eyes. “Yeah, so what! What if that is what this is all about! You should know better than anyone how much this job takes away from you!” he screamed at you, backing you up into a wall. “Why should he get to be let off so easily, while people like you and me have to suffer so much? Don’t try to turn me into the villain here when I know you’re thinking the exact same thing, y/n.” He wasn’t entirely wrong. You had wondered it at some points. “I won’t let you turn this onto me Miguel, this is about you,” you fired back. “Oh no, you’re not getting off that easily. I know you’re thinking it. And you’re right. Why should Miles get let off so easily when you’ve lost so much.” He held your hands in his, trying to connect to you. “And you have mi vida. You’ve had so much taken from you and it’s unfair. Why should he only have lost one person when you’ve had three taken from you. Your brother, Peter, your moth-.”

He was cut off by your hand striking against his face in a harsh blow. “If you’re smart, and I know you are, you’ll keep those three out of them. I won’t let you drag their names through the dirt for something as stupid as this.” You both stood there for a while, both of your eyes looking towards the ground, hoping it would open up to swallow you both as an escape from this god awful conversation. You never wanted it to come to this. In all honesty, you cared for Miguel. You might’ve even loved him, if you were even capable of doing such a thing. You hoped he felt the same way about you, but in a job like this, he always had at least one wall up around you. It just wasn’t worth it anymore. You were too tired to keep trying for something that was most likely going to fall apart in the end. 

“You’re still going after him aren’t you?” you asked, finally breaking the silence. Miguel looked back up at you. “You can’t ask me not to. You know better than anyone why this is so important to me.” He moved his hand up to cup your cheek and kissed your forehead gently. You let it sit there for a minute out of habit before pushing it off your face. “And you must know why I can’t stay anymore then.” His shoulders dropped. “Whatever this thing between us is. It’s over. I can’t stay beside someone who can’t see what he’s doing is wrong.” Miguel’s dropped hand turned into a fist of anger. “Fine,” he spat in your face. “I don’t need someone like you in my way. You’re just a liability to this anyways.” He began to walk away from you back to his scanners. “Just don’t come crying back over to me when your little plan doesn’t work out, cause I won’t help you.” He used his webs to pull himself back up to the platform to keep looking for Miles. You stood there for a second, gathering yourself.

Five years. Out the door just like that. It bewildered you how easily a bond like you two had could be broken all because of one teenager. You began to make your way for the door before you said. “When this is all over…don’t try to find me.” He didn’t respond. Once the elevator doors opened, you rushed inside, desperate to get away from him. So many thoughts rushed through your head as the doors closed and you sunk down back to the lobby to leave. You didn’t have much of a plan. This could end up being a horrible idea. Your gut told you it was the right thing to do though. And that was enough for you. You walked out of the headquarters lobby with a new heart and a new mind, ready to take action for your new plan.

First though, you had to find Gwen.

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a/n: god that took longer than it should've. dw dw i'll do a part 2 if enough people ask for one. im not 100% sure how im gonna do a part 2 cause yk....idk how beyond the spiderverse is gonna go so tbh, we're just gonna make it go the way i want lmao. thanks for reading, ik this was kind of a long one lmao

NEXT CHAPTER

[thelastofhyde]

the likeability paradox.

pairing. joel miller x fem!reader

synopsis. joel miller is not a man who strives to be liked, with a chip on his shoulder and a scowl on his face, until his world is flipped on its axis when the pretty young thing living under bill and frank's roof, with an irritatingly unwavering smile and the literal sun shinning out her ass, says those five damned words: i don't like you, joel.

warnings. no use of y/n, enemies to lovers, slow burn ( i have several oneshots planned for this couple ), unrequited love ( except you will never catch joel miller admitting he feels anything beyond grief, hunger and exhaustion ), pining, poor communication no communication, no seriously joel is down bad it's actually disgusting and highkey 🚩toxic🚩 but luckily red is your favourite colour, sunshine!reader, grumpy!joel aka canon joel, kinda perv!joel ( if you squint ), implied queer!tess, undefined age gap ( reader implied late-20s ), descriptions of canon-typical violence, smut ( oral- f receiving, fingering, degradation, panty stealing, hair pulling, dirty talk, dubcon due to intoxication, joel kinda gives her a wedgie at some point and honestly i don’t know what i was hoping to achieve with that, discussions of a lacklustre sex-life pre-apocalypse ). reader is a) hinted at being shorter than joel but it’s not central to the plot and b) described as lithe but the meaning intended is graceful, not thin!

word count. 12.9k

hyde’s input. half-way through, the regret of choosing to write this from joel's pov started to settle in but lmao i was too far in to not commit to the bit. don't come at me for the fact the timeline or events may not seem plausible with canon, i just wanna write this silly little depraved fic about joel in peace :( anyway, enjoy my first attempt at writing for tlou, forming a prayer circle rn in hopes that this doesn't flop because i will cry and you will hear about it

read on ao3. series masterlist. next chapter.

Distaste is not new in the life of Joel Miller.

In particular, one that is loaded, aimed and fired directly at him. He is not a likeable guy, often by choice and rarely by accident. The years of pain from a bleeding wound have now scarred over into nothing but an empty shell of the man that once was, from a world that no longer is, and he’s tried little to fill himself back up.

If anything, he’s made himself more empty.

Rid himself of feelings, that which saves him the weakness of appearing sympathetic. Discarded the need for luxuries, for which he’d scarcely cared for prior to his world ending. Lay to rest what was left of the optimist inside him, leaving behind the danger of hope for it to rot with the rest of the infected.

An apocalyptic world brings out all sides of man that one would never dare to engage with in normal civilisation. Joel learned swiftly that he was built to endure, quick to evolve and adapt to the new world order. The man who once worked his hardest to keep the peace among his neighbours, smiling that little bit wider on days he’d catch them scowling to themselves in hopes of brightening one part of their day for even a simple moment, would be at odds with the man who wears a heavy layer of enjoyment when met with the scowling glances and the hushed voices, all the watch out for that Miller guys passed between cowardly members of FEDRA and the keep away from Mr Miller's lawns spoken harshly from mother to child becoming music to his failing ears.

This plague of fear-driven dislike keeps him alone, how he likes to be, no one to lose and nothing to be taken. Somewhere along the years the idea of safety in numbers has morphed into an illusion, something people say and never truly mean, to distract themselves from a reality more bitter than a snowstorm: in times of survival, people become deadweight.

“So that’s all I am to ya, huh? Dead-fucking-weight?” His brother’s voice still echoes in that damned space he calls a home, weeks or months or years since the day he’d departed for something else, somewhere else, leaving Joel to do what Joel does best: endure.

Somehow, silence was easier than telling the man he’d taught to tie a shoelace, to shave his beard, to tune a guitar that he was the deadweight, doomed to drag all those who remained too close down into his pit of despair.

She was an exception, his Tess, buried 5-feet-under in her own swell of darkness, nothing but the tips of her fingers stretched out above her head to feel the sun upon her skin and keep her from going that last foot deeper. They’d made a home for themselves in one another, one where he keeps them fed, and she keeps them safe, and neither of them keeps the place clean.

She never asks for more, and he never offers it, both content to survive without the weight of affection smothering them. Contrary to the belief of any misfortunate soul who’s encountered the pair within the quarantine zone, she is the one who holds the leash, tugging Joel along close by her heel and keeping him from wandering off into the wild to surrender himself to a feral lifestyle.

Which lands him here, sat at a table playing happy family, each time he dares to snark out a few words being met with the sharp kick of Tess’ foot against his shin.

“... And then,” Frank struggles over a cough, so excited in his story-telling that he fails to separate taking a breath from taking a sip of his wine. With a roll of eyes and a disapproving grunt, Bill’s no more than two seconds away from clapping down on his back, urging the other man’s wind-pipes to unblock and welcome back airflow. “Otis dragged his muddied self over the whole house. We were finding paw-prints for days!”

Joel's unamused, too keen to think of what a nuisance that would be. As if incapable of feeling the buzzing energy of disinterest, the German Shepherd drops its head further up his lap, begging for a morsel of anything that sits atop the table.

“Which means I was cleaning paw-prints for days.” Bill, the only one at the table besides himself who wears the looks of a cynic, grumbles out before shovelling what remains on his plate into his mouth.

Frank is quick to shush him.

“I’m sorry, again, Bill,” he doesn’t mean to break eye-contact from the mutt at his thigh, but the voice calls to him like a siren calls to a ship in the night, like a flame dances and seduces a moth into its brightly burning touch of death, a spotlight in the dark which promises- or threatens- more light to come. “I’d no clue there was a storm coming till we were already a good few miles away, and there was nowhere to take cover to wait it out.”

There you sit, parallel to him.

The sun rests lower in the sky as time carries you all into the late noon, its rays a beacon of light bursting out just behind your head, painting you in the glow of the golden hour and staining a mockery of a halo above you. It hurts his eyes, this brightness that you so easily bask in, forcing him to squint and deepen the frown on his face.

You catch him with his sights on you, at some point, and the smile you meet his scowl with has him cursing at the sun, and the moon, and every star that sits between.

The threat of a great war looms in the air as you rush to rise up and help clear the table of the remnants left behind- none of which Joel can account for, mouth too keen and body too starved to skip out on enjoying the mundane luxury of a fresh, home-cooked meal. The battle ends swiftly as you surrender to Bill’s hardened stare, and Frank’s disapproving head-shakes, and Tess’ own plan of action to simply force you down back into the seat you’d been sat in- the one you always sit in.

“You, sit. No one should have to clean up the food they made.”

They get no fight out of him when they insist he’d done enough catching the so-called food.

Silence casts its shadow over the table, dampening the light and smothering you both in a mockery of greyed tones- truthfully, it is the disappearance of the sun behind a large cloud that causes such a thing.

Being alone, with you, is something Joel’s never mastered. The affliction of your presence is so much greater when there’s no one else to balance out your natural shine- the kind that has his head spinning and his cock aching-, no one but him.

Were he not a sick bastard, he’d try harder to not make you sad.

Something bumps his hands, ripping him out of his moral self-condemnation. The dog meets his gaze, eyes a widened mess of puppy-dog pleading that punctuates its existence with an impatient whine.

Just like your owner, he finds himself thinking and not saying- never saying-, yet to find your bark.

The ball’s a sticky mess of slobber and dirt, and Joel touches it all the same, throwing it up in the air once, then twice, before tossing it across the yard. He’s slumped back in his chair by the time he registers the dog’s departure, a ball of dark fluff bouncing its way across the garden, and all the man can think is fuck, he’ll be feeling the effect of that throw on his shoulder come the morning.

The pain is not enough to stop him from tossing the ball again, and once more, and then yet again, sending the dog in a never-ending loop of chase, grab, retrieve- a parallel to his life of wake, survive, sleep.

“He likes you,” you never leave things the way he wishes them to be, bursting his bubble with the vocal reminder of your presence.

As if on queue, prompted by your addressing of it, the dog drops its interest in Joel, and the ball, and the chasing, tail wagging uncontrollably by the time it reaches your side. Standing on its hind legs, it collapses the front of itself into your waiting lap, and Joel watches how you wrap your arms so easily around something that could cause you harm.

To envy a creature that licks its own shit off its ass is a new low for Joel.

“Thinkin’ he might like ya more, Sol.” The nickname rolls off his tongue with ease, the safer option than uttering your name, a vice and virtue he’s only permitted himself in idealistic fantasies that play out in his own troubled thoughts.

“Most people do,” whether you mean to make it seem like you’re degrading his very existence or not, he’s unsure, but it rouses a chuckle out of him.

He takes note of how you don’t protest the name he’s branded you with, not like how you’d fought tooth and nail against it every other visit he and Tess have made.

“You’ve got a whole load in common, you know? I think that’s got something to do with his fascination-”

“How the hell’s a man like me got somethin’ in common with a four-legged mutt?” There he goes again, making that smile slip down your cheeks with a simple use of his voice. It helps as much as it hurts, frown loosening up and eyes no longer strained beneath the bright shine of your visceral optimism.

“Well, you’re both... hairy,” he restrains himself from reacting, washing down a laugh with the help of the dregs of wine that lay collecting at the bottom of his glass. He’s let his appearance grow more rugged over the past few months and your noticing of this brings an unwanted warmth to his aching bones. “And have the most kickass women in your lives to stop you from dying.”

He’s interested to know what life would be like under your protection.

Discovering the answer brings the threat of pain, and loss, and an openness to vulnerability he can not afford himself, so he takes the safer option: “‘S easy stayin’ safe when you live in this fantasy land. Doubt your mutt’d last any longer than a day out in reality.”

With you as its protector.

He doesn’t say it and, still, it somehow hovers in the space between you both, a heavy, syrupy implication that slips down your throats and threatens to suffocate you. He watches you choke on it, coughing on his cruelty and feigning it to be a simple clearing of your throat. Your eyes glue themselves on the dog, delicate fingers smoothing over the well-groomed hairs down its back.

Survival has turned him into a man who knows when to seize an opportunity, and this is one he takes with both hands, basking in the simplicity of staring, watching, observing you without the crime of being caught.

But I could keep you safe.

He toys with the danger of uttering such a thing aloud. It’s not the first time he’s thought it. Truthfully, he’s unsure when it first nestled its way into his mind.

His memory, which ails him more than it aids him these past years, would have him believe it was way before the dog had even appeared, back when it was just Bill, Frank and you. A few whiskeys in and a campfire lit for you all to gather for warmth around- why you’d all chosen to sit out in the gardens on a winter’s night Joel remains unsure of to this day-, it was Frank who’d prompted the question. “Where were you all when... this started?” Tess went first, braver than most people he knows, sharing stories of a version of herself he’d never meet.

He never imagined her working in a bank.

Bill, with reluctance, took the next step, keeping his account factual and to the point. “Was shit-faced drunk and getting my stomach pumped.” He’d been quick to skim over the story of the young nurse who’d guided him to safety out the hospital, losing her own life in exchange for his survival. She was barely out of school. “I knew her dad, bit of an asshole, but boy, was he proud of his baby for graduating.” Frank couldn’t let him swim too deep in his thoughts, afraid a current of guilt would trap him and drown him in the depths of it, and so he raised his own voice and began his tale.

Joel had always been a good listener. Being a single parent to a teenage girl required him to be, or so... she would have had him believe, nights at the table set for two spent listening to the playground he-said-she-said gossip. Years later and he at last prefers things this way, a rare gem of safety found in the act of saying nothing and hearing everything- that his hearing will allow. All this to say, he’d tried his best to pay attention to Frank’s impassioned retelling of his heroic misadventures that had lead him to the unintentional arms of Bill.

But you weren’t smiling.

He watched you, you watched the dancing flames, face stoic and drained of that natural shine his eyes had only just started to be able to gaze upon without the threat of being blinded by such light.

The desire crept up on him like a tiger to it’s prey, hiding in the far off bushes until the opportunity to strike presented itself and the feeling lunged for Joel’s back, gripping him in its claws and piercing his ribcage with its gnashing teeth. With each bite, it plagued him with the delusions of a wandering mind, imagination left free to run laps around his head with visions of you from another life, another time, another set of people gathered round a dining table. He’d wanted to hear about the ones you’d lost, and comfort you with all the things he hated hearing (“You’ll keep ‘em alive, in spirit and memory!” “Those we remember never truly die!”). He’d needed to bend a knee and swear a vow to be the one to stand between you and death, to fight for your survival on your behalf. ‘Could keep you safe. There, then, the thought did cross his mind.

He’d washed it down with a swig of lukewarm, flat beer.

“-Could fix it, you know. I’m good with my hands.”

He almost chokes on his own breath.

I'm good with my hands, it swims in circles round his mind, replaying and echoing off the walls of his skull. And he knows- oh, how he knows- that he’ll be replaying it in those moments of solitude for the next few nights, weeks, months- however long it may take till he forgets the way such thought-provoking words sound on your lips.

“What?” The question leaves him harsher than he intends, drawing an enemy line between you both with the foul sound of it. In the corner of his eye, he swears he sees you flinch backwards, physically recoiling from the disdain-filled bullet he fires in your direction.

The mutt in your lap retreats, hackles rising as it turns to face Joel once more.

He sees it, in the dog’s brutal protectiveness over you, this similarity you claim exists.

“Your watch, it’s broken.”

“Hadn’t noticed,” he’s retreating into his own space now, mentally and physically, scraping the legs of his chair against the ground as his mind works to strengthen those walls that threaten to crumble so often in your presence. “Don’t need ya to fix it.”

You pull a face, brows furrowing and lips pouting. Confusion.

“Don’t you want to know the time?” You ask, as if time could ever be relevant in a rotten world where down is up, and up is down, and Joel Miller is not the overprotective father to the most delicate creature the god he’d stopped believing in had gifted him, just to force him to watch as life snatched her away.

“I don’t keep it for the time.”

You smile, and this one’s a killer, piercing straight through the cages of his ribs to carve itself into his withered heart.

The German Shepherd relaxes with the rebrightening of your aura, shaking out the tension from its body before sauntering its way back over to Joel, ball in mouth and tail wagging excitedly, as if it hadn’t just contemplated having its first taste of human flesh.

He’s throwing the toy in a matter of minutes, enjoying the repeated run and retrieve game, and the renewed silence that comes along with it. Nature sings its tune with rustling leaves, cawing crows, and pounding paws. It’s almost so easy to leave your offer, your words, his broken watch in the rearview mirror of this otherwise pleasant afterno-

“Ooh, so there’s a story to tell!” You’re blinding him with your excitement, lithe limbs leaning forward in your own chair in an attempt to reach closer, table between you be damned. “I’ve never heard any of the Joel Miller backstory, this should be-”

“I get that likin’ everyone is your thing, but would’ya give it a rest?”

Nature falls silent.

Skies grow dull.

You juggle sadness.

There’s a crash that comes from within the house, followed by the unmistakable sound of Tess’ sailor mouth, cursing whichever delicate dish she’s broken into smithereens with the help of her accident prone hands. The dog’s lain itself down upon the grass, ball between it’s paws as it begins to bite, and chew, and break it under the pressure of its canines.

Joel wonders what the mutt’s practicing for.

“Sure,” then, with the return of your voice, all sounds resume, harmony upon planet earth once more. Only, the gates have been shut in his face and Joel finds himself forced to watch as everything unfolds from the outside, an unwelcome visitor forced out into exile with the fungal freaks and the inhumane. “But you’re wrong. I don’t like everyone.”

“‘S that so.” His eyes roll. The hole he’s dug for himself sinks deeper, casting you higher up on the pedestal Joel will always be wiling to place you on.

“Yeah,” you’ve risen out your chair, gifting him the view of how the fabric of your dress dances above your knee, a final twist of the knife in his heart that he lets you pierce his flesh with each time he surrenders himself to your existence. “I don’t like you, Joel.”

The hours come and go, but your words linger like a bad tattoo, shamefully engraved into his skin and banning him to a life of noticing the horrendous thing each time he passes by his own reflection.

We’re staying, for tonight. Tess had called the shots, and he’s been learning not to argue when she gives him one of her stern looks, biting down on the comments he’d wanted to make of the dangers of being out of the QZ for too long, which would likely earn him nothing but a shrug and the reminder that they both were off duty the following day

The nights are beginning to grow darker as winter grows nearer, leading Bill and Frank- mostly Frank- to excuse themselves to bed, bidding the two visitors with a final reminder to make themselves comfortable in whichever room they can find. If only Joel could remember which door leads to yours.

The two women in his life remain awakened, passing a bottle of wine between each other as you both converse back and forth, catching each other up on one another’s life, satiating that craving for mundane gossip.

Tess recounts the scandal of the poor boy who’d been caught sleeping with a FEDRA agent’s wife, you whisper that Frank and Bill had been fighting again recently. The memory of being ambushed by raiders- now dead raiders- comes to life once more with the help of Tess’ voice, while the promise to uncover what exactly Bill and Frank were hiding from you as of late is sealed in your words.

At some point, he lays himself to rest atop the couch, legs stretched out and arms crossed over his chest, ignoring the squeeze of the fabric over his forearms as the too-small flannel struggles to contain the muscles forged by the need to survive. At another point, he’s lulled to sleep by the lullaby of your mingling voices, a safety blanket draping itself over his tired body and enveloping him in the comforts of having that which he struggles to care so little for, so near him once more.

-N’t tell me you’re a virgin.

The words are muffled as the man slips back into consciousness, a frown coming to rest on his forehead as he battles against the demons urging him awake, the nightmarish memories of car crashes, and soldiers, and so much red chasing him away from the sleep he longs for so badly.

A protest rings true in his head and his ears.

Was gonna say. Knew you were young, but not that young.

It’s the sound of your laughter that awakens him fully, saving him from the tortures of his own mind.

“God, no! me and my ex, we... a few times. It was alright, I guess. I just, yeah, there’s not much to miss.”

He’s unwilling, unable to reopen his eyes, curling in on himself as he rolls over onto his side. A groan slips past his lips, one he’s hoping Tess and you will dismiss as nothing more than the sleep-filled rambles of a dreaming man.

Neither of you make any acknowledgement of him.

“Not much to miss?! Sweet Christ, you’re breaking my fuckin’ heart.” He’s learnt over time the common traits of a drunken Tess. Each word becoming an exclamation, curses becoming more frequent, and that irritating habit she’s picked up of imitating his own accent. There’s no need to bother opening his eyes, Joel’s already sure he’ll find his companion with flushed cheeks and glassy eyes. “I’d give up a hand for some head!”

You must do something, pull a face or shake your head, for the sound of Tess’ renewed shock fills the room. He wonders, as the sound bounces off the walls, how late into the night it’s grown.

Late enough that the cicadas singing outside the window are now accompanied by the hoots of an owl.

“You’ve got to be shittin’ me.”

“It bores me!”

“It bores you!?”

The couch beneath Joel creaks as he shifts once more, turning his back on you both as the ability to contain his laughter grows harder with each word you exchange and each gasp Tess gives. The last thing he needs is to be caught eavesdropping on your sex life like some dirty old pervert.

The crueler part of his mind replays your voice, I don’t like you, and the knife twists in his guts this time.

You like Tess. Love her, even. It’s been that way since the first time you’d met the duo, eyes giving one look over the woman before the smile on your face grew even wider, voice as sweet as honey sighing out Finally someone with a pair of boobs, I’m bored of the sight of my own. Joel’d gotten caught up in the thought of how he’d never tire of such a sight that he’d failed to acknowledge your greeting towards him, catching just the moment you drew your outstretched hand back to your side and offered him an understanding smile.

Maybe that was the moment you decided you didn’t like him.

“Must not have been doin’ ya right,” The bottle of southern comfort is working its wonders on the older woman, accent growing further and further from its true nature with each glass she nurses. Joel hears the faint sound of ice smacking against glass and knows it must be yours. You’ve always struggled with liquors, slipping as many ice cubes as you can manage into a glass in hopes that they’ll eventually melt and water the alcohol down. It’s oddly endearing that you think no one has noticed. Because he has, he always notices the little details that surround you. “This fella of yours.”

Joel has no right to despise the idea of you and some fella.

He does so, regardless.

“Well,” he imagines the shape of your meek smile and the way you shrug your shoulders. “We were each others firsts.”

“That’s no excuse! Trust I left mine cryin’ into her pillow the first time I went down.” Tess and he have a silent agreement to never speak of the nights Joel would take refuge on their beaten-up couch while Tess indulges herself between someone’s thighs in the bedroom. No discussing the sounds she pulls from her concubines, no addressing the wet patches left behind to stain their shared sheets, and definitely no speaking on how his hand winds up stained in his own cum.

You scoff and follow it up with a saccharine laced giggle, so sweet its bound to rot your teeth if you even attempt to hold it in. “What, are you offering your services?”

tThis he likes less than the image of you with some fella, the thought of having to lay upon a mattress on which Tess has raised you to heaven on while he once again remained locked out in the dark leaving his skin crawling with unwarranted rage.

“‘As sure as I am that you’re sweet all over, ‘fraid to tell you I like my women a little older than you.”

He knows he should do the same, should lust after those women his own age who shoot him carnal looks in the streets of the QZ. It should be skin his own age that he longs to taste, and eyes who’ve seen as much as his own he wants to stare into, and lips as cruel as the ones he owns that he fights off the urges to kiss. But he can’t, and he won’t.

And you’re the one to blame.

You, with the glow of a thousand suns. You, with the hands that tend to flowers instead of corpses. You, with the gentle nature he’d have to spend the rest of his days fighting off every other living thing just to protect.

His own self being the first he’d need fight.

Joel wonders what he’d missed in his hours- if it had even been so long- of rest, how the playground gossiping dissipated into reminiscing the pleasures of supple flesh and the sins of unfulfilling lovers. Sleep steals him away once more before he can find the answers.

The next time he awakens, he’s drowning in a plight of cruel memories, a cold and brutal ocean of faces, places, and traces of the ephemeral sentiment of happiness he’d possessed once upon a time, back when the price of letting one’s guard down was not so high.

He’s learnt, with time, that losing her comes in waves. Some small, meaningless little things, that ripple Joel’s surface and coast gently over his dirt ridden skin. Others, tsunamis. Big, angry, all imposing. They’re born in ground-shaking explosions of grief, building speed, and height, and weight the closer they grow to crashing over him.

Amidst the passing of time, he’s tried to keep himself busy in his awakened hours, to keep his mind occupied and avoid thinking about her too much. But the waves always come back, no matter how hard he tries to fight them or swim away from them. They catch him off guard, crashing over him when he least expects it. In the middle of a raid, lost in thought and standing ten inches deep in grime, blood, infected, and suddenly the weight of her absence will hit him like a ton of bricks.

The currents grow more violent whenever he closes his eyes.

This evening, it had been a minuscule wave, yet it’s damage still leaves him with sweat slicked skin. He reenters the land of the living choking on his own fear and shooting up-right, hardly registering his surroundings till his feet hit solid ground. The gentle, barely-there croon of a Sinatra record punctuates the room alongside the dim glow of a lightbulb which flickers with the threat of expiring and leaving naught but the moonlight to wash over the dark of the night. Across from him is Tess, nursing a half-emptied cup against her chest and wearing tired eyes. Snoring comes from below him, where Joel finds he’s a mere foot away from having stepped upon the sleeping dog, curled in on itself and laying soundly by his side.

You take up no space of this room.

Neither the dog nor the drunk pay him any mind as he pushes up onto his creaking knees, stretching out his limbs in a fight to undo the tension in his aching bod. Languid steps carry him out into the hall, where he freezes under the self-questioning of where he’s going.

There are three answer to this: where he should, where he could, and where he would.

He should find himself a bedroom, perhaps be ostentatious enough to rid himself of those stale clothes and let the warmth of running water wash away the sins he’d committed throughout the day. A good night’s sleep, atop a mattress where springs do not dig into his back and the sheets are clean as could be, it would do him good.

He could head towards the kitchen, quench that thirst that he’s awoken with, cottonmouth and a headache to go with it too. Perhaps he’ll find himself something to eat, indulge in the luxury of readily available food just this once, he’s sure Frank wouldn’t mind. Bill definitely would, but that’s not something he’ll need care about when he’s miles out and heading back to the QZ.

He would try find you, open whichever door it is that leads into the haven that must be your bedroom. He imagines its clean, and organised, and smells of some syrupy lavender that is bound to nauseate him as he smothers his face into your bedsheets, eyes shut, and mind relaxed, the threat of those violent waves no concern to him as he anchors himself with an arm around your warm skin. Skin he’s never felt, yet he stands firm in his belief it must be the most soothing thing to touch, as gentle and inviting as the heart it keeps safe within it.

I don’t like you, Joel.

Those words stop him from trying.

He tells himself it’s for the best.

With a mind of their own, his legs have made the choice for him and deliver him outside the opening to the kitchen. He swallows down a gulp of his own saliva at the prospect of a glass of water. The door’s already half-opened, and Joel nearly thanks Christ for it as the fear of waking anyone with the squeaking of the handle is eliminated. The darkness of the night encompasses the room, even with the moon’s shine reflecting off every surface it touches: the counters, the knife stand, the metal drawer handles, the refrigerator.

The refrigerator.

It’s open, a blue light shining out of it and illuminating anything it its proximity. A subtle beeping noise rings from it, and suddenly Joel’s back in his thirties, dead-beat yet well-intentioned brother stealing the food off his own plate as he beckons his pre-teen daughter back into the kitchen.

Keep leavin’ this open and it’s a job you’ll be gettin’ this summer, not a dog.

She never lived long enough to get either.

He catches something move beneath the artificial light. Cautious at first, it’s all the more startling to find the object of his ire and the embodiment of his desire stood leaning back against the countertop, a glass full of orange liquid pressed to a mouth that parts and welcomes in the sugary sweet delight.

“Why aren’t ya sleepin’?” The words rasp out his throat, catching and scratching on the parts of him that still yearn for something to wet his tongue with.

Beneath the light, you shrug. “Could ask you the same thing, Texas.”

He curses Tess for teaching you such a nickname.

He curses himself more for the way you saying it twists up his insides.

You’re teasing him, smile a little looser and eyes less focused than he’s used to seeing. Whether you’re tipsy or simply delirious with exhaustion, Joel remains unaware.

He grunts, daring to take a few steps further into the kitchen. The door behind him closes over and gives the illusion of the space becoming smaller, tighter, more compact.

“I asked first.” You laugh, at him. Full on chest-rumbling, hand over your belly, head thrown back- so abruptly it nearly crashes against the corner of the opened cabinet door. The corner of his mouth is curling upwards before he can catch himself. He hopes the refrigerator light shows less of him than it shows of you. Bare legs, and messed hair, and pointed nipples all on display for his undeserving eyes. “‘S so funny, huh?”

“Nothing, nothing,” he successfully fights off the urge to follow the drop of orange juice that spills down the side of your mouth, over your chin, down your neck, disappearing beneath the collar of your dress. Perhaps he is not as successful as he believes. “Just never heard the Joel Miller say something so childish. You’ve usually got your panties all in a bunch if someone so much as looks at you for too long.”

You make way as he inches closer, sliding yourself over to rest against the island counter. A fragrance of things he can’t quite pinpoint, but enjoys nonetheless, wafts in his face as he travels down the path to the sink. Uncouth and unbothered, Joel opens the tap and cups his hands beneath the stream of water.

“You know there’s a cupboard full of glasses right next to you, right?” You call out behind him as the man brings water to his dry lips, splashing and just about guiding his head beneath the stream. The thirst does not budge. He hums an acknowledgement of you, yet continues with his method.

By the time he switches the water off, you’ve made yourself busy, back facing him while you work at something atop the counter, a consistent chop-chop-chop filling the silence that settles between you both.

“iIm making soup,” you state, like there’s nothing quite more logical you could be doing at whatever-o’clock in the morning it is. “Make sure you take some with you when you leave. Tess said she’s been fighting off a cold the past few days, need you to keep her warm and fed for me.”

Would you do the same for him, if you knew he’d been the one to catch that damned cold in the first place? Four days of just about coughing up his lungs, and not a single soul- not even his Tess- had offered soup, nor warmth, nor sympathy. He’d not needed it, until now, when he hears you gifting it to someone else.

I don’t like you, Joel.

Of course you would do the same. Not because you care, nor because doing otherwise would way heavy on your conscious, but because you’re nice. Nice in a way he’ll never be, has never been. Patient, welcoming, comforting, warm. All words that spring to mind when one thinks of you. They violently oppose the closed-off, angry, dark cloud that had rolled in years ago and casted it’s shadow over Joel’s entire persona.

He straightens his back, weight shifting from one foot to another as he contemplates you from behind. The sway of your dress as you move has him in a trance, beckoning him closer before he can even realise he’s taken a step. His hands drip water onto the floor in a rhythm, the record player sings in the distance as a reminder of Tess and your sweet out-of-tune humming fills the empty kitchen with a brightness greater than the moon, but that’s not what Joel hears.

I don’t like you, Joel.

I don’t like you, Joel.

I don’t like you, Joel.

I don’t like you, Joel.

Over and over, you taunt him without even trying, nailing the words into his head and heart, impaling him with your sweet condemnation. You’re not the first to say it, to his face or otherwise, yet you’re the first to evoke such a reaction out of him, to leave a lasting impression hours after you’d declared such a thing.

And, suddenly, Joel’s angry. At you, at himself, at the sound of that damned knife in your hand slicing down onto the chopping board. The fog of his ire blurs his vision, rendering him to move blindly through the night.

Only when he finds himself looming over you from behind does his vision clear.

A hand meets the curve of your hip and you gasp, leaving Joel to wonder if it’s because the shock of his cold, damp touch or, simply, because it’s his touch. Without a thought spared, he firms his grip, fingers squeezing tight enough he feels your flesh bulge between each one, a bruising promise Joel gifts you.

You may leave your marks emotionally, but Joel’s will always be physical.

“Why,” he pulls in a breath, loading up the will to keep his voice a low rumble, a quiet disturbance in the night for no ears but your own to hear. “Don’t ya like me?”

If not for the pause in your practiced movements, knife stilling midway through slicing a carrot, he’d believe you’re unaffected by his proximity. “Why do you care?”

He scoffs, “I don’t.”

“Hmm,” this hum is far less delightful than the way you’d been following along to whatever melody Tess was playing in the living room. “Sure sounds like you do.”

“Yeah, well, I don’t,” he insists, and he swears he almost feels the way it only digs deeper the hole he’s created for himself.

Joel knows he cares. It’s been burning at his skin and itching on his mind since the moment you’d welcomed yourself to a little bit of unfiltered honesty, dropping the perfectly poised and eternally polite mask you’d worn since the moment he’d first met you, an attitude he loathes as much as he anticipates surrounding himself with it each time he’s tugged along for the trek to Bill and Frank’s.

What Joel doesn’t know is why he cares. There’s nothing to be desired about him, no traits to respect and certainly no looks to admire. He’s near crafted his entire being in a way that makes sure of this, the more undesirable his presence is, the less likely he is to be approached, be it by other people or fate itself.

Maybe there was a part of him that had wrongfully imagined you being the exception.

Instead, you’re stood barefoot in the latest of hours, knife working away the vegetables in front of you, dress sticking to skin beneath his damp hand, and you don’t like him.

Not one bit.

Joel grabs at your hips harder, his free hand curling round the shape of your left forearm. His feet shuffle forwards, until there comes a point where one would struggle to make out where you end and he begins. His chest pressed to your back, his muscular legs trapping your soft thighs, his forehead digging into the side of your head so intensely it threatens to shatter both your craniums and leave nothing but dust made by bones blown into smithereens.

He inhales, and finds you don’t smell of lavender.

“For the record,” he watches your movements over your shoulder, entranced with the back and forth sawing of the knife through unidentified vegetables. ‘S just like how I sliced that raider’s throat, he thinks, and instantly regrets it. No part of him should ever be compared to you. “I don’t like ya either.”

He’s lying through his teeth, hoping you don’t notice.

The knife never ceases its movement. Back and forth, back and forth. Chop, chop, chop. Blurs of greens, and oranges, and more greens cover the counter before you. It’s oddly soothing, this repeated and unbroken pattern, reminding Joel of times he’d found comfort in the mundaneness of cooking a meal after an emotionally exhausting day. Perhaps, this has the same affect on you, a momentary lifejacket to keep yourself afloat amongst the waves that haunt you awake.

The hand on your forearm travels, mind of its own, drawing up the shape of your shoulder with featherlight touches that contradict the way his nails dig deeper into the the skin you hide beneath the waistline of your dress.

“That’s not news,” you must think he’s blind to the hitch in your breath when his fingers slip over your pulse-point.

It’s his turn to respond with a hum.

“You only like yourself,” words more untrue have never been spoken before the man who’s every moment is spent drowning in his loses. His wandering touch halts. “A little selfish, if you ask me. but, that’s just what I think.”

This strikes a nerve. Fury commands his hand into a fist and fingers find themselves tangled in the tresses of your hair. The realisation of how surprisingly soft it feels barely finishes registering when he’s pulling on it, dragging your head along with, till it lays flat on his puffing chest and your eyes stare up at him. “D’ya know what I think?”

Even upside down, your beauty is striking.

“No, unlike you I don’t care what you think about-” Joel tugs on your hair once more.

“I think you’re a brat. A silly little girl who thinks she can smile and get away with murder.” You could. He’d forgive you as you soak your hands in the blood you draw from him. Knife in the heart, bullet through the brain, bat to the face, he’d slip away easily from this life if only to have you smile as he goes.

“You’re hurting me,” you whine, Joel growls.

Animalistic, beastly, a rabid animal sinking its claws into its defenceless prey. His gaze dances over your features, catching himself before he can sink deep into your captivating eyes, tracing the shape of your mouth, slipping down the peaks of your collarbones.

Your dress- red, a colour Joel Miller will no longer associate with bleeding wounds and stained weapons- sits tight on your chest, squeezing the swell of your chest beneath the fabric, and gives away all your secrets.

“You like it,” he speaks in awe, unable to pull his eyes off the two stiff buds that poke against the red fabric.

“No, I don’-” Dampness follows wherever his hand goes, fleeting as he makes the journey around your waist and up your side, crawling higher and higher to where he can feel your heart beating from within your chest. “Joel.”

He retightens his grip on your hair, aiding you with the way your curve your spine and force yourself deeper into his uncaring, ungentle, enamoured touch. Whoever Joel had been in a past life must have moved mountains or performed miracles to grant him the luck to be holding you this way, the fingers he’d gifted with nothing but the cocking of guns and the feel of his own pulsating lust now expertly tweaking at one of your stiff nipples, all thoughts of the fabric scratching at your sensitive skin dissipating into the abyss as he realises you’re enjoying the pain.

“Heard ya, earlier, in the living room,” at the time, he’d been mortified to be overhearing such intimate words between you and Tess. The blood that insists on rushing to his crotch now wants you to know, to hear the admission of guilt be spoken from his own mouth. “ Talkin’ bout your past.”

He doesn’t specify.

He doesn���t need to.

You give away your shock with parted lips, widened eyes, frozen eyelashes, pupils staring up at him like a wounded fawn he’s about to take his first bite out of and, hopefully, it won’t be the last one.

“Tess turned you down,” the hand on your chest switches sides, donning your other breast with some much needed attention. His hand must still carry residue of the water, for you gasp and shut your eyes in the shock of his touch, your own fingers shooting up to scratch at his wrist. Near convinced you mean to push him away, the pressure against his hand that pushes deeper into his unholy affection has him realising otherwise. “I wouldn’t.”

You say nothing. Joel pulls harder.

“Too bad I’m-” You cut yourself off as he presses himself closer to you, your poor hips bound to awaken with bruises from the counter he’s got you pressed against. With a distance so small he can hear your teeth grind, Joel watches you like a hawk. The twitch in your brow, the flutter of your eyelids, the bobbing of your throat as you silence what he imagines would be an otherworldly kind of moan, a whine he’d let kiss his ears and wind up poisoning himself with the torture of it replaying in his head each waking moment till he kicks the bucket, once and for all. The want to see you fall apart evolves into a need. “Too bad I’m not offering you the chance.”

Joel Miller is a hot blooded man, at his core, weak to emotions and vulnerable to the warmths of flesh. With notches on his bedpost and a tally of lives beneath his belt, he sees little wrong with taking what he needs.

“Who said anything about an offer?”

The descent to the floor is far from graceful, with bitten back groans of pain as clicking noises resound throughout the room while his joints bend and break in an effort to get him where he needs to be, where he’s needed to be for far longer than merely this exchange on kitchen grounds: on his knees for you.

A part of him would prefer it if you weren’t wielding a butchers knife.

The other part wishes you were facing him, eyes full of that repressed anger, hatred and discontent you likely harbour for him as you point the blade down at him and threaten to paint the floors with his blood. You’ve yet to do that, and so he takes it as his queue to progress.

Smoothing his hands up your legs, he admires the landscapes of your body from this angle, with legs that seem longer than any tree in the Amazonian jungle and curves with peaks that resemble the mountains of the Himalayas. Arriving at the top of your knees, the hem of your dress both welcomes and conceals his touch, inviting him into the wonderful world it hides beneath it yet denying him the privilege of feasting his eyes on your paradise, an island of safety amongst the open ocean of his mind.

Your breathing is measured, precise, too rhythmical to be natural, the subconscious action now turned into a practiced routine you mean to maintain nonchalance with. Perhaps you’re yet to realise that, while he may remain indifferent to those that surround him, Joel knows how to read people. And, right now, you’re a whole novel of lust, awaiting for someone to open up your pages and drink in every lyrical prose you promise to tell.

Joel finds purchase mid-way up your thighs, hands sliding around to the front of them to grip the buttery smooth skin and ground himself in the reality he kneels before.

You breathe in, you breathe out.

One knee buckles, ever so slightly, the weight of you collapsing into his welcoming hold. He revels in the feeling of supporting you, in every meaning of the word, thumbs not even waiting on a command from his consciousness to begin soothing your tingling skin with a gentle back and forth movement to match the knife in your hand.

Inhale, exhale.

Your legs straighten once more, a hand of his winds its way back out from under your skirt and shoots up to grab your free one, dragging it down his pits of desire.

“Hold,” he’s parched all over again, mouth drier than the Texan wastelands on a hot summer’s day. All he can do to survive is peel up that infuriatingly soft, red fabric of your dress, skin unveiling itself to his hunger struck eyes. With the skirt bunched up, he shoves it into your awaiting palms, pinning your hand against your own waist. “Don’t move.”

Where he expects protest, he receives more breathing.

Lace covers your skin, a delicate shade of a colour his eyes can’t quite distinguish in the dark of the night. One flicker of his sight to the very core of your body and he notices it, that tell-tale sign that you’re enjoying this little display of attention, despite what your measured breaths may have him believe. A wet patch, your wetness. The stickiest, sweetest of honeys that only a woman like you can possess, and a man like him should never bare himself witness to.

Curiosity gets the better of him- one day, Joel hopes, this will get him killed- and his touch is reaching for the lacy fabric, fingers digging themselves into the waistband of your panties and around the fabric that covers your right asscheek before curling his hand into a fist, tugging upwards.

In and out, shaky breathing comes from above.

The lace pulls tight on your delicate skin, no choice but to nestle itself in the slit of your cunt as two pretty soaked lips peak out from each side. A heady smell he can only begin to describe as stiflingly sweet, tongue-tingling tanginess hits his nose. He makes sure to take a deep breath, letting the blood rush straight to his head- the one that sits packed uncomfortably in his tightened trousers.

Delectable as sin, you keen back into his fist, back curving ever so slightly. There’s a tremor in the hold you have on the fabric of your dress. Joel basks in the visual affect he’s beginning to have on you, no need to doubt if the fabric of your underwear rubs at your likely aching clit. He wonders if the sting of the lace digging into your skin hurts. He thinks it must hurt.

His fist curls tighter, pulls higher.

“Ah,” at last, a ripple in your surface. Though you still wield a knife, the carrot you’d been failing to chop rolls off the counter and onto the floor, lost somewhere in Joel’s peripheral vision.

“Shut up,” he grunts, like it doesn’t make his balls throb to hear you whine. “People are tryin’ to sleep.”

You scoff, and for a moment you seem to have rediscovered your composure. “Tess is drunk as a sailor, and the old men could sleep through nuclear warfare.”

“‘S that an invitation to see how loud I can get ya,” he’s still caught in the way you mold against the lace, slickened skin carrying a reflection of the moonlight. This, he thinks, is what all them poets were writing about in their prose of love and beauty. “Or a challenge?”

“It’s an invitation to stop lecturing me on volume control,-” you catch yourself, he realises, right before you can gift him some nickname a sweet girl like you would never use. Asshole, dickhead, bastard, he’s heard them all and, still, he wants them on your tongue, in his mouth, condemning him for all the brutish, oafish ways he masks his obsession for you.

As coquettish as it may be, painting a picture worthy of a front-page on some Playboy magazine, the sight of lace becomes a nuisance he no longer holds the patience for. So he strips you of it, hand moving to pull the garment down, down, down the length of you, till it hits your ankles. He awaits no movement of your own, taking it upon himself to lift each of your feet individually out the leg-holes.

It’s merely impulse that has him shoving the soiled lace into his back pocket, though he’s sure he’ll make use of them on lonely nights.

“You’re drippin’,” his proclamation is ego-driven, pride swelling in his chest as he takes in the full sight of your bare heat. The view is a little obscured from behind you, but with the right amount of tilting of your hips at a certain angle and the widening of your legs, he’s bound to sit front row and centre for your private show. “‘S actually a little pathetic, sweetheart. Is it 'cause ya like it when men get mean wit’ ya?”

He can imagine the way you’d roll your eyes at his words, and it has him thinking about how you’d look with your eyes rolling back for different reasons, reasons he’s about to gift you.

But first, he curls one hand around your ankle and tugs the limb along as far as he wants it. Much better, he now faces no blockage in the path up to your slit, freely letting his wandering hands ascend to his newfound heaven. Perhaps he’ll revisit the life of gospel, if you promise to be the altar he prays before.

Cool fingers to warm skin, you swallow a gasp a little too late for Joel to not notice as he drags the tips of his middle finger up the length of your slit. Soft, puffy lips part for him, until he presses against that special button that’s bound to turn on your engines.

Rolling his finger over your clit a few times, he refamiliarises himself with the female anatomy, with your anatomy, memorising each soft bump and meaty lump he finds along the way.

It happens so suddenly, and unwillingly, the way his mind switches to thinking of Tess. He wonders what exactly it is she does to those poor things she sends home on shaky legs, where she even begins to touch them. Joel imagines she makes use of what she has and starts with her fingers.

So he does the same.

Working over your slippery wetness, he coats the tip of his middle finger with it, till he finds what he’s been searching for: the gateways to your heaven, your entrance. He breaches your walls with that single digit and somehow that’s enough to have you squeezing around him so tightly he wonders if blood still manages to flow to his digit.

Two, three, four pumps of his hand and he’s introducing his pointer finger too, pressing them both into you to witness the ways you mould around this wider stretch, the lips of your cunt a pair of cushions his knuckles collide against each time he fucks his fingers in.

“So now you shut up. ‘S the matter, huh?” He’s contradicting himself and he doesn’t even care, too busy focusing on curling his fingers inside you, delighting in the feel of that spongy tissue they press against. “Am I too borin’ for ya?”

“You’re the most infuriating man I’ve ever- Oh!”

A tongue meets skin.

The knife clatters onto the counter.

You lurch forward.

His hand pulls you back.

“Tess was right, ya know?” He can still taste you on his tongue, nothing more than a simple lick over your slit and your salty pleasure already seeps deep into his veins, staining his very being with the memory of his new favourite flavour. He pulls his fingers out, slipping them up to your clit. Three little taps to the pulsing bud- tap, tap, tap- and he’s slipping them into his mouth, tongue working overtime to clean up every last drop of you that coats him. “That boy of yours wasn’t doin’ ya right.”

The common sense that screams at him to not feel envy over some ex-lover, someone who was likely barely even an adult at the time and no longer appears to be around, is no match for the green eyed beast that commands him to tell you, without using words, that he can do better- touch you better, protect you better, fuck you better-, if you’d just let him.

‘Could keep ya satisfied.

That’s a new thought, one he’s never needed before yet never wanted more, a burning ache to be worthy of your trust, affection, lust. He’ll never forget the first time he thinks it, mouth salivating at the sight of you.

“Is this the part you say some cheesy line straight out a porno? What ya need is a man, a man like me!” The softness of your giggle is still sharp enough to cut through the tension. God, it’s never sounded sweet, and Joel finds himself freely smiling into the darkness, yet still too stubborn to laugh at the deep voice you attempt to imitate him with.

“Well, was you who said it,” his mouth finds it’s way back onto your soaked heat, taking his time to work his tongue up the length of it, his saliva mixing itself in a nasty cocktail with your wetness. He imagines the air is cold against your skin, and that you like it, memory of those hardened nipples hidden beneath the fabric of your dress. “But if ya insist.”

Diving in head first had always been his style, from his first lover to his last, and to now, knees aching on the kitchen floor. The tip of his tongue dances round your clit, tantalising you to grind your hips to the rhythm of his sinful touches.

Licking into you, he’s reminded how much he enjoys that swelling in the chest that only comes from bringing another pleasure.

He’d not been a perfect lover, far from it, but he’d liked to believe at one point he’d been trained by experience that only comes with age, years of touching wrong and kissing badly to learn the right ways to make those he shared a bed- or a counter, or a backseat, or a club bathroom- with see angelic white as they writhed and squirmed under his touch. You’re lucky to have him now, matured by past lovers and broadened by age, with all the knowledge he needs to open your eyes to how a man pleasures, kisses, loves.

He’s out of practice, sure, with recent years adding notches to his belt that were merely frantic, unexpected, barely undressed run-ins with strangers, in strange places, cock barely getting a moments affection before he’d be spilling his seed and tucking it, limp, back into the confines of his trousers and locking it away beneath a zip.

What a perfect excuse you are, for Joel to remaster the arts of lust.

It’s messy, wet dripping down his chin and staining itself into the stubble of his growing facial hair. It’s noisy, his mouth openly groaning depraved joy into your warmth as you sing him a song of sweet euphoria, slowly building towards that crescendo on the horizon. It’s animalistic, barely human as he revokes all earthly needs such as rest, and food, and socialising, his mind, and soul, and heart, and cock all screaming in unison to spend whatever remaining days he shall possess on his knees before you.

And all the while you writhe and wriggle, some times running away from him touch, other times rutting so far back into him that you threaten to suffocate him somewhere between your warm thighs, and sugar-sweet cunt, and the two well-rounded globes of your ass.

His only saving grace is that he can’t see you.

Hearing your pretty whines, and hand-muffled moans, and heavy intakes of breath is enough to curse him for the rest of his waking days, condemned to wander the wastelands of earth knowing the noises you make on the brinks of pleasure, with a touch-starved man satiating his hunger for flesh and blood with the sugary sins of your soaked cunt.

Burrowing deeper into you, his consciousness rips through the fog of his lust to curse out his perversions as the tip of his hooked nose bumps against the puckered entrance of your ass. It does nothing to stop him tearing his tongue away from your clit, flattened as he drags it over the expanse of your cunt, and over your taint, and up the crack of your behind.

“N- Ah,” You can’t deny him while sounding so eager for more, the tip of his tongue now circling your back entrance, mimicking the treatment previously given to your little pearl. “No, don’t, not there.”

Next time, he thinks, we’ll try that next time.

Sights returned to his previous desires, he works to rip out every sigh, and every whine, and every dirty little song you’ll grace him with. The sound of whatever record Tess has put on in the other room becomes a safety blanket, dousing you both in the warm protection of not being overheard.

And, then, he does it, he makes the ultimate mistake.

His eyes flicker to the left and he finds himself faced with the stove that sits within Bill and Frank’s- and, by an extension he does not enjoy to remember, your- kitchen. There’s little that’s remarkable about the appliance, just your standard, everyday oven that he’s sure you’ve spent countless hours cooking up those comforting meals he’s come to anticipate each time Tess tells him they’re due a visit.

Except, the oven door is made of glass.

Glass which now paints the most pornographic masterpiece for no eyes but his own. You, with a hand gripping the island’s counter like your life depends on it, and the skirt of that goddamn dress he’s envied all evening for the way it got to rest against the warmth of your thighs now bunched up in your tight grip, and your head thrown back, curving your spine in a way that has him wondering about the other ways he’d be able to bend and break you beneath his touch.

And then there’s him, down on his knees like a devotee laying himself down to worship his goddess, face burrowed in the space between your legs, mouth devouring you from behind with the help of his hands, the same ones that had strangled a man less than a day before and reigned fire down on countless others for years, that now grip the meat of your thighs to pull you back onto him, fucking his tongue into your sopping heat.

The image will haunt him more than the face of any man he’s killed.

“D’ya touch yourself, Sol?” You don’t answer him, but that’s okay. In a sweet change of pace, Joel Miller’s perfectly fine with talking enough for the both of you. “Yeah, bet ya do. Late at night, right? Once you’re all alone in bed. Ya seem like the kind who can make herself scream.”

You back into him, smothering him under the weigh of your body. Becoming his holy grail, he drinks from you like it’s the key to eternal life, and what a way of living this would be, time disregarded as nothing but meaningless while your bodies melt together in the heat of passion.

Fucking his fingers back inside, he becomes frantic beneath the need to make you cry, fall completely apart with only his hands to hold you together. “Let me do the honours this time though.”

You don’t scream, can’t scream, hand over mouth muffling whatever profanities and theatrical proclamations he rips from within you with the stroke of his agile tongue, the only muscle of his that’s yet to develop aches and pains. He imagines that will no longer ring true once he awakens past sunrise.

He’s unsure how much longer he works his tongue over you, slipping and sliding through the liquid pleasure, but it ends with fingers tangled in his hair, pulling him away and tilting his head up.

You’ve never looked more holy, moon casting it’s shine around you, eyes glossed with unshed tears, lips parted and swollen from the pressure your own teeth had bitten down on them with. Your expression, he can’t quite read. Not sad, not happy, not mad.

Your eyes catch on something, abandoning his own for something closer to the floor, to which he follows and finds exactly what you’re staring at: the evidently dark patch that now stains the front of his jeans.

The discomfort of trekking back to the QZ will now be tenfolds worse in the stains of his own pleasure.

“Joel...” his name is nearly a beg, a prayer, an invitation. Hand still in his hair, you tug, pulling him upwards off the ground. Legs open wider and back arches deeper, a seductive sight that your body pleas for him with.

He swallows a groan, knees alleviated at last from the floor, and presses himself against you once more. Strong arms crush you in an embrace, pulling you back into him as his head slips to rest against your shoulder. He’s capricious with the way he lets himself litter a few wet kisses over your neck, breathing in the smell of you.

“That,” you grind back into him, a torturer who takes his aged body as her victim and toys with his barely recovered cock, the cum in his trousers sticking uncomfortably to his skin. He pulls tighter on your body, grounding himself in the weight of it against his own to find the sanity to finish his sentence. “Shouldn’t have happened.”

Joel hopes no one awakens as he slams the door on the way out of the kitchen.

People once spoke of how the only certainties in life were death and taxes but, nowadays, the words don’t ring as true and the guarantee of life with taxes has morphed into something else entirely; a reality where death and time go hand in hand. As sure as tomorrow will arrive, death will come too, eventually. Not today, however, and Joel Miller finds himself stood throwing a ball back and forth for a dog.

It chases and retrieves, trailing it’s happy self all the way back to him only to spit the ball down at his feet, siting and waiting to repeat the process once more. There’d been a time where this is all he’d wanted: white picket fence, dog in the yard, home-cooked meals filling a house with warmth.

That dream seems so far away now, even as he stands within it.

He cracks his back, huffing out a groan. “No, not again. My back’s fucked as it is, buddy,” with no one around to witness, Joel lets himself crouch down onto his knees- both popping obnoxiously as he does so- and rakes his hand over the German Shepherd’s head. It whines and makes an attempt to nudge the ball against him, protesting in the only way it can. A scratch to the ear does the trick to distract the animal, to which it tilts its head and forces itself deeper into his blunt nails. “Not so bad, are ya? Huh?” Never in a million years did Joel think he’d be talking to a dog when him and Tess had set out for their routinely visit to the Bill and Frank’s. Never would he have thought that would be the least shocking event to unfold on this trip.

He hears you before he sees you.

“You planning to make your knees familiar with every surface of this place, Texas?”

He tries to rise, he truly does, but the four-legged foe he’d been petting mere seconds ago betrays him the instant it catches sight of you, charging past him and knocking him over in the process, ass to floor and head to sky.

The world above is a storm of greys, clouds swallowing one another with a looming threat of danger on the horizon and not a lick of the sun’s warmth seems to make its way through.

So instead, it sends you.

Peering over him from above, hair a tangled mess, eyes a wreck of under-bags and sleepless tears, the collar of your jumper lowered just enough at this angle that he can see a tease of cleavage, you radiate a brightness like no other, more dangerous to his naked eyes than UV rays could ever be. He’s squinting again, frown etching itself on his forehead with the threat of becoming permanent soon. A few more years and his face will be nothing but frown lines and crows feet. At the very least, he considers, I’ve survived long enough to wrinkle.

The smile above him is worth a million laugh lines, a kindness laced within it that matches perfectly with the hand you hold out. When he does nothing but stare at it, you wriggle your fingers, enticing him to take a hold. He does most of the work, truthfully, but you play a part in pulling him back to his feet. Upright once more, he can’t help but bask in the way he’s able to physically look down on you.

“Thanks for tiring him out,” you’re the first to talk. You’re always the first to talk, and he curses you for it. “Won’t need to walk him as far tonight.”

A queasy feeling overtakes him at the thought of you walking the dog alone at night, nothing but the moon to light your way. He’ll need to remember to tire the dog out next time he visits. “No problem, thanks... for feeding Tess and I.”

“No worries!” You’re so kind, so good, smiling at him with a cheerful chirp in your voice. He can’t wrap his head around how you can bring yourself to treat him this way. “Oh, actually, that’s why I came out here, I was looking for Tess-” Of course you were, when would you ever be looking for him? “Hold on!”

You shoot off back inside so quickly that Otis just reaches the doorway by the time you return. With an idle pet to his head as you pass by, Joel once again sees, in the way such little affection can have the dog so elated, that resemblance between them you’d spoke of. In your hands, you carry an array of containers full of food- soup- each filled to the brim.

“I wanted to give you these, before you guys leave,” you’re explaining yourself, and Joel wonders if it’s nerves that bring you to need constant babbling to fill any gaps of silence. He can’t imagine how he could make you nervous and therefore that thought is quick to be discarded. “I know the journey up here and back can be long, consider them a token of my appreciation towards you both for-”

“Why don’t ya like me?” he cuts you off.

Pathetic, he knows, but he can not stop himself, a deer caught in the headlights of your brightly burning, too-good-to-be-true, too-pure-to-be-fake personality.

You show no signs of hearing him, smile unwavering as you continue to hold out the boxes to him. “There should be enough to last you a few days, if you watch your proportions.”

It’s too much for him to handle- the food, the smiles, the sweetly glistening eyes-, and Joel just has to know, needs an answer before the heat of his confusion consumes him entirely in its flames and leaves nothing but his smoking remains.

So he tries again, louder.

“Why don’t ya like me?”

“And I’d probably say you’re best to heat it up, especially for Tess,” you ignore him, again, lips stretching what can only be described as uncomfortably wider. “Winter is sure coming in faster than last year, isn’t it?”

He grabs at your arm, fingers curling round the swell of your bicep as he speaks through gritted teeth, "Answer me." Like a frightened dog backed into a corner, he bares his teeth and yells his bark.

"For someone who doesn't care,” you try his patience, knowingly or not, and his grip tightens. You don’t flinch, welcoming the sting of his blunt and bitten nails against your flesh. “You sure do talk about my opinion a lot."

"Answer the damn question, girl.”

“Or, what?” You’ve got him there, he’ll admit, holding no real plan as to how to punish your silence. “You gonna give me the same treatment as last night?”

Had he known you’d be so unabashed to mention the events on the kitchen floor so flippantly, as casually as one would speak about the weather, he’d never have dared to get on his knees. Truthfully, he’d not given things a second thought, disregarding the later for the now, living in the moment with caution thrown to the wind over what the morning would bring. Perhaps he’d hoped you’d been intoxicated enough to dismiss the memory as a nightmare, maybe he’d wished you’d keep away from him to free him of the volatile grip you have on his soul.

Instead, you stand tall, proud, eyes fiercely staring back at his own as you challenge him to retaliate, mock you with none of those saccharine smiles you hide harsh tones behind.

Joel says nothing.

“How about this, let’s make a deal, like the ones you and Bill make.” Inching closer, crowding in on his space and forcing him to take note of the smell of freshly cleaned clothes mixed in with your own fragrance. Clean, warm, inviting, scents he’d never given meaning to before now. “You get me something, I’ll tell you what you want to know.”

He grunts out a response, hands meeting his hips as he juts out one knee, the shifting of weight between feet a perfect distraction to the rising tension in his worn-out jeans. “What d’ya want? ‘Cause if it’s somethin’ like a gun, think again. I ain’t messing with none of Bill’s strange politics on you havin’-”

“A dress.”

“A dress?” The statement has him quirking his brow, burning questions swimming in the depths of his eyes as he stares back at you.

“Yes, and don’t look at me like that!” It’s hypocritical, he believes, for you to berate him for the looks he sends you when all you do is cast stones his way with your gaze yet shake him to his very core each time you smile. “I need a new one, my favourite one got ruined whilst making soup.”

Unaware he’d even began to lean closer, Joel’s quick to recoil, as if your words are bullets and his skin the target you hit on the bullseye every time.

“Joel!” his name resonates from somewhere in the house.

Neither of you dare to break eye contact. Again, his name is yelled. This time, he manages to identify Tess as the owner of the voice. Habits have him used to running to her whenever she calls, but habits have never been caught between the choice of Tess or you.

His feet remain glued to the ground.

Tess yells once more and, though you speak up, you don’t dare look away. “Think you might be needed inside, macho man. Your missus is calling.”

“She ain’t my-”

“You two just gonna stand and stare at each other all day, or will you help a woman out already?” Tess enters the scene somewhere behind you, a blur of her familiar shape standing out the front door.

Only when your head spins and he no longer finds himself lost in the black of your eyes does Joel take her in completely, hair clearly damp and complexion a little paled by her hungover body. In her arms, she struggles with the weight of a folded table. You approach first, he follows, his two hands aiding in carrying it out into the front yard as you retighten your grip on the boxes of soup in your arms.

“I should probably,” laying the containers down on the now unfolded table, you fidget with the sleeves in your hands, eyes downcast with something he can only read as guilt. He decides he much prefers the fire they hold when you berate him. “Go check on the food, before it burns.”

You’re in the door and out his sight before he can so much as ask you to stay.

Tess and him hit the road by noon. Earlier than predicted, later than he’d wished for. The bite of cold already marks the air, despite the sun breaking through the clouds and heating the world with its rays. He walks a little ahead, feigning ignorance to the repeated coughing coming from Tess and wracking his brain for answers.

Answers to why he’d never noticed how hoarse she’d been sounding till you pointed it out. Answers to what awaited them both upon returning to the QZ. Answers to when will be their next chance to visit the safe haven Bill’s created. Answers to why you don’t like him.

I don’t like you, Joel.

It motivates him to walk quicker, faster, racing to put as much distance between himself and that damn kitchen floor, miles upon miles not enough to rid him of the dull ache in his knees that goes hand in hand with the throb within his too-tight-jeans. If he were alone, he’d break out in a sprint. but Tess is here, he’s not alone, and home will simply have to wait on the passing of time to drag him back to it.

Till then, he needs to find a dress.

[ckret2]

Long time lurker, first time asker!

How do you keep different voices/characters in your fics so distinct? I'm writing my first longer than 2k word fic and it's... a time.

First, I'm going to link you the best essay I've ever read about How To Write Canon Character Voices—what's too much accent, what's too little, how to pay attention to word choice and the way they phrase things, etc. It's about Transformers but the skills are transferrable to other fandoms (or original writing). The original essay is down so all I can offer is the archive.org version, but it's worth it.

Second, I'm going to link you this post I wrote about how I study character voices. It's about Hazbin but it shows you the kinds of things I pay attention to when I'm learning a character voice.

Third, I'm going to offer you some extra general advice that isn't in the above posts:

Some people try to make characters sound like themselves by basically parroting their catch phrases or most common quotes. Do that and you're just gonna make your version of the character sound like a robot. (Note: if you're writing a character who only knows how to say a few quotes, that's okay lmao.) The readers already know what the characters said in canon, they're reading a fic to hear them say something new. Example: if you have Bill Cipher arrive on the scene and say "Did you miss me? Admit it, you missed me!" word-for-word, you don't sound like you're writing Bill, you sound like you're quoting Bill from That One Scene where He Said That Thing.

But... directly borrowing characters' quotes is kind of a stepping stone on the way toward figuring out how they speak. Think about things they've already said, but use those quotes as a guide for how to write them.

Example: from that quote above, we get that when Bill shows up around people who definitely did NOT miss him, he just... decides that they did and tells them so. This shows you a bit of his sense of humor (he makes jokes to annoy someone who hates him—it's not even a mean joke, just annoying), a bit of his ego (he knows he's clowning around, but even when he's clowning he's going to say something that makes himself sound popular rather than hated), his casual & familiar attitude with someone he barely knows, his tendency to just request people do what he wants (saying "admit it, you missed me" instead of something like "I know you missed me")... etc.

And I kinda already said this in the Hazbin post, but the most important thing you can do when you're struggling with a character voice is just rewatch their episodes and pay close attention to how they speak (or rewatch their movie scenes, or reread their chapters/comic issues—whatever you're writing about). If they're from a visual/audio medium (TV, movie, podcast, etc), then if need be, read transcripts to see how their voices look when written down. Type down the transcripts yourself if there aren't any—and that's also a good physical exercise to make you slow down and pay attention to how they speak. (You notice where they tend to pause in sentences when you're the one who has to decide where to put commas; you notice their accent when you're the one who has to decide whether that word sounds more like walking or walkin'.)

Pay attention to cadence, accent, interjections, sentence length, active voice, passive voice, preferred vocabulary, preferred slang, word choice, sentence length, sentence complexity, any phrases they're fond of (but again—don't overuse a phrase unless they overuse a phrase), how they tend to refer to the people around them (by first name, last name, any titles, any nicknames—and do they change in different contexts?)... Pay attention to anything you can think of. You want to be able to hear the character's voice clearly in your head—read everything you write in their voice, and if it doesn't sound like their voice in your head, change it.

[saraali-19]

LMAO, TACO IS ABOUT TO FLY XD!!!!!!!!!!!!!!!!!

lesbiabs

I luv the lesniabs

[sundrop-writes]

Emergency Contact

Jason Todd x Gender Neutral Reader

You choke on your words, but you swallow them faster.

Just want you to be my Emergency Contact.

Summary:

After Jason miraculously comes home from his brush with Deathstroke, you’re both feeling it in very different ways. You have an unexpected physical wound from the battle, and he has many (very expected) emotional wounds. You help each other heal. Even if it’s very stubborn on both your parts.

Jason Todd x GN!Powered!Reader. Enemies/FWB to Lovers. Angst and Hurt/Comfort. (Slight Smut). Set during Season 2, Episode 5.

Word Count: 10,400

DC Titans Masterlist | AO3 Link

THIS IS A RE-POST. This is a fic from my old blog (a blog that was shadowbanned, forcing me to move). This fic is not stolen, it is completely mine, and I am just re-posting it to help people find my new blog, and to make my masterlist complete when I post new fics for this fandom.

Detailed warnings and author’s notes below the cut.

...

Warnings: general emotional angst, Jason has a self deprecating inner dialogue, (kind of) enemies to lovers - more like annoyances to fuck buddies to lovers, friends with benefits to lovers, the reader and Jason have a bantering/argumentative nature to their relationship, the reader is meant to be 100% gender neutral (the reader is never referred to in the third person, so there is no need to use they/them pronouns, but the reader is not called she/her or he/him), Jason calls the reader ‘babe’ (imo, a completely gender neutral term and he would call anybody that), mentions of alcohol (Jason drinking a beer), the reader character has ice powers (not entirely relevant to the plot but I couldn’t help myself lmao).

sexual themes throughout, mentions of sexting (no detailed descriptions), mentions of sexting in public, mentions of the reader character sending nudes to Jason (no detailed descriptions of the photos), one scene with detailed smut (but it is not the primary focus of the fic), the reader’s genitals are not described in any specific way, some dirty talk, Jason is more dominant and the reader is more submissive, penetrative sex, Jason is annoying even during sex, Jason has a pain kink (even when he’s a dom, he’s a painslut, I don’t make the rules), scratching/marking (Jason receiving), slight humiliation kink.

mentions of canon level violence, mentions of kidnapping (in alignment with canon), mentions of Jason being beaten by Deathstroke, mentions of Jason’s near-death experience (being dropped off the building), gun violence, the reader is injured - has a bullet wound/bullet fragment in their stomach, mentions of blood, descriptions of first-aid, mentions of puss from an infected wound (theoretically, not something that happens in the fic). That should be everything.

A/N: The title for the fic comes from a song by Pierce the Veil of the same name. It’s a newer song, and it’s one that I absolutely went to when looking for a title for this fic. The concept of becoming someone’s emergency contact is about upgrading the relationship from casual to much more serious, and just the whole song, and specific lyrics in it suit this fic so well. I highly recommend listening to it paired with this fic.

This was based on a request from my old blog, but obvi I don’t have that ask anymore - the request was about Jason getting shot and having his wound attended to by the reader, but I changed it to the reader getting shot cause I thought that was more interesting and less common. If the person who made that request sees this and finds my new blog, I hope you enjoy it! And in general, I hope everyone who reads this enjoys it.

This is another re-post from my old blog, and I do have a sequel for it in my drafts, which I am not actively working on. And before I post the sequel, I do plan on tweaking this and revamping it a little, but I figured I would repost this for now just to have the masterlist complete on this blog.

...

If asked, you would be hard pressed to explain your relationship with Jason Todd. 

The best way you could describe it would probably be - friends with benefits? 

But most of the time, the two of you weren’t even friends. You weren’t the type to hang out casually, or spend time alone together if it didn’t involve ripping each other’s clothes off. 

If you ever exchanged secrets or those precious bits of your most raw selves, it was by mistake. It was through sarcasm, or coming off the tired lips of someone who had just been exhausted by a few orgasms. The two of you knew each other well, quite literally inside and out. But you always made a deep, concerted effort to hold each other at arm’s length. And maybe that’s part of what all the snark and harsh words were for. 

It wasn’t all arguing. You were friendly. You could be civil, at the very least. 

Right from the moment you had first met Jason, you had found him to be so damn annoying, a shitstain on the earth - yet, someone you couldn’t stay away from. The line between flirtatious banter and a truly grinding argument was always so thin with the two of you. 

… 

You hadn’t expected that your life would be truly changed when you walked into that safehouse in Chicago that day. You truly thought nothing of him when his eyes landed on you - in those moments, a completely anonymous stranger, raking his eyes over you like you were a piece of meat. It was a gaze that immediately made you feel naked, something that made you want to smack him. You told yourself it was because he was being a pervert, not because of the heat that curled in your gut at feeling so intensely desired by him. 

He had been sitting on the couch sipping a beer like he owned the place, his thighs spread wide in a way you immediately decided was arrogant and annoying rather than hot - showing off his muscle tone as if it was trying to break through his jeans. Definitely annoying. Definitely the stance of a fuckboy trying to look bigger and badder than he was. He definitely was not attractive. 

When Dick led you, Rachel, Gar, and Kory further into the condo that seemed far too conspicuous to be a safehouse, the stranger you would later come to know as Jason quickly spoke up. 

“Who are your friends?” He asked. 

As he rose from the couch, his eyes lingered on you. Though his words seemed more out of curiosity, you couldn’t help but feel that bite of something more salacious lingering in his voice. 

It caused you to scoff and roll your eyes. 

“Not important.” Dick declared, his voice snippy. He was clearly annoyed with this new guy, and you could tell that your perceptions of him were definitely not ill-informed. 

“Who’s he?” Kory asked, going for the obvious question. 

“Not important.” Dick parroted out the words again, sounding much shorter with his patience. 

“Anybody want a brew?” Jason asked, motioning with the beer bottle in his hand. 

“Brew?” You twisted your eyebrows with disgust, staring him down as you commented on his odd choice of slang. 

He didn’t get to reply, as you were trampled over by Gar’s enthusiastic voice in your ear. 

“I do!” He said, raising his hand with excitement. 

“No, you don’t.” You quickly told him, reaching out to grab his hand and put it back down. “It’s disgusting.” 

You had a grand suspicion that Gar had never drank beer before, and he had no idea what he was truly asking for. Rather, he was simply taking advantage of trying new things because Dick and Kory were incredibly slack parental figures and he was away from home for the first time. 

“No, no one wants a brew.” Dick sighed, shaking his head. He threw Jason a small glare and you resisted the urge to laugh. 

“That can’t be Adamson.” Kory said, motioning toward Jason. 

This left you confused. But you didn’t question it. 

“He’s not Adamson. Adamson’s in the bathroom. Unconscious.” Dick explained. 

“Hi, I’m Rachel.” Rachel told Jason, offering him a sweet smile - being her usual sweet self. 

“Jason.” He introduced himself, in that moment, finally giving you a name to that obnoxious face. 

“I’m Gar!” Gar said with a grin, to which Jason nodded. 

Jason caught you glaring at him, and looked you up and down again, as if trying to willfully tear off your clothes with his eyes. It made your skin itch with heat and you would forever deny that it was a feeling you liked. 

“What can I call you, babe?” He asked, his voice entirely slimy, the kind of tone he would have used to recite cheesy lines to Tinder dates, you were entirely sure of. 

Before you could come up with some clever reply, Dick sighed in frustration and started balking again. 

“Okay, who we all are doesn’t matter right now.” He pressed, his neck so entirely tense that veins began to pop from the skin. “Can we just chill out, relax, sit on the couch and watch TV or something?” 

It seemed that he wouldn’t get his wish. 

Gar quickly charged around the table, finding something else to get strung up about. 

“Yo, when did you get another one?” He asked, putting his hands on both of the expensive cases on the long dining table - a copy identical to the one you knew to be containing Dick’s Robin outfit. 

It made you curious, and the answer that followed certainly surprised you. 

“That one’s mine.” Jason said, his chest literally puffing out with pride as he stated the fact. 

“No way.” You scoffed. 

“Yes way.” He quickly argued back, the whole exchange sounding entirely juvenile.

“This one’s yours? Wait, you’re Robin too?” Gar quickly put the pieces together. 

“I thought you were Robin?” Rachel commented, tilting her head toward Dick with curiosity. 

“I am.” Dick said firmly. 

“He was.” Jason corrected, a cocky smirk forming across his lips. 

“Batman really lowered the height requirement, huh.” You said. 

The words flew from your mouth before you could stop them, seeing as it was likely the only thing you could nitpick about Jason’s appearance. Between his stunning sharp jaw, his piercing blue eyes, his oddly appealing wild hair, his muscle tone being somehow visible beneath his baggy clothing - all of it made you equally frustrated and annoyed with him, and your baser urges couldn’t resist the low-hanging fruit. 

You felt victory and a slight pang of guilt when Jason deflated because of your comment, shrinking back into himself at your words. 

He didn’t have anything to say in return, he simply sipped his beer. 

“Wait, how many Robins are there?” Gar said, beginning to excitedly ramble at the thought. “Are there a lot? Cause I would love to-” 

“Okay, quiet.” Kory cut him off, clearly becoming annoyed with all of this dancing around the point as much as Dick was. “Sit.” 

Her words were firm, and you couldn’t help but to listen. You found yourself collapsing to sit on the couch while Rachel and Gar took seats at the dining table. Jason continued to linger in the middle of the room, staring at Kory and Dick as their frustration filled the air. 

“Bathroom.” Kory told Dick, and then they left to deal with whoever - or whatever - Adamson was. 

Jason sighed and took a seat beside you. When his eyes fell on you, you set your jaw and glared at him. You didn’t give away a single ounce of the heat you were feeling as his eyes locked with yours. 

“Even if I am the shorter Robin, I can assure you that everything else about me is… very long.” He lowered his voice and whispered those last words, crowding into your personal space as he did so. 

It sent shivers down your spine, his silken voice making the words sound too tempting. Even if you twisted your face and said ‘gross!’ causing him to dissolve into laughter, you didn’t make an effort to move away from him or put any space between your two bodies on the very large couch. You told yourself it was because you were tired from a very long day of travel, not because you were enjoying the smell of his strangely expensive cologne from this close by. 

His grin was still entirely smug, and you couldn’t stand it. 

When he raised the beer bottle up to his mouth again, you reached over and put a hand on his forearm, forcefully dragging his arm down as you made a snide comment. 

“That shit is disgusting, why the hell do you drink it?” You asked. 

You found your face drifting toward his again and if asked, you would say it was a form of intimidation - not that you were being drawn in by an unconscious attraction to him. 

“Because I can.” He replied, just as snide as he slipped your grip and sipped on the drink. 

You mocked his words in an entirely childish voice, and then you raised a single finger up to it and skimmed along the neck of the bottle. It took only a single moment of concentration with your skilled powers to freeze the beer inside solid. He thought he felt an extra chill coming off his hand, but convinced himself that he imagined it. But when he kept it tilted and nothing came out to meet his lips, he shook it and then stuck an inquiring eye inside the bottle. 

When he saw that it was completely frozen, he looked over and saw you grinning, and little did you know - that was the moment he became completely taken with you. You were one of the most annoying people he had ever met, and he found himself so intensely attracted to you. 

Even if it was getting under your skin by arguing with you or fucking your brains out, he knew in that moment - he had to get inside you and drive you insane the same way that he knew you would for him. 

… 

When Dick left to go check on his old circus friend Clay, Jason winked at you and said ‘don’t miss me too much’. You made a show of putting a finger near your mouth and audibly gagging. 

Later that night, when Jason didn’t return, you hated the curl of disappointment that panged in your stomach. You wanted to hit yourself for staring at the door, waiting for the second Robin to come in behind Dick. 

You hated yourself even more for replying to Jason’s texts. 

Apparently he had taken your phone out of your jacket pocket when you went to the bathroom (not to see Adamson - a different bathroom, to pee). And he had put himself in your contacts as ‘Hot Guy’. He had also sent himself a text from your phone that read ‘omg Jason you’re so hot, will you fuck me?’. And then replied to it from his own phone with a picture of his cock. 

Unfortunately, the only thing you could mock about the picture was poor lighting. 

When you told him as much, he quickly remedied that with several more pictures - ones with better lighting. He sent a video with very distinct audio. You would deny that you rushed to put your headphones in to listen to it while you sat on the train with Kory and Gar. You would deny that it drove a hard, hot pain between your thighs. 

You dug through a folder and sent some pictures of your own. You told yourself it was to prove to him that you were too good for him - to show off something he could never actually have. To tease him. 

You would deny that you loved the compliments he gave you, that you ate up the affection like a plant lovingly soaking up the sun. 

When you were sexting him, you had no clue that you were ever going to see him again. It was almost mindless, something for a dopamine hit to distract yourself from all the chaos going on around you. You weren’t doing it because you actually liked Jason. You didn’t have any real attractions toward him, or any real plans to carry out all of the bold things you said in those messages. 

You had no clue that you’d end up living together. 

When you did find out that Dick would be taking Jason into the newly reopened Titans Tower along with you, Gar, and Rachel, you didn’t make a big deal of it in your mind. When Jason made flirtatious remarks toward you in person, you brushed him off. You put up a wall. 

You told yourself that he was nothing more than a cocky, shallow guy who would use you for sex and then throw you away - something you could never actually build a proper relationship with. And if you were supposed to live together, be some kind of team like Dick expected you to be, then you couldn’t be messy. You couldn’t get emotional. 

You had no clue that on one of those first nights living together, your self assured discipline not to give into your lust for him would break like a wafer cookie, and you would be in his bed faster than a sea turtle running into ocean. 

… 

“Fuck, babe, you feel so good on my cock.” Jason grunted, his face buried in your neck as he thrusted deep inside of you. The loud squelch of artificial wetness coming from between your thighs as he worked his hips, working you open with a needy, demanding pace. “Bet you love this cock, huh? Tell me how fuckin’ much you love it.” 

“Shut up.” 

The words came from your throat as a weak whimper, much less powerful than you had intended. 

You didn’t want to give him any more power than he already held over you - he had you weak and willing on his cock, something you would have never admitted could be true until it was happening in these moments. 

Though you would never admit it aloud, you loved the way he handled you. Having you pinned against the bed with his fingers digging into the flesh of your hips, having you breathless and moaning as he fucked into you with fast, obviously skilled strokes. Your nails cut into the flesh of his back, and he let out a low rumble from his gut as the sharp sting sent a wave of pleasure through him. 

You hated the twinge of lustful embarrassment that curled in your gut when he chuckled at your words. 

“Oh, you want me to shut up?” He asked, slightly breathless from the act himself, moving one hand beside your head to raise himself up slightly to look in your eyes. 

He was sweaty, disheveled, his hair a mess, his muscles taught with the effort as he continued to pound into you. You hated that you had imagined him much like this before, and that this outlived all of your fantasies. 

“Yes.” You fired back. “Just shut up and fuck me.” 

He bit his lip - something you didn’t know was him trying to hold back his orgasm, so utterly turned on by your bratty defiance, the twinge of a whimper in your voice as you said those words. 

“You weren’t tellin’ me to shut up when I was texting you.” 

He said, all hot breath fanning across your chin, his hips spearing forward in sharp, hard hits that made your skin smack loudly together. It made you work hard to suppress moans deep in your chest in a way that was painful, like venom inside your lungs. You wouldn’t give him the satisfaction of your sounds, of knowing just how good he was fucking you - even if he could see it written all over your pleasure twisted face. 

“You only begged for more when I was tellin’ you how I was gonna lay you on my bed. Take you apart… make you scream my name.” 

He reached his other hand from your hip to the point where you were joined. He began touching that tender place, making sharp, vicious strokes that were almost vengeful. Tears easily gathered in your eyes and he let out another chuckle when you choked on a deep, pleasurable wail. 

“Tell me, how many times did you touch yourself reading what I wrote?” 

He asked, leaning down to whisper the words right in your ear. 

“How many times did you cum thinking about me?” 

“I didn’t.” You choked out, digging your nails deeper into the skin of his back, causing him to grunt as the pain mixed with the pleasure flowing through him. 

“Sure, babe.” He smirked down at you, turning that look into something absolutely pavlovian that would forever make you feel his cock deep inside of you when you saw it, rather than feeling annoyed. 

Maybe from that point on, it was a bit of both. 

In an effort to shut him up, you reached up and claimed his lips. It was supposed to be a kiss, but it was mostly teeth. When you bit down on his bottom lip, snarling, he tasted blood and the way he moaned at the pain was absolutely unmistakable. It was something you remembered and used against him many times after that. 

… 

You wouldn’t allow yourself any room for self hatred when it came to that break in your self control. When it became an ongoing thing, you spun it as positive in your mind. 

It was just sexual release. You and Jason both needed it. It paired well with intense training and the heavy studying that Dick made you do. It lowered your stress levels a lot, and it helped you get through the day. 

The more time you spent around Jason, the more you got to know him, and the more you came to realize that he was nowhere near shallow. You easily saw that he was caring, deep, complex, troubled. The more time passed, you found yourself falling for him and the more you deeply denied it. Because it was just sex. 

Things were good between the two of you, and you knew that if you added anything else to the mix - any complicated, mushy feelings - you would fuck it up. 

You were especially reminded of this - how important it was not to fuck things up - just a day or so before every other force aside from you railed Titans Tower and began royally fucking things up. 

… 

It was a morning just like any other at Titans Tower. It was delightfully quiet - even though Dick demanded that everyone get up at ungodly early hours to begin training, you had somehow managed to wake up before everyone else and you were enjoying the peace it brought you. 

When you got up to see that Jason was already in the kitchen, standing at the counter as he munched on a bowl of cereal, you wanted to scorn the idea that your peace would be interrupted. But instead, you found yourself willfully suppressing a smile. 

You yawned and walked over to the counter, grabbing a bowl from one of the cupboards, thinking that cereal was just the right idea on his part. A deep frown cut through your face when you poured out the rest of the cereal box he had left on the counter, and a very measly amount fell into your bowl. 

“What kind of asshole only leaves three fucking cornflakes in the bottom of the box?” You scoffed, causing him to chuckle. 

“Learn to count, babe.” He told you, speaking with his mouth half-full. “That’s more than three.” 

You rolled your eyes. You were likely exaggerating - but still, it seemed rude to you to leave such a small portion, barely a handful, in the bottom of the box. 

“Or did I make you cum so hard last night that I knocked the common sense out of your head?” He added on, throwing you that signature smirk that made heat bloom between your thighs. 

You let out a sarcastic snort, giving him a purposefully disgusted grimace as you lifted the bowl up and dumped the remaining cereal into his portion instead. 

“You might as well take these.” You told him. “And don’t flatter yourself, you’re not that good.” 

You moved behind them, distracting yourself from the conversation by making a cup of coffee. 

“Oh really?” He perked up, rising to his full height, pure mischief in his voice. “It didn’t sound like it last night.” 

Much to your horror, he then began imitating your moans. 

“‘Oh, Jason! Oh, fuck me! More!’” 

It was a cartoonish, pornographic imitation, something he likely wouldn’t have done if the others were anywhere within earshot. Oddly enough, even though your relationship was casual, you still kept it guarded and private, as though it were some precious secret that needed to be kept from the others. 

“‘Jason, please, your dick is the best! Oh, make me cum!’” 

But that was the farthest thing from your mind as embarrassment curled in your stomach, the reaction he likely wanted to draw out of you. You hated that you didn’t truly know if it was accurate or not, because sometimes - yes, he did fuck your brains out and make you completely mindless on his cock. 

But you would never admit that he was right. 

“Shut up.” You sighed, causing him to dissolve into laughter, feeling as though he had won. 

But you wouldn’t simply leave it at that. 

Instead, as you pushed the button on the machine and your coffee began to drip, you turned around and gently placed your fingers on the side of his cereal bowl. You froze all the milk inside of it solid, making it into one large frozen chunk with the spoon stuck inside when he wasn’t looking - distracted, staring at your face, looking for any trace of the reaction that he had drawn out of you. 

You just glared, and he smirked once more. 

When he picked up the spoon again and went to take another bite, the entire bowl came with it. He sighed in defeat when he realized what you had done. 

“You know, it’s so damn annoying when you do that.” He sighed. 

“I know.” You grinned at him. 

He couldn’t help the butterflies that fluttered in his stomach at this. He resisted the urge to grab you by the sides of your head and steal the grin of your mouth with his own. He told you that it was out of annoyance, and not affection. He told himself those lines were most definitely not blurred when it came to you. 

… 

Confessing your feelings to Jason would not have been your choice. 

Given the choice, you would have let your feelings quietly live and die inside of you. You would have just kept Jason as a friend. You would have even dropped the amazing sex if it meant staying on good terms with him. 

But the stakes rose pretty quickly, and things were taken out of your hands. The choice was stolen from you and Jason entirely against your will. 

When you found out he was missing, supposedly kidnapped by Doctor Light on the heels of some misguided plan - something inside of you shattered. Up until that moment, if you thought it was just a stupid crush, or an infatuation inside of you that would easily fade with time - you quickly found out that you were wrong. 

You went through the stages of grief like a rocket. 

Denial. Staring at the door, waiting for him to walk inside at any moment. Just like you had back at the safehouse.

Anger. Being so pissed at Dick at the other older Titans that you could barely breathe. How had they let this happen to him? How could they make him feel so inadequate that he felt the need to go out on his own, half-cocked, clearly doing something in the name of looking for their approval? 

Bargaining. You would have traded places with him. You would have been the one, alone and scared and stranded if it meant that he got to be at home safe. You would have gone with him to carry out the stupid plan if he had only asked. Why hadn’t he asked you? 

Depression. You wept in your room, hands clasped over your face, letting out chest-shaking sobs as you thought of the possibility of him never returning home again. You realized the possibility of him dying was very real and it made your lungs burn. 

And then finally - Acceptance. You finally accepted that your feelings for him were something bigger, and if it meant that you were the only person in the Tower who truly cared about him (probably aside from Gar) - the only person who didn’t just see him as a pawn to be used against Deathstroke - then you had to do something about it. 

So you laid out your love for Jason. You put it all on the line for him. You accidentally confessed to him, showed your feelings in a gesture so quiet it screamed. 

You knew that for someone who stepped up to become Robin, someone who scorned cops for pummeling down on the innocent when they were supposed to be protectors - stepping up to try and save his life meant a love bigger than anything else you could have done. 

And he was terrified of it. There was a big justice in your love for him. And to him, there was an even bigger justice in giving you an out to escape it - to escape loving him.  

… 

Hectic. 

That was easily how you would describe the last few days at Titans Tower. 

Between the unexpected arrival of Rose - Dick taking on another stray because, like Rachel said, he couldn’t resist a bird with a broken wing. Finding out that she was related to one of the deadliest men on earth that the Titans apparently had previous history with. And then Jason going off on his own without telling you, some botched hostage trade, and the group picking up yet another stray - a strange boy who had saved Jason’s life. It was all a blur of hectic chaos that had you snapping your neck to keep up. 

Sleep was scarce and you couldn’t remember the last time you’d had a proper meal. 

But you weren’t truly worried about any of that. 

Dust had been kicked up around your life, and you couldn’t wait for it to settle before you made your next important decision. 

Even though the wounds were still tender, you knew that things were safe for now, and your number one concern was Jason. 

The minute he had gotten in the door, even though he was slightly hobbled and clearly sore from whatever Deathstroke had done to him, he rushed out of your sight. He was clearly eager to get away from everyone like a wounded animal sulking away to lick his wounds in peace. And when you had chased him, ignoring a nagging pain in your own side from the fight, he had slammed his bedroom door in your face, entirely uncaring of the fact that you called out his name, concerned for him. 

The rest of the group was distracted with Conner - not knowing what he had been shot with or how to fix it. You hated it, but in the eyes of the group, yet again, Jason and any of his problems fell to the back burner. 

After you had taken a short shower and changed your clothes, you found yourself here. Standing in front of Jason’s closed bedroom door, hoping not to face another cold rejection. 

You wondered if he would be sleeping, wondered if you should interrupt his peace. But you knew that sleep was unlikely after everything that had happened. 

So you took the leap. 

You raised a fist, once again pushing down that stinging pain coming from the right side of your stomach. You reasoned that it was probably nothing more than a bruise forming there. And you knocked on the door. 

A few moments later, the door was jerked open, and Jason glared at you. 

His eyes were dull and tired, and there was a large bruise forming on the side of his mouth. Probably one of many others that you couldn’t see, from the way he had been walking earlier. He likely hadn’t been sleeping, but you had disturbed him. 

“What the hell do you want?” He grumbled out, his voice dull, lacking any true fight. 

“I wanted to check on you.” You told him, entirely honest. “I know it might seem stupid, but I wanna see how you’re doing.” 

Jason scoffed and rolled his eyes. 

He wanted to agree that - yes, it was stupid. It should have been obvious how he was doing after being kidnapped, beaten, and dropped off a building. But he was an idiot who had gotten himself thrown headfirst into that mess, thinking he could handle it. And he didn’t need to go crying to you about how badly he had fucked up. He had made a poor choice and he deserved all of the consequences. It was a simple fact of life. 

“I’m doing just fine, thanks.” Jason said, entirely snide and sarcastic. “Look, I don’t need your help, okay? So fuck off.” 

It was a set of harsh, cutting words. But he thought getting distance from you would be best. This whole thing had woken him up from the sweet little fantasy the two of you had been participating in. He was a natural born fuck-up. And sure, he could have you for a while, play around a bit - but he could never truly make you happy. Eventually, he would fuck you up too. He was a harsh poison and it would be better if he got out of your life before you felt the full effects. 

He moved to shove the door closed and upon instinct, you reached up and fought him on it. Unconsciously, you winced as a sharp pain came from the injury in your stomach, reaching for it with your free hand as you held the door open with the other. It should have been no big deal. With your meta abilities, you usually healed quicker. You weren’t even used to feeling it when you got hurt. You were probably just feeling it worse because you were tired. 

You tried to ignore the pain. But in a moment, Jason’s eyes went wide with worry as his gaze darted from your face, knit with pain, to where your hand was nursing the injury. Any sense of smarmy discontent dropped from his features, immediately being replaced with a softness and worry for you. 

“You’re hurt.” He said quietly. 

He let the door fall open again, reaching for your hand to inspect the injury himself. 

“I’m fine.” You played the card this time, exchanging his lie for your own. 

It was an odd play. He had lied about not being so torn up inside, emotionally devastated as he was, and now you were lying about not being physically injured from the fight. The two of you made an odd, but perfectly matched pair. 

Jason barreled right past your words, and you were easily pliant to his touch as he removed your hand from the injury. You certainly were not expecting for him to find anything incriminating under your hand. But he glared at you when he found bright red spread across your palm, a glossy wetness leaking through your shirt. 

“You’re bleeding.” He grunted at you. 

Clearly, he was disappointed in the fact that you had neglected to bring this injury to the group’s attention. Pissed off at the fact that you weren’t in the medbay with Conner receiving some treatment right now. 

Maybe you could blame it on the chaos. Maybe you could blame it on the fact that with everyone so emotionally distraught, you didn’t want to be just another problem for everyone to fuss over. 

“Whoops.” You breathed out sarcastically. “I didn’t even notice.” 

That last part was honest. In all the adrenaline, all your worrying over whether or not Jason was going to live as you watched him dangle so high off the ground - you truly hadn’t paid any mind to the injury. 

“You didn’t-?” Jason huffed out in anger, but didn’t bother finishing the sentence. 

Perhaps he partially understood himself, knowing how the adrenaline from a fight could stamp out pain. Or perhaps he knew how truly stubborn you were and he didn’t want to waste his energy arguing with you. 

“You need this treated.” He added on. 

No matter how fucked in the head he was, he never wanted to see you hurt. That was something he would definitely waste his energy on - wearing down your stubbornness until you let him or someone else in the house take care of the injury properly. 

“Conner is worse off than I am.” You shrugged. “He needs the attention more.” 

“Then let me help you.” He said, an impatient nagging rising up in his throat. “Bruce gave me some first aid training. One thing that means I’m not totally useless.” 

The words made your chest ache for him, a pain that easily competed with the bleeding wound. 

“Jason-” 

You wanted to argue with him. You wanted to tell him he had infinite worth to you. 

But of course, he cut you off. 

“Just go sit on the bed.” He told you, quiet, but a firm command that you couldn’t ignore. 

He gently pushed past you, on a quest for some supplies to patch you up with. You then found yourself drifting into his room almost mindlessly, your hand clutching the wound again upon instinct. It was a place that you felt oddly at home. The nights you had spent in that bed since coming to Titans Tower, your head delightfully empty as he had fucked you hard and fast - they were by far your favourites. 

You would say it was because of the sex, and not just because you got to be wrapped up in Jason’s arms. Maybe everything had changed. Maybe your answers were different now. Maybe you were raw and tender and Jason wasn’t prepared to chase you in that devotion. 

But that was just the thing. With you and Jason, there was never any sense of devotion. You and Jason were always hard and fast. Teasing each other, verging on the edge of vengeful. It was a flame that burned intensely hot - but it was never anything soft. It was never anything that prompted you to knock on his door so late, wanting to check on his well being. It was nothing that prompted you to make chase to put your life on the line for him. 

Even just knowing that he had the intent to attend to your injury, called himself useful because of it - the thought cradled you like a warm blanket. It had you balancing on the edge of a dam holding back a barrage of feelings that you had been quelling down since the moment you had first put your lips on his.

“I told you to sit.” Jason’s voice came from behind you. 

He had raided the infirmary and now had a handful of supplies - luckily without anyone seeing him or questioning why. When you turned to him, he was closing the bedroom door behind him, sealing you both in with this newfound soft intensity, the tired lull of two people unwilling to hold back that softness anymore. It was entirely dangerous, and entirely life-saving at the same time; and neither of you realized it. 

“Since when do you get to boss me around?” You told him, your voice low and lacking any true spirit or sarcasm. 

It was in the same vein as the banter the two of you usually threw around - bickering about who was a bigger asshole, who was more stubborn, who was better in bed. 

You expected some kind of sexual comment in return. You could almost hear it now - he was the boss of you because he made you melt on his cock, made you mindless and dumb with it. 

But, no dice. 

The longer you stared at him, catching bits of the fresh pain swimming through those gorgeous blue eyes, you wished so badly for the mischief and sarcasm and light to come back and bite you the way that it used to. 

It only made your stomach churn harder at the whole situation. Things had officially changed between you and Jason. You had yet to find out if it was for the better, or for the painstakingly worse. 

Jason sighed through his nose. 

“You can be such an asshole sometimes.” He told you. Coming from him, and given the nature of your relationship, you knew it was almost a compliment. “Will you just sit down and let me help you?” 

Even though you were utterly terrified of the swelling of emotions you felt, bound to come to a head - you did. 

You sat on the edge of the bed and he placed the supplies beside you. 

When he mumbled out a quiet ‘lay back’, and you did, his cool fingertips at the hem of your shirt pulling it upward felt strangely more intimate than any other time you had been in this same position. It wasn’t heady, you weren’t granted the distraction of his mouth on yours and his tongue shoved between your lips while a harsh throbbing nagged between your legs.

This was quiet, and calm, and gentle. 

When you caught his eye above you as he wiped away the blood with some clean gauze, you saw nothing but pity and worry and sparkling affection for you. You almost dared to call it something as epic and dangerous as love, buried deep in his eyes. He worked with the most delicate touch, almost as if he was afraid to break you, before he glanced down and inspected the wound. 

His brow furrowed with even more intense worry, guilt nipping at his insides when he got a good look at it. 

“I think I see a bullet in here.” He told you, and then he moved around the bed and grabbed his phone, turning on the flashlight to have a better light to inspect it. You felt intensely naked, intensely caught when he began shining the light on your stomach with a harshly inquisitive look across his face. “Definitely something shiny. You got shot and you didn’t fucking tell anyone?” 

It was only then that you realized when you had gotten the wound - the exact moment clicking into place in your mind. 

“It was only a ricochet.” You argued quietly. “It’s not that bad.” 

Jason scoffed and rolled his eyes, and began sorting out his supplies, preparing to pull out whatever was lodged inside of you. 

… 

Dick explicitly told you to stay put. 

They only wanted the more experienced Titans, the Varsity squad on the case when dealing with Deathstroke. He blamed young naive incompetence as the reason Jason had gotten captured in the first place. You blamed him and Bruce pushing Jason out, making him feel like he needed so desperately to prove himself. But it was something Dick wasn’t ready to hear - an argument you weren’t going to have with the very stubborn team leader. 

Instead, you went for the silent route. You trailed the rest of them out of Tower, and when Dick strayed away from the rest of the group, his head on a swivel as he glanced back and forth, seemingly wanting to assure that none of the others were following him - you followed your gut instincts and went after him. 

You hid in the shadows and the moment that Deathstroke hit the button and those panels scrolled up, revealing Jason stranded on that scaffolding - you couldn’t help yourself. 

“Jason!” 

You screamed out his name, you leapt forward. 

Dick didn’t have time to scold you, not before the gunfire started. 

Kory came out of nowhere - seemingly, she had the same idea as you. Putting her life on the line for an emotionally repressed man that she hadn’t admitted her feelings for. But she was there because she was in love with the other Robin. (Or rather, a man who claimed over and over again that he wasn’t Robin.) 

Things quickly became a blur - flashes of flame as Kory fought, battling with the muzzle flashes from Deathstroke’s guns, limbs flying as they fought each other. You didn’t see it, but Deathstroke raised and aimed at you as you rushed toward the window, blindly going after Jason. In response, Dick charged forward, redirecting the gun as he pulled the trigger. You heard the sharp ‘ping’ sound of metal on metal - what you couldn’t see was the bullet hitting one of the metal beams in the ceiling. But you certainly felt it when it sliced into your side. 

At the time, it was nothing compared to the fear you felt for Jason. 

His eyes were wide with terror, and you could only focus on getting him to safety. You had no idea that a large part of his panic came from seeing you in the building. He had hoped that Dick would keep you away from all of this. But there you were, standing a few feet away from a man with a gun who was shooting around wildly. Jason would have delighted in being dropped off the building to his death if he had to see you get fatally shot when he could do nothing but squirm on the other side of the glass. 

You put two hands on the glass, banging on it - of course, it was no use. It was inches thick, meant to keep people from going through it at this height. Working entirely on instinct, you put your palms flat across it and began forming ice crystals over it, hoping to make it rigid and breakable if it was frozen. 

Once there was enough ice, you quickly looked around and spotted a metal pipe there for the in-progress construction of the building, so you grabbed it and rushed to smash the glass with it. You felt victorious as it shattered, and Jason flinched away from the shards, putting you one step closer to freeing him. 

Though the moment the glass was cleared, leaving the wind whipping around you, his first words of greeting to you were not celebratory. 

“What the hell are you doing here?” He barked at you, clearly angry with you. 

You felt a dull ache in your chest at this. You thought he might be relieved, happy, pleased. At the time, you couldn’t interpret his harsh reaction as worry for you possibly getting hurt. 

Nonetheless, you ignored his harshness. You would save him, whether he wanted to be saved or not. You draped your body through the window, reaching out to him. You made an effort to keep most of your weight planted on the floor of the building, in case the scaffolding wasn’t stable enough to hold two people at once. 

“What do you think?” You replied, pure sarcasm dripping through your voice as you reached behind Jason and began fiddling with the rope around his wrists. 

The position put the two of you in intensely close proximity. Jason caught a whiff of your unique scent, the shower gel you used that mingled with your body’s natural oils; and he felt so painfully at home. For the first time that night, he held back tears. He couldn’t help but to lean his forehead on your shoulder, taking comfort in having you so near after being on edge and terrified for so many hours. You resisted the urge to run a hand through his hair, to cradle him and give him further comfort. You forced yourself to focus on the task at hand - getting him to safety. 

Behind you, at the very back of the room, Dick and Deathstroke wrestled with the remote for the explosives attached to the scaffolding. 

Just as you managed to get Jason’s wrists freed, Deathstroke hit the switch, and the bombs went off. 

… 

You winced loudly as Jason dabbed at the wound with disinfectant. 

“I would say sorry… but, you’ll thank me later when this isn’t swollen and leaking puss.” He told you, throwing you a small smirk. 

It was smug. It was the usual kind of humor that he gave you. 

It was comforting to know that every trace of the Jason you knew hadn’t been stolen by Deathstroke. 

You held your breath as he pressed down with the medicine-covered gauze again, drawing much less of a reaction out of you this time. 

“Great mental image, Jay.” You replied, your voice dull. It lacked any of the true bite you wanted to deliver in response to him. “I’m sure it’s such a turn-on thinking about my puss.” 

It was meant to be a joke. But even unconsciously, it was an acknowledgement of that dangerous line - the line between truly caring and just using someone for sex. The line between having someone in your life as a body to get off with, and being so… homely with them. 

You and Jason were towing that line dangerously. It was a thread that you were balancing on, and it would either break, or you would cross to the other side and be forever bonded to him. 

Jason shrugged. “Maybe I don’t have to be turned on by you all the time.” 

There was more stuck in his throat. Another dangerous acknowledgement of that line. 

‘Maybe I just have to care.’ 

Both of you lulled into silence because neither of you dared to say it. 

After a few moments, Jason put down the gauze and hesitated to reach for the tweezers. He knew that pulling the bullet out would be painful, but inevitable. It was a lot like the state of your relationship with him. Break it off, and find happiness elsewhere, or acknowledge this big thing swelling to fruition between the two of you. Have Jason fuck it up eventually. Painful, but inevitable. 

“You shouldn’t have to be hurt like this.” Jason said quietly. “You shouldn’t have gotten hurt for my sake.” 

There it was again - words with a dangerous double meaning. 

You looked up at him, pure pain knit across his face, and for a moment he looked from the tweezers to you and he could hardly stand holding your gaze. 

‘It’s worth it.’ You wanted to say. ‘For you, I’d bear any pain.’ 

The words lived and died behind your eyes, and your tongue decided on something else entirely. 

“It’s nothing.” You told him. 

You downplayed the pain, pretending that the injury was only a minor inconvenience for you. And in the grand scheme of life, it was. With time, it would heal. Losing Jason would be something you’d never heal from. 

Jason shook his head at this statement. 

He forced himself to reach for the tweezers then. He handed you his phone, a silent agreement that you would hold the light as steady as you could. He knew you well, too well, and he knew that you needed something else to focus on to push away the pain. He put his free hand on the plush of your stomach, pulling back slightly to hold the wound open while you held the light on it. 

When the sharp metal of the tweezers breached your wound, you wanted to swear. You wanted to call him an asshole as the pain shot through you. You wanted to scold him for leaving the Tower and being kidnapped in the first place. But you knew that even if it was playful or sarcastic, fueled by the bite of your pain, it was not what he needed to hear right now. So instead, you held your breath, and gripped his phone hard, keeping the light steady as you bared the sharp shocks of pain. 

After a moment of digging around that felt like an eternity, he pulled out the fragment and held it up to show you as you collapsed back against the bed, panting with tears stinging the edges of your eyes. 

“It’s not nothing.” He declared sharply. 

You couldn’t conjure a response. You knew he was right. And you didn’t want to be forced to admit it. 

Instead, you turned off the light from his phone and relaxed into the bed, closing your eyes as he walked around to the trashcan and threw out the bullet fragment. It fell into the bottom of the plastic wastebasket with a very small ‘ping’ - making you wonder how something so small could cause so much trouble. 

Jason quickly returned to you, dabbing more disinfectant into the wound in a way that made you groan and flex away from the touch. Once again, he did not apologize. 

There were a few moments of muddy silence with nothing but your slightly labored breathing, trying to contain your sounds of pain so as to not make him feel any further guilt about the whole incident. 

Your mind churned, and you couldn’t help the next words that came from your mouth. 

“I meant what I said.” You told him. 

At the sound of this, his hands immediately stilled. You felt his eyes on you, and you forced yourself to open your own and look up at him once again. He stared you down with intense examination. He looked for any ounce of falsity, any sign that you were lying, even posturing to make him feel better after everything that had happened. 

He didn’t find any. 

You thought he might acknowledge you, that he might say something back to return your mighty words. Instead, he simply reached for more gauze, and began putting a final bandage on your wound. 

… 

The explosion caused a sharp rattle through your ears. It shocked you and made you dizzy and put the whole world off-kilter. The only thing you could perceive past the mind-numbing hum in your brain was the feeling of Jason’s rough glove gripping tightly onto your wrist, so you gripped back as hard as you could. 

When you blinked open your eyes, you were half-hanging out of the open window, the edge of the floor cutting into your waist as you held onto Jason by nothing but his wrist. His whole body weight created a harsh burn, straining on the muscles in your shoulder as you watched him dangle hundreds of feet above the street. 

Panic flooded you. 

You scrambled to reach out with your other hand, and the moment you moved, your shirt slipped against the sleek, polished material of the floor and you began sliding out the window. You gasped and Jason stilled his panicked flailing immediately. 

“Don’t move!” He shouted. 

“Give me your other hand so I can pull you up!” You shouted back. 

Beyond the unpleasant hum of your eardrums rattling, you still heard chaos behind you. Gunshots, the grunts of fighting, Kory and Dick’s voices yelling. They were busy with Deathstroke, they couldn’t help you or Jason. 

Jason looked up at you with glassy eyes. 

He knew that with all his gear weighing him down, even with the training you had been doing, you wouldn’t be able to pull him up. Not by yourself. And if you weren’t careful, his body weight would just pull you out of the window and cause you to go tumbling down to your death along with him. 

When you saw that frown etch across his lips, that filthy look of dawning - you glared at him. 

“Give me your other hand!” You screamed, your voice raking across your throat like hot coals. A hot boiling rage at the fact that he seemed almost determined to die. 

There was one thing he was determined about. If he was going to die, he wasn’t going to take you down with him. 

His gloved wrist started to slip from your nervous, sweaty palm, and you tried hard to hold on tight. You formed large shards of ice, hoping you could create some kind of bond there by freezing your hand to his. But it would only be temporary with gravity trying to tear the two of you apart. 

“You have to drop me, Y/N.” He said, nothing but pure mourning on his lips. “I’m dead weight.” 

You both knew it was a horrendous double meaning. 

He thought he was a dead weight to your life. 

“No!” You immediately defied this thought, that feral rage ripping at your throat once again. “I’m gonna pull you up. I’m gonna pull you up!” 

You reached your other hand down and tightly wrapped both of your hands around his wrist, yanking upward. The harsh movement caused you to slide even further out the window. You were now dangling dangerously over San Francisco with only the thickness of your thighs giving you any real stability on the intensely high up floor. It made you dizzy, and the only thing you had to focus on were the wet wells of Jason’s eyes staring up at you. 

“It’s no use!” Jason said tearfully. 

You ignored him. 

You cast your chin over your shoulder, and began shouting. 

“Help me!” You screamed, trying desperately to get the attention of Dick or Kory. “Help me! Fuck!” 

“You have to let go.”

Jason’s words immediately shifted your focus back to him. 

But of course, you refused. 

“I’m not letting go of you!” You declared sharply. “Not that easily.” 

As he stared up at your tearful eyes, he knew that you meant it as more. 

Unfortunately, it was the one thing he was terrified of. 

He thought that you saw him as some shiny perfect thing, something good and worth having in your life. He thought that you were incapable of seeing the poison, the true fuck-up that he was. If you didn’t let go of him, sooner or later, just like everyone else in his life, you were going to get burned. 

So Jason did what he had to do. 

He began prying your fingers off his wrist, trying his best to keep you stable while he forced himself from your grip. 

“No!” You shrieked. “No, no, no-” 

You didn’t have much room to fight him about it without falling out of the window yourself. 

You made a move to readjust, to get a tighter grip on him - and it was the one deadly move that caused him to slip out of your touch completely. 

You were forced to watch on in chest clenching horror, blinking through heavy tears as he began hurtling toward the ground. 

… 

If not for Conner - a literal miracle - swooping in and saving Jason at the last second, then you would have spent the rest of your life regretting those moments, wondering what you could have done differently to save him. 

When Jason finished taping down the bandages, making sure the wound was clean and secure, he laid his palm flat on top of it. It was a kind of ‘kissing it better’ that instantly spread warmth curling through your gut. It was a touch so incredibly tender - especially compared to the heated, aggressive groping you were used to from him - that it caused a whimper from the back of your throat. 

You knew it was unlikely, but you hoped that he hadn’t heard it. 

“All done.” He said quietly. 

You instantly felt regret when he took his hand away and began tidying up the medical supplies. But you forced yourself to sit upright, now feeling only muscle soreness and a much duller pain coming from the area. You felt intensely thankful for his care as you pulled your shirt back down, righting your clothes back into place. 

“You’re free to go now.” Jason told you, his voice still low, as though a single decibel would shatter the delicate peace between the two of you. 

You felt your heart sink. 

In an instant, you understood what it was - he was concerned about your physical wellbeing, but he didn’t actually want to have you around. Just like his reaction to you showing up at the hostage exchange - he didn’t want your presence there. 

You heaved a sigh and got off the bed as Jason busied himself with gathering up the used gauze to throw it away. As you put your hand on the doorknob, you couldn’t quite bring yourself to leave. 

It was something else. 

It had to be something else. 

Jason hadn’t let himself drop off a building in some desperate ploy just to get away from you. He had been trying to save you. 

He was so utterly willing to give his life for yours. 

And now he was trying to back down from that. 

You turned and faced him, leaving the door closed. When he turned from ditching things in the wastebasket, he froze. He was entirely surprised that you were still there.

The two of you locked eyes, both staying still - like a predator and prey locked in a stalemate, wondering who would run first. 

In this situation, you weren’t sure who was the prey. 

You were both so vulnerable. 

Jason thought it would be selfish to get caught up in all of this, to finally admit those dangerous feelings he had for you. When he cared for things, he usually ended up breaking them. Of course, it was never on purpose - he was an idiot. Everything he touched, he fucked up. He had made that more than evident with his last braindead plan, the outing to prove that he was worthy of being Robin. Something that had gotten you shot, probably could have gotten you killed. 

If you stuck with him any longer, you probably would end up being killed. And he would never forgive himself for that. 

He would be better off ripping himself from your hold, as much as it hurt. Giving you a dose of that heartbreak now so that you could get over him and go after better things. 

As you stared at Jason, you could see all the pain boiling underneath his surface. You wondered what he was thinking, what the hell he was churning over in that intense brain of his - but you didn’t dare to ask. 

You knew that he needed to be held right now - in every sense of the word. You knew that he needed to be cared for the way he had cared for your wound, pushing past the pain in order to heal. You wondered if he would lay down and bear it or if he would continue to fight you. 

You were the one to bravely step forward. Though Jason was tempted to ask you to leave, that thing inside of him yearning to marinate in his isolation because he deserved it, he pushed it down. He let his hands naturally come to sit on the plush comfort of your waist as you put a gentle touch on both his shoulders, leaning into his body ever so slightly. 

You laid your forehead on his cheek, right next to that ugly bruise that had been left on him, and he let out a contented sigh as he felt your warmth envelope him. For the first time since his feet had touched the ground, he felt calm. He felt safe. 

You smoothed a hand across his shoulder, and raised your head, using your touch to gently tip his face toward yours. He quickly realized that your intention was to kiss him. And something ached in his heart - something painful and longing. He knew that it would not be needy and haste with the intention of pile-driving toward sex like your other kisses had been. He knew that it would be the metamorphosis of your relationship that he was not prepared to go through. 

He nuzzled along your forehead, gently stopping you. 

“Please don’t do this.” He murmured quietly into your skin. 

He knew that it would break him. 

He knew that this was the moment - like Gatsby reaching up toward the stars - this would be the moment that he was tied to you forever, damned by his love for you. Only, much different than Gatsby, he wasn’t destined for some grant fate if he didn’t have you. He was on a one way path to a messy death, and he was determined not to take you down with him. 

Tears pricked the edges of his eyes at the thought. 

You pulled back, just enough to properly look him in the eyes, and your own tears formed when you saw that pathetic puppy dog looking back at you. 

“Why not?” You demanded, much sharper than you intended. You knew he was fragile and you didn’t want to upset him any further than he already was. 

“You know why.” He replied, his voice barely scraping above a whisper as the emotion clutched at his throat. 

Jason wanted to hold onto you forever, but he was also a realistic person. He expected that any minute now, you would rip away from his arms and charge out the door, entirely angry with him, and this would finally be over. You would finally be safe from him - safe from any nasty fate his life could conjure up for you. 

You hated what he was asking of you - asking you not to care for him anymore. As if you could somehow switch it off. Impossible. 

“I meant what I said.” You repeated yourself, still entirely firm in this conviction. “I’m not gonna let you go that easily.” 

You leaned in, planting your lips on his in a light kiss. A pained sigh ripped through you when he didn’t make any moves to kiss you back. 

“Jason, please.” You whimpered out desperately. “If you get to bandage my bullet wound, then I get to do this.” 

Jason wanted to spell it all out for you, plain and dirty. He wanted to get angry, he wanted to scream. He wanted to rush along the inevitable. He wanted to tell you what a poison he was to the world, that he deserved to die and you deserved better things. But he had the utmost feeling that you wouldn’t listen. 

“Please, stop pushing me away.” You whispered against his lips. 

Instead, he listened to your plea. He let himself indulge in this selfish softness for once. 

He reached up and grabbed your jaw, pulling you into a firmer kiss, declaring every ounce of passion and terror that he was feeling in those moments. You answered it all right back - digging your fingers into the shoulders of his shirt, letting out a hot huff against his cheek as you leaned into his body. 

He would never be perfect - but he was yours.

...

PLEASE NOTE: I do have a sequel in mind for this, but I don't know when I am going to have it finished and posted. Please do not ask me to write more of this or ask me when the sequel will be coming. If you are going to comment, please comment about the body of work here that I have already written.

[afteraftercare]

billie x VS angel HC ?

- Thank you 💖

Billie x Victoria Secret Angel Head canons !!

Authors note: to the anon who requested this i NEED to know who you are because i am OBSESSED with the idea of this. i might even make a full fic inspired this soo stay tuned for that (maybe idk i lie a lot LMAO)

Warnings: not proof read

swf :

GETTING BOOKED FOR THE SHOW:

when you find out that your gonna have a runway show coming up in a few months you immediately get into that mindset

even though your excited you start worrying a lot more and becoming overwhelmed and stressed 

you start stressing out a lot about working out and your appearance and making sure your fit in time for the runway

billie notices and sees how much your over working yourself and assures you that you dont need to stress

"what are you doing?" billie asks you as she stands by your door. your currently laying down in a starfish position on your wooden floor, face pouring sweat and your cheeks flushed red.

"im getting ready for the runway, you know this." you remind her. "the runway isnt until 2 months from now?" billies eyebrows furrow in confusion as she begans to enter the room more. you sigh, "i know but all the other girls have such pretty fit bodies and i wanna be prepared in advance. i wanna look like them." you tell your girlfriend. you look up at her with pleading eyes. billie looks down at you softly.

she sits down next to you, "baby what? your the prettiest girl on that entire runway. the other girls probably worry about looking like you. stop stressing about this you look absolutely gorgeous the way you are." 

billies always constantly assuring you that you look gorgeous and especially even more gorgeous than all the other models (because she genuinely thinks that)

RIGHT BEFORE THE SHOW: 

billie always comes to your shows and you even sneak her backstage all the time so she can watch you get ready for the show

you always make sure billie gets front row seats to your shows so she can see you better

billie always makes you matcha tea right before your shows 

she watches you as you get your makeup and hair done. taking in how beautiful you truly are.

when shes backstage you make sure to keep your robe on tight so she doesnt get a sneak peak at your outfit until your out on the runway

THE SHOW: 

billie obviously is only there for you so when the other girls come out she's usually very bored and looks extremely uninterested 

when you come out she can finally see what was under your robe the whole time. shes taken aback. completely in awe. starring at you with blown out pupils. thinking to herself "how did i get so lucky?"

you make sure to make direct eye contact with her when you come out. giving her an ever so slight smirk and looking away. posing in very seductive poses for the show, but also for your girlfriend

she always take photos of you with her phone when your on the runway. if the show yall are at doesnt allow phones she will sneakily get photos of you anyways

AFTER THE SHOW: 

billie always tries to get you some type of gift after all your shows. usually containing a bouquet of flowers and your favorite drink/snack

after the show you immediately run to her and try to find her. once you do you run into her arms and give her a huge hug

she absolutely praises the FUCK out of you

"baby you looked SO good out there holy shit" 

"really?"

"absolutely."

she tells her all about her favorite looks with you and her favorite things about what you did

nsfw : 

when billie sees you out on the runway in you revealing clothes it gets her hot. immediately feelings herself clench her thighs together for some type of relief

all she can think about is how good youd look like that in her room together alone

or she thinks about how good id look on her bedroom floor..

in the car ride home she has her hands rubbing on your thigh. wanting to just take you there in the car but patiently keeping it together.

the second yall get home (or to the hotel) after your shows, billies hands are all over you.

you always wear your runway looks under your clothes home so when you get home you can give billie her own show.

once she starts tearing your clothes off and realizes you still have your runway lingerie on she gets super happy

"god, you looks so hot on stage in this.. even hotter right now for me."

she usually just ends up fucking you in the lingerie. its too hot not to for her

she always makes sure to call you her little "angel"

you'd pretend like you hated it but deep down you absolutely loved it

once yall are finished she always tells you "you have to wear this again for me, you look so good baby." 

and you always keep that in mind for the future

TAGLIST (dm,inbox,or comment to be added!) : @muchloveforhacker @chrissv4mp @mseilishmwah @chrissfawn @dev-sturns